1787 books match the query 'Literary Collections' and 53 start with p

cover of Pacific Apostle: The 1920-21 Diary of David O. McKay in the Latter-day Saint Island Missions

Pacific Apostle

The 1920-21 Diary of David O. McKay in the Latter-day Saint Island Missions

David O. McKay, Edited by Reid L. Neilson and Carson V. Teuscher

University of Illinois Press, 2020

In 1920, David O. McKay embarked on a journey that forever changed the Church of Jesus Christ of Latter-day Saints. His visits to the Latter-day Saint missions, schools, and branches in the Pacific solidified the Church leadership's commitment to global outreach. As importantly, the trip inspired McKay's own initiatives when he later became Church president. McKay's account of his odyssey brings to life the story of the Church of Jesus Christ’s transformation into a global faith. Throughout his diary, McKay expressed his humanity, curiosity, and fascination with cultures and places--the Maori hongi, East Asian customs, Australian wildlife, and more. At the same time, he and his travel companion, Hugh J. Cannon, detailed the Latter-day Saint missionary life of the era, closely observing logistical challenges and cultural differences, guiding various church efforts, and listening to followers' impressions and concerns. Reid L. Neilson and Carson V. Teuscher's meticulous notes provide historical, religious, and general context for the reader.Blending travelogue with history, Pacific Apostle illuminates the thought and work of an essential figure in the twentieth-century Church of Jesus Christ.
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cover of Pacific Northwest Women, 1815-1925: Lives, Memories, and Writings

Pacific Northwest Women, 1815-1925

Lives, Memories, and Writings

Jean M. Ward

Oregon State University Press, 1995

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cover of Pacific Tremors

Pacific Tremors

Richard Stern

Northwestern University Press, 2001

Ez Keneret and Wendell Spear are Hollywood veterans who have committed the only sin in the movie business: they've grown old. Having been cast aside, they face their obsolescence and the harsh reality that the art they appreciate (and profit from) is just a business powered by money and celebrity. While Spear is consoled and comforted by his granddaughter, Keneret centers his comeback film on Leet de Loor, a stunning but painfully wooden "actress" he discovers in Fiji.
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cover of Pacific Tremors

Pacific Tremors

Richard Stern

Northwestern University Press, 2007

Ez Keneret and Wendell Spear are Hollywood veterans who have committed the only sin in the movie business: they've grown old. Having been cast aside, they face their obsolescence and the harsh reality that the art they appreciate (and profit from) is just a business powered by money and celebrity. While Spear is consoled and comforted by his granddaughter, Keneret centers his comeback film on Leet de Loor, a stunning but painfully wooden "actress" he discovers in Fiji.
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cover of Paging New Jersey: A Literary Guide to the Garden State

Paging New Jersey

A Literary Guide to the Garden State

Broderick, James F

Rutgers University Press, 2003

For 300 years, New Jersey writers, books, and historical events have helped shape the cultural landscape of the nation, and yet the state is rarely credited for its numerous contributions to American letters and folklore.  Paging New Jersey is just the book for those interested in uncovering a treasure trove of information about the Garden State’s key role in the creation of U.S. literary and popular culture.  New Jersey writers from Stephen Crane to Toni Morrison are included as well as longtime Camden resident Walt Whitman and Newark native Philip Roth.

James F. Broderick’s unique look at  the state’s literary and cultural history answers intriguing Jersey-related questions such as: how author Peter Benchley got the idea for Jaws; where Aaron Burr shot Alexander Hamilton; why the Hindenberg exploded over Lakehurst in 1937; and where to find help in locating Captain Kidd’s buried treasure along the Jersey Shore.  Most people know that television’s fictional Tony Soprano lives in New Jersey, but what about the state’s other mobsters— The real “goombahs?”  Who are they and what have these particular Jersey devils written?

Full of commentary, biographical information, and history—along with suggested reading lists— Paging New Jersey is a crash course in Jerseyana.  For those who live in the state, expatriots, and yes, even those who think all New Jersey has to offer is the Turnpike, Broderick’s engaging yet learned book provides an entertaining look at the Garden State’s rich cultural heritage.

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cover of Paper Sons and Daughters: Growing up Chinese in South Africa

Paper Sons and Daughters

Growing up Chinese in South Africa

Ufrieda Ho

Ohio University Press, 2011

Ufrieda Ho’s compelling memoir describes with intimate detail what it was like to come of age in the marginalized Chinese community of Johannesburg during the apartheid era of the 1970s and 1980s. The Chinese were mostly ignored, as Ho describes it, relegated to certain neighborhoods and certain jobs, living in a kind of gray zone between the blacks and the whites. As long as they adhered to these rules, they were left alone. Ho describes the separate journeys her parents took before they knew one another, each leaving China and Hong Kong around the early 1960s, arriving in South Africa as illegal immigrants. Her father eventually became a so-called “fahfee man,” running a small-time numbers game in the black townships, one of the few opportunities available to him at that time. In loving detail, Ho describes her father’s work habits: the often mysterious selection of numbers at the kitchen table, the carefully-kept account ledgers, and especially the daily drives into the townships, where he conducted business on street corners from the seat of his car. Sometimes Ufrieda accompanied him on these township visits, offering her an illuminating perspective into a stratified society. Poignantly, it was on such a visit that her father—who is very much a central figure in Ho’s memoir—met with a tragic end. In many ways, life for the Chinese in South Africa was self-contained. Working hard, minding the rules, and avoiding confrontations, they were able to follow traditional Chinese ways. But for Ufrieda, who was born in South Africa, influences from the surrounding culture crept into her life, as did a political awakening. Paper Sons and Daughters is a wonderfully told family history that will resonate with anyone having an interest in the experiences of Chinese immigrants, or perhaps any immigrants, the world over.
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cover of Papers of the Michigan Academy of Science, Arts and Letters: containing papers submitted at the annual meeting in 1931

Papers of the Michigan Academy of Science, Arts and Letters

containing papers submitted at the annual meeting in 1931

Edited by Eugene S. McCartney and Peter Okkelberg

University of Michigan Press, 1932

The Papers of the Michigan Academy of Science, Arts and Letters is an annual volume of papers published under the joint direction of the Council of the Academy and of the Executive Board of the Graduate School of the University of Michigan, and edited by Eugene S. McCartney and Peter Okkelberg. The agreement to publish jointly was an opportunity to establish closer relations between the University and the Academy, thus contributing to higher scholarship and original investigation. This volume from the 1931 annual meeting includes an array of papers on Botany, Forestry, and Zoology.
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cover of Papers of the Michigan Academy of Science, Arts and Letters: containing papers submitted at the annual meeting in 1931

Papers of the Michigan Academy of Science, Arts and Letters

containing papers submitted at the annual meeting in 1931

Edited by Eugene S. McCartney and Peter Okkelberg

University of Michigan Press, 1932

The Papers of the Michigan Academy of Science, Arts and Letters is an annual volume of papers published under the joint direction of the Council of the Academy and of the Executive Board of the Graduate School of the University of Michigan, and edited by Eugene S. McCartney and Peter Okkelberg. The agreement to publish jointly was an opportunity to establish closer relations between the University and the Academy, thus contributing to higher scholarship and original investigation. This volume from the 1931 annual meeting includes an array of papers on Anthropology, Geography, Geology and Mineralogy, History and Political Science, Language and Literature, Psychology, and Sanitary and Medical Science.
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cover of Paradise and Method: Poetry and Praxis

Paradise and Method

Poetry and Praxis

Bruce Andrews

Northwestern University Press, 1996

Paradise & Method: Poetics and Praxis collects nearly two decades of work on poetics by one of the pioneers of the "language poetry" movement.

Addressing poetics from a poet's perspective, Andrews focuses on the ways in which meaning is produced and challenged. His essays aim "to map out opportunities for making sense (or making noise)--both in reading and writing contemporary literature. At the center has been a desire to explore language, as up close as possible, as a material and social medium for restagings of meaning and power." Andrews analyzes poetics and the production of meaning; alternative traditions and canons; and innovative contemporary poetry, particularly its break with many of the premises and constraints of even the most forward-looking modernisms.
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cover of Paradise, New York: A Novel

Paradise, New York

A Novel

Eileen Pollack

Temple University Press, 2000

We first meet Lucy Appelbaum, the heroine of Paradise, New York, n 1970, when she is a nine year old girl enjoying her family's Catskills hotel, the Garden of Eden. Ten years later, having found nothing else at which she can distinguish herself, she  tries to save the Eden by capitalizing on a wave of nostalgia for the Borscht Belt, running the hotel as a sort of living museum of Yiddish culture.

In the course of that season, Lucy comes to realize her love for the hotel's black handyman, Mr. Jefferson -- and  the difficulties she faces in overcoming the barriers between them. She battles her grandmother's not-so-subtle attempts to sabotage her success, her parents' superstitious fear of anything that attracts attention to the Jews, and her brother's contention that what Lucy is doing is more a matter of ego than authentic religious feeling.

On top of all this, Lucy must contend with the Hasid who buys the chicken farm next door, a cell of ancient Jewish Communist who foment a strike among Eden's overworked young staff, and a gay chef and a gay baker who want to prove to the world that kosher cuisine can satisfy the most sophisticated gourmet.

Among the novel's characters are Shirley and Nat Feidel, who barely survived the Holocaust but refuse to allow bitterness to rule their lives; Mami Goshgarian, the Eden's tumeler; and Jimmy Kilcoin, and Irish Catholic insurance adjustor who has earned a reputation as "the Don Juan of the Catskills" and is determined to seduce Lucy before summer's end.
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cover of Parting from Phantoms: Selected Writings, 1990-1994

Parting from Phantoms

Selected Writings, 1990-1994

Christa Wolf

University of Chicago Press, 1997

Parting from Phantoms is a window into the soul of the most prominent writer of the German Democratic Republic and its most famous export, Christa Wolf. The essays, diary entries, and letters in this book document four agonizing years in Wolf's personal history and paint a vivid portrait of the cultural and political situation in the former German Democratic Republic. This collection stands as an important testimony to the personal and cultural costs of German reunification.

"The works in this book constitute an essential document of the history of reunified Germany, and this alone recommends it to scholars and those interested in current European events."— Publishers Weekly

"Christa Wolf was arguably the most influential writer of a nation that no longer exists. . . . Parting from Phantoms traces the fever chart of her anguish. . . . In some ways, the rawness of the present volume is its greatest contribution, and its bona fides—testifying to the human cost of deception and self-deception."—Todd Gitlin, Nation

"A thrilling display of ideological soul-searching."—Ilan Stavans, Newsday, Favorite Books of 1997

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cover of Passage of Tears

Passage of Tears

Abdourahman A. Waberi

Seagull Books, 2011

Djibouti, a hot, impoverished little country on the Horn of Africa, is a place of great strategic importance, for off its coast lies a crucial passage for the world’s oil. In this novel by Abdourahman A. Waberi, Djibril, a young Djiboutian voluntarily exiled in Montreal, returns to his native land to prepare a report for an American economic intelligence firm. Meanwhile, a shadowy, threatening figure imprisoned in an island cell seems to know Djibril’s every move. He takes dictation from his preaching cellmate known as his “Venerable Master,” but as the words are put on the page, a completely different text appears—the life of Walter Benjamin, Djibril’s favorite author.
 
Passage of Tears cleverly mixes many genres and forms of writing—spy novel, political thriller, diary (replete with childhood memories), travel notebook, legends, parables, incantations, and prayers. Djibril’s reminiscences provide a sense of Djibouti’s past and its people, while a satire of Muslim fundamentalism is unwittingly delivered through the other Djiboutian voice. Waberi’s inventive parody is a lesson in tolerance, while his poetic observations reveal his love and concern for his homeland.
 
Praise for the French Edition
 
“Disguised as a political thriller, Passage of Tears is above all a great novel of childhood, murderous identities, and exile.”—Le Monde des Livres
 
“A gripping book, burning with urgency and tension.”—Télérama.
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cover of Pastures of the Empty Page: Fellow Writers on the Life and Legacy of Larry McMurtry

Pastures of the Empty Page

Fellow Writers on the Life and Legacy of Larry McMurtry

George Getschow, editor

University of Texas Press, 2023

A collection of essays that offers an intimate view of Larry McMurtry, America’s preeminent western novelist, through the eyes of a pantheon of writers he helped shape through his work over the course of his unparalleled literary life.

When he died in 2021, Larry McMurtry was one of America’s most revered writers. The author of treasured novels such as Lonesome Dove and The Last Picture Show, and coauthor of the screenplays for Brokeback Mountain and Streets of Laredo, McMurtry created unforgettable characters and landscapes largely drawn from his life growing up on the family’s hardscrabble ranch outside his hometown of Archer City, Texas. Pastures of the Empty Page brings together fellow writers to honor the man and his impact on American letters.

Paulette Jiles, Stephen Harrigan, Stephanie Elizondo Griest, and Lawrence Wright take up McMurtry’s piercing and poetic vision—an elegiac literature of place that demolished old myths of cowboy culture and created new ones. Screenwriting partner Diana Ossana reflects on their thirty-year book and screenwriting partnership; other contributors explore McMurtry’s reading habits and his passion for bookselling. And brother Charlie McMurtry shares memories of their childhood on the ranch. In contrast to his curmudgeonly persona, Larry McMurtry emerges as a trustworthy friend and supportive mentor. McMurtry was famously self-deprecating, but as his admirers attest, this self-described “minor regional writer” was an artist for the ages.

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cover of Pearls, Peaches, and Peddlers: Short Essays on Arkansas’s Amazing History

Pearls, Peaches, and Peddlers

Short Essays on Arkansas’s Amazing History

Tom Dillard

University of Arkansas Press, 2027

In Pearls, Peaches, and Peddlers: Short Essays on Arkansas’s Amazing History, Tom Dillard offers a lively portrait of Arkansas that reveals how the state was shaped by ordinary people, unexpected industries, and moments of upheaval both grand and small. 

The seventy-four essays collected here draw upon Dillard’s career as a historian, archivist, educator, and preservationist to challenge familiar myths, reveal overlooked stories, and demonstrate how the history of one state can illuminate the larger American experience.

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cover of Pennsylvania Stories--Well Told

Pennsylvania Stories--Well Told

William Ecenbarger

Temple University Press, 2017

With a biting mix of wonder and pride, William Ecenbarger observes that in the quirky state of Pennsylvania, the town of Mauch Chunk changed its name to Jim Thorpe—even though the famous Indian athlete never set foot in it.
 
A former journalist for the Philadelphia Inquirer Magazine, and author of the bestseller Kids for Cash, Ecenbarger has collected a dozen of his fascinating articles showcasing the Keystone State in Pennsylvania Stories—Well Told. He provides a history of the pencil, and considers why the first day of Pennsylvania’s deer hunting season—the world’s largest participatory sporting event—is an unofficial state holiday, closing schools and state offices. Ecenbarger also profiles George “Boom Boom” Zambelli, the internationally renowned pyrotechnic king, and goes driving with Pennsylvania native John Updike in rural Berks County, PA.
 
Other fascinating tales unfold in Pennsylvania Stories, from an inspiring tale of Governor Bob Casey’s double organ transplant, to darker essays on the electric chair and the Ku Klux Klan, to a mile-by-mile appreciation of the Pennsylvania Turnpike.
 
In these weird and wonderful stories, Ecenbarger highlights just what makes Pennsylvania both eccentric and great. His book is a delightfully intriguing read for natives and curious outsiders alike.

 
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cover of People in a Magazine: The Selected Letters of S. N. Behrman and His Editors at "The New Yorker"

People in a Magazine

The Selected Letters of S. N. Behrman and His Editors at "The New Yorker"

Joseph Goodrich

University of Massachusetts Press, 2018

Playwright, biographer, screenwriter, and critic S. N. Behrman (1893–1973) characterized the years he spent writing for The New Yorker as a time defined by “feverish contact with great theatre stars, rich people and social people at posh hotels, at parties, in mansions and great estates.” While he hobnobbed with the likes of Mary McCarthy, Elia Kazan, and Greta Garbo and was one of Broadway's leading luminaries, Behrman would later admit that the friendships he built with the magazine's legendary editors Harold Ross, William Shawn, and Katharine S. White were the “one unalloyed felicity” of his life.

People in a Magazine collects Behrman's correspondence with his editors along with telegrams, interoffice memos, and editorial notes drawn from the magazine's archives—offering an unparalleled view of mid-twentieth-century literary life and the formative years of The New Yorker, from the time of Behrman's first contributions to the magazine in 1929 until his death.

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cover of Peter of Cornwall’s Book of Revelations

Peter of Cornwall’s Book of Revelations

Peter of Cornwall

Bodleian Library Publishing, 2013

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cover of Phantoms of a Blood-Stained Period: The Complete Civil War Writings of Ambrose Bierce

Phantoms of a Blood-Stained Period

The Complete Civil War Writings of Ambrose Bierce

James Russell Duncan

University of Massachusetts Press, 2002

Alone among important American writers, Ambrose Bierce fought for four years in the Civil War. The writings he produced about that conflict comprise a body of work unique in American literature. This volume gathers virtually everything Bierce wrote about the war.
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cover of Philip Sparrow Tells All: Lost Essays by Samuel Steward, Writer, Professor, Tattoo Artist

Philip Sparrow Tells All

Lost Essays by Samuel Steward, Writer, Professor, Tattoo Artist

Samuel Steward

University of Chicago Press, 2015

Samuel Steward (1909–93) was an English professor, a tattoo artist for the Hells Angels, a sexual adventurer who shared the considerable scope of his experiences with Alfred Kinsey, and a prolific writer whose publications ranged from scholarly articles to gay erotica (the latter appearing under the pen name Phil Andros). Perhaps his oddest authorial role was as a monthly contributor between 1944 and 1949 to the Illinois Dental Journal, an obscure trade publication for dentists, where writing as Philip Sparrow he produced a series of charming, richly allusive, and often quirky essays on a wildly eclectic assortment of topics.

In Philip Sparrow Tells All, Jeremy Mulderig has collected thirty of these engaging but forgotten columns, prefacing them with revealing introductions that relate the essays to people and events in Steward’s life and to the intellectual and cultural contexts in which he wrote during the 1940s. In these essays we encounter such famous friends of Steward as Gertrude Stein, André Gide, and Thornton Wilder. We hear of his stint as a holiday sales clerk at Marshall Field’s (where he met and seduced fellow employee Rock Hudson), of his roles as an opera and ballet extra in hilariously shoddy costumes, of his hoarding tendencies, his disappointment with the drabness of men’s fashions, and his dread of turning forty. We go along with him to a bodybuilding competition and a pet cemetery, and together we wander the boulevards of Paris and the alleys of Algiers. Throughout, Mulderig’s entertaining annotations explain the essays’ wide-ranging allusions and also highlight their gay subtext, which constituted a kind of private game that Steward played with his mostly oblivious audience of Midwestern dentists.

The first collection of any of Samuel Steward’s writings to be republished since his death in 1993, Philip Sparrow Tells All makes these lost essays available to a broad readership that Steward imagined but never actually enjoyed when he wrote them. In doing so, it takes a major step toward documenting his important place in twentieth-century gay literature and history.
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cover of Philodemus, On Anger

Philodemus, On Anger

David Armstrong

SBL Press, 2020

The first English translation of On Anger

This latest volume in the Writings from the Greco-Roman World series provides a translation of a newly edited Greek text of Philodemus’s On Anger, now supplemented with the help of multispectral imaging. As our sole evidence for the Epicurean view of what constitutes natural and praiseworthy anger as distinguished from unnatural pleasure in vengeance and cruelty for their own sake, this text is crucial to the study of ancient thought about the emotions. Its critique of contemporary Stoic and Peripatetic theories of anger offers crucial new information for the history of philosophy in the last two centuries BCE. The introduction and commentary also make use of newly revised texts and readings from several other ancient treatises on anger.

Features

  • An apparatus representing work on the text since the papyrus was opened in 1805
  • A full explication of the Epicurean theory of natural anger as an emotion without pleasure
  • One of the Herculaneum papyri that survived the eruption of Vesuvius in 79 CE
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cover of Photographic Memories: Selected Essays, Playlets, and Stories

Photographic Memories

Selected Essays, Playlets, and Stories

Willy Conley

Gallaudet University Press, 2023

Photographic Memories is an anthology of essays, playlets, and short fiction by writer and photographer Willy Conley. The pieces in this collection are grounded in Deaf experiences, a hallmark of Conley’s work. Written from the unique perspective of a Deaf artist who navigates between the Deaf and hearing worlds, Conley depicts a variety of topics, settings, and characters: a day in the life of a traveling Deaf theater company, a nail salon, a baseball player trying to go pro. Conley also addresses critical issues at the heart of his Deaf identity, such as creating professional opportunities for Deaf theater artists, the need for better standards in sign language interpreting, and ableism.

Original photographs taken by the author accompany his writings and invite the reader to contemplate the often-blurred lines between reality and memory.
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cover of Phyllis Shand Allfrey: A Caribbean Life

Phyllis Shand Allfrey

A Caribbean Life

Paravisini-Gebert, Lizabeth

Rutgers University Press, 1996

Phyllis Shand Allfrey is the first biography of one of the Caribbean's most intriguing writers and politicians. Allfrey (1908-1986) is best known as the author of The Orchid House, a fictionalized account of her early life that was turned into a highly acclaimed film for British television. Born to a prominent family of formerly wealthy sugar planters in Dominica, Allfrey followed an unexpected path: a rising novelist (who is often paired with Jean Rhys in critical discussion) and Fabian socialist in England and the United States, she returned to Dominica to organize the peasantry and estate workers into the island's first political party. Ostracized by the white elite into which she was born, she led the Dominica Labour party to power and became the West Indian Federation's only woman (and only white) minister, only to find herself expelled from the party when the rise of black nationalism made it expedient. The biography recreates Allfrey's life as it unfolds against the background of twentieth-century Caribbean political and literary history, from the decline of the planter class through the rise of party politics and the efforts to join the anglophone West Indies into a federation, to the troubled sixties and seventies, decades marked by racial violence and the emergence of the former British territories from colonial control. This volume includes five autobiographical stories that have long been out of print.
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cover of Physiologus: A Medieval Book of Nature Lore

Physiologus

A Medieval Book of Nature Lore

Translated by Michael J. Curley

University of Chicago Press, 2009

One of the most popular and widely read books of the Middle Ages, Physiologus contains allegories of beasts, stones, and trees both real and imaginary, infused by their anonymous author with the spirit of Christian moral and mystical teaching.  Accompanied by an introduction that explains the origins, history, and literary value of this curious text, this volume also reproduces twenty woodcuts from the 1587 version. Originally composed in the fourth century in Greek, and translated into dozens of versions through the centuries, Physiologus will delight readers with its ancient tales of ant-lions, centaurs, and hedgehogs—and their allegorical significance.

“An elegant little book . . . still diverting to look at today. . . . The woodcuts reproduced from the 1587 Rome edition are alone worth the price of the book.”—Raymond A. Sokolov, New York Times Book Review

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cover of Pivotal Voices, Era of Transition: Toward a 21st Century Poetics

Pivotal Voices, Era of Transition

Toward a 21st Century Poetics

Rigoberto González

University of Michigan Press, 2017

Pivotal Voices, Era of Transition gathers Rigoberto González’s most important essays and book reviews, many of which consider the work of emerging poets whose identities and political positions are transforming what readers expect from contemporary poetry. A number of these voices represent intersectional communities, such as queer writers of color like Natalie Díaz, Danez Smith, Ocean Vuong, and Eduardo C. Corral, and many writers, such as Carmen Giménez Smith and David Tomás Martínez, have deep connections to their Latino communities. Collectively, these writers are enriching American poetry to reflect a more diverse, panoramic, and socially conscious literary landscape. Also featured are essays on the poets’ literary ancestors—including Juan Felipe Herrera, Alurista, and Francisco X. Alarcón—and speeches that address the need to leverage poetry as agency.

This book fills a glaring gap in existing poetry scholarship by focusing exclusively on writers of color, and particularly on Latino poetry. González makes important observations about the relevance, urgency, and exquisite craft of the work coming from writers who represent marginalized communities. His insightful connections between the Latino, African American, Asian American, and Native American literatures persuasively position them as a collective movement critiquing, challenging, and reorienting the direction of American poetry with their nuanced and politicized verse. González’s inclusive vision covers a wide landscape of writers, opening literary doors for sexual and ethnic minorities.


 
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cover of Pixel

Pixel

Krisztina Tóth

Seagull Books, 2018

A collection of stories from a Hungarian writer that treats relationships and love in contemporary life.

Like stars in the sky, pixels may seem like tiny, individual points. But, when viewed from a distance, they can create elaborate images. Each pixel contributes to this array, but no individual point can create the whole. The thirty stories that comprise Krisztina Tóth’s book similarly produce an interconnected web. While each tale of love, loss, and failed self-determination narrates the sensuousness of an individual’s life, together, the thirty stories tell a more complicated tale of relationships. Circumstances that appear unrelated may converge in harmony or heartbreak, just as the events that loom largest may fail to produce a longed-for outcome. These threads often determine the course of lives in unpredictable ways—sometimes comic, sometimes tragic, but rarely in the ways we originally anticipated.
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cover of Place Envy: Essays in Search of Orientation

Place Envy

Essays in Search of Orientation

Michael Lowenthal

The Ohio State University Press, 2026

A queer, Jewish writer searches for belonging across countries, identities, and histories in a moving collection of essays about orientation and home.

Growing up in places where his family had no past, and met mostly by silence from his Holocaust-refugee grandparents, Michael Lowenthal longed to be from somewhere. Then he realized he was gay and felt displaced from his own displaced family. Place Envy—his first book of essays after five acclaimed books of fiction—chronicles his quest for orientation in the world: as an agnostic Jew, as a queer traveler and lover, and as a writer who can tell or twist the truth. Yearning for a queer lineage, he obsesses about an uncle who perished at Bergen-Belsen but then finds, in his grandmother’s German hometown, a more surprising legacy. He lives with a Pennsylvania Amish family; accompanies blind gay men on a Mexican cruise; plays jazz with Sun Ra, the Afrofuturist who claimed to hail from Saturn; and pursues a clarifying love affair in Brazil. Collectively, these essays recount Lowenthal’s many journeys of dislocation and relocation: to foreign countries and subcultures and to the riskiest shores of family and self.
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cover of Playing in Time: Essays, Profiles, and Other True Stories

Playing in Time

Essays, Profiles, and Other True Stories

Carlo Rotella

University of Chicago Press, 2012

From jazz fantasy camp to running a movie studio; from a fight between an old guy and a fat guy to a fear of clowns—Carlo Rotella’s Playing in Time delivers good stories full of vivid characters, all told with the unique voice and humor that have garnered Rotella many devoted readers in the New York Times Magazine, Boston Globe, and Washington Post Magazine, among others. The two dozen essays in Playing in Time, some of which have never before been published, revolve around the themes and obsessions that have characterized Rotella’s writing from the start: boxing, music, writers, and cities. What holds them together is Rotella’s unique focus on people, craft, and what floats outside the mainstream. “Playing in time” refers to how people make beauty and meaning while working within the constraints and limits forced on them by life, and in his writing Rotella transforms the craft and beauty he so admires in others into an art of his own.

Rotella is best known for his writings on boxing, and his essays here do not disappoint. It’s a topic that he turns to for its colorful characters, compelling settings, and formidable life lessons both in and out of the ring. He gives us tales of an older boxer who keeps unretiring and a welterweight who is “about as rich and famous as a 147-pound fighter can get these days,” and a hilarious rumination on why Muhammad Ali’s phrase “I am the greatest” began appearing (in the mouth of Epeus) in translations of The Iliad around 1987. His essays on blues, crime and science fiction writers, and urban spaces are equally and deftly engaging, combining an artist’s eye for detail with a scholar’s sense of research, whether taking us to visit detective writer George Pelecanos or to dance with the proprietress of the Baby Doll Polka Club next to Midway Airport in Chicago.

Rotella’s essays are always smart, frequently funny, and consistently surprising. This collection will be welcomed by his many fans and will bring his inimitable style and approach to an even wider audience.

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cover of Poe Abroad: Influence Reputation Affinities

Poe Abroad

Influence Reputation Affinities

Lois Davis Vines

University of Iowa Press, 1999

Perhaps no one would be more shocked at the steady rise of his literary reputation—on a truly global scale—Than Edgar Allan Poe himself. Poe's literary reputation has climbed steadily since his death in 1849.

In Poe Abroad, Lois Vines has brought together a collection of essays that document the American writer's influence on the diverse literatures—and writers—of the world. Over twenty scholars demonstrate how and why Poe has significantly influenced many of the major literary figures of the last 150 years.

Part One includes studies of Poe's popularity among general readers, his influence on literary movements, and his reputation as a poet, fiction writer, and literary critic. Part Two presents analyses of the role Poe played in the literary development of specific writers representing many different cultures.

Poe Abroad commemorates the 150th anniversary of Poe's death and celebrates his worldwide impact, beginning with the first literal translation of Poe into a foreign language, “The Gold-Bug”into French in 1845. Charles Baudelaire translated another Poe tale in 1848 and four years later wrote an essay that would make Poe a well-known author in Europe even before he achieved recognition in America.

Poe died knowing only that some of his stories had been translated into French. He probably never would have imagined that his work would be admired and imitated as far away as Japan, China, and India or would have a lasting influence on writers such as Baudelaire, August Strindberg, Franz Kafka, Jorge Luis Borges, Julio Cortázar, and Tanizaki Junichiro.

As we approach the sesquicentennial of his death, Poe Abroad brings together a timely one-volume assessment of Poe's influence throughout the world.
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cover of Poems and Fancies with The Animal Parliament

Poems and Fancies with The Animal Parliament

Margaret Cavendish, Duchess of Newcastle

Iter Press, 2018

Margaret Cavendish released her Poems and Fancies during a brief reprieve from exile, and at a time when international conversations on questions regarding science, mathematics, and metaphysics significantly advanced the state of knowledge across Britain and Europe despite war and political turmoil. This volume offers the first complete modernized version of the third edition of Cavendish’s book, including prefaces and dedications, all 274 poems on nature’s various avatars, interludes and masques, and the final prose parable, The Animal Parliament. Cavendish offers views on physics, chemistry, algebraic geometry, medicine, political philosophy, ethics, psychology, and animal intelligence, as she develops her own theory of vital matter within the scope of nature’s ordering principles.

The Other Voice in Early Modern Europe. The Toronto Series: Volume 64
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Poems and Selected Letters

Veronica Franco

University of Chicago Press, 1998

Veronica Franco (whose life is featured in the motion picture Dangerous Beauty) was a sixteenth-century Venetian beauty, poet, and protofeminist. This collection captures the frank eroticism and impressive eloquence that set her apart from the chaste, silent woman prescribed by Renaissance gender ideology.

As an "honored courtesan", Franco made her living by arranging to have sexual relations, for a high fee, with the elite of Venice and the many travelers—merchants, ambassadors, even kings—who passed through the city. Courtesans needed to be beautiful, sophisticated in their dress and manners, and elegant, cultivated conversationalists. Exempt from many of the social and educational restrictions placed on women of the Venetian patrician class, Franco used her position to recast "virtue" as "intellectual integrity," offering wit and refinement in return for patronage and a place in public life.

Franco became a writer by allying herself with distinguished men at the center of her city's culture, particularly in the informal meetings of a literary salon at the home of Domenico Venier, the oldest member of a noble family and a former Venetian senator. Through Venier's protection and her own determination, Franco published work in which she defended her fellow courtesans, speaking out against their mistreatment by men and criticizing the subordination of women in general. Venier also provided literary counsel when she responded to insulting attacks written by the male Venetian poet Maffio Venier.

Franco's insight into the power conflicts between men and women and her awareness of the threat she posed to her male contemporaries make her life and work pertinent today.



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Poems by a Sixteenth-Century Gentlewoman, Maid, and Servant

Isabella Whitney

Iter Press, 2023

A collection of poems by the first English woman to publish secular poetry under her own name.

Isabella Whitney (c. 1547–after 1624) was the first English woman to publish original secular poetry under her own name. She published two poetic miscellanies of poems: The Copy of a Letter (1567) and A Sweet Nosegay (1573), which include her own work as well as a total of six poems by five different male authors. This edition of her writings prints modernized texts of the complete miscellanies and adds to them six poems attributed to Whitney by largely twentieth-century critics. These poems provide a rich portrait of sixteenth-century female courtship and its dangers, a unique view of class and gender in Whitney’s lifetime, and a portrait of London as a burgeoning market of practical goods and luxury items from foodstuffs to imported silk.
 
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Poems of Widowhood

A Bilingual Edition of the 1538 "Rime"

Vittoria Colonna

Iter Press, 2021

Vittoria Colonna’s 1538 Rime, originally issued without her permission by a small Parma press, was the first of many editions of her poetry published during her lifetime. Born into one of the most powerful families in Rome and connected to many of the great political, religious, and artistic figures of the period, Colonna was uniquely positioned to transform the landscape of women’s writing. The first woman to see her own poems appear in print in a single-author volume, she led the way for hundreds of other women of her time to publish their own works. Comprising more than one hundred and forty sonnets and two canzoni, the Rime expresses Colonna’s anguish over the loss of her husband and her struggle both to preserve his memory and secure her own future.

This volume presents the first complete English translation of the 1538 Rime and restores the original Italian texts from the blemished Parma printing and later composite editions, a boon to readers of both languages.
 
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Poetic License

Essays on Modernist and Postmodernist Lyric

Marjorie Perloff

Northwestern University Press, 1990

In Poetic License, Marjorie Perloff insists that despite the recent interest in "opening up the canon," our understanding of poetry and poetics is all too often rutted in conventional notions of the lyric that shed little light on what poets and artists are actually doing today. On topics ranging from general problems of canonicity to the critical evaluation of such poets as Plath, Ginsberg, and others, Perloff introduces nonconventional ideas of the nature of poetic texts and reframes the discussion of postmodern "paratexts." Her discussion reformulates basic presuppositions of what poetry is and what it can do and leads us to see the great possibilities still open to lyric poetry at a time when, as Yeats predicted, "the center cannot hold."
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cover of Poetic Relations: Intimacy and Faith in the English Reformation

Poetic Relations

Intimacy and Faith in the English Reformation

Constance M. Furey

University of Chicago Press, 2017

What is the relationship between our isolated and our social selves, between aloneness and interconnection? Constance M. Furey probes this question through a suggestive literary tradition: early Protestant poems in which a single speaker describes a solitary search for God.

As Furey demonstrates, John Donne, George Herbert, Anne Bradstreet, and others describe inner lives that are surprisingly crowded, teeming with human as well as divine companions. The same early modern writers who bequeathed to us the modern distinction between self and society reveal here a different way of thinking about selfhood altogether. For them, she argues, the self is neither alone nor universally connected, but is forever interactive and dynamically constituted by specific relationships. By means of an analysis equally attentive to theological ideas, social conventions, and poetic form, Furey reveals how poets who understand introspection as a relational act, and poetry itself as a form ideally suited to crafting a relational self, offer us new ways of thinking about selfhood today—and a resource for reimagining both secular and religious ways of being in the world.
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Poetry On and Off the Page

Essays for Emergent Occasions

Marjorie Perloff

Northwestern University Press, 1998

The fourteen essays that make up this collection have as their common theme a reconsideration of the role historical and cultural change has played in the evolution of twentieth-century poetry and poetics. Committed to the notion that, in John Ashbery's words, "You can't say it that way anymore," Poetry On & Off the Page describes the formations and transformations of literary and artistic discourses, and traces these discourses as they have evolved in their dialogue with history, culture, and society. The volume is testimony to the important role that contemporary artistic practice will continue to play as we move into the twenty-first century.
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Poets as Public Scholars

Contemporary Poetics in an Age of Social Media

C. R. Grimmer

University of Michigan Press, 2026

Poets as Public Scholars is a multimedia project that interrogates how poet-scholars use digital platforms to expand access and visibility for underrepresented voices, but also to critique the commodification, extraction, and erasure practices embedded in neoliberal literary circulation. Framed by two core questions—how poets teach public scholarship through networked media, and how to support underrepresented poets without reinforcing market-driven erasure—the collection offers videos for student and public engagement, essays for scholarly audiences, and discussion questions for classroom use.

Structured around seven video dialogues and seven critical essays, the book features contributions from poet-scholars including Camea Davis, A.D. Carson, Tyrone Williams, Patrick Milian, Stevi Costa, Cameron Awkward-Rich, and Woogee Bae. Each chapter examines the material and affective economies that shape poetic production and reception, while proposing alternative, community-rooted infrastructures for literary and cultural labor. Designed for layered audiences, the video interviews model public-facing discourse, while the companion essays situate the work within critical conversations in literature, cultural theory, and media studies. With included discussion questions by Dr. Molly Ubbesen (University of Minnesota Rochester) and open access availability, Poets as Public Scholars functions as both a teaching tool and a theoretical intervention for scholars and educators seeking to integrate anti-racist, anti-capitalist approaches to literary and digital humanities pedagogy.

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Points of the Compass

Stories

Sahar Tawfiq

University of Arkansas Press, 1995

This collection of short stories, recipient of a 1994 University of Arkansas Press Award for Arabic Literature in Translation, presents one of Egypt’s most innovative contemporary fiction writers. In her first collection published in English, Sahar Tawfiq explores the consciousnesses of young women alienated from their surroundings in today’s rapidly changing Egyptian society. In questioning the place of long-powerful myths and beliefs, she is in the forefront of writers examining the legacy of the Pharaohs as it permeates current Egyptian identities and practices, especially in the countryside. Her characters are shaped by journeys through modern social and economic trials and the ageless troubles of the human spirit and heart.
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Political Writings

Jean-Francois Lyotard

University of Minnesota Press, 1993

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Political Writings

Edited by Jude Davies

University of Illinois Press, 2011

Theodore Dreiser staked his reputation on fearless expression in his fiction, but he never was more outspoken than when writing about American politics, which he did prolifically. Although he is remembered primarily as a novelist, the majority of his twenty-seven books were nonfiction treatises.
 
To Dreiser, everything was political. His sense for the hype and hypocrisies of politics took shape in reasoned but emphatic ruminations in his fiction and nonfiction on the hopes and disappointments of democracy, the temptations of nationalism and communism, the threat and trumpets of war, and the role of writers in resisting and advancing political ideas.
 
Spanning a period of American history from the Progressive Era to the advent of the Cold War, this generous volume collects Dreiser's most important political writings from his journalism, broadsides, speeches, private papers, and long out-of-print nonfiction books. Touching on the Great Depression, the New Deal, and both World Wars as well as Soviet Russia and the persecution of Jews in Nazi Germany, these writings exemplify Dreiser's candor and his penchant for championing the defenseless and railing against corruption.
 
Positing Dreiser as an essential public intellectual who addressed the most important issues of the first half of the twentieth century, these writings also navigate historical terrain with prescient observations on topics such as religion, civil rights, national responsibility, individual ethics, global relations, and censorship that remain particularly relevant to a contemporary audience. Editor Jude Davies provides historical commentaries that frame these selections in the context of his other writings, particularly his novels.
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Portraits of the Queen Mother

Polemics, Panegyrics, Letters

Catherine de Médicis and Others

Iter Press, 2014

Catherine de Médicis was portrayed in her day as foreign usurper, loving queen and queen mother, patron of the arts, and Machiavellian murderer of Protestants. Leah L. Chang and Katherine Kong assemble a diverse array of scathing polemic and lofty praise, diplomatic reports, and Catherine’s own letters, which together show how one extraordinary woman’s rule intersected with early modern conceptions of gender, maternity, and power.
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Power in the Blood

A Family Narrative

Linda Tate

Ohio University Press, 2009

Power in the Blood: A Family Narrative traces Linda Tate’s journey to rediscover the Cherokee-Appalachian branch of her family and provides an unflinching examination of the poverty, discrimination, and family violence that marked their lives. In her search for the truth of her own past, Tate scoured archives, libraries, and courthouses throughout Kentucky, Tennessee, Alabama, Illinois, and Missouri, visited numerous cemeteries, and combed through census records, marriage records, court cases, local histories, old maps, and photographs. As she began to locate distant relatives — fifth, sixth, seventh cousins, all descended from her great-greatgrandmother Louisiana — they gathered in kitchens and living rooms, held family reunions, and swapped stories. A past that had long been buried slowly came to light as family members shared the pieces of the family’s tale that had been passed along to them.

Power in the Blood is a dramatic family history that reads like a novel, as Tate’s compelling narrative reveals one mystery after another. Innovative and groundbreaking in its approach to research and storytelling, Power in the Blood shows that exploring a family story can enhance understanding of history, life, and culture and that honest examination of the past can lead to healing and liberation in the present.

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Precision and Soul

Essays and Addresses

Robert Musil

University of Chicago Press, 1990

"We do not have too much intellect and too little soul, but too little precision in matters of the soul."—Robert Musil

Best known as author of the novel The Man without Qualities, Robert Musil wrote these essays in Vienna and Berlin between 1911 and 1937. Offering a perspective on modern society and intellectual life, they are concerned with the crisis of modern culture as it manifests itself in science and mathematics, capitalism and nationalism, the changing roles of women and writers, and more. Writing to find his way in a world where moral systems everywhere were seemingly in decay, Musil strives to reconcile the ongoing conflict between functional relativism and the passionate search for ethical values.

Robert Musil was born in 1880 and died in 1942. His first novel, Young Törless, is available in English. A new two-volume translation by Burton Pike and Sophie Wilkins of The Man without Qualities is forthcoming from Alfred A. Knopf.

"Now we have these thirty-one invaluable and entertaining pieces, from an article on 'The Obscene and Pathological in Art' to the equally provocative talk 'On Stupidity,' which, with a new translation of The Man without Qualities forthcoming . . . amount to a literary event for the reader of English comparable to Constance Garnett's massive translation of Chekhov's stories."—Joseph Coates, Chicago Tribune

"Musil is one of the few great moderns, one of the handful who ventured to confront the issues that shape and define our time. . . . He has a range and a striking capacity every bit as great as that of Mann, Joyce, or Beckett."—Boston Review

"These essays are crucial in understanding a writer and critic whose lifelong task was an attempt to resolve the dichotomy between the precision of scientific form and the soul—the matter of life and art."—Choice
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cover of Preface to the Presidency: Selected Speeches of Bill Clinton 1974-1992

Preface to the Presidency

Selected Speeches of Bill Clinton 1974-1992

Stephen Smith

University of Arkansas Press, 1996

Bill Clinton has long been touted as a master of public speaking form and political discourse. Taken from his speeches as a twenty-seven-year-old candidate for Congress though his 1992 victory speech, Preface to the Presidency reveals the power and range of his contribution to our nation's political dialogue.
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Prehistoric Digital Poetry

An Archaeology of Forms, 1959-1995

C.T. Funkhouser, with a foreword by Sandy Baldwin

University of Alabama Press, 2007

Tracing the Origins of Digital Poetry Before the Web Revolution

For the last five decades, poets have had a vibrant relationship with computers and digital technology. This book is a documentary study and analytic history of digital poetry that highlights its major practitioners and the ways that they have used technology to foster a new aesthetic. Focusing primarily on programs and experiments produced before the emergence of the World Wide Web in the mid-1990s, C. T. Funkhouser analyzes numerous landmark works of digital poetry to illustrate that the foundations of today’s most advanced works are rooted in the rudimentary generative, visual, and interlinked productions of the genre’s prehistoric period.

Since 1959, computers have been used to produce several types of poetic output, including randomly generated writings, graphical works (static, animated, and video formats), and hypertext and hypermedia. Funkhouser demonstrates how hardware, programming, and software have been used to compose a range of new digital poetic forms. Several dozen historical examples, drawn from all of the predominant approaches to digital poetry, are discussed, highlighting the transformational and multi-faceted aspects of poetic composition now available to authors. This account includes many works, in English and other languages, which have never before been presented in an English-language publication.

In exploring pioneering works of digital poetry, Funkhouser demonstrates how technological constraints that would seemingly limit the aesthetics of poetry have instead extended and enriched poetic discourse. As a history of early digital poetry and a record of an era that has passed, this study aspires both to influence poets working today and to highlight what the future of digital poetry may hold.

 

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Present Tensions

European Writers on Overcoming Dictatorships

Kristina Kaiserová

Central European University Press, 2009

An intersection of literary works on the question of how dictatorships are overcome, which emerged from a transnational project convening acclaimed writers. The generations, European countries of origin and artistic directions represented are both an advantage and a challenge reflected by this anthology. A considerable variety of motivations drove participants: putting into words a contemporary biography of persecution, a descendant's feeling of personal historical responsibility, or the artistic curiosity of the "outsider". The anthology is dedicated to the imaginative power of literature, and to Central Eastern and South Eastern Europe in particular. The formerly multicultural setting of these countries suffered the most from European dictatorships and their insufficiently processed legacies. The cultural transfer exhibited here will help reduce prejudices and promote new forms of understanding with Western Europe: it aims to further a diversified but common European culture.
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cover of Prior to Meaning: The Protosemantic and Poetics

Prior to Meaning

The Protosemantic and Poetics

Steve McCaffery

Northwestern University Press, 2000

Prior to Meaning collects a decade of writing on poetry, language, and the theory of writing by one of the most innovative and conceptually challenging poets of the last twenty-five years. In essays that are wide ranging, richly detailed, and novel in their surprising juxtapositions of disparate material, Steve McCaffery works to undo the current bifurcation between theory and practice--to show how a poetic text might be the source rather than the product of the theoretical against which it must be read.
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cover of Prosperity Far Distant: The Journal of an American Farmer, 1933–1934

Prosperity Far Distant

The Journal of an American Farmer, 1933–1934

Charles M. Wiltse

Ohio University Press, 2012

Fresh from receiving a doctorate from Cornell University in 1933, but unable to find work, Charles M. Wiltse joined his parents on the small farm they had recently purchased in southern Ohio. There, the Wiltses scratched out a living selling eggs, corn, and other farm goods at prices that were barely enough to keep the farm intact.

In wry and often affecting prose, Wiltse recorded a year in the life of this quintessentially American place during the Great Depression. He describes the family’s daily routine, occasional light moments, and their ongoing frustrations, small and large—from a neighbor’s hog that continually broke into the cornfields to the ongoing struggle with their finances. Franklin Roosevelt’s New Deal had little to offer small farmers, and despite repeated requests, the family could not secure loans from local banks to help them through the hard economic times. Wiltse spoke the bitter truth when he told his diary, “We are not a lucky family.” In this he represented millions of others caught in the maw of a national disaster.

The diary is introduced and edited by Michael J. Birkner, Wiltse’s former colleague at the Papers of Daniel Webster Project at Dartmouth College, and coeditor, with Wiltse, of the final volume of Webster’s correspondence.

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Proverbs

An Eclectic Edition with Introduction and Textual Commentary

Michael V. Fox

SBL Press, 2015

A new critical text for Proverbs drawing from many manuscripts

This first volume of The Hebrew Bible: A Critical Edition series, features a critical text of Proverbs with extensive text-critical introductions and commentaries. This and future HBCE volumes bring together a scholar’s critical decisions into a single text. construct an eclectic text, drawing from many manuscripts or placing entirely variant texts side by side. A common approach for critical editions of other ancient books, including the New Testament, the eclectic approach and scope used in the HBCE is a first of its kind for the Hebrew Bible.

Features:

  • Emendations set in context rather than singly and marginally
  • Introduction that sets out the method and purpose of the volume
  • Extensive list of abbreviations and sigla
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cover of Public Places, Private Journeys: Ethnography, Entertainment, and the Tourist Gaze

Public Places, Private Journeys

Ethnography, Entertainment, and the Tourist Gaze

Strain, Ellen

Rutgers University Press, 2003

In this globally interconnected planet, we are increasingly able to access exotic locales without ever actually seeing these places firsthand. Instead, what we perceive to be fresh cultural experiences are actually second-hand moments, filtered through mediums such as television, film, the internet, CD-Roms, and various other media.

Ellen Strain posits that the images in film and popular culture not only fill in the gaps of a person’s first-hand—or rather, lack of first-hand—experience with other cultural situations, but also predisposes the “tourist gaze” to view particular locales in a predetermined way. She theorizes the idea of a touristic way of understanding the world in general. How, she asks, are our cross-cultural perceptions of places and peoples created in the first place? Can a set of images—such as postcards—mediate our vision of distant geographies? Are there culturally constructed strategies set up to mediate our cross-cultural perceptions of the exotic? Strain includes the works of Jules Verne, E. M. Forster, and Michael Crichton, as well as film, CD-Rom travel games and virtual reality in her own authorial gaze.   

Public Places, Private Journeys is a unique postmodern exploration of how individuals see across cultural differences in an era of increasingly commercialized and globalized culture.

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cover of Published Essays, 1940-1952 (CW10)

Published Essays, 1940-1952 (CW10)

Eric Voegelin & Edited & Intro by Ellis Sandoz.

University of Missouri Press, 2000

Published Essays, 1940-1952, includes some of Eric Voegelin's most provocative and interesting essays. Containing his first publications after he fled Vienna and settled in the United States following Hitler's annexation of Austria, this volume provides eyewitness commentary on the rise of National Socialism from the first days of World War II onward. A major study entitled "Growth of the Race Idea" presents a masterful summary of the two volumes on that subject Voegelin first published in 1933. A related essay of wide interest is entitled "Nietzsche, the Crisis, and the War."

Another facet of Voegelin's thought incorporated within this volume of the Essays is his extraordinary analysis of the diplomatic correspondence conducted between the Western powers, the papacy, and the Great Khans, whose breathtaking expansion of the Mongol Empire for a time threatened to extinguish Western civilization itself and resulted in a two-century domination of Russia. Another major study is "The Origins of Scientism," an illuminating analysis of the grounds of much of modern philosophy and of all modern political ideologies.

There are also surveys of the state of political theory in the late forties, penetrating studies of utopian thought with essays on Thomas More and Goethe, and a concluding essay that explores the intricacies of "Gnostic Politics"—a familiar theme from Voegelin's contemporaneous New Science of Politics. This volume of published essays shows Eric Voegelin at his most accessible best.

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