"The clearest, most detailed account of Passamaquoddy and Wabanaki history and musical culture that I have ever read. Original, informative, interesting, and well researched, this work makes an enormous contribution to the fields of ethnomusicology and related disciplines."—Victoria Lindsay Levine, author of Writing American Indian Music: Historic Transcriptions, Notations, and Arrangements
"Original, informative, interesting, and well researched, this work makes an enormous contribution to the fields of ethnomusicology and related disciplines."—Victoria Lindsay Levine
"Spinney patiently describes her methodologies and sources as well as the cultural contexts for the songs she has transcribed and collected."—The New England Quarterly
"Spinney has written as comprehensive an account of the musical culture--both the present and its history--of a Native American nation as one can imagine. . . . Appropriate for a wide audience, this interesting book makes a significant contribution to the literature on ethnomusicology. Highly recommended."—Choice
"By carefully attending to the words of elders as well as the historic sources, and by analyzing song structures and improvisatory practices, Spinney has been able to demonstrate how past and present performance practice functions as a symbolic and mimetic tool for diplomacy, for constructing and maintaining alliances, and in cross-cultural relationships. She uses research tools that are sometimes neglected today by ethnomusicologists—detailed analysis of song rhythms, melodic phrases, and phrase repetitions—but with a deep knowledge of the discourse and practices of contemporary singers and dancers and an excellent command of historical sources. Her book is a very significant contribution to ethnomusicology, American music studies, and Native American studies."—Journal of the Society of American Music
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"The clearest, most detailed account of Passamaquoddy and Wabanaki history and musical culture that I have ever read. Original, informative, interesting, and well researched, this work makes an enormous contribution to the fields of ethnomusicology and related disciplines."—Victoria Lindsay Levine, author of Writing American Indian Music: Historic Transcriptions, Notations, and Arrangements
"Original, informative, interesting, and well researched, this work makes an enormous contribution to the fields of ethnomusicology and related disciplines."—Victoria Lindsay Levine
"Spinney patiently describes her methodologies and sources as well as the cultural contexts for the songs she has transcribed and collected."—The New England Quarterly
"Spinney has written as comprehensive an account of the musical culture--both the present and its history--of a Native American nation as one can imagine. . . . Appropriate for a wide audience, this interesting book makes a significant contribution to the literature on ethnomusicology. Highly recommended."—Choice
"By carefully attending to the words of elders as well as the historic sources, and by analyzing song structures and improvisatory practices, Spinney has been able to demonstrate how past and present performance practice functions as a symbolic and mimetic tool for diplomacy, for constructing and maintaining alliances, and in cross-cultural relationships. She uses research tools that are sometimes neglected today by ethnomusicologists—detailed analysis of song rhythms, melodic phrases, and phrase repetitions—but with a deep knowledge of the discourse and practices of contemporary singers and dancers and an excellent command of historical sources. Her book is a very significant contribution to ethnomusicology, American music studies, and Native American studies."—Journal of the Society of American Music
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