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Tiffany N. Florvil examines the role of queer and straight women in shaping the contours of the modern Black German movement as part of the Black internationalist opposition to racial and gender oppression. Florvil shows the multifaceted contributions of women to movement making, including Audre Lorde’s role in influencing their activism; the activists who inspired Afro-German women to curate their own identities and histories; and the evolution of the activist groups Initiative of Black Germans and Afro-German Women. These practices and strategies became a rallying point for isolated and marginalized women (and men) and shaped the roots of contemporary Black German activism.

Richly researched and multidimensional in scope, Mobilizing Black Germany offers a rare in-depth look at the emergence of the modern Black German movement and Black feminists’ politics, intellectualism, and internationalism.

Examines how India’s cattle underwent profound changes during the years of British colonial rule.

Drawing on extensive, untapped archives, Modern Cowsand Bovine Transformations illustrates the radical remaking of India’s cattle against the backdrop of colonial policies, environmental change, and anticolonial politics. Historian David Arnold examines the history of cows in India from 1790 to 1950, focusing on science, technology, and medicine to provide a secular account of imperial animal husbandry.

Doing justice to the wide variety of Indian cattle breeds, Arnold unpacks “bovine technology” and its subaltern linkages, covering topics such as the role of cattle in agriculture and the military; haulage and transport; breeding strategies; bacteriology and nutrition science, and India’s milk revolution. He also examines the dispersal of Indian cattle around the globe and the role that colonial policies played in spreading knowledge of Indian cattle breeds and facilitating their export. Finally, he addresses the “cattle crisis” brought on by famines, droughts, and disease, and disputes between colonial rulers and Hindu nationalists. He concludes with the impact of World War II and Partition on bovine populations, illustrating the consequences for independent India’s attempts to restore the milk supply and rebuild cattle breeds while also respecting the Hindu cow protection agenda. In the end, Arnold argues, the history of cattle in India provides us with a new way of understanding the power of the colonial state, its ambitions to transform India, its appropriation of the Indian subcontinent’s resources, and the myriad contradictions of its policies.

This book examines the entwined and simultaneous rise of graphic satire and cultures of paper money in late eighteenth- and early nineteenth-century Britain. Asking how Britons learned to value both graphic art and money, the book makes surprising connections between two types of engraved images that grew in popularity and influence during this time. Graphic satire grew in visual risk-taking, while paper money became a more standard carrier of financial value, courting controversy as a medium, moral problem, and factor in inflation. Through analysis of satirical prints, as well as case studies of monetary satires beyond London, this book demonstrates several key ways that cultures attach value to printed paper, accepting it as social reality and institutional fact. Thus, satirical banknotes were objects that broke down the distinction between paper money and graphic satire ​altogether.

This volume of essays intends to present diverse aspects of monotheistic kingship during the Middle Ages in two general-theoretical articles and a series of “case studies” on the relationship of religion and rulership. The authors discuss examples of the role of religion—based on both textual and iconic evidence—in Carolingian, Ottonian and late medieval western Europe; in Byzantium and Armenia; Georgia; Hungary; the Khazar Khanate; Poland, and Rus’. Two studies explore the issue in medieval Jewish and Islamic political thought. The editors hope that these special inquiries will engender more comparative studies on the subject.

From the very first weeks of Russia’s large-scale attack on Ukraine in February 2022, Russian soldiers, politicians, and proxy administrators expended considerable effort interacting with monuments on newly occupied territory. Why did the invaders care enough about war memorials to divert scarce resources to destroying, maintaining, or building them amid a massive war? Why did they remove some memorials and spare others? What was the point of commemorating past victories and defeats while bombing Ukrainian cities, and how did commemorative ceremonies in the occupied territories

change over the first year of the war? What was the broader impact of monument-related practices beyond the local settings in which they occurred? And what does the Ukrainian case teach us more generally about how memorials to past wars can be used to justify new conquests? These are some of the questions this book explores, based on fieldwork in occupied Ukraine and online research.

How Africa was perceived in the early modern imaginary

In this first book to study Portuguese texts about Africa, Moorings brings an important but little-known body of European writings to bear on contemporary colonial thought. Images of Africa as monstrous, dangerous, and lush were created in early Portuguese imperial writings and dominated its representation in European literature. Moorings establishes these key works in their proper place: foundational to Western imperial discourse.

Collecting the interpretations of outstanding writers on the literature and history of modern Britain, this book deals with a rich variety of themes, some familiar, many unexpected, taking the reader on a highly engaging excursion through British life and intellectual biography. The scope includes not only the personalities, politics, and culture of England, Wales, Scotland, and Ireland, but also the interaction of British and other societies throughout the world.

Illuminating and astute, Movie Workers is a first-of-its-kind examination of the unsung women whose invisible work brought British filmmaking to the screen.

The story of Wolfgang Amadeus Mozart’s precocity is so familiar as to be taken for granted. In scholarship and popular culture, Mozart the Wunderkind is often seen as belonging to a category of childhood all by himself. But treating the young composer as an anomaly risks minimizing his impact. In this book, Adeline Mueller examines how Mozart shaped the social and cultural reevaluation of childhood during the Austrian Enlightenment. Whether in a juvenile sonata printed with his age on the title page, a concerto for a father and daughter, a lullaby, a musical dice game, or a mass for the consecration of an orphanage church, Mozart’s music and persona transformed attitudes toward children’s agency, intellectual capacity, relationships with family and friends, political and economic value, work, school, and leisure time.
 
Thousands of children across the Habsburg Monarchy were affected by the Salzburg prodigy and the idea he embodied: that childhood itself could be packaged, consumed, deployed, “performed”—in short, mediated—through music. This book builds upon a new understanding of the history of childhood as dynamic and reciprocal, rather than a mere projection or fantasy—as something mediated not just through texts, images, and objects but also through actions. Drawing on a range of evidence, from children’s periodicals to Habsburg court edicts and spurious Mozart prints, Mueller shows that while we need the history of childhood to help us understand Mozart, we also need Mozart to help us understand the history of childhood.

Catherine Horel has undertaken a comparative analysis of the societal, ethnic, and cultural diversity in the last decades of the Habsburg Monarchy as represented in twelve cities: Arad, Bratislava, Brno, Chernivtsi, Lviv, Oradea, Rijeka, Sarajevo, Subotica, Timișoara, Trieste, and Zagreb. By purposely selecting these cities, the author aims to counter the disproportionate attention that the largest cities in the empire receive.

With a focus on the aspects of everyday life faced by the city inhabitants (associations, schools, economy, and municipal politics) the book avoids any idealization of the monarchy as a paradise of peaceful multiculturalism, and also avoids exaggerating conflicts. The author claims that the world of the Habsburg cities was a dynamic space where many models coexisted and created vitality, emulation, and conflict. Modernization brought about the dissolution of old structures, but also mobility, the progress of education, the explosion of associative life, and constantly growing cultural offerings.

Tracing the development of Berlin as a center of music from the eighteenth century to the present, examining how its music survived despite its turbulent history.

Berlin is a music-lover’s paradise, offering up everything from operas to raves. Yet unlike Vienna, Leipzig, or even Nashville, Berlin does not immediately come to mind as a city of music. Instead, its turbulent history evokes images of industry, commerce, militarism, destruction, division, and resurrection. Over the past three centuries, Berlin was the capital of a kingdom, an empire, a republic, and a dictatorship; it was ravaged by war and occupied by foreign powers; and its division and reunification made it a powerful symbol of the Cold War. Through all these highs and lows, the music played on. Music Metropolis Berlin is the first full-length exploration of how Berlin became a city of music against all odds. 

Unlike the other European music centers that stake their reputations on the fame of composers like Bach or Beethoven, Berlin is known for its ensembles, artists, theaters, organizers, intellectuals, and media stars. This is because Berlin took a very different, and almost accidental, route to becoming a city of music. Hampered for centuries by rulers who were more focused on military and industrial expansion than on cultural prestige, Berlin’s musical life prospered thanks to the ambitions of entrepreneurs and politicians who saw the value in serving the ever-changing music public in an expanding urban landscape. By focusing on Berlin as a rapidly developing global capital, Music Metropolis Berlin looks beyond the music, its creators, and its institutions to reveal how political, economic, and social forces fueled the creation of the Berlin metropolis and continue to nurture a vibrant and diverse musical life. 
 

What does music in Portugal and Spain reveal about the relationship between national and regional identity building? How do various actors use music to advance nationalism? How have state and international heritage regimes contributed to nationalist and regionalist projects? In this collection, contributors explore these and other essential questions from a range of interdisciplinary vantage points. The essays pay particular attention to the role played by the state in deciding what music represents Portuguese or Spanish identity. Case studies examine many aspects of the issue, including local recording networks, so-called national style in popular music, and music’s role in both political protest and heritage regimes. Topics include the ways the Salazar and Franco regimes adapted music to align with their ideological agendas; the twenty-first-century impact of UNESCO’s Intangible Cultural Heritage program on some of Portugal and Spain's expressive practices; and the tensions that arise between institutions and community in creating and recreating meanings and identity around music.

Contributors: Ricardo Andrade, Vera Marques Alves, Salwa El-Shawan Castelo-Branco, Cristina Sánchez-Carretero, José Hugo Pires Castro, Paulo Ferreira de Castro, Fernán del Val, Héctor Fouce, Diego García-Peinazo, Leonor Losa, Josep Martí, Eva Moreda Rodríguez, Pedro Russo Moreira, Cristina Cruces Roldán, and Igor Contreras Zubillaga