18284 books match the query 'United States' and 1181 start with s

cover of She Devils at the Door

She Devils at the Door

Eliza Smith Brown

Carnegie Mellon University Press, 2023

The true story of the Gilded Age’s “political twins” who brought women’s suffrage and political reform to the city of Pittsburgh.

Sometimes troublemakers emerge from the most unlikely of places. This true story follows the lives of two daughters of the Gilded Age—Lucy and Eliza Kennedy—who were educated at Vassar College and became leaders of the suffrage movement. Then, after the Nineteenth Amendment was passed in 1920, they spent the next forty years fighting corruption in politics and government.

Tenacious, smart, and witty, they captivated crowds, disarmed their opponents, and instilled particular dread among the corrupt politicians who were the unfortunate targets of their nonpartisan crusade. Their entry across the threshold of Pittsburgh’s City-County Building would reportedly invoke a flurry of hushed warnings through the halls: “The She Devils are at the door!” Together, Lucy and Eliza fought for the vote, empowered women to use it wisely, forced a mayor out of office in disgrace, took control of the city budget, exposed a series of scandals, spearheaded police reform, and launched a campaign that would eventually clear Pittsburgh of its smoky veil.

Featuring the true story of two powerful women, this book comes at a propitious time, reminding us how far women have come and how vigilant we must remain.
 
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cover of She's Got a Gun

She's Got a Gun

Nancy Floyd

Temple University Press, 2008

In 1991 Nancy Floyd bought her first handgun.  Soon she was participating in Ladies Day at her local shooting range and reading Women & Guns magazine.  In 1993 she began interviewing and photographing women who were fellow gun owners.  In 1997 she started researching "gun women" from the past to see how they were represented in the popular imagination.  Now she has brought her work together in a riveting new book, filled with remarkable photographs and candid first-person stories, accompanied by an eye-opening illustrated history of female gun ownership in America.

Sympathetic but unsentimental, Floyd presents gun-toting women young and old, including an eleven-year-old girl competing in her first gun competition, a woman whose grandmother was killed by an intruder, and a war veteran who experienced firefights while stationed in Iraq.  Whatever you might think about gun-toting women before you open this book, your preconceptions are sure to be shattered by the end.
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cover of She's the Boss: The Rise of Women’s Entrepreneurship since World War II

She's the Boss

The Rise of Women’s Entrepreneurship since World War II

Debra Michals

Rutgers University Press, 2025

In the years after World War II, as women were being pushed from wartime jobs for returning soldiers, government and business leaders—and women themselves—saw small business ownership as a viable economic solution. In just five years, US women owned nearly a million of the nation’s businesses. In the decades since, women have moved increasingly into business ownership, often outpacing male start-ups so that today, they own more than fourteen million businesses, 40 percent of all US companies. 

She’s the Boss chronicles the forces that made entrepreneurship attractive to women. In rich detail, Debra Michals shares the stories of the countless women of all races, ethnicities, genders, and abilities who contributed to this important history. The book also explores the intersection of women’s personal choices within changing social, political, and economic factors, such as the rising divorce rates of the 1960s and 1970s, ongoing workplace and credit discrimination, civil and women’s rights activism and activist entrepreneurs, the 1970s recession and 1980s “Reagan Revolution,” and more recently, the internet, crowd-funding, and social entrepreneurship.
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cover of Sheep Industry of Territorial New Mexico: Livestock, Land, and Dollars

Sheep Industry of Territorial New Mexico

Livestock, Land, and Dollars

Jon M. Wallace

University Press of Colorado, 2023

The Sheep Industry of Territorial New Mexico offers a detailed account of the New Mexico sheep industry during the territorial period (1846–1912) when it flourished. As a mainstay of the New Mexico economy, this industry was essential to the integration of New Mexico (and the Southwest more broadly) into the national economy of the expanding United States.
 
Author Jon Wallace tells the story of evolving living conditions as the sheep industry came to encompass innumerable families of modest means. The transformation improved many New Mexicans’ lives and helped establish the territory as a productive part of the United States. There was a cost, however, with widespread ecological changes to the lands—brought about in large part by heavy grazing. Following the US annexation of New Mexico, new markets for mutton and wool opened. Well-connected, well-financed Anglo merchants and growers who had recently arrived in the territory took advantage of the new opportunity and joined their Hispanic counterparts in entering the sheep industry.
 
The Sheep Industry of Territorial New Mexico situates this socially imbued economic story within the larger context of the environmental consequences of open-range grazing while examining the relationships among Hispanic, Anglo, and Indigenous people in the region. Historians, students, general readers, and specialists interested in the history of agriculture, labor, capitalism, and the US Southwest will find Wallace’s analysis useful and engaging.
 
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cover of Sheer Misery: Soldiers in Battle in WWII

Sheer Misery

Soldiers in Battle in WWII

Mary Louise Roberts

University of Chicago Press, 2021

Marching across occupied France in 1944, American GI Leroy Stewart had neither death nor glory on his mind: he was worried about his underwear, which was engaged in a relentless crawl of its own. Similar complaints of physical discomfort pervade infantrymen’s memories of the European theater, whether the soldiers were British, American, German, or French. Wet, freezing misery with no end in sight—this was life for millions of enlisted men during World War II.

Sheer Misery trains a humane and unsparing eye on the corporeal experiences of the soldiers who fought in Belgium, France, and Italy during the last two years of the war. In the horrendously unhygienic and often lethal conditions of the front line, their bodies broke down, stubbornly declaring their needs for warmth, rest, and good nutrition. Feet became too swollen to march, fingers too frozen to pull triggers; stomachs cramped, and diarrhea stained underwear and pants. Turning away from the accounts of high-level military strategy that dominate many WWII chronicles, acclaimed historian Mary Louise Roberts instead relies on diaries and letters to bring to life visceral sense memories like the moans of the “screaming meemies,” the acrid smell of cordite, and the shockingly mundane sight of rotting corpses. As Roberts writes, “For soldiers who fought, the war was above all about their bodies.”
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cover of Shelby’s Expedition to Mexico: An Unwritten Leaf of the War

Shelby’s Expedition to Mexico

An Unwritten Leaf of the War

John R. Edwards

University of Arkansas Press, 2007

Confederate general Joseph O. Shelby and his legendary Iron Brigade refused to acknowledge the end of the Civil War. Instead, they fought their way to Mexico in search of a place where they could continue to defy the U.S. government. These veteran Missouri cavalrymen clawed their way for fifteen hundred miles, fighting Juaristas, Indians, desperados, and disgruntled gringos. They disbanded only after they had offered their services to Emperor Maximilian and were turned down.

Shelby’s adjutant, journalist John N. Edwards, first published his story of the exploits of this superb mounted brigade and its quixotic final march in 1872. Conger Beasley provides a lively introduction that includes the first biographical sketch of the author. The 1969 movie The Undefeated starring John Wayne and Rock Hudson was based upon Shelby’s expedition.

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cover of Shelter Poverty: New Ideas on Housing Affordability

Shelter Poverty

New Ideas on Housing Affordability

Michael E. Stone

Temple University Press, 1993

"...the most original--and profoundly disturbing--work on the critical issue of housing affordability...." --Chester Hartman, President, Poverty and Race Research Action Council In Shelter Poverty, Michael E. Stone presents the definitive discussion of housing and social justice in the United States. Challenging the conventional definition of housing affordability, Stone offers original and powerful insights about the nature, causes, and consequences of the affordability problem and presents creative and detailed proposals for solving a problem that afflicts one-third of this nation. Setting the housing crisis into broad political, economic, and historical contexts, Stone asks: What is shelter poverty? Why does it exist and persist? and How can it be overcome? Describing shelter poverty as the denial of a universal human need, Stone offers a quantitative scale by which to measure it and reflects on the social and economic implications of housing affordability in this country. He argues for "the right to housing" and presents a program for transforming a large proportion of the housing in this country from an expensive commodity into an affordable social entitlement. Employing new concepts of housing ownership, tenure, and finance, he favors social ownership in which market concepts have a useful but subordinate role in the identification of housing preferences and allocation. Stone concludes that political action around shelter poverty will further the goal of achieving a truly just and democratic society that is also equitably and responsibly productive and prosperous.
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cover of Shelter from the Machine: Homesteaders in the Age of Capitalism

Shelter from the Machine

Homesteaders in the Age of Capitalism

Jason G. Strange

University of Illinois Press, 2020

”You’re either buried with your crystals or your shotgun.” That laconic comment captures the hippies-versus-hicks conflict that divides, and in some ways defines, modern-day homesteaders. It also reveals that back to-the-landers, though they may seek lives off the grid, remain connected to the most pressing questions confronting the United States today.

Jason Strange shows where homesteaders fit, and don't fit, within contemporary America. Blending history with personal stories, Strange visits pig roasts and bohemian work parties to find people engaged in a lifestyle that offers challenge and fulfillment for those in search of virtues like self-employment, frugality, contact with nature, and escape from the mainstream. He also lays bare the vast differences in education and opportunity that leave some homesteaders dispossessed while charting the tensions that arise when people seek refuge from the ills of modern society—only to find themselves indelibly marked by the system they dreamed of escaping.
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cover of Shelter on the Journey: Humanitarianism, Human Rights, and Migration

Shelter on the Journey

Humanitarianism, Human Rights, and Migration

Priscilla Solano

Temple University Press, 2024

Migration journeys are arduous, with migrants tormented by risk, abuse, threats, and xenophobia. Shelters, staffed by humanitarian workers and volunteers, provide safe spaces for those in transit. Shelter on the Journey examines how these sites, often faith-based civil society associations, create solidarity and help politicize migrants, giving them a sense of themselves as an empowered, rights-holding people.

Solano, who volunteered at shelters in Mexico, chronicles the activity in three of the nearly 100 shelters along a unique humanitarian trail that many Central Americans take to reach the United States. She outlines the constraints faced by these sites and their potential to create social transformation and considers how and why migration security is currently framed and managed as both a criminal and humanitarian issue.

Shelter on the Journey explores the politics of the shelters, their social world, and the dynamics of charity and solidarity, as well as the need for humanitarian assistance and advocacy for dignified and free transit migration.
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cover of Shepherd of the Hills Country: Tourism Transforms the Ozarks, 1880s-1930s

Shepherd of the Hills Country

Tourism Transforms the Ozarks, 1880s-1930s

Lynn Morrow

University of Arkansas Press, 1999

Modern tourism in the Ozark Mountains of Missouri and Arkansas is concentrated around the area’s glistening man-made lakes, its fish-filled streams and rivers, and the entertainment mecca of Branson. But recreational excursions into this part of the country began over one hundred years ago as urban Midwesterners, many of them captivated by Harold Bell Wright’s novel The Shepherd of the Hills, sought the outdoors for spiritual and physical regeneration.

Morrow and Myers-Phinney excavate the beginnings of commercial tourism in the region and follow it through six decades as the influx of visitors who became familiar with the Ozarks and its investment opportunities brought capital, new commerce, and additional residents to the hills. Chapters focus on float fishing, game parks, cave exploration, the influence of the railroad, and the men who were instrumental in the region’s transformation. The authors discuss traditional lifestyles rooted in “living off the land,” with stock raising and lumbering providing basic subsistence, and changes wrought by tourism, which affected all classes of people across the White River landscape. They describe the flowering of “Ozarks folklore”—how stories told around gravel-bar fishing camps and retold by newspaper journalists translated the hills’ oral tradition for mass audiences.

While the main theme of this study is the development of tourism, it is also a social history of the interior highlands of the Ozarks. We see how the residents and their way of life were discovered, exploited, and changed by new opportunities and the demands of tourism and increasing trade. As such, this book is a valuable new addition to the University of Arkansas Press’s Ozarks Collection.

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cover of Sherman's Forgotten General: Henry W. Slocum

Sherman's Forgotten General

Henry W. Slocum

Brian C. Melton

University of Missouri Press, 2007

Henry Warner Slocum, a Union major general who was a corps and army commander in the Civil War, served from the first call for troops until he stood with William Tecumseh Sherman to receive Joseph E. Johnston’s surrender after Appomattox. He saw action at Bull Run, Chancellorsville, and Gettysburg, and by the end of the war he had taken command of the Army of Georgia, yet historians have largely overlooked this key commander.

            Brian Melton has written the first scholarly account of this important general—the first full-length biography in nearly a century—who as one of Sherman’s most trusted commanders exercised significant influence during the Civil War. Although Slocum is remembered primarily for his lackluster performance at Gettysburg, Melton discloses that there is more to him than current history credits, offering a holistic account of his life to show that his career was much more significant than has been supposed.

            Slocum took on the characteristics of the leaders he served, and Melton reveals how Slocum’s attitudes and tactics changed dramatically between commanders to explain why he proved to be of little help to George McClellan and almost a liability while serving under “Fighting Joe” Hooker and yet was an effective commander under Sherman. Slocum became Sherman’s “left arm” and adapted so thoroughly to his style of generalship that he anticipated the general’s intentions on two important occasions, and Melton contends that Slocum was a much more important contributor to the success of Sherman’s later campaigns than has been acknowledged, becoming at times more aggressive and driving than Sherman himself.

            Melton ultimately considers Slocum’s fate as one of the forgotten generals of the Civil War—brought on largely by his joining the Democratic Party in 1865—and demonstrates why previous simplistic depictions of Slocum miss the mark. By providing the first detailed look at this important second-tier commander, Sherman’s Forgotten General illuminates the influences, events, and individuals of Slocum’s career to show that, while he may not have changed the course of the war, he played a conspicuous and important role in its successful execution that has long deserved to be recognized.

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cover of Sherman's Mississippi Campaign

Sherman's Mississippi Campaign

Buck T. Foster

University of Alabama Press, 2006

The campaign that shaped Sherman's path to victory and changed the future of Civil War warfare.

With the fall of Vicksburg to Union forces in mid-1863, the Federals began work to extend and consolidate their hold on the lower Mississippi Valley. As a part of this plan, Major General William Tecumseh Sherman set out from Vicksburg on February 3, 1864, with an army of some 25,000 infantry and a battalion of cavalry. They expected to be joined by another Union force moving south from Memphis and supported themselves off the land as they traveled due east across Mississippi.

Sherman entered Meridian on February 14 and thoroughly destroyed its railroad facilities, munitions plants, and cotton stores, before returning to Vicksburg. Though not a particularly effective campaign in terms of enemy soldiers captured or killed, it offers a rich opportunity to observe how this large-scale raid presaged Sherman’s Atlanta and Carolina campaigns, revealing the transformation of Sherman’s strategic thinking.

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cover of Sherman: A Soldier's Passion for Order

Sherman

A Soldier's Passion for Order

John F. Marszalek

Southern Illinois University Press, 1993

Sherman: A Soldier’s Passion for Order is the premier biography of William Tecumseh Sherman, the Civil War commander known for his “destructive war” policy against Confederates and as a consummate soldier. This updated edition of John F. Marszalek’s award-winning book presents the general as a complicated man who, fearing anarchy, searched for the order that he hoped would make his life a success.

Sherman was profoundly influenced by the death of his father and his subsequent relationship with the powerful Whig politician Thomas Ewing and his family. Although the Ewings treated Sherman as one of their own, the young Sherman was determined to make it on his own. He graduated from West Point and moved on to service at military posts throughout the South. This volume traces Sherman’s involvement in the Mexican War in the late 1840s, his years battling prospectors and deserting soldiers in gold-rush California, and his 1850 marriage to his foster sister, Ellen. Later he moved to Louisiana, and, after the state seceded, Sherman returned to the North to fight for the Union.

Sherman covers the general’s early Civil War assignments in Kentucky and Missouri and his battles against former Southern friends there, the battle at Shiloh, and his rise to become second only to Grant among the Union leadership. Sherman’s famed use of destructive war, controversial then and now, is examined in detail. The destruction of property, he believed, would convince the Confederates that surrender was their best option, and Sherman’s successful strategy became the stuff of legend.

This definitive biography, which includes forty-six illustrations, effectively refutes misconceptions surrounding the controversial Union general and presents Sherman the man, not the myth.

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cover of Sherwood Anderson and Other Famous Creoles: A Gallery of Contemporary New Orleans

Sherwood Anderson and Other Famous Creoles

A Gallery of Contemporary New Orleans

Drawings by William Spratling<br>Text by William Faulkner

University of Texas Press, 1966

"When Bill Faulkner came to New Orleans he was a skinny little guy, three years older than I, and was not taken very seriously except by a few of us." Thus the late William Spratling, popularly known as the Taxco "Silver King," recalled the mid-1920's, when Faulkner, a young man fresh from Oxford, Mississippi, roomed with Spratling in Pirates Alley.

"By the time I would be up, say at seven, Bill would already be out on the little balcony over the garden tapping away on his portable, an invariable glass of alcohol-and-water at hand."

A result of their friendship was a book depicting "various people who were then engaged … with the arts in New Orleans." It was based on firsthand observation.

"There were casual parties with wonderful conversation and with plenty of grand, or later to be grand, people." Some of the names, in addition to Sherwood Anderson, were Horace Liveright, Carl Van Doren, Carl Sandberg, John Dos Passos, Anita Loos, and Oliver La Farge.

Spratling supplied sharp caricatures of the people and Faulkner contributed succinct captions and a Foreword. It was all "sort of a private joke," but the four hundred copies were sold within a week and the original edition is now a collector's item. This book is a charming reminder of exciting days and talented people.

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cover of Sherwood Anderson: A Writer in America, Volume 2

Sherwood Anderson

A Writer in America, Volume 2

Walter B. Rideout

University of Wisconsin Press, 2006

Sherwood Anderson, an important American novelist and short-story writer of the early twentieth century, is probably best known for his novel Winesburg, Ohio. His realistic and nonformulaic writing style would influence the next generation of authors, most notably Ernest Hemingway and William Faulkner.
    Walter Rideout’s Sherwood Anderson: A Writer in America is a seminal work that reintroduces us to this important, yet recently neglected, American writer, giving him long overdue attention. This second volume of the monumental two-volume work covers Anderson’s life after his move in the mid-1920s to “Ripshin,” his house near Marion, Virginia (where Volume 1 ended.) The second volume covers his return to business pursuits; his extensive travels in the South touring factories, which resulted in his political involvement in labor struggles and several books on the topic; and finally his unexpected death in 1941.
    No other existing Anderson biography, the most recent of which was published nearly twenty years ago, is as thoroughly researched, so extensively based on primary sources and interviews with a range of Anderson’s friends and family members, or as complete in its vision of the man and the writer. Rideout uncovers much new information about events and people in Anderson’s life and provides a new perspective on many of his works. This two-volume biography presents Anderson’s many remarkable attributes more clearly than ever before, while astutely placing his life and writings in the broader social, political, and artistic movements of his times.


Outstanding Book, selected by the American Association of School Librarians, and Best Books for General Audiences, selected by the Public Library Association

Outstanding Academic Title, Choice Magazine

Winner, Biography Award, Society of Midland Authors
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cover of Shifting Borders and a Tattered Passport: Intellectual Journeys of a Mormon Academic

Shifting Borders and a Tattered Passport

Intellectual Journeys of a Mormon Academic

Armand L. Mauss

University of Utah Press, 2012

The life of a Mormon intellectual in the secular academic community is likely to include some contradictions between belief, scholarship, and the changing times. In his memoir, Armand L. Mauss recounts his personal and intellectual struggles—inside and outside the LDS world—from his childhood to his days as a graduate student at UC Berkeley in the 1960s through his many years as a professor.

As an important and influential observer and author in the Mormon intellectual world, Mauss has witnessed how, in attempting to suppress independent and unsponsored scholarship during the final decades of the twentieth century, LDS leaders deliberately marginalized important intellectual support and resources that could have helped, in the twenty-first century, to refurbish the public image of the church. As a sociologist, he notes how the LDS Church, as a large, complex organization, strives to adjust its policies and practices in order to maintain an optimal balance between unique, appealing claims on the one hand and public acceptance on the other. He also discusses national and academic controversies over the New Religious Movements of the 1960s and 1970s. Writing in clear language, Mauss shows how he has navigated the boundaries where his faith and academic life intersect, and reveals why a continuing commitment to the LDS Church must be a product of choice more than of natural or supernatural “proof.”
 

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cover of Shifting Borders: Rhetoric, Immigration And Prop 187

Shifting Borders

Rhetoric, Immigration And Prop 187

Kent Ono

Temple University Press, 2002

"Like articles representing the positions of proponents of the measure, those representing opponents constructing the nation as potentially in danger as a result of undocumented immigration."

How do we learn to recognize the damning effects of good rhetorical intentions? And where will we find arguments which escape this trap that permeates the liberal social policy world? Shifting Borders uses an evaluation of the debate over California Proposition 187 to demonstrate how this quandary is best understood by close interrogation of mainstream reports and debates and by bringing to the fore voices that are often left out of mediated discussions.

It is these voices outside the mainstream, so-called "outlaw" discourses, that hold the best possibilities for real social change. To illustrate their claim, the authors present dominant and outlaw discourses around Proposition 187, from television reports, internet chat sites, and religious discourse to coverage of the Los Angeles Times. Their critique ably demonstrates how difficult it is to maintain a position outside the mainstream, but also how important it is for the press, citizens and scholars to actively search out such voices. The findings are organized through a model that provides an innovative method for understanding events and arguments through their rhetorical and communicative construction. In a world where the mediated word defines so much of what we know, Shifting Borders provides a lucid introduction to analyzing the spoken and written word that constitutes political debate in contemporary U.S. culture. In doing so, it makes an important contribution to any future development of progressive political strategy.

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cover of Shifting the Burden: The Struggle over Growth and Corporate Taxation

Shifting the Burden

The Struggle over Growth and Corporate Taxation

Cathie J. Martin

University of Chicago Press, 1991

Since World War II, the corporate tax burden has, overall, decreased enormously as a percentage of the government's total revenue. Until now, however, no explanation of this phenomenon has accounted for the periodic reforms—such as the dramatic 1986 Tax Reform Act—which significantly increase some corporate taxes.

Remarkably accessible and rich in historical evidence, Shifting the Burden is the most compelling explanation to date of how our nation's tax policy is formulated. Cathie J. Martin shows how presidents' cultivation of allies within the business community and struggles within that community itself combine to shape tax policy.
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cover of Shifting the Dialog, Shifting the Culture: Pathways to Successful Postsecondary Outcomes for Deaf Individuals

Shifting the Dialog, Shifting the Culture

Pathways to Successful Postsecondary Outcomes for Deaf Individuals

Stephanie W. Cawthon

Gallaudet University Press, 2017

In this volume, Stephanie W. Cawthon and Carrie Lou Garberoglio discuss the individual and systemic factors that both facilitate and inhibit the attainment of postsecondary education, training, and career goals for deaf individuals. Real-life examples and current research are combined in this consideration of the interactions between individuals and the many layers of the overall system in which they navigate.
               In addition to using a systems theory approach, the authors employ resiliency models that emphasize how deaf individuals persist through the transition process amidst the barriers that reside within larger educational and social systems. Employment, independent living, and community involvement are a few of the postsecondary outcomes that are covered. Shifting the Dialog, Shifting the Culture addresses critical issues that influence how deaf individuals reach their postsecondary goals and is designed for a diverse audience that includes professionals who work (or are training to work) with deaf individuals, policy makers, as well as federal and state personnel.
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cover of Shine: The Visual Economy of Light in African Diasporic Aesthetic Practice

Shine

The Visual Economy of Light in African Diasporic Aesthetic Practice

Krista Thompson

Duke University Press, 2015

In Jamaican dancehalls competition for the video camera's light is stiff, so much so that dancers sometimes bleach their skin to enhance their visibility. In the Bahamas, tuxedoed students roll into prom in tricked-out sedans, staging grand red-carpet entrances that are designed to ensure they are seen being photographed. Throughout the United States and Jamaica friends pose in front of hand-painted backgrounds of Tupac, flashy cars, or brand-name products popularized in hip-hop culture in countless makeshift roadside photography studios. And visual artists such as Kehinde Wiley remix the aesthetic of Western artists with hip-hop culture in their portraiture. In Shine, Krista Thompson examines these and other photographic practices in the Caribbean and United States, arguing that performing for the camera is more important than the final image itself. For the members of these African diasporic communities, seeking out the camera's light—whether from a cell phone, Polaroid, or video camera—provides a means with which to represent themselves in the public sphere. The resulting images, Thompson argues, become their own forms of memory, modernity, value, and social status that allow for cultural formation within and between African diasporic communities.
 
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cover of Shining in Shadows: Movie Stars of the 2000s

Shining in Shadows

Movie Stars of the 2000s

Pomerance, Murray

Rutgers University Press, 2012

In the 2000s, new technologies transformed the experiences of movie-going and movie-making, giving us the first generation of stars to be just as famous on the computer screen as on the silver screen.

Shining in Shadows examines a wide range of Hollywood icons from a turbulent decade for the film industry and for America itself. Perhaps reflecting our own cultural fragmentation and uncertainty, Hollywood’s star personas sent mixed messages about Americans’ identities and ideals. Disheveled men-children like Will Ferrell and Jack Black shared the multiplex with debonair old-Hollywood standbys like George Clooney and Morgan Freeman. Iconic roles for women ranged from Renee Zellweger’s dithering romantics to Tina Fey’s neurotic professionals to Hilary Swank’s vulnerable boyish characters. And in this age of reality TV and TMZ, stars like Jennifer Aniston and “Brangelina” became more famous for their real-life romantic dramas—at the same time that former tabloid fixtures like Johnny Depp and Robert Downey Jr. reinvented themselves as dependable leading men. With a multigenerational, international cast of stars, this collection presents a fascinating composite portrait of Hollywood stardom today.

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cover of Ship Captain's Daughter: Growing Up on the Great Lakes

Ship Captain's Daughter

Growing Up on the Great Lakes

Ann Michler Lewis

Wisconsin Historical Society Press, 2015

Ann Lewis's childhood was marked by an unusual rhythm. Each year the thawing and freezing of the Great Lakes signaled the beginning and end of the shipping season, months of waiting that were punctuated by brief trips to various ports to meet her father, the captain.

With lively storytelling and vivid details, Lewis captures the unusual life of shipping families whose days and weeks revolved around the shipping industry on the Great Lakes. She paints an intriguing and affectionate portrait of her father, a talented pianist whose summer job aboard an ore freighter led him to a life on the water. Working his way up from deckhand to ship captain, Willis Michler became the master of thirteen ships over a span of twenty-eight years. From the age of twelve, Ann accompanied the captain to the ports of Milwaukee, Chicago, Toledo, and Cleveland on the lower Great Lakes. She describes sailing through stormy weather and starry nights, visiting the engine room, dining at the captain's table, and wheeling the block-long ship with her father in the pilot house. Through her mother's stories and remarks, Lewis also reveals insights into the trials and rewards of being a ship captain's wife. The book is enhanced by the author's vintage snapshots, depicting this bygone lifestyle.

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cover of Ships and Shipwrecks of the Au Sable Shores Region of Western Lake Huron

Ships and Shipwrecks of the Au Sable Shores Region of Western Lake Huron

John M. O'Shea

University of Michigan Press, 2004

Focusing on an area of coastline particularly known for vessel strandings, this volume includes histories of more than 50 lost vessels; a description of the remains of vessels and wreckage documented during archaeological research; an analysis of shoreline change in the last 150 years; and a model for matching wreckage to lost ships. This book will be of interest to archaeologists, historians, and anyone who loves the Great Lakes.
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cover of Shirley Temple and the Performance of Girlhood

Shirley Temple and the Performance of Girlhood

Hatch, Kristen

Rutgers University Press, 2015

In the 1930s, Shirley Temple was heralded as “America’s sweetheart,” and she remains the icon of wholesome American girlhood, but Temple’s films strike many modern viewers as perverse. Shirley Temple and the Performance of Girlhood examines her early career in the context of the history of girlhood and considers how Temple’s star image emerged out of the Victorian cult of the child. 

Beginning her career in “Baby Burlesks,” short films where she played vamps and harlots, her biggest hits were marketed as romances between Temple and her adult male costars. Kristen Hatch helps modern audiences make sense of the erotic undercurrents that seem to run through these movies. Placing Temple’s films in their historical context and reading them alongside earlier representations of girlhood in Victorian theater and silent film, Hatch shows how Shirley Temple emerged at the very moment that long standing beliefs about childhood innocence and sexuality were starting to change. Where we might now see a wholesome child in danger of adult corruption, earlier audiences saw Temple’s films as demonstrations of the purifying power of childhood innocence. 

Hatch examines the cultural history of the time to view Temple’s performances in terms of sexuality, but in relation to changing views about gender, class, and race. Filled with new archival research, Shirley Temple and the Performance of Girlhood enables us to appreciate the “simpler times” of Temple’s stardom in all its thorny complexity. 
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cover of Shock Values: Prices and Inflation in American Democracy

Shock Values

Prices and Inflation in American Democracy

Carola Binder

University of Chicago Press, 2024

ONE OF THE WALL STREET JOURNAL'S 10 BEST BOOKS OF 2024

How inflation and deflation fears shape American democracy.

Many foundational moments in American economic history—the establishment of paper money, wartime price controls, the rise of the modern Federal Reserve—occurred during financial panics as prices either inflated or deflated sharply. The government’s decisions in these moments, intended to control price fluctuations, have produced both lasting effects and some of the most contentious debates in the nation’s history.

A sweeping history of the United States’ economy and politics, Shock Values reveals how the American state has been shaped by a massive, ever-evolving effort to insulate its economy from the real and perceived dangers of price fluctuations. Carola Binder narrates how the pains of rising and falling prices have brought lasting changes for every generation of Americans. And with each brush with price instability, the United States has been reinvented—not as a more perfect union, but as a reflection of its most recent failures.

Shock Values tells the untold story of prices and price stabilization in the United States. Expansive and enlightening, Binder recounts the interest-group politics, legal battles, and economic ideas that have shaped a nation from the dawn of the republic to the present.

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cover of Shock and Yawn: Resisting Banal Terror Through Queer Storytelling

Shock and Yawn

Resisting Banal Terror Through Queer Storytelling

Megan Sibbett

The Ohio State University Press, 2026

In Shock and Yawn, Megan Sibbett confronts state-sanctioned, mundane violence committed in the name of protection and argues that queer storytelling is an ideal avenue for recognizing, theorizing, and subverting it: Through queer stories, we have a direct window into the real-world ramifications of violence that purports to be for the public good. This violence, reinforced and normalized through surveillance campaigns, failure-to-protect laws, border policies, and government messaging, is obscured by both its banality and its benevolent veneer, in which children, or imagined children, are central to its logic of protection.

Building on queer theorists’ critiques of intimate and administrative violence, especially Gloria Anzaldúa’s “intimate terrorism,” Sibbett develops methodologies for conceptualizing and subverting violence aimed at queer, racialized, and gendered bodies in this era of surveillance and increasing authoritarianism. Sibbett addresses book bans, anti-trans legislation, idealized histories of westward expansion, and more, examining materials that include public service announcements, advertising, social media, news reports, poems, interviews, and novels. In so doing, she demonstrates the crucial role queer testimonies—and queer histories and queer futures—play in revealing systemic violence and illuminating the transformative potential of everyday resistance.
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cover of Shoddy: From Devil’s Dust to the Renaissance of Rags

Shoddy

From Devil’s Dust to the Renaissance of Rags

Hanna Rose Shell

University of Chicago Press, 2020

The history of modern-day old clothes recycling begins with a thing called shoddy. Starting in the early 1800s, shoddy was the name given to a new material made from reclaimed wool, and to one of the earliest forms of industrial recycling. Old rags and leftover fabric clippings were ground to bits by a machine known as “the devil” and then re-used. Usually undisclosed, shoddy–also known as reworked wool–became suit jackets, army blankets, mattress stuffing, and much more. Shoddy is the afterlife of rags. And Shoddy, the book, reveals hidden worlds of textile intrigue.
 
In Shoddy: From Devil’s Dust to the Renaissance of Rags, Hanna Rose Shell takes readers on a journey to discover shoddy, from Haiti to the “shoddy towns” of West Yorkshire in England, to the United States, back in time to the British cholera epidemics and the American Civil War, and into agricultural fields, textile labs, and rag-shredding factories. Shell’s narrative is both literary and historical, drawing on an extraordinary range of sources, from court cases to military uniforms, mattress labels to medical textbooks, political cartoons to high art. Shoddy moves between genres, bringing richly drawn characters and unexpected objects to life. Along the way, shoddy becomes equally an evocative object and a portal into another world.
 
Almost since the time it first appeared, shoddy was both ubiquitous and controversial. In part because it was often so hard to detect, it was inherently suspicious. Public health experts worried about sanitation and disease—how could old clothes be disinfected? As well, the idea of wearing someone else’s old clothes so close to your own skin was discomforting in and of itself. Could you sleep peacefully knowing that your mattress was very likely to be stuffed with dead soldiers’ overcoats? The use of the term “virgin” wool, the idea of virginity in relation to clothes, in fact emerged as an effort by the wool industry to counter shoddy’s appeal: to make shoddy seem shoddy. Over time, shoddy would capture a host of personal, ethical, commercial, and societal failings. And yet, there was always, within shoddy, the alluring concept of regeneration, of what we today think of as conscious clothing, eco-fashion, sustainable textiles.
 
Shell exposes an interwoven tale of industrial espionage, political infighting, scientific inquiry, ethnic prejudices, and war profiteering. Discarded clothes may make many journeys over the course of several lifetimes. Not only in your garments, but under your rug, in your mattress pads, piano blankets, in the peculiar confetti-like stuffing in your mailing envelopes, even in the insulation in your walls. Though it began with wool, over the past century the shredding “devil” has turned to synthetics from nylon stockings to Kevlar. Shoddy is likely connected to something you are wearing right now. After reading, you will never use the word shoddy or think about your clothes, the environment, sustainability, or the intermingled world around you the same way again.
 
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cover of Shoot the Conductor: Too Close to Monteux, Szell, and Ormandy

Shoot the Conductor

Too Close to Monteux, Szell, and Ormandy

Anshel Brusilow

University of North Texas Press, 2015

[more]
cover of Shooting Cowboys and Indians: Silent Western Films, American Culture, and the Birth of Hollywood

Shooting Cowboys and Indians

Silent Western Films, American Culture, and the Birth of Hollywood

Andrew Brodie Smith

University Press of Colorado, 2003

Academics have generally dismissed Hollywood's cowboy and Indian movies - one of its defining successful genres - as specious, one-dimensional, and crassly commercial. In Shooting Cowboys and Indians, Andrew Brodie Smith challenges this simplistic characterization of the genre, illustrating the complex and sometimes contentious process by which business interests commercialized images of the West.

Tracing the western from its hazy silent-picture origins in the 1890s to the advent of talking pictures in the 1920s, Smith examines the ways in which silent westerns contributed to the overall development of the film industry.

Focusing on such early important production companies as Selig Polyscope, New York Motion Picture, and Essanay, Smith revises current thinking about the birth of Hollywood and the establishment of Los Angeles as the nexus of filmmaking in the United States. Smith also reveals the role silent westerns played in the creation of the white male screen hero that dominated American popular culture in the twentieth century.

Illustrated with dozens of historic photos and movie stills, this engaging and substantive story will appeal to scholars interested in Western history, film history, and film studies as well as general readers hoping to learn more about this little-known chapter in popular filmmaking.

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cover of Shooting Polaris: A Personal Survey in the American West

Shooting Polaris

A Personal Survey in the American West

John Hales

University of Missouri Press, 2005

Shooting Polaris is John Hales’s fascinating and far-reaching account of working as a government surveyor in the southern Utah desert. In it, he describes his search for a place in the natural world, beginning with an afternoon spent tracking down a lost crew member who cracked up on the job and concluding with his supervising a group of at-risk teenagers on a backpacking trip in the Escalante wilderness. In between, he depicts a range of experiences in and outside nature, including hostile barroom encounters between surveyors and tourists, weekends spent climbing Navajo Mountain and floating what remains of Glen Canyon, and late-night arguments concerning the meaning and purpose of nature with the eccentric polygamist who ran the town in which the surveyors parked their bunk trailers.
Although this work is autobiographical, Shooting Polaris is so much more. It is a reflection on man’s relationship to nature and work, American history and the movement into the West, the desire to impose order and the contrary impulse for unmediated experience, the idealistic legacy of the sixties, the influence of the Mormon Church, and the often-antagonistic relationship of American capitalism to sound ecological management. Along the way, Hales introduces engaging characters and reveals the art, science, and history of surveying, an endeavor that turns out to be surprisingly profound.
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cover of Shooting Stars of the Small Screen: Encyclopedia of TV Western Actors, 1946–Present

Shooting Stars of the Small Screen

Encyclopedia of TV Western Actors, 1946–Present

By Douglas Brode

University of Texas Press, 2009

Since the beginning of television, Westerns have been playing on the small screen. From the mid-1950s until the early 1960s, they were one of TV's most popular genres, with millions of viewers tuning in to such popular shows as Rawhide, Gunsmoke, and Disney's Davy Crockett. Though the cultural revolution of the later 1960s contributed to the demise of traditional Western programs, the Western never actually disappeared from TV. Instead, it took on new forms, such as the highly popular Lonesome Dove and Deadwood, while exploring the lives of characters who never before had a starring role, including anti-heroes, mountain men, farmers, Native and African Americans, Latinos, and women.

Shooting Stars of the Small Screen is a comprehensive encyclopedia of more than 450 actors who received star billing or played a recurring character role in a TV Western series or a made-for-TV Western movie or miniseries from the late 1940s up to 2008. Douglas Brode covers the highlights of each actor's career, including Western movie work, if significant, to give a full sense of the actor's screen persona(s). Within the entries are discussions of scores of popular Western TV shows that explore how these programs both reflected and impacted the social world in which they aired. Brode opens the encyclopedia with a fascinating history of the TV Western that traces its roots in B Western movies, while also showing how TV Westerns developed their own unique storytelling conventions.

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cover of Shooting from the Hip: Photography, Masculinity, and Postwar America

Shooting from the Hip

Photography, Masculinity, and Postwar America

Patricia Vettel-Becker

University of Minnesota Press, 2005

In Shooting from the Hip, Patricia Vettel-Becker reveals how photography helped to reconstruct and redefine the American idea of masculinity after the traumas of World War II. She argues that from 1945 to 1960 photography became increasingly concerned with restoring the male body and psyche, glorifying traditional masculinity - cowboys, boxers, athletes, military men - while treading carefully in an increasingly homophobic Cold War climate. Examining photojournalism as well as art and fashion photography, Shooting from the Hip finds in the crisp images of postwar photography five models of masculinity - the breadwinner, the action hero, the tough guy, the playboy, and the rebel. Vettel- Becker shows how the professionalization of photography itself was an attempt by male photographers to identify themselves as breadwinners. She goes on to analyze combat photography, exposing its valorization of action, subjugation of the enemy, and the use of the blurred shot to signify credibility. She links street photography - heir to Depression-era social documentary - with hard-boiled crime photography, exemplified in the works of William Klein and Weegee. And sexualized fashion models and their relationships with photographers, such as Richard Avedon and Irving Penn, fuel the ideal of the consummate playboy. Finally, Vettel-Becker demonstrates the authentic and sometimes rebellious nature of the male body as presented by sports photographers and others influenced by the Beat generation, including Robert Frank and Bruce Davidson. Taking a wide view of postwar photography, Vettel-Becker presents it as the triumph of a new form of modernist photography, centered on individual expression and the seductive image of the male body, and stimulated by a quest for the existential truth of masculinity.
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cover of Shopping Our Way to Safety: How We Changed from Protecting the Environment to Protecting Ourselves

Shopping Our Way to Safety

How We Changed from Protecting the Environment to Protecting Ourselves

Andrew Szasz

University of Minnesota Press, 2007

 “Not long ago, people did not worry about the food they ate. They did not worry about the water they drank or the air they breathed. It never occurred to them that eating, drinking water, satisfying basic, mundane bodily needs might be a dangerous thing to do. Parents thought it was good for their kids to go outside, get some sun.

            “That’s all changed now.” —from the Introduction

Many Americans today rightly fear that they are constantly exposed to dangerous toxins in their immediate environment: tap water is contaminated with chemicals; foods contain pesticide residues, hormones, and antibiotics; even the air we breathe, outside and indoors, carries invisible poisons. Yet we have responded not by pushing for governmental regulation, but instead by shopping. What accounts for this swift and dramatic response?  And what are its unintended consequences?

Andrew Szasz examines this phenomenon in Shopping Our Way to Safety. Within a couple of decades, he reveals, bottled water and water filters, organic food, “green” household cleaners and personal hygiene products, and “natural” bedding and clothing have gone from being marginal, niche commodities to becoming mass consumer items. Szasz sees these fatalistic, individual responses to collective environmental threats as an inverted form of quarantine, aiming to shut the healthy individual in and the threatening world out.

Sharply critiquing these products’ effectiveness as well as the unforeseen political consequences of relying on them to keep us safe from harm, Szasz argues that when consumers believe that they are indeed buying a defense from environmental hazards, they feel less urgency to actually do something to fix them.  To achieve real protection, real security, he concludes, we must give up the illusion of individual solutions and together seek substantive reform.

Andrew Szasz is professor and chair of the department of sociology at the University of California at Santa Cruz and author of the award-winning EcoPopulism (Minnesota, 1994).

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cover of Shortchanged: Height Discrimination and Strategies for Social Change

Shortchanged

Height Discrimination and Strategies for Social Change

Tanya S Osensky

University Press of New England, 2017

Would you like to be taller? Many people—except very tall people—would likely answer yes. Why should this be the case, when height has nothing to do with intelligence, talent, fortitude, compassion, or indeed any of the factors that make us human? In her thoughtful and provocative book, Tanya S Osensky examines “heightism”: the widely held and mostly unconscious notion that taller is better. She explores how and why short people are considered by many to be inferior, and describes the ways in which height bias affects them. Prejudice against short people is so common and casual that we do not even notice it, yet it factors significantly into discrimination in the workplace, in social situations, and beyond. The most helpless victims are short children, who are frequently subjected to years of hormone therapy, even when they have no physical need for such treatment, simply in an effort to make them taller as a way of countering this social bias. There is little legal recourse for short people who suffer workplace discrimination based on height. This succinct book exposes the cultural, medical, and occupational issues that short people face, which are often deemed unimportant and disregarded. Osensky challenges heightism by disclosing some beneficial aspects of shortness and suggesting avenues of activism and change.
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cover of Shoshonean Peoples and the Overland Trail: Frontiers of the Utah Superintendency of Indian Affairs, 1849–1869

Shoshonean Peoples and the Overland Trail

Frontiers of the Utah Superintendency of Indian Affairs, 1849–1869

Richard Saunders

Utah State University Press, 2007

This compilation of Dale Morgan’s  historical work on Indians in the Intermountain West focuses primarily on the Shoshone who lived near the Oregon and California trails. Three connected works by Morgan are included: First is his classic article on the history of the Utah Superintendency of Indian Affairs. This is followed by an important set of government reports and correspondence from the National Archives concerning the Eastern Shoshone and their leader Washakie. Morgan heavily annotated these for serial publication in the Annals of Wyoming. He also wrote a previously unpublished history of early relations among the Western Shoshone, emigrants, and the government along the California Trail. Morgan biographer Richard L. Saunders introduced, edited, and further annotated this collection. His introduction includes an intellectual biography of Morgan that focuses on the place of the anthologized pieces in Morgan’s corpus. Gregory E. Smoak, a leading historian of the Shoshone, contributed an ethnohistorical essay as additional context for Morgan’s work.

[more]
cover of Shot in Alabama: A History of Photography, 1839–1941, and a List of Photographers

Shot in Alabama

A History of Photography, 1839–1941, and a List of Photographers

Frances Osborn Robb

University of Alabama Press, 2016

A landmark study of vernacular and professional photography, from 1839 to 1941, that frames Alabama’s history through its images.  

Shot in Alabama by Frances Osborn Robb is a visual and textual narrative of Alabama’s photographic history from 1839 to 1941. It describes the phenomenon of photography as practiced in Alabama as a major cultural force, paying close attention to the particular contexts from which each image emerges and the fragments of microhistory that each image documents.

Presented chronologically—from the very first photograph ever taken in the state to the appearance of cameras as commonplace possessions in mid-twentieth-century households—Robb draws into sharp relief the eras of daguerreotypes, Civil War photography, photographic portraiture at the end of the nineteenth century, urban and rural photography in the early twentieth century, WPA photography during the Great Depression, postcards and tourist photography, and pre–World War II illustrated books and art photographs. Robb also examines a wide spectrum of vernacular photography: Alabama-made photographs of everyday people and places, the photographs that fill dresser drawers and shoeboxes, a vast array of unusual images against which Alabama’s more typical iconography can be measured.

She also chronicles the work of hundreds of photographers—black and white, amateur and professional, women and men—some little-known outside their communities, some of them the medium’s most important practitioners. “Who Shot Alabama?” is an accompanying appendix that includes 1,400 photographers by name, working dates, and location—a resource that will help countless individuals, families, and archives identify the specific Alabama photographers whose names appear on family photographs or those in institutional collections.

Shot in Alabama is an insightful document of photography as both a communicator and creator of social, cultural, economic, and visual history. It highlights the very personal worlds rendered by individual photographs as well as the larger panorama of Alabama history as seen through the photographs collectively. A landmark work of research, curation, and scholarship, it fills the void of published history on Alabama photography and is an invaluable resource for historians, archivists, librarians, collectors, hobbyists, and readers with an interest in Alabama history or historic photography. Shot in Alabama is a book that all Alabamians will want on their coffee tables.

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cover of Shot on Location: Postwar American Cinema and the Exploration of Real Place

Shot on Location

Postwar American Cinema and the Exploration of Real Place

Palmer, R. Barton

Rutgers University Press, 2016

In the early days of filmmaking, before many of Hollywood’s elaborate sets and soundstages had been built, it was common for movies to be shot on location. Decades later, Hollywood filmmakers rediscovered the practice of using real locations and documentary footage in their narrative features. Why did this happen? What caused this sudden change?
 
Renowned film scholar R. Barton Palmer answers this question in Shot on Location by exploring the historical, ideological, economic, and technological developments that led Hollywood to head back outside in order to capture footage of real places. His groundbreaking research reveals that wartime newsreels had a massive influence on postwar Hollywood film, although there are key distinctions to be made between these movies and their closest contemporaries, Italian neorealist films. Considering how these practices were used in everything from war movies like Twelve O’Clock High to westerns like The Searchers, Palmer explores how the blurring of the formal boundaries between cinematic journalism and fiction lent a “reality effect” to otherwise implausible stories.
 
Shot on Location describes how the period’s greatest directors, from Alfred Hitchcock to Billy Wilder, increasingly moved beyond the confines of the studio. At the same time, the book acknowledges the collaborative nature of moviemaking, identifying key roles that screenwriters, art designers, location scouts, and editors played in incorporating actual geographical locales and social milieus within a fictional framework. Palmer thus offers a fascinating behind-the-scenes look at how Hollywood transformed the way we view real spaces. 
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cover of Shouting Softly: Lines on Law, Literature, and Culture

Shouting Softly

Lines on Law, Literature, and Culture

Allen Mendenhall

St. Augustine's Press, 2020

In Shouting Softly, literary lawyer and proud Southerner Allen Mendenhall provides valuable insights into perennial questions about the fundamental features of civil society. His expansive commentaries and criticism on law, literature, and culture reveal an abiding commitment to ordered liberty, the decentralization and diffusion of power, bottom-up and localized forms of voluntary governance, time-tested wisdom, and aesthetic sensibility. This vigorous work cautions against hubris and misguided certitude, predicating its arresting arguments on the proposition that human reason, however awesome and inspiring, is limited and fallible. Covering a wide range of issues and historical figures, Mendenhall espouses conservative yet melioristic approaches to complex subjects, rebutting the hollow claims and fashionable theories that captivate ‘purposefully’ leftist law and humanities faculties across the United States. His is the measured voice of a book-loving polymath who appreciates beauty, imagination, humility, clarity, cooperation, and sound argumentation.

The work is given in three parts. The first section on law explores legal minds, rules and commentary on seminal jurisprudence. The second part explores literature and the influence of the writer and the disconcerting truths stories often seek to convey. Thirdly, Mendenhall delves into culture and the more obvious situations wherein we gain insight into our manner of living, and here Mendenhall exudes a Southern accent that in no way compromises his universal bearings. One of the highlights is his echo of Larry Seidentop’s question: “If we in the West do not understand the moral depth of our own tradition, how can we hope to shape the conversation of mankind?” This is all the more meaningful given that Mendenhall is a member of the Millennial generation, and part of the intellectual minority who sees the urgency of “a studied appreciation for nuanced story and linguistic narrative.” 
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cover of Shovel Ready: Archaeology and Roosevelt's New Deal for America

Shovel Ready

Archaeology and Roosevelt's New Deal for America

Bernard K. Means

University of Alabama Press, 2013

Shovel Ready provides a comprehensive lens through which to view the New Deal period, a fascinating and prolific time in American archaeology.
 
In this collection of diverse essays united by a common theme, Bernard K. Means and his contributors deliver a valuable research tool for practicing archaeologists and historians of archaeology, as well as New Deal scholars in general.
 
To rescue Americans from economic misery and the depths of despair during the Great Depression, President Franklin Delano Roosevelt created several New Deal jobs programs to put people to work. Men and women labored on a variety of jobs, from building roads to improving zoos. Some ordinary citizens—with no prior experience—were called on to act as archaeologists and excavate sites across the nation, ranging in size from small camps to massive mound complexes, and dating from thousands of years ago to the early Colonial period.
 
Shovel Ready contains essays on projects ranging across the breadth of the United States, including New Deal investigations in California, Georgia, Illinois, Iowa, Kentucky, New Jersey, Oklahoma, Pennsylvania, Tennessee, and Texas. Some essays engage in historical retrospectives. Others bring the technologies of the twenty-first century, including accelerator mass spectrometry (AMS) dating of curated collections and geophysical surveys at New Deal–excavated sites, to bear on decades-old excavations. The volume closes with an investigation into material remnants of the New Deal itself.
 
Contributors
John L. Cordell / John F. Doershuk / David H. Dye /Scott W. Hammerstedt / Janet R. Johnson / Kevin Kiernan /Gregory D. Lattanzi /Patrick C. Livingood / Anna R. Lunn / Bernard K.  Means / Stephen E. Nash / Amanda L. Regnier / Sissel Schroeder / James R. Wettstaed
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cover of Show Me the Bone: Reconstructing Prehistoric Monsters in Nineteenth-Century Britain and America

Show Me the Bone

Reconstructing Prehistoric Monsters in Nineteenth-Century Britain and America

Gowan Dawson

University of Chicago Press, 2016

Nineteenth-century paleontologists boasted that, shown a single bone, they could identify or even reconstruct the extinct creature it came from with infallible certainty—“Show me the bone, and I will describe the animal!” Paleontologists such as Georges Cuvier and Richard Owen were heralded as scientific virtuosos, sometimes even veritable wizards, capable of resurrecting the denizens of an ancient past from a mere glance at a fragmentary bone. Such extraordinary feats of predictive reasoning relied on the law of correlation, which proposed that each element of an animal corresponds mutually with each of the others, so that a carnivorous tooth must be accompanied by a certain kind of jawbone, neck, stomach, limbs, and feet.
 
Show Me the Bone tells the story of the rise and fall of this famous claim, tracing its fortunes from Europe to America and showing how it persisted in popular science and literature and shaped the practices of paleontologists long after the method on which it was based had been refuted. In so doing, Gowan Dawson reveals how decisively the practices of the scientific elite were—and still are—shaped by their interactions with the general public.
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cover of Show Us How You Do It: Marshall Keeble and the Rise of Black Churches of Christ in the United States, 1914-1968

Show Us How You Do It

Marshall Keeble and the Rise of Black Churches of Christ in the United States, 1914-1968

Edward J. Robinson

University of Alabama Press, 2008

Marshall Keeble (1878–1968) was the premier evangelist in black Churches of Christ from 1931 until his death in 1968. Born and reared in middle Tennessee, Keeble came under the influence of Preston Taylor, Samuel Womack, and Alexander Campbell, as well as the social influence of Booker T. Washington. In 1914, Keeble committed himself to full-time evangelism and by the 1920s had established himself as a noteworthy preacher. By the time of his death, he reportedly had baptized 40,000 people and had established more than 200 congregations, some of which still flourish today. Show Us How You Do It is the first critical study of Keeble and his evangelical career.
 
Based on primary sources, Edward Robinson reconstructs the life, public ministry, missionary activities, and the reception of Keeble among Churches of Christ. He also explores Keeble’s relationship with white businessmen and how he secured white support in establishing a large fellowship of African American Churches of Christ in the South. Show Us How You Do It details Keeble’s theology, ethos, and polemics toward other churches. Robinson demonstrates Keeble’s legacy in the labor of his African American co-workers and of the students who attended Nashville Christian Institute.
 
Of the approximately 2.5 million members of the Churches of Christ in the U.S., an estimated 10 percent are African-Americans, and many in this fellowship can trace their affiliation to Keeble and to those whom he trained.
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cover of Showboats: The History of an American Institution

Showboats

The History of an American Institution

By Philip Graham

University of Texas Press, 1951

This book is a delightful and authoritative record of America's showboats from the first one, launched in 1831, to the last, ultimately tied up at a St. Louis dock.

It is also a record of the men and women who built and loved these floating theaters, of those who performed on their stages, and of the thousands who sat in their auditoriums.

And, lastly, it is a record of a genuine folk institution, as American as catfish, which for more than a century did much to relieve the social and cultural starvation of our vast river frontier.

For these showboats brought their rich cargoes of entertainment—genuine laughter, a glimpse of other worlds, a respite from the grinding hardship of the present, emotional relaxation—to valley farmers, isolated factory workers and miners, and backwoodsmen who otherwise would have lacked all such opportunities.

To the more privileged , the showboats brought pleasant reminder of a half-forgotten culture. They penetrated regions where churches and school had not gone, and where land theaters were for generations to be impossible. Like circuit preachers, they carried their message to the outer fringes of American civilization. In spite of many faults, it was a good message.

The frontier had created this institution to fill a genuine need, and it lasted only until other and better means of civilizing these regions could reach them—good roads, automobiles, motion pictures, schools, churches, newspapers, and theaters. But although the showboats have passed into history, they have left a rich legacy. As long as the Mississippi flows into the Gulf, their story will fire the imagination of Americans.

Showboating has become so legendary that few Americans know what this unique institution was really like. In Showboats, at long last, the true story emerges. It differs in many important respects from the motion picture and fictional versions to which Americans are accustomed, but it is not a whit the less glamorous.

Philip Graham has told his story with imagination, genuine insight, and complete devotion to facts. No one who is interested in America's past should fail to read it.

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cover of Showdown in Desire: The Black Panthers Take a Stand in New Orleans

Showdown in Desire

The Black Panthers Take a Stand in New Orleans

Orissa Arend

University of Arkansas Press, 2009

Showdown in Desire portrays the Black Panther Party in New Orleans in 1970, a year that included a shootout with the police on Piety Street, the creation of survival programs, and the daylong standoff between the Panthers and the police in the Desire housing development. Through interviews with Malik Rahim, the Panther; Robert H. King, Panther and member of the Angola 3; Larry Preston Williams, the black policeman; Moon Landrieu, the mayor; Henry Faggen, the Desire resident; Robert Glass, the white lawyer; Jerome LeDoux, the black priest; William Barnwell, the white priest; and many others, Orissa Arend tells a nuanced story that unfolds amid guns, tear gas, desperate poverty, oppression, and inflammatory rhetoric to capture the palpable spirit of rebellion, resistance, and revolution of an incendiary summer in New Orleans.
[more]
cover of Showdown in the Show-Me State: The Fight Over Conceal-and-Carry Gun Laws in Missouri

Showdown in the Show-Me State

The Fight Over Conceal-and-Carry Gun Laws in Missouri

William T. Horner

University of Missouri Press, 2005

When the Missouri state legislature overrode Governor Bob Holden’s veto in 2003 to make conceal-and-carry the law of the land, the Show-Me State became one of the last in the country to adopt this type of law. In fact, it took years of concerted effort on the part of pro-gun advocates to make this a reality. In Showdown in the Show-Me State, William Horner chronicles this complex and fascinating fight in clear, chronological order beginning with the first bill introduced into the Missouri General Assembly in 1992 and ending with the state supreme court’s decision in 2004 that Missouri’s constitution permitted the legislature to grant Missourians the right to carry concealed weapons.
There is, it is often argued, no state more typically “American” than Missouri. The state is closely divided along partisan lines, as is the nation as a whole, and in the previous century, Missouri voters have regularly chosen the winner in almost every presidential election. By offering an examination of guns and gun policy in Missouri, this book provides a glimpse into the hearts and minds of Missourians and, by extension, of mainstream America as well. Horner’s in-depth case study details the give-and-take among legislators and examines the role that interest groups played in the evolution of this divisive issue.
Horner’s book—part policy analysis, part interest group study, and part history—will appeal to readers with an interest in the issue of gun control or in the political process, and it will provide a thorough resource for those who study policy making at the state level.    
[more]
cover of Showers of Blessings: Myrtle Lawrence, Notable Sharecropper and Union Organizer

Showers of Blessings

Myrtle Lawrence, Notable Sharecropper and Union Organizer

Elizabeth Anne Payne

University of Arkansas Press, 2023

[more]
cover of Showing Out: Fashion in Harlem

Showing Out

Fashion in Harlem

Peter "Souleo" Wright

Rutgers University Press, 2027

Showing Out: Fashion in Harlem explores the unprecedented and enduring impact of the Harlem Institute of Fashion (HIF) on American culture and style. Founded in 1966 by Lois K. Alexander-Lane, HIF produced legendary fashion shows for the annual HARLEM WEEK festival. With their eye-catching costumes, dramatic runway presentations, and embrace of the local community, the shows became one of HIF’s most popular and successful initiatives, spotlighting the underrepresented talents of Black fashion designers, models, and administrators. Tracing HIF’s legacy within the larger narrative of fashion history, Showing Out uses fashion shows as a portal, showcasing previously unpublished archival photos; first-hand accounts from HIF alumni, and contemporary collectives that continue to celebrate the Black contribution to fashion. In the wake of Black Lives Matter, anti-DEI policies, and ongoing political and racial turmoil, Showing Out is the much-needed voice of inspiration to reshape the narrative around fashion.

[more]
cover of Sick Building Syndrome and the Problem of Uncertainty: Environmental Politics, Technoscience, and Women Workers

Sick Building Syndrome and the Problem of Uncertainty

Environmental Politics, Technoscience, and Women Workers

M. Murphy

Duke University Press, 2006

Before 1980, sick building syndrome did not exist. By the 1990s, it was among the most commonly investigated occupational health problems in the United States. Afflicted by headaches, rashes, and immune system disorders, office workers—mostly women—protested that their workplaces were filled with toxic hazards; yet federal investigators could detect no chemical cause. This richly detailed history tells the story of how sick building syndrome came into being: how indoor exposures to chemicals wafting from synthetic carpet, ink, adhesive, solvents, and so on became something that relatively privileged Americans worried over, felt, and ultimately sought to do something about. As M. Murphy shows, sick building syndrome provides a window into how environmental politics moved indoors.

Sick building syndrome embodied a politics of uncertainty that continues to characterize contemporary American environmental debates. Murphy explores the production of uncertainty by juxtaposing multiple histories, each of which explains how an expert or lay tradition made chemical exposures perceptible or imperceptible, existent or nonexistent. They show how uncertainty emerged from a complex confluence of feminist activism, office worker protests, ventilation engineering, toxicology, popular epidemiology, corporate science, and ecology. In an illuminating case study, she reflects on EPA scientists’ efforts to have their headquarters recognized as a sick building. Murphy brings all of these histories together in what is not only a thorough account of an environmental health problem but also a much deeper exploration of the relationship between history, materiality, and uncertainty.

[more]
cover of Sick Work: Exhaustion, Labor, and Invisible Illness

Sick Work

Exhaustion, Labor, and Invisible Illness

Emily Lim Rogers

Duke University Press, 2026

In Sick Work, Emily Lim Rogers shows the unpaid labor it takes to be recognized as sick in the United States. Through a historical and ethnographic account of myalgic encephalomyelitis / chronic fatigue syndrome (ME/CFS)—a disease defined by disproportionate exhaustion after any form of exertion, which has no cure or treatment—she reveals how changing formations of labor decide what counts as disability and what does not. Sickness, she writes, is not work’s opposite. Rather, the frequent dismissal of their disease leaves people with ME/CFS to do their own labor of disease advocacy, or “sick work,” even as their symptoms prevent many from working paid jobs. Rogers presents a history of the discursive construction of chronic fatigue and demonstrates its development alongside capitalism since the dawn of industrial management science in the late nineteenth century. These histories, she argues, echo through to the present day, shaping the denial of me/cfs and the stigma that surrounds it. Examining the everyday lives of people with ME/CFS and their activist movements, Sick Work describes how they swim upstream against strong tides of disbelief and demands a radical transformation of how work is defined and valued.
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cover of Sickening: Anti-Black Racism and Health Disparities in the United States

Sickening

Anti-Black Racism and Health Disparities in the United States

Anne Pollock

University of Minnesota Press, 2021

An event-by-event look at how institutionalized racism harms the health of African Americans in the twenty-first century
 

A crucial component of anti-Black racism is the unconscionable disparity in health outcomes between Black and white Americans. Sickening examines this institutionalized inequality through dramatic, concrete events from the past two decades, revealing how unequal living conditions and inadequate medical care have become routine. 

From the spike in chronic disease after Hurricane Katrina to the lack of protection for Black residents during the Flint water crisis—and even the life-threatening childbirth experience for tennis star Serena Williams—author Anne Pollock takes readers on a journey through the diversity of anti-Black racism operating in healthcare. She goes beneath the surface to deconstruct the structures that make these events possible, including mass incarceration, police brutality, and the hypervisibility of Black athletes’ bodies. Ultimately, Sickening shows what these shocking events reveal about the everyday racialization of health in the United States.

Concluding with a vital examination of racialized healthcare during the COVID pandemic and the Black Lives Matter rebellions of 2020, Sickening cuts through the mind-numbing statistics to vividly portray healthcare inequalities. In a gripping and passionate style, Pollock shows the devastating reality and consequences of systemic racism on the lives and health of Black Americans. 

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cover of Sickness and Health in America: Readings in the History of Medicine and Public Health

Sickness and Health in America

Readings in the History of Medicine and Public Health

Edited by Judith W. Leavitt and Ronald L. Numbers

University of Wisconsin Press, 1997

An invaluable resource for students, scholars, and general readers, this highly regarded and widely used social history of medicine and public health in the United States is now available in a third edition. Extensively revised and updated, it includes twenty-one new essays; graphs illustrating the rise in deaths caused by HIV, homicide, and suicide; and a greatly expanded Guide to Further Reading. Entirely new sections on Sickness and Health, Early American Medicine, Therapeutics, the Art of Medicine, and Public Health and Personal Hygiene have been added, supplementing updated sections on the Science of Medicine, Education, the Allied Health Professions, Image and Income, Institutions, Race and Medicine, Epidemics, Public Health Reform, and Public Health and Medical Theory. An introductory essay and a series of historical photographs complement the articles.
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