752 books match the query 'Illinois' and 144 start with t

cover of Tales and Songs of Southern Illinois

Tales and Songs of Southern Illinois

Collected by Charles Neely

Southern Illinois University Press, 1998

First published in 1938, this lively collection of over 150 tales and songs runs the gamut from joy to woe, from horror to humor. In forming the collection, Charles Neely required only that the tales and songs—whether home grown or transplanted from the great body of world lore— had taken root somehow in the area of southern Illinois known as Egypt.

Notable tales include "Bones in the Well," "A Visit from Jesse James," "The Flight of the Naked Teamsters," "The Dug Hill Boger," and "How Death Came to Ireland"; among the songs and ballads are "Barbara Allen," "Hog and Hominy," "The Drunkard’s Lone Child," "The Belleville Convent Fire," "Shawneetown Flood," and "The Death of Charlie Burger."

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cover of Tales and Trails of Illinois

Tales and Trails of Illinois

Stu Fliege

University of Illinois Press, 2002

Based on a collection of fifty-two vignettes of Illinois history originally published as weekly columns in newspapers and revised for publication in book form, Tales and Trails of Illinois presents little-known episodes and adds perspective to tales of the state’s varied past. Pairing readable commentary with striking description and detail, the book is a useful compendium of Illinois heritage in an accessible and entertaining format.
Stu Fliege highlights historical events, such as the Herrin Massacre and Chicago’s Iroquois Theatre fire, and covers the diverse terrain of Illinois’s natural and constructed wonders, from Lusk Creek Canyon to Robert Allerton Park. Readers will meet a colorful cast of characters including pioneers, squatters, miners, gangsters, and utopian leaders. They’ll travel back in time to when salt production was the state’s main industry and learn of the Illinois ingenuity that spawned inventions including barbed wire, the steel plow, and the Ferris wheel. From Oquawka’s elephant memorial to Murphysboro’s mysterious mud monster, the book also offers quirky facts and spooky stories that aren’t found in the average history book.
Liberally illustrated and clearly written, Tales and Trails of Illinois is a helpful learning tool for Illinoisans of all ages, perfect for families, history buffs, libraries, and the classroom.
 
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cover of Talk Thai: The Adventures of Buddhist Boy

Talk Thai

The Adventures of Buddhist Boy

Ira Sukrungruang

University of Missouri Press, 2011

On one side of the door, the rich smell of sweet, spicy food and the calm of Buddhist devotion; on the other, the strangeness of a new land.

When Ira Sukrungruang was born to Thai parents newly arrived in the U.S., they picked his Jewish moniker out of a book of “American” names. In this lively, entertaining, and often hilarious memoir, he relates the early life of a first-generation Thai-American and his constant, often bumbling attempts to reconcile cultural and familial expectations with the trials of growing up in 1980s America.

Young Ira may have lived in Oak Lawn, Illinois, but inside the family’s bi-level home was “Thailand with American conveniences.” They ate Thai food, spoke the Thai language, and observed Thai customs. His bedtime stories were tales of Buddha and monkey-faced demons. On the first day of school his mother reminded him that he had a Siamese warrior’s eyes—despite his thick glasses—as Aunty Sue packed his Muppets lunch box with fried rice. But when his schoolmates played tag he was always It, and as he grew, he faced the constant challenge of reconciling American life with a cardinal family rule: “Remember, you are Thai.”

Inside the Thai Buddhist temple of Chicago, another “simulated Thailand,” are more rules, rules different from those of the Southside streets, and we see mainstream Western religion—“god people”—through the Sukrungruang family’s eyes. Within the family circle, we meet a mother who started packing for her return to Thailand the moment she arrived; her best friend, Aunty Sue, Ira’s second mother, who lives with and cooks for the family; and a wayward father whose dreams never quite pan out.

Talk Thai is a richly told account that takes us into an immigrant’s world. Here is a story imbued with Thai spices and the sensibilities of an American upbringing, a story in which Ira practices English by reciting lines from TV sitcoms and struggles with the feeling of not belonging in either of his two worlds. For readers who delight in the writings of Amy Tan, Gish Jen, and other Asian-Americans, Talk Thai provides generous portions of a still-mysterious culture while telling the story of an American boyhood with humor, playfulness, and uncompromising honesty.
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cover of Teachers and Reform: Chicago Public Education, 1929-70

Teachers and Reform

Chicago Public Education, 1929-70

John F. Lyons

University of Illinois Press, 2007

From the union's formation in 1937 until the 1960s, the Chicago Teachers Union (CTU) was the largest and most influential teachers' union in the country. John F. Lyons examines the role of public schoolteachers and the CTU in shaping the policies and practices of public education in Chicago.

Examining teachers' unions and public education from the bottom up, Lyons shows how the CTU and its members sought rigorous reforms. A combination of political action, public relations campaigns, and community alliances helped the CTU to achieve better salaries and benefits, increased school budgets, reformed curricula, and greater equality for women within the public education system. But its agenda was also constrained by internal divisions over race and gender and by ongoing external disputes with the school administration, politicians, and business and civic organizations.

Detailed and informed by rich interviews, Teachers and Reform: Chicago Public Education, 1929-1970 tells the story of how committed union members effected changes to public education and to local politics that still benefit Chicago teachers, students, and the city today.

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cover of Tell Us a Story: An African American Family in the Heartland

Tell Us a Story

An African American Family in the Heartland

Shirley Motley Portwood

Southern Illinois University Press, 2000

Illinois State Historical Society's Certificate of Excellence (2002)

Supplemented by recollections from the present era, Tell Us a Story is a colorful mosaic of African American autobiography and family history set in Springfield, Illinois, and in rural southern Illinois, Missouri, and Arkansas from the 1920s through the 1950s.

           

Shirley Motley Portwood shares rural, African American family and community history through a collection of vignettes about the Motley family. Initially transcribed accounts of the Motleys’ rich oral history, these stories have been passed among family members for nearly fifty years. In addition to her personal memories, Portwood presents interviews with her father, three brothers, and two sisters plus notes and recollections from their annual family reunions. The result is a composite view of the Motley family.

           

A historian, Portwood enhances the Motley family story by investigating primary data such as census, marriage, school, and land records, newspaper accounts, city directories, and other sources. The backbone of this saga, however, is oral history gathered from five generations, extending back to Portwood's grandparents, born more than one hundred years ago. Information regarding two earlier generations—her great- grandfather and great-great-grandparents, who were slaves—is based on historical research into state archives, county and local records, plantation records, and manuscript censuses.

           

A rich source for this material—the Motley family reunions—are week-long retreats where four generations gather at the John Motley house in Burlington, Connecticut, the Portwood home in Godfrey, Illinois, or other locations. Here the Motleys, all natural storytellers, pass on the family traditions. The stories, ranging from humorous to poignant, reveal much about the culture and history of African Americans, especially those from nonurban areas. Like many rural African Americans, the Motleys have a rich and often joyful family history with traditions reaching back to the slave past. They have known the harsh poverty that made even the necessities difficult to obtain and the racial prejudice that divided whites and blacks during the era of Jim Crow segregation and inequality; yet they have kept a tremendous faith in self-improvement through hard work and education.

           

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cover of Temples for Cahokia Lords: Preston Holder's 1955–1956 Excavations of Kunnemann Mound

Temples for Cahokia Lords

Preston Holder's 1955–1956 Excavations of Kunnemann Mound

Timothy R. Pauketat with contributions by John R. Bozell, Sandra L. Dunavan, and a foreword by John O'Shea

University of Michigan Press, 1993

Preston Holder, a brilliant iconoclast, excavated these mounds in 1955. Decades later, the excavation still stands as one of the best-documented major excavations of the Cahokia area. This volume, meticulously researched and written, is the book Holder never completed. Pauketat also includes the massive research and theoretical developments that have emerged since 1957.
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cover of Terror and Wonder: Architecture in a Tumultuous Age

Terror and Wonder

Architecture in a Tumultuous Age

Blair Kamin

University of Chicago Press, 2010

For more than twenty years now, Blair Kamin of the Chicago Tribune has explored how architecture captures our imagination and engages our deepest emotions. A winner of the Pulitzer Prize for criticism, Kamin treats his subjects not only as works of art but also as symbols of the cultural and political forces that inspire them. Terror and Wonder gathers the best of Kamin’s writings from the past decade along with new reflections on an era framed by the destruction of the World Trade Center and the opening of the world’s tallest skyscraper.

Assessing ordinary commercial structures as well as head-turning designs by some of the world’s leading architects, Kamin paints a sweeping but finely textured portrait of a tumultuous age torn between the conflicting mandates of architectural spectacle and sustainability. For Kamin, the story of our built environment over the past ten years is, in tangible ways, the story of the decade itself. Terror and Wonder considers how architecture has been central to the main events and crosscurrents in American life since 2001: the devastating and debilitating consequences of 9/11 and Hurricane Katrina; the real estate boom and bust; the use of over-the-top cultural designs as engines of civic renewal; new challenges in saving old buildings; the unlikely rise of energy-saving, green architecture; and growing concern over our nation’s crumbling infrastructure.

A prominent cast of players—including Santiago Calatrava, Frank Gehry, Helmut Jahn, Daniel Libeskind, Barack Obama, Renzo Piano, and Donald Trump—fills the pages of this eye-opening look at the astounding and extraordinary ways that architecture mirrors our values—and shapes our everyday lives.

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cover of The Archaeology of Carrier Mills: 10,000 Years in the Saline Valley of Illinois

The Archaeology of Carrier Mills

10,000 Years in the Saline Valley of Illinois

Richard W. Jefferies

Southern Illinois University Press, 1987

Archaeological sites throughout southern Illinois provide a chronicle of the varying ways people have lived in that area during the past 10,000 years. This book focuses on the results of a five-year archaeological investigation in a 143-acre area known as the Carrier Mills Archaeo­logical District. This area, rich in archaeological treasures, offers many keys to the prehistoric people of southern Illinois. Archaeologists in this study have sought to learn the ages of the various prehistoric occupations represented at the sites; to better un­derstand the technology and social organization of these prehistoric people; to collect information about diet, health, and physical characteristics of the prehistoric inhabitants; and to investigate the remains of the 19th-century Lakeview settlement.

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cover of The Architects and the City: Holabird & Roche of Chicago, 1880-1918

The Architects and the City

Holabird & Roche of Chicago, 1880-1918

Robert Bruegmann

University of Chicago Press, 1997

Winner of the 1998 Spiro Kostof Book Award from the Society of Architectural Historians.

Chicago has always held a special fascination for those interested in architectural and urban history. For many, the defining moment occurred at the turn of the century when Chicago was booming and the world came to the city by the lake. But the story most often told in architectural history—the tale of single creative geniuses like Frank Lloyd Wright and Louis Sullivan—does little to explain the birth of the everyday modern city, with its high-rise downtown, diverse neighborhoods, and sprawling suburbs. This book connects architectural history with urban history by looking at the work of a major architectural firm, Holabird & Roche. No firm in any large American city had a greater impact.

With projects that ranged from tombstones to skyscrapers, boiler rooms to entire industrial complexes, Holabird & Roche left an indelible stamp on the city of Chicago and, indeed, far beyond. In this volume, the first of two on Holabird & Roche and its successor, Holabird & Root, Robert Bruegmann traces the firm’s history from its founding in 1880 to the end of the First World War. Incorporating meticulous research based on the extensive architectural holdings of the Chicago Historical Society, Bruegmann documents the firm’s work from the boom years of the 1880s through the period of sustained growth and innovation after the turn of the century. In chapters devoted to topics as diverse as downtown commercial and retail development, business hotels, civic buildings, automobile showrooms, and suburban clubs and housing, Bruegmann creates a sustained historical narrative that considers the profound interdependence of architecture and modern urban life.
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cover of The Art of Migration: Birds, Insects, and the Changing Seasons in Chicagoland

The Art of Migration

Birds, Insects, and the Changing Seasons in Chicagoland

Paintings by Peggy Macnamara

University of Chicago Press, 2013

Tiny ruby-throated hummingbirds weighing less than a nickel fly from the upper Midwest to Costa Rica every fall, crossing the six-hundred-mile Gulf of Mexico without a single stop. One of the many creatures that commute on the Mississippi Flyway as part of an annual migration, they pass along Chicago’s lakefront and through midwestern backyards on a path used by their species for millennia. This magnificent migrational dance takes place every year in Chicagoland, yet it is often missed by the region’s two-legged residents. The Art of Migration uncovers these extraordinary patterns that play out over the seasons. Readers are introduced to over two hundred of the birds and insects that traverse regions from the edge of Lake Superior to Lake Michigan and to the rivers that flow into the Mississippi.

As the only artist in residence at the Field Museum, Peggy Macnamara has a unique vantage point for studying these patterns and capturing their distinctive traits. Her magnificent watercolor illustrations capture flocks, movement, and species-specific details. The illustrations are accompanied by text from museum staff and include details such as natural histories, notable features for identification, behavior, and how species have adapted to environmental changes. The book follows a gentle seasonal sequence and includes chapters on studying migration, artist’s notes on illustrating wildlife, and tips on the best ways to watch for birds and insects in the Chicago area.

A perfect balance of science and art, The Art of Migration will prompt us to marvel anew at the remarkable spectacle going on around us.
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cover of The Beat Cop: Chicago's Chief O'Neill and the Creation of Irish Music

The Beat Cop

Chicago's Chief O'Neill and the Creation of Irish Music

Michael O'Malley

University of Chicago Press, 2022

The remarkable story of how modern Irish music was shaped and spread through the brash efforts of a Chicago police chief.

Irish music as we know it today was invented not just in the cobbled lanes of Dublin or the green fields of County Kerry, but also in the burgeoning metropolis of early-twentieth-century Chicago. The genre’s history combines a long folk tradition with the curatorial quirks of a single person: Francis O’Neill, a larger-than-life Chicago police chief and an Irish immigrant with a fervent interest in his home country’s music.

Michael O’Malley’s The Beat Cop tells the story of this singular figure, from his birth in Ireland in 1865 to his rough-and-tumble early life in the United States. By 1901, O’Neill had worked his way up to become Chicago’s chief of police, where he developed new methods of tracking criminals and recording their identities. At the same time, he also obsessively tracked and recorded the music he heard from local Irish immigrants, enforcing a strict view of what he felt was and wasn’t authentic. Chief O’Neill’s police work and his musical work were flip sides of the same coin, and O’Malley delves deep into how this brash immigrant harnessed his connections and policing skills to become the foremost shaper of how Americans see, and hear, the music of Ireland.

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cover of The Black Chicago Renaissance

The Black Chicago Renaissance

Edited by Darlene Clark Hine and John McCluskey Jr.

University of Illinois Press, 2012

Beginning in the 1930s, Black Chicago experienced a cultural renaissance that lasted into the 1950s and rivaled the cultural outpouring in the Harlem Renaissance of the 1920s. The contributors to this volume analyze this prolific period of African American creativity in music, performance art, social science scholarship, and visual and literary artistic expression.
 
Unlike Harlem, Chicago was an urban industrial center that gave a unique working class and internationalist perspective to the cultural work being done in Chicago. This collection's various essays discuss the forces that distinguished the Black Chicago Renaissance from the Harlem Renaissance and placed the development of black culture in a national and international context. Among the topics discussed in this volume are Chicago writers Gwendolyn Brooks and Richard Wright, The Chicago Defender and Tivoli Theater, African American music and visual arts, and the American Negro Exposition of 1940.
 
Contributors are Hilary Mac Austin, David T. Bailey, Murry N. DePillars, Samuel A. Floyd Jr., Erik S. Gellman, Jeffrey Helgeson, Darlene Clark Hine, John McCluskey Jr., Christopher Robert Reed, Elizabeth Schlabach, and Clovis E. Semmes.
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cover of The Black Musician and the White City: Race and Music in Chicago, 1900-1967

The Black Musician and the White City

Race and Music in Chicago, 1900-1967

Amy Absher

University of Michigan Press, 2014

Amy Absher’s The Black Musician and the White City tells the story of African American musicians in Chicago during the mid-twentieth century. While depicting the segregated city before World War II, Absher traces the migration of black musicians, both men and women and both classical and vernacular performers, from the American South to Chicago during the 1930s to 1950s.

Absher’s work diverges from existing studies in three ways: First, she takes the history beyond the study of jazz and blues by examining the significant role that classically trained black musicians played in building the Chicago South Side community. By acknowledging the presence and importance of classical musicians, Absher argues that black migrants in Chicago had diverse education and economic backgrounds but found common cause in the city’s music community. Second, Absher brings numerous maps to the history, illustrating the relationship between Chicago’s physical lines of segregation and the geography of black music in the city over the years. Third, Absher’s use of archival sources is both extensive and original, drawing on manuscript and oral history collections at the Center for Black Music Research in Chicago, Columbia University, Rutgers’s Institute of Jazz Studies, and Tulane’s Hogan Jazz Archive. By approaching the Chicago black musical community from these previously untapped angles, Absher offers a history that goes beyond the retelling of the achievements of the famous musicians by discussing musicians as a group. In The Black Musician and the White City, black musicians are the leading actors, thinkers, organizers, and critics of their own story.

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cover of The Black Struggle for Public Schooling in Nineteenth-Century Illinois

The Black Struggle for Public Schooling in Nineteenth-Century Illinois

Robert L. McCaul

Southern Illinois University Press, 1987

In the pre-Civil War and Civil War periods the Illinois black code deprived blacks of suffrage and court rights, and the Illinois Free Schools Act kept most black children out of public schooling. But, as McCaul documents, they did not sit idly by. They applied the concepts of “bargaining power” (rewarding, punishing, and dialectical) and the American ideal of “community” to participate in winning two major victories during this era.

By the use of dialectical power, exerted mainly via John Jones’ tract, The Black Laws of Illinois, they helped secure the repeal of the state’s black code; by means of punishing power, mainly through boycotts and ‘‘invasions,’’ they exerted pressures that brought a cancellation of the Chicago public school policy of racial segregation.

McCaul makes clear that the blacks’ struggle for school rights is but one of a number of such struggles waged by disadvantaged groups (women, senior citizens, ethnics, and immigrants). He postulates a “stage’’ pattern for the history of the black struggle—a pattern of efforts by federal and state courts to change laws and constitutions, followed by efforts to entice, force, or persuade local authorities to comply with the laws and constitutional articles and with the decrees of the courts.

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cover of The Blues Dream of Billy Boy Arnold

The Blues Dream of Billy Boy Arnold

Billy Boy Arnold with Kim Field

University of Chicago Press, 2021

The frank, funny, and unforgettable autobiography of a living legend of Chicago blues.  
 
Simply put, Billy Boy Arnold is one of the last men standing from the Chicago blues scene’s raucous heyday. What’s more, unlike most artists in this electrifying melting pot, who were Southern transplants, Arnold—a harmonica master who shared stages with Bo Diddley, Muddy Waters, and Howlin’ Wolf, plus a singer and hitmaker in his own right who first recorded the standards “I Wish You Would” and “I Ain’t Got You”—was born right here and has lived nowhere else. This makes his perspective on Chicago blues, its players, and its locales all the rarer and all the more valuable. Arnold has witnessed musical generations come and go, from the decline of prewar country blues to the birth of the electric blues and the worldwide spread of rock and roll. Working here in collaboration with writer and fellow musician Kim Field, he gets it all down. The Blues Dream of Billy Boy Arnold is a remarkably clear-eyed testament to more than eighty years of musical love and creation, from Arnold’s adolescent quest to locate the legendary Sonny Boy Williamson, the story of how he named Bo Diddley Bo Diddley, and the ups and downs of his seven-decade recording career. Arnold’s tale—candidly told with humor, insight, and grit—is one that no fan of modern American music can afford to miss.
 
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cover of The Bonds of War: A Story of Immigrants and Esprit de Corps in Company C, 96th Illinois Volunteer Infantry

The Bonds of War

A Story of Immigrants and Esprit de Corps in Company C, 96th Illinois Volunteer Infantry

Diana L. Dretske

Southern Illinois University Press, 2021

The bond of citizenship earned during the Civil War
 
When curator Diana L. Dretske discovered that the five long-gone Union soldiers in a treasured photograph in the Bess Bower Dunn Museum were not fully identified, it compelled her into a project of recovery and reinterpretation. Utilizing an impressive array of local and national archives, as well as private papers, the author’s microhistorical approach records events that often go unnoticed, such as a farmer enlisting in the middle of a crop field, a sister searching her brother’s face for signs of war, and an immigrant dying in an effort to become a good American citizen.
 
This book, the most intensive examination of the 96th Illinois Volunteer Infantry since the regiment’s history was published in 1887 centers on immigrants from the British Isles who wished to be citizens of a country at war with itself. Far removed from their native homelands, they found new promise in rural Illinois. These men, neighbors along the quiet Stateline Road in Lake County, decide to join the fighting at its most dangerous hour. The bonds of war become then the bonds of their new national identity.
 
The Bonds of War uncovers the common soldier from the cataclysm that is the American Civil War by offering a collective biography of five soldiers of the 96th in the Western Theater. The human drama of their lives unfolds before the reader on battlefields such as Chickamauga and within the high pine stockades of Andersonville. Their lives argue that those who seem to matter least in military history are the very ones who can tell us the most about the experience of war and the reasons for remembering.
 
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cover of The Boy of Battle Ford and the Man

The Boy of Battle Ford and the Man

W. S. Blackman

Southern Illinois University Press, 2012

A classic story of a young man’s journey to adulthood, The Boy of Battle Ford covers Blackman’s years growing up in early post-settlement Illinois, where he gave in to temptations such as drinking, gambling, and the lure of prostitutes before joining the army, finding God and becoming a preacher. Blackman, who notes that he is determined to “write facts” in this book,   peppers his story with the sordid details of the sinful times of his life as well as with discussions of faith and of struggling to understand his God and his beliefs.

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cover of The Breakaway: The Inside Story of the Wirtz Family Business and the Chicago Blackhawks

The Breakaway

The Inside Story of the Wirtz Family Business and the Chicago Blackhawks

Bryan Smith

Northwestern University Press, 2018

“This is a terrific book, a dramatic family saga told in artful prose and filled with emotional turmoil, a few surprisingly touching moments but enough dysfunction for a couple of Eugene O’Neill plays.” —Rick Kogan, Chicago Tribune

When Rocky Wirtz took over the Wirtz Corporation in 2007, including management of the Chicago Blackhawks, the fiercely beloved hockey team had fallen to a humiliating nadir. As chronic losers playing to a deserted stadium, they were worse than bad—they were irrelevant. ESPN named the franchise the worst in all of sports. Rocky's resurrection of the team's fortunes was—publicly, at least—a feel-good tale of shrewd acumen. Behind the scenes, however, it would trigger a father, son, and brother-against-brother drama of Shakespearean proportions. The Breakaway reveals that untold story.

Arthur Wirtz founded the family's business empire during the Depression. From roots in real estate, "King Arthur" soon expanded into liquor and banking, running his operations with an iron hand and a devotion to profit that earned him the nickname Baron of the Bottom Line. His son Bill further expanded the conglomerate, taking the helm of the Blackhawks in 1966. "Dollar Bill" Wirtz demanded unflinching adherence to Arthur's traditions and was notorious for an equally fierce temperament.

Yet when Rocky took the reins of the business after Bill's death, it was an organization out of step with the times and financially adrift. The Hawks weren't only failing on the ice—the parlous state of the team's finances imperiled every facet of the Wirtz empire. To save the team and the company, Rocky launched a radical turnaround campaign. Yet his modest proposal to televise the Hawks' home games provoked fierce opposition from Wirtz family insiders, who considered any deviation from Arthur and Bill's doctrines to be heresy.

Rocky's break with the edicts of his grandfather and father led to a reversal for the ages—three Stanley Cup championships in six years, a feat Fortune magazine called "the greatest turnaround in sports business history." But this resurrection came at a price, a fracturing of Rocky's relationships with his brother and other siblings. In riveting prose that recounts a story spanning three generations, The Breakaway reveals an insider's view of a brilliant but difficult Chicago business and sports dynasty and the inspiring story of perseverance and courage in the face of intense family pressures.
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cover of The Charnley House: Louis Sullivan, Frank Lloyd Wright, and the Making of Chicago's Gold Coast

The Charnley House

Louis Sullivan, Frank Lloyd Wright, and the Making of Chicago's Gold Coast

Edited by Richard Longstreth

University of Chicago Press, 2004

Situated in Chicago's famed Gold Coast, just north of the Magnificent Mile, the Charnley house is one of the finest dwellings in the city and considered worldwide to be a stunning example of avant-garde architecture. Now the headquarters of the Society of Architectural Historians and designated a National Historic Landmark in 1998, the house was built in 1892 at a critical moment in urban and architectural history. The Charnley House is the first authoritative publication on the building, which has long been discussed in surveys but never before examined in detail.

In this collection of original essays, six well-known architectural historians illuminate various aspects of the house, both inside and out, as they consider its remarkable formal and spatial qualities, its historical significance in the development of Chicago's elite residential neighborhood, and its place in the context of American domestic architecture. Equally important, the contributors tackle the knotty, decades-old issue concerning the building's designer. While many have ascribed the scheme to Frank Lloyd Wright, Louis Sullivan's chief assistant at the time, this book sheds new light on how the house relates significantly to the work of both master and apprentice.

The continuing debate over the house's "authorship" highlights the importance of the Charnley house in the history of modern architecture as the seminal work of residential design in the United States. These thoroughly researched interpretations, supplemented by an abundance of never before published illustrations, analyze this house of distinction with the care and detail it deserves. Beautifully restored in late 1980s, the Charnley house now has a book worthy of it.
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cover of The Chicago Auditorium Building: Adler and Sullivan's Architecture and the City

The Chicago Auditorium Building

Adler and Sullivan's Architecture and the City

Joseph M. Siry

University of Chicago Press, 2002

Winner of the Alice Davis Hitchcock Award from the Society of Architectural Historians

When the magnificent Auditorium Building opened on Chicago's Michigan Avenue in December 1889, it marked Chicago's emergence both as the leading city of the Midwest and as a metropolis of international stature. In this lavishly illustrated book, Joseph M. Siry explores not just the architectural history of the Auditorium Building but also the crucial role it played in Chicago's social history. Covering the Auditorium from the early design stage to its opening, its later renovations, its links to culture and politics in Chicago, and its influence on later Adler and Sullivan works (including the Schiller Building and the Chicago Stock Exchange Building), this volume recounts the fascinating tale of a building that helped to define a city and an era.
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cover of The Chicago Black Renaissance and Women's Activism

The Chicago Black Renaissance and Women's Activism

Anne Meis Knupfer

University of Illinois Press, 2006

Following on the heels of the Harlem Renaissance, the Chicago Renaissance was a resonant flourishing of African American arts, literature, theater, music, and intellectualism, from 1930 to 1955. Anne Meis Knupfer's The Chicago Black Renaissance and Women's Activism demonstrates the complexity of black women's many vital contributions to this unique cultural flowering.

The book examines various groups of black female activists, including writers and actresses, social workers, artists, school teachers, and women's club members to document the impact of social class, gender, nativity, educational attainment, and professional affiliations on their activism. Together, these women worked to sponsor black history and literature, to protest overcrowded schools, and to act as a force for improved South Side housing and employment opportunities. Knupfer also reveals the crucial role these women played in founding and sustaining black cultural institutions, such as the first African American art museum in the country; the first African American library in Chicago; and various African American literary journals and newspapers. As a point of contrast, Knupfer also examines the overlooked activism of working-class and poor women in the Ida B. Wells and Altgeld Gardens housing projects.

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cover of The Chicago Diaries of John M. Wing 1865-1866

The Chicago Diaries of John M. Wing 1865-1866

Transcribed and Edited by Robert Williams. Foreword by Paul F. Gehl. With an Essay by Richard A. Schwarzlose

Southern Illinois University Press, 2002

The personal—and often intimate—diaries of fledgling journalist and entrepreneur John Mansir Wing create a unique portrait of a rough-and-tumble Chicago in the first few years following the Civil War. Wing writes of a city filled with new immigrants, ex-soldiers, and the thriving merchant class making its fortunes from both before the great fire of 1871 left much of the city in ashes.

Transcribed and edited by noted Chicago bibliophile and historian Robert Williams, and published in cooperation with the Caxton Club, this volume also details the early adventures of a rural Eastern who came to the “Metropolis of the West” in his early twenties and worked for some of the most influential journalists of his day. Wing shared cigars and conversation with notable politicians, businessmen, and war heroes including Sherman and Grant, all the while conducting an active romantic life with members of his own sex in boarding houses and barrooms.

Wing’s greatest passion was for book collecting. Following a successful later career in trade journal publishing and investing, he provided an endowment to create the John M. Wing Foundation at Chicago’s famed Newberry Library. The Wing Foundation became the first American public collection devoted to the history of printing; it remains today among the nation’s best resources for the study of the bibliographic arts.

Despite his lasting importance in publishing and philanthropy, and the fact that no serious history of Chicago can be written without reference to many of his publications, John M. Wing has been largely absent from most histories of the city’s movers and shakers. Complete with historical annotations and a bibliography of Wing’s writings for the press, this fascinating personal account reclaims his deserved place in Chicago life and lore.

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cover of The Chicago Food Encyclopedia

The Chicago Food Encyclopedia

Edited by Carol Mighton Haddix, Bruce Kraig, and Colleen Taylor Sen: Foreword by Russell Lewis

University of Illinois Press, 2017

The Chicago Food Encyclopedia is a far-ranging portrait of an American culinary paradise. Hundreds of entries deliver all of the visionary restauranteurs, Michelin superstars, beloved haunts, and food companies of today and yesterday. More than 100 sumptuous images include thirty full-color photographs that transport readers to dining rooms and food stands across the city. Throughout, a roster of writers, scholars, and industry experts pays tribute to an expansive--and still expanding--food history that not only helped build Chicago but fed a growing nation. Pizza. Alinea. Wrigley Spearmint. Soul food. Rick Bayless. Hot Dogs. Koreatown. Everest. All served up A-Z, and all part of the ultimate reference on Chicago and its food.
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cover of The Chicago River: A Natural and Unnatural History

The Chicago River

A Natural and Unnatural History

Libby Hill

Southern Illinois University Press, 2019

In this social and ecological account of the Chicago River, Libby Hill tells the story of how a sluggish waterway emptying into Lake Michigan became central to the creation of Chicago as a major metropolis and transportation hub. 

This widely acclaimed volume weaves the perspectives of science, engineering, commerce, politics, economics, and the natural world into a chronicle of the river from its earliest geologic history through its repeated adaptations to the city that grew up around it. While explaining the river’s role in massive public works, such as drainage and straightening, designed to address the infrastructure needs of a growing population, Hill focuses on the synergy between the river and the people of greater Chicago, whether they be the tribal cultures that occupied the land after glacial retreat, the first European inhabitants, or more recent residents.

In the first edition, Hill brought together years of original research and the contributions of dozens of experts to tell the Chicago River’s story up until 2000. This revised edition features discussions of disinfection, Asian carp, green strategies, the evolution of the Chicago Riverwalk, and the river’s rejuvenation. It also explores how earlier solutions to problems challenge today’s engineers, architects, environmentalists, and public policy agencies as they address contemporary issues. 

Revealing the river to be a microcosm of the uneasy relationship between nature and civilization, The Chicago River offers the tools and knowledge for the city’s residents to be champions on the river’s behalf.
[more]
cover of The Chicago School of Architecture: A History of Commercial and Public Building in the Chicago Area, 1875-1925

The Chicago School of Architecture

A History of Commercial and Public Building in the Chicago Area, 1875-1925

Carl W. Condit

University of Chicago Press, 1973

This thoroughly illustrated classic study traces the history of the world-famous Chicago school of architecture from its beginnings with the functional innovations of William Le Baron Jenney and others to their imaginative development by Louis Sullivan and Frank Lloyd Wright. The Chicago School of Architecture places the Chicago school in its historical setting, showing it at once to be the culmination of an iron and concrete construction and the chief pioneer in the evolution of modern architecture. It also assesses the achievements of the school in terms of the economic, social, and cultural growth of Chicago at the turn of the century, and it shows the ultimate meaning of the Chicago work for contemporary architecture.

"A major contribution [by] one of the world's master-historians of building technique."—Reyner Banham, Arts Magazine

"A rich, organized record of the distinguished architecture with which Chicago lives and influences the world."—Ruth Moore, Chicago Sun-Times
[more]
cover of The Chicago Tribune Tower Competition: Skyscraper Design and Cultural Change in the 1920s

The Chicago Tribune Tower Competition

Skyscraper Design and Cultural Change in the 1920s

Katherine Solomonson

University of Chicago Press, 2003

In 1922, the Chicago Tribune sponsored an international competition to design its new corporate headquarters. Both a serious design contest and a brilliant publicity stunt, the competition received worldwide attention for the hundreds of submissions—from the sublime to the ridiculous—it garnered.

In this lavishly illustrated book, Katherine Solomonson tells the fascinating story of the competition, the diverse architectural designs it attracted, and its lasting impact. She shows how the Tribune used the competition to position itself as a civic institution whose new headquarters would serve as a defining public monument for Chicago. For architects, planners, and others, the competition sparked influential debates over the design and social functions of skyscrapers. It also played a crucial role in the development of advertising, consumer culture, and a new national identity in the turbulent years after World War I.
[more]
cover of The Chicagoan: A Lost Magazine of the Jazz Age

The Chicagoan

A Lost Magazine of the Jazz Age

Neil Harris

University of Chicago Press, 2008

While browsing the stacks of the Regenstein Library at the University of Chicago some years ago, noted historian Neil Harris made a surprising discovery: a group of nine plainly bound volumes whose unassuming spines bore the name the Chicagoan.  Pulling one down and leafing through its pages, Harris was startled to find it brimming with striking covers, fanciful art, witty cartoons, profiles of local personalities, and a whole range of incisive articles.  He quickly realized that he had stumbled upon a Chicago counterpart to the New Yorker that mysteriously had slipped through the cracks of history and memory.
 
Here Harris brings this lost magazine of the Jazz Age back to life. In its own words, the Chicagoan claimed to represent “a cultural, civilized, and vibrant” city “which needs make no obeisance to Park Avenue, Mayfair, or the Champs Elysees.” Urbane in aspiration and first published just sixteen months after the 1925 appearance of the New Yorker, it sought passionately to redeem the Windy City’s unhappy reputation for organized crime, political mayhem, and industrial squalor by demonstrating the presence of style and sophistication in the Midwest.  Harris’s substantial introductory essay here sets the stage, exploring the ambitions, tastes, and prejudices of Chicagoans during the 1920s and 30s.  The author then lets the Chicagoan speak for itself in lavish full-color segments that reproduce its many elements: from covers, cartoons, and editorials to reviews, features—and even one issue reprinted in its entirety.
 
Recalling a vivid moment in the life of the Windy City, the Chicagoan is a forgotten treasure, offered here for a whole new age to enjoy.
 
[more]
cover of The City as Campus: Urbanism and Higher Education in Chicago

The City as Campus

Urbanism and Higher Education in Chicago

Sharon Haar

University of Minnesota Press, 2010

We are witnessing an explosion of universities and campuses nationwide, and urban schools play an important role in shaping the cities outside their walls. In The City as Campus, Sharon Haar uses Chicago as a case study to examine how universities interact with their urban contexts, demonstrating how higher education became integrated with ideas of urban growth as schools evolved alongside the city.

The City as Campus shows the strain of this integration, detailing historical accounts of battles over space as campus designers faced the challenge of weaving the social, spatial, and architectural conditions of the urban milieu into new forms to meet the changing needs of academia. Through a close analysis of the history of higher education in Chicago, The City as Campus explores how the university's missions of service, teaching, and research have metamorphosed over time, particularly in response to the unique opportunities-and restraints-the city provides. Illustrating how Chicago serves as a site of pedagogical transformation and a location for the larger purpose of the academic community, The City as Campus presents a social and design history of the urban campus as an architectural idea and form.
[more]
cover of The Civilian Conservation Corps in Southern Illinois, 1933-1942

The Civilian Conservation Corps in Southern Illinois, 1933-1942

Kay Rippelmeyer

Southern Illinois University Press, 2015

Drawing on more than thirty years of meticulous research, Kay Rippelmeyer details the Depression-era history of the simultaneous creation of the Civilian Conservation Corps (CCC) and the Shawnee National Forest in southern Illinois. Through the stories of the men who worked in CCC camps devoted to soil and forest conservation projects, she offers a fascinating look into an era of utmost significance to the identity, citizens, wildlife, and natural landscape of the region.

Rippelmeyer outlines the geologic and geographic history of southern Illinois, from Native American uses of the land to the timber industry’s decimation of the forest by the 1920s. Detailing both the economic hardships and agricultural land abuse plaguing the region during the Depression, she reveals how the creation of the CCC under Franklin Delano Roosevelt coincided with the regional campaign for a national forest and how locals first became aware of and involved with the program.

Rippelmeyer mined CCC camp records from the National Archives, newspaper accounts and other correspondence and conducted dozens of oral interviews with workers and their families to re-create life in the camps. An extensive camp compendium augments the volume, featuring numerous photographs, camp locations and dates of operation, work history, and company rosters. Satisfying public curiosity and the need for factual information about the camps in southern Illinois, this is an essential contribution to regional history and a window to the national impact of the CCC.

[more]
cover of The Color of Opportunity: Pathways to Family, Welfare, and Work

The Color of Opportunity

Pathways to Family, Welfare, and Work

Haya Stier and Marta Tienda

University of Chicago Press, 2000

In The Color of Opportunity, Haya Stier and Marta Tienda ask: How do race and ethnicity limit opportunity in post-civil rights Chicago? In the 1960s, Chicago was a focal point of civil rights activities. But in the 1980s it served as the laboratory for ideas about the emergence and social consequences of concentrated urban poverty; many experts such as William J. Wilson downplayed the significance of race as a cause of concentrated poverty, emphasizing instead structural causes that called for change in employment policy. But in this new study, Stier and Tienda ask about the pervasive poverty, unemployment, and reliance on welfare among blacks and Hispanics in Chicago, wondering if and how the inner city poor differ from the poor in general.

The culmination of a six-year collaboration analyzing the Urban Poverty and Family Life Survey of Chicago, The Color of Opportunity is the first major work to compare Chicago's inner city minorities with national populations of like race and ethnicity from a life course perspective. The authors find that blacks, whites, Mexicans, and Puerto Ricans living in poor neighborhoods differ in their experiences with early material deprivation and the lifetime disadvantages that accumulate—but they do not differ much from the urban poor in their family formation, welfare participation, or labor force attachment. Stier and Tienda find little evidence for ghetto-specific behavior, but they document the myriad ways color still restricts economic opportunity.

The Color of Opportunity stands as a much-needed corrective to increasingly negative views of poor people of color, especially the poor who live in deprived neighborhoods. It makes a key and lasting contribution to ongoing debates about the origins and nature of urban poverty.
[more]
cover of The Come Apart: A Novel

The Come Apart

A Novel

Susannah Felts

Northwestern University Press, 2026

An authentic rock band story from Chicago to Nashville and, just maybe, back again

On the cusp of turning thirty, Chicago indie musician Maggie Corbin has hustled for a decade, set on making her rock and roll dreams come true. Her band, Spinning Birds, fronted by Maggie and her romantic partner Matt Turkish, releases a debut record to critical acclaim, hits the road, and begins working on a follow-up. From the outside, her path looks like success—but as streaming deconstructs the industry and Maggie’s relationships shift and slip, the question remains: Can you live for art alone?

When a sudden move back to the South forces Maggie to reframe her dreams and reckon with familial rifts and her past—while still fighting to reimagine what her future could be—a natural disaster in Nashville and a surprise encounter with a character from her childhood shift her perspective on healing, community, and the ties that bind. Drifting in and out of songwriting sessions, cozy kitchens, and moments of bearing witness to the curious power of the natural world, The Come Apart celebrates the times when we must come fully undone in order to put ourselves back together.
 

[more]
cover of The Compass: The Improvisational Theatre that Revolutionized American Comedy

The Compass

The Improvisational Theatre that Revolutionized American Comedy

Janet Coleman

University of Chicago Press, 1991

Janet Coleman brilliantly recreates the time, the place, the personalities, and the neurotic magic whereby the Compass made theater history in America. The Compass began in a storefront theater near the University of Chicago campus in the summer of 1955 and lasted only a few years before its players—including David Shepherd, Paul Sills, Elaine May, Mike Nichols, Barbara Harris, and Shelley Berman—moved on. Out of this group was born a new form: improvisational theater and a radically new kind of comedian. "They did not plan to be funny or to change the course of comedy," writes Coleman. "But that is what happened."

"For anyone who is interested in theatre, underground theatre, improvisational theatre, and the sheer madness of trying something new with a repertory group, The Compass will prove a welcome history with fascinating details."—Norman Mailer

"Janet Coleman has done a spectacular job of capturing the history, the almost alarmingly diverse cultural influences, and the extraordinary people who made up the Compass."—Neal Weaver, Los Angeles Village View

"Engrossing. . . . An open window on a part of the theater that should be known."—Arthur Miller

"A valuable chronicle of an important chapter in the history of comedy and theater."—William Wolf, New York Observer

"The eruptive, disruptive talents who made the theater memorable are the same ones who make The Compass a good read."—Jay Cocks, Time

"A moving, inspirational, anecdote-studded feast."—Publishers Weekly
[more]
cover of The Conquest of The Illinois

The Conquest of The Illinois

George Rogers Clark. Foreword by Rand Burnette

Southern Illinois University Press, 2001

Written only a decade after George Rogers Clark’s conquest of Illinois, this firsthand account shows the region as it existed in the 1770s, explains how British occupation affected Kentucky settlers, and exhibits Clark’s enormous diplomatic skills in convincing the French settlers and Indians along the rivers of Illinois that they were better off under the jurisdiction of the Americans rather than the British. In his new foreword to this book, Rand Burnette refers to Clark as a psychologist and an expert in human relations.

Believing the British responsible for Indian raids on the people of Kentucky, Clark determined to capture that area, which was claimed by his home state of Virginia. “His plan, which he presented to Governor Patrick Henry,” Burnette notes, “was to take possession of the Illinois country by defeating the British at Kaskaskia, win the support of the French in that area, and thus control both the Mississippi and the Ohio Rivers. The British support of the Indians, who raided the Kentucky settlements from the Illinois country, would be at an end.”

Clark’s stirring narrative—written between 1789 and 1791 and covering 1773–1779—chronicles the events in the Old Northwest in the second half of the eighteenth century. Life on the frontier was dangerous and uncertain at this time. As Clark points out and Milo Milton Quaife underlines in his footnotes, death came to many at the hands of Indians or in military battles and skirmishes.

First published in 1920 and long out of print, the Quaife edition of Clark’s The Conquest of The Illinois reprinted here is for the modern reader superior to the original. First, Quaife provided an index. Equally important for modern readers, he standardized Clark’s spelling. (Clark had little formal education, and his spelling was even more eccentric than that found in a typical eighteenth-century account.) Finally, Quaife’s footnotes often include biographical sketches of the people in the book.

[more]
cover of The Conspiracy Trial of the Chicago Seven

The Conspiracy Trial of the Chicago Seven

John Schultz

University of Chicago Press, 2009

In 1969, the Chicago Seven were charged with intent to "incite, organize, promote, and encourage" antiwar riots during the chaotic 1968 Democratic National Convention in Chicago. The defendants included major figures of the antiwar and racial justice movements: Abbie Hoffman and Jerry Rubin, the madcap founders of the Yippies; Tom Hayden and Rennie Davis, founders of Students for a Democratic Society and longtime antiwar organizers; David Dellinger, a pacifist and chair of the National Mobilization Committee to End the War in Vietnam; and Bobby Seale, co-founder of the Black Panther Party, who would be bound and gagged in the courtroom before his case was severed from the rest.

The Conspiracy Trial of the Chicago Seven is an electrifying account of the months-long trial that commanded the attention of a divided nation. John Schultz, on assignment for The Evergreen Review, witnessed the whole trial of the Chicago Seven, from the jury selection to the aftermath of the verdict. In his vivid account, Schultz exposes the raw emotions, surreal testimony, and judicial prejudice that came to define one of the most significant legal events in American history.

In October 2020, Aaron Sorkin's film, The Trial of the Chicago Seven, will bring this iconic trial to the screen. 

[more]
cover of The Daley Show: Inside the Transformative Reign of Chicago's Richard M. Daley

The Daley Show

Inside the Transformative Reign of Chicago's Richard M. Daley

Forrest Claypool; Foreword by David Axelrod

University of Illinois Press, 2024

American cities once had mayors who actually governed.

For twenty-two years, Richard M. Daley ran Chicago with the type of authority that is unthinkable today. He reshaped downtown, triggered a jobs boom, delivered the iconic Millennium Park, turned around troubled public schools, and slashed violent crime to 40-year lows.  He outfoxed Republican legislators to retain control of O’Hare Airport and expand it into the nation’s premier international aviation hub. Leveraging carefully built national political ties, he sidelined a powerful nemesis to tear down Chicago’s infamous public housing projects. 

Rebuilding parts of his father’s legendary political machine through brazen (and illegal) patronage deals, he centralized power to a remarkable degree, cut deals behind closed doors, racked up piles of debt, and made long-term bets whose consequences are still unfolding.

This is not simply a biography. It is a challenge to contemporary urban orthodoxy:

Do cities thrive because of strong, decisive leaders—or despite them?

Through vivid storytelling, this book exposes how Daley consolidated power, aligned business and labor, navigated crises, survived damaging scandals, and imposed discipline on a sprawling city. It dares readers to reconsider what kind of leadership modern American cities truly need.

[more]
cover of The Dealmakers of Downstate Illinois: Paul Powell, Clyde L. Choate, John H. Stelle

The Dealmakers of Downstate Illinois

Paul Powell, Clyde L. Choate, John H. Stelle

Robert E. Hartley

Southern Illinois University Press, 2016

Winner, ISHS Annual Award for a Scholarly Publication, 2017

Many people are unaware that from 1945 to 1975, downstate lawmakers dominated the Illinois political arena. In The Dealmakers of Downstate Illinois, Robert E. Hartley details the lives and contributions of three influential southern Illinois politicians, Paul Powell, Clyde Choate, and John Stelle. He describes how these “dealmakers” were able to work with Democrats and Republicans throughout the state to bring jobs and facilities to their region. Using a variety of coalitions, they maintained downstate political strength in the face of growing Chicago influence.
 
Hartley traces the personal histories of Powell, Choate, and Stelle, shows how they teamed up to advance a downstate political agenda, and reviews their challenges and successes. Beginning with an account of early experiences, including the battlefield courage that earned Choate the Medal of Honor as well as Stelle’s World War I experience and later entrepreneurship, the book continues with an exploration of the groundwork for their collaborative legislative agenda and their roles in the growth of Southern Illinois University and the passage of income tax legislation. Hartley reviews the importance of Powell’s relationship with Governor Stratton, Choate’s leadership of the 1972 Democratic National Convention and his relationships with Governor Walker and with Chicago interests. 
 
The Dealmakers of Downstate Illinois is a vivid, straightforward tale of fighting in the legislative chambers, backstabbing behind the scenes, and trading special favors for votes in pursuit of not only personal gain but also the advancement of a regional agenda.
[more]
cover of The Drums of the 47th

The Drums of the 47th

Robert J. Burdette

University of Illinois Press, 2000

This eloquent memoir records the Civil War experiences of Robert J. Burdette, private in the 47th Illinois Infantry Regiment.
 
From Peoria to Corinth, from Corinth to Vicksburg, up the Red River country, down to Mobile and Fort Blakely, and back to Tupelo and Selma, the 47th marched three thousand miles during Burdette's tour, from March 1862 to December 1864.
 
In a literate voice rare in war memoirs, Burdette speaks of comradeship built and tested, the noise and confusion of the battlefield, the conflicting feelings of witnessing a military execution. Both nostalgic and piercingly immediate, his remembrances evoke the sights, sounds, smells, and above all the inner feelings stirred up by war, from exuberance to terror and from patriotic fervor to compassion for a fallen enemy.
 
Originally published--on the eve of another great conflict--in 1914, The Drums of the 47th is a moving depiction of the inner life of the common soldier. Like Stephen Crane's The Red Badge of Courage, Burdette's book puts a human face on the war and his words speak to all who have served or imagined serving under fire. The introduction by John E. Hallwas provides a biographical sketch of Burdette and a commentary on his engaging Civil War memoir.
 
[more]
cover of The Electric City: Energy and the Growth of the Chicago Area, 1880-1930

The Electric City

Energy and the Growth of the Chicago Area, 1880-1930

Harold L. Platt

University of Chicago Press, 1991

No symbol of progress in our century is more galvanizing than electricity—electric power and the technology it has spawned. The "invisible world" of electric energy that was emerging at the turn of the century is one we take for granted, but its influence on the growth and quality of city life was, and remains, profound. Using Chicago as a test case, Harold L. Platt investigates the emergence of an urban-based, energy-intensive society over the course of half a century in this first book-length history of energy use in the city.
[more]
cover of The End of Chiraq: A Literary Mixtape

The End of Chiraq

A Literary Mixtape

Edited by Javon Johnson and Kevin Coval

Northwestern University Press, 2018

The End of Chiraq: A Literary Mixtape is a collection of poems, rap lyrics, short stories, essays, interviews, and artwork about Chicago, the city that came to be known as "Chiraq" ("Chicago" + "Iraq"), and the people who live in its vibrant and occasionally violent neighborhoods. Tuned to the work of Chicago’s youth, especially the emerging artists and activists surrounding Young Chicago Authors, this literary mixtape unpacks the meanings of “Chiraq” as both a vexed term and a space of possibility.

"Chiraq" has come to connote the violence—interpersonal and structural—that many Chicago youth regularly experience. But the contributors to The End of Chiraq show that Chicago is much more than Chiraq. Instead, they demonstrate how young people are thinking and mobilizing, engaged in a process of creating a new and safer world for themselves, their communities, and their city.

In true mixtape fashion, the book is an exercise in "low end theory" that does not just include so-called underground and marginal voices, but foregrounds them. Edited by award-winning poets, writers, and teachers Javon Johnson and Kevin Coval, The End of Chiraq addresses head-on the troublesome relationship between Chicago and Chiraq and envisions a future in which both might be transformed.
[more]
cover of The Flag on the Hilltop

The Flag on the Hilltop

Mary Tracy Earle

Southern Illinois University Press, 1989

Early in the Civil War, two young brothers boldly flew the Union flag from a tree atop a hill between Makanda and Cobden. This was a towering act of courage in an area teeming with Copperheads.

Theodore and Al Thompson, 18 and 20 years old at the time, raised the flag in defiance of the Knights of the Golden Circle, a secessionist group that operated throughout the Midwest. Controlling its membership through terror, this secret society condemned betrayers to death by torture. The Knights, whose goals included capturing a Union prison and liberating the rebels, triggered the Civil War riot in Charleston, instigated anti-draft movements, and aided Northern deserters.

Theodore Thompson, who later owned much of Makanda, Giant City, and the land that became Southern Illinois University describes the tree as a "tall tulip poplar between 3 and 4 feet in diameter at the trunk and some 60 feet to the first limbs. This noted tree could be seen in some directions 15 or 20 miles away."

[more]
cover of The Flowering Plants: Flowering Rush to Rushes

The Flowering Plants

Flowering Rush to Rushes

Robert H. Mohlenbrock

Southern Illinois University Press, 2006

The second edition of Flowering Plants: Flowering Rush to Rushes offers new material, including a preface, seventeen new illustrations of the additional species now known from Illinois, a revised list of illustrations, and an appendix of the additions and changes since 1970 in the identification, classification, and location of the plants included in the first edition. This new edition of the first volume in the multi-volume series of The Illustrated Flora of Illinois—which provides a working reference for the identification and classification of these plant forms in the state—includes flowering rushes, arrowheads, pondweeds, naiads, duckweeds, cattails, bur reeds, spiderworts, and rushes.

In his introduction, Robert H. Mohlenbrock defines terms and procedures used in the identification and classification of this group of flowering plants referred to as monocotyledons—plants that produce upon germination a single cotyledon or seed-leaf and are often identified by their tall, slender, grass-like leaves. He outlines the life histories and morphologies of the representative monocots and illustrates the plants’ habits and frequencies in Illinois.

Geared to the amateur as well as the professional botanist, the volume includes a glossary of definitions and identification keys to classify the plants according to order, family, genus, and species. The identifying characteristics of each descending class are also given in detail. The morphology of each species is outlined along with data on frequency of occurrence, related soil and climate conditions, and history of past collections. Among the 125 illustrations are detailed sketches of the important features of each species and maps indicating the geographical locations of each species in Illinois.

[more]
cover of The Gambler King of Clark Street: Michael C. McDonald and the Rise of Chicago's Democratic Machine

The Gambler King of Clark Street

Michael C. McDonald and the Rise of Chicago's Democratic Machine

Richard C. Lindberg with a Foreword by John Miya.

Southern Illinois University Press, 2009

The Gambler King of Clark Street tells the story of a larger-than-life figure who fused Chicago’s criminal underworld with the city’s political and commercial spheres to create an urban machine built on graft, bribery, and intimidation. Lindberg vividly paints the life of the Democratic kingmaker against the wider backdrop of nineteenth-century Chicago crime and politics.

McDonald has long been cited in the published work of city historians, members of academia, and the press as the principal architect of a unified criminal enterprise that reached into the corridors of power in Chicago, Cook County, the state of Illinois, and ultimately the Oval Office. The Gambler King of Clark Street is both a major addition to Chicago’s historical literature and a revealing biography of a powerful and troubled man.

Illinois State Historical Society Scholarly Award, Certificate of Excellence, 2009
Society of Midland Authors Biography Award, 2009

[more]
cover of The Gang as an American Enterprise

The Gang as an American Enterprise

Felix M Padilla

Rutgers University Press, 1992

The Diamonds are a Chicago Street gang whose members are second-generation Puerto Rican youths. For Felix Padilla, the young men who join the Diamonds have made a logical choice. The gang is an alternative and dependable route to emotional support, self-respect, material goods, and upward mobility. Although Padilla shares the same ethnic background as the gang members and also grew up in a Chicago barrio, gaining the trust of the Diamonds was not easy. Eventually, however, he was able to get close enough to the members to interview and observe them.

Padilla shows us his decision to join the Diamonds. From early childhood, boys develop positive images of the gang. They realize that the dominant culture promises mobility, but that their paths to that mobility are blocked. By joining a gang they can creatively oppose the dominant culture. Padilla does not paint a romanticized picture of the Diamonds. Some members come to understand that when they sell drugs, they benefit the gang's leaders and suppliers more than themselves. Further, they recognize that the gang is also subject to problems of domination and inequality. Padilla shows that though the Diamonds are sometimes violent, they are not psychopaths. While we need not approve of what they do, he urges us to understand it as a rational response to the doors these young men see closed around them.
[more]
cover of The Gang: A Study of 1,313 Gangs in Chicago

The Gang

A Study of 1,313 Gangs in Chicago

Frederic Milton Thrasher

University of Chicago Press, 1963

While gangs and gang culture have been around for countless centuries, The Gang is one of the first academic studies of the phenomenon. Originally published in 1927, Frederic Milton Thrasher’s magnum opus offers a profound and careful analysis of hundreds of gangs in Chicago in the early part of the twentieth century. With rich prose and an eye for detail, Thrasher looked specifically at the way in which urban geography shaped gangs, and posited the thesis that neighborhoods in flux were more likely to produce gangs. Moreover, he traced gang culture back to feudal and medieval power systems and linked tribal ethos in other societies to codes of honor and glory found in American gangs. Thrasher approaches his subject with empathy and insightfulness, and creates a multifaceted and textured portrait that still has much to offer to readers today. With handsome images that evoke the era, this unabridged edition of The Gang not only explores an important moment in the history of Chicago, but also is itself a landmark in the history of sociology and subcultural theory.

[more]
cover of The Gentleman from Illinois: Stories from Forty Years of Elective Public Service

The Gentleman from Illinois

Stories from Forty Years of Elective Public Service

Alan J. Dixon

Southern Illinois University Press, 2013

In 1993, Alan J. Dixon’s political career came to an end with a defeat—the first one in his forty-three years of elected service. Beginning his legislative career in 1950 as a Democrat in the Illinois House of Representatives, Dixon also served in the Illinois State Senate, worked as state treasurer and secretary of state, and concluded his political career as a U.S. senator. The Gentleman from Illinois is an insider’s account of Illinois politics in the second half of the twentieth century, providing readers with fascinating stories about the people he encountered and events he participated in and witnessed during his four decades of service.
 
With a degree of candor often unheard of in political memoirs, The Gentleman from Illinois reveals Dixon’s abilities as a storyteller. At times chatty and self-effacing, Dixon pulls no punches when it comes to detailing the personalities of major political figures—such as Mayor Richard J. Daley, Adlai Stevenson, Paul Simon, and presidents of the United States. Indeed, he uses this same honest approach when examining himself, fully describing the setbacks and embarrassing moments that peppered his own life.
 
As a moderate Democrat who regularly crossed party lines in his voting and his views, Dixon also shares his thoughts on the proper way to run a government, the difficulties of passing legislation, the balancing act required to be a statewide official, and other valuable observations on local, state, and national politics. Full of behind-the-scenes insights presented in 121 short vignettes, The Gentleman from Illinois entertains as much as it informs, making it a necessary book for everyone interested in Illinois politics.
[more]
cover of The Golden Age of Chicago Children's Television

The Golden Age of Chicago Children's Television

Ted Okuda and Jack Mulqueen

Southern Illinois University Press, 2004

At one time every station in Chicago—a maximum of five, until 1964–produced or aired some programming for children. From the late 1940’s through the early 1970’s, local television stations created a golden age of children’s television unique in American broadcasting. Though the shows often operated under strict budgetary constraints, these programs were rich in imagination, inventiveness, and devoted fans. Now, discover the back stories and details of this special era from the people who created, lived, and enjoyed it—producers, on-air personalities, and fans.
 
[more]
cover of The Goodman Theatre's Festival Latino: Six Plays

The Goodman Theatre's Festival Latino

Six Plays

Henry D Godinez and Ramón H Rivera-Servera

Northwestern University Press, 2013

Drawn from the first ten years of the Goodman Theatre’s renowned biennial festival of Latino plays, the works in this collection expand the definition of Latino theater, resisting the confines of a particular language, locale, or assumed audience. Instead of focusing on similarities that outline the boundaries of Latino identity, these plays look outward, representing the multiplicity of actual Latino experience. The plays were written and performed sometimes in English and sometimes in Spanish; their stories are set in heterogeneous milieus; they’re directed at both Latino and non-Latino audiences; and they incorporate cultural or theatrical elements from vastly different traditions. As a group, these plays indicate the extraordinary range of the festival’s offerings and show how it has contributed to a more complex notion of what Latino theater is and can be.
[more]
cover of The Hayloft Gang: The Story of the National Barn Dance

The Hayloft Gang

The Story of the National Barn Dance

Edited by Chad Berry

University of Illinois Press, 2007

The National Barn Dance was the nation's most popular country music radio show during the 1930s and 1940s. The pioneering radio program defined country and western entertainment until the Grand Ole Opry and rock 'n' roll supplanted it in the 1950s. Broadcast for more than three decades from Chicago on WLS's powerful 50,000-watt signal, the show reached listeners throughout the Midwest, the East Coast, and South, delivering popular entertainment to both rural and urban areas while celebrating the fading folk traditions of an increasingly urbanized America.

The Hayloft Gang draws on the colorful commentary of performers and former listeners to analyze the National Barn Dance, its audience, and its impact. Contributors trace the history of barn dance radio, explore the paradox of a foundational country music program broadcast from a major city, investigate notions of authenticity in the presentation of country music and entertainment, and delve into provocative issues raised by the barn dance phenomenon.

Contributors: Chad Berry, Michael T. Bertrand, Lisa Krissoff Boehm, Don Cusic, Wayne W. Daniel, Loyal Jones, Kristine M. McCusker, Stephen Parry, Susan Smulyan, Paul L. Tyler, and Michael Ann Williams.

[more]
cover of The Haymarket Conspiracy: Transatlantic Anarchist Networks

The Haymarket Conspiracy

Transatlantic Anarchist Networks

Timothy Messer-Kruse

University of Illinois Press, 2012

The Haymarket Conspiracy: Transatlantic Anarchist Networks traces the evolution of revolutionary anarchist ideas in Europe and their migration to the United States in the 1880s. A new history of the transatlantic origins of American anarchism, this study thoroughly debunks the dominant narrative through which most historians interpret the Haymarket Bombing and Trial of 1886–87.
 
Challenging the view that there was no evidence connecting the eight convicted workers to the bomb throwing at the Haymarket rally, Timothy Messer-Kruse examines police investigations and trial proceedings that reveal the hidden transatlantic networks, the violent subculture, and the misunderstood beliefs of Gilded Age anarchists. Messer-Kruse documents how, in the 1880s, radicals on both sides of the Atlantic came to celebrate armed struggle as the one true way forward and began to prepare seriously for conflict. Within this milieu, he suggests the possibility of a "Haymarket conspiracy": a coordinated plan of attack in which the oft-martyred Haymarket radicals in fact posed a real threat to public order and safety. Drawing on new, never-before published historical evidence, The Haymarket Conspiracy provides a new means of understanding the revolutionary anarchist movement on its own terms rather than in the romantic ways in which its agents have been eulogized.
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cover of The Heroic and the Notorious: U.S. Senators from Illinois

The Heroic and the Notorious

U.S. Senators from Illinois

David Kenney and Robert E. Hartley

Southern Illinois University Press, 2012

This sweeping survey constitutes the first comprehensive treatment of the men and women who have been chosen to represent Illinois in the United States Senate from 1818 to the present day. David Kenney and Robert E. Hartley underscore nearly two centuries of Illinois history with these biographical and political portraits, compiling an incomparably rich resource for students, scholars, teachers, journalists, historians, politicians, and any Illinoisan interested in the state’s senatorial heritage.

Originally published as An Uncertain Tradition: U.S. Senators From Illinois 1818–2003, this second edition brings readers up to date with new material on Paul Simon, Richard Durbin, and Peter Fitzgerald, as well as completely new sections on Roland Burris, Barack Obama, and Illinois’s newest senator, Mark Kirk. This fresh and careful study of the shifting set of political issues Illinois’s senators encountered over time is illuminated by the lives of participants in the politics of choice and service in the Senate. Kenney and Hartley offer incisive commentary on the quality of Senate service in each case, as well as timeline graphs relating to the succession of individuals in each of the two sequences of service, the geographical distribution of senators within the state, and the variations in party voting for Senate candidates. Rigorously documented and supremely readable, this convenient reference volume is enhanced by portraits of many of the senators.

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