David O. McKay, Edited by Reid L. Neilson and Carson V. Teuscher
University of Illinois Press, 2020

Jean M. Ward
Oregon State University Press, 1995
Richard Stern
Northwestern University Press, 2001
Richard Stern
Northwestern University Press, 2007
Broderick, James F
Rutgers University Press, 2003
For 300 years, New Jersey writers, books, and historical events have helped shape the cultural landscape of the nation, and yet the state is rarely credited for its numerous contributions to American letters and folklore. Paging New Jersey is just the book for those interested in uncovering a treasure trove of information about the Garden State’s key role in the creation of U.S. literary and popular culture. New Jersey writers from Stephen Crane to Toni Morrison are included as well as longtime Camden resident Walt Whitman and Newark native Philip Roth.
James F. Broderick’s unique look at the state’s literary and cultural history answers intriguing Jersey-related questions such as: how author Peter Benchley got the idea for Jaws; where Aaron Burr shot Alexander Hamilton; why the Hindenberg exploded over Lakehurst in 1937; and where to find help in locating Captain Kidd’s buried treasure along the Jersey Shore. Most people know that television’s fictional Tony Soprano lives in New Jersey, but what about the state’s other mobsters— The real “goombahs?” Who are they and what have these particular Jersey devils written?
Full of commentary, biographical information, and history—along with suggested reading lists— Paging New Jersey is a crash course in Jerseyana. For those who live in the state, expatriots, and yes, even those who think all New Jersey has to offer is the Turnpike, Broderick’s engaging yet learned book provides an entertaining look at the Garden State’s rich cultural heritage.
Ufrieda Ho
Ohio University Press, 2011
Edited by Eugene S. McCartney and Peter Okkelberg
University of Michigan Press, 1932
Edited by Eugene S. McCartney and Peter Okkelberg
University of Michigan Press, 1932
Bruce Andrews
Northwestern University Press, 1996
Eileen Pollack
Temple University Press, 2000
Christa Wolf
University of Chicago Press, 1997
Abdourahman A. Waberi
Seagull Books, 2011
George Getschow, editor
University of Texas Press, 2023
A collection of essays that offers an intimate view of Larry McMurtry, America’s preeminent western novelist, through the eyes of a pantheon of writers he helped shape through his work over the course of his unparalleled literary life.
When he died in 2021, Larry McMurtry was one of America’s most revered writers. The author of treasured novels such as Lonesome Dove and The Last Picture Show, and coauthor of the screenplays for Brokeback Mountain and Streets of Laredo, McMurtry created unforgettable characters and landscapes largely drawn from his life growing up on the family’s hardscrabble ranch outside his hometown of Archer City, Texas. Pastures of the Empty Page brings together fellow writers to honor the man and his impact on American letters.
Paulette Jiles, Stephen Harrigan, Stephanie Elizondo Griest, and Lawrence Wright take up McMurtry’s piercing and poetic vision—an elegiac literature of place that demolished old myths of cowboy culture and created new ones. Screenwriting partner Diana Ossana reflects on their thirty-year book and screenwriting partnership; other contributors explore McMurtry’s reading habits and his passion for bookselling. And brother Charlie McMurtry shares memories of their childhood on the ranch. In contrast to his curmudgeonly persona, Larry McMurtry emerges as a trustworthy friend and supportive mentor. McMurtry was famously self-deprecating, but as his admirers attest, this self-described “minor regional writer” was an artist for the ages.

Tom Dillard
University of Arkansas Press, 2027
In Pearls, Peaches, and Peddlers: Short Essays on Arkansas’s Amazing History, Tom Dillard offers a lively portrait of Arkansas that reveals how the state was shaped by ordinary people, unexpected industries, and moments of upheaval both grand and small.
The seventy-four essays collected here draw upon Dillard’s career as a historian, archivist, educator, and preservationist to challenge familiar myths, reveal overlooked stories, and demonstrate how the history of one state can illuminate the larger American experience.
William Ecenbarger
Temple University Press, 2017
Joseph Goodrich
University of Massachusetts Press, 2018
Playwright, biographer, screenwriter, and critic S. N. Behrman (1893–1973) characterized the years he spent writing for The New Yorker as a time defined by “feverish contact with great theatre stars, rich people and social people at posh hotels, at parties, in mansions and great estates.” While he hobnobbed with the likes of Mary McCarthy, Elia Kazan, and Greta Garbo and was one of Broadway's leading luminaries, Behrman would later admit that the friendships he built with the magazine's legendary editors Harold Ross, William Shawn, and Katharine S. White were the “one unalloyed felicity” of his life.
People in a Magazine collects Behrman's correspondence with his editors along with telegrams, interoffice memos, and editorial notes drawn from the magazine's archives—offering an unparalleled view of mid-twentieth-century literary life and the formative years of The New Yorker, from the time of Behrman's first contributions to the magazine in 1929 until his death.
Peter of Cornwall
Bodleian Library Publishing, 2013
James Russell Duncan
University of Massachusetts Press, 2002
Samuel Steward
University of Chicago Press, 2015
David Armstrong
SBL Press, 2020
The first English translation of On Anger
This latest volume in the Writings from the Greco-Roman World series provides a translation of a newly edited Greek text of Philodemus’s On Anger, now supplemented with the help of multispectral imaging. As our sole evidence for the Epicurean view of what constitutes natural and praiseworthy anger as distinguished from unnatural pleasure in vengeance and cruelty for their own sake, this text is crucial to the study of ancient thought about the emotions. Its critique of contemporary Stoic and Peripatetic theories of anger offers crucial new information for the history of philosophy in the last two centuries BCE. The introduction and commentary also make use of newly revised texts and readings from several other ancient treatises on anger.
Features
Willy Conley
Gallaudet University Press, 2023
Paravisini-Gebert, Lizabeth
Rutgers University Press, 1996
Translated by Michael J. Curley
University of Chicago Press, 2009
One of the most popular and widely read books of the Middle Ages, Physiologus contains allegories of beasts, stones, and trees both real and imaginary, infused by their anonymous author with the spirit of Christian moral and mystical teaching. Accompanied by an introduction that explains the origins, history, and literary value of this curious text, this volume also reproduces twenty woodcuts from the 1587 version. Originally composed in the fourth century in Greek, and translated into dozens of versions through the centuries, Physiologus will delight readers with its ancient tales of ant-lions, centaurs, and hedgehogs—and their allegorical significance.
“An elegant little book . . . still diverting to look at today. . . . The woodcuts reproduced from the 1587 Rome edition are alone worth the price of the book.”—Raymond A. Sokolov, New York Times Book Review
Rigoberto González
University of Michigan Press, 2017
Krisztina Tóth
Seagull Books, 2018
Michael Lowenthal
The Ohio State University Press, 2026
Carlo Rotella
University of Chicago Press, 2012
Lois Davis Vines
University of Iowa Press, 1999
Margaret Cavendish, Duchess of Newcastle
Iter Press, 2018
Veronica Franco
University of Chicago Press, 1998
Isabella Whitney
Iter Press, 2023
Vittoria Colonna
Iter Press, 2021
Marjorie Perloff
Northwestern University Press, 1990
Constance M. Furey
University of Chicago Press, 2017
Marjorie Perloff
Northwestern University Press, 1998
C. R. Grimmer
University of Michigan Press, 2026
Poets as Public Scholars is a multimedia project that interrogates how poet-scholars use digital platforms to expand access and visibility for underrepresented voices, but also to critique the commodification, extraction, and erasure practices embedded in neoliberal literary circulation. Framed by two core questions—how poets teach public scholarship through networked media, and how to support underrepresented poets without reinforcing market-driven erasure—the collection offers videos for student and public engagement, essays for scholarly audiences, and discussion questions for classroom use.
Structured around seven video dialogues and seven critical essays, the book features contributions from poet-scholars including Camea Davis, A.D. Carson, Tyrone Williams, Patrick Milian, Stevi Costa, Cameron Awkward-Rich, and Woogee Bae. Each chapter examines the material and affective economies that shape poetic production and reception, while proposing alternative, community-rooted infrastructures for literary and cultural labor. Designed for layered audiences, the video interviews model public-facing discourse, while the companion essays situate the work within critical conversations in literature, cultural theory, and media studies. With included discussion questions by Dr. Molly Ubbesen (University of Minnesota Rochester) and open access availability, Poets as Public Scholars functions as both a teaching tool and a theoretical intervention for scholars and educators seeking to integrate anti-racist, anti-capitalist approaches to literary and digital humanities pedagogy.
Sahar Tawfiq
University of Arkansas Press, 1995
Jean-Francois Lyotard
University of Minnesota Press, 1993
Edited by Jude Davies
University of Illinois Press, 2011
Catherine de Médicis and Others
Iter Press, 2014
Linda Tate
Ohio University Press, 2009
Power in the Blood: A Family Narrative traces Linda Tate’s journey to rediscover the Cherokee-Appalachian branch of her family and provides an unflinching examination of the poverty, discrimination, and family violence that marked their lives. In her search for the truth of her own past, Tate scoured archives, libraries, and courthouses throughout Kentucky, Tennessee, Alabama, Illinois, and Missouri, visited numerous cemeteries, and combed through census records, marriage records, court cases, local histories, old maps, and photographs. As she began to locate distant relatives — fifth, sixth, seventh cousins, all descended from her great-greatgrandmother Louisiana — they gathered in kitchens and living rooms, held family reunions, and swapped stories. A past that had long been buried slowly came to light as family members shared the pieces of the family’s tale that had been passed along to them.
Power in the Blood is a dramatic family history that reads like a novel, as Tate’s compelling narrative reveals one mystery after another. Innovative and groundbreaking in its approach to research and storytelling, Power in the Blood shows that exploring a family story can enhance understanding of history, life, and culture and that honest examination of the past can lead to healing and liberation in the present.
Robert Musil
University of Chicago Press, 1990
Stephen Smith
University of Arkansas Press, 1996
C.T. Funkhouser, with a foreword by Sandy Baldwin
University of Alabama Press, 2007
Tracing the Origins of Digital Poetry Before the Web Revolution
For the last five decades, poets have had a vibrant relationship with computers and digital technology. This book is a documentary study and analytic history of digital poetry that highlights its major practitioners and the ways that they have used technology to foster a new aesthetic. Focusing primarily on programs and experiments produced before the emergence of the World Wide Web in the mid-1990s, C. T. Funkhouser analyzes numerous landmark works of digital poetry to illustrate that the foundations of today’s most advanced works are rooted in the rudimentary generative, visual, and interlinked productions of the genre’s prehistoric period.
Since 1959, computers have been used to produce several types of poetic output, including randomly generated writings, graphical works (static, animated, and video formats), and hypertext and hypermedia. Funkhouser demonstrates how hardware, programming, and software have been used to compose a range of new digital poetic forms. Several dozen historical examples, drawn from all of the predominant approaches to digital poetry, are discussed, highlighting the transformational and multi-faceted aspects of poetic composition now available to authors. This account includes many works, in English and other languages, which have never before been presented in an English-language publication.
In exploring pioneering works of digital poetry, Funkhouser demonstrates how technological constraints that would seemingly limit the aesthetics of poetry have instead extended and enriched poetic discourse. As a history of early digital poetry and a record of an era that has passed, this study aspires both to influence poets working today and to highlight what the future of digital poetry may hold.
Kristina Kaiserová
Central European University Press, 2009
Steve McCaffery
Northwestern University Press, 2000
Charles M. Wiltse
Ohio University Press, 2012
Fresh from receiving a doctorate from Cornell University in 1933, but unable to find work, Charles M. Wiltse joined his parents on the small farm they had recently purchased in southern Ohio. There, the Wiltses scratched out a living selling eggs, corn, and other farm goods at prices that were barely enough to keep the farm intact.
In wry and often affecting prose, Wiltse recorded a year in the life of this quintessentially American place during the Great Depression. He describes the family’s daily routine, occasional light moments, and their ongoing frustrations, small and large—from a neighbor’s hog that continually broke into the cornfields to the ongoing struggle with their finances. Franklin Roosevelt’s New Deal had little to offer small farmers, and despite repeated requests, the family could not secure loans from local banks to help them through the hard economic times. Wiltse spoke the bitter truth when he told his diary, “We are not a lucky family.” In this he represented millions of others caught in the maw of a national disaster.
The diary is introduced and edited by Michael J. Birkner, Wiltse’s former colleague at the Papers of Daniel Webster Project at Dartmouth College, and coeditor, with Wiltse, of the final volume of Webster’s correspondence.
Michael V. Fox
SBL Press, 2015
A new critical text for Proverbs drawing from many manuscripts
This first volume of The Hebrew Bible: A Critical Edition series, features a critical text of Proverbs with extensive text-critical introductions and commentaries. This and future HBCE volumes bring together a scholar’s critical decisions into a single text. construct an eclectic text, drawing from many manuscripts or placing entirely variant texts side by side. A common approach for critical editions of other ancient books, including the New Testament, the eclectic approach and scope used in the HBCE is a first of its kind for the Hebrew Bible.
Features:
Strain, Ellen
Rutgers University Press, 2003
In this globally interconnected planet, we are increasingly able to access exotic locales without ever actually seeing these places firsthand. Instead, what we perceive to be fresh cultural experiences are actually second-hand moments, filtered through mediums such as television, film, the internet, CD-Roms, and various other media.
Ellen Strain posits that the images in film and popular culture not only fill in the gaps of a person’s first-hand—or rather, lack of first-hand—experience with other cultural situations, but also predisposes the “tourist gaze” to view particular locales in a predetermined way. She theorizes the idea of a touristic way of understanding the world in general. How, she asks, are our cross-cultural perceptions of places and peoples created in the first place? Can a set of images—such as postcards—mediate our vision of distant geographies? Are there culturally constructed strategies set up to mediate our cross-cultural perceptions of the exotic? Strain includes the works of Jules Verne, E. M. Forster, and Michael Crichton, as well as film, CD-Rom travel games and virtual reality in her own authorial gaze.
Public Places, Private Journeys is a unique postmodern exploration of how individuals see across cultural differences in an era of increasingly commercialized and globalized culture.
Eric Voegelin & Edited & Intro by Ellis Sandoz.
University of Missouri Press, 2000
Published Essays, 1940-1952, includes some of Eric Voegelin's most provocative and interesting essays. Containing his first publications after he fled Vienna and settled in the United States following Hitler's annexation of Austria, this volume provides eyewitness commentary on the rise of National Socialism from the first days of World War II onward. A major study entitled "Growth of the Race Idea" presents a masterful summary of the two volumes on that subject Voegelin first published in 1933. A related essay of wide interest is entitled "Nietzsche, the Crisis, and the War."
Another facet of Voegelin's thought incorporated within this volume of the Essays is his extraordinary analysis of the diplomatic correspondence conducted between the Western powers, the papacy, and the Great Khans, whose breathtaking expansion of the Mongol Empire for a time threatened to extinguish Western civilization itself and resulted in a two-century domination of Russia. Another major study is "The Origins of Scientism," an illuminating analysis of the grounds of much of modern philosophy and of all modern political ideologies.
There are also surveys of the state of political theory in the late forties, penetrating studies of utopian thought with essays on Thomas More and Goethe, and a concluding essay that explores the intricacies of "Gnostic Politics"—a familiar theme from Voegelin's contemporaneous New Science of Politics. This volume of published essays shows Eric Voegelin at his most accessible best.