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Hewitt emphasizes the process by which women forged and reformulated their activist identities from Reconstruction through the U.S. declaration of war against Spain in April 1898, the industrywide cigar strike of 1901, and the emergence of progressive reform and labor militancy. She also recasts our understanding of southern history by demonstrating how Tampa's triracial networks alternately challenged and re-inscribed the South's biracial social and political order.

Unearthing the Gulf Coast’s past—one footprint at a time.

Southern Footprints celebrates more than fifty years of archaeological research along the Gulf Coast by the University of South Alabama and the Center for Archaeological Studies. Archaeologists Gregory A. Waselkov and Philip J. Carr, the former and current directors of the center, present the “greatest hits” that have transformed knowledge of human history on the Alabama and Mississippi Gulf Coast from the Ice Age until recently. Each archaeological site, from surface collections to premiere archaeological preserves, such as Old Mobile and Holy Ground, offers clues to the past.

The chapters in this collection are arranged chronologically and survey the history and archaeology of a wide range of significant sites, including the Gulf Shores canoe canal, Bottle Creek Mounds, Old Mobile, Fort Mims, Spanish Fort, Spring Hill College, and Mobile River Bridge.

Waselkov and Carr take care to acknowledge in these stories populations who have been historically underdocumented, now recognizing the contributions of Native Americans and African Americans that have been uncovered through archaeology. The authors reveal the dire impacts of climate change, environmental disasters, development, and neglect—and convey their urgency to protect these areas of shared history—as a result of the meticulous excavation, analysis, and preservation of artifacts from these sites. Color photographs showcase the archaeology as it unfolds, often with the help of dedicated volunteers. Southern Footprints will serve as an indispensable reference on the rich Gulf Coast heritage for all to appreciate.

Southern out-migration drew millions of southern workers to the steel mills, automobile factories, and even agricultural fields and orchards of Ohio, Indiana, Michigan, and Illinois. Through vivid oral histories, Chad Berry explores the conflict between migrants' economic success and their "spiritual exile" in the North. He documents the tension between factory owners who welcomed cheap, naive southern laborers and local "native" workers who greeted migrants with suspicion and hostility. He examines the phenomenon of "shuttle migration," in which migrants came north to work during the winter and returned home to plant spring crops on their southern farms. He also explores the impact of southern traditions--especially the southern evangelical church and "hillbilly" music--brought north by migrants.

Berry argues that in spite of being scorned by midwesterners for violence, fecundity, intoxication, laziness, and squalor, the vast majority of southern whites who moved to the Midwest found the economic prosperity they were seeking. By allowing southern migrants to assess their own experiences and tell their own stories, Southern Migrants, Northern Exiles refutes persistent stereotypes about migrants' clannishness, life-style, work ethic, and success in the North.

Essays by the distinguished historian of southern religion Wayne Flynt, that illuminate the often overlooked complexity among southern Protestants.

Throughout its dramatic history, the American South has wrestled with issues such as poverty, social change, labor reform, civil rights, and party politics, and Flynt’s writing reaffirms religion as the lens through which southerners understand and attempt to answer these contentious questions. In Southern Religion and Christian Diversity in the Twentieth Century, however, Flynt gently but persuasively dispels the myth—comforting to some and dismaying to others—of religion in the South as an inert cairn of reactionary conservatism.

Flynt introduces a wealth of stories about individuals and communities of faith whose beliefs and actions map the South’s web of theological fault lines. In the early twentieth century, North Carolinian pastor Alexander McKelway became a relentless crusader against the common practice of child labor. In 1972, Rev. Dr. Ruby Kile, in a time of segregated churches led by men, took the helm of the eight-member Powderly Faith Deliverance Center in Jefferson County, Alabama and built the fledgling group into a robust congregation with more than 700 black and white worshippers. Flynt also examines the role of religion in numerous pivotal court cases, such as the US Supreme Court school prayer case Engel v. Vitale, whose majority opinion was penned by Justice Hugo Black, an Alabamian. These fascinating case studies and many more illuminate a religious landscape of far more varied texture and complexity than is commonly believed.

Southern Religion and Christian Diversity in the Twentieth Century offers much to readers and scholars interested in the South, religion, and theology. Writing with his hallmark wit, warmth, and erudition, Flynt’s Southern Religion and Christian Diversity in the Twentieth Century is a vital record of gospel-inspired southerners whose stories revivify sclerotic assumptions about the narrow conformity of southern Christians. 

Explores the Southeast’s imperiled river systems and solutions for preserving them in the face of habitat loss, climate change, and extinction

Southern Rivers, by award-winning nature writer and biologist R. Scot Duncan, is a thoroughly crafted exploration of the perilous state of the Southeast’s rivers and the urgent need to safeguard their vitality. The region’s rivers are the epicenter of North American freshwater biodiversity and are the top global hotspot for important aquatic animals including mussels, turtles, snails, crayfish, and fish, many of which have made important contributions to southern life and culture.

Centuries of commercial development have impaired the region’s river systems, sacrificing biodiversity and compromising the rivers’ ability to provide resources essential to human life: drinking water, waste disposal, irrigation, navigation, recreation, power production, and more. Now, increased heat and drought caused by climate change are lowering water levels. As such threats increase, it may seem necessary to choose between nature conservation and human needs, but Duncan persuasively demonstrates that this is a false choice. Conservation enhances human life.

In the same engaging voice of an expert friend that won over thousands of readers of his earlier book, Southern Wonder: Alabama’s Surprising Biodiversity, Duncan explains the task of managing southeastern rivers and how river water quality affects the daily lives of the millions who hold these historic waterways dear. He shows how managing rivers wisely can meet the needs of biodiversity and humanity both. With Americans increasingly anxious about the onset of climate change and the accelerating extinction crisis, Southern Rivers illuminates actionable solutions.
 

Spartanburg County, South Carolina, offered an example of the enduring legacy of the southern textile industry, company-owned mill villages, and union struggles of the 1930s. G. C. Waldrep illuminates the complex meshing of community ties and traditions with the goals and ideals of unionism. Unions aligned with a social vision of mutuality, equality, and interdependency already established in mill villages. But because companies owned the villages, labor conflicts involved not only work issues like wages and hours but virtually every other aspect of life. In documenting the high stakes of labor protest, Waldrep shows how the erosion or outright destruction of community undermined the ability of workers to respond to the assaults of employers overwhelmingly supported by government agencies and agents. 

Beautifully written and persuasively argued, Southern Workers and the Search for Community opens the gates of southern company towns to illuminate the human issues behind the mechanics of labor.

How the inhabitants of Western Madagascar reshape their collective identity and negotiate their place within contemporary society through royal rituals and the reinterpretation of the past.

In a postcolonial republic marked by recurrent crises, royal hierarchy continues to frame social inequalities. Within this context, both the descendants of slaves and the newly rich seek to claim or legitimize new hierarchical positions by reformulating historical narratives and establishing them through royal rituals. Focusing on a cult dedicated to the spirits of the ancestors of the Silver Dynasty, Maurizio Esposito La Rossa investigates the categories of “silver” and “gold” that structure the hierarchy of the Sakalava monarchy and are also mobilized by politicians to legitimize their power.

Through multi-sited ethnography, the book offers a broader reflection on the link between narratives and places and on contrasting ways of conceiving history. Whereas Western historiography—and the rise of the nation-state—tends to produce unified historical narratives, the Sakalava monarchies conceive of history as rooted in specific places and social groups, where multiple versions coexist and contend. Combining the divergent demands of a historical anthropology and an anthropology of history, this book endeavors to recount another history of the Sakalava monarchy, without neglecting the polyphony that characterizes it. By tracing how the past is mobilized, transformed, and contested in the present, the book speaks to anthropologists, historians, and readers interested in the intricate entanglements of history, ritual, and political power in postcolonial settings.
 

Following Stalin’s death, Soviet film—like Soviet culture—changed in meaningful ways. Emerging from a system that had stymied individual, creative voices, prominent directors now found their own respective styles, as they embraced their personal visions to produce works that diverged significantly from the mainstream. Grounded in auteur theory, this volume explores how these filmmakers expressed themselves through creative cinematic means rather than through a narrow emphasis on narrative or in accordance with popular—and governmental—whims.

Each chapter focuses on a specific filmmaker, from well-known auteurs Aleksei German Sr., Kira Muratova, Andrei Tarkovsky, Sergei Parajanov, and Larisa Shepit’ko, to others less familiar in the West: Sergei Solovyov, Roman Balayan, Otar Iosseliani, Tengiz Aduladze, and Ali Khamraev. Hailing from a range of Soviet republics, they all impacted the Soviet cinematic sphere despite harsh censorship and the repression of artists throughout the nation. By integrating cinematic and theoretical perspectives into a discussion of auteur Soviet films, this volume illuminates the significance of a cinematic trend that took place in both Soviet culture and international film history.

Contributors: Robert Efird, Tim Harte, Lilya Kaganovsky, David Gomiero Molina, Lida Oukaderova, Elizabeth A. Papazian, Marina Rojavin, Rita Safariants, Sydney Stotter, Sergey Toymentsev

The golden age of Soviet cinema, in the years following the Russian Revolution, was a time of both achievement and contradiction, as reflected in the films of Eisenstein, Pudovkin, and Kuleshov. Tensions ran high between creative freedom and institutional constraint, radical and reactionary impulses, popular and intellectual cinema, and film as social propaganda and as personal artistic expression. In less than a decade, the creative ferment ended, subjugated by the ideological forces that accompanied the rise of Joseph Stalin and the imposition of the doctrine of Socialist Realism on all the arts.

Soviet Cinema in the Silent Era, 1918–1935 records this lost golden age. Denise Youngblood considers the social, economic, and industrial factors that influenced the work of both lesser-known and celebrated directors. She reviews all major and many minor films of the period, as well as contemporary film criticism from Soviet film journals and trade magazines. Above all, she captures Soviet film in a role it never regained—that of dynamic artform of the proletarian masses.

This first detailed account of Soviet military operations is based on access to unpublished material in Soviet archives, which have recently been reclassified.

The major contribution made by the book is its source material, which reveals new information on the organization, command, strategy, and tactics of the Soviet armed forces which invaded Hungary in 1956. Particularly interesting is the precise documentation of the irrationally large size of the forces. The volume is based on research in Soviet archives, and this alone makes it of unique scholarly importance.

The book opens with a substantial introductory essay by the editors, and includes a major study by the Russian military historian Alexandr Kirov, based on research in Soviet military archives. One of the real strengths of the book is that it also includes the memoirs of General Yevgeny Malashenko, in 1956 a colonel in the Soviet Army and acting Chief of Staff of the Special Corps in Budapest. He provides unparalleled insights into Soviet military procedures, politico-military co-operation, and the actual fighting strengths and weaknesses of the Red Army. Very few other high-ranking Soviet officers have ever published their memoirs in the West.