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"This new and enlarged version of Readings in Russian Civilization is the result of fairly extensive revisions. There are now 72 instead of 64 items; 20 of the selections are new. The first volume has undergone the least change with 3 new items, of which 2 appear in English for the first time. In the second volume there are 6 new items; all of them appear in English for the first time. The third volume has undergone the greatest revision, with 11 new items, of which 6 are newly translated from the Russian. It is the editor's hope that items left out in the new edition will not be sorely missed, and that the new selections will turn out to be useful and illuminating. The aim, throughout, has been to cover areas of knowledge and periods which had been neglected in the first edition, and to include topics which are important in the study of the Russian past and present.

"The bibliographical headnotes have been enlarged, with the result that there are now approximately twice as many entries as in the old edition. New citations include not only works which have appeared since 1963, but also older books and articles which have come to the editor's attention."—From the Editor's Preface

". . . a judicious combination of seminal works and more recent commentaries that achieves the editor's purpose of stimulating curiosity and developing a point of view."—C. Bickford O'Brien, The Russian Review

"These three volumes cover quite well the main periods of Russian civilization. The choice of the articles and other material is made by a competent and unbiased scholar."—Ivan A. Lopatin, Professor of Asian and Slavic Studies, University of Southern California

"This new and enlarged version of Readings in Russian Civilization is the result of fairly extensive revisions. There are now 72 instead of 64 items; 20 of the selections are new. The first volume has undergone the least change with 3 new items, of which 2 appear in English for the first time. In the second volume there are 6 new items; all of them appear in English for the first time. The third volume has undergone the greatest revision, with 11 new items, of which 6 are newly translated from the Russian. It is the editor's hope that items left out in the new edition will not be sorely missed, and that the new selections will turn out to be useful and illuminating. The aim, throughout, has been to cover areas of knowledge and periods which had been neglected in the first edition, and to include topics which are important in the study of the Russian past and present.

"The bibliographical headnotes have been enlarged, with the result that there are now approximately twice as many entries as in the old edition. New citations include not only works which have appeared since 1963, but also older books and articles which have come to the editor's attention."—From the Editor's Preface

". . . a judicious combination of seminal works and more recent commentaries that achieves the editor's purpose of stimulating curiosity and developing a point of view."—C. Bickford O'Brien, The Russian Review

"These three volumes cover quite well the main periods of Russian civilization. The choice of the articles and other material is made by a competent and unbiased scholar."—Ivan A. Lopatin, Professor of Asian and Slavic Studies, University of Southern California

"This new and enlarged version of Readings in Russian Civilization is the result of fairly extensive revisions. There are now 72 instead of 64 items; 20 of the selections are new. The first volume has undergone the least change with 3 new items, of which 2 appear in English for the first time. In the second volume there are 6 new items; all of them appear in English for the first time. The third volume has undergone the greatest revision, with 11 new items, of which 6 are newly translated from the Russian. It is the editor's hope that items left out in the new edition will not be sorely missed, and that the new selections will turn out to be useful and illuminating. The aim, throughout, has been to cover areas of knowledge and periods which had been neglected in the first edition, and to include topics which are important in the study of the Russian past and present.

"The bibliographical headnotes have been enlarged, with the result that there are now approximately twice as many entries as in the old edition. New citations include not only works which have appeared since 1963, but also older books and articles which have come to the editor's attention."—From the Editor's Preface

". . . a judicious combination of seminal works and more recent commentaries that achieves the editor's purpose of stimulating curiosity and developing a point of view."—C. Bickford O'Brien, The Russian Review

"These three volumes cover quite well the main periods of Russian civilization. The choice of the articles and other material is made by a competent and unbiased scholar."—Ivan A. Lopatin, Professor of Asian and Slavic Studies, University of Southern California

Presenting a multifaceted portrait of modernist culture in Russia, an array of distinguished scholars shows how artists and writers in the early twentieth century engaged with politics, science, and religion. At a time when many Russian social institutions looked to the past, modernist arts powerfully amplified a gamut of new ideas about individual and collective transformation.

Expanding upon prior studies that focus more specifically on literary manifestations of the movement, Reframing Russian Modernism features original research that ranges broadly, from political aesthetics to Darwinism to yoga. These unique complementary perspectives counter reductionism of any kind, integrating the study of Russian modernism into the larger body of humanistic scholarship devoted to modernity.

The authors—historians, sociologists, anthropologists, economists, literary critics and linguists from Ukraine, Poland, Switzerland, Germany and the USA—explicitly go beyond the perspective of an entity defined by traditional political borders and cultural, economic, historical or religious stereotypes. The research project that led to the composition of the book combined quantitative (statistical surveys conducted across Ukraine) and qualitative (in-depth interviews and focus-group discussion) methods. The authors came to the conclusion that regionalism as a defining phenomenon of Ukraine is more prominent than the regions themselves. This approach regards Ukraine as a construct in flux where different discourses intersect, concur and eventually merge through the lenses of various disciplines and methodologies.

Reinventing Romantic Poetry offers a new look at the Russian literary scene in the nineteenth century. While celebrated poets such as Aleksandr Pushkin worked within a male-centered Romantic aesthetic—the poet as a bard or sexual conqueror; nature as a mother or mistress; the poet’s muse as an idealized woman—Russian women attempting to write Romantic poetry found they had to reinvent poetic conventions of the day to express themselves as women and as poets. Comparing the poetry of fourteen men and fourteen women from this period, Diana Greene revives and redefines the women’s writings and offers a thoughtful examination of the sexual politics of reception and literary reputation.
The fourteen women considered wrote poetry in every genre, from visions to verse tales, from love lyrics to metaphysical poetry, as well as prose works and plays. Greene delves into the reasons why their writing was dismissed, focusing in particular on the work of Evdokiia Rostopchina, Nadezhda Khvoshchinskaia, and Karolina Pavlova. Greene also considers class as a factor in literary reputation, comparing canonical male poets with the work of other men whose work, like the women’s, was deemed inferior at the time. The book also features an appendix of significant poems by Russian women discussed in the text. Some, found in archival notebooks, are published here for the first time, and others are reprinted for the first time since the mid-nineteenth century.

This illuminating study explores the role of religious institutions in the makeup of Jewish identity in the former Soviet Union, against the backdrop of the government’s antireligion policies from the 1940s to the 1960s. Foregrounding instances of Jewish public and private activities centered on synagogues and prayer groups—paradoxically the only Jewish institutions sanctioned by the government—Altshuler dispels the commonly held perception of Soviet Jewry as “The Jews of Silence” and reveals the earliest stirrings of Jewish national sentiment that anticipated the liberation movement of the 1960s and 1970s.

Englishwoman Mary McAuley first arrived in Leningrad in the early 1960s, eager to study labor relations for her thesis. Staying at a hostel, she met a number of Soviet students, many born under the rule of Joseph Stalin. Over the half-century that followed, McAuley traced their varying paths and the changing face of the former imperial capital.
Remembering Leningrad captures the story of a beautiful city and lifelong friendships. We follow McAuley as she walks through the streets downtown and examines politics in the 1960s, describes the hazards of furnishing an apartment in the 1990s, and learns about the challenges her friends have faced during these turbulent years. By weaving history and anecdotes to create a picture of Russia’s cultural center, McAuley underscores the impact of time and place on the Russian intelligentsia who lived through the transition from Soviet to post-Soviet life. The result is a remarkable group portrait of a generation.

“Without a revolutionary theory there can be no revolutionary movement.” So wrote Vladimir Ilyich Lenin, leader of the Bolshevik Revolution and founder of the USSR. Lenin was profoundly aware of the power of words. As a prolific writer and orator, he used his words to launch a soaring critique of imperialist society and to theorize the development of the world’s first socialist state. Much of his writing was translated into English in order to further the socialist cause.

Revolution! Sayings of Vladimir Lenin is a compilation of Lenin’s most famous sayings, taken from speeches, lectures, letters, and recorded conversations. Together, they show his views on topics ranging from democracy to terrorism, from religion to Stalin’s untrustworthiness, and from education to music. Accompanied by a range of striking images, including contemporary propaganda posters, photographs, portraits, illustrations, and Soviet art, these aphoristic proclamations offer an insight into the atmosphere of pre- and post-revolutionary Russia and the mind of one of the twentieth century’s most defining political figures.
 

Ranging widely across time and geography, Rites of Place is to date the most comprehensive and diverse example of memory studies in the field of Russian and East European studies. Leading scholars consider how public rituals and the commemoration of historically significant sites facilitate a sense of community, shape cultural identity, and promote political ideologies. The aims of this volume take on unique importance in the context of the tumultuous events that have marked Eastern European history—especially the revolutions of 1905 and 1917, World War II, and the collapse of the Soviet Union. With essays on topics such as the founding of St. Petersburg, the battle of Borodino, the Katyn massacre, and the Lenin cult, this volume offers a rich discussion of the uses and abuses of memory in cultures where national identity has repeatedly undergone dramatic shifts and remains riven by internal contradictions.

Centered on the musical experiences of homosexual men in St. Petersburg and Moscow, this ground-breaking study examines how post-Soviet popular music both informs and plays off of a corporeal understanding of Russian male homosexuality.

Drawing upon ethnography, musical analysis, and phenomenological theory, Stephen Amico offers an expert technical analysis of Russian rock, pop, and estrada music, dovetailing into an illuminating discussion of homosexual men's physical and bodily perceptions of music. He also outlines how popular music performers use song lyrics, drag, physical movements, images of women, sexualized male bodies, and other tools and tropes to implicitly or explicitly express sexual orientation through performance. Finally, Amico uncovers how such performances help homosexual Russian men to create their own social spaces and selves, in meaningful relation to others with whom they share a "nontraditional orientation."

Lloyd E. Berry and Robert O. Crummey offer edited accounts of six English voyagers and their experiences in Muscovy Russia between 1553 and 1600. With modernized spelling and presentation, these accounts are accompanied by a glossary of Russian terms, introductions of their authors, and annotations that help put the travelers’ narratives into perspective.

Russia and Iran, 1780–1828 was first published in 1980. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

Modern Russo-Iranian relations date from the late eighteenth century, when after several centuries of commercial and diplomatic contact, the two nations entered a period of extended warfare for possession of the Caucasian borderlands, disputed territory that eventually fell to Russia. In her history of that struggle, Muriel Atkin reasseses the motives of major figures on both sides and views the Iranians with more sympathy than Western and Russian historians have usually accorded them. Russia embarked on her course in the Caucasus for reasons connected with defense or trade, and with a longterm imperial goal based on uncritical acceptance of prevailing European doctrines of empire. The new dynasty in Iran, on the other hand, had to fend off Russian attack and secure the borderlands in order to justify its basic claim to power. In the end, the wars brought major disruption to the already unstable borderlands, and left Iran with a discredited government and a controversy over reforms and relations with the West that would continue to cause turmoil in subsequent generations.

Russia and the United States—an account of American-Russian relations written for an American audience by Soviet historians—represents a novel venture for both scholarship and publishing. Its often startling perspective on American foreign policy is required reading for anyone wishing to understand the increasingly troubled relations between the two nations.

Sivachev and Yakolev trace the course of the U.S.-Russian relations from the years preceding the American Revolution to the 1970s, when human rights issues began to cause friction. Those relations, the authors believe, were characterized by America's repeated failure to take advantage of opportunities to improve them. Recognizing the controversial nature of the book, Sivachev said in an interview with the New York Times: "We did not set out to please the American reader, nor did the University of Chicago Press ask us to. On the contrary, they recommended that we should feel free to present our own views."

"Scholars and students of American foreign policy . . . are likely to be alternatively interested, intrigued, angered, and sometimes illuminated by some of the interpretations found in this work."—Perspective

"An American reader should not prejudge this book as simply another dreary contribution to the rhetoric of Soviet propaganda. It is more than this. The book is an expression of a view of the world that is truly and strikingly different from an American one and it is important to understand that it is a theory of reality that is shared by most, if not all, Soviet intellectuals who study America and its foreign policy. It is not enough simply to establish the inaccuracies and misrepresentations contained in such a view. One must go further and understand that such a view of reality is sincerely deeply held and that it is a part of a larger belief system that gives the authors' scholarly work coherence and meaning."—Boston Sunday Globe

Upon the foundation of his unique experience and education, the late Arcadius Kahan (1920-1982) built a substantial body of scholarship on all aspects of the tsarist economy. Yet some of his important contribution might well have been dissipated were it not for this collection, since many of these essays were often available only in isolated, obscure sources. This posthumous volume makes readily available for the first time ten of Kahan's essays, nine previously published in English and one in German, which serve to integrate his carefully developed picture of nineteenth-century Russian economic history. Kahan's remarkable vision forms a complement to the thought of Gerschenkron, and this volume is certain to become a valuable source for scholars and students of Russian and European economic and social history.

Russian Orthodoxy under the Old Regime was first published in 1978. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

In this book, which is especially suitable for course use, eleven scholars examine one of the most important institutions of imperial Russia, the Orthodox church in the two centuries before the Russian revolution. The material is arranged in two sections, the first devoted to Orthodoxy's role in Russian social and cultural life and the second dealing with the church's relationship to the tsarist regime.

Throughout its modern history, Russia has seen a succession of highly performative social acts that play out prominently in the public sphere. This innovative volume brings the fields of performance studies and Russian studies into dialog for the first time and shows that performance is a vital means for understanding Russia's culture from the reign of Peter the Great to the era of Putin. These twenty-seven essays encompass a diverse range of topics, from dance and classical music to live poetry and from viral video to public jubilees and political protest. As a whole they comprise an integrated, compelling intervention in Russian studies.

Challenging the primacy of the written word in this field, the volume fosters a larger intellectual community informed by theories and practices of performance from anthropology, art history, dance studies, film studies, cultural and social history, literary studies, musicology, political science, theater studies, and sociology.

As Russia entered the modern age in the nineteenth century, many Russian intellectuals combined the study of European philosophy with a return to their own traditions, culminating in the novels of Tolstoy and Dostoevsky and in the religious philosophy of their younger contemporary, Vladimir Soloviev. This book explores central issues of modern Russian religious thought by focusing on the work of Soloviev and three religious philosophers who further developed his ideas in the early twentieth century: P. A. Florensky, Sergei Bulgakov, and S. L. Frank. The essays place these thinkers in the contexts of both Western philosophy and Eastern Orthodoxy, presenting a substantially new perspective on Russian religious thought.
    The work of these four philosophers, this volume demonstrates, influenced virtually all aspects of twentieth-century Russian culture, and indeed, many aspects of Soviet culture as well, but also represents a rich philosophical tradition devoted to issues of divinity, community, and humanity that transcend national boundaries and historical eras.
    Included in Russian Religious Thought is an introduction, brief biographical information on Soloviev, Florensky, Bulgakov, and Frank, and an Afterword by scholar James Scanlan, who elaborates on the volume’s aim to provide a thoughtful corrective, both to unexamined assumptions of past scholarship and to nationalist readings currently popular in post-Soviet Russia.
    "Russian religious philosophy, banned under the Soviets, has been marginalized in the Western academy as well. This interdisciplinary volume helps explain why this body of thought has remained for so long at the center of Russian culture."—Caryl Emerson, Princeton University

Russian-American Dialogue on Cultural Relations, 1776-1914, the third volume in the Russian-American Dialogues series, provides English translations of the best Russian scholarship on cultural relations. Each essay originally appeared as an article in the former Soviet Union. Five issues are discussed: the contributions that each country made to the cultural life of the other; the correspondence and interactions between scientists, writers, and others from the two nations; the development of public perceptions and how these changed over time; the "American focus" in Russian periodicals during the nineteenth century; and the significant roles of Russians and the Russian presence in American history. The Russian articles on each of these subjects are followed by comments from American historians.

The articles by the Russian scholars make extensive use of and liberally cite material from Russian archives and publications. As a result, they provide American readers with new scientific exchanges, personalities, and points of view. The result is a plethora of new material for Western historians of Russia as well as of the United States. The book provides an opportunity for scholars to examine more thoroughly the relevant issues of Russian-American cultural relations.

An important scholarly contribution, Russian-American Dialogue on Cultural Relations, 1776-1914 brings a new dimension to the relationship between the United States and Russia before 1914. It will be of interest not only to historians of this period but to all historians and students of international cultural relations.

During the nineteenth century—as violence, population dislocations, and rebellions unfolded in the borderlands between the Russian and Ottoman Empires—European and Russian diplomats debated the “Eastern Question,” or, “What should be done about the Ottoman Empire?” Russian-Ottoman Borderlands brings together an international group of scholars to show that the Eastern Question was not just one but many questions that varied tremendously from one historical actor and moment to the next. The Eastern Question (or, from the Ottoman perspective, the Western Question) became the predominant subject of international affairs until the end of the First World War. Its legacy continues to resonate in the Balkans, the Black Sea region, and the Caucasus today.
            The contributors address ethnicity, religion, popular attitudes, violence, dislocation and mass migration, economic rivalry, and great-power diplomacy. Through a variety of fresh approaches, they examine the consequences of the Eastern Question in the lives of those peoples it most affected, the millions living in the Russian and Ottoman Empires and the borderlands in between.