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Unlock the stories of Pablo Neruda’s rare nineteenth-century carved-wood ship figurehead collection in Chile, why they mattered in his tumultuous life, and how we benefit from them now.

Poet Pablo Neruda’s nineteenth-century ship figurehead collection in Chile is one of the most significant in the world. Containing carved wood images of dramatically postured men and women, these figures are now better understood due to years of research, a willingness to challenge Neruda’s ever-changing stories about them, and a realization that the names Neruda chose for his figureheads perhaps had more to do with his life than theirs. The rhythm and beauty of Neruda’s worn wood figures is counterpoint to his own tumultuous life as an author, politician, and communist dissident.

Collecting ship figureheads was central to Neruda’s passion for owning things made of wood, a material he said was his best friend, and for standing out among others as he gradually built the public persona that helped move him toward winning the Nobel Prize in Literature. With his choir of immobilized figureheads stationed upright in his living room and facing the Pacific Ocean, Neruda was surrounded by dramatic images from the sea that ignited his most powerful feelings. 

The nineteenth century saw figureheads on the bows of ships of sail and steam, yet when a figurehead was lost or removed, its history soon disappeared. The significant ship figureheads that Neruda avidly collected preserve that history and reveal new dimensions concerning his life and work. Each year, his collection is viewed by thousands of visitors to the Pablo Neruda Foundation’s house museum at Isla Negra.

A World War II bomber navigator’s diary, documenting perilous missions, survival, sacrifice, and the legendary 90th Bomb Group

Pacific Airman: The World War II Journal of a B-24 Liberator Navigator presents the hand-written pocket diary of US Army Air Forces bomber navigator Edward S. Goode of West Virginia. Goode was a member of the 400th Bomber Squadron (the “Black Pirates”), part of the legendary 90th Bomb Group the “Jolly Rogers.” With approximately seventy-four combat missions to his credit and an Air Medal with six Oak Leaf clusters, Goode experienced the war close-up, with group losses and the horror of grisly deaths in and out of combat. 

The journal details costly bombing raids against Japanese targets, as well as the dangers of the Southwest Pacific area with its wild and unpredictable weather and terrain. Editor Robert A. Taylor also documents Goode’s failed postwar attempt to receive the Distinguished Flying Cross for heroism for the Peleliu bombing mission in 1944.

Taylor offers detailed historical and other context to the journal. Three appendixes comprise a guide for B-24 navigators’ duties and responsibilities, Goode’s own record of 90th Bomb Group losses for 1944–1945, and a hometown newspaper clipping announcing his return home. This book will appeal to readers interested in World War II history, military aviation, the Pacific theater, and firsthand wartime narratives.
 

Balcones Prize Winner in Nonfiction

In 2015, Ben Miller and the poet Anne Pierson Wiese moved from New York City to Sioux Falls, South Dakota, to explore their midwestern roots and to focus on their writing careers. Working a day job in a hospital, Miller had a front-row seat to the COVID-19 pandemic as it moved from the coasts to the urban Midwest. Pandemonium Logs casts an unflinching eye on the state of the worker in the US health-care system during a global pandemic, giving voice to the doctors, nurses, support staff, patients, and families caught in the complex swirl of daily dilemmas and crucial choices.

In unsparing yet sympathetic prose, Ben Miller creates an intimate portrait of the impact of COVID on the diverse people of South Dakota. Through a wide range of characters—from understandably confused patients to quietly competent nurses—he explores the human complexities of the crisis: a doctor based in Mumbai who treats critically ill patients in the Dakotas via a tenuous hodgepodge of telehealth apparatus, a Hydra of six workplace trainers who together cannot train one employee to do one job, a vice president of corporate hospitality who lives to rip down safety signs as fast as nurses post them, a ninety-year-old hospital volunteer who pushes wheelchairs containing patients half his age.

In Pandemonium Logs, Miller provides precise and moving observations of ordinary people doing extraordinary things.

The years following the Texas Revolution held even more turbulent events as diverse droves of pioneers crossed the Sabine and Red Rivers to start new lives in Texas. Early Texas society contended with religious issues, family life in a rugged environment, and the Civil War. This cultural history was clearly reflected in the life of frontier preacher Henry C. Renfro.

Migrating to Texas in 1851, Renfro enrolled in the fledgling Baylor University and became a Baptist preacher. Eventually disillusioned with Baptist orthodoxy, Renfro was disenfranchised on charges of infidelity as he embraced the ideals of the Free Thought Movement, inspired by the writings of men such as Thomas Paine, Spinoza, and Robert Ingersoll.

Renfro's Civil War experience was no less unusual. Serving as both soldier and chaplain, Renfro left a valuable legacy of insight into the conflict, captured in a wealth of correspondence that is in itself significant.

Drawing on a vast body of letters, speeches, sermons, and oral histories that had never before been available, this chronological narrative of "The Parson's" life describes significant changes in Texas from 1850 to 1900, especially the volatile formation and growth of Baptist churches in North Central Texas. William Griggs' study yields numerous new details about the Free Thought Movement and depicts public reaction to sectarian leaders in nineteenth-century Texas.

The author also describes the developing Central Texas region known as the Cross Timbers, including the personal dynamics between a frontier family and its patriarch and encompassing such issues as property conflicts, divorce, and family reconciliation. This work unlocks an enlightening, engaging scene from Texas history.

A collection of essays that offers an intimate view of Larry McMurtry, America’s preeminent western novelist, through the eyes of a pantheon of writers he helped shape through his work over the course of his unparalleled literary life.

When he died in 2021, Larry McMurtry was one of America’s most revered writers. The author of treasured novels such as Lonesome Dove and The Last Picture Show, and coauthor of the screenplays for Brokeback Mountain and Streets of Laredo, McMurtry created unforgettable characters and landscapes largely drawn from his life growing up on the family’s hardscrabble ranch outside his hometown of Archer City, Texas. Pastures of the Empty Page brings together fellow writers to honor the man and his impact on American letters.

Paulette Jiles, Stephen Harrigan, Stephanie Elizondo Griest, and Lawrence Wright take up McMurtry’s piercing and poetic vision—an elegiac literature of place that demolished old myths of cowboy culture and created new ones. Screenwriting partner Diana Ossana reflects on their thirty-year book and screenwriting partnership; other contributors explore McMurtry’s reading habits and his passion for bookselling. And brother Charlie McMurtry shares memories of their childhood on the ranch. In contrast to his curmudgeonly persona, Larry McMurtry emerges as a trustworthy friend and supportive mentor. McMurtry was famously self-deprecating, but as his admirers attest, this self-described “minor regional writer” was an artist for the ages.

An engrossing account of the myth and legend of George S. Patton and what his reputation illuminates about American culture and hero worship

Patton’s Shadow by Nathan C. Jones, a leading authority on George S. Patton, offers a definitive account of the creation of the Patton legend and what it illuminates about American culture and the worship of heroes. Jones traces how the persona of Patton, a brash and brilliant general in the European theater of World War II, transcended the individual man and became a cultural icon and byword for triumphal American might.

Patton was a hero lionized and celebrated in his own time. Patton as well as the US Army cultivated his persona during and after the war. His image was used to promote patriotism, commercial goods, and military recruitment. The 1970 Academy Award–winning film starring George C. Scott cemented his iconic image for millions of Americans, further embellishing Patton’s persona and introducing him to entirely new generations of young Americans.

Patton’s Shadow is an intellectually omnivorous tour de force that draws on ideas about heroes from sources as timeless as ancient mythology and as contemporary as Abraham Maslow, Max Weber, and Carl Jung. Jones artfully locates the honored altar that heroes occupy in the human heart and then answers insightful questions about what America’s embrace of Patton in particular as a military hero illuminates about the United States, about Patton’s generation, and about our own.

Jones’s engrossing work will fascinate readers interested in American history, military history, and the psychology of heroism.

The award-winning memoir of one woman’s struggles and triumphs to reclaim an identity she had lost.

This inspirational story of one girl’s search for a home is an engaging first-person narrative of life during the Great Depression and World War II. Readers and critics alike offer lavish praise for Norling’s graceful, simple prose and the heartbreaking, ultimately redemptive tale she shares.

Actor and singer Paul Robeson's performances in Othello, Show Boat, and The Emperor Jones made him famous, but his midcentury appearances in support of causes ranging from labor and civil rights to antilynching and American warmongering made him notorious. When Robeson announced at the 1949 Paris Peace Conference that it was "unthinkable" for blacks to go to war against the Soviet Union, the mainstream American press declared him insane. 
 
Notions of Communism, blackness, and insanity were interchangeably deployed during the Cold War to discount activism such as Robeson's, just a part of an array of social and cultural practices that author Tony Perucci calls the Cold War performance complex. Focusing on two key Robeson performances---the concerts in Peekskill, New York, in 1949 and his appearance before the House Committee on Un-American Activities in 1956---Perucci demonstrates how these performances and the government's response to them are central to understanding the history of Cold War culture in the United States. His book provides a transformative new perspective on how the struggle over the politics of performance in the 1950s was also a domestic struggle over freedom and equality. The book closely examines both of these performance events as well as artifacts from Cold War culture---including congressional documents, FBI files, foreign policy papers, the popular literature on mental illness, and government propaganda films---to study the operation of power and activism in American Cold War culture.

Drawing on interviews, archival research, and fifty-four years of extraordinary pocket diaries, Suzanne Robinson places Glanville-Hicks within the history of American music and composers. "P.G.H." forged alliances with power brokers and artists that gained her entrance to core American cultural entities such as the League of Composers, New York Herald Tribune, and the Harkness Ballet. Yet her impeccably cultivated public image concealed a private life marked by unhappy love affairs, stubborn poverty, and the painstaking creation of her artistic works.

Evocative and intricate, Peggy Glanville-Hicks clears away decades of myth and storytelling to provide a portrait of a remarkable figure and her times.