28167 books match the query 'History' and 1838 start with s
Christopher Chitty
Duke University Press, 2020
Allison Glazebrook
University of Texas Press, 2021
Oratory is a valuable source for reconstructing the practices, legalities, and attitudes surrounding sexual labor in classical Athens. It provides evidence of male and female sex laborers, sex slaves, brothels, sex traffickers, the cost of sex, contracts for sexual labor, and manumission practices for sex slaves. Yet the witty, wealthy, and independent hetaira, well-known from other genres, does not feature. Its detailed narratives and character portrayals provide a unique discourse on sexual labor and reveal the complex relationship between such labor and Athenian society.
Through a holistic examination of five key speeches, Sexual Labor in the Athenian Courts considers how portrayals of sex laborers intersected with gender, the body, sexuality, the family, urban spaces, and the polis in the context of the Athenian courts. Drawing on gender theory and exploring questions of space, place, and mobility, Allison Glazebrook shows how sex laborers represented a diverse set of anxieties concerning social legitimacy and how the public discourse about them is in fact a discourse on Athenian society, values, and institutions.
John D'Emilio
University of Chicago Press, 1998
Carolyn Ross Johnston
University of Alabama Press, 1992
Jyoti Puri
Duke University Press, 2016
Edited by Sonja M. Hedgepeth and Rochelle G. Saidel
Brandeis University Press, 2010

Joohee Kim
Central European University Press, 2027
Ludmilla Jordanova
University of Wisconsin Press, 1993
Elisa-Maria Hiemer
Central European University Press, 2026
Graham Hammill
University of Chicago Press, 2000
Laura Mamo
University of Chicago Press, 2023
William C. Van Norman
Vanderbilt University Press, 2013
In this broad, interdisciplinary study, William Van Norman describes how each type of plantation and the amount of manual labor it required directly influenced the nature of slave life in that community. Slaves on coffee plantations lived in a unique context in comparison to that of their fellow slaves on sugar plantations, one that gave them greater flexibility in cultural and artistic creativity. To gain a deeper understanding of plantation slavery in Cuba, Van Norman explores what life and labor was like for coffee slaves and how it was different from what sugar slaves experienced. Shade-Grown Slavery reconstructs their world and in turn deconstructs the picture we now have of Cuba in the late eighteenth and early nineteenth centuries.
Ultimately, Shade-Grown Slavery reveals the lives of enslaved Africans on Cuban coffee plantations and shows how they were able to maintain and transform their cultural traditions in spite of slavery.
David A. Bailey, Ian Baucom, and Sonia Boyce, eds.
Duke University Press, 2005
In thirteen original essays, the contributors examine the movement in relation to artistic practice, public funding, and the transnational art market and consider its legacy for today’s artists and activists. The volume includes a unique catalog of images, an extensive list of suggested readings, and a descriptive timeline situating the movement vis-à-vis relevant artworks and films, exhibitions, cultural criticism, and political events from 1960 to 2000. A dynamic living archive of conversations, texts, and images, Shades of Black will be an essential resource.
Contributors. Stanley Abe, Jawad Al-Nawab, Rasheed Araeen, David A. Bailey, Adelaide Bannerman, Ian Baucom, Dawoud Bey, Sonia Boyce, Allan deSouza, Jean Fisher, Stuart Hall, Lubaina Himid, Naseem Khan, susan pui san lok, Kobena Mercer, Yong Soon Min, Keith Piper, Zineb Sedira, Gilane Tawadros, Leon Wainwright, Judith Wilson
Herman Hattaway
University of Missouri Press, 1997
An introductory military history of the American Civil War, Shades of Blue and Gray places the 1861-1865 conflict within the broad context of evolving warfare. Emphasizing technology and its significant impact, Hattaway includes valuable material on land and sea mines, minesweepers, hand grenades, automatic weapons, the Confederate submarine, and balloons. The evolution of professionalism in the American military serves as an important connective theme throughout. Hattaway extrapolates from recent works by revisionists William Skelton and Roy Roberts to illustrate convincingly that the development of military professionalism is not entirely a post-Civil War phenomenon.
The author also incorporates into his work important new findings of recent scholars such as Albert Castel (on the Atlanta Campaign), Reid Mitchell (on soldiers' motivation), Mark Grimsley (on "hard war"), Brooks D. Simpson (on Ulysses S. Grant), and Lauren Cook Burgess (on women who served as soldiers, disguised as men). In addition, Hattaway comments on some of the best fiction and nonfiction available in his recommended reading lists, which will both enlighten and motivate readers.
Informative and clearly written, enhanced by graceful prose and colorful anecdotes, Shades of Blue and Gray will appeal to all general readers.
Mark T. Mulder
Rutgers University Press, 2015
William Schaefer
Duke University Press, 2017
Daniel DeFraia
University of Missouri Press, 2027
Historians of journalism and mass media have tended to focus on journalism and news – its people and content – while neglecting the field’s broader and interconnected roles in United States history. Shadow Press: The Myth and Making of Independent Journalism explores how the extreme edges of reporting challenged and reshaped American journalism for over a century, from 1890 to 1980.
What a reporter is and does, and does not do, and the integrity of that idea, has always been an unsettled question, interrogated on the borders between journalism and the state. There, from battlefields in Cuba, revolution in Mexico, presidential politics in Washington, D.C., and world wars in Europe, reporters – formally and informally, officially and unofficially, openly and secretly – served the state. This book explains how and why reporters, amidst the allure of patriotism, prestige, and power, came to work for the state, and then stopped, culminating with the historically aberrant ascent of modern independent journalism.
To reclaim that history, Shadow Press spotlights famous, infamous, or previously unknown reporters whose careers reflected the usually submerged question of press-state collaboration and revealed wider changes within journalism. Part I documents how reporters traveled multiple routes into the state, including U.S. empire (the War of 1898), the Mexican Revolution, the presidencies of Theodore Roosevelt and Woodrow Wilson, the domestic reform efforts of First Lady Eleanor Roosevelt, and World War II. Part II documents how, during the Cold War, reporters, embedded within the state, separated to redefine journalism, and lobbied to establish in 1980 the uneasy policies of today that narrowly permit the CIA and FBI to impersonate reporters.
Shadow Press provides accessible plots and character-driven narrative arcs for general readers interested in American history. Moreover, journalism critics will take an interest in how the history provided in Shadow Press informs the debate over how best to do journalism today. During the last two decades, a historical caricature of news objectivity has emerged, a rigid model of amoral methodology and unacknowledged personal subjectivity that still lingers. That caricature has concealed the political activism of the self-declared objective press. Today’s “objectivity war” in journalism is a memory war. As a result, the debate about how best to cover the Republication Party, Donald Trump, and far right movements is based on a broad misunderstanding of how journalism functioned in US democracy. Combining expansive and rigorous archival investigation with the dramatic requirements of a good story, Shadow Press provides a new line of scholarly inquiry to expand the scope of journalism within US political history.
Edited by Daniel Michon
Iter Press, 2025
Elena Tajima Creef
University of Illinois Press, 2022
Innovative and engaging, Shadow Traces illuminates how photographs shape the history of marginalized people and outlines a method for using such materials in interdisciplinary research.

James Siegel
University of Chicago Press, 1979
Gail Stephens
Indiana Historical Society Press, 2010

Richard K. Nelson
University of Chicago Press, 1983
Josh Shepperd
University of Illinois Press, 2023
Despite uncertain beginnings, public broadcasting emerged as a noncommercial media industry that transformed American culture. Josh Shepperd looks at the people, institutions, and influences behind the media reform movement and clearinghouse the National Association of Educational Broadcasters (NAEB) in the drive to create what became the Public Broadcasting Service and National Public Radio.
Founded in 1934, the NAEB began as a disorganized collection of undersupported university broadcasters. Shepperd traces the setbacks, small victories, and trial and error experiments that took place as thousands of advocates built a media coalition premised on the belief that technology could ease social inequality through equal access to education and information. The bottom-up, decentralized network they created implemented a different economy of scale and a vision of a mass media divorced from commercial concerns. At the same time, they transformed advice, criticism, and methods adopted from other sectors into an infrastructure that supported public broadcasting in the 1960s and beyond.
David Witwer
University of Illinois Press, 2008
From a behind-the-scenes perspective, David Witwer describes how Pegler and his publisher, the politically powerful Roy W. Howard, shaped the news coverage of this scandal in ways that obscured the corrupt ties between employers and the mob while emphasizing the perceived menace of union leaders empowered by New Deal legislation that had legitimized organized labor. Pegler, Howard, and the rest of the mainstream press pointedly ignored evidence of the active role that business leaders took in the corruption, which badly tarnished the newly reborn labor movement.
Because he was more concerned with pursuing political gains for the conservative movement, Pegler's investigative journalism did little to reform union governance or organized crime's influence on labor unions. The union corruption scandal only undercut the labor movement. Pegler's continuing campaign against labor corruption framed the issue in ways that set the stage for postwar political defeats, culminating with the 1947 Taft-Hartley Act, which greatly limited the power of labor unions in the United States.
Demonstrating clearly and convincingly how journalism is wielded as a political weapon, Witwer studies a broad range of forces at play in the labor union scandal and its impact, including the influence of the press, organized crime, political corruption, and businessmen following their own economic imperatives.
By Kenneth E. Foote
University of Texas Press, 2003
Winner, John Brinckerhoff Jackson Prize, Association of American Geographers, 1997
Shadowed Ground explores how and why Americans have memorialized—or not—the sites of tragic and violent events spanning three centuries of history and every region of the country. For this revised edition, Kenneth Foote has written a new concluding chapter that looks at the evolving responses to recent acts of violence and terror, including the destruction of the Branch Davidian compound at Waco, Texas, the Oklahoma City bombing, the Columbine High School massacre, and the terrorist attacks of 9/11.
Jeannie M. Whayne
University of Arkansas Press, 1993
Alan Swedlund
University of Massachusetts Press, 2010
How does the experience of sickness, death, and loss change over time? We know that the incidence and virulence of particular diseases have varied from one period to another, as has their medical treatment. But what was it like for the individuals who suffered and died from those illnesses, for the health practitioners and institutions that attended to them, and for the families who buried and mourned them?
In Shadows in the Valley, Alan Swedlund addresses these questions by closely examining the history of mortality in several small communities in western Massachusetts from the mid-nineteenth to the early twentieth century—from just before the acceptance of the germ theory of disease through the early days of public health reform in the United States. This was a time when most Americans lived in rural areas or small towns rather than large cities. It was also a time when a wide range of healing practices was available to the American public, and when the modern form of Western medicine was striving for dominance and authority. As Swedlund shows, this juncture of competing practices and ideologies provides a rich opportunity for exploring the rise of modern medicine and its impact on the everyday lives of ordinary Americans.
To indicate how individuals in different stages of their lives were exposed to varying assaults on their health, the book is structured in a way that superimposes what the author calls “life-course time” onto chronological time. Thus the early chapters look at issues of infancy and childhood in the 1840s and 1850s and the last chapters at the problems of old age after 1900. The reader becomes familiar with specific individuals and families as they cope with the recurrent loss of children, struggle to understand the causes of new contagions, and seek to find meaning in untimely death. By using a broad time frame and a narrow geographical lens, Swedlund is able to engage with both the particularities and generalities of evolving medical knowledge and changing practice, and to highlight the differences in personal as well as collective responses to illness and loss.
Laurie J. Sears
Duke University Press, 1996

Miriam Kuperhand and Saul Kuperhand
University of Illinois Press, 1998
Louise Wagenknecht
Oregon State University Press, 2021
Leger Grindon
Temple University Press, 1994
Studying popular Hollywood films from Gone With the Wind to Reds and such distinguished European films as La Marseillaise and The Rise to Power of Louis XIV, Leger Grindon examines how historical fiction films interpret the present through a representation of the past.
The historical fiction film is characterized by a set of motives and, Grindon argues, deserves to be considered a genre unto itself. Appropriation of historical events can insinuate a film's authority of its subject, veil an intention, provide an escape into nostalgia, or direct a search for knowledge and origins. Utilizing the past as a way of responding to social conflicts in the present, Grindon shows how the genre promotes a political agenda, superseding the influence of scholarship on the public's perception and interpretation of history.
In the series Culture and the Moving Image, edited by Robert Sklar.
William D. Moore
University of Massachusetts Press, 2020
Joseph Manca
University of Massachusetts Press, 2019
Edited by Douglas L. Winiarski
University of Massachusetts Press, 2026
Exploring the theological, social, and cultural dimensions of one of America’s most ambitious prophetic movements
The Shakers’ Era of Manifestations ranks among the most astounding events in American religious history. During the 1840s, members of the United Society of Believers in Christ’s Second Appearing embarked on an audacious project of receiving visions, revelations, and other manifestations from the spirit world and convincing both themselves and the world’s people of their reality. Gifted Shakers known as “instruments” surrendered their bodies to possessing spirits and celestial beings who, in turn, provided the Believers with an unimaginable number of revelatory communications that collapsed time and space, rewrote the Bible, and vastly expanded traditional Protestant beliefs and practices. The fruits of Shaker spiritualism would gain a permanent place in America’s public consciousness.
Hundreds of volumes and thousands of pages of inspired writings, music, and art from the New Era or period of Mother's Work, as the Shakers called it, crowd the shelves of a half dozen major research libraries. The archive is so vast, so extraordinary, so seemingly bizarre that few scholars have dared tackle it in its totality. The authors of this volume, specialists in nineteenth-century American religious studies, have collaborated to produce an extensive analysis of Mother Ann’s Work. They examine a fascinating range of topics: speaking with the dead; the spectacle of Shaker rituals; race, gender, and family life; and the material culture of physical and spiritual things; as well as manuscripts, books, songs, objects, and art produced during the New Era.
Shakers at the Center brings the sprawling elements of the Era of Manifestations together in a single volume. Written for students, scholars, and general readers alike, it will stand for years as the definitive history of the Shakers’ most fascinating and vexing historical period.
Contributors include the volume editor as well as Emily Suzanne Clark, Brett Malcolm Grainger, Sonia Hazard, Dana Logan, Carol Medlicott, Sally M. Promey, Erik R. Seeman, Ryan K. Smith, and David Walker.
Julia Reinhard Lupton
University of Chicago Press, 2018

Sarah Olive
Intellect Books, 2015
Samuel Crowl
Ohio University Press, 2024
Norman Rabkin
University of Chicago Press, 1981
Holly E. Dugan
Arizona Center for Medieval and Renaissance Studies, 2024
Patricia Parker
University of Chicago Press, 1996
Stephen Bretzius
University of Michigan Press, 1997
Joel Berkowitz
University of Iowa Press, 2002
The professional Yiddish theatre started in 1876 in Eastern Europe; with the assassination of Tsar Alexander II in 1881, masses of Eastern European Jews began moving westward, and New York—Manhattan’s Bowery and Second Avenue—soon became the world’s center of Yiddish theatre. At first the Yiddish repertoire revolved around comedies, operettas, and melodramas, but by the early 1890s America's Yiddish actors were wild about Shakespeare. In Shakespeare on the American Yiddish Stage, Joel Berkowitz knowledgeably and intelligently constructs the history of this unique theatrical culture.
The Jewish King Lear of 1892 was a sensation. The year 1893 saw the beginning of a bevy of Yiddish versions of Hamlet; that year also saw the first Yiddish production of Othello. Romeo and Juliet inspired a wide variety of treatments. The Merchant of Venice was the first Shakespeare play published in Yiddish, and Jacob Adler received rave reviews as Shylock on Broadway in both 1903 and 1905. Berkowitz focuses on these five plays in his five chapters. His introduction provides an orientation to the Yiddish theatre district in New York as well as the larger picture of Shakespearean production and the American theatre scene, and his conclusion summarizes the significance of Shakespeare’s plays in Yiddish culture.
Meredith Anne Skura
University of Chicago Press, 1993
Michael Mooney
Duke University Press, 1990
Seth Lerer
University of Chicago Press, 2018
Kenneth Gross
University of Chicago Press, 2001
Allan Bloom
University of Chicago Press, 1981
Paul A. Cantor
University of Chicago Press, 2017
Jeffrey Knapp
University of Chicago Press, 2004
Antony Tatlow
Duke University Press, 2001