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Discover the women who transformed Alabama's past and continue to inspire its future.

The history of Alabama has been told, but most often in terms of white men and their politics and economics. Now a more complex story of the state is emerging from the shadows of history in a new book that investigates the place of women from the perspective of race, class, and gender. Stepping Out of the Shadows, is a compilation of articles first presented at the 1990 Alabama Women’s History Forum in Birmingham, and edited by Mary Martha Thomas. The writers discuss the lives of women in antebellum Alabama and reexamine the roles of both black and white women as missionaries during Reconstruction, as reformers and suffrage leaders in the Progressive era, and as members of the state legislature in the 20th century.
 

Jennifer Ring questions the forces that try to keep girls who want to play baseball away from the game. Focusing on a history that, unfortunately, repeats itself, Ring describes the circumstances that twice stole baseball from American girls: once in the late nineteenth and early twentieth century, and again in the late twentieth century, after it was no longer legal to exclude girls who wanted to play. In the early twentieth century, Albert Goodwill Spalding--sporting goods magnate, baseball player, and promoter--declared baseball off limits for women and envisioned global baseball on a colonialist scale, using the American sport to teach men from non-white races and non-European cultures to become civilized and rational. And by the late twentieth century, baseball had become serious business for boys and men at all levels, with female players perceived as obstacles or detriments to rising male players' chances of success.

Stolen Bases also looks at the backgrounds of American softball, which was originally invented by men who wanted to keep playing baseball indoors during cold winter months but has become the consolation sport for most female players. Throughout her analysis, Ring searches for ways to rescue baseball from its arrogance and sense of exclusionary entitlement.

Examines how poor and working-class communities in Guadalajara organized through faith, education, and culture to claim dignity, justice, and the right to the city.

Strength in Unity: Christian Base Communities and the Urban Popular Movement in Guadalajara, 1965–1994 presents the grassroots history of Guadalajara’s urban popular movement, centering the voices and struggles of poor and working-class communities, especially women, who organized for dignity, justice, and the right to the city. Brad H. Wright brings to light the transformative role of Christian base communities and Freirean popular education as incubators of political consciousness and collective action in the face of authoritarian repression and neoliberal coaptation.

Drawing from oral histories, personal archives, and the records of the Sagrado Corazón nuns, Wright reconstructs a powerful counternarrative to dominant portrayals of marginalized populations as “apathetic” and “uneducated.” Strength in Unity reveals a vibrant culture of resistance where women led campaigns for basic services, built schools, and demanded access to transportation, using tools such as community newspapers, street theater, and music to mobilize and sustain solidarity.

This deeply researched and compellingly told history challenges conventional accounts of urban development and social movements in Latin America. Strength in Unity is essential reading for scholars, students, and activists interested in grassroots organizing, liberation theology, and the enduring power of community-led change.
 

Shilyh Warren reopens this understudied period and links it to a neglected era of women's filmmaking that took place from 1920 to 1940, another key period of thinking around documentary, race, and gender. Drawing women’s cultural expression during these two explosive times into conversation, Warren reconsiders key debates about subjectivity, feminism, realism, and documentary and their lasting epistemological and material consequences for film and feminist studies. She also excavates the lost ethnographic history of women's documentary filmmaking in the earlier era and explores the political and aesthetic legacy of these films in more explicitly feminist periods like the Seventies.

Filled with challenging insights and new close readings, Subject to Reality sheds light on a profound and unexamined history of feminist documentaries while revealing their influence on the filmmakers of today.

A bold challenge to traditional accounts, Surviving Southampton sheds new light on the places and people surrounding Americas most famous rebellion against slavery.

The career of Susan Glaspell (1876-1948), the American playwright and novelist, follows closely the trajectory of other "reclaimed" American women writers of the century such as Kate Chopin, Charlotte Perkins Gilman, and Zora Neale Hurston. She was well known in her time, effaced from canonical consideration after her death, and rediscovered years later through the surfacing of one work around which critical attention has focused. Glaspell was a respected international playwright and novelist who amassed some of the most impressive credentials in American theater history, including the Pulitzer Prize in 1931. Over the past fifteen years, she has been rediscovered through the work of leading feminist scholars; and her one-act play Trifles and its short story form, "A Jury of Her Peers," have become classics. This book is the first collection devoted to the study of the body of Glaspell's work. Essays by leading playwrights and scholars provide an array of perspectives on the writer and her work. The book features the first complete Glaspell bibliography, including original reviews of her plays and fiction and recent critical studies of her writing.

From militant suffragette at the beginning of the twentieth century to campaigner against colonialism in Africa after the Second World War, Sylvia Pankhurst dedicated her life to fighting oppression and injustice.

In this vivid biography Katherine Connelly examines Pankhurst’s role at the forefront of significant developments in the history of radical politics. She guides us through Pankhurst's construction of a suffragette militancy which put working-class women at the heart of the struggle, her championing of the Bolshevik Revolution and her clandestine attempts to sabotage the actions of the British state, as well as her early identification of the dangers of Fascism.

The book explores the dilemmas, debates and often painful personal consequences faced by Pankhurst which were played out in her art, writings and activism. It argues that far from being an advocate of disparate causes, Pankhurst’s campaigns were united by an essential continuity which hold vital lessons for achieving social change. This lively and accessible biography presents Pankhurst as a courageous and inspiring campaigner, of huge relevance to those engaged in social movements today.