Results by title

 A Chinese-language collection of writing from Lu Zhi, who devoted his life to the revolutionary cause and published numerous articles in Jiefang Daily,People’s Daily, and other newspapers.

Selected Writings of Lu Zhi is divided into three parts, featuring the author’s views on the construction of the Shaan-Gan-Ning Border Region, political and cultural work in the army, and the economic development of the new China. Lu Zhi’s writings not only embody the “Yan’an Spirit” but also allow readers to gain insight into his personal experiences and the revolutionary atmosphere in China during the 1940s and 1950s. This collection also provides scholars with valuable primary historical materials and serves as an important reference for the study of China’s revolutionary history and the development of socialist economic construction.

Discusses the process of the economic annihilation of the Jews in Hungary, who– from the economic point of view – were more influential than any other Jewish community in Europe. Following the German occupation in March 1944 the collaborating Hungarian government attempted to assert its claim concerning the complete confiscation of Jewish assets at all stages of the road leading to the extermination camps. The cooperation with the Germans proved to be the most problematic in this area.

The story of the Jewish Gold Train is a relatively small but all the more emblematic chapter of the economic annihilation. The circumstances of the freight’s assembling, the German-Hungarian conflicts concerning the train, the looting attempts, the fate of the assets seized by the Allies (double victimization of the survivors) provide the reader with an insight into the history of the repeated looting of the Hungarian Jewry

The book analyzes the role played by SS-Obersturmbannführer Kurt Becher, one of the most controversial and mysterious figures in the Hungarian and universal history of the Holocaust. Becher, delegated to Hungary by Himmler, administered and benefited from the confiscation of an enormous amount of Jewish assets.

2023 Honorable Mention, Brazil Section Humanities Book Prize, Latin American Studies Association (LASA)

This book explores visual portrayals of blackness in Brazil to reveal the integral role of visual culture in crafting race and nation across Latin America.

In the early twentieth century, Brazil shifted from a nation intent on whitening its population to one billing itself as a racial democracy. Anadelia Romo shows that this shift centered in Salvador, Bahia, where throughout the 1950s, modernist artists and intellectuals forged critical alliances with Afro-Brazilian religious communities of Candomblé to promote their culture and their city. These efforts combined with a growing promotion of tourism to transform what had been one of the busiest slaving depots in the Americas into a popular tourist enclave celebrated for its rich Afro-Brazilian culture. Vibrant illustrations and texts by the likes of Jorge Amado, Pierre Verger, and others contributed to a distinctive iconography of the city, with Afro-Bahians at its center. But these optimistic visions of inclusion, Romo reveals, concealed deep racial inequalities. Illustrating how these visual archetypes laid the foundation for Salvador’s modern racial landscape, this book unveils the ways ethnic and racial populations have been both included and excluded not only in Brazil but in Latin America as a whole.

How science fiction films in the 1950s were marketed and helped create the broader genre itself.

For Hollywood, the golden age of science fiction was also an age of anxiety. Amid rising competition, fluid audience habits, and increasing government regulation, studios of the 1950s struggled to make and sell the kinds of films that once were surefire winners. These conditions, the leading media scholar J. P. Telotte argues, catalyzed the incredible rise of science fiction.

Though science fiction films had existed since the earliest days of cinema, the SF genre as a whole continued to resist easy definition through the 1950s. In grappling with this developing genre, the industry began to consider new marketing approaches that viewed films as fluid texts and audiences as ever-changing. Drawing on trade reports, film reviews, pressbooks, trailers, and other archival materials, Selling Science Fiction Cinema reconstructs studio efforts to market a promising new genre and, in the process, shows how salesmanship influenced what that genre would become. Telotte uses such films as The Thing from Another World, Forbidden Planet, and The Blob, as well as the influx of Japanese monster movies, to explore the shifting ways in which the industry reframed the SF genre to market to no-longer static audience expectations. Science fiction transformed the way Hollywood does business, just as Hollywood transformed the meaning of science fiction.

Examining real estate ambition and urban growth in Cape Coral’s creation.

The Gulf American Corporation played a significant role in the development and urbanization of the state of Florida, especially southwest Florida, during the late 1950s and 1960s. The Miami-based company promoted living in Florida to people residing throughout North America and in several foreign countries. It also enabled people of average incomes to purchase home sites in Florida on an installment basis. As a result, Gulf American had a heavy influence on the migration of people to Florida as early as 1957.

Leonard and Julius J. Rosen of Baltimore, Maryland, founded and controlled the corporation during its 12-year existence from 1957 to 1969. The sale and promotion of Florida real estate was an extension of their marketing style developed in previous years when they sold mail-order cosmetics and other products. Their innovative sales strategies ultimately resulted in conflicts with state and federal regulatory agencies in the mid 1960s over the firm’s aggressive sales methods. The struggle with the state of Florida over regulation, which degenerated into a personal conflict between Governor Claude Kirk and the Rosens, resulted in the Rosens’ selling the business to GAC Corporation of Allentown, Pennsylvania, in 1969. After a series of business setbacks and continuing accusations of misrepresentations by salespeople, GAC declared bankruptcy in 1975 and was eventually resurrected as Avatar Holding, Inc., in 1980.

Gulf American left a mixed legacy to the state of Florida by building several growing cities like Cape Coral and Golden Gate, while at the same time selling worthless underwater swampland near the Everglades. The building of their first development was planned by the company. In that sense, Cape Coral was designed to be the Rosens’ most elaborate sales tool.

Based on 31 personal interviews with former Gulf American Corporation, GAC/Avatar Holding company officials and supplemented by articles from 25 different newspapers, this book provides a comprehensive and fascinating look at the Gulf American Corporation—the largest land sales firm in the United States in the 1960s. In many ways the story of Gulf American is a rags-to-riches tale of Leonard and Julius (Jack) Rosen, complete with intrigue and the fluctuations of fortune that matched the rising tides that covered much of the land they sold.
 
 

In Selling the Race, Adam Green tells the story of how black Chicagoans were at the center of a national movement in the 1940s and ’50s, a time when African Americans across the country first started to see themselves as part of a single culture. Along the way, he offers fascinating reinterpretations of such events as the 1940 American Negro Exposition, the rise of black music and the culture industry that emerged around it, the development of the Associated Negro Press and the founding of Johnson Publishing, and the outcry over the 1955 lynching of Emmett Till.

By presenting African Americans as agents, rather than casualties, of modernity, Green ultimately reenvisions urban existence in a way that will resonate with anyone interested in race, culture, or the life of cities.

Witness the Civil Rights Movement through the eyes of two children.

Sheyann Webb was eight years old and Rachel West was nine when Dr. Martin Luther King Jr. arrived in Selma, Alabama, on January 2, 1965. He came to organize non-violent demonstrations against discriminatory voting laws. Selma, Lord, Selma is their firsthand account of the events from that turbulent winter of 1965--events that changed not only the lives of these two little girls but the lives of all Alabamians and all Americans. From 1975 to 1979, award-winning journalist Frank Sikora conducted interviews with Webb and West, weaving their recollections into this luminous story of fear and courage, struggle and redemption that readers will discover is Selma, Lord, Selma.

Exploring the people, politics, and events that shaped Selma from 1815 through the twentieth century.

In 1989, Alston Fitts published a brief history of the city of Selma, Alabama, from its founding through the aftermath of the civil rights movement. Selma: A Bicentennial History is a greatly revised and expanded version of Fitts’s history of the city, replete with a wealth of new, never-before-published illustrations, which further develops a number of significant events, corrects critical errors, and, most importantly, incorporates many new stories and materials that document Selma’s establishment, growth, and development.

Comprehensive, thoroughly researched, and nonpartisan, Fitts’s pleasantly accessible history addresses every major issue, movement, and trend from the city’s settlement in 1815 to the end of the twentieth century. Its commerce, institutions, governance, as well as its evolving racial, religious, and class composition are all treated with candor and depth. Selma’s transformative role within the state and the nation is fully explored, and most notable is a nuanced and complex discussion of race relations from the rise of the civil rights era to modern times.

Historians, scholars, and Alabamians will find great use for this updated and fully developed exploration of Selma’s rich, complex, and significant history.

A comic and melancholy novel about translation and living between cultures, set during one historic day in Spain: February 21, 1981, the attempted coup against the newborn Spanish democracy.

Early one morning in 1981, Peter Carp, an American poet and translator living in Granada, wakes to the sounds of shouting and the revving of a motorcycle. These interruptions to Peter’s sleep provoke a series of interrelated thoughts, delivered with wry humor, about personal relations in Spain, gossip, the role of women in a patriarchal society, and the after-effects of expelling the Jewish population from Spain in 1492. We are introduced to Peter’s associative view of the world as he draws on a lifetime of reading poetry, of making sense of his own Jewish sensibility, and how it relates to the cultural history of the Spain he has come to love for its music, people, food, and language. 

Peter lives in the home of Alberto, a professor of translation, who was once jailed under Franco’s regime. He has fallen in love with Ana, a young woman who is exploring the new freedoms of post-Franco Spain. Years ago, he had befriended flamenco singers of the Roma community, and his current task is to translate the flamenco lyrics he has collected, a process that challenges his understanding of Spanish and the capacity of language to convey meaning. His day brings him into contact with a wide range of Spaniards, including a gardener at the Alhambra, a group of children playing in the street, a professional beggar, a diverse range of personalities at a neighborhood bar before the midday dinner, and in the evening, a small band of fascist sympathizers encouraged by the attempted coup now taking place in the Spanish parliament.

With prose that mixes social observation, linguistic conjecture, and vivid description, Paul Hecht examines how living is itself a form of translation when moving from one language or culture to another, and how history can erupt into our own world. In Send Down Einstein, Hecht creates a tension between what we dream will happen and what actually does happen. In this bouillabaisse of emotion, the reader will taste how, for Peter Carp—with the right food and the best company—dreams, hope, and words can matter.

The Remarkable Story of Alabama's Soldiers in America's Great War.

Send the Alabamians recounts the story of the 167th Infantry Regiment of the WWI Rainbow Division from their recruitment to their valiant service on the bloody fields of eastern France in the climactic final months of World War I.

To mark the centenary of World War I, Send the Alabamians tells the remarkable story of a division of Alabama recruits whose service Douglas MacArthur observed had not “been surpassed in military history.” The book borrows its title from a quip by American General Edward H. Plummer who commanded the young men during the inauspicious early days of their service. Impressed with their ferocity and esprit de corps but exasperated by their rambunctiousness, Plummer reportedly exclaimed: In time of war, send me all the Alabamians you can get, but in
time of peace, for Lord’s sake, send them to somebody else!

The ferocity of the Alabamians, so apt to get them in trouble at home, proved invaluable in the field. At the climactic Battle of Croix Rouge, the hot-blooded 167th exhibited unflinching valor and, in the face of machine guns, artillery shells, and poison gas, sustained casualty rates over 50 percent to dislodge and repel the deeply entrenched and heavily armed enemy.

Relying on extensive primary sources such as journals, letters, and military reports, Frazer draws a vivid picture of the individual soldiers who served in this division, so often overlooked but critical to the war’s success. After Gettysburg, the Battle of Croix Rouge is the most significant military engagement to involve Alabama soldiers in the state’s history. Families and genealogists will value the full roster of the 167th that accompanies the text.

Richly researched yet grippingly readable, Nimrod T. Frazer’s Send the Alabamians will delight those interested in WWI, the World Wars, Alabama history, or southern military history in general. Historians of the war, regimental historians, military history aficionados, and those interested in previously unexplored facets of Alabama history will prize this unique volume as well.

In the winter of 1892 the new instructor of physical training at Smith College, a diminutive young woman with a heavy accent, introduced her students to an adaptation of James Naismith's new game of Basket Ball. An immediate if unexpected success, the game spread to other women's schools across the country, and soon its founder, Senda Berenson (1868–1954), was called upon to codify its distinctive set of gender-specific rules. Emphasizing team passing and position over individual play, the version she instituted defined women's basketball for seventy years and eventually earned her the honor of being the first female elected to the Basketball Hall of Fame.

Yet as Ralph Melnick points out, Berenson's pioneering role in the history of women's athletics was more a matter of accident than destiny. A Jewish immigrant from Lithuania, prone to ill health throughout her childhood, she enrolled in the Boston Normal School for Gymnastics in the fall of 1890 with the hope of strengthening herself so that she could pursue a career as a pianist, dancer, or painter. Instead she soon became both a practitioner and a proponent of a new approach to women's physical education, one aimed at providing a “natural outlet of the play instinct,” developing “endurance and physical courage” as well as “quickness of thought and action,” and promoting through teamwork the “power of organization” women needed to achieve full social equality. 

Extending her work into the factories and blighted urban tenements of America, Berenson later won the recognition of Jane Addams, Margaret Sanger, and other progressive reformers. Believing that “Americans have forgotten how to play,” she wanted to teach others to live “joyfully—beautifully.” For Berenson, the physical culture of exercise and games, played not for competition but for personal and social development as well as sheer enjoyment, was but another form of art. 

This convergence of athletics and aesthetics was hardly surprising, Melnick explains, because the single most important influence on Senda Berenson's life was her brother, the renowned art critic and connoisseur Bernard Berenson. The two siblings wrote frequently to each other over the course of their lives, and the author draws heavily on their correspondence throughout the book to create an intimate and insightful portrait of a remarkable American woman.

A critical resource for students and scholars of the ancient Near East and the Bible

Josette Elayi’s Sennacherib, King of Assyria is the only biography of Sargon II’s famous son. Elayi traces the reign of Sennacherib in context in order to illuminate more fully the life and contributions of this warlord, builder, innovator, and social reformer—a unique figure among the Assyrian kings. Elayi offers both an evaluation of this royal figure and an assessment of the Assyrian Empire by interpreting the historical information surrounding the decisive events of his reign.

Features:

• Exploration of why Sennacherib did not seize Jerusalem or remove Hezekiah from the throne
• An extensive investigation of annals, royal inscriptions, letters, palace reliefs, clay tablets, and excavation reports
• Maps and tables

As Americans enter the new century, their interest in the past has never been greater. In record numbers they visit museums and historic sites, attend commemorative ceremonies and festivals, watch historically based films, and reconstruct family genealogies. The question is, Why? What are Americans looking for when they engage with the past? And how is it different from what scholars call “history?” 

In this book, David Glassberg surveys the shifting boundaries between the personal, public, and professional uses of the past and explores their place in the broader cultural landscape. Each chapter investigates a specific encounter between Americans and their history: the building of a pacifist war memorial in a rural Massachusetts town; the politics behind the creation of a new historical festival in San Francisco; the letters Ken Burns received in response to his film series on the Civil War; the differing perceptions among black and white residents as to what makes an urban neighborhood historic; and the efforts to identify certain places in California as worthy of commemoration. Along the way, Glassberg reflects not only on how Americans understand and use the past, but on the role of professional historians in that enterprise. Combining the latest research on American memory with insights gained from Glassberg's more than twenty years of personal experience in a variety of public history projects, Sense of History offers stimulating reading for all who care about the future of history in America.

In Sensing Chicago, Adam Mack lets fresh air into the sensory history of Chicago in the nineteenth and early twentieth centuries by examining five case studies: the Chicago River, the Great Fire, the 1894 Pullman Strike, the publication of Upton Sinclair's The Jungle, and the rise and fall of the White City amusement park. His vivid recounting of the smells, sounds, and tactile miseries of city life reveals how input from the five human senses influenced the history of class, race, and ethnicity in the city. At the same time, he transports readers to an era before modern refrigeration and sanitation, when to step outside was to be overwhelmed by the odor and roar of a great city in progress.