28167 books match the query 'History' and 1838 start with s

cover of Sexual Hegemony: Statecraft, Sodomy, and Capital in the Rise of the World System

Sexual Hegemony

Statecraft, Sodomy, and Capital in the Rise of the World System

Christopher Chitty

Duke University Press, 2020

In Sexual Hegemony Christopher Chitty traces the five-hundred year history of capitalist sexual relations by excavating the class dynamics of the bourgeoisie's attempts to regulate homosexuality. Tracking the politicization of male homosexuality in Renaissance Florence, Amsterdam, Paris, and London between the seventeenth and nineteenth centuries, as well as twentieth-century New York City, Chitty shows how sexuality became a crucial dimension of the accumulation of capital and a technique of bourgeois rule. Whether policing male sodomy during the Medici rule in Florence or accusing the French aristocracy of monstrous sexuality in the wake of the French Revolution, the bourgeoisie weaponized both sexual constraint and sexual freedom in order to produce and control a reliable and regimented labor class and subordinate it to civil society and the state. Only by grasping sexuality as a field of social contention and the site of class conflict, Chitty contends, can we embark on a politics that destroys sexuality as a tool and an effect of power and open a front against the forces that keep us unfree.
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cover of Sexual Labor in the Athenian Courts

Sexual Labor in the Athenian Courts

Allison Glazebrook

University of Texas Press, 2021

Oratory is a valuable source for reconstructing the practices, legalities, and attitudes surrounding sexual labor in classical Athens. It provides evidence of male and female sex laborers, sex slaves, brothels, sex traffickers, the cost of sex, contracts for sexual labor, and manumission practices for sex slaves. Yet the witty, wealthy, and independent hetaira, well-known from other genres, does not feature. Its detailed narratives and character portrayals provide a unique discourse on sexual labor and reveal the complex relationship between such labor and Athenian society.

Through a holistic examination of five key speeches, Sexual Labor in the Athenian Courts considers how portrayals of sex laborers intersected with gender, the body, sexuality, the family, urban spaces, and the polis in the context of the Athenian courts. Drawing on gender theory and exploring questions of space, place, and mobility, Allison Glazebrook shows how sex laborers represented a diverse set of anxieties concerning social legitimacy and how the public discourse about them is in fact a discourse on Athenian society, values, and institutions.

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cover of Sexual Politics, Sexual Communities: Second Edition

Sexual Politics, Sexual Communities

Second Edition

John D'Emilio

University of Chicago Press, 1998

With thorough documentation of the oppression of homosexuals and biographical sketches of the lesbian and gay heroes who helped the contemporary gay culture to emerge, Sexual Politics, Sexual Communities supplies the definitive analysis of the homophile movement in the U.S. from 1940 to 1970. John D'Emilio's new preface and afterword examine the conditions that shaped the book and the growth of gay and lesbian historical literature.

"How many students of American political culture know that during the McCarthy era more people lost their jobs for being alleged homosexuals than for being Communists? . . . These facts are part of the heretofore obscure history of homosexuality in America—a history that John D'Emilio thoroughly documents in this important book."—George DeStefano, Nation

"John D'Emilio provides homosexual political struggles with something that every movement requires—a sympathetic history rendered in a dispassionate voice."—New York Times Book Review

"A milestone in the history of the American gay movement."—Rudy Kikel, Boston Globe
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cover of Sexual Power: Feminism and the Family in America

Sexual Power

Feminism and the Family in America

Carolyn Ross Johnston

University of Alabama Press, 1992

Offers an opportunity to view the history of feminism and the family from a fresh perspective
 
Since the early 1970s, scholars have argued, defined, and refined a wide range of interpretations of American women’s lives. Despite the richness of the recent literature, few interpretations sufficiently credit women’s family and sexual experiences for the emergence of feminism and the construction of pro-family agendas. Thus, Johnston’s approach offers an opportunity to view the history of feminism and the family from a fresh perspective.
 
Much of the literature on feminism has focused on women’s oppression and victimization, rather than on the power that women historically have exerted. Johnston’s interpretation of American feminism differs from previous works because she argues that the gradual growth of feminist consciousness lies not simply in oppression or feelings of victimization, but paradoxically in a growing sense of the empowerment of women as wives and mothers. She traces how reproduction, sexuality, domesticity, and motherhood have been socially constructed, and examines how feminists and anti-feminists have fought on the terrain of “family” issues.
 
Johnston explores critical questions concerning American women’s sexual lives. How have women’s empowering experiences in the family shaped feminist consciousness and action? How have feminists confronted family issues? How have women exerted sexual power? How was it contained within the limits of patriarchal society at times, while at other times it fueled the fires of feminist rebellion? How have gender and class issues affected domestic politics and feminism?
 
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cover of Sexual States: Governance and the Struggle over the Antisodomy Law in India

Sexual States

Governance and the Struggle over the Antisodomy Law in India

Jyoti Puri

Duke University Press, 2016

In Sexual States Jyoti Puri tracks the efforts to decriminalize homosexuality in India to show how the regulation of sexuality is fundamentally tied to the creation and enduring existence of the state. Since 2001 activists have attempted to rewrite Section 377 of the Indian Penal Code, which in addition to outlawing homosexual behavior is often used to prosecute a range of activities and groups that are considered perverse. Having interviewed activists and NGO workers throughout five metropolitan centers, investigated crime statistics and case law, visited various state institutions, and met with the police, Puri found that Section 377 is but one element of how homosexuality is regulated in India. This statute works alongside the large and complex system of laws, practices, policies, and discourses intended to mitigate sexuality's threat to the social order while upholding the state as inevitable, legitimate, and indispensable. By highlighting the various means through which the regulation of sexuality constitutes India's heterogeneous and fragmented "sexual state," Puri provides a conceptual framework to understand the links between sexuality and the state more broadly. 
 
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cover of Sexual Violence against Jewish Women during the Holocaust

Sexual Violence against Jewish Women during the Holocaust

Edited by Sonja M. Hedgepeth and Rochelle G. Saidel

Brandeis University Press, 2010

Using testimonies, Nazi documents, memoirs, and artistic representations, this volume broadens and deepens comprehension of Jewish women’s experiences of rape and other forms of sexual violence during the Holocaust. The book goes beyond previous studies, and challenges claims that Jewish women were not sexually violated during the Holocaust. This anthology by an interdisciplinary and international group of scholars addresses topics such as rape, forced prostitution, assaults on childbearing, artistic representations of sexual violence, and psychological insights into survivor trauma. These subjects have been relegated to the edges or completely left out of Holocaust history, and this book aims to shift perceptions and promote new discourse.
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cover of Sexual Violence in Asia and Eastern Europe: The Silent Aftermaths of World War II

Sexual Violence in Asia and Eastern Europe

The Silent Aftermaths of World War II

Joohee Kim

Central European University Press, 2027

In the wake of ongoing global concern over conflict-related sexual violence (CRSV), this volume brings together innovative research on the gendered legacies of the Second World War across the “Global Easts.” Focusing on East Asia and the eastern parts of Europe, the book explores how sexual violence—ranging from the Japanese military’s “comfort women” system to the massive assaults committed by German and Soviet forces—has been remembered, silenced, or politicized in the decades that followed. The contributions span four thematic sections: from comparative analyses of wartime violence to postwar justice frameworks, patterns of selective remembrance, and media representations of gendered trauma. Edited by Joohee Kim and Maren Röger, renowned scholars of gender and memory studies in the respective regions, the volume connects these global areas through their shared histories of imperial domination, Cold War divisions, and the belated surfacing of survivors’ voices. By uncovering these entanglements, the book offers a new conceptual and geographical lens on the Global Easts.
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cover of Sexual Visions: Images Of Gender In Science And Medicine Between The Eighteenth And Twentieth Centuries

Sexual Visions

Images Of Gender In Science And Medicine Between The Eighteenth And Twentieth Centuries

Ludmilla Jordanova

University of Wisconsin Press, 1993

In six interdisciplinary and wide-ranging essays, Ludmilla Jordanova analyzes scientific and medical representations of gender in advertising, paintings, film, literature, sculpture, wax anatomical models, and professional and popular writing about the biological and medical sciences during the eighteenth and nineteenth centuries. She demonstrates that gender as metaphor has had an exceptionally vigorous life in the history of natural knowledge.
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cover of Sexuality and Abortion in Interwar Poland: Maternity in Times of Crisis

Sexuality and Abortion in Interwar Poland

Maternity in Times of Crisis

Elisa-Maria Hiemer

Central European University Press, 2026

Women’s rights activism and the reformation of the legal thought in early twentieth-century Poland were deeply intertwined—sometimes contradictory, yet mutually dependent—shaping debates around the 1932 abortion law and challenging traditional views on female sexuality and motherhood. Set against political transformation, economic hardship, and societal pressure, this book explores the clash between liberal “moral reform” ideas and the ideal of the “traditional” Polish family. Through individual stories from rural Suwalki county, it reveals how precarity, gender roles, and state expectations influenced women’s choices, with abortion often serving as necessary healthcare and survival. Rich in legal case studies, it offers scholars and readers a comprehensive overview of interwar sexuality debates and timely reflections on how these issues resonate today. This interdisciplinary work highlights the enduring impact of the male gaze in decisions affecting women’s lives.
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cover of Sexuality and Form: Caravaggio, Marlowe, and Bacon

Sexuality and Form

Caravaggio, Marlowe, and Bacon

Graham Hammill

University of Chicago Press, 2000

This ambitious, wide-ranging study of sexuality, aesthetics, and epistemology covers everything from the aesthetics of war to the works of Caravaggio, Michaelangelo, Christopher Marlowe, and Francis Bacon, synthesizing queer theory and psychoanalysis and demonstrating the role of the body and the flesh as both a problem and a promise within the narrative arts.
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cover of Sexualizing Cancer: HPV and the Politics of Cancer Prevention

Sexualizing Cancer

HPV and the Politics of Cancer Prevention

Laura Mamo

University of Chicago Press, 2023

The virus that changed how we think about cancer and its culprits—and the vaccine that changed how we talk about sex and its risks.
 
Starting in 2005, people in the US and Europe were inundated with media coverage announcing the link between cervical cancer and the sexually transmitted virus HPV. Within a year, product ads promoted a vaccine targeting cancer’s viral cause, and girls and women became early consumers of this new cancer vaccine. An understanding of HPV’s broadening association with other cancers led to the identification of new at-risk populations—namely boys and men—and ignited a plethora of gender and sexual issues related to cancer prevention.
 
Sexualizing Cancer is the first book dedicated to the emergence and proliferation of the HPV vaccine along with the medical capacity to screen for HPV—crucial landmarks in the cancer prevention arsenal based on a novel connection between sex and chronic disease. Interweaving accounts from the realms of biomedical science, public health, and social justice, Laura Mamo chronicles cervical cancer’s journey out of exam rooms and into public discourse. She shows how the late twentieth-century scientific breakthrough that identified the human papilloma virus as having a causative role in the onset of human cancer galvanized sexual politics, struggles for inclusion, new at-risk populations, and, ultimately, a new regime of cancer prevention. Mamo reveals how gender and other equity arguments from within scientific, medical, and advocate communities shaped vaccine guidelines, clinical trial funding, research practices, and clinical programs, with consequences that reverberate today. This is a must-read history of medical expansion—from a “woman’s disease” to a set of cancers that affect all genders—and of lingering sexualization, with specific gendered, racialized, and other contours along the way.
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cover of Shade-Grown Slavery: The Lives of Slaves on Coffee Plantations in Cuba

Shade-Grown Slavery

The Lives of Slaves on Coffee Plantations in Cuba

William C. Van Norman

Vanderbilt University Press, 2013

Within the world of Cuban slave-holding plantations, all enslaved people had to negotiate a life defined by forces beyond their control, and indeed beyond the control of their masters. Slaves on coffee farms survived in ways that allowed them to marry, have children, and maintain and redefine cultural practices that they passed on to their children. Slaves were an important factor in creating a nascent Afro-Cuban culture and identity.

In this broad, interdisciplinary study, William Van Norman describes how each type of plantation and the amount of manual labor it required directly influenced the nature of slave life in that community. Slaves on coffee plantations lived in a unique context in comparison to that of their fellow slaves on sugar plantations, one that gave them greater flexibility in cultural and artistic creativity. To gain a deeper understanding of plantation slavery in Cuba, Van Norman explores what life and labor was like for coffee slaves and how it was different from what sugar slaves experienced. Shade-Grown Slavery reconstructs their world and in turn deconstructs the picture we now have of Cuba in the late eighteenth and early nineteenth centuries.

Ultimately, Shade-Grown Slavery reveals the lives of enslaved Africans on Cuban coffee plantations and shows how they were able to maintain and transform their cultural traditions in spite of slavery.

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cover of Shades of Black: Assembling Black Arts in 1980s Britain

Shades of Black

Assembling Black Arts in 1980s Britain

David A. Bailey, Ian Baucom, and Sonia Boyce, eds.

Duke University Press, 2005

In the 1980s—at the height of Thatcherism and in the wake of civil unrest and rioting in a number of British cities—the Black Arts Movement burst onto the British art scene with breathtaking intensity, changing the nature and perception of British culture irreversibly. This richly illustrated volume presents a history of that movement. It brings together in a lively dialogue leading artists, curators, art historians, and critics, many of whom were actively involved in the Black Arts Movement. Combining cultural theory with anecdote and experience, the contributors debate how the work of the black British artists of the 1980s should be viewed historically. They consider the political, cultural, and artistic developments that sparked the movement even as they explore the extent to which such a diverse body of work can be said to constitute a distinct artistic movement—particularly given that “black” in Britain in the 1980s encompassed those of South Asian, North and sub-Saharan African, and Caribbean descent, referring as much to shared experiences of disenfranchisement as to shades of skin.

In thirteen original essays, the contributors examine the movement in relation to artistic practice, public funding, and the transnational art market and consider its legacy for today’s artists and activists. The volume includes a unique catalog of images, an extensive list of suggested readings, and a descriptive timeline situating the movement vis-à-vis relevant artworks and films, exhibitions, cultural criticism, and political events from 1960 to 2000. A dynamic living archive of conversations, texts, and images, Shades of Black will be an essential resource.

Contributors. Stanley Abe, Jawad Al-Nawab, Rasheed Araeen, David A. Bailey, Adelaide Bannerman, Ian Baucom, Dawoud Bey, Sonia Boyce, Allan deSouza, Jean Fisher, Stuart Hall, Lubaina Himid, Naseem Khan, susan pui san lok, Kobena Mercer, Yong Soon Min, Keith Piper, Zineb Sedira, Gilane Tawadros, Leon Wainwright, Judith Wilson

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cover of Shades of Blue and Gray: An Introductory Military History of the Civil War

Shades of Blue and Gray

An Introductory Military History of the Civil War

Herman Hattaway

University of Missouri Press, 1997

An introductory military history of the American Civil War, Shades of Blue and Gray places the 1861-1865 conflict within the broad context of evolving warfare. Emphasizing technology and its significant impact, Hattaway includes valuable material on land and sea mines, minesweepers, hand grenades, automatic weapons, the Confederate submarine, and balloons. The evolution of professionalism in the American military serves as an important connective theme throughout. Hattaway extrapolates from recent works by revisionists William Skelton and Roy Roberts to illustrate convincingly that the development of military professionalism is not entirely a post-Civil War phenomenon.

The author also incorporates into his work important new findings of recent scholars such as Albert Castel (on the Atlanta Campaign), Reid Mitchell (on soldiers' motivation), Mark Grimsley (on "hard war"), Brooks D. Simpson (on Ulysses S. Grant), and Lauren Cook Burgess (on women who served as soldiers, disguised as men). In addition, Hattaway comments on some of the best fiction and nonfiction available in his recommended reading lists, which will both enlighten and motivate readers.

Informative and clearly written, enhanced by graceful prose and colorful anecdotes, Shades of Blue and Gray will appeal to all general readers.

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cover of Shades of White Flight: Evangelical Congregations and Urban Departure

Shades of White Flight

Evangelical Congregations and Urban Departure

Mark T. Mulder

Rutgers University Press, 2015

Since World War II, historians have analyzed a phenomenon of “white flight” plaguing the urban areas of the northern United States. One of the most interesting cases of “white flight” occurred in the Chicago neighborhoods of Englewood and Roseland, where seven entire church congregations from one denomination, the Christian Reformed Church, left the city in the 1960s and 1970s and relocated their churches to nearby suburbs. In Shades of White Flight, sociologist Mark T. Mulder investigates the migration of these Chicago church members, revealing how these churches not only failed to inhibit white flight, but actually facilitated the congregations’ departure.
 
Using a wealth of both archival and interview data, Mulder sheds light on the forces that shaped these midwestern neighborhoods and shows that, surprisingly, evangelical religion fostered both segregation as well as the decline of urban stability. Indeed, the Roseland and Englewood stories show how religion—often used to foster community and social connectedness—can sometimes help to disintegrate neighborhoods. Mulder describes how the Dutch CRC formed an insular social circle that focused on the local church and Christian school—instead of the local park or square or market—as the center point of the community. Rather than embrace the larger community, the CRC subculture sheltered themselves and their families within these two places. Thus it became relatively easy—when black families moved into the neighborhood—to sell the church and school and relocate in the suburbs. This is especially true because, in these congregations, authority rested at the local church level and in fact they owned the buildings themselves. 
 
Revealing how a dominant form of evangelical church polity—congregationalism—functioned within the larger phenomenon of white flight, Shades of White Flight lends new insights into the role of religion and how it can affect social change, not always for the better. 
 
 
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cover of Shadow Modernism: Photography, Writing, and Space in Shanghai, 1925-1937

Shadow Modernism

Photography, Writing, and Space in Shanghai, 1925-1937

William Schaefer

Duke University Press, 2017

During the early twentieth century, Shanghai was the center of China's new media culture. Described by the modernist writer Mu Shiying as "transplanted from Europe" and “paved with shadows,” for many of its residents Shanghai was a city without a past paradoxically haunted by the absent past’s traces. In Shadow Modernism William Schaefer traces how photographic practices in Shanghai provided a forum within which to debate culture, ethnicity, history, and the very nature of images. The central modernist form in China, photography was neither understood nor practiced as primarily a medium for realist representation; rather, photo layouts, shadow photography, and photomontage rearranged and recomposed time and space, cutting apart and stitching places, people, and periods together in novel and surreal ways. Analyzing unknown and overlooked photographs, photomontages, cartoons, paintings, and experimental fiction and poetry, Schaefer shows how artists and writers used such fragmentation and juxtaposition to make visible the shadows of modernity in Shanghai: the violence, the past, the ethnic and cultural multiplicity excluded and repressed by the prevailing cultural politics of the era and yet hidden in plain sight.
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cover of Shadow Press: The Myth and Making of Independent Journalism

Shadow Press

The Myth and Making of Independent Journalism

Daniel DeFraia

University of Missouri Press, 2027

Historians of journalism and mass media have tended to focus on journalism and news – its people and content – while neglecting the field’s broader and interconnected roles in United States history. Shadow Press: The Myth and Making of Independent Journalism explores how the extreme edges of reporting challenged and reshaped American journalism for over a century, from 1890 to 1980. 

What a reporter is and does, and does not do, and the integrity of that idea, has always been an unsettled question, interrogated on the borders between journalism and the state. There, from battlefields in Cuba, revolution in Mexico, presidential politics in Washington, D.C., and world wars in Europe, reporters – formally and informally, officially and unofficially, openly and secretly – served the state. This book explains how and why reporters, amidst the allure of patriotism, prestige, and power, came to work for the state, and then stopped, culminating with the historically aberrant ascent of modern independent journalism. 

To reclaim that history, Shadow Press spotlights famous, infamous, or previously unknown reporters whose careers reflected the usually submerged question of press-state collaboration and revealed wider changes within journalism. Part I documents how reporters traveled multiple routes into the state, including U.S. empire (the War of 1898), the Mexican Revolution, the presidencies of Theodore Roosevelt and Woodrow Wilson, the domestic reform efforts of First Lady Eleanor Roosevelt, and World War II. Part II documents how, during the Cold War, reporters, embedded within the state, separated to redefine journalism, and lobbied to establish in 1980 the uneasy policies of today that narrowly permit the CIA and FBI to impersonate reporters.

Shadow Press provides accessible plots and character-driven narrative arcs for general readers interested in American history. Moreover, journalism critics will take an interest in how the history provided in Shadow Press informs the debate over how best to do journalism today. During the last two decades, a historical caricature of news objectivity has emerged, a rigid model of amoral methodology and unacknowledged personal subjectivity that still lingers. That caricature has concealed the political activism of the self-declared objective press. Today’s “objectivity war” in journalism is a memory war. As a result, the debate about how best to cover the Republication Party, Donald Trump, and far right movements is based on a broad misunderstanding of how journalism functioned in US democracy. Combining expansive and rigorous archival investigation with the dramatic requirements of a good story, Shadow Press provides a new line of scholarly inquiry to expand the scope of journalism within US political history.

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cover of Shadow Puppets, Songs, and Sacred Feasts: Celebrations of the Indo-Portuguese Nuns in the Eighteenth-Century Real Convento de Santa Mónica, Goa, India. A Bilingual Edition

Shadow Puppets, Songs, and Sacred Feasts

Celebrations of the Indo-Portuguese Nuns in the Eighteenth-Century Real Convento de Santa Mónica, Goa, India. A Bilingual Edition

Edited by Daniel Michon

Iter Press, 2025

The two eighteenth-century texts translated here offer a rare glimpse into the creative lives of cloistered nuns in Asia, providing a valuable example of early modern "other voices" in a colonial context. 

The Entrada de Bonifrate para Festa dos Reis, a shadow puppet play for the feast of the Kings, and the Cartepaço da Muzica, a songbook for the feast of St. John, showcase the imaginative minds of the nuns at the Indo-Portuguese Real Convento de Santa Mónica, Goa, India. Composed for private convent audiences, these texts blend Portuguese and Spanish baroque elements with local Goan traditions. The uncensored verses celebrate convent life, critique local social norms, and affirm the nuns’ community identity, exhibiting the Mónicas’ musical talents and literary sensibilities.
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cover of Shadow Traces: Seeing Japanese/American and Ainu Women in Photographic Archives

Shadow Traces

Seeing Japanese/American and Ainu Women in Photographic Archives

Elena Tajima Creef

University of Illinois Press, 2022

Images of Japanese and Japanese American women can teach us what it meant to be visible at specific moments in history. Elena Tajima Creef employs an Asian American feminist vantage point to examine ways of looking at indigenous Japanese Ainu women taking part in the 1904 Louisiana Purchase Exposition; Japanese immigrant picture brides of the early twentieth century; interned Nisei women in World War II camps; and Japanese war brides who immigrated to the United States in the 1950s. Creef illustrates how an against-the-grain viewing of these images and other archival materials offers textual traces that invite us to reconsider the visual history of these women and other distinct historical groups. As she shows, using an archival collection’s range as a lens and frame helps us discover new intersections between race, class, gender, history, and photography.

Innovative and engaging, Shadow Traces illuminates how photographs shape the history of marginalized people and outlines a method for using such materials in interdisciplinary research.

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cover of Shadow and Sound: The Historical Thought of a Sumatran People

Shadow and Sound

The Historical Thought of a Sumatran People

James Siegel

University of Chicago Press, 1979

Atjeh was a kingdom in northern Sumatra which had a long history of rebellion and unrest. As a Mulim Sultanate from the sixteenth to the nineteenth century, Atjeh engaged in internal political struggle. Since the nineteenth century, Atjeh has been under Dutch, Japanese, or Indonesian control - domination to which the Atjeh never passively yielded. In Shadow and Sound James Siegel arges that the Atjehnese view of history, as expressed in the language of their epic poetry, is based not on the fixing of historical fact, but on a flow of words that is actually immune to the past.

Siegel traces the Atjehnese treatment of history through two epics and a folktale. In his interpretation he goes beyond the idea tht texts such as these are semi-accurate historical documents to show tht tempo, rhythm, rhyme, and melody replace the significance of the content. Furthermore, he uncovers which Atjehnese frameworks - native genres ranging from dream interpretation to conventions of braggadocio
- illuminate their own sense of history.

Siegel first translates one of the important remaining epics on a historical topic, the Hikajat Potjoet Moehamat, and provides an analysis based on the narratve, prosodic structure and his observation of the recitation of epics. He then translates and analyzes two other pieces: a tale entitled Si Meuseukin's Wedding and another epic, the last popular one, Hikajat Prang Sabil. Finally he indicates how a similar treatment of history continues in present-day Atjeh. The analyses demonstrate that in the context of centuries of violence and disruption the Atjehnese have maintained an ability to speak of the past in such ways that it is turned into triumph, not by dwelling on heroic victories but by controlling language.

Siegel's way of looking at the relationship between history and literature will be valuable not only in anthropology but in literary history and comparative studies in literature and politics as well.
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cover of Shadow of Shiloh: Major General Lew Wallace in the Civil War

Shadow of Shiloh

Major General Lew Wallace in the Civil War

Gail Stephens

Indiana Historical Society Press, 2010

Thirty-two years after the battle of Shiloh, Lew Wallace returned to the battlefield, mapping the route of his April 1862 march. Ulysses S. Grant, Wallace's commander at Shiloh, expected Wallace and his Third Division to arrive early in the afternoon of April 6. Wallace and his men, however, did not arrive until nightfall, and in the aftermath of the bloodbath of Shiloh Grant attributed Wallace's late arrival to a failure to obey orders. By mapping the route of his march and proving how and where he had actually been that day, the sixty-seven-year-old Wallace hoped to remove the stigma of "Shiloh and its slanders." That did not happen. Shiloh still defines Wallace's military reputation, overshadowing the rest of his stellar military career and making it easy to forget that in April 1862 he was a rising military star, the youngest major general in the Union army. Wallace was devoted to the Union, but he was also pursuing glory, fame, and honor when he volunteered to serve in April 1861. In Shadow of Shiloh: Major General Lew Wallace in the Civil War, author Gail Stephens specifically addresses Wallace's military career and its place in the larger context of Civil War military history.
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cover of Shadow of the Hunter

Shadow of the Hunter

Richard K. Nelson

University of Chicago Press, 1983

Shadow of the Hunter is a collection of stories based upon Richard Nelson's experiences in an Eskimo village of the Tareogmiut, or "people of the sea." The stories follow a group of hunters and their families through the cycle of an arctic year. Each chapter takes the reader into a different realm of the Eskimo world—from the quiet moments of families in far-flung camps to the intensity and passion of the hunt; from the times of fear and danger to those of security, triumph, and celebration.
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cover of Shadow of the New Deal: The Victory of Public Broadcasting

Shadow of the New Deal

The Victory of Public Broadcasting

Josh Shepperd

University of Illinois Press, 2023

Despite uncertain beginnings, public broadcasting emerged as a noncommercial media industry that transformed American culture. Josh Shepperd looks at the people, institutions, and influences behind the media reform movement and clearinghouse the National Association of Educational Broadcasters (NAEB) in the drive to create what became the Public Broadcasting Service and National Public Radio.

Founded in 1934, the NAEB began as a disorganized collection of undersupported university broadcasters. Shepperd traces the setbacks, small victories, and trial and error experiments that took place as thousands of advocates built a media coalition premised on the belief that technology could ease social inequality through equal access to education and information. The bottom-up, decentralized network they created implemented a different economy of scale and a vision of a mass media divorced from commercial concerns. At the same time, they transformed advice, criticism, and methods adopted from other sectors into an infrastructure that supported public broadcasting in the 1960s and beyond.

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cover of Shadow of the Racketeer: Scandal in Organized Labor

Shadow of the Racketeer

Scandal in Organized Labor

David Witwer

University of Illinois Press, 2008

Shadow of the Racketeer: Scandal in Organized Labor tells the story of organized crime's move into labor racketeering in the 1930s, focusing on a union corruption scandal involving payments from the largest Hollywood movie studios to the Chicago mob to ensure a pliant labor supply for their industry. The book details the work of crusading journalist Westbrook Pegler, whose scorching investigative work dramatically exposed the mob connections of top labor leaders George Scalise and William Bioff and garnered Pegler a Pulitzer Prize for reporting.

From a behind-the-scenes perspective, David Witwer describes how Pegler and his publisher, the politically powerful Roy W. Howard, shaped the news coverage of this scandal in ways that obscured the corrupt ties between employers and the mob while emphasizing the perceived menace of union leaders empowered by New Deal legislation that had legitimized organized labor. Pegler, Howard, and the rest of the mainstream press pointedly ignored evidence of the active role that business leaders took in the corruption, which badly tarnished the newly reborn labor movement.

Because he was more concerned with pursuing political gains for the conservative movement, Pegler's investigative journalism did little to reform union governance or organized crime's influence on labor unions. The union corruption scandal only undercut the labor movement. Pegler's continuing campaign against labor corruption framed the issue in ways that set the stage for postwar political defeats, culminating with the 1947 Taft-Hartley Act, which greatly limited the power of labor unions in the United States.

Demonstrating clearly and convincingly how journalism is wielded as a political weapon, Witwer studies a broad range of forces at play in the labor union scandal and its impact, including the influence of the press, organized crime, political corruption, and businessmen following their own economic imperatives.

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cover of Shadowed Ground: America’s Landscapes of Violence and Tragedy

Shadowed Ground

America’s Landscapes of Violence and Tragedy

By Kenneth E. Foote

University of Texas Press, 2003

Winner, John Brinckerhoff Jackson Prize, Association of American Geographers, 1997

Shadowed Ground explores how and why Americans have memorialized—or not—the sites of tragic and violent events spanning three centuries of history and every region of the country. For this revised edition, Kenneth Foote has written a new concluding chapter that looks at the evolving responses to recent acts of violence and terror, including the destruction of the Branch Davidian compound at Waco, Texas, the Oklahoma City bombing, the Columbine High School massacre, and the terrorist attacks of 9/11.

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cover of Shadows Over Sunnyside: An Arkansas Plantation in Transition, 1830-1945

Shadows Over Sunnyside

An Arkansas Plantation in Transition, 1830-1945

Jeannie M. Whayne

University of Arkansas Press, 1993

This remarkable collection of essays addresses social, historical, cultural, and labor issues as they affect a Southern plantation. The heart of the book is an examination of a "great experiment" to import Italian laborers to Sunnyside Plantation. From the crucible of tensions that this experiment produced, the reader obtains a concrete understanding of the implications of U.S. immigration policy, of changing labor relations following Reconstruction, and of a minority culture's introduction into the Delta.
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cover of Shadows in the Valley: A Cultural History of Illness, Death, and Loss in New England, 1840-1916

Shadows in the Valley

A Cultural History of Illness, Death, and Loss in New England, 1840-1916

Alan Swedlund

University of Massachusetts Press, 2010

How does the experience of sickness, death, and loss change over time? We know that the incidence and virulence of particular diseases have varied from one period to another, as has their medical treatment. But what was it like for the individuals who suffered and died from those illnesses, for the health practitioners and institutions that attended to them, and for the families who buried and mourned them?

In Shadows in the Valley, Alan Swedlund addresses these questions by closely examining the history of mortality in several small communities in western Massachusetts from the mid-nineteenth to the early twentieth century—from just before the acceptance of the germ theory of disease through the early days of public health reform in the United States. This was a time when most Americans lived in rural areas or small towns rather than large cities. It was also a time when a wide range of healing practices was available to the American public, and when the modern form of Western medicine was striving for dominance and authority. As Swedlund shows, this juncture of competing practices and ideologies provides a rich opportunity for exploring the rise of modern medicine and its impact on the everyday lives of ordinary Americans.

To indicate how individuals in different stages of their lives were exposed to varying assaults on their health, the book is structured in a way that superimposes what the author calls “life-course time” onto chronological time. Thus the early chapters look at issues of infancy and childhood in the 1840s and 1850s and the last chapters at the problems of old age after 1900. The reader becomes familiar with specific individuals and families as they cope with the recurrent loss of children, struggle to understand the causes of new contagions, and seek to find meaning in untimely death. By using a broad time frame and a narrow geographical lens, Swedlund is able to engage with both the particularities and generalities of evolving medical knowledge and changing practice, and to highlight the differences in personal as well as collective responses to illness and loss.

[more]
cover of Shadows of Empire: Colonial Discourse and Javanese Tales

Shadows of Empire

Colonial Discourse and Javanese Tales

Laurie J. Sears

Duke University Press, 1996

Shadows of Empire explores Javanese shadow theater as a staging area for negotiations between colonial power and indigenous traditions. Charting the shifting boundaries between myth and history in Javanese Mahabharata and Ramayana tales, Laurie J. Sears reveals what happens when these stories move from village performances and palace manuscripts into colonial texts and nationalist journals and, most recently, comic books and novels. Historical, anthropological, and literary in its method and insight, this work offers a dramatic reassessment of both Javanese literary/theatrical production and Dutch scholarship on Southeast Asia.
Though Javanese shadow theater (wayang) has existed for hundreds of years, our knowledge of its history, performance practice, and role in Javanese society only begins with Dutch documentation and interpretation in the nineteenth century. Analyzing the Mahabharata and Ramayana tales in relation to court poetry, Islamic faith, Dutch scholarship, and nationalist journals, Sears shows how the shadow theater as we know it today must be understood as a hybrid of Javanese and Dutch ideas and interests, inseparable from a particular colonial moment. In doing so, she contributes to a re–envisioning of European histories that acknowledges the influence of Asian, African, and New World cultures on European thought—and to a rewriting of colonial and postcolonial Javanese histories that questions the boundaries and content of history and story, myth and allegory, colonialism and culture.
[more]
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Shadows of Treblinka

Miriam Kuperhand and Saul Kuperhand

University of Illinois Press, 1998

      Unique and compelling, this husband-and-wife memoir of the Holocaust
        will move and inform generations. As we lose eyewitnesses to this ultimate
        horror, the Kuperhands present us with an elegantly restrained, yet hard-hitting,
        Kaddish to Polish Jewry.
      Miriam was the daughter of a prosperous furrier; Saul was the son of
        a poor shoemaker. Miriam was sixteen when she and her brother roamed the
        wild countryside of Poland, searching for food and shelter--and for their
        parents. Saul was only a few years older when he watched the smoke rising
        from the crematoria and knew that his parents, sister, and eight brothers
        were gone forever. Miriam lived by hiding; Saul lived by escaping from
        the camp.
      The authors emphasize the essential role that Polish Christians played
        in their survival and stress that wit, courage, faith, luck, and even
        a strong will to live were worthless without their help.
      The travail of their survival is wrenching yet comforting, tragic yet
        upbeat, cinematic yet intimate. Shadows of Treblinka will haunt
        and inspire its readers.
 
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Shadows on the Klamath

A Woman in the Woods

Louise Wagenknecht

Oregon State University Press, 2021

In 1973, Louise Wagenknecht was just another college graduate, but unlike many, she wanted to go home, back to the Klamath Mountains where she was raised. When a job offer from the Klamath National Forest gave her that chance, she jumped at it. She landed in the logging town of Happy Camp, where she’d spent part of her childhood, as chronicled in her previous memoirs, White Poplar, Black Locust and Light on the Devils.

With Shadows on the Klamath, Louise Wagenknecht completes her trilogy about life in remote northwestern California. In this new work, she recounts her years in the Forest Service, starting as a clerical worker on the Klamath National Forest before moving to a field position where she did everything from planting trees to fighting fires.  

Her story is about a Forest Service in transition, as forest management practices began to shift. Not least among these changes was the presence of women in the ranks—a change that many in the Forest Service resisted. Wagenknecht blends the personal and professional to describe land management in the West and the people who do it—their friendships, rivalries, and rural communities.

Anyone with an interest in the Klamath-Siskiyou region, or the history of women in natural resource agencies, or the many issues associated with industrial forestry, should read this book for its valuable firsthand perspective. General readers interested in the rural West and personal memoir will also be richly rewarded.

 
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cover of Shadows on the Past: Studies in the Historical Fiction Film

Shadows on the Past

Studies in the Historical Fiction Film

Leger Grindon

Temple University Press, 1994

Studying popular Hollywood films from Gone With the Wind to Reds and such distinguished European films as La Marseillaise and The Rise to Power of Louis XIV, Leger Grindon examines how historical fiction films interpret the present through a representation of the past.

The historical fiction film is characterized by a set of motives and, Grindon argues, deserves to be considered a genre unto itself. Appropriation of historical events can insinuate a film's authority of its subject, veil an intention, provide an escape into nostalgia, or direct a search for knowledge and origins. Utilizing the past as a way of responding to social conflicts in the present, Grindon shows how the genre promotes a political agenda, superseding the influence of scholarship on the public's perception and interpretation of history.

In the series Culture and the Moving Image, edited by Robert Sklar.

 

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cover of Shaker Fever: America's Twentieth-Century Fascination with a Communitarian Sect

Shaker Fever

America's Twentieth-Century Fascination with a Communitarian Sect

William D. Moore

University of Massachusetts Press, 2020

Americans were enthralled by the Shakers in the years between 1925 and 1965. They bought Shaker furniture, saw Shaker worship services enacted on Broadway, sang Shaker songs, dressed in Shaker-inspired garb, collected Shaker artifacts, and restored Shaker villages. William D. Moore analyzes the activities of scholars, composers, collectors, folklorists, photographers, writers, choreographers, and museum staff who drove the national interest in this dwindling regional religious group.

This interdisciplinary study places the activities of individuals—including Doris Humphrey, Charles Sheeler, Laura Bragg, Juliana Force, and Edward Deming Andrews—within the larger cultural and historical contexts of nationalism, modernism, and cultural resource management. Taking up previously unexamined primary sources and cultural productions that include the first scholarly studies of the faith, material culture and visual arts, stage performances, and museum exhibitions, Shaker Fever compels a reconsideration of this religious group and its place within American memory. It is sure to delight enthusiasts, public historians, museum professionals, furniture collectors, and anyone interested in the dynamics of cultural appropriation and stewardship.
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Shaker Vision

Seeing Beauty in Early America

Joseph Manca

University of Massachusetts Press, 2019

The Shakers are known for self-denial and austerity in everyday living and their material world, as embodied by the heavenly simplicity and purity of their chairs and blanket chests. Yet the believers also enjoyed a diversity of visual pleasures, from flowers, sunsets, rainbows, and the northern lights as seen at home to waterfalls, ocean waves, and dramatic cliffs viewed while traveling across America.

In Shaker Vision, Joseph Manca explores original texts, especially diaries and travel journals, and material culture to demonstrate that Shakers enjoyed a remarkably deep experience of the visual world. Shakers shared tastes with mainstream Americans and often employed a similar aesthetic vocabulary, but all within a belief system that made them distinct. In addition to their well-known ascetic architecture, furniture, and handicraft styles, they expressed themselves through ornate and detailed spiritual art and in vivid, visionary experiences. Based on firsthand accounts of the believers themselves, this richly illustrated volume will dramatically change how we assess the visual world of this uniquely American religious sect.
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Shakers at the Center

Manifesting Spirits & Spectacles in Nineteenth-Century America

Edited by Douglas L. Winiarski

University of Massachusetts Press, 2026

Exploring the theological, social, and cultural dimensions of one of America’s most ambitious prophetic movements 

The Shakers’ Era of Manifestations ranks among the most astounding events in American religious history. During the 1840s, members of the United Society of Believers in Christ’s Second Appearing embarked on an audacious project of receiving visions, revelations, and other manifestations from the spirit world and convincing both themselves and the world’s people of their reality. Gifted Shakers known as “instruments” surrendered their bodies to possessing spirits and celestial beings who, in turn, provided the Believers with an unimaginable number of revelatory communications that collapsed time and space, rewrote the Bible, and vastly expanded traditional Protestant beliefs and practices. The fruits of Shaker spiritualism would gain a permanent place in America’s public consciousness. 

Hundreds of volumes and thousands of pages of inspired writings, music, and art from the New Era or period of Mother's Work, as the Shakers called it, crowd the shelves of a half dozen major research libraries. The archive is so vast, so extraordinary, so seemingly bizarre that few scholars have dared tackle it in its totality. The authors of this volume, specialists in nineteenth-century American religious studies, have collaborated to produce an extensive analysis of Mother Ann’s Work. They examine a fascinating range of topics: speaking with the dead; the spectacle of Shaker rituals; race, gender, and family life; and the material culture of physical and spiritual things; as well as manuscripts, books, songs, objects, and art produced during the New Era. 

Shakers at the Center brings the sprawling elements of the Era of Manifestations together in a single volume. Written for students, scholars, and general readers alike, it will stand for years as the definitive history of the Shakers’ most fascinating and vexing historical period. 

Contributors include the volume editor as well as Emily Suzanne Clark, Brett Malcolm Grainger, Sonia Hazard, Dana Logan, Carol Medlicott, Sally M. Promey, Erik R. Seeman, Ryan K. Smith, and David Walker. 

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Shakespeare Dwelling

Designs for the Theater of Life

Julia Reinhard Lupton

University of Chicago Press, 2018

Great halls and hovels, dove-houses and sheepcotes, mountain cells and seaside shelters—these are some of the spaces in which Shakespearean characters gather to dwell, and to test their connections with one another and their worlds. Julia Reinhard Lupton enters Shakespeare’s dwelling places in search of insights into the most fundamental human problems.
 
Focusing on five works (Romeo and Juliet, Macbeth, Pericles, Cymbeline, and The Winter’s Tale), Lupton remakes the concept of dwelling by drawing on a variety of sources, including modern design theory, Renaissance treatises on husbandry and housekeeping, and the philosophies of Hannah Arendt and Martin Heidegger. The resulting synthesis not only offers a new entry point into the contemporary study of environments; it also shows how Shakespeare’s works help us continue to make sense of our primal creaturely need for shelter.
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Shakespeare Valued

Education Policy and Pedagogy 1989-2009

Sarah Olive

Intellect Books, 2015

Taking a comprehensive critical and theoretical approach to the role of Shakespeare in educational policy and pedagogy from 1989—the year compulsory Shakespeare was introduced under the National Curriculum for English in the United Kingdom—to the present, Shakespeare Valued explores the esteem afforded Shakespeare in the British educational system and its evolution throughout the twentieth and twenty-first centuries. Sarah Olive offers an unparalleled analysis of the ways in which Shakespeare is valued in a range of educational domains in England, and the resulting book will be essential reading for students and teachers of English and Shakespeare.
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Shakespeare and Baseball

Reflections of a Shakespeare Professor and Detroit Tigers Fan

Samuel Crowl

Ohio University Press, 2024

Shakespeare and baseball are monuments of high and popular culture: Shakespeare is the most widely read and staged playwright in the world, and baseball is America’s game. Professor Samuel Crowl, a prize-winning teacher and international scholar of Shakespeare on film, explores his life as a champion of the Bard and a fan of the Detroit Tigers. He saw his first Tigers game in the summer of 1950 (Hal Newhouser beat the Chicago White Sox) and his first Shakespeare play in 1953 (Alec Guinness as Richard III at Ontario’s Stratford Festival) and has spent almost seventy-five years enjoying and writing about the pleasures of play that each provides. Shakespeare and Baseball is an unusual hybrid combining Crowl’s education as a Shakespeare and baseball fan, the resonances he perceives between the playwright and the game, the unexpected pleasures both forms of play have afforded his extended family of children and grandchildren, and a selection from the seventy letters he has written to them about Tigers games he has seen, from old Tiger Stadium, Fenway Park, Yankee Stadium, and ballparks in Cleveland. Crowl finds unexpected connections between his twin subjects, including beer, which funded and fueled both the establishment of Major League baseball clubs, like the Yankees and Cardinals, and the creation of the Shakespeare Memorial Theatre in Stratford-upon-Avon, the home of the Royal Shakespeare Company, visited by Shakespeare enthusiasts from around the world. A deeper linkage is that Shakespeare’s festive comedies kept the ideas, rituals, and customs of rural England alive in the dense urban world of Elizabethan London, just as baseball kept the image of the garden—the rural American past in which the game took shape­—alive in the twentieth-century American city. The book is written in a style that captures what one reader has called Crowl’s “warm, rich midwestern voice” and will be of interest to fans of the game and of the Bard, from high schoolers on up.
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Shakespeare and the Problem of Meaning

Norman Rabkin

University of Chicago Press, 1981

"Rabkin selects The Merchant of Venice, Henry V, Antony and Cleopatra, Julius Caesar, Richard III, Macbeth, Coriolanus, The Winter's Tale, and The Tempest as the plays on which to build his argument, and he teaches us a great deal about these plays. . . . To convince the unbelievingthat that the plays do mean, but that the meaning is coterminous with the experience of the plays themselves, Rabkin finds a strategy more subtle than thesis and rational argument, a strategy designed to make us see for ourselves why thematic descriptions are inadequate, see for ourselves tath the plays mean more than and statement about them can ever suggest." –Barbara A. Mowat, Auburn University

"Norman Rabkin's new book is a very different kind of good book. Elegantly spare, sharp, undogmatic. . . . The relationship between the perception of unity and the perception of artistic achievement is a basic conundrum, and it is one that Mr. Rabkin has courageously placed at the center of his discussion." –G. K. Hunter, Sewanee Review

"Rabkin's book is brilliant, taut, concise, beautifully argued, and sensitively responsive to the individuality of particular Shakespeare plays." –Anne Barton, New York Review of Books
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Shakespeare and the Senses

Holly E. Dugan

Arizona Center for Medieval and Renaissance Studies, 2024

A study of how audiences of Shakespeare’s time understood the sensual world of his plays.

Could something as seemingly natural as a smell, taste, sight, or sound be socially constructed and change over time? Shakespeare and the Senses argues that understanding the original conditions in which Shakespeare’s plays were performed allows us to explore the senses as both visceral, bodily experiences and constructed, social phenomena. As Ben Jonson famously wrote in the First Folio of 1623, Shakespeare can seem to be “not of an age, but for all time.” While this is clever marketing, Shakespeare did write his plays in a particular time and place far removed from our own. Many of his most powerful metaphors rely on sensory details—Aaron’s black hue; Cleopatra’s strange, invisible perfumes; Fluellen’s Welsh accent; Lady Macbeth’s overly scrubbed hands; Malvolio’s yellow stockings—which Elizabethan-era audiences may have understood very differently from us. 

Shakespeare and the Senses draws on interdisciplinary research methods in the new field of sensory studies to expand our understanding of what Shakespeare meant to his first audiences.
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Shakespeare from the Margins

Language, Culture, Context

Patricia Parker

University of Chicago Press, 1996

In the interpretation of Shakespeare, wordplay has often been considered inconsequential, frequently reduced to a decorative "quibble." But in Shakespeare from the Margins: Language, Culture, Context, Patricia Parker, one of the most original interpreters of Shakespeare, argues that attention to Shakespearean wordplay reveals unexpected linkages, not only within and between plays but also between the plays and their contemporary culture.

Combining feminist and historical approaches with attention to the "matter" of language as well as of race and gender, Parker's brilliant "edification from the margins" illuminates much that has been overlooked, both in Shakespeare and in early modern culture. This book, a reexamination of popular and less familiar texts, will be indispensable to all students of Shakespeare and the early modern period.
[more]
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Shakespeare in Theory

The Postmodern Academy and the Early Modern Theater

Stephen Bretzius

University of Michigan Press, 1997

Shakespeare in Theory: The Postmodern Academy and the Early Modern Theater offers a provocative, highly original premise: that present-day literary criticism and theory have been shaped by the same institutional forces that shaped the theater of Shakespeare's day. Stephen Bretzius argues that Shakespeare's poetry and drama have been central to the development of postwar literary and cultural criticism, not just because his works validate these various critical approaches, but because the approaches variously replay his works, from the theater of the Renaissance to the contemporary American university. Where early modern theater once usurped the university, the postmodern university now refashions the theater, recasting in a theoretical register the same disappearing subjects, ideological contradictions, and imperialist illusions that it uncovers in Shakespeare.Individual chapters provide provocative interpretations of various postwar critical schools and Shakespearean dramas, including the New Historicism and Hamlet, feminism and The Taming of the Shrew, pragmatism and Henry V. Other approaches, including psychoanalysis, multiculturalism, feminism, deconstruction, and nuclear criticism are brought to bear on Love's Labor Lost, Julius Caesar, and Othello. A final chapter on Shakespeare and the Beatles provides a lively conclusion to an imaginative and thought-provoking volume.  "A wonderful book, both witty and incisive in its analysis of cold war literary theory. Bretzius proves the astounding thesis that Shakespearean plot provides the archetypes of theoretical desire for the postwar academy. Paul de Man, Jacques Derrida, Stephen Greenblatt, René Girard, Joel Fineman, pragmatists and feminists alike, appear among the cast of characters in the postmodern play-within-a-play called the 'University.' Bretzius's strong readings of Shakespeare and literary theory will instruct Renaissance and theory scholars alike and amuse a wide audience of readers." -- Tobin Siebers, University of Michigan
[more]
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Shakespeare on the American Yiddish Stage

Joel Berkowitz

University of Iowa Press, 2002

The professional Yiddish theatre started in 1876 in Eastern Europe; with the assassination of Tsar Alexander II in 1881, masses of Eastern European Jews began moving westward, and New York—Manhattan’s Bowery and Second Avenue—soon became the world’s center of Yiddish theatre. At first the Yiddish repertoire revolved around comedies, operettas, and melodramas, but by the early 1890s America's Yiddish actors were wild about Shakespeare. In Shakespeare on the American Yiddish Stage, Joel Berkowitz knowledgeably and intelligently constructs the history of this unique theatrical culture.

The Jewish King Lear of 1892 was a sensation. The year 1893 saw the beginning of a bevy of Yiddish versions of Hamlet; that year also saw the first Yiddish production of Othello. Romeo and Juliet inspired a wide variety of treatments. The Merchant of Venice was the first Shakespeare play published in Yiddish, and Jacob Adler received rave reviews as Shylock on Broadway in both 1903 and 1905. Berkowitz focuses on these five plays in his five chapters. His introduction provides an orientation to the Yiddish theatre district in New York as well as the larger picture of Shakespearean production and the American theatre scene, and his conclusion summarizes the significance of Shakespeare’s plays in Yiddish culture.
[more]
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Shakespeare the Actor and the Purposes of Playing

Meredith Anne Skura

University of Chicago Press, 1993

For the Renaissance, all the world may have been a stage and all its people players, but Shakespeare was also an actor on the literal stage. Meredith Anne Skura asks what it meant to be an actor in Shakespeare's England and shows why a knowledge of actual theatrical practices is essential for understanding both Shakespeare's plays and the theatricality of everyday life in early modern England.

Despite the obvious differences between our theater and Shakespeare's, sixteenth-century testimony suggests that the experience of acting has not changed much over the centuries. Beginning with a psychoanalytically informed account of acting today, Skura shows how this intense and ambivalent experience appears not only in literal references to acting in Shakespearean drama but also in recurring narrative concerns, details of language, and dramatic strategies used to engage the audience. Looking at the plays in the context of both public and private worlds outside the theater, Skura rereads the canon to identify new configurations in the plays and new ways of understanding theatrical self-consciousness in Renaissance England. Rich in theatrical, psychoanalytic, biographical, and historical insight, this book will be invaluable to students of Shakespeare and instructive to all readers interested in the dynamics of performance.
[more]
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Shakespeare's Dramatic Transactions

Michael Mooney

Duke University Press, 1990

Shakespeare’s Dramatic Transactions uses conventions of performance criticism—staging and theatrical presentation—to analyze seven major Shakespearean tragedies: Hamlet, Othello, King Lear, Macbeth, Antony and Cleopatra, Richard II, and Richard III. As scholars and readers increasingly question the theoretical models used to describe the concepts of “mimesis” and “representation,” this book describes how the actor’s stage presentation affects the actor’s representational role and the ways in which viewers experience Shakespearean tragedy.
Michael Mooney draws on the work of East German critic Robert Weimann and his concept of figurenposition—the correlation between an actor’s stage location and the speech, action, and stylization associated with that position—to understand the actor/stage location relationship in Shakespeare’s plays. In his examination of the original staging of Shakespeare’s tragedies, Mooney looks at the traditional interplay between a downstage “place” and upstage “location” to describe the difference between non-illusionistic action (often staged near the audience) and the illusionistic, localized action that characterizes mimetic art.
The innovative and insightful approach of Shakespeare’s Dramatic Transactions brings together the techniques of performance criticism and the traditional literary study of Shakespearean tragedy. In showing how the distinctions of stage location illuminate the interaction among language, representation, Mooney’s compelling argument enhances our understanding of Shakespeare and the theater.
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Shakespeare's Lyric Stage

Myth, Music, and Poetry in the Last Plays

Seth Lerer

University of Chicago Press, 2018

What does it mean to have an emotional response to poetry and music? And, just as important but considered less often, what does it mean not to have such a response? What happens when lyric utterances—which should invite consolation, revelation, and connection—somehow fall short of the listener’s expectations?

As Seth Lerer shows in this pioneering book, Shakespeare’s late plays invite us to contemplate that very question, offering up lyric as a displaced and sometimes desperate antidote to situations of duress or powerlessness. Lerer argues that the theme of lyric misalignment running throughout The Tempest, The Winter’s Tale, Henry VIII, and Cymbeline serves a political purpose, a last-ditch effort at transformation for characters and audiences who had lived through witch-hunting, plague, regime change, political conspiracies, and public executions.

A deep dive into the relationship between aesthetics and politics, this book also explores what Shakespearean lyric is able to recuperate for these “victims of history” by virtue of its disjointed utterances. To this end, Lerer establishes the concept of mythic lyricism: an estranging use of songs and poetry that functions to recreate the past as present, to empower the mythic dead, and to restore a bit of magic to the commonplaces and commodities of Jacobean England. Reading against the devotion to form and prosody common in Shakespeare scholarship, Lerer’s account of lyric utterance’s vexed role in his late works offers new ways to understand generational distance and cultural change throughout the playwright’s oeuvre.
 
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Shakespeare's Noise

Kenneth Gross

University of Chicago Press, 2001

"You common cry of curs! whose breath I hate / As reek o'th'rotten fens, whose loves I prize / As the dead carcasses of unburied men / That do corrupt my air: I banish you!" (from Coriolanus)

Kenneth Gross explores Shakespeare's deep fascination with dangerous and disorderly forms of speaking—especially rumor, slander, insult, vituperation, and curse—and through them offers a vision of the work of words in his plays. Coriolanus's taunts or Lear's curses force us to think not just about how Shakespeare's characters speak, but also about how they hear, overhear, and mishear what is spoken, how rumor becomes tragic knowledge for Hamlet, or opens Othello to fantastic jealousies. Gross also shows how Shakespeare's preoccupation with "noisy" speech echoed and transformed a broader cultural obsession with the perils of rumor, slander, and libel in Renaissance England.

Elegantly written and passionately argued, Shakespeare's Noise will challenge and delight anyone who loves his plays, from scholars to general readers, actors, and directors.
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Shakespeare's Politics

Allan Bloom

University of Chicago Press, 1981

Taking the classical view that the political shapes man's consciousness, Allan Bloom considers Shakespeare as a profoundly political Renaissance dramatist. He aims to recover Shakespeare's ideas and beliefs and to make his work once again a recognized source for the serious study of moral and political problems.

In essays looking at Julius Caesar, Othello, and The Merchant of Venice, Bloom shows how Shakespeare presents a picture of man that does not assume privileged access for only literary criticism. With this claim, he argues that political philosophy offers a comprehensive framework within which the problems of the Shakespearean heroes can be viewed. In short, he argues that Shakespeare was an eminently political author. Also included is an essay by Harry V. Jaffa on the limits of politics in King Lear.

"A very good book indeed . . . one which can be recommended to all who are interested in Shakespeare." —G. P. V. Akrigg

"This series of essays reminded me of the scope and depth of Shakespeare's original vision. One is left with the impression that Shakespeare really had figured out the answers to some important questions many of us no longer even know to ask."-Peter A. Thiel, CEO, PayPal, Wall Street Journal

Allan Bloom was the John U. Nef Distinguished Service Professor on the Committee on Social Thought and the co-director of the John M. Olin Center for Inquiry into the Theory and Practice of Democracy at the University of Chicago. Harry V. Jaffa is professor emeritus at Claremont McKenna College and Claremont Graduate School.
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cover of Shakespeare's Roman Trilogy: The Twilight of the Ancient World

Shakespeare's Roman Trilogy

The Twilight of the Ancient World

Paul A. Cantor

University of Chicago Press, 2017

Paul A. Cantor first probed Shakespeare’s Roman plays—Coriolanus, Julius Caeser, and Antony and Cleopatra—in his landmark Shakespeare’s Rome (1976). With Shakespeare’s Roman Trilogy, he now argues that these plays form an integrated trilogy that portrays the tragedy not simply of their protagonists but of an entire political community.

Cantor analyzes the way Shakespeare chronicles the rise and fall of the Roman Republic and the emergence of the Roman Empire. The transformation of the ancient city into a cosmopolitan empire marks the end of the era of civic virtue in antiquity, but it also opens up new spiritual possibilities that Shakespeare correlates with the rise of Christianity and thus the first stirrings of the medieval and the modern worlds.
More broadly, Cantor places Shakespeare’s plays in a long tradition of philosophical speculation about Rome, with special emphasis on Machiavelli and Nietzsche, two thinkers who provide important clues on how to read Shakespeare’s works. In a pathbreaking chapter, he undertakes the first systematic comparison of Shakespeare and Nietzsche on Rome, exploring their central point of contention: Did Christianity corrupt the Roman Empire or was the corruption of the Empire the precondition of the rise of Christianity? Bringing Shakespeare into dialogue with other major thinkers about Rome, Shakespeare’s Roman Trilogy reveals the true profundity of the Roman Plays.
 
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cover of Shakespeare's Tribe: Church, Nation, and Theater in Renaissance England

Shakespeare's Tribe

Church, Nation, and Theater in Renaissance England

Jeffrey Knapp

University of Chicago Press, 2004

Most contemporary critics characterize Shakespeare and his tribe of fellow playwrights and players as resolutely secular, interested in religion only as a matter of politics or as a rival source of popular entertainment. Yet as Jeffrey Knapp demonstrates in this radical new reading, a surprising number of writers throughout the English Renaissance, including Shakespeare himself, represented plays as supporting the cause of true religion.

To be sure, Renaissance playwrights rarely sermonized in their plays, which seemed preoccupied with sex, violence, and crime. During a time when acting was regarded as a kind of vice, many theater professionals used their apparent godlessness to advantage, claiming that it enabled them to save wayward souls the church could not otherwise reach. The stage, they argued, made possible an ecumenical ministry, which would help transform Reformation England into a more inclusive Christian society.

Drawing on a variety of little-known as well as celebrated plays, along with a host of other documents from the English Renaissance, Shakespeare's Tribe changes the way we think about Shakespeare and the culture that produced him.

Winner of the Best Book in Literature and Language from the Association of American Publishers' Professional/Scholarly division, the Conference on Christianity and Literature Book Award, and the Roland H. Bainton Prize for Literature from the Sixteenth Century Society and Conference.
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Shakespeare, Brecht, and the Intercultural Sign

Antony Tatlow

Duke University Press, 2001

In Shakespeare, Brecht, and the Intercultural Sign renowned Brecht scholar Antony Tatlow uses drama to investigate cultural crossings and to show how intercultural readings or performances question the settled assumptions we bring to interpretations of familiar texts. Through a “textual anthropology” Tatlow examines the interplay between interpretations of Shakespeare and readings of Brecht, whose work he rereads in the light of theories of the social subject from Nietzsche to Derrida and in relation to East Asian culture, as well as practices within Chinese and Japanese theater that shape their versions of Shakespearean drama.

Reflecting on how, why, and to what effect knowledges and styles of performance pollinate across cultures, Tatlow demonstrates that the employment of one culture’s material in the context of another defamiliarizes the conventions of representation in an act that facilitates access to what previously had been culturally repressed. By reading the intercultural, Tatlow shows, we are able not only to historicize the effects of those repressions that create a social unconscious but also gain access to what might otherwise have remained invisible.

This remarkable study will interest students of cultural interaction and aesthetics, as well as readers interested in theater, Shakespeare, Brecht, China, and Japan.

 

 

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