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Riot Zone presents a compelling forensic microhistory of the racial violence that exploded in Chicago starting on July 27, 1919, when a Black teenager named Eugene Williams drowned in Lake Michigan after white beachgoers attacked him as he swam with friends. In the days that followed, white gang members terrorized African Americans on the city’s South Side and Black Chicagoans armed and defended themselves in response. By the end of the first week of August, when the rioting finally ended, thirty-eight Chicagoans lay dead and hundreds nursed injuries as a result of what became known as America’s “Red Summer.”

The late Christopher Lamberti, with the help of editor Sean Dinces, recounts this sobering history using GIS software to map what occurred. The authors revisit and debunk ideas about the role race and ethnicity played in the riot and its aftermath, showing how the politics of housing and racial conflicts over residential space set the stage for the riots that ensued.

With insights that echo in today’s conflicts, Riot Zone proves that there is still plenty to learn about the history of America’s ongoing struggle with urban and racial violence.

2023 Best Book in the Humanities, Latin American Studies Association Mexico Section

Challenging conventional narratives of Mexican history, this book establishes race-making as a central instrument for the repression of social upheaval in nineteenth-century Mexico rather than a relic of the colonial-era caste system.

Many scholars assert that Mexico’s complex racial hierarchy, inherited from Spanish colonialism, became obsolete by the turn of the nineteenth century as class-based distinctions became more prominent and a largely mestizo population emerged. But the residues of the colonial caste system did not simply dissolve after Mexico gained independence. Rather, Ana Sabau argues, ever-present fears of racial uprising among elites and authorities led to persistent governmental techniques and ideologies designed to separate and control people based on their perceived racial status, as well as to the implementation of projects for development in fringe areas of the country.

Riot and Rebellion in Mexico traces this race-based narrative through three historical flashpoints: the Bajío riots, the Haitian Revolution, and the Yucatán’s caste war. Sabau shows how rebellions were treated as racially motivated events rather than political acts and how the racialization of popular and indigenous sectors coincided with the construction of “whiteness” in Mexico. Drawing on diverse primary sources, Sabau demonstrates how the race war paradigm was mobilized in foreign and domestic affairs and reveals the foundations of a racial state and racially stratified society that persist today.

The Republic of Texas was still in its first exultation over independence when John Salmon "Rip" Ford arrived from South Carolina in June of 1836. Ford stayed to participate in virtually every major event in Texas history during the next sixty years. Doctor, lawyer, surveyor, newspaper reporter, elected representative, and above all, soldier and Indian fighter, Ford sat down in his old age to record the events of the turbulent years through which he had lived. Stephen Oates has edited Ford's memoirs to produce a clear and vigorous personal history of Texas.

A remarkable anthology of key writings that parallels the history of fashion with modern life

Writing more than a century before Vogue, no less a figure than G. W. F. Hegel reviewed the fashion of his day and found it wanting because, in becoming outmoded so quickly, it drew attention away from the timeless beauty of the human form. And Hegel is not unique among philosophers in his interest in fashion’s role; for more than 250 years, social thinkers have considered fashion—its transitive nature, the conformity it inspires, the vast range of its influence—as a defining feature of modern life.

Latin America is characterized by a uniquely rich history of cultural and racial mixtures known collectively as mestizaje. These mixtures reflect the influences of indigenous peoples from Latin America, Europeans, and Africans, and spawn a fascinating and often volatile blend of cultural practices and products. Yet no scholarly study to date has provided an articulate context for fully appreciating and exploring the profound effects of distinct local invocations of syncretism and hybridity. Rise and Fall of the Cosmic Race fills this void by charting the history of Latin America's experience of mestizaje through the prisms of literature, the visual and performing arts, social commentary, and music.

In accessible, jargon-free prose, Marilyn Grace Miller brings to life the varied perspectives of a vast region in a tour that stretches from Mexico and the Caribbean to Brazil, Ecuador and Argentina. She explores the repercussions of mestizo identity in the United States and reveals the key moments in the story of Latin America's cult of synthesis. Rise and Fall of the Cosmic Race examines the inextricable links between aesthetics and politics, and unravels the threads of colonialism woven throughout national narratives in which mestizos serve as primary protagonists.

Illuminating the ways in which regional engagements with mestizaje represent contentious sites of nation building and racial politics, Miller uncovers a rich and multivalent self-portrait of Latin America's diverse populations.

In August 1812, under threat from the Potawatomi, Captain Nathan Heald began the evacuation of ninety-four people from the isolated outpost of Fort Dearborn to Fort Wayne. The group included several dozen soldiers, as well as nine women and eighteen children. After traveling only a mile and a half, they were attacked by five hundred Potawatomi warriors. In under an hour, fifty-two members of Heald’s party were killed, and the rest were taken prisoner; the Potawatomi then burned Fort Dearborn before returning to their villages.

The Islands of the Sun and the Moon in Bolivia's Lake Titicaca were two of the most sacred locations in the Inca empire. A pan-Andean belief held that they marked the origin place of the Sun and the Moon, and pilgrims from across the Inca realm made ritual journeys to the sacred shrines there. In this book, Brian Bauer and Charles Stanish explore the extent to which this use of the islands as a pilgrimage center during Inca times was founded on and developed from earlier religious traditions of the Lake Titicaca region.

Drawing on a systematic archaeological survey and test excavations in the islands, as well as data from historical texts and ethnography, the authors document a succession of complex polities in the islands from 2000 BC to the time of European contact in the 1530s AD. They uncover significant evidence of pre-Inca ritual use of the islands, which raises the compelling possibility that the religious significance of the islands is of great antiquity. The authors also use these data to address broader anthropological questions on the role of pilgrimage centers in the development of pre-modern states.

In a unique and groundbreaking 2015 presentation of important contemporary art rarely seen in the traditional environs of the Hudson River Valley, the Thomas Cole National Historic Site and Olana, Frederic Edwin Church's Persian-inspired mansion, showcased the work of contemporary American artists such as Chuck Close, Cindy Sherman, Maya Lin, Martin Puryear, and Gregory Crewdson, some of the 30 artists featured in the exhibition. Stephen Hannock, celebrated Luminist painter and one of the exhibition's co-curators, stated that "this is a terrific opportunity to open up contemporary art, as well as these historic properties, to audiences who will see firsthand these shared artistic concerns."

The works of art selected for the exhibition were shown at the two venues to encourage visitors to experience both of the distinguished properties and the grandeur of their surroundings, and to present a complete overview and understanding of these contemporary works in a location where many art historians believe American art was born. The accompanying publication, River Crossings: Contemporary Art Comes Home, provides readers with a lavish record of this extraordinary and innovative exhibition, and offers unique and highly informative perspectives on the continuity of the American artistic tradition in two of the nation's most historic sites.

In addition to an impressive plate section of more than 60 works with brief artist biographies and descriptive narratives for the individual works, this comprehensive presentation features noteworthy, exceptional contributions. Stephen Hannock's preface details the development of this remarkable exhibition, while co-curator Jason Rosenfeld reveals in his essay the exhibition's importance relative to historical perception as he considers Cole's and Church's support of conemporary art in their time. Cultural historian Maurice Berger considers the realities of race and gender from the nineteenth-century Hudson River Valley to the present, and Marvin Heiferman, curator and writer, examines photography in the exhibition and its connections to Church's work and his use of the medium. Award-winning architectural and landscape photographer Peter Aaron generously provided the stunning installation, exterior, and landscape photographs, a gorgeous complement to this outstanding catalogue.

As the site of several miracles in the Jewish and Christian traditions, the Jordan is one of the world’s holiest rivers. It is also the major political and symbolic border contested by Israelis and Palestinians. Combining biblical and folkloric studies with historical geography, Rachel Havrelock explores how the complex religious and mythological representations of the river have shaped the current conflict in the Middle East.

Water potential is a significant natural wealth of most parts of the Balkans, and it has given rise to a surge in hydropower investments unparalleled across Europe. As part of the process, a dam was planned to be built on the Una River, which runs through the Bosnian town of Bihać. This prospect alarmed the city’s residents, culminating in a protest in 2015. The book begins with this protest, and it explores how the threat of dam construction transformed the seemingly apolitical love of the river into a powerful political force around which thousands of people mobilized: riverine citizenship.

The book is based on interviews with participants, archival research, and over twenty years of ethnographic research. Azra Hromadžić focuses on the tension between ecological sustainability efforts in favor of renewable energy, on the one hand, and citizens’ historically shaped, deeply-felt, love for the river, on the other. She shows how the language and promises of green transition can mask the forces of capitalist accumulation that drive this change — whether in the form of building hydroelectric dams or promoting eco-tourism — and thus set in motion another cycle of environmental degradation, social dispossession, and economic exploitation.

An illuminating study of how rivers shaped the history, culture, and environment of Alabama and the American South.

In Rivers of History, acclaimed historian Harvey H. Jackson III blends environmental history with compelling storytelling and traces the evolving relationship between people and rivers—from Indigenous communities who first depended on these waterways, to European settlers, to the development of modern towns and industries. Along the way, readers encounter stories of transportation and trade, conflict and cooperation, ecological change and conservation, all tied to the flow of these essential rivers.

Far more than a geographical study, Rivers of History demonstrates how waterways act as lifelines of human experience. Rivers shaped patterns of settlement, enabled agricultural and economic growth, and served as critical channels for communication across the American South. At the same time, they created challenges—flooding, environmental degradation, and competing demands for natural resources—that continue to influence life in the region today.

Jackson shows how the history of Alabama cannot be understood apart from its rivers. The Coosa, Tallapoosa, Cahaba, and Alabama rivers emerge not simply as physical features on a map, but as powerful forces that connect past and present, nature and society. His interdisciplinary approach—bringing together history, geography, and environmental studies—makes this work especially valuable for students, scholars, and general readers alike.

Accessible yet authoritative, Rivers of History is essential reading for anyone interested in Southern history, environmental change, or the enduring relationship between landscapes and human communities. It offers a compelling reminder that the story of a place is often written in the movement of its waters.