Results by title

A thorough text for students of ancient Mesopotamian religion and the Hebrew Bible

Alan Lenzi places Akkadian prayers and hymns within both a religious studies perspective and a Mesopotamian studies perspective. Complete with vocabulary glosses, grammatical notes, literary commentary, and comparative suggestions to biblical material, this book provides a crucial tool for accessing ancient texts related to our understanding of the Hebrew Bible.

Features:

• Background essays
• Discussion of classes of Mesopotamian prayers and their comparative use in biblical studies
• Akkadian text, transliteration, translation, and commentary
• Notes on vocabulary and grammar

Alan Lenziis Associate Professor of Hebrew Bible and Ancient Near East at University of the Pacific. He is the author of Secrecy and the Gods: Secret Knowledge in Ancient Mesopotamia and Biblical Israel (Neo-Assyrian Text Corpus Project).

Essays by many of the foremost experts on Galileo offer an interdisciplinary approach to the legendary scientist’s correspondence.

The Tuscan mathematician, physicist, and astronomer Galileo Galilei (1564–1642) is one of history’s most iconic and controversial figures. Letters form the backbone of what one early Galileo scholar called the “private Galileo,” and his correspondence is indeed a record of his family and friendships; his intellectual evolution; his professional interactions with other scientific figures; and his relations with patrons, brokers, and publishers. Last, but hardly least, his letters are a unique cultural artifact of Galileo the writer and master of vernacular prose. 

Galileo’s correspondence crossed Europe in public mail pouches, through diplomatic messengers, and was written in code. Today, there are 3,272 surviving letters to or from Galileo and his many friends, family members, disciples, and rivals across Europe. This volume examines these letters as an essential aspect of Galileo’s personal and scientific career. They are what the editors call his “experiments in friendship,” which enabled, abetted, and often served as early drafts of the theories in his published works. This collaborative volume brings together different approaches, case studies, and forms of expertise—historical and literary, intellectual and material, archival and digital. It is a must-read for all Galileo enthusiasts and anyone interested in how to make the most of a rich record of correspondence.

New Strategies for Reading the Most Innovative Poetry of Our Time.

Definitions of what constitutes innovative poetry are innumerable and are offered from every quarter. Some critics and poets argue that innovative poetry concerns free association (John Ashbery), others that experimental poetry is a “re-staging” of language (Bruce Andrews) or a syntactic and cognitive break with the past (Ron Silliman and Lyn Hejinian). The tenets of new poetry abound.

But what of the new reading that such poetry demands? Essays in Reading the Difficulties ask what kinds of stances allow readers to interact with verse that deliberately removes many of the comfortable cues to comprehension—poetry that is frequently nonnarrative, nonrepresentational, and indeterminate in subject, theme, or message.

Some essays in Thomas Fink and Judith Halden-Sullivan’s collection address issues of reader reception and the way specific stances toward reading support or complement the aesthetic of each poet. Others suggest how we can be open readers, how innovative poetic texts change the very nature of reader and reading, and how critical language can capture this metamorphosis. Some contributors consider how the reader changes innovative poetry, what language reveals about this interaction, which new reading strategies unfold for the audiences of innovative verse, and what questions readers should ask of innovative verse and of events and experiences that we might bring to reading it.

 

When Sarah Bird arrived in Austin in 1973 in pursuit of a boyfriend who was “hotter than lava,” she found an abundance of inspiration for storytelling (her sweetheart left her for Scientology, but she got to taste a morsel of Lynda Bird Johnson’s poorly preserved wedding cake as a temp worker at the LBJ Library). Sarah Bird went on to write ten acclaimed novels and contribute hundreds of articles to publications coast to coast, developing a signature voice that combines laser-sharp insight with irreverent, wickedly funny prose in the tradition of Molly Ivins and Nora Ephron

Now collecting forty of Bird’s best nonfiction pieces, from publications that range from Texas Monthly to the New York Times and others, Recent Studies Indicate presents some of Bird’s earliest work, including a prescient 1976 profile of a transgender woman, along with recent calls to political action, such as her 2017 speech at a benefit for Annie’s List.

Whether Bird is hanging out with socialites and sanitation workers or paying homage to her army-nurse mom, her collection brings a poignant perspective to the experience of being a woman, a feminist, a mother, and a Texan—and a writer with countless, spectacular true tales to tell us.

A selection of essays revealing the singular brilliance of Ferguson’s critical writing over four decades.

Ranging across literature, philosophy, and social thought, Frances Ferguson asks how forms—whether aesthetic, legal, or bureaucratic—help to assign value and thereby organize our relations as well as our personal identities. Ferguson is a literary critic who takes her lead, unexpectedly, from Jeremy Bentham, showing how modernity tracks and makes perceptible the values of a host of human activities—the knowledge that comes from early learning exercises, the specialized knowledge that funds particular professions, and the exacting if unspecialized knowledge of the social world of courtship or hanging out.

Gathering Ferguson’s most influential and still timely essays, Records of Reward includes, among others, “The Nuclear Sublime,” in which Ferguson turns to Mary Shelley’s Frankenstein to examine how the aesthetic logic of the sublime obscures the claims of domesticity and the beautiful; “Rape and the Rise of the Novel,” which examines the history of rape law to highlight the importance of Samuel Richardson’s foregrounding of consent in Clarissa; “Pornography, the Theory,” where she explores the threshold between speech and action to identify environments—such as schools and workplaces—in which pornographic expression can be harmfully potentiated; and “Jane Austen, Emma, and the Impact of Form,” in which she analyzes Austen’s use of free indirect style to depict both her protagonist and her reader engaged in acts of “over-knowing” others in everyday life. Most unexpectedly, perhaps, the collection also includes an essay analyzing Bitcoin as a small language model that exerts enormous affective pressure on its partisans.

A vivid demonstration of the enduring rewards of theory and close reading alike, Records of Reward will be essential reading across the fields of literary studies, cultural studies, and political thought.

In Red Business, Walt Whitman readers can explore nearly all his notebooks and manuscript fragments from the Civil War and the Reconstruction Era. In addition to Whitman’s numerous accounts of Civil War soldiers, Red Business contains the infamous notebook in which Whitman records his feverish obsession with his young companion Peter Doyle, as well as several difficult to find, unpublished poems and essays.

Matt Miller and Zachary Turpin’s meticulous transcriptions of Whitman’s written materials allow readers to explore the often-neglected final chapter of Whitman’s life, as he battled ailments, prepared speeches, and received famous visitors, all the while continuing to write revealing new poems.

“At its best, Red Line can read like an original synthesis of Peter Matthiessen and William Burroughs . . . a brave and interesting book.”
—David Rieff, Los Angeles Times Book Review

“Charles Bowden’s Red Line is a look at America through the window of the southwest. His vision is as nasty, peculiar, brutal, as it is intriguing and, perhaps, accurate. Bowden offers consciousness rather than consolation, but in order to do anything about our nightmares we must take a cold look and Red Line casts the coldest eye in recent memory.”
—Jim Harrison

One of Charles Bowden’s earliest books, Red Line powerfully conveys a desert civilization careening over the edge—and decaying at its center. Bowden’s quest for the literal and figurative truth behind the assassination of a murderous border-town drug dealer becomes a meditation on the glories of the desert landscape, the squalors of the society that threatens it, and the contradictions inherent in trying to save it.

A reliable, readable translation for scholars and students

The Refutation of All Heresies (ca. 225 CE) is a treasure-trove of ancient philosophy, astrology, medicine, magic, Gnostic thought, numerology, heresiography, ecclesial politics, and early Christian studies in general. Offered here for the first time in almost a century is a full English translation, along with a newly-edited Greek text, extensive notes, and a thorough introduction.

Features:

• A full English translation with extensive notes
• Newly edited Greek text that avoids the pitfalls of the most recent edition
• A thorough-going introduction that addresses the questions of authorship, date, and audience, as well as the purpose of the book, its organization, method, and importance for Gnostic studies

This anthology of foundational sixteenth-century Spanish-language texts presents the European side of the discovery and colonization of the New World. Otto Olivera has chosen representative selections from the works of eighteen authors, including Garcilaso de la Vega, Bartolomé de Las Casas, Bernal Díaz del Castillo, Hernán Cortés, and Alvar Núñez Cabeza de Vaca. Their writings present an impressive panorama of the first years of a real New World that could compete with any portrayed in European novels of chivalry or travel. To put these texts in historical context, Olivera has written an introduction that links the literature of colonization in its first century to the classical and medieval myths that helped shape Spaniards' thinking about the New World. He also provides a brief history of the discovery and conquest and a discussion of the social organization of the Spanish colonies.

In a long and extraordinary career as captain, courier, privateer, real-estate agent, author, and informer, Barnaby Rich's principal achievement was the present volume—a collection of Elizabethan short stories despite its military title.

Unquestionably best sellers in Rich's own time, these tales continue to delight scholars, critics, and even casual readers today. One twentieth-century critic pronounces the Farewell "a landmark in Elizabethan short-story writing" and cites Rich's "romantic charm, gaiety and lightness of touch, good vivid dialogue, directness and ease." According to Henry Seidel Canby, Rich's "humor is of the gayest. . . . There is a suggestion of Chaucer about him, and not a little of the poet's merry humor." Yet the "stories themselves are diverse."

Certainly their charm and humor fetched Rich's contemporaries, who read out of existence all but one copy of the first edition and all but five of the subsequent three editions. Eight dramatists—including Shakespeare, Middleton, Shirley, and Marmion—immortalized several of the stories, however, by turning them into plays.

The present edition affords an opportunity to read Rich's tales in the form in which Elizabethans knew them. The text reproduced is that of the unique copy of the first edition, which appeared in 1581. The editor's scholarly, illuminating introduction and commentary display much of the liveliness, charm, and humor for which his subject was praised and in addition tell a great deal about the life and literature of that most fascinating of periods, the Age of Elizabeth I. Scholars will be especially interested in Cranfill's revelations of how an Elizabethan story maker operated, in the complex, checkered bibliographical history of the Farewell, and above all in the considerable use Shakespeare seems to have made of Rich's tales.

In January 2003, the British media splashed the news that anti-terror police had disrupted an Al-Qaeda cell, poised to unleash the deadly poison ricin on the capital. Police had reportedly found traces of ricin, as well as a panoply of bomb and poison-making equipment in the cell’s ‘factory of death’ – a shabby flat in north London. ‘This danger is present and real, and with us now’ announced prime minister Tony Blair.

But, when the ‘ricin plot’ came to trial at the Old Bailey, a very different story emerged: there was no ricin and no sophisticated plot. Rarely has a legal case been so shamelessly distorted by government, media and security forces to push their own ‘tough on terror’ agendas. In this meticulously researched and compellingly written book, Lawrence Archer, the jury foreman at the trial, and journalist Fiona Bawdon, give the definitive story of the ricin plot, the trial and its aftermath.

Rediscovering the quietly radical writing of a poet who chose simplicity, solitude, and contemplation over modern haste

American author Robert Francis, whom Robert Frost called “the best neglected poet,” lived in Amherst, Massachusetts from the 1920s to the 1980s. As an underappreciated but prolific poet, Francis authored eight poetry collections and received a number of prestigious prizes. Still, like many poets committed to their craft, he lived most of his quiet life at or well below the poverty level. To sustain himself financially, Francis turned to essay writing in popular magazines, such as the Christian Science Monitor and Forum. From 1938 to 1953, as America and the world experienced a period of intense modernization, he produced an invigorating, challenging, and enlightening quantity of prose whose quality should rank him alongside writers such as Emerson, Thoreau, Wendell Berry, and Annie Dillard.

Published in one volume for the first time, Robert Francis: Collected Prose invites readers to a retrospective retreat into the solitude and serenity of Francis’s cabin, Fort Juniper, where he ardently and artfully dueled the most psychologically, socially, and economically destructive aspects of industrialized America. These essays, together with selections from Francis’s previously unpublished nature treatise, Traveling in Concord, offer an avenue toward an enhanced understanding of many commonly overlooked aspects of the natural world, offering 21st-century readers a refreshing reorientation of worldviews, advocating life principles of simplicity over unnecessary technological complexity, and conservation over consumerism. Vibrant, jubilant, at times sardonic and brooding but always absorbing, Francis’s essays draw readers into the meditative mood of his woodland walks, apple harvests, and autumn landscapes to discover, as he writes, “the importance of the unimportant, the virtue of the small, the rewards of intense cultivation.” 

An English translation of an award-winning collection by Chinese poet Yan An.

Rock Arrangement by Yan An, a prominent contemporary Chinese poet, won the Sixth Lu Xun Literary Prize, China’s highest literary honor, in 2014. Representing China’s highest poetic achievements from 2010 to 2013, this poetry collection was translated into English for the first time and was a runner-up for Carnegie Mellon University Press’s 2025 Literary Translation Prize. 

Akin to eco-poetry in their core themes, characterized by surrealism, mythical elements, and high abstraction, and even abstruseness, these poems integrate regional culture, surrealist poetics, and philosophical reflection. They skillfully employ a variety of vivid rhetorical devices and create contrasts through unconventional combinations of imagery, developing a distinctive poetic and spiritual language. Rock Arrangement is a landmark work in contemporary Chinese poetry that combines intellectual depth with artistic innovation.