Edited by Kathryn E. O'Rourke
University of Texas Press, 2019
Winner, Publication Award, Southeastern Chapter of the Society of Architectural Historians (SESAH), 2019
Acclaimed for his designs of the Trinity University campus, the Little Chapel in the Woods, the Texas Instruments Semiconductor Components Division Building, and numerous private houses, O’Neil Ford (1905–1982) was an important twentieth-century architect and a pioneer of modernism in Texas. Collaborating with artists, landscape architects, and engineers, Ford created diverse and enduringly rich works that embodied and informed international developments in modern architecture. His buildings, lectures, and teaching influenced a generation of Texas architects.
O’Neil Ford on Architecture brings together Ford’s major professional writings and speeches for the first time. Revealing the intellectual and theoretical underpinnings of his distinctive modernism, they illuminate his fascination with architectural history, his pioneering uses of new technologies and construction systems, his deep concerns for the landscape and environment, and his passionate commitments to education and civil rights. An interlocutor with titans of the twentieth century, including Louis Kahn and J. Robert Oppenheimer, Ford understood architecture as inseparable from the social, political, and scientific developments of his day. An introductory essay by Kathryn E. O’Rourke provides a critical assessment of Ford’s essays and lectures and repositions him in the history of US architectural modernism. As some of his most important buildings turn sixty, O’Neil Ford on Architecture demonstrates that this Texas modernist deserves to be ranked among the leading midcentury American architects.
Jami Bartlett
University of Chicago Press, 2016
Katherine Behar
University of Minnesota Press, 2016
The essays in Object-Oriented Feminism explore OOF: a feminist intervention into recent philosophical discourses—like speculative realism, object-oriented ontology (OOO), and new materialism—that take objects, things, stuff, and matter as primary. Object-oriented feminism approaches all objects from the inside-out position of being an object too, with all of its accompanying political and ethical potentials.
This volume places OOF thought in a long history of ongoing feminist work in multiple disciplines. In particular, object-oriented feminism foregrounds three significant aspects of feminist thinking in the philosophy of things: politics, engaging with histories of treating certain humans (women, people of color, and the poor) as objects; erotics, employing humor to foment unseemly entanglements between things; and ethics, refusing to make grand philosophical truth claims, instead staking a modest ethical position that arrives at being “in the right” by being “wrong.”
Seeking not to define object-oriented feminism but rather to enact it, the volume is interdisciplinary in approach, with contributors from a variety of fields, including sociology, anthropology, English, art, and philosophy. Topics are frequently provocative, engaging a wide range of theorists from Heidegger and Levinas to Irigaray and Haraway, and an intriguing diverse array of objects, including the female body as fetish object in Lolita subculture; birds made queer by endocrine disruptors; and truth claims arising in material relations in indigenous fiction and film. Intentionally, each essay can be seen as an “object” in relation to others in this collection.
Contributors: Irina Aristarkhova, University of Michigan; Karen Gregory, University of Edinburgh; Marina Gržinić, Slovenian Academy of Science and Arts; Frenchy Lunning, Minneapolis College of Art and Design; Timothy Morton, Rice University; Anne Pollock, Georgia Tech; Elizabeth A. Povinelli, Columbia University; R. Joshua Scannell, CUNY Graduate Center; Adam Zaretsky, VASTAL.
Sandra Harding
University of Chicago Press, 2015
Edited by Hanna B. Hölling
Bard Graduate Center, 2021
Charlie Keil
Rutgers University Press, 2027
When David Bordwell died in 2024, he left behind a legacy of film scholarship and criticism whose influence is unmatched. Coauthor of a pair of textbooks adopted across the globe and the main force behind a blog read by thousands, Bordwell has influenced generations of film students, filmmakers, and film critics. Observing Film Art examines the breadth of Bordwell’s work through the perspectives of those who knew him best, collaborators, former students, and critics among them. This is the first collection devoted to the work of Bordwell, and it gives equal attention to each facet of his prodigious scholarship, structured to highlight his interest in theory, history, and analysis and criticism. The cornerstones of his approach to film study, including formalism, cognitivism, and historical poetics, are all examined in detail, as are key works, including The Classical Hollywood Cinema (coauthored with Kristin Thompson and Janet Staiger) and Narration in the Fiction Film.
Jean-Paul Sartre
Seagull Books, 2021
Tsering Woeser. Edited and Translated by Fiona Sze-Lorrain with Dechen Pemba.
Duke University Press, 2026
Wiggins, Ellwood
Bucknell University Press, 2019
Thomas Harrison
University of Chicago Press, 2021
Offers a philosophical history of bridges—both literal bridges and their symbolic counterparts—and the acts of cultural connection they embody.
“Always,” wrote Philip Larkin, “it is by bridges that we live.” Bridges represent our aspirations to connect, to soar across divides. And it is the unfinished business of these aspirations that makes bridges such stirring sights, especially when they are marvels of ingenuity.
A rich compendium of myths, superstitions, and literary and ideological figurations, Of Bridges organizes a poetic and philosophical history of bridges into nine thematic clusters. Leaping in lucid prose between distant times and places, Thomas Harrison questions why bridges are built and where they lead. He probes links forged by religion between life’s transience and eternity as well as the consolidating ties of music, illustrated by the case of the blues. He investigates bridges in poetry, as flash points in war, and the megabridges of our globalized world. He illuminates real and symbolic crossings facing migrants each day and the affective connections that make persons and societies cohere. In readings of literature, film, philosophy, and art, Harrison engages in a profound reflection on how bridges form and transform cultural communities. Of Bridges is a mesmerizing, vertiginous tale of bridges both visible and invisible, both lived and imagined.
Mohammed Bamyeh
Northwestern University Press, 2007
Death is the opposite not of life, but of power. And as such, Mohammed Bamyeh argues in this original work, death has had a great and largely unexplored impact on the thinking of governance throughout history, right down to our day. In Of Death and Dominion Bamyeh pursues the idea that a deep concern with death is, in fact, the basis of the ideological foundations of all political systems.
Concentrating on four types of political systems—polis, empire, theocracy, and modern mass society systems—Bamyeh shows how each follows a specific strategy designed to pit power against the equalizing specter of death. Each of these strategies—consolation, expansion, preparation, and repression—produces a certain style of political behavior, as well as particular psychic traumas. In making his argument, Bamyeh revisits a wide range of empirical and theoretical discussions in existentialist philosophy, psychoanalysis, comparative historical sociology, literary studies, and anthropology. By demonstrating how schemes of power are by definition also schemes for defying death—despite their claims to the contrary—his book encourages us to think of a new style of politics, one oriented toward life.
David Wood
Northwestern University Press, 1993
Michael Marder
Northwestern University Press, 2026
Pieter R. Adriaens and Andreas De Block
University of Chicago Press, 2022
Maryse Condé
Seagull Books, 2019
Michel Meyer
University of Chicago Press, 1995
Jacques Derrida
University of Chicago Press, 1989
Jacques Derrida
University of Chicago Press, 1990
Étienne Helmer
University of Chicago Press, 2024
Edited by Lindy Brady
Arizona Center for Medieval and Renaissance Studies, 2021
Old English Tradition contains eighteen new essays by leading scholars in the field of Old English literary studies. The collection is centered around five key areas of research—Old English poetics, Anglo-Saxon Christianity, Beowulf, codicology, and early Anglo-Saxon studies—on which the work of scholar J. R. Hall, the volume’s honorand, has been influential over the course of his career.
The volume’s contents range from fresh insights on individual Old English poems such as The Wife’s Lament and Beowulf; new studies in Old English metrics and linguistics; codicological examinations of individual manuscripts; fresh editions of understudied texts; and innovative examinations of the role of early antiquarians in shaping the field of Old English literary studies as we know it today.
Frederic R. Kellogg
University of Chicago Press, 2018
Darin Weinberg
Duke University Press, 2024
Ilya Kabakov
University of Chicago Press, 2018
Lucius Annaeus Seneca
University of Chicago Press, 2011
Lucius Annaeus Seneca (4 BCE–65 CE) was a Roman Stoic philosopher, dramatist, statesman, and advisor to the emperor Nero, all during the Silver Age of Latin literature. The Complete Works of Lucius Annaeus Seneca is a fresh and compelling series of new English-language translations of his works in seven accessible volumes. Edited by world-renowned classicists Elizabeth Asmis, Shadi Bartsch, and Martha C. Nussbaum, this engaging collection restores Seneca—whose works have been highly praised by modern authors from Desiderius Erasmus to Ralph Waldo Emerson—to his rightful place among the classical writers most widely studied in the humanities.
On Benefits, written between 56 and 64 CE, is a treatise addressed to Seneca’s close friend Aebutius Liberalis. The longest of Seneca’s works dealing with a single subject—how to give and receive benefits and how to express gratitude appropriately—On Benefits is the only complete work on what we now call “gift exchange” to survive from antiquity. Benefits were of great personal significance to Seneca, who remarked in one of his later letters that philosophy teaches, above all else, to owe and repay benefits well.
Harald Weinrich
University of Chicago Press, 2008
Norbert Elias
University of Chicago Press, 1997
Maurice Halbwachs
University of Chicago Press, 1992
How do we use our mental images of the present to reconstruct our past? Maurice Halbwachs (1877-1945) addressed this question for the first time in his work on collective memory, which established him as a major figure in the history of sociology. This volume, the first comprehensive English-language translation of Halbwach's writings on the social construction of memory, fills a major gap in the literature on the sociology of knowledge.
Halbwachs' primary thesis is that human memory can only function within a collective context. Collective memory, Halbwachs asserts, is always selective; various groups of people have different collective memories, which in turn give rise to different modes of behavior. Halbwachs shows, for example, how pilgrims to the Holy Land over the centuries evoked very different images of the events of Jesus' life; how wealthy old families in France have a memory of the past that diverges sharply from that of the nouveaux riches; and how working class construction of reality differ from those of their middle-class counterparts.
With a detailed introduction by Lewis A. Coser, this translation will be an indispensable source for new research in historical sociology and cultural memory.
Lewis A. Coser is Distinguished Professor of Sociology Emeritus at the State University of New York and Adjunct Professor of Sociology at Boston College.
Maurice Halbwachs
University of Chicago Press, 1992
This is an auto-narrated audiobook version of this book.
How do we use our mental images of the present to reconstruct our past? Maurice Halbwachs (1877-1945) addressed this question for the first time in his work on collective memory, which established him as a major figure in the history of sociology. This volume, the first comprehensive English-language translation of Halbwach's writings on the social construction of memory, fills a major gap in the literature on the sociology of knowledge.
Halbwachs' primary thesis is that human memory can only function within a collective context. Collective memory, Halbwachs asserts, is always selective; various groups of people have different collective memories, which in turn give rise to different modes of behavior. Halbwachs shows, for example, how pilgrims to the Holy Land over the centuries evoked very different images of the events of Jesus' life; how wealthy old families in France have a memory of the past that diverges sharply from that of the nouveaux riches; and how working class construction of reality differ from those of their middle-class counterparts.
With a detailed introduction by Lewis A. Coser, this translation will be an indispensable source for new research in historical sociology and cultural memory.
Lewis A. Coser is Distinguished Professor of Sociology Emeritus at the State University of New York and Adjunct Professor of Sociology at Boston College.
Catholic University of America Press, 2011
Eric L. Santner
University of Chicago Press, 2006
Walter D. Mignolo and Catherine E. Walsh
Duke University Press, 2018
Jean-Luc Marion
University of Chicago Press, 1999
Jean-Luc Marion
University of Chicago Press, 2018
Vilém Flusser
University of Minnesota Press, 2014
In On Doubt, Vilém Flusser refines Martin Heidegger’s famous declaration that “language is the dwelling of Being.” For Flusser, “the word is the dwelling of being,” because in fact, in the beginning, there was the word.
On Doubt is a treatise on the human intellect, its relation to language, and the reality-forming discourses that subsequently emerge. For Flusser, the faith that the modern age places in Cartesian doubt plays a role similar to the one that faith in God played in previous eras—a faith that needs to be challenged. Descartes doubts the world through his proposition cogito ergo sum, but leaves doubt itself untouched as indubitable and imperious. His cogito ergo sum may have proved to the Western intellect that thoughts exist, but it did not prove the existence of that which thinks: one can eliminate thinking and yet continue being.
Therefore, should we not doubt doubt itself? Should we not try to go beyond this last step of Cartesian doubt and look for a new faith? The twentieth century has seen many attempts to defeat Cartesian doubt, however, this doubt of doubt has instead generated a complete loss of faith, which the West experiences as existential nihilism. Hence, the emergent emptying of values that results from such extreme doubt. Everything loses its meaning. Can this climate be overcome? Will the West survive the modern age?
Alexius Meinong, translated from the German by Marie-Luise Schubert Kalsi and with a new foreword by John J. Drummond
Northwestern University Press, 1972
Nathan Rotenstreich
University of Chicago Press, 1998
Max Scheler
University of Chicago Press, 1992

Friedrich Nietzsche
St. Augustine's Press, 2004
On the Future of Our Educational Institutions, the work that was to have been Nietzsche's second book until he canceled the contract and used portions in his Untimely Meditations, is a substantial call for radical educational reform presented in the form of a prolonged narrative dialogue. It is presented here in the first English translation ever from the standard critical edition (a little-known translation was made for the Complete Works of 1909, long out of print). Here Nietzsche, through the characters of this prolonged narrative dialogue, starts from a consideration of German educational institutions and rises to a consideration of what is needed for true, or classical, education. Though Nietzsche engages his contemporary world more in this work than in perhaps any other, this engagement is neither arbitrary nor limiting. Starting where one is and has grown up happens to be the necessary grounding of the organic unity that belongs to true culture: "Every so-called classical education has only one healthy and natural starting point, the artistic, serious, and rigorous habituation in the use of the mother tongue. . . . Here where gradually the distinguishing feeling for form and for barbarism awakes, the wing bestirs itself for the first time that carries to the right and sole home of education, to Greek antiquity. Of course we would not come very far with the help of that wing all alone in the attempt to bring ourselves close to that castle of the Hellenic, infinitely distant and enclosed within diamond ramparts: rather anew we need the same leaders, the same teachers, our German classics, in order ourselves to become swept away under the wingbeat of their ancient endeavors to the land of longing, to Greece."
In this dialogue, Nietzsche considers what it would mean to put education, culture, first in priority above all else, above religion, above economics, even above the state. The dialogue's call for educational reform goes so far as to require that the state be completely subordinated to the demands and needs of culture. The state must not be "a border guard, regulator, or overseer for his culture; rather the robust, muscular comrade, ready for battle, and companion on the way, who gives the admired, nobler, and, as it were, unearthly friend safe conduct through the harsh realities and for that earns his thankfulness."
Not only does the dialogue demand that the state subordinate itself to education, but it goes on to suggest that widespread educational institutions are for the sake of only a small number of beneficiaries. This radical and uncompromising devotion to the education of a very few sketches Nietzsche's thoughts on education perhaps more completely than any other work.
In addition, this dialogue offers numerous other objects of interest. The dialogue form shows off Nietzsche's literary art and offers an occasion to think carefully about the special tasks involved in reading philosophic texts well. The circumstances of this text's writing and its nearly being published offer insights both into Nietzsche's development and into the production of his works, especially regarding the Untimely Meditations. The letters and notes in the appendices help to flesh out the thinking that surrounds this text as well as to suggest the form of the never-written sixth lecture. Also Nietzsche's engagement with the immediate tradition of his contemporary milieu, not only with Goethe, Schiller, and Lessing but also with lesser figures such as Koetzebue, Grillparzer, and Gutzkow, should be of interest to intellectual historians and students of European culture.
Nietzsche read On the Future of Our Educational Institutions publicly in the form of five lectures. He then tried to rush it into publication, and it very nearly became Nietzsche's second book. Only at the last moment did he withdraw the book from the public. Now it is available in English.
Edited and Translated by Joseph J. Kockelmans
Northwestern University Press, 1980
Elizabeth Weed and Ellen Rooney, eds.
Duke University Press, 0
Contributors. Athena Athanasiou, Etienne Balibar, Mara de Gennaro, Carolyn J. Dean, Brady Thomas Heiner, Lynne Joyrich, Jacques Lezra

Joseph Cropsey
St. Augustine's Press, 2012
Paolo Virno
Seagull Books, 2026
Martin Buber
University of Chicago Press, 1992
Franz Rosenzweig; Edited by N. N. Glatzer
University of Wisconsin Press, 2002
Richard P. McKeon
University of Chicago Press, 1994
Richard P. McKeon
University of Chicago Press, 2017
Ed Cohen
Duke University Press, 2023
Edited by David Scott
University College London, 2024
David Scott
University College London, 2025
David Scott
University College London, 2021