Results by title

A wide-ranging reconsideration of a literary landmark, Spoon River America tells the story of how a Midwesterner's poetry helped change a nation's conception of itself.

What lies beneath the surface of Masters' timeless classic

One of the most striking and original achievements in American poetry is now available in a remarkable edition that comprehends the poet and his book in an entirely new way.

This edition of Spoon River Anthology probes the social background of the small-town world that Edgar Lee Masters loved and hated--and finally transmuted into powerful literary art. Extensive annotations identify the people whose lives inspired the 243 poetic accounts of frustration, violence, struggle, and triumph that shocked American readers.

The most extraordinary feature of this edition is the extensive introduction that provides the key to this misunderstood American classic. The book's relationship to Whitman is clearly established, and the important influences of Browning, Goethe, Spinoza, and others are revealed for the first time. John Hallwas' approach combines cultural, biographical, philosophical, psychoanalytic, mythic, and symbolic insights--and concludes with a stunning reassessment of "Our New Poet."

The annotated Spoon River Anthology supersedes seventy-five years of largely misdirected critical commentary. It will send a new generation of readers back to this surprisingly complex book that probes so deeply into the American consciousness.

Chapters consider how the philosophical and theoretical understanding of the meaning of history influence a willingness to engage with digital history, and conceptualize the relationship between history making and the digital era. As the writers show, digital media's mostly untapped potential for studying the recent past via blogs, chat rooms, gambling sites, and the like forge a symbiosis between sports and the internet, and offer historians new vistas to explore and utilize.

Sport History in the Digital Era also shows how the best digital history goes beyond a static cache of curated documents. Instead, it becomes a truly public history that serves as a dynamic site of enquiry and discussion. In such places, scholars enter into a give-and-take with individuals while inviting the audience to grapple with, rather than passively absorb, the evidence being offered.

Timely and provocative, Sport History in the Digital Era affirms how the information revolution has transformed sport and sport history--and shows the road ahead.

Contributors include Douglas Booth, Mike Cronin, Martin Johnes, Matthew Klugman, Geoffery Z. Kohe, Tara Magdalinski, Fiona McLachlan, Bob Nicholson, Rebecca Olive, Gary Osmond, Murray G. Phillips, Stephen Robertson, Synthia Sydnor, Holly Thorpe, and Wayne Wilson.

What is the purpose of sport, and how are ethical conceptions of sport shaped by the answers to this question? In Sport and Moral Conflict, William Morgan investigates, examining sport as a moral crucible that puts athletes in competitive, emotionally charged situations where fairness and equality are contested alongside accomplishment.

Morgan looks at the modern Olympics—from 1906 Athens to 1924 Paris, when the Games reached international prestige — in order to highlight the debate about athletic excellence and the amateur-professional divide. Whereas the Americans emphasized winning, the Europeans valued a love of the game. Morgan argues that the existing moral theories of sport—formalism and broad internalism (aka interpretivism), which rely on rules and general principles—fall short when confronted with such a dispute as the transition from amateur to professional sport. As such, he develops a theory of conventionalism, in which the norms at work in athletic communities determine how players should ethically acquit themselves. Presenting his case for an ethical theory of sport, Morgan provides insights regarding the moral controversies and crises that persist today.

2025 Anthology Award, North American Society for Sport History

The stories behind and legacies of important sports photos from the last 130 years.

Ever since photography and professional sports originated in the nineteenth century, photographers have shaped how we perceive sports. Sports through the Lens collects essays by twenty-five historians that consider what it means to capture and revisit a moment of cultural significance in sports, looking at each photo’s creation, its contexts, and how its meaning has shifted over time. Some essays provide fresh perspectives on such iconic images as Muhammad Ali standing over Sonny Liston at their 1965 rematch and Michael Jordan soaring at the 1988 NBA All-Star Game slam dunk competition; others introduce readers to the lesser-known stories of the first woman to officially run the Boston Marathon or the inaugural World Indigenous Games. The authors examine the photos' legacies alongside the artistry of both the athletes and the photographers. Reflecting on images of athletes from around the world engaged in sports from baseball to horse-racing to hockey, Sports through the Lens provides a wide-ranging meditation on the visual, historical, and cultural meaning of sports photographs.

From ancient Egyptian archery and medieval Japanese football to contemporary American baseball, every sport has been shaped by—and in turn has helped shape—the culture of which it is part. Yet as Allen Guttmann shows in this far-ranging study, for all their differences sports have followed a similar historical trajectory from traditional to modern forms. 

In Sports: The First Five Millennia, Guttmann traces this evolution across continents, cultures, and historical epochs to construct a single comprehensive narrative of the world's sports.

In 1695, workers in Pavia, Italy, chanced upon a collection of bones in the crypt of the Cathedral of San Pietro in Ciel d'Oro. The workers later testified that they had seen the name of St. Augustine written in charcoal on the surface of the casket they had uncovered. Yet by the time of the official inquest, all traces of the writing had disappeared. 

Rich with new insights into urban literacy and conceptions of reading, this book explores the controversy that ensued over the alleged discovery of Augustine's bones. Manuscripts, broadsides, pamphlets—even whole books—were devoted to proving or disproving the authenticity of the remains. Although these works were addressed to members of the clergy, they were also intended for the general reading public in Pavia, Milan, and Venice. Their dissemination helped create a temporary public sphere in which the merits of the case were examined in a spirit of free debate. 

A reexamination of the dispute over St. Augustine's bones illuminates aspects of Catholic spirituality in Northern Italy during the late seventeenth and early eighteenth centuries. It also reveals the different ways in which Catholic scholars, local religious leaders, and the papal administration sought to influence and direct local popular religious belief and practices. Although the controversy was officially resolved by the papacy in 1728, the debate over the relics of San Pietro continued into the twentieth century. 

By combining methods developed in the burgeoning field of the history of the book with the tools of cultural analysis, Harold Samuel Stone not only recovers the stories surrounding St. Augustine's bones, but also reconstructs the mental world of those who read or heard them.

The nineteenth-century Southern novel that transformed romance, virtue, and redemption into literary legend.

St. Elmo was the most famed and beloved novel by Augusta Jane Evans, a June 2015 inductee into the Alabama Writers Hall of Fame. First published in 1866, Evans’s rich tale of the relationship between the dashing and worldly St. Elmo and Edna Earl, an exemplar of virtuous Southern womanhood, sold over a million copies in four months and became one of the nineteenth century’s most influential novels.

This edition includes an introduction by Evans scholar Diane Roberts about the enduring relevance and legacy of St. Elmo as a work of literature as well as a reflection of gender roles and the seismic societal changes taking place in the United States in the aftermath of the Civil War.
 

Finalist for the 2023 Frank Luther Mott - Kappa Tau Alpha Journalism and Mass Communication Research Award

In 1935, a group of journalists and theater artists embarked on an unusual collaboration. With funds from the Federal Theatre Project (FTP), a Depression-era employment initiative established by President Roosevelt’s New Deal, they set out to produce news for the theatrical stage. Over the next four years, the New York–based team created six productions, known as the Living Newspapers. Covering a variety of public issues that included affordable housing, the plight of Dust Bowl farmers, the Tennessee Valley Authority, and labor law, Living Newspaper productions would reach hundreds of thousands of spectators and inspire adaptations across the country.

Staged News interprets the Living Newspaper’s process and repertoire amid journalists’ changing conceptions of their profession. Jordana Cox spotlights marginalized “newsmakers,” particularly Black artists, who challenged the parameters of public knowledge and assumptions surrounding newsworthiness. This timely analysis reveals how a vital theatrical form sprouted from a changing news landscape and reimagined what journalism could do for people seeking democratic change.

The cultural phenomenon of exhibiting non-European people in front of the European audiences in the 19th and 20th century was concentrated in the metropolises in the western part of the continent. Nevertheless, traveling ethnic troupes and temporary exhibitions of non-European humans took place also in territories located to the east of the Oder river and Austria. The contributors to this edited volume present practices of ethnographic shows in Russia, Poland, Czechia, Slovenia, Hungary, Germany, Romania, and Austria and discuss the reactions of local audiences. The essays offer critical arguments to rethink narratives of cultural encounters in the context of ethnic shows. By demonstrating the many ways in which the western models and customs were reshaped, developed, and contested in Central and Eastern European contexts, the authors argue that the dominant way of characterizing these performances as “human zoos” is too narrow.

The contributors had to tackle the difficult task of finding traces other than faint copies of official press releases by the tour organizers. The original source material was drawn from local archives, museums, and newspapers of the discussed period. A unique feature of the volume is the rich amount of images that complement every single case study of ethnic shows.

"An invaluable resource to teachers of Latin American theater, with texts that provide an accurate panorama of Latin American theater."
---Adam Versenyi, University of North Carolina at Chapel Hill

Stages of Conflict brings together a vast array of dramatic texts, ambitiously tracing the intersection of theater and social and political life in the Americas over the past five centuries. Including eighteen works faithfully translated into English, the collection moves from a sixteenth century Mayan dance-drama to a 2003 production by the first published indigenous playwright in Mexico. Historical pieces from the sixteenth century to the present highlight the encounter between indigenous tradition and colonialism, while contributions from modern playwrights such as Virgilio Pinero, Jose Triana, and Denise Stolkos take on the tumultuous political and social upheavals of the past century.

The editors have added comprehensive critical commentary that details the origins of each play, affording scholars and students of theater, performance studies, and Latin American studies the opportunity to view the history of a continent through its rich and diverse theatrical traditions.

Diana Taylor is Director of The Hemispheric Institute of Performance and Politics and Professor of Performance Studies and Spanish at New York University. Her books include the award-winning volume The Archive and the Repertoire: Performing Cultural Memory in the Americas.

Sarah J. Townsend is a doctoral student at New York University.

From plantation performances to minstrel shows of the late nineteenth century, the roots of black theatre in Texas reflect the history of a state where black Texans have continually created powerful cultural emblems that defy the clichés of horses, cattle, and bravado. Drawing on troves of archival materials from numerous statewide sources, Stages of Struggle and Celebration captures the important legacies of the dramatic arts in a historical field that has paid most of its attention to black musicians.

Setting the stage, the authors retrace the path of the cakewalk and African-inspired dance as forerunners to formalized productions at theaters in the major metropolitan areas. From Houston’s Ensemble and Encore Theaters to the Jubilee in Fort Worth, gospel stage plays of the Black Academy of Arts and Letters in Dallas, as well as San Antonio’s Hornsby Entertainment Theater Company and Renaissance Guild, concluding with ProArts Collective in Austin, Stages of Struggle and Celebration features founding narratives, descriptions of key players and memorable productions, and enlightening discussions of community reception and the business challenges faced by each theatre. The role of drama departments in historically black colleges in training the companies’ founding members is also explored, as is the role the support of national figures such as Tyler Perry plays in ensuring viability. A canon of Texas playwrights completes the tour. The result is a diverse tribute to the artistic legacies that continue to inspire new generations of producers and audiences.

The legendary University of Chicago football program had an unusual beginning, a dazzling middle, and an inglorious conclusion. Its architect: Amos Alonzo Stagg, the most creative and entrepreneurial college coach of his time. A former all-American gridiron star at Yale, Stagg joined an elite academic institution that boasted intellectual notables like John Dewey, Thorstein Veblen, and Albert Michelson. Within fifteen years, the fame of Stagg's football program had eclipsed even Michelson's renown as the first American citizen to win a Nobel Prize. 

Robin Lester follows the commercial trail blazed by Stagg and University President William Rainey Harper and the subsequent transformation of college football into a mass entertainment industry that changed campuses and captured the national imagination. Fascinating and detailed, Stagg's Universityreveals how the University of Chicago's football industry prefigured today's billion-dollar sport juggernaut and details the life and leadership of one of its foundational personages.

A comprehensive history of the Provincetown Players and their influence on modern American theatre

The Provincetown Players created a revolution in American theatre, making room for truly modern approaches to playwriting, stage production, and performance unlike anything that characterized the commercial theatre of the early twentieth century. In Staging America: The Artistic Legacy of the Provincetown Players, Jeffery Kennedy gives readers the unabridged story in a meticulously researched and comprehensive narrative that sheds new light on the history of the Provincetown Players. This study draws on many new sources that have only become available in the last three decades; this new material modifies, refutes, and enhances many aspects of previous studies.

At the center of the study is an extensive account of the career of George Cram Cook, the Players’ leader and artistic conscience, as well as one of the most significant facilitators of modernist writing in early twentieth-century American literature and theatre. It traces Cook’s mission of “cultural patriotism,” which drove him toward creating a uniquely American identity in theatre. Kennedy also focuses on the group of friends he calls the “Regulars,” perhaps the most radical collection of minds in America at the time; they encouraged Cook to launch the Players in Provincetown in the summer of 1915 and instigated the move to New York City in fall 1916.

Kennedy has paid particular attention to the many legends connected to the group (such as the “discovery” of Eugene O’Neill), and also adds to the biographical record of the Players’ forty-seven playwrights, including Susan Glaspell, Neith Boyce, Edna St. Vincent Millay, Floyd Dell, Rita Wellman, Mike Gold, Djuna Barnes, and John Reed. Kennedy also examines other fascinating artistic, literary, and historical personalities who crossed the Players’ paths, including Emma Goldman, Charles Demuth, Berenice Abbott, Sophie Treadwell, Theodore Dreiser, Claudette Colbert, and Charlie Chaplin. Kennedy highlights the revolutionary nature of those living in bohemian Greenwich Village who were at the heart of the Players and the America they were responding to in their plays.