99 books match the query 'Vietnam' and 21 start with t

cover of The American Dream in Vietnamese

The American Dream in Vietnamese

Nhi T. Lieu

University of Minnesota Press, 2010

In her research on popular culture of the Vietnamese diaspora, Nhi T. Lieu explores how people displaced by war reconstruct cultural identity in the aftermath of migration. Embracing American democratic ideals and consumer capitalism prior to arriving in the United States, postwar Vietnamese refugees endeavored to assimilate and live the American Dream. In The American Dream in Vietnamese, she claims that nowhere are these fantasies played out more vividly than in the Vietnamese American entertainment industry.

Lieu examines how live music variety shows and videos, beauty pageants, and Web sites created by and for Vietnamese Americans contributed to the shaping of their cultural identity. She shows how popular culture forms repositories for conflicting expectations of assimilation, cultural preservation, and invention, alongside gendered and classed dimensions of ethnic and diasporic identity.

The American Dream in Vietnamese demonstrates how the circulation of images manufactured by both Americans and Vietnamese immigrants serves to produce these immigrants’ paradoxical desires. Within these desires and their representations, Lieu finds the dramatization of the community’s struggle to define itself against the legacy of the refugee label, a classification that continues to pathologize their experiences in American society.
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cover of The Bridges of Vietnam: From the Journals of a U.S. Marine Intelligence Officer

The Bridges of Vietnam

From the Journals of a U.S. Marine Intelligence Officer

Fred L. Edwards Jr.

University of North Texas Press, 2000

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cover of The Cham of Vietnam: History, Society and Art

The Cham of Vietnam

History, Society and Art

Edited by Bruce Lockhart and Tran Ky Phuong

National University of Singapore Press, 2011

The Cham people once inhabited and ruled over a large stretch of what is now the central Vietnamese coast. The Indianized civilization of this Austronesian-speaking group flourished between roughly the third and fifteenth centuries, and they competed with the Vietnamese and Khmers for influence in mainland Southeast Asia, but the Cham territories eventually became part of modern Vietnam. Written by specialists in history, archaeology, anthropology, art history, and linguistics, the essays in The Cham of Vietnam contribute to a revisionist overview of Cham history by re-assessing the ways the Cham have been studied by different generations of scholars of what "Champa" has represented over the centuries of its history. Several chapters focus on archaeological work in central Vietnam and position recent discoveries within the broader framework of Cham history, but there are also discussions of Cham economy, society and culture. Through this study of a people that did not become a nation-state, the book provides penetrating insights into the history of Vietnam and on the broader dynamic of Southeast Asian history.
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cover of The Foreign and Domestic Dimensions of Modern Warfare: Vietnam, Central America, and Nuclear Strategy

The Foreign and Domestic Dimensions of Modern Warfare

Vietnam, Central America, and Nuclear Strategy

Howard Mumford Jones

University of Alabama Press, 1988

An exploration of the nuclear arms race and the dangers arising with the advent of “limited warfare”

After the development of the atomic bomb in 1945, Americans became engaged in a "new kind of war" against totalitarianism. Enemies and objectives slipped out of focus, causing political and military aims to mesh as a struggle to contain communism both at home and abroad encompassed civilians as well as soldiers. In matters relating to Vietnam, Central America, and the nuclear arms race, the domestic and foreign dimensions of each issue became inseparable. Policymakers in Washington had to formulate strategies dictated by "limited war" in their search for peace.

Contributors to this volume demonstrate the multifaceted nature of modern warfare. Robert H. Ferrell establishes the importance of studying military history in understanding the post-World War II era. On Vietnam, Colonel Harry G. Summers, Jr., gives an intriguing argument regarding the U. S. Army; George C. Herring examines how America's decisions in 1954 assured deepened involvement; and Captain Mark Clodfelter uncovers new evidence concerning "Linebacker I." On the home front, Robert F. Burk analyzes the impact of the Cold War on the battle for racial justice; Charles DeBenedetti puts forth a challenging interpretation of the antiwar movement; and James C. Schneider provides perspective on the relationship between the Vietnam War and the Great Society. On Central America, two writers downplay communism in explaining the region's troubles. Ralph Lee Woodward, Jr., fits the Nicaraguan revolution in the long span of history, and Thomas M. Leonard shows how the Reagan administration forced Costa Rica to side with the United States's anti-Sandinista policy. Finally, on nuclear strategy, Donald M. Snow offers a thought-provoking assessment of the "star wars" program, and Daniel S. Papp recommends measures to promote understanding among the superpowers.

These essays demonstrate that the making of foreign policy is immensely complicated, not subject to easy solution or to simple explanation. Despite these complexities, the central objective of policymakers remained clear: to safeguard what was perceived as the national interest.

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cover of The Government of Mistrust: Illegibility and Bureaucratic Power in Socialist Vietnam

The Government of Mistrust

Illegibility and Bureaucratic Power in Socialist Vietnam

Ken MacLean

University of Wisconsin Press, 2013

Focusing on the creation and misuse of government documents in Vietnam since the 1920s, The Government of Mistrust reveals how profoundly the dynamics of bureaucracy have affected Vietnamese efforts to build a socialist society. In examining the flurries of paperwork and directives that moved back and forth between high- and low-level officials, Ken MacLean underscores a paradox: in trying to gather accurate information about the realities of life in rural areas, and thus better govern from Hanoi, the Vietnamese central government employed strategies that actually made the state increasingly illegible to itself.
            MacLean exposes a falsified world existing largely on paper. As high-level officials attempted to execute centralized planning via decrees, procedures, questionnaires, and audits, low-level officials and peasants used their own strategies to solve local problems. To obtain hoped-for aid from the central government, locals overstated their needs and underreported the resources they actually possessed. Higher-ups attempted to re-establish centralized control and legibility by creating yet more bureaucratic procedures. Amidst the resulting mistrust and ambiguity, many low-level officials were able to engage in strategic action and tactical maneuvering that have shaped socialism in Vietnam in surprising ways.
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cover of The Mourner's Song: War and Remembrance from the Iliad to Vietnam

The Mourner's Song

War and Remembrance from the Iliad to Vietnam

James Tatum

University of Chicago Press, 2002

No matter when or where they are fought, all wars have one thing in common: a relentless progression to monuments and memorials for the dead. Likewise all art made from war begins and ends in mourning and remembrance. In The Mourner's Song, James Tatum offers incisive discussions of physical and literary memorials constructed in the wake of war, from the Vietnam Veterans Memorial to the writings of Stephen Crane, Edmund Wilson, Tim O'Brien, and Robert Lowell.

Tatum's touchstone throughout is the Iliad, not just one of the earliest war poems, but also one of the most powerful examples of the way poetry can be a tribute to and consolation for what is lost in war. Reading the Iliad alongside later works inspired by war, Tatum reveals how the forms and processes of art convert mourning to memorial. He examines the role of remembrance and the distance from war it requires; the significance of landscape in memorialization; the artifacts of war that fire the imagination; the intimate relationship between war and love and its effects on the ferocity with which soldiers wage battle; and finally, the idea of memorialization itself. Because all survivors suffer the losses of war, Tatum's is a story of both victims and victors, commanders and soldiers, women and men. Photographs of war memorials in Vietnam, France, and the United States beautifully augment his testimonials.

Eloquent and deeply moving, The Mourner's Song will speak to anyone interested in the literature of war and the relevance of the classics to our most pressing contemporary needs.
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cover of The Myth of the Addicted Army: Vietnam and the Modern War on Drugs

The Myth of the Addicted Army

Vietnam and the Modern War on Drugs

Jeremy Kuzmarov

University of Massachusetts Press, 2009

The image of the drug-addicted American soldier—disheveled, glassy-eyed, his uniform adorned with slogans of antiwar dissent—has long been associated with the Vietnam War. More specifically, it has persisted as an explanation for the U.S. defeat, the symbol of a demoralized army incapable of carrying out its military mission. 

Yet as Jeremy Kuzmarov documents in this deeply researched book, popular assumptions about drug use in Vietnam are based more on myth than fact. Not only was alcohol the intoxicant of choice for most GIs, but the prevalence of other drugs varied enormously. Although marijuana use among troops increased over the course of the war, for the most part it remained confined to rear areas, and the use of highly addictive drugs like heroin was never as widespread as many imagined.

Like other cultural myths that emerged from the war, the concept of an addicted army was first advanced by war hawks seeking a scapegoat for the failure of U.S. policies in Vietnam, in this case one that could be linked to “permissive” liberal social policies and the excesses of the counterculture. But conservatives were not alone. Ironically, Kuzmarov shows, elements of the antiwar movement also promoted the myth, largely because of a presumed alliance between Asian drug traffickers and the Central Intelligence Agency. While this claim was not without foundation, as new archival evidence confirms, the left exaggerated the scope of addiction for its own political purposes.

Exploiting bipartisan concern over the perceived “drug crisis,” the Nixon administration in the early 1970s launched a bold new program of federal antidrug measures, especially in the international realm. Initially, the “War on Drugs” helped divert attention away from the failed quest for “peace with honor” in Southeast Asia. But once institutionalized, it continued to influence political discourse as well as U.S. drug policy in the decades that followed.

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cover of The New Praetorians: American Veterans, Society, and Service from Vietnam to the Forever War

The New Praetorians

American Veterans, Society, and Service from Vietnam to the Forever War

Michael D. Gambone

University of Massachusetts Press, 2021

Contemporary veterans belong to an exclusive American group. Celebrated by most of the country, they are nevertheless often poorly understood by the same people who applaud their service. Following the introduction of an all-volunteer force after the war in Vietnam, only a tiny fraction of Americans now join the armed services, making the contemporary soldier, and the veteran by extension, increasingly less representative of mainstream society. Veterans have come to comprise their own distinct tribe—modern praetorians, permanently set apart from society by what they have seen and experienced.

In an engrossing narrative that considers the military, economic, political, and social developments affecting military service after Vietnam, Michael D. Gambone investigates how successive generations have intentionally shaped their identity as veterans. The New Praetorians also highlights the impact of their homecoming, the range of educational opportunities open to veterans, the health care challenges they face, and the unique experiences of minority and women veterans. This groundbreaking study illustrates an important and often neglected group that is key to our understanding of American social history and civil-military affairs.
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cover of The Other Side of Grief: The Home Front and the Aftermath in American Narratives of the Vietnam War

The Other Side of Grief

The Home Front and the Aftermath in American Narratives of the Vietnam War

Maureen Ryan

University of Massachusetts Press, 2008

The lingering aftereffects of the Vietnam War resonate to this day throughout American society: in foreign policy, in attitudes about the military and war generally, and in the contemporary lives of members of the so-called baby boom generation who came of age during the 1960s and early 1970s. While the best-known personal accounts of the war tend to center on the experience of combat, Maureen Ryan's The Other Side of Grief examines the often overlooked narratives—novels, short stories, memoirs, and films—that document the war's impact on the home front. 

In analyzing the accounts of Vietnam veterans, women as well as men, Ryan focuses on the process of readjustment, on how the war continued to insinuate itself into their lives, their families, and their communities long after they returned home. She looks at the writings of women whose husbands, lovers, brothers, and sons served in Vietnam and whose own lives were transformed as a result. She also appraises the experiences of the POWs who came to be embraced as the war's only heroes; the ordeal of Vietnamese refugees who fled their “American War” to new lives in the United States; and the influential movement created by those who committed themselves to protesting the war. 

The end result of Ryan's investigations is a cogent synthesis of the vast narrative literature generated by the Vietnam War and its aftermath. Together those stories powerfully demonstrate how deeply the legacies of the war penetrated American culture and continue to reverberate still.

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cover of The Other Side of Heaven: Post-War Fiction by Vietnamese and American Writers

The Other Side of Heaven

Post-War Fiction by Vietnamese and American Writers

Edited by Wayne Karlin, Le Minh Khue, and Truong Vu

Northwestern University Press, 1995

These stories represent the "second wave" of fiction—works about the aftermath of the Vietnam conflict as it moved into both countries, touching and forever changing not only the veterans, but also their families and their societies. Contributors include John Edgar Wideman, Larry Brown, Robert Olen Butler, Philip Caputo, Bobbie Ann Mason, Ngo Tu Lap, Tim O'Brien, and others.
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cover of The Pro-War Movement: Domestic Support for the Vietnam War and the Making of Modern American Conservatism

The Pro-War Movement

Domestic Support for the Vietnam War and the Making of Modern American Conservatism

Sandra Scanlon

University of Massachusetts Press, 2013

In the vast literature on the Vietnam War, much has been written about the antiwar movement and its influence on U.S. policy and politics. In this book, Sandra Scanlon shifts attention to those Americans who supported the war and explores the war's impact on the burgeoning conservative political movement of the 1960s and early 1970s.

Believing the Vietnam War to be a just and necessary cause, the pro-war movement pushed for more direct American military intervention in Southeast Asia throughout the Kennedy administration, lobbied for intensified bombing during the Johnson years, and offered coherent, if divided, endorsements of Nixon's policies of phased withdrawal. Although its political wing was dominated by individuals and organizations associated with Barry Goldwater's presidential bids, the movement incorporated a broad range of interests and groups united by a shared antipathy to the New Deal order and liberal Cold War ideology.

Appealing to patriotism, conservative leaders initially rallied popular support in favor of total victory and later endorsed Nixon's call for “peace with honor.” Yet as the war dragged on with no clear end in sight, internal divisions eroded the confidence of pro-war conservatives in achieving their aims and forced them to reevaluate the political viability of their hardline Cold War rhetoric. Conservatives still managed to make use of grassroots patriotic campaigns to marshal support for the war, particularly among white ethnic workers opposed to the antiwar movement. Yet in so doing, Scanlon concludes, they altered the nature and direction of the conservative agenda in both foreign and domestic policy for years to come.

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cover of The Red Earth: A Vietnamese Memoir of Life on a Colonial Rubber Plantation

The Red Earth

A Vietnamese Memoir of Life on a Colonial Rubber Plantation

Binh Tu Tran

Ohio University Press, 1985

Phu Rieng was one of many French rubber plantations in colonial Vietnam; Tran Tu Binh was one of 17,606 laborers brought to work there in 1927, and his memoir is a straightforward, emotionally searing account of how one Vietnamese youth became involved in revolutionary politics. The connection between this early experience and later activities of the author becomes clear as we learn that Tran Tu Binh survived imprisonment on Con Son island to help engineer the general uprising in Hanoi in 1945.

The Red Earth is the first of dozens of such works by veterans of the 1924–45 struggle in Vietnam to be published in English translation. It is important reading for all those interested in the many-faceted history of modern Vietnam and of communism in the non-Western world.

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cover of The Viet Nam War/The American War: Images and Representations in Euro-American and Vietnamese Exile Narratives

The Viet Nam War/The American War

Images and Representations in Euro-American and Vietnamese Exile Narratives

Renny Christopher

University of Massachusetts Press, 1995

This book seeks to reformulate the canon of writings on what is called “the Viet Nam War” in America and “the American War” in Viet Nam. Until recently, the accepted canon has consisted almost exclusively of American white male combat narratives, which often reflect and perpetuate Asian stereotypes. Renny Christopher introduces material that displays a bicultural perspective, including works by Vietnamese exile writers and by lesser-known Euro-Americans who attempt to bridge the cultural gap.

Christopher traces the history of American stereotyping of Asians and shows how Euro-American ethnocentricity has limited most American authors' ability to represent fairly the Vietnamese in their stories. By giving us access to Vietnamese representations of the war, she creates a context for understanding the way the war was experienced from the “other” side, and she offers perceptive, well-documented analyses of how and why Americans have so emphatically excised the Vietnamese from narratives about a war fought in their own country.

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cover of The Vietnamese American 1.5 Generation: Stories of War, Revolution, Flight and New Beginnings

The Vietnamese American 1.5 Generation

Stories of War, Revolution, Flight and New Beginnings

edited by Sucheng Chan

Temple University Press, 2006

The conflict that Americans call the "Vietnam War" was only one of many incursions into Vietnam by foreign powers. However, it has had a profound effect on the Vietnamese people who left their homeland in the years following the fall of Saigon in 1975. Collected here are fifteen first-person narratives written by refugees who left Vietnam as children and later enrolled as students at the University of California, where they studied with the well-known scholar and teacher Sucheng Chan. She has provided a comprehensive introduction to their autobiographical accounts, which succinctly encompasses more than a thousand years of Vietnamese history. The volume concludes with a thorough bibliography and videography compiled by the editor.While the volume is designed specifically for today's college students, its compelling stories and useful history will appeal to all readers who want to know more about Vietnam and especially about the fates of children who emigrated to the U.S.
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cover of The Weekly War: Newsmagazines and Vietnam

The Weekly War

Newsmagazines and Vietnam

James Landers

University of Missouri Press, 2004

In The Weekly War, James Landers provides the first in-depth investigation of how the three major newsmagazines—Newsweek, Time, and U.S. News & World Report—covered the Vietnam War and the impact their coverage had on the American public, presidents, and policymakers. From March 1965 through January 1973 these magazines reached nearly one-third of adult Americans—second only to news programs on network television. Despite the popular impression that this was primarily a “television war,” the newsmagazines played a prominent role in informing the public about warfare and war policy.
While television reporting provided a here-and-now version of events, these magazines published articles that combined on-the-scene coverage with analysis and commentary. Because these publications worked on a more leisurely weekly deadline as opposed to the daily deadlines of television or newspapers, they were able to provide distinct perspectives on the week’s events, along with factual material. The writing was typically more vivid and detailed than that of newspapers, and the occasional use of color photographs contributed to the impact of the stories.
Each magazine had its own niche and distinct editorial style: Newsweek provided a mainstream liberal perspective, while Time took a more conservative viewpoint and U.S. News & World Report had an ultraconservative outlook. The editors of each magazine aimed to reach like-minded readers, knowing full well that a reader who disliked one magazine could simply switch to another. Landers demonstrates how public-opinion shifts during the war forced the newsmagazines, especially Time, to change too.
This book reflects a thorough examination of roughly nine hundred articles on the Vietnam War published by the three major newsmagazines. Landers also gathered documents from the Lyndon Baines Johnson Library and Richard M. Nixon Presidential Materials Project to reveal the attention paid to the newsmagazines by presidents and policymakers and their attempts to influence or manipulate coverage.
In addition to making a major contribution to the history of print journalism, The Weekly War complements scholarship on television news coverage of the Vietnam War. This volume will appeal to students and teachers of history and journalism, as well as the general reader interested in a unique view of the Vietnam War.
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cover of This Is a True War Story: My Improbable History with Vietnam

This Is a True War Story

My Improbable History with Vietnam

Robert K. Brigham

University of Chicago Press, 2026

A personal account by a war historian and adoptee who discovers his biological father was a famous Marine combat photographer in Vietnam.
 
Robert K. Brigham has had a substantial career as a historian of the Vietnam War, with a hand in nine books, a documentary, public history projects, and more. While many a historian has felt compelled at some point to write about a subject close to them personally, Brigham did not think he was doing that. But, at age fifty-eight, Brigham, who had long known he was adopted, discovered that he’d improbably and unknowingly been studying and talking about his biological father for decades. That man, Bruce Atwell, was a Marine Corps photographer who took some of that war’s most indelible and widely reproduced pictures. Brigham had used those images over and over again in decades’ worth of classes and public lectures, never knowing the truth.
 
Both Brigham and Atwell were products of the American foster care and adoption system, and both were defined professionally by Vietnam. In a story shot through with echoes and shadows, Brigham not only reveals his own history as an adoptee but opens a startlingly fresh vantage on the fragility of American families; the power of social norms and taboos to shape lives; and the forces that inequitably disrupt families, not least of them war. The result is an accessible and moving book that is at once both a powerful personal story and an illuminating social critique.

 
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cover of This Is a True War Story: My Improbable History with Vietnam

This Is a True War Story

My Improbable History with Vietnam

Robert K. Brigham

University of Chicago Press, 2026

A personal account by a war historian and adoptee who discovers his biological father was a famous Marine combat photographer in Vietnam. 
 
Robert K. Brigham has had a substantial career as a historian of the Vietnam War, with a hand in nine books, a documentary, public history projects, and more. While many a historian has felt compelled at some point to write about a subject close to them personally, Brigham did not think he was doing that. But, at age 58, Brigham, who had long known he was adopted, discovered that he’d improbably and unknowingly been studying and talking about his real father for decades. That man, Bruce Atwell, was a Marine Corps photographer who took some of that war’s most indelible and widely reproduced pictures. Brigham had used those images over and over again in decades’ worth of classes and public lectures, never knowing the truth.
 
Both Brigham and Atwell were products of the American foster care and adoption system, and both were defined professionally by Vietnam. In a story shot through with echoes and shadows, Brigham not only reveals his own history as an adoptee but opens a startlingly fresh vantage on the fragility of American families; the power of social norms and taboos to shape lives; and the forces that inequitably disrupt families, not least of them war. The result is an accessible and moving book that is at once both a powerful personal story and an illuminating social critique.

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cover of Time in the Barrel: A Marine's Account of the Battle for Con Thien

Time in the Barrel

A Marine's Account of the Battle for Con Thien

James P. Coan

University of Alabama Press, 2019

A Marine’s highly personal memoir reliving the hellish days of a pivotal conflict of the Vietnam War.

Con Thien, located only two miles from the demilitarized zone dividing North and South Vietnam, was a United States Marine Corps firebase that was the scene of fierce combat for months on end during 1967. Staving off attacks and ambushes while suffering from ineffectual leadership from Washington as well as media onslaughts, courageous American Marines protected this crucial piece of land at all costs. They would hold Con Thien, but many paid the ultimate price. By the end of the war, more than 1,400 Marines had died and more than 9,000 sustained injuries defending the “Hill of Angels.”

For eight months, James P. Coan’s five-tank platoon was assigned to Con Thien while attached to various Marine infantry battalions. A novice second lieutenant at the time, the author kept a diary recording the thoughts, fears, and frustrations that accompanied his life on “The Hill.” Time in the Barrel: A Marine’s Account of the Battle for Con Thien offers an authentic firsthand account of the daily nightmare that was Con Thien. An enticing and fascinating read featuring authentic depictions of combat, it allows readers to fully grasp the enormity of the fierce struggle for Con Thien.

The defenders of Con Thien were bombarded with hundreds of rounds of incoming rockets, mortars, and artillery that pounded the beleaguered outpost daily. Monsoon downpours turned the red laterite clay soil into a morass of oozing mud, flooded bunkers and trenches, and made Con Thien a living hell. .Being at Con Thien came to be ruefully referred to by the Marines stationed there as "time in the barrel” because they were targets as easy as fish in a barrel.
 
More than a retelling of military movements, Coan’s engrossing narratives focus on the sheer sacrifice and misery of one Marine’s experience in Vietnam. Through his eyes, we experience the abysmal conditions the Marines endured, from monsoon rainstorms to the constant threat of impending attack. Climatic moments in history are captured through the rare, personal perspective of one particularly astute and observant participant.

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cover of Tours of Vietnam: War, Travel Guides, and Memory

Tours of Vietnam

War, Travel Guides, and Memory

Scott Laderman

Duke University Press, 2009

In Tours of Vietnam, Scott Laderman demonstrates how tourist literature has shaped Americans’ understanding of Vietnam and projections of United States power since the mid-twentieth century. Laderman analyzes portrayals of Vietnam’s land, history, culture, economy, and people in travel narratives, U.S. military guides, and tourist guidebooks, pamphlets, and brochures. Whether implying that Vietnamese women were in need of saving by “manly” American military power or celebrating the neoliberal reforms Vietnam implemented in the 1980s, ostensibly neutral guides have repeatedly represented events, particularly those related to the Vietnam War, in ways that favor the global ambitions of the United States.

Tracing a history of ideological assertions embedded in travel discourse, Laderman analyzes the use of tourism in the Republic of Vietnam as a form of Cold War cultural diplomacy by a fledgling state that, according to one pamphlet published by the Vietnamese tourism authorities, was joining the “family of free nations.” He chronicles the evolution of the Defense Department pocket guides to Vietnam, the first of which, published in 1963, promoted military service in Southeast Asia by touting the exciting opportunities offered by Vietnam to sightsee, swim, hunt, and water-ski. Laderman points out that, despite historians’ ongoing and well-documented uncertainty about the facts of the 1968 “Hue Massacre” during the National Liberation Front’s occupation of the former imperial capital, the incident often appears in English-language guidebooks as a settled narrative of revolutionary Vietnamese atrocity. And turning to the War Remnants Museum in Ho Chi Minh City, he notes that, while most contemporary accounts concede that the United States perpetrated gruesome acts of violence in Vietnam, many tourists and travel writers still dismiss the museum’s display of that record as little more than “propaganda.”

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cover of Transnationalizing Viet Nam: Community, Culture, and Politics in the Diaspora

Transnationalizing Viet Nam

Community, Culture, and Politics in the Diaspora

Kieu-Linh Caroline Valverde

Temple University Press, 2013

Vietnamese diasporic relations affect—and are directly affected by—events in Viet Nam. In Transnationalizing Viet Nam, Kieu-Linh Caroline Valverde explores these connections, providing a nuanced understanding of this globalized community. Valverde draws on 250 interviews and almost two decades of research to show the complex relationship between Vietnamese in the diaspora and those back at the homeland.

Arguing that Vietnamese immigrant lives are inherently transnational, she shows how their acts form virtual communities via the Internet, organize social movements, exchange music and create art, find political representation, and even dissent. Valverde also exposes how generational, gender, class, and political tensions threaten to divide the ethnic community. 

Transnationalizing Viet Nam paints a vivid picture of the complex political and personal allegiances that exist within Vietnamese America and shape the relations between this heterogeneous community and its country of origin. 

In the series Asian American History and Culture, edited by Sucheng Chan, David Palumbo-Liu, Michael Omi, K. Scott Wong, and Linda Trinh Võ

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cover of Tumult

Tumult

Hans Magnus Enzensberger

Seagull Books, 2016

A collection of writings based on Enzensberger’s personal experience as a left-wing sympathizer during the 1960s. 

Hans Magnus Enzensberger, widely regarded as Germany’s greatest living poet, was already well known in the 1960s, the tempestuous decade of which Tumult is an autobiographical record. Derived from old papers, notes, jottings, photos, and letters that the poet stumbled upon years later in his attic, the volume is not so much about the man, but rather the many places he visited and people whom he met on his travels through the Soviet Union and Cuba during the 1960s. The book is made up of four long-form pieces written from 1963 to 1970, each episode concluding with a poem and postscript written in 2014. Translated by Mike Mitchell, the book is a lively and deftly written travelogue offering a glimpse into the history of leftist thought. Dedicated to “those who disappeared,” Tumult is a document of that which remains one of humanity’s headiest times.
 
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