28164 books match the query 'History' and 1297 start with p

cover of Passage To England: Barbadian Londoners Speak of Home

Passage To England

Barbadian Londoners Speak of Home

John Western

University of Minnesota Press, 1992

Since World War II London has become a significantly multiracial city. Some of the earliest agents of its transformation were young men and women recruited in the late 1950s from Barbados, then a British colony, to work in the metropolis’s nationalized public transportation system and in its hospitals. These Barbadians met, married, settled in London, and raised Londoner children. In 1987-88 John Western conducted a series of interviews with twelve such families--both parents and children. Their vivid words fill A Passage to England with insight, human, and, often, poignancy. Here is a rich perspective on thirty years or more of London social history.

Western structured the interviews to allow the Barbadians a lot of freedom to discuss whatever came to mind concerning either their own life histories and achievements, or wider themes of culture, politics, and society. Topics covered range from matters of “race” to Margaret Thatcher and the change her decade in power has wrought in Britain. One development, for example, is the strikingly entrepreneurial spirit now embraced by some of the young British blacks, veritably “Mrs. Thatcher’s Children.” Ultimately, many of the interviewees focused on the changes they see in their ancestral island in the Caribbean, to which all of them have returned for visits. For this migrant generation especially, as the prospect of retirement begins to grow increasingly important, inevitable questions regard the definitions of “home” and “belonging” must be confronted: Does one stay in London--with one’s children and grandchildren--or does one return to Barbados, which for many seems no longer the same island as the one they left a working lifetime ago? Within the context of an ever-increasing complement of geographically mobile people worldwide, Western’s study provides unique insights into the particular ambiguities a particular set of person have wrestled with at a particular moment in history...but the import of the Barbadian Londoners’ story is universal.
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cover of Passage to Dusk

Passage to Dusk

By Rashid al-Daif

University of Texas Press, 2001

Passage to Dusk deals with the Lebanese civil war of the 1970s in a postmodern, poetic style. The narrative focuses on the deranged, destabilized, confused, and hyper-perceptive state of mind created by living on the scene through a lengthy war. The story is filled with details that transcend the willed narcissism of the main character, while giving clues to the culture of the time. It is excellent fiction, written in a surrealistic mode, but faithful to the characters of the people of Lebanon, their behavior during the war, and their contradictions. Issues of gender and identity are acutely portrayed against Lebanon's shifting national landscape.

The English-language reader has not been much exposed to Lebanese literature in translation, and Rashid al-Daif is one of Lebanon's leading writers. He has been translated into eight languages, including French, German, Italian, Polish, and Spanish. Translator Nirvana Tanoukhi manages to preserve Daif's unusual, moving, and at times humorous style in her English rendition.

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cover of Passage to Wonderland: Rephotographing Joseph Stimson's Views of the Cody Road to Yellowstone National Park, 1903 and 2008

Passage to Wonderland

Rephotographing Joseph Stimson's Views of the Cody Road to Yellowstone National Park, 1903 and 2008

Michael A. Amundson

University Press of Colorado, 2012

In 1903 the Cody Road opened, leading travelers from Cody, Wyoming, to Yellowstone National Park. Cheyenne photographer J. E. Stimson traveled the route during its first week in existence, documenting the road for the state of Wyoming's contribution to the 1904 World's Fair. His images of now-famous landmarks like Cedar Mountain, the Shoshone River, the Holy City, Chimney Rock, Sylvan Pass, and Sylvan Lake are some of the earliest existing photographs of the route. In 2008, 105 years later, Michael Amundson traveled the same road, carefully duplicating Stimson's iconic original photographs. In Passage to Wonderland, these images are paired side by side and accompanied by a detailed explanation of the land and history depicted.

Amundson examines the physical changes along "the most scenic fifty miles in America" and explores the cultural and natural history behind them. This careful analysis of the paired images make Passage to Wonderland more than a "then and now" photography book--it is a unique exploration of the interconnectedness between the Old West and the New West. It will be a wonderful companion for those touring the Cody Road as well as those armchair tourists who can follow the road on Google Earth using the provided GPS coordinates.

 

The University Press of Colorado gratefully acknowledges the generous support of the Charles Redd Center for Western Studies at Brigham Young University toward the publication of this book.


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cover of Passages and Afterworlds: Anthropological Perspectives on Death in the Caribbean

Passages and Afterworlds

Anthropological Perspectives on Death in the Caribbean

Maarit Forde and Yanique Hume, editors

Duke University Press, 2018

The contributors to Passages and Afterworlds explore death and its rituals across the Caribbean, drawing on ethnographic theories shaped by a deep understanding of the region's long history of violent encounters, exploitation, and cultural diversity. Examining the relationship between living bodies and the spirits of the dead, the contributors investigate the changes in cosmologies and rituals in the cultural sphere of death in relation to political developments, state violence, legislation, policing, and identity politics. Contributors address topics that range from the ever-evolving role of divinized spirits in Haiti and the contemporary mortuary practice of Indo-Trinidadians to funerary ceremonies in rural Jamaica and ancestor cults in Maroon culture in Suriname. Questions of alterity, difference, and hierarchy underlie these discussions of how racial, cultural, and class differences have been deployed in ritual practice and how such rituals have been governed in the colonial and postcolonial Caribbean.

Contributors. Donald Cosentino, Maarit Forde, Yanique Hume, Paul Christopher Johnson, Aisha Khan, Keith E. McNeal, George Mentore, Richard Price, Karen Richman, Ineke (Wilhelmina) van Wetering, Bonno (H.U.E.) Thoden van Velzen
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cover of Passamaquoddy Ceremonial Songs: Aesthetics and Survival

Passamaquoddy Ceremonial Songs

Aesthetics and Survival

Ann Morrison Spinney

University of Massachusetts Press, 2010

Based on extensive research across several disciplines, this book examines the songs and dances involved in public ceremonies of the Wabanaki Confederacy, a coalition of five Algonquian First Nations that figured importantly in the political history of New England and the Maritimes from the seventeenth century on. Ethnomusicologist Ann Morrison Spinney analyzes these ceremonial performances as they have been maintained in one of those nations, the Passamaquoddy community of Maine. She compares historical accounts with forms that have persisted to the present, showing how versions of the same songs, dances, and ritual speeches have continued to play a vital role in Passamaquoddy culture over time. A particular focus of the study is the annual Sipayik Indian Day, a public presentation of the dances associated with the protocols of the Wabanaki Confederacy. Spinney interprets these practices using melodic analysis and cultural contextual frameworks, drawing on a variety of sources, including written documents, sound and video recordings, interviews with singers, dancers, and other cultural practitioners, and her own fieldwork observations. Her research shows that Passamaquoddy techniques of song composition and performance parallel both the structure of the Passamaquoddy language and the political organizations that these ceremonies support.
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cover of Passing Illusions: Jewish Visibility in Weimar Germany

Passing Illusions

Jewish Visibility in Weimar Germany

Kerry Wallach

University of Michigan Press, 2017

Weimar Germany (1919–33) was an era of equal rights for women and minorities, but also of growing antisemitism and hostility toward the Jewish population. This led some Jews to want to pass or be perceived as non-Jews; yet there were still occasions when it was beneficial to be openly Jewish. Being visible as a Jew often involved appearing simultaneously non-Jewish and Jewish. Passing Illusions examines the constructs of German-Jewish visibility during the Weimar Republic and explores the controversial aspects of this identity—and the complex reasons many decided to conceal or reveal themselves as Jewish. Focusing on racial stereotypes, Kerry Wallach outlines the key elements of visibility, invisibility, and the ways Jewishness was detected and presented through a broad selection of historical sources including periodicals, personal memoirs, and archival documents, as well as cultural texts including works of fiction, anecdotes, images, advertisements, performances, and films. Twenty black-and-white illustrations (photographs, works of art, cartoons, advertisements, film stills) complement the book’s analysis of visual culture.

 
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cover of Passing Performances: Queer Readings of Leading Players in American Theater History

Passing Performances

Queer Readings of Leading Players in American Theater History

Robert A. Schanke and Kim Marra, Editors

University of Michigan Press, 1998

Passing Performances gathers a range of critical and biographical essays on notable personalities whose major contributions to the stage occurred before 1969, the year of the Stonewall riots that kicked off the gay rights movement in the United States. How these theater practitioners variously "passed"-- i.e., managed unconventional sexual inclinations both on- and offstage--significantly determined the course of their personal and professional lives and thus the course of U.S. theater history.
The actors, directors, producers, and agents examined here include Edwin Forrest, Charlotte Cushman, and Adah Isaacs Menken, whose personal lives and careers traded on the same-sex erotics of "true love" in the antebellum period; Elisabeth Marbury, Elsie de Wolfe, Elsie Janis, Nance O'Neil, and Alla Nazimova, whose intimate female liaisons were variously interpreted around the turn of the century; the "lavender marriages" of Alfred Lunt to Lynne Fontanne and Guthrie McClintic to Katharine Cornell; the lesbian collaborations of Margaret Webster and Cheryl Crawford; the comic antics of Monty Woolley, which negotiated codified constructions of homosexual perversion in the post-Freudian interwar years; and the on- and offstage performances of Mary Martin and Joe Cino, which resisted the paranoid enforcements of heterosexual normality in the McCarthy era. Central to these investigations are the complex connections of performances of sexuality and gender and their different implications for men and women practitioners working under pervasive sexism and homophobia.
The volume also includes striking archival photographs of the performers and their performances, and an index to facilitate the cross-referencing of subjects' intersecting careers. Passing Performances will engage both general and academic readers interested in theater, gay and lesbian history, American studies, and biography.
Robert A. Schanke is Professor of Theatre and Chair of the Division of Fine Arts, Central College, Iowa. Kim Marra is Associate Professor of Theatre Arts, University of Iowa.
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cover of Passing Performances: Queer Readings of Leading Players in American Theater History

Passing Performances

Queer Readings of Leading Players in American Theater History

Robert A. Schanke and Kim Marra, Editors

University of Michigan Press, 0

Passing Performances gathers a range of critical and biographical essays on notable personalities whose major contributions to the stage occurred before 1969, the year of the Stonewall riots that kicked off the gay rights movement in the United States. How these theater practitioners variously "passed"-- i.e., managed unconventional sexual inclinations both on- and offstage--significantly determined the course of their personal and professional lives and thus the course of U.S. theater history.
The actors, directors, producers, and agents examined here include Edwin Forrest, Charlotte Cushman, and Adah Isaacs Menken, whose personal lives and careers traded on the same-sex erotics of "true love" in the antebellum period; Elisabeth Marbury, Elsie de Wolfe, Elsie Janis, Nance O'Neil, and Alla Nazimova, whose intimate female liaisons were variously interpreted around the turn of the century; the "lavender marriages" of Alfred Lunt to Lynne Fontanne and Guthrie McClintic to Katharine Cornell; the lesbian collaborations of Margaret Webster and Cheryl Crawford; the comic antics of Monty Woolley, which negotiated codified constructions of homosexual perversion in the post-Freudian interwar years; and the on- and offstage performances of Mary Martin and Joe Cino, which resisted the paranoid enforcements of heterosexual normality in the McCarthy era. Central to these investigations are the complex connections of performances of sexuality and gender and their different implications for men and women practitioners working under pervasive sexism and homophobia.
The volume also includes striking archival photographs of the performers and their performances, and an index to facilitate the cross-referencing of subjects' intersecting careers. Passing Performances will engage both general and academic readers interested in theater, gay and lesbian history, American studies, and biography.
Robert A. Schanke is Professor of Theatre and Chair of the Division of Fine Arts, Central College, Iowa. Kim Marra is Associate Professor of Theatre Arts, University of Iowa.
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cover of Passing for White: Race, Religion, and the Healy Family, 1820-1920

Passing for White

Race, Religion, and the Healy Family, 1820-1920

James M. O'Toole

University of Massachusetts Press, 2002

Through the prism of one family's experience, this book explores questions of racial identity, religious tolerance, and black-white “passing” in America. Spanning the century from 1820 to 1920, it tells the story of Michael Morris Healy, a white Irish immigrant planter in Georgia; his African American slave Eliza Clark Healy, who was also his wife; and their nine children. Legally slaves, these brothers and sisters were smuggled north before the Civil War to be educated. In spite of the hardships imposed by American society on persons of mixed racial heritage, the Healy children achieved considerable success. Rejecting the convention that defined as black anyone with “one drop of Negro blood,” they were able to transform themselves into white Americans. 

Their unlikely ally in this transition was the Catholic church, as several of them became priests or nuns. One brother served as a bishop in Maine, another as rector of the Cathedral in Boston, and a third as president of Georgetown University. Of the two sisters who became nuns, one was appointed the superior of convents in the United States and Canada. Another brother served for twenty years as a captain in the U.S. Coast Guard, enforcing law and order in the waters off Alaska. The Healy children's transition from black to white should not have been possible according to the prevailing understandings of race, but they accomplished it with apparent ease. Relying on their abilities, and in most cases choosing celibacy, which precluded mixed-race offspring, they forged a place for themselves. They also benefited from the support of people in the church and elsewhere. Even those white Americans who knew the family's background chose to overlook their African ancestry and thereby help them to “get away” with passing. By exploring the lifelong struggles of the members of the Healy family to redefine themselves in a racially polarized society, this book makes a distinctive contribution to our understanding of the enduring dilemma of race in America.

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cover of Passing the Baton: Black Women Track Stars and American Identity

Passing the Baton

Black Women Track Stars and American Identity

Cat M. Ariail

University of Illinois Press, 2020

After World War II, the United States used international sport to promote democratic values and its image of an ideal citizen. But African American women excelling in track and field upset such notions. Cat M. Ariail examines how athletes such as Alice Coachman, Mae Faggs, and Wilma Rudolph forced American sport cultures—both white and Black—to reckon with the athleticism of African American women. Marginalized still further in a low-profile sport, young Black women nonetheless bypassed barriers to represent their country. Their athletic success soon threatened postwar America's dominant ideas about race, gender, sexuality, and national identity. As Ariail shows, the wider culture defused these radical challenges by locking the athletes within roles that stressed conservative forms of femininity, blackness, and citizenship.

A rare exploration of African American women athletes and national identity, Passing the Baton reveals young Black women as active agents in the remaking of what it means to be American.

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cover of Passing the Baton: The Chicago Symphony Orchestra and the Music Directors Who Shaped Its Greatness

Passing the Baton

The Chicago Symphony Orchestra and the Music Directors Who Shaped Its Greatness

Phillip Huscher

University of Chicago Press, 2026

The untold story of how the Chicago Symphony Orchestra forged its place among the world’s foremost performing arts institutions through 135 years of change.

The Chicago Symphony Orchestra boasts a tradition and staying power that few cultural institutions can rival—a legacy that is tested each time one music director passes the conductor’s baton to another. In this first narrative account of the orchestra’s 135-year history, music critic and historian Phillip Huscher delivers a passionate description of how an upstart ensemble rose to international prominence and established itself as the premier symphony orchestra in the United States. 

With a scholar’s care for detail and a novelist’s attention to drama, Huscher invites us into the tangled machinations behind the success or failure of each chapter in the orchestra’s storied past. We see how legendary directors such as Fritz Reiner, Sir Georg Solti, and Riccardo Muti carried the orchestra to new heights of technical perfection and sonic brilliance, but also how others provoked public outcry, caved to insider hostility, or fell to cruel press. The result is a vivid portrait of an orchestra fighting to sustain its identity amid the constant contest between past and present, supporters and critics, and artistic and financial vision.

Woven into this saga are personal stories drawn from newly uncovered documents and interviews with players, conductors, and policymakers about the burden of inheritance, the price of ambition, and the yearning to forge a legacy. Taken together, this is a tale about the power of music—how it can help us navigate our lives and leave a lasting impact on the world around us.

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cover of Passion And Power: Sexuality in History

Passion And Power

Sexuality in History

Kathy Peiss

Temple University Press, 1989

"Brings together some of the most recent and innovative writing on the history of sexuality and explores the experiences, ideas and conflicts that have shaped the emergence of modern sexual identities." --Dare Passion and Power brings together some of the most recent and innovative writings on the history of sexuality and explores the experiences, ideas, and conflicts that have shaped the emergence of modern sexual identities. Arguing that sexuality is not an unchanging biological reality or a universal natural force, the essays in this volume discuss sexuality as an integral part of the history of human experience. Articles on sexual assault, homosexuality, birth control, venereal disease, sexual repression, pornography, and the AIDS epidemic examine the ways that sexuality has become a core element of modern social identity in the nineteenth- and twentieth-century United States. It is only in recent years that historians have begun to examine the social construction of sexuality. This is the first anthology that addresses this issue from a radical historical perspective, examining sexuality as a field of contention in itself and as part of other struggles rooted in divisions of gender, class, and race. Contents Part I: Sexuality and Historical Meaning 1. Passion and Power: An Introdtion - Kathy Peiss and Christina Simmons 2. Sexual Matters: On Conceptualizing Sexuality in History - Robert A. Padgug Part II: The Emergence of Modern Sexuality, 1790 to 1930 3. "The Life of a Citizen in the Hands of a Woman": Sexual Assault in New York City, 1790 to 1820 - Marybeth Hamilton Arnold 4. "Charity Girls" and City Pleasurer: Historical Notes on Working Class Sexuality, 1880-1920 - Kathy Peiss 5. Movements of Affirmation: Sexual Meanings and Homosexual Identities - Jeffrey Weeks 6. From Sexual Inversion to Homosexuality: The Changing Medical Conceptualization of Female "Deviance" - George Chauncey, Jr. 7. "We Were a Little Band of Willful Women": The Heterodoxy Club of Greenwich Village - Judith Schwartz, Kathy Peiss, and Christina Simmons 8. The Black Community and the Birth Control Movement - Jessie M. Rodrique Part III: Sexual Conflicts and Cultural Authority, 1920 to 1960 9. Modern Sexuality and the Myrh of Victorian Repression - Christina Simmons 10. Venereal Disease: The Wages of Sin? - Elizabeth Fee 11. "Uncontrolled Desires": The Response to the Sexual Psychopath, 1920-1960 - Estelle B. Freedman 12. The Homosexual Menace: The Politics of Sexuality in Cold War America - John D'Emilio 13. The Reproduction of Butch-Fern Roles: A Social Constructionist Approach - Elizabeth Lapovsky Kennedy and Madeline Davis Part IV: Private Passions and Public Debate, 1960 to the Present 14. Mass Market Romance: Pornography for Women Is Different - Ann Barr Snitow 15. (De)Constructing Pornography: Feminisms in Conflict - Duphne Read 16. Gay Villain, Gay Hero: Homosexuality and the Social Construction of AIDS - Robert A. Padgug About the Author(s) Kathy Peiss is Associate Professor of History and Women's Studies at the University of Massachusetts at Amherst and author of Cheap Amusements: Working Women and Leisure in Turn-of-the-century New York (Temple). Christina Simmons is Assistant Professor of History at the University of Cincinnati-Raymond Walters College.
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cover of Passion of Israel: Jacques Maritain, Catholic Conscience, and the Holocaust

Passion of Israel

Jacques Maritain, Catholic Conscience, and the Holocaust

Richard Francis Crane

University of Scranton Press, 2010

In his lifetime, French philosopher Jacques Maritain (1882–1973) achieved a reputation as both a leading Catholic intellectual and as an outspoken critic of antisemitism. Here historian Richard Francis Crane traces the development of Maritain’s opposition toward antisemitism and analyzes the Catholic appreciation of Judaism that animated his stance. Crane probes the writings and teachings of Maritain—from before, during, and after the Holocaust—and illuminates how his ideas altered Christian perceptions of Jews and Judaism during his lifetime and continue to do so today.

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cover of Passionate Amateurs: Theatre, Communism, and Love

Passionate Amateurs

Theatre, Communism, and Love

Nicholas Ridout

University of Michigan Press, 2015

Passionate Amateurs tells a new story about modern theater: the story of a romantic attachment to theater’s potential to produce surprising experiences of human community. It begins with one of the first great plays of modern European theater—Chekhov’s Uncle Vanya in Moscow—and then crosses the 20th and 21st centuries to look at how its story plays out in Weimar Republic Berlin, in the Paris of the 1960s, and in a spectrum of contemporary performance in Europe and the United States. This is a work of historical materialist theater scholarship, which combines a materialism grounded in a socialist tradition of cultural studies with some of the insights developed in recent years by theorists of affect, and addresses some fundamental questions about the social function and political potential of theater within modern capitalism. Passionate Amateurs argues that theater in modern capitalism can help us think afresh about notions of work, time, and freedom. Its title concept is a theoretical and historical figure, someone whose work in theater is undertaken within capitalism, but motivated by a love that desires something different. In addition to its theoretical originality, it offers a significant new reading of a major Chekhov play, the most sustained scholarly engagement to date with Benjamin’s “Program for a Proletarian Children’s Theatre,” the first major consideration of Godard’s La chinoise as a “theatrical” work, and the first chapter-length discussion of the work of The Nature Theatre of Oklahoma, an American company rapidly gaining a profile in the European theater scene.

Passionate Amateurs contributes to the development of theater and performance studies in a way that moves beyond debates over the differences between theater and performance in order to tell a powerful, historically grounded story about what theater and performance are for in the modern world.

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cover of Passionate Copying in Late Medieval Bohemia: The Case of Crux de Telcz (1434–1504)

Passionate Copying in Late Medieval Bohemia

The Case of Crux de Telcz (1434–1504)

Lucie Doležalová

Karolinum Press, 2021

A case study of the unusual liberties taken by the fifteenth-century Bohemian scribe Crux of Telcz.​

Passionate Copying in Late Medieval Bohemia addresses a unique case in the culture of manuscript transcription and textual transmission during the late fifteenth century, a transformative period in book history. This period is marked by the widespread intrusion of an unprecedented number of scribal paratexts—tables of contents, indices, explanatory notes, etc.—into transcribed manuscripts. To explore this development, the authors dig deep into a detailed case study of the Bohemian scribe Crux of Telč (1434–1504). Unlike most medieval copyists, who were stringent in their work even when inserting paratexts, Crux of Telč is notable for the extreme liberties he took with manuscript contents. Sometimes diligent, sometimes careless, his copies are notably rife with his own inventions and additions to the text. Crux’s life story is meticulously reconstructed in this book, relying on his colophons—the personal annotations left by medieval copyists to identify themselves and their circumstances—and other personal notes. The singularity of his approach to manuscripts is reinforced by the authors’ inclusion of a study of another late medieval scribe, Johannes Sintram of Würtzburg (d. 1450), whose scrivening is compared with that of Crux of Telč.
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cover of Passionate Discontent: Creativity, Gender, and French Symbolist Art

Passionate Discontent

Creativity, Gender, and French Symbolist Art

Patricia Mathews

University of Chicago Press, 2000

Passionate Discontent is an erudite study of the relationship between gender and genius in late nineteenth-century French Symbolism. Born in an era of crisis, the Symbolist art movement was characterized by withdrawal to a mystical, antibourgeois world of the mind and spirit. While Symbolists idealized the "poète maudit," a creative, mad genius exhibiting an emotional state of heightened awareness and "passionate discontent," female artists displaying similar symptoms were dismissed as hysterical.

Art historian Patricia Mathews traverses the artistic, social, and scientific discourses of fin-de-siècle France in order to illuminate the Symbolist construction of a feminized aesthetic that nonetheless excluded female artists from its realm. Along the way, Mathews proffers important new readings of the art of such Symbolists as Gauguin, van Gogh and Moreau, as well as that of their female contemporaries Camille Claudel and Suzanne Valadon. Passionate Discontent is an important contribution to art historical and women's studies.

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cover of Passionate Nation: The Epic History of Texas

Passionate Nation

The Epic History of Texas

James L. Haley

University of North Texas Press, 2006

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cover of Passionate Revolutions: The Media and the Rise and Fall of the Marcos Regime

Passionate Revolutions

The Media and the Rise and Fall of the Marcos Regime

Talitha Espiritu

Ohio University Press, 2017

In the last three decades, the dictatorship of Ferdinand Marcos has commanded the close scrutiny of scholars. These studies have focused on the political repression, human rights abuses, debt-driven growth model, and crony capitalism that defined Marcos’ so-called Democratic Revolution in the Philippines. But the relationship between the media and the regime’s public culture remains underexplored.

In Passionate Revolutions, Talitha Espiritu evaluates the role of political emotions in the rise and fall of the Marcos government. Focusing on the sentimental narratives and melodramatic cultural politics of the press and the cinema from 1965 to 1986, she examines how aesthetics and messaging based on heightened feeling helped secure the dictator’s control while also galvanizing the popular struggles that culminated in “people power” and government overthrow in 1986.

In analyzing news articles, feature films, cultural policy documents, and propaganda films as national allegories imbued with revolutionary power, Espiritu expands the critical discussion of dictatorships in general and Marcos’s in particular by placing Filipino popular media and the regime’s public culture in dialogue. Espiritu’s interdisciplinary approach in this illuminating case study of how melodrama and sentimentality shape political action breaks new ground in media studies, affect studies, and Southeast Asian studies.

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cover of Past Disquiet: Artists, International Solidarity and Museums in Exile

Past Disquiet

Artists, International Solidarity and Museums in Exile

Edited by Kristine Khouri and Rasha Salti

Museum of Modern Art in Warsaw, 2018

The International Art Exhibition for Palestine took place in Beirut in 1978 and mobilized international networks of artists in solidarity with anti-imperialist movements of the 1960s and ’70s. In that era, individual artists and artist collectives assembled collections; organized touring exhibitions, public interventions and actions; and collaborated with institutions and political movements. Their aim was to lend support and bring artistic engagement to protests against the ongoing war in Vietnam, the Pinochet dictatorship in Chile, and the apartheid regime in South Africa, and they were aligned in international solidarity for anti-colonial struggles. Past Disquiet brings together contributions from scholars, curators and writers who reflect on these marginalized histories and undertakings that took place in Baghdad, Beirut, Belgrade, Damascus, Paris, Rabat, Tokyo, and Warsaw. The book also offers translations of primary texts and recent interviews with some of the artists involved.
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cover of Past Forward: French Cinema and the Post-Colonial Heritage

Past Forward

French Cinema and the Post-Colonial Heritage

Dayna Oscherwitz

Southern Illinois University Press, 2010

In Past Forward: French Cinema and the Post-Colonial Heritage, author Dayna Oscherwitz focuses on the world of French films with a new lens. Drawing upon a wealth of research and the examination of popular French movies, Oscherwitz offers fresh perspectives not only on the unique importance of motion pictures and their indelible influence on French character, but on current debates regarding individual and collective memory.
            Past Forward traces the development and ascension of the French heritage film—those historical and costume dramas focusing on prestigious French subjects, events, and settings. These motion pictures, preeminent during a period of globalization and fear over the affects of immigration in 1980s France, quickly came to embody a specific version of French national and collective identity: one that idealized the past, condemned the present, and created an institutional form of memory. Oscherwitz presents the intriguing notion that French heritage films are not exclusively expressions of nationalism and nostalgia as has commonly been asserted. On the contrary, although these movies were born out of a perceived loss of French culture, their ambivalence toward traditional hallmarks of nationalism opens them up to new interpretation. Also in contrast to typical conceptions, the author suggests that these heritage films are far from cinematic bastions of multicultural backlash; instead, she argues, popular culture has in its own fashion reinserted the history of colonialism and immigration into the national past, thus reimagining heritage itself.

            Against this backdrop, Oscherwitz goes on to investigate the multicultural worlds of beur and banlieue movies—cinema seemingly in direct contrast with the heritage film—offering the theory that these films serve as a “countermemory” to an institutionalized one and provide alternative models of collective memory and identity. Through careful analysis of several examples, Oscherwitz demonstrates how these two seemingly different realms—heritage and multicultural cinema—are far from mutually exclusive in the construction of French identity.

            Throughout the volume, numerous well-known French movies are reexamined, inviting new interpretations of and challenging old views through investigations of familiar cinematic works. Past Forward is arevolutionary volume that boldly reimagines our ideas about French film and its role in communicating history and memory.

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cover of Past Imperfect: Essays on History, Libraries, and the Humanities

Past Imperfect

Essays on History, Libraries, and the Humanities

Lawrence W. Towner

University of Chicago Press, 1993

Lawrence W. Towner was head of one of the country's largest independent research libraries. He was also an eloquent spokesman for the needs of scholars and institutions in the humanities. While at the Newberry Library, he built and focused its prestigious collections, pioneered in the preservation of books, and created major research centers. His efforts established the library as a community of scholars while encouraging its use by students and the general public.

Towner's essays and talks cover a broad range of topics of continuing relevance to scholarship and the humanities. His writings gathered in Past Imperfect are concerned with such issues as the role of independent research libraries and the politics of funding. A section of historical essays on the common people of New England reveal his concern with neglected fields of history, a theme that guided his career as a librarian. Spanning the range of his experience and expertise, this volume expresses Towner's coherent vision of the place of humanities, libraries, and scholarship in American life.

Lawrence W. Towner (1921-92) taught history at M.I.T., the College of William and Mary, and Northwestern University. In 1962 he was appointed librarian of the Newberry Library and directed the library for the next twenty-four years.
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cover of Past Is Not Dead: Facts, Fictions, and Enduring Racial Stereotypes

Past Is Not Dead

Facts, Fictions, and Enduring Racial Stereotypes

Allan Pred

University of Minnesota Press, 2004

A study of the genealogy and perpetuation of stereotyping

Through one figure—Badin, an eighteenth-century Afro-Caribbean slave given to the Swedish royal court—Allan Pred shows how stereotypes endure through the repeated confusion of facts and fiction, providing a highly original perspective on the perpetuation of racializing stereotypes in the West.

In the first of two interlocking montages inspired by Walter Benjamin, the book focuses on Badin, who died in Stockholm in 1822, and representations of his life that appeared from the 1840s through the 1990s. In the second montage, Pred brings the late nineteenth century and the present into play, shifting to urban sites where racialized stereotyping is on public display, including a museum that has exhibited the bodily remains of the African male.Intriguing for its insight into the workings of race and immigration on the national imagination of a European nation—but with implications and ramifications far beyond that specific example—The Past Is Not Dead is a bold inquiry into both the collective memory and the amnesia of those who stereotype versus the personal remembering and forgetting of the stereotyped.
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cover of Past Scents: Historical Perspectives on Smell

Past Scents

Historical Perspectives on Smell

Jonathan Reinarz

University of Illinois Press, 2014

In this comprehensive and engaging volume, medical historian Jonathan Reinarz offers a historiography of smell from ancient to modern times. Synthesizing existing scholarship in the field, he shows how people have relied on their olfactory sense to understand and engage with both their immediate environments and wider corporal and spiritual worlds.

This broad survey demonstrates how each community or commodity possesses, or has been thought to possess, its own peculiar scent. Through the meanings associated with smells, osmologies develop--what cultural anthropologists have termed the systems that utilize smells to classify people and objects in ways that define their relations to each other and their relative values within a particular culture. European Christians, for instance, relied on their noses to differentiate Christians from heathens, whites from people of color, women from men, virgins from harlots, artisans from aristocracy, and pollution from perfume.

This reliance on smell was not limited to the global North. Around the world, Reinarz shows, people used scents to signify individual and group identity in a morally constructed universe where the good smelled pleasant and their opposites reeked.

With chapters including "Heavenly Scents," "Fragrant Lucre," and "Odorous Others," Reinarz's timely survey is a useful and entertaining look at the history of one of our most important but least-understood senses.

[more]
cover of Past Titan Rock: Journeys into an Appalachian Valley

Past Titan Rock

Journeys into an Appalachian Valley

Ellesa Clay High

West Virginia University Press, 2021

A classic book about Appalachian life and music, now updated with new material.

Past Titan Rock, a winner of the Appalachian Award for Literature, is available in a new edition as part of the series Sounding Appalachia, with an introduction by series editor Travis D. Stimeling.

In 1977 Ellesa Clay High thought she would spend an afternoon interviewing Lily May Ledford, best known as the lead performer of an all-female string band that began playing on the radio in the 1930s. That meeting began an unexpected journey leading into the mountains of eastern Kentucky and a hundred years into the past. Set in Red River Gorge, an area of steep ridges and box canyons, Past Titan Rock is a multigenre, multivocal re-creation of life in that region. With Ledford’s guidance, High traveled and lived in the gorge, visiting with people who could remember life there before the Works Progress Administration built roads across the ridges and into the valleys during the New Deal. What emerges through a unique combination of personal essay, oral history, and short fiction is a portrait of a mountain culture rich in custom, oral tradition, and song. Past Titan Rock demonstrates the depth of community ties in the Red River Gorge and raises important questions about how to resist destructive forces today.
[more]
cover of Past for the Eyes: East European Representations of Communism in Cinema and Museums After 1989

Past for the Eyes

East European Representations of Communism in Cinema and Museums After 1989

Oksana Sarkisova

Central European University Press, 2008

How do museums and cinema shape the image of the Communist past in today’s Central and Eastern Europe? This volume is the first systematic analysis of how visual techniques are used to understand and put into context the former regimes. After history “ended” in the Eastern Bloc in 1989, museums and other memorials mushroomed all over the region. These efforts tried both to explain the meaning of this lost history, as well as to shape public opinion on their society’s shared post-war heritage. Museums and films made political use of recollections of the recent past, and employed selected museum, memorial, and media tools and tactics to make its political intent historically credible. Thirteen essays from scholars around the region take a fresh look at the subject as they address the strategies of fashioning popular perceptions of the recent past.
[more]
cover of Past in the Making: Historical Revisionism in Central Europe After 1989

Past in the Making

Historical Revisionism in Central Europe After 1989

Michal Kopecek

Central European University Press, 2008

Historical revisionism, far from being restricted to small groups of ‘negationists,’ has galvanized debates in the realm of recent history. The studies in this book range from general accounts of the background of recent historical revisionism to focused analyses of particular debates or social-cultural phenomena in individual Central European countries, from Germany to Ukraine and Estonia. Where is the borderline between legitimate re-examination of historical interpretations and attempts to rewrite history in a politically motivated way that downgrades or denies essential historical facts? How do the traditional ‘national historical narratives’ react to the ‘spill-over’ of international and political controversies into their ‘sphere of influence’? Technological progress, along with the overall social and cultural decentralization shatters the old hierarchies of academic historical knowledge under the banner of culture of memory, and breeds an unequalled democratization in historical representation. This book offers a unique approach based on the provocative and instigating intersection of scholarly research, its political appropriations, and social reflection from a representative sample of Central and East European countries.
[more]
cover of Pastiche, Fashion, and Galanterie in Chardin’s Genre Subjects: Looking Smart

Pastiche, Fashion, and Galanterie in Chardin’s Genre Subjects

Looking Smart

Paula Radisich

University of Delaware Press, 2014

Pastiche, Fashion and Galanterie in Chardin’s Genre Subjects seeks to understand how Chardin’s genre subjects were composed and constructed to communicate certain things to the elites of Paris in the 1730s and 1740s. The book argues against the conventional view of Chardin as the transparent imitator of bourgeois life and values so ingrained in art history since the nineteenth century. Instead, it makes the case that these pictures were crafted to demonstrate the artist’s wit (esprit) and taste, traits linked to conventions of seventeenth-century galanterie. Early eighteenth-century Moderns like Jean-Siméon Chardin (1699–1779) embraced an aesthetic grounded upon a notion of beauty that could not be put into words—the je ne sais quoi. Despite its vagueness, this model of beauty was drawn from the present, departed from standards of formal beauty, and could only be known through the critical exercise of taste. Though selecting subjects from the present appears to be a simple matter, it was complicated by the fact that the modernizers expressed themselves through the vehicles of older, established forms. In Chardin’s case, he usually adapted the forms of seventeenth-century Dutch and Flemish genre painting in his genre subjects. This gambit required an audience familiar enough with the conventions of Lowlands art to grasp the play involved in a knowing imitation, or pastiche. Chardin’s first group of enthusiasts accordingly were collectors who bought works of living French artists as well as Dutch and Flemish masters from the previous century, notably aristocratic connoisseurs like the chevalier Antoine de la Roque and Count Carl-Gustaf Tessin.

Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
 
[more]
cover of Pastimes and Politics: Culture, Community, and Identity in Post-Abolition Urban Zanzibar, 1890–1945

Pastimes and Politics

Culture, Community, and Identity in Post-Abolition Urban Zanzibar, 1890–1945

Laura Fair

Ohio University Press, 2001

The first decades of the twentieth century were years of dramatic change in Zanzibar, a time when the social, economic, and political lives of island residents were in incredible flux, framed by the abolition of slavery, the introduction of colonialism, and a tide of urban migration. Pastimes and Politics explores the era from the perspective of the urban poor, highlighting the numerous and varied ways that recently freed slaves and other immigrants to town struggled to improve their individual and collective lives and to create a sense of community within this new environment. In this study Laura Fair explores a range of cultural and social practices that gave expression to slaves’ ideas of emancipation, as well as how such ideas and practices were gendered.

Pastimes and Politics examines the ways in which various cultural practices, including taarab music, dress, football, ethnicity, and sexuality, changed during the early twentieth century in relation to islanders’ changing social and political identities. Professor Fair argues that cultural changes were not merely reflections of social and political transformations. Rather, leisure and popular culture were critical practices through which the colonized and former slaves transformed themselves and the society in which they lived.

Methodologically innovative and clearly written, Pastimes and Politics is accessible to specialists and general readers alike. It is a book that should find wide use in courses on African history, urbanization, popular culture, gender studies, or emancipation.

[more]
cover of Pastkeepers in A Small Place: Five Centuries in Deerfield, Massachusetts

Pastkeepers in A Small Place

Five Centuries in Deerfield, Massachusetts

Michael C. Batinski

University of Massachusetts Press, 2004

People know who they are by fixing themselves in place and time. They keep the past in numerous ways—not simply by writing histories but also by telling stories, creating pictures, collecting memorabilia, preserving old homes, and tracing genealogies. As Michael C. Batinski shows in this imaginative study, the pastkeepers of Deerfield, Massachusetts, have long illustrated this human yearning to connect with past and place. For five centuries people in this small New England town have passed stories from one generation to the next, preserved homes, and established one of the nation's first historical societies and local history museums.

Like many small places in the American landscape, Batinski points out, Deerfield does not fit into the history we learn in textbooks. With the exception of the famous French and Indian raid on the town in 1704, nothing of national significance has happened there. Yet that has not diminished the interest of local inhabitants in establishing and maintaining a vital connection to the past.

Different groups, from Native Pocumtuck to Puritan settlers to the grandchildren of Polish immigrants, have told the Deerfield story in varied and sometimes conflicting ways, each drawing on the past to shape its own sense of collective identity. Together their efforts at pastkeeping reveal how people organize and explain the motion of time, why they feel it important to pass on family stories, and why they keep family heirlooms. In doing so, Batinski argues, they illustrate why the preservation of the past remains a civic concern to us all.
[more]
cover of Pastoralists at the Periphery: Herders in a Capitalist World

Pastoralists at the Periphery

Herders in a Capitalist World

Claudia Chang

University of Arizona Press, 1994

A Baluch tribesman follows his goats as they search for a bit of vegetation; a Turkana youth guards his father's cattle against theft by raiders.... These pastoral inhabitants of mountain and desert waste are considered to be among the most geographically, economically, and politically peripheral of peoples, yet they are not entirely isolated from broader sociopolitical and economic forces. The lives of modern pastoralists are greatly affected by the policies of nations and the demands of world markets. They may face military control, forced settlement, stock reduction programs, or even efforts at "development" by governments claiming sovereignty over the lands they roam.

The authors of this collection of essays examine the impact of capitalism on nineteenth- and early twentieth century pastoralists and discuss the historical transformations that have occurred in the lives and societies of herding peoples around the world. They argue that pastoralists were not simply passive recipients of change imposed by capitalist polities and that historical and economic factors impinging on their societies were as important as ecological ones. Collectively, these papers demonstrate that twentieth-century pastoralists and their nineteenth-century predecessors should not be seen as immutably locked in a pastoral "mode of production" but rather as actively negotiating encounters between themselves and the expanding power of capitalist states.
[more]
cover of Pastoral’s End: Art, Ecology, and Catastrophe in Renaissance Italy

Pastoral’s End

Art, Ecology, and Catastrophe in Renaissance Italy

James Pilgrim

University of Chicago Press, 2026

How early modern Italian painting addressed the ways humans shape and are shaped by their environments.
 
In the sixteenth century, Italian artist Jacopo Bassano painted pictures of herdsmen and animals moving through dark and muddy landscapes. But he also participated in the agricultural development of the region in which he lived, producing topographical maps of local mountains and forests, inventing new methods of drainage and irrigation, and studying the latest techniques of crop rotation and fertilization. The relationship between Bassano’s rustic art and his participation in environmental transformation has, however, never been explored.
 
One of the first studies of Italian Renaissance art to grapple with the connections between visual culture and the environment, Pastoral’s End explores this crucial, formative relationship. James Pilgrim looks at Bassano’s career holistically, demonstrating how his involvement in a world marked by agricultural expansion, industrialization, resource extraction, environmental degradation, social transformation, and radical philosophical development informed his paintings of country life. Introducing new archival and visual evidence of Bassano’s knowledge of hydrology, agronomy, husbandry, and architecture, Pastoral’s End argues that he transformed the more placid rustic imagery of previous Renaissance artists into visions of dangerous ecological instability.
 
[more]
cover of Pastplay: Teaching and Learning History with Technology

Pastplay

Teaching and Learning History with Technology

Kevin Kee, editor

University of Michigan Press, 2014

In the field of history, the Web and other technologies have become important tools in research and teaching of the past. Yet the use of these tools is limited—many historians and history educators have resisted adopting them because they fail to see how digital tools supplement and even improve upon conventional tools (such as books). In Pastplay, a collection of essays by leading history and humanities researchers and teachers, editor Kevin Kee works to address these concerns head-on. How should we use technology? Playfully, Kee contends. Why? Because doing so helps us think about the past in new ways; through the act of creating technologies, our understanding of the past is re-imagined and developed. From the insights of numerous scholars and teachers, Pastplay argues that we should play with technology in history because doing so enables us to see the past in new ways by helping us understand how history is created; honoring the roots of research, teaching, and technology development; requiring us to model our thoughts; and then allowing us to build our own understanding.

[more]
cover of Pat McCarran: Political Boss Of Nevada

Pat McCarran

Political Boss Of Nevada

Jerome E. Edwards

University of Nevada Press, 1982

Although Patrick A. McCarran represented one of the least populated states in the country, he gained a national reputation as a U.S. Senator from Nevada. He entered the political spotlight by locking horns with the Roosevelt and Truman administrations on foreign policy, internal security, and many domestic issues. His strategic use of committee assignments, coupled with a strong backing of loyal, home-state supporters, enabled him to achieve a powerful position in the government.

Within his native state of Nevada, McCarran constructed a machine designed to dominate the state’s political and economic life. This domination, which extended to both political parties, was built on personal favors for constituents, shrewd use of patronage, rewards for friends, and inevitable punishment for those suspected of being enemies. Ironically, the Senator employed the same tactics that others had once used against him to stymie his own early political efforts.

This work discusses the Senator’s background, his rise to power, and his methods of establishing political domination. Personal correspondence, excerpts from speeches, newspaper editorials, and interviews all help bring to life a colorful account of a controversial, driven man who held the levers of political control in Nevada during the early twentieth century.

[more]
cover of Pataphysics and Surrealism in Alabama: A Cultural History

Pataphysics and Surrealism in Alabama

A Cultural History

Steven Harris

University of Alabama Press, 2026

An exploration of the surrealist artists, musicians, and performers who forged a unique experimental arts community in Alabama

Pataphysics and Surrealism in Alabama: A Cultural History is the first book to uncover a remarkable chapter in American experimental art, music, dance and writing, tracing the activities of a creative group known as Raudelunas, the music collective Transcendprovisation, and the surrealist association initially called Glass Veal: a series of interrelated artistic and cultural movements that originated in Tuscaloosa and Birmingham, Alabama, during the 1970s. Drawing on extensive archival research and firsthand accounts, including interviews with twenty-six participants in these groups, sound recordings, publications, and other primary sources, Steven Harris traces the history of a vibrant creative community that began when three University of Alabama students started improvising music together and encouraged others to join them.

From these sessions emerged a dynamic network of performers and artists whose work challenged conventional boundaries between disciplines. Inspired by musical improvisation, surrealism, and pataphysics, participants embraced spontaneity and absurdity as they developed a positive expression of creativity that was both uniquely Southern and sharply distinctive from the dominant culture that surrounded them.

Harris situates these movements within broader histories of Alabama, Dada, pataphysics, surrealism, and improvised music and dance while charting their lasting influence on the artists who participated in them. Featuring a timeline of major events, biographies of key members, and an anthology of representative writings, Pataphysics and Surrealism in Alabama is an essential contribution to the history of American experimental culture.
 

[more]
cover of Patchwork Apartheid: Private Restriction, Racial Segregation, and Urban Inequality

Patchwork Apartheid

Private Restriction, Racial Segregation, and Urban Inequality

Colin Gordon

Russell Sage Foundation, 2023

For the first half of the twentieth century, private agreements to impose racial restrictions on who could occupy property decisively shaped the development of American cities and the distribution of people within them. Racial restrictions on the right to buy, sell, or occupy property also effectively truncated the political, social, and economic citizenship of those targeted for exclusion. In Patchwork Apartheid, historian Colin Gordon examines the history of such restrictions and how their consequences reverberate today. Drawing on a unique record of property restrictions excavated from local property records in five Midwestern counties, Gordon documents the prevalence of private property restriction in the era before zoning and building codes were widely employed and before federal redlining sanctioned the segregation of American cities and suburbs. This record of private restriction—documented and mapped to the parcel level in Greater Minneapolis, Greater St. Louis, and two Iowa counties—reveals the racial segregation process both on the ground, in the strategic deployment of restrictions throughout transitional central city neighborhoods and suburbs, and in the broader social and legal construction of racial categories and racial boundaries.
 
Gordon also explores the role of other policies and practices in sustaining segregation. Enforcement of private racial restrictions was held unconstitutional in 1948, and such agreements were prohibited outright in 1968. But their premises and assumptions, and the segregation they had accomplished, were accommodated by local zoning and federal housing policies. Explicit racial restrictions were replaced by the deceptive business practices of real estate agents and developers, who characterized certain neighborhoods as white and desirable and others as black and undesirable, thereby hiding segregation behind the promotion of sound property investments, safe neighborhoods, and good schools. These practices were in turn replaced by local zoning, which systematically protected white neighborhoods while targeting “blighted” black neighborhoods for commercial and industrial redevelopment, and by a tangle of federal policies that reliably deferred to local and private interests with deep investments in local segregation. Private race restriction was thus a key element in the original segregation of American cities and a source of durable inequalities in housing wealth, housing opportunity, and economic mobility.

Patchwork Apartheid exhaustively documents the history of private restriction in urban settings and demonstrates its crucial role in the ideas and assumptions that have sustained racial segregation in the United States into the twenty-first century.
[more]
cover of Patchwork: Iowa Quilts and Quilters

Patchwork

Iowa Quilts and Quilters

Jacqueline Andre Schmeal

University of Iowa Press, 2003

Frugal, thrifty, enduring, colorful, comforting, warm. These words capture both the spirit of Iowa quilters through the centuries and the fabrics they stitched together. In Patchwork, Jacqueline Schmeal celebrates the lives of Iowa quilters and the enduring beauty of historic Iowa quilts.
Drawing on written records by and interviews with contemporary quilters, many of whom were born in the early years of the twentieth century, Schmeal presents the life histories of these hard-working yet inspired artists. Sisters Elsie Ball and Mary Ball Jay of Fairfield—charging one and a quarter cents per yard of thread—kept meticulous records of each of the 135 quilts they stitched between 1935 and 1970. Ivan Johnson plowed his fields by day and quilted vivid designs by night. Cloth scraps were so precious to Barbara Chupp, an Amish quilter, that she became known for her mosaic piecing. Members of the Sunshine Circle, organized in 1912 in a Quaker church in Earlham, still quilt together today. Mennonite quilter Sara Miller became famous nationwide for her fabric store, Kalona Kountry Kreations. Their stories—of impoverished childhoods, hardscrabble work, and strong families—are enhanced by over seventy color photographs of an unbelievably rich collection of historic quilts ranging from the early 1800s to the 1950s.
Offering both a glimpse into the daily lives of twentieth-century quiltmakers and an amazing treasury of Iowa's historic quilts, Patchwork is a loving tribute to the creative spirit that links modern-day quilters to the patterns and traditions of their predecessors.
[more]
cover of Patent Politics: Life Forms, Markets, and the Public Interest in the United States and Europe

Patent Politics

Life Forms, Markets, and the Public Interest in the United States and Europe

Shobita Parthasarathy

University of Chicago Press, 2017

Over the past thirty years, the world’s patent systems have experienced pressure from civil society like never before. From farmers to patient advocates, new voices are arguing that patents impact public health, economic inequality, morality—and democracy. These challenges, to domains that we usually consider technical and legal, may seem surprising. But in Patent Politics, Shobita Parthasarathy argues that patent systems have always been deeply political and social.
 
To demonstrate this, Parthasarathy takes readers through a particularly fierce and prolonged set of controversies over patents on life forms linked to important advances in biology and agriculture and potentially life-saving medicines. Comparing battles over patents on animals, human embryonic stem cells, human genes, and plants in the United States and Europe, she shows how political culture, ideology, and history shape patent system politics. Clashes over whose voices and which values matter in the patent system, as well as what counts as knowledge and whose expertise is important, look quite different in these two places. And through these debates, the United States and Europe are developing very different approaches to patent and innovation governance. Not just the first comprehensive look at the controversies swirling around biotechnology patents, Patent Politics is also the first in-depth analysis of the political underpinnings and implications of modern patent systems, and provides a timely analysis of how we can reform these systems around the world to maximize the public interest.
[more]
cover of Pathos and Power: Interdisciplinary Perspectives on Widowhood in Africa, Past and Present

Pathos and Power

Interdisciplinary Perspectives on Widowhood in Africa, Past and Present

Benjamin N. Lawrance and Joanna Davidson

Ohio University Press, 2025

The collected essays in Pathos and Power provide a critical exploration of widowhood in Africa through a series of historical and contemporary case studies. The book challenges a simplistic understanding of widowhood by highlighting how the experience varies according to age, class, race, religion, and geographic location. The contributors investigate how the category of widowhood can obscure or reveal various social dynamics while demonstrating the diversity of material, symbolic, and embodied circumstances faced by African widows. The volume considers the forces shaping the lives of widows by examining the structural and legal challenges they encounter, including discriminatory practices in social, economic, and political spheres. Through discussions of precolonial, colonial, and postcolonial contexts, it explores the intersections of custom, law, patriarchy, and feminism while delving into the potentially liberatory opportunities that widowhood sometimes presents. The book also raises broader questions about gender, personhood, marriage, autonomy, and national identity, emphasizing how widowhood informs key conceptual debates in African studies. Editors Joanna Davidson and Benjamin N. Lawrance bring together scholars across such fields as anthropology, gender studies, history, law, and political science. The authors employ a range of methodologies, including archival research, ethnography, and storytelling, to illuminate widowhood in new and innovative ways. The volume’s rich empirical studies and theoretical insights offer a valuable resource for scholars seeking to understand widowhood and its broader implications in African societies. CONTRIBUTORS Rogaia Mustafa Abusharaf Fisayo Ajala Catherine E. Bolten Abbass Braham Mariana Candido Joanna Davidson Mariana Dias Paes Ramadan El-Khouli Casey Golomski Juelma Gomes de Matos Ngãla Benjamin N. Lawrance Kenda Mutongi Richard L. Roberts Enid Schildkrout Kate Skinner Wallace Teska Benjamin Twagira Sarah J. Zimmerman

[more]
cover of Paths in the Rainforests: Toward a History of Political Tradition in Equatorial Africa

Paths in the Rainforests

Toward a History of Political Tradition in Equatorial Africa

Jan M. Vansina

University of Wisconsin Press, 1990

Vansina’s scope is breathtaking: he reconstructs the history of the forest lands that cover all or part of southern Cameroon, Gabon, Equatorial Guinea, the Congo, Zaire, the Central African Republic, and Cabinda in Angola, discussing the original settlement of the forest by the western Bantu; the periods of expansion and innovation in agriculture; the development of metallurgy; the rise and fall of political forms and of power; the coming of Atlantic trade and colonialism; and the conquest of the rainforests by colonial powers and the destruction of a way of life.

“In 400 elegantly brilliant pages Vansina lays out five millennia of history for nearly 200 distinguishable regions of the forest of equatorial Africa around a new, subtly paradoxical interpretation of ‘tradition.’” —Joseph Miller, University of Virginia

“Vansina gives extended coverage  .  .  . to the broad features of culture and the major lines of historical development across the region between 3000 B.C. and A.D. 1000. It is truly an outstanding effort, readable, subtle, and integrative in its interpretations, and comprehensive in scope.  .  .  .  It is a seminal study  .  .  .  but it is also a substantive history that will long retain its usefulness.”—Christopher Ehret,  American Historical Review
   

[more]
cover of Paths of Accommodation: Muslim Societies and French Colonial Authorities in Senegal and Mauritania, 1880–1920

Paths of Accommodation

Muslim Societies and French Colonial Authorities in Senegal and Mauritania, 1880–1920

David Robinson

Ohio University Press, 2000

Between 1880 and 1920, Muslim Sufi orders became pillars of the colonial regimes and economies of Senegal and Mauritania. In Paths of Accommodation, David Robinson examines the ways in which the leaders of the orders negotiated relations with the Federation of French West Africa in order to preserve autonomy within the religious, social, and economic realms while abandoning the political sphere to their non-Muslim rulers.

This was a striking development because the local inhabitants had a strong sense of belonging to the Dar al-Islam, the “world of Islam” in which Muslims ruled themselves.

Drawing from a wide variety of archival, oral, and Arabic sources, Robinson describes the important roles played by Muslim merchants and the mulatto community of St. Louis, Senegal. He also examines the impact of the electoral institutions established by the Third Republic, and the French effort to develop a reputation as a “Muslim power”—a European imperial nation with a capacity for ruling over Islamic subjects.

By charting the similarities and differences of the trajectories followed by leading groups within the region as they responded to the colonial regimes, Robinson provides an understanding of the relationship between knowledge and power, the concepts of civil society and hegemony, and the transferability of symbolic, economic, and social capital.

[more]
cover of Paths to Excellence: The Dell Medical School and Medical Education in Texas

Paths to Excellence

The Dell Medical School and Medical Education in Texas

Kenneth I. Shine and Amy Shaw Thomas

University of Texas Press, 2021

For more than a century, medical schools and academic campuses were largely separate in Texas. Though new medical technologies and drugs—conceivably, even a vaccine instrumental in the prevention of a pandemic—might be developed on an academic campus such as the University of Texas at Austin, there was no co-located medical school with which to collaborate. Faculty members were left to seek experts on distant campuses. That all changed on May 3, 2012, when the UT System Board of Regents voted to create the Dell Medical School in Austin.

This book tells in detail and for the first time the story of how this change came about: how dedicated administrators, alumni, business leaders, community organizers, doctors, legislators, professors, and researchers joined forces, overcame considerable resistance, and raised the funds to build a new medical school without any direct state monies. Funding was secured in large part by the unique willingness of the local community to tax itself to pay for the financial operations of the school. Kenneth I. Shine and Amy Shaw Thomas, who witnessed this process from their unique vantages as past and present vice chancellors for health affairs in the University of Texas System, offer a working model that will enable other leaders to more effectively seek solutions, avoid pitfalls, and build for the future.
[more]
cover of Paths to Salvation: The National Socialist Religion

Paths to Salvation

The National Socialist Religion

Klaus Vondung

St. Augustine's Press, 2017

In order to understand National Socialism one must recognize its religious nature. Many Germans were attracted to the party by its pledge to re-establish a true community of the people, a goal that was celebrated as “holy”.
     Not only did Hitler promise to solve political, social, and economic problems, he also responded to a widely felt need for salvation. The prospect of salvation elevated politics into the realm of religion and lent meaning to the lives of those who embraced it.
      In this work Klaus Vondung explores the various forms in which the elevation of politics into the sphere of religion was expressed in the Third Reich: in the faith of committed National Socialists, in the party’s cult events which celebrated the “community  of the people” as a “community of faith” and the Fuhrer as “savior”, and in the persecution of the Jews that was ‘justified’ in religious terms by demonizing Jews as the “evil enemies of humanity” responsible for the world’s ills. This apocalyptic worldview was the extreme manifestation of the religious nature of National Socialism and, in the final analysis, the only plausible explanation for the intention of exterminating the Jews that led to the holocaust.

[more]
cover of Paths to a Middle Ground: The Diplomacy of Natchez, Boukfouka, Nogales, and San Fernando de las Barrancas, 1791-1795

Paths to a Middle Ground

The Diplomacy of Natchez, Boukfouka, Nogales, and San Fernando de las Barrancas, 1791-1795

Charles A. Weeks

University of Alabama Press, 2005

Spanish imperial attempts to form strong Indian alliances to thwart American expansion in the Mississippi Valley.
 
Charles Weeks explores the diplomacy of Spanish colonial officials in New Orleans and Natchez in order to establish posts on the Mississippi River and Tombigbee rivers in the early 1790s. Another purpose of this diplomacy, urged by Indian leaders and embraced by Spanish officials, was the formation of a regional Indian confederation that would deter American expansion into Indian lands.

Weeks shows how diplomatic relations were established and maintained in the Gulf South between Choctaw, Chickasaw, Creek, and Cherokee chiefs and their Spanish counterparts aided by traders who had become integrated into Indian societies. He explains that despite the absence of a European state system, Indian groups had diplomatic skills that Europeans could understand: full-scale councils or congresses accompanied by elaborate protocol, interpreters, and eloquent metaphorical language.

Paths to a Middle Ground
is both a narrative and primary documents. Key documents from Spanish archival sources serve as a basis for the examination of the political culture and imperial rivalry playing out in North America in the waning years of the 18th century.
 
 
 
[more]
cover of Paths toward the Nation: Islam, Community, and Early Nationalist Mobilization in Eritrea, 1941–1961

Paths toward the Nation

Islam, Community, and Early Nationalist Mobilization in Eritrea, 1941–1961

Joseph L. Venosa

Ohio University Press, 2014

In the early and mid-1940s, during the period of British wartime occupation, community and religious leaders in the former Italian colony of Eritrea engaged in a course of intellectual and political debate that marked the beginnings of a genuine national consciousness across the region. During the late 1940s and 1950s, the scope of these concerns slowly expanded as the nascent nationalist movement brought together Muslim activists with the increasingly disaffected community of Eritrean Christians. The Eritrean Muslim League emerged as the first genuine proindependence organization in the country to challenge both the Ethiopian government’s calls for annexation and international plans to partition Eritrea between Sudan and Ethiopia. The league and its supporters also contributed to the expansion of Eritrea’s civil society, formulating the first substantial arguments about what made Eritrea an inherently separate national entity. These concepts were essential to the later transition from peaceful political protest to armed rebellion against Ethiopian occupation. Paths toward the Nation is the first study to focus exclusively on Eritrea’s nationalist movement before the start of the armed struggle in 1961.
[more]
cover of Pathways of Memory and Power: Ethnography and History among an Andean People

Pathways of Memory and Power

Ethnography and History among an Andean People

Thomas A. Abercrombie

University of Wisconsin Press, 1998

    Pathways of Memory and Power crosses the disciplinary boundary where anthropology and history meet, exploring the cultural frontier of the colonial and postcolonial Andes. Thomas A. Abercrombie uses his fieldwork in the Aymara community of Santa Barbara de Culta, Bolivia, as a starting point for his ambitious examination of the relations between European forms of historical consciousness and indigenous Andean ways of understanding the past. Writing in an inviting first-person narrative style, Abercrombie confronts the ethics of fieldwork by comparing ethnographic experience to the power-laden contexts that produce historical sources.
    Making clear the early and deep intermingling of practices and world views among Spaniards and Andeans, Christians and non-Christians, Abercrombie critiques both the romanticist tendency to regard Andean culture as still separate from and resistant to European influences, and the melodramatic view that all indigenous practices have been obliterated by colonial and national elites. He challenges prejudices that, from colonial days to the present, have seen Andean historical knowledge only in mythic narratives or narratives of personal experience. Bringing an ethnographer’s approach to historiography, he shows how complex Andean rituals that hybridize European and indigenous traditions—such as libation dedications and llama sacrifices held on saints’ day festivals—are in fact potent evidence of social memory in the community.
[more]
cover of Pathways to Prohibition: Radicals, Moderates, and Social Movement Outcomes

Pathways to Prohibition

Radicals, Moderates, and Social Movement Outcomes

Ann-Marie E. Szymanski

Duke University Press, 2003

Strategies for gradually effecting social change are often dismissed as too accommodating of the status quo. Ann-Marie E. Szymanski challenges this assumption, arguing that moderation is sometimes the most effective way to achieve change. Pathways to Prohibition examines the strategic choices of social movements by focusing on the fates of two temperance campaigns. The prohibitionists of the 1880s gained limited success, while their Progressive Era counterparts achieved a remarkable—albeit temporary—accomplishment in American politics: amending the United States Constitution. Szymanski accounts for these divergent outcomes by asserting that choice of strategy (how a social movement defines and pursues its goals) is a significant element in the success or failure of social movements, underappreciated until now. Her emphasis on strategy represents a sharp departure from approaches that prioritize political opportunity as the most consequential factor in campaigns for social change.

Combining historical research with the insights of social movement theory, Pathways to Prohibition shows how a locally based, moderate strategy allowed the early-twentieth-century prohibition crusade both to develop a potent grassroots component and to transcend the limited scope of local politics. Szymanski describes how the prohibition movement’s strategic shift toward moderate goals after 1900 reflected the devolution of state legislatures’ liquor licensing power to localities, the judiciary’s growing acceptance of these local licensing regimes, and a collective belief that local electorates, rather than state legislatures, were best situated to resolve controversial issues like the liquor question. "Local gradualism" is well suited to the porous, federal structure of the American state, Szymanski contends, and it has been effectively used by a number of social movements, including the civil rights movement and the Christian right.

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cover of Pathways to the Old Northwest: An Observance of the Bicentennial of the Northwest Ordinance

Pathways to the Old Northwest

An Observance of the Bicentennial of the Northwest Ordinance

Lloyd A. Hunter, et al

Indiana Historical Society Press, 1988

In 1987 Franklin College of Indiana hosted an observance of the bicentennial of the Northwest Ordinance. Professional and amateur historians, folklorists, scholars in the arts, teachers, and students gathered to examine the provisions of that historic document and the governmental structure it created for the frontier lands north of the Ohio River. Pathways to the Old Northwest: An Observance of the Bicentennial of the Northwest Ordinance presents six of the lectures delivered at the conference. These lectures represent current knowledge about the early history of the Ohio River-Great Lakes area, the circumstances surrounding passage of the Ordinance, the beginnings of government and society, and the ethnic diversity of the region's people.
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cover of Patience and Salvation in Third Century North Africa: A Christian Latin Reader

Patience and Salvation in Third Century North Africa

A Christian Latin Reader

Sarah Wear

Catholic University of America Press, 2022

Patience and Salvation in Third Century North Africa: A Christian Latin Reader features the entirety of Tertullian’s To Martyrs and The Passion of Perpetua and Felicity, with selections from Cyprian’s On the Good of Patience and a short appendix on Augustine’s Commentary on Psalm 121.6. The Latin text has facing vocabulary and theological, historical, philosophical, and grammatical notes. In the first three centuries, Roman Carthage produced some of the earliest literature composed originally in Latin by Christians. Tertullian’s Ad Martyras (197); Passio Perpetuae et Felicitatis (203), and Cyprian’s De Bono Patientiae (256) all embody the force of this new genre of Latin literature. With this literature, we see a variant of Latin often denoted “Christian Latin.” Christian Latin featured linguistic elements marked by characteristics of biblical Latin, later Latin, as well as vulgarisms. In addition to converging philologically, Tertullian, the author of the Passio, and Cyprian align themselves in topos: they all ask the question of how one can endure torment and anxiety in this world. Patience (patientia), derived from the verb for “to suffer” (patior), is a virtue that allows one to endure troubles, anxieties, and physical pains with the hope of eternal happiness and salvation in heaven. In this Reader, the student will find three different literary perspectives on this theme. The book also draws parallels to the works of Seneca and Cicero on patience and suffering.
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cover of Patient Expectations: How Economics, Religion, and Malpractice Shaped Therapeutics in Early America

Patient Expectations

How Economics, Religion, and Malpractice Shaped Therapeutics in Early America

Catherine L. Thompson

University of Massachusetts Press, 2015

During the first half of the nineteenth century a major shift occurred in the medical treatment of illness in the United States, as physicians abandoned the use of “heroic” depletive therapies—the pukes and purges made famous in the 1790s by Dr. Benjamin Rush of Philadelphia—in favor of a let-nature-take-its-course approach to most diseases. Standard histories of American medicine have long attributed this shift to new theories and training methods as well as increased competition from homeopaths and botanical doctors. In this book, Catherine L. Thompson challenges that interpretation by emphasizing the role of patients as active participants in their own health care rather than passive objects of medical treatment.

Focusing on Massachusetts, then as now a center of U.S. medical education and practice, Thompson draws on data from patients' journals, medical account ledgers, physicians' daybooks, and court records to link changes in medical treatment to a gradual evolution of patient expectations across varied populations. Specifically, she identifies three developments—the increasing use of cash in medical transactions, growing religious pluralism, and the rise of malpractice suits—as key factors in transforming patients into active medical consumers unwilling to submit to doctors' advice without considering alternatives.

By showing how nineteenth-century patients shaped therapeutic practice “through the medical choices they made or didn't make,” Thompson's study alters our understanding of American medicine in the past and has implications for its present and future.

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cover of Patient Zero and the Making of the AIDS Epidemic

Patient Zero and the Making of the AIDS Epidemic

Richard A. McKay

University of Chicago Press, 2017

Now an award-winning documentary feature film

The search for a “patient zero”—popularly understood to be the first person infected in an epidemic—has been key to media coverage of major infectious disease outbreaks for more than three decades. Yet the term itself did not exist before the emergence of the HIV/AIDS epidemic in the 1980s. How did this idea so swiftly come to exert such a strong grip on the scientific, media, and popular consciousness? In Patient Zero, Richard A. McKay interprets a wealth of archival sources and interviews to demonstrate how this seemingly new concept drew upon centuries-old ideas—and fears—about contagion and social disorder.

McKay presents a carefully documented and sensitively written account of the life of Gaétan Dugas, a gay man whose skin cancer diagnosis in 1980 took on very different meanings as the HIV/AIDS epidemic developed—and who received widespread posthumous infamy when he was incorrectly identified as patient zero of the North American outbreak. McKay shows how investigators from the US Centers for Disease Control inadvertently created the term amid their early research into the emerging health crisis; how an ambitious journalist dramatically amplified the idea in his determination to reframe national debates about AIDS; and how many individuals grappled with the notion of patient zero—adopting, challenging and redirecting its powerful meanings—as they tried to make sense of and respond to the first fifteen years of an unfolding epidemic. With important insights for our interconnected age, Patient Zero untangles the complex process by which individuals and groups create meaning and allocate blame when faced with new disease threats. What McKay gives us here is myth-smashing revisionist history at its best.
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