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Oregon entered a new era in 1964 with the election of Tom McCall as Secretary of State and Bob Straub as State Treasurer.  Their political rivalry formed the backdrop for two of Oregon’s most transformative decades, as they successively fought for, lost, and won the governorship. Veteran Oregon journalist Floyd McKay had a front-row seat.
 
As a political reporter for The Oregon Statesman in Salem, and then as news analyst for KGW-TV in Portland, McKay was known for asking tough questions and pulling no punches. His reporting and commentaries ranged from analysis of the “Tom and Bob” rivalry, to the Vietnam War’s impact on Senators Wayne Morse and Mark Hatfield and the emergence of a new generation of Portland activists in the 1970s.
 
McKay and his colleagues were on the beaches as Oregon crafted its landmark Beach Bill, ensuring the protection of beaches for public use. They watched as activists turned back efforts to build a highway on the sand at Pacific City. Pitched battles over Oregon’s Bottle Bill, and the panic-inducing excitement of “Vortex”—the nation’s only state-sponsored rock festival—characterized the period. Covering the period from 1964-1986, McKay remembers the action, the players and the consequences, in this compelling and personal account.
 
As major actors fade from the scene and new leaders emerge, McKay casts a backwards glance at enduring Oregon legends. Half a century later, amid today’s cynicism and disillusionment with media, politics, and politicians, Reporting the Oregon Story serves as a timely reminder that charged politics and bitter rivalries can also come hand-in-hand with lasting social progress.
 
Reporting the Oregon Story will be relished by those who lived the history, and it will serve as a worthy introduction to Oregonians young and old who want a first-hand account of Oregon’s mid- twentieth-century political history and legislative legacy.

After nine years of keeping his prostate cancer at bay, the clinical trials and cancer drugs lost their effectiveness. Instead of withdrawing from the world, Jeff Metcalf chose to dive deeper into writing, challenging himself to write one essay each week for a year. That collection of fifty-two essays was chosen by the Utah Division of Arts and Museums as the winner of their 2012 Original Writing Competition. Requiem for the Living contains the best of these essays, selected and reworked by the author, who continues to defy his earlier diagnosis. The essays form a unique memoir, painting a rich portrait of a man who has had a full and engaging life. Funny, moving and profoundly personal, they celebrate living and serve as a reminder to us all. He does not describe a life defined by cancer but rather writes to discover what his life has been, who he has become, and what he has learned along the way. 

Recipient of the Mayor's Award in Literary Arts at the Utah Arts Festival in 2015.

Award-winning women scholars from nontraditional backgrounds have often negotiated an academic track that leads through figurative--and sometimes literal--minefields. Their life stories offer inspiration, but also describe heartrending struggles and daunting obstacles. Reshaping Women's History presents autobiographical essays by eighteen accomplished scholar-activists who persevered through poverty or abuse, medical malpractice or family disownment, civil war or genocide. As they illuminate their own unique circumstances, the authors also address issues all-too-familiar to women in the academy: financial instability, the need for mentors, explaining gaps in resumes caused by outside events, and coping with gendered family demands, biases, and expectations. Eye-opening and candid, Reshaping Women's History shows how adversity, and the triumph over it, enriches scholarship and spurs extraordinary efforts to affect social change. Contributors: Frances L. Buss, Nupur Chaudhuri, Lisa DiCaprio, Julie R. Enszer, Catherine Fosl, Midori Green, La Shonda Mims, Stephanie Moore, Grey Osterud, Barbara Ransby, Linda Reese, Annette Rodriguez, Linda Rupert, Kathleen Sheldon, Donna Sinclair, Rickie Solinger, Pamela Stewart, Waaseyaa'sin Christine Sy, and Ann Marie Wilson.

Praised by his many admirers as a "courageous and fearless" defender of human rights, Heráclito Fontoura Sobral Pinto (1893-1991) was the most consistently forceful opponent of the regime of Brazilian dictator Getúlio Vargas. John W. F. Dulles chronicled Sobral's battles with the Vargas government in Sobral Pinto, "The Conscience of Brazil": Leading the Attack against Vargas (1930-1945), which History: Reviews of New Books called "a must-read for anyone wanting to understand twentieth-century Brazil."

In this second and final volume of his biography of Sobral Pinto, Professor Dulles completes the story of the fiery crusader's fight for democracy, morality, and justice, particularly for the downtrodden. Drawing on Sobral's vast correspondence, Dulles offers an extensive account of Sobral's opposition to the military regime that ruled Brazil from 1964 to 1985. He describes how Sobral Pinto defended those who had been politically influential before April, 1964, as well as other victims of the regime, including Communists, once-powerful labor leaders, priests, militant journalists, and students. Because Sobral Pinto participated in so many of the struggles against the military regime, his experiences provide vivid new insights into this important period in recent Brazilian history. They also shed light on developments in the Catholic Church (Sobral, a devout Catholic, vigorously opposed liberation theology), as well as on Sobral's key role in preserving Brazil's commission for defending human rights.

During the summer of 1944, the now-legendary American Eighth Air Force was engaged in a ferocious air battle over Europe to bring the Allies victory over the German Third Reich. This is the story of one B-17 navigator and his crewmates, men who faced extraordinary danger with a maturity beyond their years. This vivid and detailed account of combat flying and its psychological toll also recalls the beginning of Robert Grilley’s  development as a painter of international renown, as he spends his off-duty time drawing the peaceful Northamptonshire landscape around Deenethorpe airbase.
    Wakened with flashlights on their faces in the predawn hours, he and his crew repeatedly face the Luftwaffe in battles five miles high, flying through flak "so thick you could get out and walk on it." Stretching their stamina to the limits, they succeed time after time in their missions to bomb munitions works, railyards, the Leüna synthetic oil plant at Merseburg in eastern Germany, the V2 rocket research center at Peenemünde on the distant Baltic Coast, and even to strike Hitler’s capital city, Berlin.
            But Grilley finds interludes of unexpected grace and restoration on his days off, making serious drawings from nature at the neighboring Yokehill Farm. There he slowly cultivates a friendship with a curious eight-year-old, the lively child Elizabeth, who becomes for the combat flyer a symbol of survival.

Five generations of Marnie O. Mamminga’s family have been rejuvenated by times together in Wisconsin’s Northwoods. In a series of evocative remembrances accompanied by a treasure trove of vintage family photos, Mamminga takes us to Wake Robin, the cabin her grandparents built in 1929 on Big Spider Lake near Hayward, on land adjacent to Moody’s Camp. Along the way she preserves the spirit and cultural heritage of a vanishing era, conveying the heart of a place and the community that gathered there.

Bookended by the close of the logging era and the 1970s shift to modern lake homes, condos, and Jet Skis, the 1920s to 1960s period covered in these essays represents the golden age of Northwoods camps and cabins—a time when retreats such as Wake Robin were the essence of simplicity. In Return to Wake Robin, Mamminga describes the familiar cadre of fishing guides casting their charm, the camaraderie and friendships among resort workers and vacationers, the call of the weekly square dance, the splash announcing a perfectly executed cannonball, the lodge as gathering place. By tracing the history of one resort and cabin, she recalls a time and experience that will resonate with anyone who spent their summers Up North—or wishes they had.

Five generations of Marnie O. Mamminga’s family have been rejuvenated by times together in Wisconsin’s Northwoods. In a series of evocative remembrances accompanied by a treasure trove of vintage family photos, Mamminga takes us to Wake Robin, the cabin her grandparents built in 1929 on Big Spider Lake near Hayward, on land adjacent to Moody’s Camp. Along the way she preserves the spirit and cultural heritage of a vanishing era, conveying the heart of a place and the community that gathered there.

Bookended by the close of the logging era and the 1970s shift to modern lake homes, condos, and Jet Skis, the 1920s to 1960s period covered in these essays represents the golden age of Northwoods camps and cabins—a time when retreats such as Wake Robin were the essence of simplicity. In Return to Wake Robin, Mamminga describes the familiar cadre of fishing guides casting their charm, the camaraderie and friendships among resort workers and vacationers, the call of the weekly square dance, the splash announcing a perfectly executed cannonball, the lodge as gathering place. By tracing the history of one resort and cabin, she recalls a time and experience that will resonate with anyone who spent their summers Up North—or wishes they had.

Based on three seasons of field research in the Canadian Arctic, Christopher Norment's exquisitely crafted meditation on science and nature, wildness and civilization, is marked by bottomless prose, reflection on timeless questions, and keen observations of the world and our place in it. In an era increasingly marked by cutting-edge research at the cellular and molecular level, what is the role for scientists of sympathetic observation? What can patient waiting tell us about ourselves and our place in the world?

His family at home in the American Midwest, Norment spends months on end living in isolation in the Northwest Territories, studying the ecology of the Harris's Sparrow. Although the fourteenth-century German mystic Meister Eckhardt wrote, "God is at home, we are in the far country," Norment argues that an intellectual, emotional, and spiritual "far country" can be found in the lives of animals and arctic wilderness. For Norment, "doing science" can lead to an enriched aesthetic and emotional connection to something beyond the self and a way to develop a sacred sense of place in a world that feels increasingly less welcoming, certain, and familiar. 

The incestuous affair between the writer Anaïs Nin and her father, the pianist-composer Joaquín Nin, is well documented in the volume of her unexpurgated diary published under the title Incest. What has been missing from that account is Joaquín’s point of view. Reunited: The Correspondence of Anaïs and Joaquín Nin, 1933–1940 presents more than one hundred intimate communications between these two artistic geniuses, revealing not only the dynamics of their complex relationship but also why Anaïs spent her life in a never-ending battle to feel loved, appreciated, and understood.

Reunited collects the correspondence between Anaïs and Joaquín just before, during, and after the affair, which commenced in 1933, twenty years after he had abandoned his ten-year-old daughter and the rest of his family. These letters were long believed to have been destroyed and lost to history. In 2006, however, a folder containing Joaquín’s original letters to his daughter was discovered in Anaïs’s Los Angeles home, along with a second folder of her letters to him. Together, these letters tell the story of an absent father’s attempt to reconnect with his adult daughter and how that rapprochement quickly turned into an illicit sexual relationship.

Labor leader, civil rights activist, outspoken feminist, African American clergywoman--Reverend Addie Wyatt stood at the confluence of many rivers of change in twentieth century America. The first female president of a local chapter of the United Packinghouse Workers of America, Wyatt worked alongside Martin Luther King Jr. and Eleanor Roosevelt and appeared as one of Time magazine's Women of the Year in 1975. Marcia Walker-McWilliams tells the incredible story of Addie Wyatt and her times. What began for Wyatt as a journey to overcome poverty became a lifetime commitment to social justice and the collective struggle against economic, racial, and gender inequalities. Walker-McWilliams illuminates how Wyatt's own experiences with hardship and many forms of discrimination drove her work as an activist and leader. A parallel journey led her to develop an abiding spiritual faith, one that denied defeatism by refusing to accept such circumstances as immutable social forces.

All the time when I lived in Algeria, my native country,
I dreamt of one day arriving in Algeria.

Born in Oran, Algeria, Hélène Cixous spent her childhood in France's former colony. Reveries of the Wild Woman is her visceral memoir of a preadolescence that shaped her with intense feelings of alienation, yet also contributed, in a paradoxically essential way, to her development as a writer and philosopher.

Born to a French father and an Austro-German mother, both Jews, Cixous experienced a childhood fraught with racial and gender crisis. In her moving story she recounts how small events--a new dog, the gift of a bicycle--reverberate decades later as symbols filled with social and psychological meaning. She and her family endure a double alienation, by Algerians for being French and by the French for being Jewish, and Cixous builds her story on the themes of isolation and exclusion she felt in particular under the Vichy government and during the Algerian Civil War. Yet she also concedes that memories of Algeria awaken in her a longing for her home country, and ponders how that stormy relationship has influenced her life and thought.

A meditation on postcolonial identity and gender, Reveries of the Wild Woman is also a poignant recollection of how a girl's childhood is, indeed, author to the woman.

One March morning, writer Floyd Skloot was inexplicably struck by an attack of unrelenting vertigo that ended 138 days later as suddenly as it had begun. With body and world askew, everything familiar had transformed. Nothing was ever still. Revertigo is Skloot’s account of that unceasingly vertiginous period, told in an inspired and appropriately off-kilter form.
            This intimate memoir—tenuous, shifting, sometimes humorous—demonstrates Skloot’s considerable literary skill honed as an award-winning essayist, memoirist, novelist, and poet. His recollections of a strange, spinning world prompt further musings on the forces of uncertainty, change, and displacement that have shaped him from childhood to late middle age, repeatedly knocking him awry, realigning his hopes and plans, even his perceptions. From the volatile forces of his mercurial, shape-shifting early years to his obsession with reading, acting, and writing, from the attack of vertigo to a trio of postvertigo (but nevertheless dizzying) journeys to Spain and England, and even to a place known only in his mother’s unhinged fantasies, Skloot makes sense of a life’s phantasmagoric unpredictability.

Finalist, Sarah Winnemucca Award for Creative Nonfiction, Oregon Book Awards

Beginning in Tunisia and spreading across the Middle East and North Africa, everyday citizens stepped into the streets, staking their claim to a democratic future. The image of these protests captured the imagination of the world. Revolution by Love takes you inside these protests, onto those streets, and shares with you the stories of the individuals who made this historic moment possible. The book's contributors bear witness to the bravery of Libyans who faced down troops as they secured satellite technology to share with the world what was happening in Tripoli; the courage of doctors, facing gunfire, as they treated patients in Bahrain; and the everyday struggles of families in Gaza. At each moment, within every story shared, there is also a continual return to the love shared with friends and within families--a love that served as the foundation for the protests that changed the world.

 

Contributors include: Ahmed Abdelhakim Hachelaf, Raghda Abushahla, Muna Abbas Ali AlBuloushi, Shatha Al-Harazi, Samah Elmeri, Dala Ghandour, Mirelle Karam Halim, Shadin Hamaideh, Mohammed Masbah, Amal Matar, Salma Nazzal, Ibrahim Yousif Shebani, and Emna Ben Yedder.

What was life like for the young men who came of age in late eighteenth-century New England? How did the American Revolution and its aftermath shape their outlook and experiences? This book offers a collective biography of the 204 members of the Harvard College classes of 1771 through 1774, men whose lives intersected with the War for Independence and the other formative events of the founding years of the American Republic. The names of a few of these men are still familiar, including painter John Trumbull and Congressman Fisher Ames, but this study's principal importance lies in these schoolmates' shared experiences—experiences that were also common to a much wider group of youths who reached adulthood in the 1770s.

Conrad Edick Wright draws on extensive research on the classes that graduated from Harvard immediately before the start of the war to follow their members as they passed through life's common and predictable events from birth and childhood through youth to maturity, careers, marriage, the increasing civic and family responsibilities of midlife, old age, and death. He is also sensitive to his subjects' thoughts and feelings. Unusually articulate and frequently reflective, the men of the Harvard College classes of 1771 through 1774 often revealed their ambitions and concerns through their letters and diaries.

Revolutionary Generation provides the most sustained application of life course and life cycle analysis to be found in any study of late-eighteenth- or early-nineteenth-century America. At the same time, it shows on a personal level through the lives of its subjects many of the most important consequences of the War for Independence.

When they fell in love amid the tumult of the 1905 Russian revolution, they believed they were destiny's match: William English Walling, a wealthy American journalist-activist from the Midwest, an Anna Strunsky, an aspiring novelist from San Francisco. Vowing to dedicate themselves to socialist ideals, they soon became celebrities who moved in an elite circle of writers, journalist, and reformers. ultimately, both their marriage and their political commitment faltered, but not before they had participated in some of the most urgent social causes of their day. Drawing on archival sources and family materials, James Boylan creates engaging portraits of two striking figures. He reveals the details of Strunsky's intense involvement with Jack London and their troubled literary collaboration. He describes the creation of Walling's "revolutionary news bureau" in Russia under scrutiny of the czarist police, and Strunsky's harrowing journey to report on a pogrom. He also recounts the couple's dash to cover a race riot in Illinois, Walling's pivotal role in creating the NAACP and the disastrous schism between Strunsky's pacifism and Walling's bellicosity during World War I. Boylan enriches our understanding of the intellectual and cultural background of prewar socialism by skillfully tracing the interplay between private and public lives. At the same time, he illuminates the struggle of those who were born Victorians to adjust to the changing public arena of the modern world.

María de los Reyes Castillo Bueno (1902–1997), a black woman known as “Reyita,” recounts her life in Cuba over the span of ninety years. Reyita’s voice is at once dignified, warm, defiant, strong, poetic, principled, and intelligent. Her story—as told to and recorded by her daughter Daisy Castillo—begins in Africa with her own grandmother’s abduction by slave-traders and continues through a century of experiences with prejudice, struggle, and change in Cuba for Reyita and her numerous family members.
Sensitive to and deeply knowledgeable of the systemic causes and consequences of poverty, Reyita’s testimony considers the impact of slavery on succeeding generations, her mother’s internalized racism, and Cuba’s residual discrimination. The humiliation and poverty inflicted on the black Cuban community as well as her decision to marry a white man to ensure a higher standard of living form the basis of other chapters. Reyita actively participated in the life of the community—often caring for the children of prostitutes along with her own eight children and giving herbal medicine and “spiritualist” guidance to ill or troubled neighbors. She describes her growing resistance, over five decades of marriage, to her husband’s sexism and negativity. Strong-willed and frank about her sexuality as well as her religious and political convictions, Reyita recounts joining the revolutionary movement in the face of her husband’s stern objections, a decision that added significant political purpose to her life. At book’s end, Reyita radiates gratification that her 118 descendants have many different hues of skin, enjoy a variety of professions, and—“most importantly”—are free of racial prejudice.

Who would have imagined a farm boy from Wisconsin would be the greatest air hero of World War II? Richard Bong was an athletic and hard-working boy from northern Wisconsin who dreamed of flying from the first time a plane buzzed low over his family farm. When war broke out, he left behind a life of sports, deer hunting, and farm chores to fly the new P-38 Lightning for the Army Air Force. Stationed in New Guinea, Bong shot down a total of 40 Japanese flyers in under three years - beating the record of 26 set by Eddie Rickenbacker in World War I. His accomplishments won this modest pilot the title "Ace of Aces" and a Congressional Medal of Honor awarded by General MacArthur himself.

 

Follow Bong as he navigates his way through basic training, flight school, and life on an overseas army base. Watch as he takes to the skies in his P-38 fighter jet, outflying Japanese aircraft with barrel rolls, dives, and turns. Celebrate as he meets and marries the love of his life back home in Wisconsin, and mourn as his life comes to a swift and unexpected end during an ill-fated training flight in California.

 

Richard Bong: World War II Flying Ace is part of the Badger Biographies series for young readers. The engaging narrative is complemented by an accessible format that includes historic photographs, a glossary of terms, sidebars on life in the military, and suggestions for activities and discussion.

Richard Eberhart - American Writers 55 was first published in 1966. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

Richard Hofstadter (1916-70) was America’s most distinguished historian of the twentieth century. The author of several groundbreaking books, including The American Political Tradition, he was a vigorous champion of the liberal politics that emerged from the New Deal. During his nearly thirty-year career, Hofstadter fought public campaigns against liberalism’s most dynamic opponents, from McCarthy in the 1950s to Barry Goldwater and the Sun Belt conservatives in the 1960s. His opposition to the extreme politics of postwar America—articulated in his books, essays, and public lectures—marked him as one of the nation’s most important and prolific public intellectuals. 

In this masterful biography, David Brown explores Hofstadter’s life within the context of the rise and fall of American liberalism. A fierce advocate of academic freedom, racial justice, and political pluralism, Hofstadter charted in his works the changing nature of American society from a provincial Protestant foundation to one based on the values of an urban and multiethnic nation. According to Brown, Hofstadter presciently saw in rural America’s hostility to this cosmopolitanism signs of an anti-intellectualism that he believed was dangerously endemic in a mass democracy. 

By the end of a life cut short by leukemia, Hofstadter had won two Pulitzer Prizes, and his books had attracted international attention. Yet the Vietnam years, as Brown shows, culminated in a conservative reaction to his work that is still with us. Whether one agrees with Hofstadter’s critics or with the noted historian John Higham, who insisted that Hofstadter was “the finest and also the most humane intelligence of our generation,” the importance of this seminal thinker cannot be denied. As this fascinating biography ultimately shows, Hofstadter’s observations on the struggle between conservative and liberal America are relevant to our own times, and his legacy challenges us to this day.

A portrait of the celebrated intellectual

As a historian, theologian, and mentor, Richard Lyman Bushman greatly influenced the shaping of how those inside and outside the Church perceived Latter-day Saint history. J.B. Haws’s examination of Bushman’s life and thought tells the story of a scholar with a foot in both the LDS faith and secular society, and his efforts to bridge their two very different worldviews.

Bushman integrated his acquired fluency and comfort inside academia with his native understanding of the Church of Jesus Christ of Latter-day Saints. In his work, he translated, interpreted, and explained the LDS faith to the wider world. His professional status strengthened his arguments for an honest, transparent, and responsible approach to Church history. His devoted religious practice convinced his co-religionists of his sincerity. To his academic colleagues, Bushman advocated for a religious perspective in scholarship, while widespread respect for his work opened the door to his ideas.

Perceptive and illuminating, Richard Lyman Bushman explores the far-reaching contributions of an important LDS historian, theologian, and teacher.

As we approach the fiftieth anniversary of Richard Stauss’s death, scholarly interest in the composer continues to grow. Despite what was once a tendency by musicologists to overlook or deny Strauss’s importance, these essays firmly place the German composer in the musical mainstream and situate him among the most influential composers of the late nineteenth and early twentieth centuries. Originally published in 1992, this volume examines Strauss’s life and work from a number of approaches and during various periods of his long career, opening up unique corridors of insight into a crucial time in German history.
Contributors discuss Strauss as a young composer steeped in a conservative instrumental tradition, as a brash young modernist tone poet of the 1890s, as an important composer of twentieth-century German opera, and as a cultural icon manipulated by the national socialists during the 1930s and early 1940s. Individual essays use Strauss’s creative work as a framework for larger musicological questions such as the tension between narrative and structure in program music, the problem of extended tonality at the turn of the century, stylistic choice versus stylistic obligation, and conflicting perspectives of progressive versus conservative music.
This collection will interest Strauss scholars, musicologists, and those interested in the artistic and cultural life of Germany from 1880 through the Second World War.

Contributors. Kofi Agawu, Günter Brosche, Bryan Gilliam, Stephen Hefling, James A. Hepokoski, Timothy L. Jackson, Michael Kennedy, Lewis Lockwood, Barbara A. Peterson, Pamela Potter, Reinhold Schlötterer, R. Larry Todd

Best known for the challenging four-opera cycle The Ring of the Nibelung, Richard Wagner (1813–83) was a conductor, librettist, theater director, and essayist, in addition to being the composer of some of the most enduring operatic works in history, such as The Flying Dutchman, Tannhäuser, and Tristan and Isolde. Though his influence on the development of European music is indisputable, Wagner was also quite outspoken on the politics and culture of his time. His ideas traveled beyond musical circles into philosophy, literature, theater staging, and the visual arts. To befit such a dynamic figure, acclaimed biographer Martin Geck offers here a Wagner biography unlike any other, one that strikes a unique balance between the technical musical aspects of Wagner’s compositions and his overarching understanding of aesthetics.

Wagner has always inspired passionate admirers as well as numerous detractors, with the result that he has achieved a mythical stature nearly equal to that of the Valkyries and Viking heroes he popularized. There are few, if any, scholars today who know more about Wagner and his legacy than Geck, who builds upon his extensive research and considerable knowledge as one of the editors of the Complete Works to offer a distinctive appraisal of the composer and the operas. Using a wide range of sources, from contemporary scholars to the composer’s own words, Geck explores key ideas in Wagner’s life and works, while always keeping the music in the foreground. Geck discusses not only all the major operas, but also several unfinished operas and even the composer’s early attempts at quasi-Shakespearean drama.

Richard Wagner: A Life in Music is a landmark study of one of music’s most important figures, offering something new to opera enthusiasts, Wagnerians, and anti-Wagnerians alike.

Richard Wright - American Writers 74 was first published in 1989. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

Like many founding fathers, Rida Saïd (1876-1946) lived a cosmopolitan life before taking on his monumental contribution to building the modern nation of Syria. Born in Damascus in 1876, Said trained as a medical doctor in Istanbul and Paris. As a young man, he served as a field doctor with the Ottoman Empire’s army in the Balkan Wars, but he soon became disillusioned about his homeland’s foreign rulers. Like other Syrians, he was opposed to the aggressive Turkish nationalism that alienated Arabs and dreamed of a more inclusive system for his people. After his medical work in Damascus during World War I, and following the collapse of the Ottoman Empire, Said took on a critical role in establishing an independent Syria: he became a pioneering educator, advocating for the importance of providing institutions to educate the Arab people. He went on to become the first head of Damascus University, and then Minister of Education. He died in 1945, a few months before Syria finally achieved independence in 1946.

Now available for the first time in English, Rida Saïd: A Man for All Seasons tells the story of this remarkable life at the heart of a nation in deep conflict. Indeed, Saïd’s story resonates profoundly today as the Syrian people struggle for a future of opportunity and respect.

Straight talk from up on the farm

Raised on a small dairy farm in the Driftless Area in the mid-twentieth century, Gary Jones gets real about his rural roots. In this collection of interrelated stories, Jones writes with plainspoken warmth and irreverence about farm, family, and folks on the ridge. Readers will meet Gramp Jones, whose oversized overalls saved him from losing a chunk of flesh to an irate sow; the young one-room-school teacher who helped the kids make sled jumps at recess; Charlotte, the lawn-mowing sheep who once ended up in the living room; Victor the pig-cutter, who learned his trade from folk tradition rather than vet school; and other colorful characters of the ridge. Often humorous and occasionally touching, Jones’s essays paint a vivid picture that will entertain city and country folk alike. 

Riding on Comets is the true story of an only child growing up in a working-class family during the 1950s and ‘60s. 

As the family storyteller, Cat Pleska whispers and shouts about her life growing up around savvy, strong women and hard-working, hard-drinking men. Unlike many family stories set within Appalachia, this story provides an uncommon glimpse into this region: not coal, but an aluminum plant; not hollers, but small-town America; not hillbillies, but a hard-working family with traditional values. 

From the dinner table, to the back porch, to the sprawling countryside, Cat Pleska reveals the sometimes tender, sometimes frightening education of a child who listens at the knees of these giants. She mimics and learns every nuance, every rhythm—how they laugh, smoke, cuss, fight, love, and tell stories—as she unwittingly prepares to carry their tales forward, their words and actions forever etched in her mind. And finally, she discovers a life story of her own. 

Finalist for Best Jazz Book of the Year Award from the Jazz Journalists Association

The things that I have, I’ll give to you. This is my legacy with you, Albert. This is my last hoo-rah. So begins the autobiography of Jonathan David Samuel Jones—or as the world better knows him, Papa Jo Jones. Playing with Count Basie and his orchestra when they exploded out of Kansas City in 1936 and took the world by storm, Jones went on to inspire generations of jazz drummers, but until now few have had access to his own remarkable story.

Rifftide presents Jones’s inimitable life and opinions, as originally told by Jones to the prominent jazz historian and novelist Albert Murray and now transcribed, arranged, and introduced by Paul Devlin. Drawn from fourteen tapes recorded over eight years beginning in 1977, Rifftide is an impressionistic series of riffs and tales by Jones: his life as a musician on the road in segregated America, his outstanding solo career following his years with the Basie band, and his interactions with iconic artists and cultural figures of the time, including Ralph Ellison, James Baldwin, Langston Hughes, Duke Ellington, Louis Armstrong, Bill “Bojangles” Robinson, and Satchell Paige.

A true American original and jazz luminary, Papa Jo Jones bedazzled and intrigued many with his outrageous, volatile personality and his innovative drumming—and nowhere does his fierce intellect and humor shine more marvelously than in his life’s telling. With a fascinating introduction and annotations by Paul Devlin and an afterword by Phil Schaap, jazz historian and longtime friend of Jones, Rifftide reveals a man at the forefront of both a whole new form of music and a country in the midst of incredible turmoil and opportunity. As Jones himself puts it: Listen man, I’ve had a hell of a time . . .

The cowboy songs and dusty Texas car rides of his youth set Patrick B. Mullen on a lifelong journey into the sprawling Arcadia of American music. That music fused so-called civilized elements with native forms to produce everything from Zydeco to Conjunto to jazz to Woody Guthrie. The civilized/native idea, meanwhile, helped develop Mullen's critical perspective, guide his love of music, and steer his life's work. Part scholar's musings and part fan's memoir, Right to the Juke Joint follows Mullen from his early embrace of country and folk to the full flowering of an idiosyncratic, omnivorous interest in music. Personal memory merges with a lifetime of fieldwork in folklore and anthropology to provide readers with a deeply informed analysis of American roots music. Mullen opens up on the world of ideas and his own tireless fandom to explore how his cultural identity--and ours--relates to concepts like authenticity and "folkness." The result is a charming musical map drawn by a gifted storyteller whose boots have traveled a thousand tuneful roads.

For the Austrian poet and novelist Rainer Maria Rilke, travel was not only integral to his work, it was a way of life. Venice stands out as a location of particular importance to Rilke, and he visited the city ten times between 1897 and 1920. This city has inspired countless writers and artists, but Rilke, both enthralled and provoked by it, reveals a striking and deeply felt love for the city. He was as eager to explore the city’s underbelly, its deserted shipyards and back alleys, as he was to experience its iconic sights of St. Mark’s and the Doge’s Palace. Staying in both simple guesthouses and the grand palaces of his patrons, Rilke would walk prodigiously. His contemporary Stefan Zweig commented that “knowing every last corner and depth of the city was his passion” and Rilke himself said his walking allowed him to “grasp the whole breadth of the city.”

In eleven walks, Birgit Haustedt guides readers through Venice following the poet’s footsteps. Haustedt invites us to look on the beloved sights of the city through Rilke’s eyes, offering a new vision of this famed destination. Rilke’s Venice provides new insight into one of the finest and most widely recognized writers of the twentieth century. It also acts as a literary travel companion and guidebook to Venice, offering eleven detailed maps of walks through the city.