Cover
Title Page
Copyright Page
Table of Contents
Acknowledgments
Introduction
Part One: Introduction and Analysis of Rimsky-Korsakov’s Harmonic Theory
Chapter 1: The Background and History of the Practical Manual of Harmony
Chapter 2: Editions of the Practical Manual of Harmony
Chapter 3: Introduction to the Theory
Chapter 4: Scales and Chords
Chapter 5: Modulation and First-Degree Key Relationships
Chapter 6: Aspects of Modulation between the First-Degree Keys
Chapter 7: Second- and Third-Degree Key Relationships
Chapter 8: Deceptive Progressions and Enharmonicism
Chapter 9: The Modulatory Plan
Chapter 10: Analysis of Rimsky-Korsakov’s Harmonic System
Part Two: Rimsky-Korsakov’s Harmonic Theory and the Nineteenth-Century German Theoretical Tradition
Chapter 11: Channels of German Influence
Moritz Hauptmann
Gottfried Weber
Adolf Bernhard Marx
Siegfried Dehn
Johann Christian Lobe
Ernst Friedrich Richter
Ludwig Bussler
Chapter 13: Analysis of German Tonal Models
Chapter 14: Rimsky-Korsakov’s System in the Context of Nineteenth-Century German Theory
Part Three: Rimsky-Korsakov’s Harmonic Theory and the Nineteenth-Century Russian Theoretical Tradition
Chapter 15: Early Treatises
Chapter 16: Liadov and Rimsky-Korsakov
Chapter 17: Tchaikovsky and Rimsky-Korsakov
Chapter 18: Balakirev and Rimsky-Korsakov
Conclusions
Appendix 1: Table of Editions in Russia and Soviet Union of Rimsky-Korsakov’s Manual of Harmony and Practical Manual of Harmony
Appendix 2: List of Translations of Rimsky-Korsakov’s Practical Manual of Harmony
Appendix 3: Table of Contents of Tchaikovsky's Manual of Harmony (1872)
Appendix 4: Tables of Contents of Rimsky-Korsakov’s Manual of Harmony (1884/1885) and Practical Manual of Harmony (1886)
Appendix 5: Balakirev, Sbornik Russkikh Narodnykh Pesen, selected songs
Appendix 6: Ekmalian, Pataraq, selected songs
Appendix 7: List of Early Russian Treatises and Translations of Foreign Treatises
Endnotes
Bibliography
Index
