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Perhaps the hardest-working member of the cabinet, Welles still found time to keep a detailed diary that has become one of the key documents for understanding the inner workings of the Lincoln administration. In this new edition, William E. and Erica L. Gienapp have restored Welles’s original observations, gleaned from the manuscript diaries at the Library of Congress and freed from his many later revisions, so that the reader can experience what he wrote in the moment. With his vitriolic pen, Welles captures the bitter disputes over strategy and war aims, lacerates colleagues from Secretary of State William H. Seward to General-in-Chief Henry Halleck, and condemns the actions of the self-serving southern elite he sees as responsible for the war. He just as easily waxes eloquent about the Navy's wartime achievements, extols the virtues of Lincoln, and drops in a tidbit of Washington gossip.

Carefully edited and extensively annotated, this edition contains a wealth of supplementary material. The appendixes include short biographies of the members of Lincoln’s cabinet, the retrospective Welles wrote after leaving office covering the period missing from the diary proper, and important letters regarding naval matters and international law.

In 1917, shortly after the United States’ declaration of war on Germany, Guy Emerson Bowerman, Jr., enlisted in the American army’s ambulance service. Like other young ambulance drivers—Hemingway, Dos Passos, Cummings, Cowley—Bowerman longed to “see the show.” He was glad to learn that the ambulance units were leaving for France right away.

For seventeen months, until the armistice of November 1918, Bowerman kept an almost daily diary of the war. To read his words today is to live the war with an immediacy and vividness of detail that is astonishing.

Only twenty when he enlisted, Bowerman was an idealistic, if snobbish, young man who exulted that his section was made up mostly of young “Yalies” like himself. But he expected the war to change him, and it did. In the end he writes that he and his compatriots scarcely remember a world at peace. "The old life was gone forever. . ."

Guy Bowerman’s unit was attached to a French infantry division stationed near Verdun. Sent to halt the German drive to Paris in 1918, the division participated in the decisive counterattack of July and tracked the routed Germans through Belgium. Then, “unwarned,” Bowerman and his comrades were “plunged into … a life of peace.” Into this life, he writes, they walked “bewildered,” like “men fearing ambush.”

This remarkable chronicle of one young man’s rite of passage is destined to become a classic in the literature of the Great War.

“I feel somehow that of all the writing I am doing, my diary is the most important.” So wrote the beloved and bestselling author, poet, and playwright Carol Lynn Pearson in her 1979 diary. Several years before, she recorded, “I feel the imperative of history. . . . Add that to my being a household word to many and I cannot escape the feeling that in many years there might be a number of people interested in these pages.” That time has now come.  

 Unbeknownst to almost everyone but herself, Pearson kept a near-daily diary since she was a teenager, recording her remarkable story in the context of twentieth- and twenty-first-century Mormon America. In this first of a four-volume series, Pearson chronicles her love for her church but also her troubling experiences and concerns with its patriarchy, historic doctrine of polygamy, omission of a feminine divine, and homophobia. Readers will rejoice with her as her first book of poetry, Beginnings, sells an astonishing 150,000+ copies and puts her on the map in the 1960s, empathize with her as she watches her church help kill the Equal Rights Amendment in the 1970s, and mourn with her as her mixed-orientation marriage ends and she cares for her former husband in her home as he dies of AIDS in the 1980s. The sensitive-girl-turned-strong-woman who emerges in these diaries insists that we move from patriarchy into partnership, change our destructive policies towards Queer people, and invite God the Mother back into our heavenly family.

Of these years of her life, poet, writer, and feminist Carol Lynn Pearson says, “The plot thickens, as all good plots do. My life and your life—if we are brave enough—move into areas that we had not anticipated. We feel sometimes that we want to run back to safer ground, but life has decided otherwise and so we take those next steps. Volume two of my diaries gives us a closeup of the years 1990 to 2002, bringing us an abundance of both joy and distress.”

Throughout the 1990s, Pearson records and laments her church’s efforts to punish scholars and activists while celebrating the success of her books and one-woman play, Mother Wove the Morning. Along the way, she comforts the suffering, endures terrible personal loss, and witnesses the fall of the Twin Towers on 9/11. “Bless everyone who fights for what is right,” she writes.  Few have fought harder than Carol Lynn Pearson.

Proposition 8, the 2008 California ballot initiative that overturned the state’s legalization of same-sex marriage, looms large in volume 3 of Carol Lynn Pearson’s diaries. The intense lobbying in favor of the measure by the Church of Jesus Christ of Latter-day Saints caused widespread protests against the church and rifts within congregations, families, and friendships that felt like they might never heal. Pearson documented it all. 

When she learned through friends close to church leaders that members of the First Presidency and Quorum of Twelve Apostles were shocked by the backlash, she wondered, “How do 15 prophets, seers, and revelators not see this coming when the rest of us did?”

A lifelong feminist, Pearson’s diaries also reveal her concerns for gender equality. She chronicles her observations of Ordain Women, a movement by a group of Latter-day Saint feminists who lobbied to change the church’s all-male priesthood. At the end of this volume, Pearson takes on yet another issue: the ongoing Mormon doctrine that polygamy is practiced in the eternities. Pearson heard from thousands of women who feared that they would be forced to share their husbands in the afterlife. The pain of these women propelled her forward into her next book project, challenging the doctrine of “eternal polygamy.”

Even as she faced her own struggles, Pearson buoyed up those around her. She took phone calls, answered letters, and comforted visitors who were hurting because of the church’s policies. She was, for many, a symbol of hope. 

This fourth and final volume of The Diaries of Carol Lynn Pearson is full of contradictions as it covers turbulent world events and intimate details in her life. Pearson remains a beacon of light and hope for many, even as she struggles with her own sorrows. 

She embarks on a new project that consumes her: the Latter-day Saint doctrine that polygamy will exist in the afterlife. Pearson also continues to document contemporaneous events in the modern history of the Church of Jesus Christ of Latter-day Saints, including the church’s November 2015 policy that discriminated against LGBTQ+ members and their children. She has both a grassroots perspective as a member of a California congregation and special insight into the decisions of LDS leadership, thanks to friends who keep her informed of what’s happening at the highest levels of the church.

Through it all, Pearson mourns when she says goodbye to longtime friends who die. In July 2026, after she completed her diary project, death finally came for Carol Lynn Pearson after 86 years. Her unique voice cannot be replicated.

Judith Malina’s newly restored diaries from a critical early decade in her personal, artistic, and political development

Judith Malina’s diaries from 1947 to 1957 are brought back into print in this volume, which charts her cofounding of The Living Theatre with husband and lifelong artistic partner Julian Beck. In these diaries, she narrates her developing political commitments and her expansive collaborations and personal relationships, as well as a moving account of her time in prison with activist Dorothy Day. This new edition features Kate Bredeson’s comprehensive introduction, which offers a detailed examination of Malina’s life and work in this period, along with additional historical context of these years and never-before-published photographs from Malina’s personal archives.

The Diaries of Judith Malina is a four-volume set that publishes for the first time together the edited diaries of radical theater director, actor, and activist Judith Malina from 1947 to 1971, the most influential period of her remarkable and storied career. A committed anarchist and pacifist, Malina made theater as a way to stoke revolutionary action. Her diaries showcase her political and social observations, cultural commentary, self-reflection, and wit. This expertly prepared set invites us to recognize Malina for her accomplishments not only as an artist and an activist but as one of the great literary diarists.
 

A previously unpublished volume of diaries recording Judith Malina’s extraordinary life and career in a moment of cultural revolution

Judith Malina’s diaries from the pivotal years of 1958 to 1968 are presented here in print for the first time. Meticulously edited and with an essential introduction by Kate Bredeson that offers a detailed discussion of Malina’s life and works during this period, the volume includes additional historical context and never-before-published photographs from Malina’s personal archives, as well as an illuminating foreword by Living Theatre archivist and longtime company member Tom Walker. This decade covers some of the most important years of Malina’s life and in the history of The Living Theatre, from career-defining productions of The Connection and The Brig to the company’s self-imposed European exile, when they created their signature works, including Paradise Now, Antigone, and Frankenstein.

The Diaries of Judith Malina is a four-volume set that publishes for the first time together the edited diaries of radical theater director, actor, and activist Judith Malina from 1947 to 1971, the most influential period of her remarkable and storied career. A committed anarchist and pacifist, Malina made theater as a way to engage in revolutionary action. Her diaries showcase her political and social observations, cultural commentary, self-reflection, and wit. This expertly prepared set invites us to recognize Malina for her accomplishments not only as an artist and an activist but as one of the great literary diarists.
 

A newly restored edition of Judith Malina’s legendary diaries narrating a key moment of social, political, and cultural upheaval

Originally published by Judith Malina as The Enormous Despair, this slim, gripping collection of diaries from a pivotal period between 1968 and 1969 follows The Living Theatre’s return to the United States after their years of self-exile in Europe, their increasing notoriety and frequent arrests, and their cross-country touring. In these pages, Malina wrestles with the company’s artistic and political efforts during a moment of societal crisis and grapples with their future. Kate Bredeson’s introduction contextualizes Malina’s life and work in this period, while additional historical context and never-before-published photographs add new detail and depth to a stirring account of American social and political history. 

The Diaries of Judith Malina is a four-volume set that publishes for the first time together the edited diaries of radical theater director, actor, and activist Judith Malina from 1947 to 1971, the most influential period of her remarkable and storied career. A committed anarchist and pacifist, Malina made theater as a way to engage in revolutionary action. Her diaries showcase her political and social observations, her cultural commentary, her self-reflection, and her wit. This expertly prepared set invites us to recognize Malina for her accomplishments not only as an artist and an activist but as one of the great literary diarists.
 

Judith Malina’s never-before-published diaries describing a period of profound personal and professional transformation

The years 1969 to 1971 saw The Living Theatre’s greatest rupture, reckoning with its desire to leave its defining productions from the 1960s behind and move forward with new artistic works and practices. In these previously unpublished diaries, Judith Malina recounts these pivotal years, describing her transformative time in Brazil, including her experiences of daily life in jail while awaiting trial with her company members. This meticulously edited volume includes Kate Bredeson’s introduction, examining Malina’s life and work in this period, as well as additional historical context and never-before-published photographs. Living Theatre member Ilion Troya offers a foreword that provides new context for understanding the volume’s historical significance.

The Diaries of Judith Malina is a four-volume set that publishes for the first time together the edited diaries of radical theater director, actor, and activist Judith Malina from 1947 to 1971, the most influential period of her remarkable and storied career. A committed anarchist and pacifist, Malina made theater as a way to engage in revolutionary action. Her diaries showcase her political and social observations, cultural commentary, self-reflection, and wit. This expertly prepared set invites us to recognize Malina for her accomplishments not only as an artist and an activist but as one of the great literary diarists.
 

Nikolay Punin (1888-1953) was the most articulate Russian/Soviet art critic of the 1920s. He strongly advocated Constructivism, an avant-garde impulse that favored mechanomorphic abstraction and proclaimed a movement to bring art into the center of popular life. In the United States, he is perhaps best remembered for his love affair with Anna Akhmatova, one of the great poets of the twentieth century.

This volume presents the first English translation of ten diary notebooks that Punin wrote between 1915 and 1936, as well as selections from his earlier (1904-1910) and later (1941-1946) diaries and some thirty notes and letters relating to his affair with Anna Akhmatova. These materials offer a rare glimpse into the life of art and artists in Russia. They also present vivid scenes from the 1905 Revolution, World War I, the 1917 Revolutions, World War II, and Stalinist oppression through the reflections of a talented man, who, unlike many of his generation, lived to tell the tale.

Winner, 2015 USC Book Award in Literary and Cultural Studies, for outstanding monograph published on Russia, Eastern Europe or Eurasia in the fields of literary and cultural studies

The Ethics of Witnessing investigates the reactions of five important Polish diaristswriters—Jaroslaw Iwaszkiewicz, Maria Dabrowska, Aurelia Wylezynska, Zofia Nalkowska, and Stanislaw Rembek—during the period when the Nazis persecuted and murdered Warsaw’s Jewish population. The responses to the Holocaust of these prominent prewar authors extended from insistence on empathic interaction with victims to resentful detachment from Jewish suffering. Whereas some defied the dehumanization of the Jews and endeavored to maintain intersubjective relationships with the victims they attempted to rescue, others selfdeceptively evaded the Jewish plight. The Ethics of Witnessing examines the extent to which ideologies of humanism and nationalism informed the diarists’ perceptions, proposing that the reality of the Final Solution exposed the limits of both orientations and ultimately destroyed the ethical landscape shaped by the Enlightenment tradition, which promised the equality and fellowship of all human beings.

In the fall of 1932, University of Michigan naturalist Walter N. Koelz traveled to northwest India to lead a scientific collecting expedition in the rugged Himalayan regions of Western Tibet. Some eighteen months later he returned to the United States with a remarkable collection of biological specimens and an array of objects—Buddhist paintings, ritual objects, textiles, and household goods—acquired from monasteries, households, and merchants. This book presents the diary entries Koelz wrote at the end of each day throughout his expedition, recounting in detail each day’s travels, bookended by a chapter contextualizing his acquisition of sacred Buddhist objects and an appendix that presents previously unpublished thangka paintings that he collected.

A portrait of the Finnish immigrant experience in Minnesota during the early twentieth century—now in paperback

After journeying across the Atlantic with his mother and two sisters, young Otto Peltonen joins his father in the iron ore mines of northern Minnesota, experiencing the harsh labor conditions that were common at the time, as mining companies cared more about making a profit than for their workers’ safety. Writing in his journal about his family’s struggles and the hard life Finnish immigrants endured in the early twentieth century, Otto ultimately strengthens his resolve to find the freedom his family had first sought in America.

The remarkable journal of the young wife of early Alabama governor John Gayle and a primary source of our knowledge about early Alabama and the antebellum American South

Astonishing, tragic, and remarkable, the journal of Sarah Haynsworth Gayle, wife of early Alabama governor John Gayle, is among the most widely studied and seminal accounts of antebellum life in the American South. This is the first complete edition of the journal in print.

Bereft of the companionship of her often-absent husband, Sarah considered her journal “a substitute for social intercourse” during the period from 1827 to 1835. It became the social and intellectual companion to which she confided stories that reflected her personal life and the world of early Alabama. Sarah speaks directly to us of her loneliness, the challenges of child rearing, her fear of and frustration with the management of slaves, and the difficulty of balancing the responsibilities of a socially prominent woman with her family’s slender finances.

The poor condition of the journal and its transcripts, sometimes disintegrated or reassembled in the wrong order, has led historians to misinterpret Gayle’s words. Gayle’s descendants, Alabama’s famed Gorgases, deliberately obscured or defaced many passages. Using archival techniques to recover the text and restore the correct order, Sarah Wiggins and Ruth Truss reveal the unknown story of Sarah’s economic hardships, the question of her husband’s “temperance,” and her opium use.

The only reliable and unexpurgated edition of Sarah Gayle’s journal, now enhanced with a fascinating introduction and inset notes, The Journal of Sarah Haynsworth Gayle, 1827–1835, is a robust and gripping account and will be of inestimable value to our understanding of antebellum society, religion, intellectual culture, and slavery.

Published in cooperation with the University Libraries, The University of Alabama, with further financial support from the Library Leadership Board, the University Libraries, The University of Alabama.