22279 books match the query 'Social Science' and 1635 start with s

cover of Spirits in Politics: Uncertainties of Power and Healing in African Societies

Spirits in Politics

Uncertainties of Power and Healing in African Societies

Edited by Barbara Meier and Arne S. Steinforth

Campus Verlag, 2013

Spirits in Politics explores the interface between religion and politics in African societies by examining recent and ongoing research in a variety of regional settings. Case studies from across the African continent exemplify how—and at which social levels—spirits, witchcraft, and other supernatural agents play an active role in political action and the conceptualization of power. This volume illustrates not only how ritual techniques such as divination or spirit possession may play a vital role in people’s efforts to regain control over the political processes that determine their lives, but also how magical and other secret practices are at the center of local discourse on democratization and state politics. Moreover, the contributors show that these practices are prominent in day-to-day decision-making processes at local levels, including the interaction between spirit-based and democratic institutions of social organization in modern urban life and economies.
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cover of Spirits in the Consulting Room: Eight Tales of Healing

Spirits in the Consulting Room

Eight Tales of Healing

Serge Bouznah

Rutgers University Press, 2023

For any country that has a large and diverse migrant population, it is a struggle to connect these people to the country’s institutions, including the healthcare system, which can be overwhelming in its complexity. Cultural and language barriers often make it difficult for doctors to fully understand the symptoms of their migrant patients, reach accurate diagnoses, or properly treat their suffering. Thus, medical practitioners must attempt new, innovative practices in order to reach patients where they are and convince them to accept treatment from doctors they don’t totally understand. In France, Serge Bouznah and Catherine Lewertowski have pioneered one such practice—that of transcultural mediation. 
 
Drawn from two decades of their experience with transcultural mediation, Spirits in the Consulting Room tells the stories of eight patients—mainly migrants—and their families. Each chapter focuses on a different patient, and Christelle, Djibril, Moncef, Alhassane, Jacinthe, Amy, Cyril, Alice, and Pierre leap off the page as distinct people with unique situations. Together, these chapters reveal how patients’ comprehension of their symptoms is shaped by their cultural background, while recounting the challenges of translating that into terms the doctors can grasp. 
 
The book shows how trained transcultural mediators can help to redress the power imbalance between doctors and the migrants they treat, providing patients with advocates who respect the authority of their background and experiences and don’t just take the side of the medical professionals. The groundbreaking insights modeled in this book can be applied to any medical situation where doctors and patients find themselves speaking different languages. 
 
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cover of Spirits of Earth: The Effigy Mound Landscape of Madison and the Four Lakes

Spirits of Earth

The Effigy Mound Landscape of Madison and the Four Lakes

Robert A. Birmingham

University of Wisconsin Press, 2010

Between A.D. 700 and 1100 Native Americans built more effigy mounds in Wisconsin than anywhere else in North America, with an estimated 1,300 mounds—including the world’s largest known bird effigy—at the center of effigy-building culture in and around Madison, Wisconsin. These huge earthworks, sculpted in the shape of birds, mammals, and other figures, have aroused curiosity for generations and together comprise a vast effigy mound ceremonial landscape. Farming and industrialization destroyed most of these mounds, leaving the mysteries of who built them and why they were made. The remaining mounds are protected today and many can be visited.   explores the cultural, historical, and ceremonial meanings of the mounds in an informative, abundantly illustrated book and guide.
 
Finalist, Social Science, Midwest Book Awards
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cover of Spirits, Blood and Drums: The Orisha Religion in Trinidad

Spirits, Blood and Drums

The Orisha Religion in Trinidad

James T. Houk

Temple University Press, 1995

James Houk's field work in Trinidad and subsequent involvement in the Orisha religion allows him a uniquely intimate perspective on a complex and eclectic religion. Originating in Nigeria, Orisha combines elements of African religions (notably Yoruba), Catholicism, Hinduism, Protestantism Spiritual Baptist, and Kabbalah. A religion of spirits and spirit possession, ceremonies and feasts, churches and shrines, sacrifices and sacred objects, Orisha is constantly shifting and unstable, its practice widely varied. As a belief system, it is a powerful presence in the social structure, culture, and, more recently, the political realm of Trinidad.

Houk carefully examines the historical forces that have transformed Orisha from a relatively simple religion in colonial Trinidad to an abstruse mix of belief, ritual, and symbolism. The voices of worshippers and Orisha leaders spring to life the intensity and power of the religion. Houk's own recounting of participation in many of the mystical ceremonies, including taking on the important role of drummer in several feasts, his initiation into Orisha, and his exceptional field research provide fascinating details essential in understanding the development of this Caribbean religion.

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cover of Spiritual Citizenship: Transnational Pathways from Black Power to Ifá in Trinidad

Spiritual Citizenship

Transnational Pathways from Black Power to Ifá in Trinidad

N. Fadeke Castor

Duke University Press, 2017

In Spiritual Citizenship N. Fadeke Castor employs the titular concept to illuminate how Ifá/Orisha practices informed by Yoruba cosmology shape local, national, and transnational belonging in African diasporic communities in Trinidad and beyond. Drawing on almost two decades of fieldwork in Trinidad, Castor outlines how the political activism and social upheaval of the 1970s set the stage for African diasporic religions to enter mainstream Trinidadian society. She establishes how the postcolonial performance of Ifá/Orisha practices in Trinidad fosters a sense of belonging that invigorates its practitioners to work toward freedom, equality, and social justice. Demonstrating how spirituality is inextricable from the political project of black liberation, Castor illustrates the ways in which Ifá/Orisha beliefs and practices offer Trinidadians the means to strengthen belonging throughout the diaspora, access past generations, heal historical wounds, and envision a decolonial future.
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cover of Spiritual Mestizaje: Religion, Gender, Race, and Nation in Contemporary Chicana Narrative

Spiritual Mestizaje

Religion, Gender, Race, and Nation in Contemporary Chicana Narrative

Theresa Delgadillo

Duke University Press, 2011

Gloria Anzaldúa’s narrative and theoretical innovations, particularly her concept of mestiza consciousness, have influenced critical thinking about colonialism, gender, history, language, religion, sexuality, spirituality, and subjectivity. Yet Anzaldúa’s theory of spiritual mestizaje has not been extensively studied until now. Taking up that task, Theresa Delgadillo reveals spiritual mestizaje as central to the queer feminist Chicana theorist’s life and thought, and as a critical framework for interpreting contemporary Chicana literary and visual narratives. First mentioned by Anzaldúa in her pioneering book Borderlands/La Frontera, spiritual mestizaje is a transformative process of excavating bodily memory to develop a radical, sustained critique of oppression and renew one’s relation to the sacred. Delgadillo analyzes the role of spiritual mestizaje in Anzaldúa’s work and in relation to other forms of spirituality and theories of oppression. Illuminating the ways that contemporary Chicana narratives visualize, imagine, and enact Anzaldúa’s theory and method of spiritual mestizaje, Delgadillo interprets novels, memoir, and documentaries. Her critical reading of literary and visual technologies demonstrates how Chicanas challenge normative categories of gender, sexuality, nation, and race by depicting alternative visions of spirituality.
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cover of Spirituals and the Birth of a Black Entertainment Industry

Spirituals and the Birth of a Black Entertainment Industry

Sandra Jean Graham

University of Illinois Press, 2018

Spirituals performed by jubilee troupes became a sensation in post-Civil War America. First brought to the stage by choral ensembles like the Fisk Jubilee Singers, spirituals anchored a wide range of late nineteenth-century entertainments, including minstrelsy, variety, and plays by both black and white companies. In the first book-length treatment of postbellum spirituals in theatrical entertainments, Sandra Jean Graham mines a trove of resources to chart the spiritual's journey from the private lives of slaves to the concert stage. Graham navigates the conflicting agendas of those who, in adapting spirituals for their own ends, sold conceptions of racial identity to their patrons. In so doing they lay the foundation for a black entertainment industry whose artistic, financial, and cultural practices extended into the twentieth century. A companion website contains jubilee troupe personnel, recordings, and profiles of 85 jubilee groups. Please go to: http://www.press.uillinois.edu/books/graham/spirituals/
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cover of Spitting Image

Spitting Image

Kara van de Graaf

Southern Illinois University Press, 2018

Kara van de Graaf’s debut collection heralds the arrival of an essential new voice in contemporary poetry. Through poems that balance personal recollection with ekphrasis, science, and meditation, Van de Graaf searches for answers in the fluctuating relationship between the body and the self.
 
Taking as its primary theme the exploration of the female body in current culture, Spitting Image considers the myriad intersections of the body and gender, desire, relationships, and otherness. Van de Graaf interrogates underrepresented elements of the female experience, especially the physical, rhetorical, and aesthetic limitations of fatness in poetry and other arts. She then complicates those limitations through her use of innovative forms and imaginative verse, implicitly calling for poetry to engage with the female form in fresh ways. Throughout, Van de Graaf’s poems ask: In a time where we have more agency to define ourselves than ever before, what barriers still remain? What do our bodies mean to who we are?
 
At turns oblique and direct, Van de Graaf’s poems strive to create space for themselves not only in the field of contemporary poetry but also in a larger world that has been prone to ignoring or shaming women for their bodies. That these poems succeed on both counts is a testament to this remarkable new poet, who claims “That millimeter of space that means / all of us are apart, that means / we can never really touch / anything. . . . Yes, I want that, too.”
 
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cover of Splattered Ink: Postfeminist Gothic Fiction and Gendered Violence

Splattered Ink

Postfeminist Gothic Fiction and Gendered Violence

Sarah E Whitney

University of Illinois Press, 2016

In-depth and refreshingly readable, Splattered Ink is a bold analysis of postfeminist gothic, a literary genre that continues to jar readers, reject happy endings, and find powerful new ways to talk about violence against women.

Sarah E. Whitney explores the genre's challenge to postfeminist assumptions of women's equality and empowerment. The authors she examines--Patricia Cornwell, Jodi Picoult, Susanna Moore, Sapphire, and Alice Sebold--construct narratives around socially invisible and physically broken protagonists who directly experience consequences of women's ongoing disempowerment. Their works ask readers to inhabit women's suffering and to face the uncomfortable, all-too-denied fact that today's women must navigate lives fraught with risk. Whitney's analysis places the authors within a female gothic tradition that has long given voice to women's fears of their own powerlessness. But she also reveals the paradox that allows the genre to powerfully critique postfeminism's often sunshiney outlook while uneasily coexisting within the same universe.

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cover of Splintered Sisterhood: Gender and Class in the Campaign against Woman Suffrage

Splintered Sisterhood

Gender and Class in the Campaign against Woman Suffrage

Susan E. Marshall

University of Wisconsin Press, 1997

When Tennessee became the thirty-sixth and final state needed to ratify the Nineteenth Amendment in August 1920, giving women the right to vote, one group of women expressed bitter disappointment and vowed to fight against “this feminist disease.” Why this fierce and extended opposition? In Splintered Sisterhood, Susan Marshall argues that the women of the antisuffrage movement mobilized not as threatened homemakers but as influential political strategists.
    Drawing on surviving records of major antisuffrage organizations, Marshall makes clear that antisuffrage women organized to protect gendered class interests. She shows that many of the most vocal antisuffragists were wealthy, educated women who exercised considerable political influence through their personal ties to men in politics as well as by their own positions as leaders of social service committees. Under the guise of defending an ideal of “true womanhood,” these powerful women sought to keep the vote from lower-class women, fearing it would result in an increase in the “ignorant vote” and in their own displacement from positions of influence. This book reveals the increasingly militant style of antisuffrage protest as the conflict over female voting rights escalated. Splintered Sisterhood adds a missing piece to the history of women’s rights activism in the United States and illuminates current issues of antifeminism.

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cover of Split Britches: Fifty Years On

Split Britches

Fifty Years On

Peggy Shaw and Lois Weaver, Edited by Benjamin Gillespie

University of Michigan Press, 2027

What does it mean to sustain a creative life over fifty years? Split Britches: Fifty Years On offers an intimate look at the enduring collaboration of Peggy Shaw and Lois Weaver, the artists behind the groundbreaking performance troupe Split Britches. The collection highlights Split Britches’ enduring queer and feminist legacies, tracing how their distinctive butch/femme lesbian aesthetic and collaborative performance practice have evolved over five decades and nearly thirty original productions. It foregrounds their shift toward increasingly autobiographical and introspective work, while also situating their later performances within key theatrical, historical, and critical frameworks–paying particular attention to issues of embodiment, aging, the archive, and queer temporality. Bringing together performance scripts, candid interviews, production photos, accessible essays, and video documentation, Split Britches: Fifty Years On demonstrates how Shaw and Weaver pull from the past in order to critique the present. For scholars, artists, and students, the volume's unique combination of primary texts, critical essays, and multimedia resources makes it an essential volume that considers theatre scholarship and practice, queer and feminist discourses, and the evolution of creativity with age and time.

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cover of Split-Gut Song: Jean Toomer and the Poetics of Modernity

Split-Gut Song

Jean Toomer and the Poetics of Modernity

Karen Jackson Ford

University of Alabama Press, 2005

Reclaiming Jean Toomer as a radical innovator of African American modernist poetics.

In Split-Gut Song, Karen Jackson Ford looks at what it means to be African American, free, and creative by analyzing Jean Toomer's main body of work, specifically, his groundbreaking creation Cane. When first published in 1923, this pivotal work of modernism was widely hailed as inaugurating a truly artistic African American literary tradition. Yet Toomer's experiments in literary form are consistently read in terms of political radicalism—protest and uplift—rather than literary radicalism.

Ford contextualizes Toomer's poetry, letters, and essays in the literary culture of his period and, through close readings of the poems, shows how they negotiate formal experimentation (imagism, fragmentation, dialect) and traditional African American forms (slave songs, field hollers, call-and-response sermons, lyric poetry). At the heart of Toomer's work is the paradox that poetry is both the saving grace of African American culture and that poetry cannot survive modernity. This contradiction, Ford argues, structures Cane, wherein traditional lyric poetry first flourishes, then falters, then falls silent.

The Toomer that Ford discovers in Split-Gut Song is a complicated, contradictory poet who brings his vexed experience and ideas of racial identity to both conventional lyric and experimental forms. Although Toomer has been labelled a political radical, Ford argues that politics is peripheral in his experimental, stream-of-consciousness work. Rather Toomer exhibits a literary radicalism as he struggles to articulate his perplexed understanding of race and art in 20th-century America.
 

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cover of Split: Class Divides Uncovered

Split

Class Divides Uncovered

Ben Tippet

Pluto Press, 2020

In 1990, John Major hailed 'the classless society'; in 1997, New Labour announced that 'we're all middle class now', yet we live in an age where food banks, pay day lenders and zero-hour contracts proliferate: it's clear that class matters. 

Foregrounding the economic nature of class, Split challenges the idea that class can be reduced to the cultural. From precarious labor to rising debt; from the housing crisis to environmental catastrophe; from an inflated prison population to the welfare state; Ben Tippet traces the class divide at the heart of all exploitation. Myth-busting meritocracy, he exposes the role that tax havens, colonialism and inheritance play in the wealth of the elite. 

Split highlights the potential for a diverse and eclectic working-class bloc to fight back in an age of austerity and uncertainty.
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cover of Splitting the Difference: Gender and Myth in Ancient Greece and India

Splitting the Difference

Gender and Myth in Ancient Greece and India

Wendy Doniger

University of Chicago Press, 1999

Hindu and Greek mythologies teem with stories of women and men who are doubled, who double themselves, who are seduced by gods doubling as mortals, whose bodies are split or divided. In Splitting the Difference, the renowned scholar of mythology Wendy Doniger recounts and compares a vast range of these tales from ancient Greece and India, with occasional recourse to more recent "double features" from Dr. Jekyll and Mr. Hyde to Face/Off.

Myth, Doniger argues, responds to the complexities of the human condition by multiplying or splitting its characters into unequal parts, and these sloughed and cloven selves animate mythology's prodigious plots of sexuality and mortality. Doniger's comparisons show that ultimately differences in gender are more significant than differences in culture; Greek and Indian stories of doubled women resemble each other more than they do tales of doubled men in the same culture. In casting Hindu and Greek mythologies as shadows of each other, Doniger shows that culture is sometimes but the shadow of gender.

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cover of Spoiled: Asian American Hostility and the Damage of Repair

Spoiled

Asian American Hostility and the Damage of Repair

Summer Kim Lee

Duke University Press, 2025

In Spoiled, Summer Kim Lee examines how contemporary Asian American artists challenge expectations that their work should repair the wounds of racial trauma. Kim Lee turns to the “spoiled”—the racialized, gendered body and all that it consumes, wrecks, and inflicts in its desire and excess—in visual culture, performance, music, and literature. Reading works by Cato Ouyang, Patty Chang, Wu Tsang, TJ Shin, Jes Fan, and others, Kim Lee highlights moments of hostility and deformation that spoil idealizations of Asian Americanness and incite modes of feeling and relating that relinquish fantasies of wholeness, power, and control. She observes the latent aggressive behaviors and negative affects in Asian American aesthetic practice: the embarrassment of asociality, the imposition of speaking as someone else, and the indulgence of ravenous appetites. In so doing, Kim Lee questions the political desires for repair expressed in “feeling Asian” and stays with the damage that spoilage creates as integral to the kinds of repair that Asian Americans seek.
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cover of Spoiler Alert: A Critical Guide

Spoiler Alert

A Critical Guide

Aaron Jaffe

University of Minnesota Press, 2019

All of this information at our fingertips—and we might not need any of it

Concurrent with the compulsory connectivity of the digital age is the rise of the spoiler. The inevitability of information has changed the critical quality of modernity, leaving us with acute vertigo—a feeling that nothing new is left out there. Encompassing memes and trigger warnings, Vilem Flusser and Thomas Pynchon, Spoiler Alert wrangles with the state of surprise in post-historical times. Aaron Jaffe delivers a timely corrective to post-critical modes of reading that demonstrates the dangers of forfeiting critical suspicion.

Forerunners: Ideas First
Short books of thought-in-process scholarship, where intense analysis, questioning, and speculation take the lead

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cover of Spoils of the Kingdom: Clergy Misconduct and Religious Community

Spoils of the Kingdom

Clergy Misconduct and Religious Community

Anson Shupe

University of Illinois Press, 2006

In Spoils of the Kingdom, Anson Shupe investigates clergy misconduct as it has recently unfolded across five faith-based groups. Looking at episodes of abuse in the Roman Catholic, Mormon, African American Protestant, white Evangelical Protestant, and First Nations communities, Spoils of the Kingdom tackles hard questions not only about the sexual abuse of women and children, but also about economic frauds perpetrated by church leaders (including embezzlement, mis-represented missions, and outright theft) as well as cases of excessively authoritarian control of members’ health, lifestyles, employment, and politics.
 
Drawing on case evidence, Shupe employs classical and modern social exchange theories to explain the institutional dynamics of clergy misconduct. He argues that there is an implicit contract of reciprocity and compliance between congregants and religious leaders that, when amplified by the charismatic awe often associated with religious authorities, can lead to misconduct.
 
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cover of Sponsored Identities: Cultural Politics in Puerto Rico

Sponsored Identities

Cultural Politics in Puerto Rico

Arlene Davila

Temple University Press, 1997

"Now everybody loves Puerto Rican culture," says a Puerto Rican schoolteacher and festival organizer, "but that's exactly the problem." Thus begins this major examination of cultural nationalism as a political construct involving party ideologies, corporate economic goals, and grassroots cultural groups.

Author Arlene Davila focuses on the Institute for Puerto Rican Culture, the government institution charged with defining authenticated views of national identity since the 1950s, and on popular festival organizers to illuminate contestations over appropriate representations of culture in the increasingly mass-mediated context of contemporary Puerto Rico. She examines the creation of an essentialist view of nationhood based on a peasant culture and a "unifying" Hispanic heritage, and the ways in which grassroots organizations challenge and reconfigure definitions of national identity through their own activities and representations.

Davila pays particular attention to the increasing prominence of corporate sponsorship in determining what is distinguished as authentic "Puerto Rican culture" and discusses the politicization of culture as a discourse to debate and legitimize conflicting claims from selling commercial product to advocating divergent status options for the island. In so doing, Davila illuminates the prospects for cultural identities in an increasingly transnational context by showing the growth of cultural nationalism to be intrinsically connected to forms of political action directed to the realm of culture and cultural politics. This in-depth examination also makes clear that despite contemporary concerns with "authenticity," commercialism is an inescapable aspect of all cultural expression on the island.
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cover of Sponsored Migration: The State and Puerto Rican Postwar Migration to the United States

Sponsored Migration

The State and Puerto Rican Postwar Migration to the United States

Edgardo Meléndez

The Ohio State University Press, 2017

Puerto Rico is often left out of conversations on migration and transnationalism within the Latino context. Sponsored Migration: The State and Puerto Rican Postwar Migration to the United States by Edgardo Meléndez seeks to rectify this oversight, serving as a comprehensive study of the factors affecting Puerto Rican migration to the United States from the late 1940s to the 1960s. Examining the consequences of the perceived problem of Puerto Rican overpopulation as well as the cost of U.S. imperialism on the lives of Puerto Rican workers, Meléndez scrutinizes Puerto Rican migration in the postwar period as a microcosm of the political history of migration throughout Latin America.
 
 
Sponsored Migration places Puerto Rico’s migration policy in its historical context, examining the central role the Puerto Rican government played in encouraging and organizing migration during the postwar period. Meléndez sheds an important new light on the many ways in which the government intervened in the movement of its people: attempting to provide labor to U.S. agriculture, incorporating migrants into places like New York City, seeking to expand the island’s air transportation infrastructure, and even promoting migration in the public school system. One of the first scholars to explore this topic in depth, Meléndez illuminates how migration influenced U.S. and Puerto Rican relations from 1898 onward. 
 
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cover of Spontaneous Shelter

Spontaneous Shelter

Carl Patton

Temple University Press, 1988

Using cross-national political, economic, and environmental comparisons as well as case studies from all parts of the world, this volume focuses on the increasing problem of providing shelter in underdeveloped countries, the innovative solutions that have been applied to the problem, and the prospects for the future. Spontaneous Shelter examines the contemporary and emerging issues that face homeless people in the Third World and suggests policy actions that can be taken. Providing middle-class as well as poverty-level examples, and considering environmental issues, the contributors use case materials, photographs, and drawings to clarify the policy agenda for basic shelter provision.
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cover of Spoon River America: Edgar Lee Masters and the Myth of the American Small Town

Spoon River America

Edgar Lee Masters and the Myth of the American Small Town

Jason Stacy

University of Illinois Press, 2021

From Main Street to Stranger Things, how poetry changed our idea of small town life

A literary and cultural milestone, Spoon River Anthology captured an idea of the rural Midwest that became a bedrock myth of life in small-town America. Jason Stacy places the book within the atmosphere of its time and follows its progress as the poetry took root and thrived. Published by Edgar Lee Masters in 1915, Spoon River Anthology won praise from modernists while becoming an ongoing touchstone for American popular culture. Stacy charts the ways readers embraced, debated, and reshaped Masters's work in literary controversies and culture war skirmishes; in films and other media that over time saw the small town as idyllic then conflicted then surreal; and as the source of three archetypes—populist, elite, and exile—that endure across the landscape of American culture in the twenty-first century.

A wide-ranging reconsideration of a literary landmark, Spoon River America tells the story of how a Midwesterner's poetry helped change a nation's conception of itself.

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cover of Sport History in the Digital Era

Sport History in the Digital Era

Edited by Gary Osmond and Murray G. Phillips

University of Illinois Press, 2015

From statistical databases to story archives, from fan sites to the real-time reactions of Twitter-empowered athletes, the digital communication revolution has changed the way sports fans relate to their favorite teams. In this volume, contributors from Australia, Ireland, New Zealand, the United Kingdom, and the United States analyze the parallel transformation in the field of sport history, showing the ways powerful digital tools raise vital philosophical, epistemological, ontological, methodological, and ethical questions for scholars and students alike.

Chapters consider how the philosophical and theoretical understanding of the meaning of history influence a willingness to engage with digital history, and conceptualize the relationship between history making and the digital era. As the writers show, digital media's mostly untapped potential for studying the recent past via blogs, chat rooms, gambling sites, and the like forge a symbiosis between sports and the internet, and offer historians new vistas to explore and utilize.

Sport History in the Digital Era also shows how the best digital history goes beyond a static cache of curated documents. Instead, it becomes a truly public history that serves as a dynamic site of enquiry and discussion. In such places, scholars enter into a give-and-take with individuals while inviting the audience to grapple with, rather than passively absorb, the evidence being offered.

Timely and provocative, Sport History in the Digital Era affirms how the information revolution has transformed sport and sport history--and shows the road ahead.

Contributors include Douglas Booth, Mike Cronin, Martin Johnes, Matthew Klugman, Geoffery Z. Kohe, Tara Magdalinski, Fiona McLachlan, Bob Nicholson, Rebecca Olive, Gary Osmond, Murray G. Phillips, Stephen Robertson, Synthia Sydnor, Holly Thorpe, and Wayne Wilson.

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cover of Sport and Neoliberalism: Politics, Consumption, and Culture

Sport and Neoliberalism

Politics, Consumption, and Culture

David L. Andrews

Temple University Press, 2012

Offering new approaches to thinking about sports and political ideologies, Sport and Neoliberalism explores the structures, formations, and mechanics of neoliberalism. The editors and contributors to this original and timely volume examine the intersection of sport as a national pastime and also an engine for urban policy—e.g., stadium building—as well as a powerful force for influencing our understanding of the relationship between culture, politics, and identity.

Sport and Neoliberalism examines the ways the neoliberal project creates priorities for civic society and how, in effect, it turns many aspects of sport into a vehicle of public governance. From the relationship between sport and the neo-liberal state, through the environmental dimensions of neo-liberal sport, to the political biopolitics of obesity, the essays in this volume explore the ways in which the “logics” of neoliberalism are manifest as powerful public pedagogies through the realm of popular culture.

Contributors include: Michael Atkinson, Ted Butryn, C. L. Cole, Norman Denzin, Grant Farred, Jessica Francombe, Caroline Fusco, Michael D. Giardina, Mick Green, Leslie Heywood, Samantha King, Lisa McDermott, Mary G. McDonald, Toby Miller, Mark Montgomery, Joshua I. Newman, Jay Scherer, Kimberly S. Schimmel, and Brian Wilson

In the series Sporting, edited by Amy Bass

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cover of Sport, Physical Culture, and the Moving Body: Materialisms, Technologies, Ecologies

Sport, Physical Culture, and the Moving Body

Materialisms, Technologies, Ecologies

Joshua I. Newman

Rutgers University Press, 2020

2020 Choice​ Outstanding Academic Title

The moving body—pervasively occupied by fitness activities, intense training and dieting regimes, recreational practices, and high-profile sporting mega-events—holds a vital function in contemporary society. As the body moves—as it performs, sweats, runs, and jumps—it sets in motion an intricate web of scientific rationalities, spatial arrangements, corporate imperatives, and identity politics (i.e. politics of gender, race, social class, etc.). It represents vitality in its productive and physiological capacities, it drives a complex economy of experiences and products, and it is a meaningful site of cultural identities and politics.
 
Contributors to Sport, Physical Culture, and the Moving Body work from a simple premise: as it moves, the material body matters. Adding to the burgeoning fields of sport studies and body studies, the works featured here draw upon the traditions of feminist theory, posthumanism, actor network theory, and new materialism to reposition the physical, moving body as crucial to the cultural, political, environmental, and economic systems that it constitutes and within which is constituted. Once assembled, the book presents a study of bodies in motion—made to move in contexts where technique, performance, speed, strength, and vitality not only define the conduct therein, but provide the very reason for the body’s being within those economies and environments. In so doing, the contributors look to how the body moving for and about rational systems of science, medicine, markets, and geopolity shapes the social and material world in important and unexpected ways.
 
In Sport, Physical Culture, and the Moving Body, contributors explore the extent to which the body, when moving about both ostensibly active body spaces (i.e., the gymnasium, the ball field, exercise laboratory, the track or running trail, the beach, or the sport stadium) and those places less often connected to physical activity (i.e. the home, the street, the classroom, the automobile), is bounded to technologies of life and living; and to the political arrangements that seek to capitalize upon such frames of biological vitality. To do so, the authors problematize the rise of active body science (i.e. kinesiology, sport and exercise sciences, performance biotechnology) and the effects these scientific interventions have on embodied, lived experience.
 
Contributors to Sport, Physical Culture, and the Moving Body will be engaging a range of new and emerging theoretical perspectives, including new materialist, political ecology, developmental systems theory, and new material feminist approaches, to examine the actors and assemblages of movement-based material, political, and economic production. In so doing, contributors will vividly and powerfully illustrate the extent to which a focus on the fleshed body and its material conditions can bring forth new insights or ontological and epistemological innovation to the sociology of sport and physical activity. They will also explore the agency of the body as and amongst things. Such a performative materialist approach explicates how complex assemblages of sport and physical activity—bringing into association everything from muscle fibers and dietary proteins to stadium concrete or regional aquifers—are not only meaningful, but ecological.
 
By focusing on the confluence of agentive materialities, disciplinary technologies, vibrant assemblages, speculative realities, and vital performativities, Sport, Physical Culture, and the Moving Body promises to offer a groundbreaking departure from representationalist tendencies and orthodoxies brought about by the cultural turn in sport and physical cultural studies. It brings the moving body and its physics back into focus: recentering moving flesh and bones as locus of social order, environmental change, and the global political economy.
 
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cover of Sportista: Female Fandom in the United States

Sportista

Female Fandom in the United States

Andrei S. Markovits

Temple University Press, 2012

The typical female sports fan remains very different from her male counterparts. In their insightful and engaging book, Sportista, Andrei S. Markovits and Emily Albertson examine the significant ways many women have become fully conversant with sports—acquiring a knowledge of and passion for them as a way of forging identities that until recently were quite alien to women.
 
Sportista chronicles the relationship that women have developed with sports in the wake of the second wave of feminism of the late 1960s and early 1970s. The changes women athletes have achieved have been nothing short of revolutionary. But, as Markovits and Albertson argue, women’s identities as sports fans, though also changed in recent decades, remain notably different from that of men. Sportista highlights the impediments to these changes that women have faced and the reality that, even as bona fide fans, they “speak” sports differently from and remain largely unaccepted by men.

In the series Politics, History and Social Change, edited by John C. Torpey

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cover of Sports Immortals: Deifying the American Athlete

Sports Immortals

Deifying the American Athlete

Peter Williams

University of Wisconsin Press, 1994

The Sports Immortals is the first study to systematically apply the classic theories of psychology and anthropology to sport to present a model of the ways in which we create mythical figures out of actual individuals. Peter Williams begins with the theories of thinkers like Jung, Frazer, and Otto Rank and then shows their application, first to sport itself, then, more specifically, to American sport, and particularly to baseball. The result is a clear illustration of the way in which we insist on making archetypes out of our heroes, and how this process is the same today as it was in ancient Athens and before.
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cover of Sports Movies

Sports Movies

Lester D. Friedman

Rutgers University Press, 2020

From Rocky to Field of Dreams, sports movies are among the most beloved of American films. Revolving around familiar narratives like the underdog story, these movies have generated modern-day legends, reinforcing and disseminating our national myths about the American Dream.

In Sports Movies, Lester D. Friedman describes the traditional formulas that have made these movies such crowd-pleasers, including stock figures like the disgraced athlete on a quest for redemption, or the wise old coaches who help mentor the heroes to victory. He also explores how the genre’s attitudes have changed over time, especially in key issues like class, race, masculinity, and women in sports.

Along the way, he takes stock of sports films from the dawn of cinema’s silent era to the present day, including classic baseball movies like Pride of the Yankees and Bull Durham, basketball movies like Hoosiers and He’s Got Game, football movies like Friday Night Lights and Rudy, and boxing movies like Raging Bull and Million Dollar Baby. As Friedman’s analyses reveal, not only do sports movies influence our perceptions about the drama of real-life sports, but they also help to shape our attitudes toward the competitive ethos in American life.
[more]
cover of Sports in Africa, Past and Present

Sports in Africa, Past and Present

Todd Cleveland

Ohio University Press, 2020

These groundbreaking essays demonstrate how Africans past and present have utilized sports to forge complex identities and shape Africa’s dynamic place in the world.

Since the late nineteenth century, modern sports in Africa have both reflected and shaped cultural, social, political, economic, generational, and gender relations on the continent. Although colonial powers originally introduced European sports as a means of “civilizing” indigenous populations and upholding then current notions of racial hierarchies and “muscular Christianity,” Africans quickly appropriated these sporting practices to fulfill their own varied interests. This collection encompasses a wide range of topics, including women footballers in Nigeria, Kenya’s world-class long-distance runners, pitches and stadiums in communities large and small, fandom and pay-to-watch kiosks, the sporting diaspora, sports pedagogy, sports as resistance and as a means to forge identity, sports heritage, the impact of politics on sports, and sporting biography.

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cover of Sports in Chicago

Sports in Chicago

Edited by Elliott Gorn

University of Illinois Press, 2007

Chicago teams have won the World Series, Super Bowl, multiple Stanley Cups, and a string of National Basketball Association titles. But amateur sports also play a large role in the city's athletic traditions, especially in schools and youth leagues that allow people from across the city to add to Chicago sports history. 

In Sports and Chicago, an all-star roster of experts focuses on multiple aspects of Chicago sports, including long looks at amateur boxing, the impact of gender and ethnicity in sports, the politics of horse racing and stadium building, the lasting scandal of the Black Sox, and the once-perpetual heartbreak of the Cubs. Illustrated with forty photographs, the collection encourages historians and sports fans alike to appreciate the long-standing importance of sports in the Windy City. 

Contributors: Peter Alter, Robin F. Bachin, Larry Bennett, Linda J. Borish, Gerald Gems, Elliott J. Gorn, Richard Kimball, Gabe Logan, Daniel A. Nathan, Timothy Neary, Steven A. Riess, John Russick, Timothy Spears, Costas Spirou, and Loïc Wacquant.

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cover of Sports in Zion: Mormon Recreation, 1890-1940

Sports in Zion

Mormon Recreation, 1890-1940

Richard Ian Kimball

University of Illinois Press, 2002

If a religion cannot attract and instruct young people, it will struggle to survive, which is why recreational programs were second only to theological questions in the development of twentieth-century Mormonism. In this book, Richard Ian Kimball explores how Mormon leaders used recreational programs to ameliorate the problems of urbanization and industrialization and to inculcate morals and values in LDS youth. As well as promoting sports as a means of physical and spiritual excellence, Progressive Era Mormons established a variety of institutions such as the Deseret Gymnasium and camps for girls and boys, all designed to compete with more "worldly" attractions and to socialize adolescents into the faith.

Kimball employs a wealth of source material including periodicals, diaries, journals, personal papers, and institutional records to illuminate this hitherto underexplored aspect of the LDS church. In addition to uncovering the historical roots of many Mormon institutions still visible today, Sports in Zion is a detailed look at the broader functions of recreation in society.

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cover of Sports: The First Five Millennia

Sports

The First Five Millennia

Allen Guttmann

University of Massachusetts Press, 2004

From ancient Egyptian archery and medieval Japanese football to contemporary American baseball, every sport has been shaped by—and in turn has helped shape—the culture of which it is part. Yet as Allen Guttmann shows in this far-ranging study, for all their differences sports have followed a similar historical trajectory from traditional to modern forms. 

In Sports: The First Five Millennia, Guttmann traces this evolution across continents, cultures, and historical epochs to construct a single comprehensive narrative of the world's sports.

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cover of Spreading the Word: Poetry and the Survival of Community in America

Spreading the Word

Poetry and the Survival of Community in America

Ross Talarico

Duke University Press, 1995

In 1985 poet Ross Talarico began a grassroots program in creative expression in Rochester, New York. As the program came together, so did the community—young and old, poor and privileged, even those who could not read or write but wanted to tell their stories. This book is a testimony to the poetry that experience produced. An exhilarating account of a successful experiment in promoting community self-expression, Spreading the Word interweaves the participants’ stories with Talarico’s own life, his struggle as a poet, and the drama of his workshops. The book will be both a resource and an inspiration for teachers of writing, writers, and those who simply wish to learn to write.
Drawing on his workshops in Rochester, Talarico describes a unique approach for eliciting poetry from people of many ages and backgrounds—particularly underpriviledged urban kids and the elderly. The process—from dialogue to self-expression to publication to public event—illuminates the urgency and meaning of releasing the spirit captured in each man and woman and child’s experience. "Some people say that Ross Talarico has done the impossible," the Today Show remarked of his success in Rochester; and with this book Talarico offers the same opportunity to others. Teachers, community leaders, parents, and children will be able to follow his practical, hands-on approach to encouraging self-expression in diverse, even unlikely, settings. They will see here how poetry is indeed relevant, ever more crucial to our identity as the culture evolves—how it is, finally, the place where the inarticulate can come to speak for themselves.
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cover of Spring in My Hometown

Spring in My Hometown

Andrew David Jackson

Lever Press, 2026

The inaugural volume of the Cinemas of Asia series, this book offers a fresh perspective on South Korean director Lee Kwang-mo’s 1998 film Spring in My Hometown (아름다운 시절). Written and directed by Lee, the intensely personal film tells the story of his grandfather’s relationship with his ten-year-old father during the Korean War. This volume examines the industrial context in which Lee attempted to bring his film into production, the cinematic cycle from which it emerged, and the unique style that captivated festival juries but divided audiences. Jackson’s book offers a rare, historical insight into an important Asian cinematic industry on the verge of commercial transformation at the end of the last century.

Cinemas of Asia is the first series dedicated to the cinemas of South, Southeast, East, Central Asia, and global Asian diasporas. Each volume provides a critical analysis and interpretation of a notable film from Asian cinema and consists of thematic chapters, accessible writing, and screenshots and illustrations. Authors analyze each film from a variety of angles, including film, literary, historical, gender, post-/decolonial studies, and each volume is accessibly written, informative, and appeals to academics, students, cinephiles, and non-experts alike. 

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cover of Spying with Maps: Surveillance Technologies and the Future of Privacy

Spying with Maps

Surveillance Technologies and the Future of Privacy

Mark Monmonier

University of Chicago Press, 2002

Maps, as we know, help us find our way around. But they're also powerful tools for someone hoping to find you. Widely available in electronic and paper formats, maps offer revealing insights into our movements and activities, even our likes and dislikes. In Spying with Maps, the "mapmatician" Mark Monmonier looks at the increased use of geographic data, satellite imagery, and location tracking across a wide range of fields such as military intelligence, law enforcement, market research, and traffic engineering. Could these diverse forms of geographic monitoring, he asks, lead to grave consequences for society? To assess this very real threat, he explains how geospatial technology works, what it can reveal, who uses it, and to what effect.

Despite our apprehension about surveillance technology, Spying with Maps is not a jeremiad, crammed with dire warnings about eyes in the sky and invasive tracking. Monmonier's approach encompasses both skepticism and the acknowledgment that geospatial technology brings with it unprecedented benefits to governments, institutions, and individuals, especially in an era of asymmetric warfare and bioterrorism. Monmonier frames his explanations of what this new technology is and how it works with the question of whether locational privacy is a fundamental right. Does the right to be left alone include not letting Big Brother (or a legion of Little Brothers) know where we are or where we've been? What sacrifices must we make for homeland security and open government?

With his usual wit and clarity, Monmonier offers readers an engaging, even-handed introduction to the dark side of the new technology that surrounds us—from traffic cameras and weather satellites to personal GPS devices and wireless communications.
[more]
cover of Squaring Up: Policy Strategies to Raise Women's Incomes in the United States

Squaring Up

Policy Strategies to Raise Women's Incomes in the United States

Mary C. King, Editor

University of Michigan Press, 2001

Despite three decades of progress, American women's incomes still average just over half of those of men. This income gap is both a cause and a symptom of gender inequity. The gap means that women are only half as able as men to support themselves and their families, are too often mired in poverty, and have less power than men do in their families, communities, and governments. In this book, economists present readable, informative, and compelling assessments of several policy strategies capable of bringing down the barriers to economic equality for women and men. More specifically, Squaring Up discusses the potential of ten different strategies to raise women's incomes. These strategies fall into three categories: those intended to reduce the negative impact of childrearing on women's incomes, those designed to raise the wages in the jobs where most working women are concentrated, and those focused on moving women into better-paying positions. The chapters on each policy strategy represent both a state-of-the-art assessment of the potential of each strategy to raise American women's incomes and an introduction to the topic that includes information on current programs and directs the reader to the most important literature on the topic. The policies considered constitute a pluralist agenda for women, one that can be supported by people across the American political spectrum as it calls for support for stay-at-home mothers, poor women, women in stereotypical "women's jobs," women in non-traditional employment, high-powered women executives and older women. This book features contributions from many of the best economists working on issues of relevance to women today, including Nancy Folbre, recent recipient of a MacArthur "genius" fellowship, and Barbara Bergmann, previous president of the International Association for Feminist Economics and author of The Economic Emergence of Women. Squaring Up is designed for courses in a wide range of disciplines, including public policy, political science, economics, sociology, and women's studies. It is also intended for policy makers, opinion leaders, activists, and the general public interested in women's issues.
[more]
cover of Squatter Life: Persistence at the Urban Margins of Buenos Aires

Squatter Life

Persistence at the Urban Margins of Buenos Aires

Javier Auyero and Sofía Servián

Duke University Press, 2025

In Squatter Life, sociologist Javier Auyero and anthropologist Sofía Servián detail the diverse and often precarious strategies that Argentina’s urban poor rely on to survive. Blending three years of ethnographic fieldwork and anthropological theory with personal narratives of Servián’s experience growing up and living in a squatter settlement, the authors examine how Argentina’s squatter communities contend with violence and secure necessities like food, land, and housing despite inadequate state support and protection. Auyero and Servián recount the bricolage of tactics these individuals employ to make ends meet, such as relying on highly exploitative jobs, patronage, and networks of reciprocal exchange that can involve illicit activities. Analyzing how these survival strategies intersect with class, gender, and political domination, the authors present a nuanced account of marginality in Argentinian squatter settlements while maintaining a deeply human portrait of survival and persistence.
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cover of Squatters and the Roots of Mau Mau, 1905–1963

Squatters and the Roots of Mau Mau, 1905–1963

Tabitha Kanogo

Ohio University Press, 1987

This is a study of the genesis, evolution, adaptation and subordination of the Kikuyu squatter labourers, who comprised the majority of resident labourers on settler plantations and estates in the Rift Valley Province of the White Highlands. The story of the squatter presence in the White Highlands is essentially the story of the conflicts and contradictions that existed between two agrarian systems, the settler plantation economy and the squatter peasant option. Initially, the latter developed into a viable but much resented sub-system which operated within and, to some extent, in competition with settler agriculture. This study is largely concerned with the dynamics of the squatter presence in the White Highlands and with the initiative, self-assertion and resilience with which they faced their subordinate position as labourers. In their response to the machinations of the colonial system, the squatters were neither passive nor malleable but, on the contrary, actively resisted coercion and subordination as they struggled to carve out a living for themselves and their families….

It is a firm conviction of this study that Kikuyu squatters played a crucial role in the initial build-up of the events that led to the outbreak of the Mau Mau war.

—from the introduction

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cover of Squee from the Margins: Fandom and Race

Squee from the Margins

Fandom and Race

Rukmini Pande

University of Iowa Press, 2018

Rukmini Pande’s examination of race in fan studies is sure to make an immediate contribution to the growing field. Until now, virtually no sustained examination of race and racism in transnational fan cultures has taken place, a lack that is especially concerning given that current fan spaces have never been more vocal about debating issues of privilege and discrimination. 

Pande’s study challenges dominant ideas of who fans are and how these complex transnational and cultural spaces function, expanding the scope of the field significantly. Along with interviewing thirty-nine fans from nine different countries about their fan practices, she also positions media fandom as a postcolonial cyberspace, enabling scholars to take a more inclusive view of fan identity. With analysis that spans from historical to contemporary, Pande builds a case for the ways in which non-white fans have always been present in such spaces, though consistently ignored. 

[more]
cover of Sri Lanka--Ethnic Fratricide and the Dismantling of Democracy

Sri Lanka--Ethnic Fratricide and the Dismantling of Democracy

Stanley Jeyaraja Tambiah

University of Chicago Press, 1986

Focusing on the historical events of post-independence Sri Lanka, S. J. Tambiah analyzes the causes of the violent conflict between the majority Sinhalese Buddhists and the minority Tamils. He demonstrates that the crisis is primarily a result of recent societal stresses—educational expansions, linguistic policy, unemployment, uneven income distribution, population movements, contemporary uses of the past as religious and national ideology, and trends toward authoritarianism—rather than age-old racial and religious differences.

"In this concise, informative, lucidly written book, scrupulously documented and well indexed, [Tambiah] trains his dispassionate anthropologist's eye on the tangled roots of an urgent, present-day problem in the passionate hope that enlightenment, understanding, and a generous spirit of compromise may yet be able to prevail."—Merle Rubin, Christian Science Monitor

"An incredibly rich and balanced analysis of the crisis. It is exemplary in highlighting the general complexities of ethnic crises in long-lived societies carrying a burden of historical memories."—Amita Shastri, Journal of Asian Studies

"Tambiah makes an eloquent case for pluralist democracy in a country abundantly endowed with excuses to abandon such an approach to politics."—Donald L. Horowitz, New Republic
"An excellent and thought-provoking book, for anyone who cares about Sri Lanka."—Paul Sieghart, Los Angeles Times Book Review

[more]
cover of St Peter-On-The-Wall: Landscape and Heritage on the Essex Coast

St Peter-On-The-Wall

Landscape and Heritage on the Essex Coast

Edited by Johanna Dale

University College London, 2023

A detailed study of one of the oldest largely intact churches in England.

The Chapel of St Peter-on-the-Wall, built on the ruins of a Roman fort, dates from the mid-seventh century and is one of the oldest largely intact churches in England. It stands in splendid isolation on the shoreline at the mouth of the Blackwater Estuary in Essex, where the land meets and interpenetrates with the sea and the sky. This book brings together contributors from across the arts, humanities, and social sciences to uncover the premodern contexts and modern resonances of this medieval building and its landscape setting. In analyzing the significance of the chapel and surrounding landscape over more than a thousand years, this collection additionally contributes to wider debates about the relationship between space and place, and particularly the interfaces between both medieval and modern cultures and also heritage and the natural environment.
 
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cover of St. Augustine's Bones: A Microhistory

St. Augustine's Bones

A Microhistory

Harold Samuel Stone

University of Massachusetts Press, 2002

In 1695, workers in Pavia, Italy, chanced upon a collection of bones in the crypt of the Cathedral of San Pietro in Ciel d'Oro. The workers later testified that they had seen the name of St. Augustine written in charcoal on the surface of the casket they had uncovered. Yet by the time of the official inquest, all traces of the writing had disappeared. 

Rich with new insights into urban literacy and conceptions of reading, this book explores the controversy that ensued over the alleged discovery of Augustine's bones. Manuscripts, broadsides, pamphlets—even whole books—were devoted to proving or disproving the authenticity of the remains. Although these works were addressed to members of the clergy, they were also intended for the general reading public in Pavia, Milan, and Venice. Their dissemination helped create a temporary public sphere in which the merits of the case were examined in a spirit of free debate. 

A reexamination of the dispute over St. Augustine's bones illuminates aspects of Catholic spirituality in Northern Italy during the late seventeenth and early eighteenth centuries. It also reveals the different ways in which Catholic scholars, local religious leaders, and the papal administration sought to influence and direct local popular religious belief and practices. Although the controversy was officially resolved by the papacy in 1728, the debate over the relics of San Pietro continued into the twentieth century. 

By combining methods developed in the burgeoning field of the history of the book with the tools of cultural analysis, Harold Samuel Stone not only recovers the stories surrounding St. Augustine's bones, but also reconstructs the mental world of those who read or heard them.

[more]
cover of St. Louis: Evolution Of American Urban Landscape

St. Louis

Evolution Of American Urban Landscape

ERIC SANDWEISS

Temple University Press, 2001

St. Louis's story stands for the story of all those cities whose ambitions and civic self-image, forged from the growth of the mercantile and industrial eras, have been dramatically altered over time. More dramatically, perhaps, than most -- but in a manner shared by all -- St. Louis's changing economic base, shifting population and altered landscape have forced scholars, policymakers, and residents alike to acknowledge the transciency of what once seemed inexorable metropolitan trends: concentration, growth, accumulated wealth, and generally improved well-being.

In this book, Eric Sandweiss scrutinizes the everyday landscape -- streets, houses, neighborhoods, and public buildings -- as it evolved in a classic American city. Bringing to life the spaces that most of us pass without noticing, he reveals how the processes of dividing, trading, improving, and  dwelling upon land are acts that reflect and shape social relations. From its origins as a French colonial settlement in the eighteenth century to the present day, St. Louis offers a story not just about how our past is diagrammed in brick and asphalt, but also about the American city's continuing viability as a place where the balance of individual rights and collective responsibilities can be debated, demonstrated and adjusted for generations to come.
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cover of Stability and Change in Guale Indian Pottery, A.D. 1300-1702

Stability and Change in Guale Indian Pottery, A.D. 1300-1702

Rebecca Saunders

University of Alabama Press, 2000

Through a comprehensive study of changing pottery attributes, Saunders documents the clash of Spanish and Native American cultures in the 16th-century southeastern United States.

By studying the ceramic traditions of the Guale Indians, Rebecca Saunders provides evidence of change in Native American lifeways from prehistory through European contact and the end of the Mission period. The Guale were among the first southeastern groups to come into contact with Spanish and French colonists, and they adapted various strategies in order to ensure their own social survival. That adaptation is reflected, Saunders shows, in the changing attributes of pottery recovered on archaeological sites on the coasts of Georgia and Florida.

Saunders traces the evolution of Guale pottery from the late prehistoric Irene phase through the Mission period at the three archaeological sites. She uses both technological and stylistic attributes to monitor change, paying particular attention to changes in execution and frequency of the filfot cross—a stylized cross that is a symbol of Guale cosmology. The frequency of this symbol in different ceramic components, according to Saunders, is a measure of change in the worldview of the missionized Guale. Although the symbol abruptly changed after the first Spanish contact, it showed remarkable stability through the Mission period, suggesting that traditional craft training and production remained strong despite high mortality rates and frequent relocation.

Only after 1684, when the Guale were relocated to Amelia Island in present-day Florida, did the use of the cross motif decline, suggesting that the Guale who remained in Spanish territory may have conceived of their place in the cosmos differently from their forebears or their contemporaries who fled to the interior.

[more]
cover of Stacked Decks: Building Inspectors and the Reproduction of Urban Inequality

Stacked Decks

Building Inspectors and the Reproduction of Urban Inequality

Robin Bartram

University of Chicago Press, 2022

A startling look at the power and perspectives of city building inspectors as they navigate unequal housing landscapes.
 
Though we rarely see them at work, building inspectors have the power to significantly shape our lives through their discretionary decisions. The building inspectors of Chicago are at the heart of sociologist Robin Bartram’s analysis of how individuals impact—or attempt to impact—housing inequality. In Stacked Decks, she reveals surprising patterns in the judgment calls inspectors make when deciding whom to cite for building code violations. These predominantly white, male inspectors largely recognize that they work within an unequal housing landscape that systematically disadvantages poor people and people of color through redlining, property taxes, and city spending that favor wealthy neighborhoods. Stacked Decks illustrates the uphill battle inspectors face when trying to change a housing system that works against those with the fewest resources.
 
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cover of Stadium City: Sports and Media Infrastructure in the United States

Stadium City

Sports and Media Infrastructure in the United States

Helen Morgan Parmett

University of Illinois Press, 2025

A new sports stadium has an outsized impact on a city’s landscape and image of itself. Each stadium also plays a central role in media institutions, technologies, and culture as a catalyst for urban change and flashy neighborhood anchor, cornerstone of regional identity and purveyor of multimedia experiences. Helen Morgan Parmett analyzes sports stadiums in Atlanta, Seattle, and Minneapolis to demonstrate the role that media institutions, technologies, and culture play in sports and examine their impact on the urban landscape. These interconnected factors impact struggles over city space, identity, and urban governing. As Morgan Parmett shows, stadiums exist as more than just buildings and sporting places—they are central nodes in the city that connect, disconnect, and distribute resources, people, information, and, ultimately, power. Morgan Parmett demonstrates how the “sportification” of place is influenced by the specific histories, geography, and sporting cultures of a city while explaining their relationship to broader forces at work in media, sport, and urbanism. Original and incisive, Stadium City offers a beyond-the-playing-field analysis of sports stadiums and their impact on our cities and our lives.
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cover of Stage Blood: Vampires of the 19th Century Stage

Stage Blood

Vampires of the 19th Century Stage

Roxana Stuart

University of Wisconsin Press, 1994

The vampire originally took on its characteristics in the public imagination from a series of plays written and performed by some of the most important figures in nineteenth-century theater. This work is the first major study devoted to the vampire on stage; the author discusses the figure that preceded Dracula—Lord Ruthven—the subject of more than forty English, French, and American plays. The principal works are melodramas, but the vampire theme was also treated in tragedy, opera, ballet, burlesque, farce, burletta, and satire.
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cover of Staged News: The Federal Theatre Project’s Living Newspapers in New York

Staged News

The Federal Theatre Project’s Living Newspapers in New York

Jordana Cox

University of Massachusetts Press, 2023

Finalist for the 2023 Frank Luther Mott - Kappa Tau Alpha Journalism and Mass Communication Research Award

In 1935, a group of journalists and theater artists embarked on an unusual collaboration. With funds from the Federal Theatre Project (FTP), a Depression-era employment initiative established by President Roosevelt’s New Deal, they set out to produce news for the theatrical stage. Over the next four years, the New York–based team created six productions, known as the Living Newspapers. Covering a variety of public issues that included affordable housing, the plight of Dust Bowl farmers, the Tennessee Valley Authority, and labor law, Living Newspaper productions would reach hundreds of thousands of spectators and inspire adaptations across the country.

Staged News interprets the Living Newspaper’s process and repertoire amid journalists’ changing conceptions of their profession. Jordana Cox spotlights marginalized “newsmakers,” particularly Black artists, who challenged the parameters of public knowledge and assumptions surrounding newsworthiness. This timely analysis reveals how a vital theatrical form sprouted from a changing news landscape and reimagined what journalism could do for people seeking democratic change.

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cover of Staged Otherness: Ethnic Shows in Central and Eastern Europe, 1850–1939

Staged Otherness

Ethnic Shows in Central and Eastern Europe, 1850–1939

Dagnoslaw Demski

Central European University Press, 2022

The cultural phenomenon of exhibiting non-European people in front of the European audiences in the 19th and 20th century was concentrated in the metropolises in the western part of the continent. Nevertheless, traveling ethnic troupes and temporary exhibitions of non-European humans took place also in territories located to the east of the Oder river and Austria. The contributors to this edited volume present practices of ethnographic shows in Russia, Poland, Czechia, Slovenia, Hungary, Germany, Romania, and Austria and discuss the reactions of local audiences. The essays offer critical arguments to rethink narratives of cultural encounters in the context of ethnic shows. By demonstrating the many ways in which the western models and customs were reshaped, developed, and contested in Central and Eastern European contexts, the authors argue that the dominant way of characterizing these performances as “human zoos” is too narrow.

The contributors had to tackle the difficult task of finding traces other than faint copies of official press releases by the tour organizers. The original source material was drawn from local archives, museums, and newspapers of the discussed period. A unique feature of the volume is the rich amount of images that complement every single case study of ethnic shows.

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cover of Stages of Life: Transcultural Performance and Identity in U.S. Latina Theater

Stages of Life

Transcultural Performance and Identity in U.S. Latina Theater

Alberto Sandoval-Sánchez

University of Arizona Press, 2001

Latina theater and solo performance emerged in the 1990s as vibrant, energetic new genres found on stages from New York to Los Angeles. Many women now work in all aspects of Latina theater—often as playwrights or solo performers—with practitioners ranging from teenagers to grandmothers. Alberto Sandoval-Sánchez and Nancy Saporta Sternbach have previously published a groundbreaking anthology of Latina theater, Puro Teatro. They now offer a critical analysis of theatrical works, presenting a theoretical perspective from which to examine, understand, and contextualize Latina theater as a genre in its own right.

This is the first in-depth study of the entire corpus of Latina theater, based on close readings of works both published and in manuscript. It considers a large body of productions and performances, including works by such internationally known authors as Dolores Prida, Cherríe Moraga, and Janis Astor del Valle.

Applying feminist and postcolonial theory as well as theories of transculturation, Sandoval-Sánchez and Sternbach show how, despite cultural differences among Latinas, their works share a common poetics by building upon the politics of representation, identity, and location. In addition to covering theater, this study also shows that solo performance has its own history, properties, structure, and poetics. It examines performances of Carmelita Tropicana, Monica Palacios, and Marga Gomez—artists whose hybrid identities as Latina lesbians constitute living examples of transculturation in the making—to show how solo performance has roots in and digresses from more traditional modes of theater. With their Latina heritage as a unifying link, these women reflect common traits, patterns, dramatic structures, and properties that overcome regional differences. Stages of Life reads these eclectic cultural productions as a unified body of work that contributes to the formation of Latina identity in America today.
[more]
cover of Stagestruck: Theater, AIDS, and the Marketing of Gay America

Stagestruck

Theater, AIDS, and the Marketing of Gay America

Sarah Schulman

Duke University Press, 1998

In Stagestruck noted novelist and outspoken critic Sarah Schulman offers an account of her growing awareness of the startling similarities between her novel People in Trouble and the smash Broadway hit Rent. Written with a powerful and personal voice, Schulman’s book is part gossipy narrative, part behind-the-scenes glimpse into the New York theater culture, and part polemic on how mainstream artists co-opt the work of “marginal” artists to give an air of diversity and authenticity to their own work. Rising above the details of her own case, Schulman boldly uses her suspicions of copyright infringement as an opportunity to initiate a larger conversation on how AIDS and gay experience are being represented in American art and commerce.
Closely recounting her discovery of the ways in which Rent took materials from her own novel, Schulman takes us on her riveting and infuriating journey through the power structures of New York theater and media, a journey she pursued to seek legal restitution and make her voice heard. Then, to provide a cultural context for the emergence of Rent—which Schulman experienced first-hand as a weekly theater critic for the New York Press at the time of Rent’s premiere—she reveals in rich detail the off- and off-off-Broadway theater scene of the time. She argues that these often neglected works and performances provide more nuanced and accurate depictions of the lives of gay men, Latinos, blacks, lesbians and people with AIDS than popular works seen in full houses on Broadway stages. Schulman brings her discussion full circle with an incisive look at how gay and lesbian culture has become rapidly commodified, not only by mainstream theater productions such as Rent but also by its reduction into a mere demographic made palatable for niche marketing. Ultimately, Schulman argues, American art and culture has made acceptable a representation of “the homosexual” that undermines, if not completely erases, the actual experiences of people who continue to suffer from discrimination or disease. Stagestruck’s message is sure to incite discussion and raise the level of debate about cultural politics in America today.


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