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During the last five months of 1782, Madison continued to advocate close co-operation with France. To assure the durability of the Confederation, he endeavored to induce delinquent states to pay their financial quotas, and advocated adoption of a proposed impost amendment.

During the first four months of 1783, when the United States was neither wholly at war nor wholly at peace, a cluster of difficult problems confronted James Madison and his fellow delegates in Congress. Faced with the interlocking issues of finance, demobilization, and foreign affairs, Congress held many contentious sessions early in the year. The sparseness of the official journal enhances the value of the notes on debates, recorded by Madison, for illuminating the discussions.

During the first six of the ten months covered by this volume, Madison completed his initial period of service as a delegate from Virginia in the Congress of the Confederation. His correspondence with Thomas Jefferson and Edmund Randolph, as well as his other papers, reveal the mounting difficulties besetting him and his fellow nationalists who sought to preserve a union among the thirteen states. The major problems, which included demobilizing the discontented army, obtaining public revenue, funding the Confederation debt, pressing the British to evacuate their military posts, enforcing the preliminary articles of peace, creating a public domain in the West, locating a provisional or permanent capital of the Confederation, and negotiating commercial treaties with European powers, fostered sectionalism, factionalism, and an emphasis upon state sovereignty. As a prominent member of Congress, Madison sought legislative and constitutional remedies for this menacing divisiveness. To him the maintenence of the new nation embodied "the greatest trust ever confided to a political society," for it was "the last and fairest experiment in favor of the rights of human nature."

Early in December, after an absence of over three years, Madison returned to Montpelier, his father's estate. There during the winter of 1783-1784, he studied law, renewed old friendships, and canvassed the residents of Orange County for support of his candidacy for election to the House of Delegates of the Virginia General Assembly.

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Recognized as one of the most innovative and influential directors of our time, Peter Sellars has produced acclaimed—and often controversial—versions of many beloved operas and oratorios. He has also collaborated with several composers, including John C. Adams and Kaija Saariaho, to create challenging new operas. The Passions of Peter Sellars follows the development of his style, beginning with his interpretations of the Mozart-Da Ponte operas, proceeding to works for which he assembled the libretti and even the music, and concluding with his celebrated stagings of Bach’s passions with the Berlin Philharmonic.

Many directors leave the musical aspects of opera entirely to the singers and conductor. Sellars, however, immerses himself in the score, and has created a distinctive visual vocabulary to embody musical gesture on stage, drawing on the energies of the music as he shapes characters, ensemble interaction, and large-scale dramatic trajectories. As a leading scholar of gender and music, and the history of opera, Susan McClary is ideally positioned to illuminate Sellars’s goal to address both the social tensions embodied in these operas as well as the spiritual dimensions of operatic performance. McClary considers Sellars’s productions of Mozart’s Le nozze di Figaro, Don Giovanni, and Così fan tutte; Handel’s Theodora; Messiaen’s Saint François d’Assise; John C. Adams’s Nixon in China, The Death of Klinghoffer, El Niño, and Doctor Atomic; Kaija Saariaho’s L’amour de loin, La Passion de Simone, and Only the Sound Remains; Purcell’s The Indian Queen; and Bach’s passions of Saint Matthew and Saint John. Approaching Sellars’s theatrical strategies from a musicological perspective, McClary blends insights from theater, film, and literary scholarship to explore the work of one of the most brilliant living interpreters of opera.

The South has made much of J. E. B. Stuart and Stonewall Jackson, but no individual has had a greater elevation to divine status than John Pelham, remembered as the “Gallant Pelham.” An Alabama native, Pelham left West Point for service in the Confederacy and distinguished himself as an artillery commander in Robert E. Lee’s Army of Northern Virginia. Lee is reported to have said of him, “It is glorious to see such courage in one so young!” Blond, blue-eyed, and handsome, Pelham’s modest demeanor charmed his contemporaries, and he was famously attractive to women. He was killed in action at the battle of Kelly’s Ford in March of 1863, at twenty-four years of age, and reportedly three young women of his acquaintance donned mourning at the loss of the South’s “beau ideal.” Maxwell’s work provides the first deeply researched biography of Pelham, perhaps Alabama’s most notable Civil War figure, and explains his enduring attraction.
 

A rare and dramatic first-person account by a Union scout who served General William Tecumseh Sherman on his “march to the sea”
 
After his father-in-law passed away, Stephen Murphy found, among the voluminous papers left behind, an ancestral memoir. Murphy quickly became fascinated with the recollections of George W. Quimby (1842–1926), a Union soldier and scout for General William Tecumseh Sherman.
 
Before Quimby became a part of Sherman’s March, he was held captive by Nathan Bedford Forrest’s troops in western Tennessee. He joined Sherman’s Army in Vicksburg, destroying railroads and bridges across Mississippi and Alabama on the way to Georgia. As the notorious march began, Quimby became a scout and no longer experienced war as his fellow soldiers did. Scouts moved ahead of the troops to anticipate opportunities and dangers. The rank and file were instructed to be seen and feared, while scouts were required to be invisible and stealthy. This memoir offers the rare perspective of a Union soldier who ventured into Confederate territory and sent intelligence to Sherman.
 
Written around 1901 in the wake of the Spanish American War, Quimby’s memoir shows no desire to settle old scores. He’s a natural storyteller, keeping his audience’s attention with tales of drunken frolics and narrow escapes, providing a memoir that reads more like an adventure novel. He gives a new twist to the familiar stories of Sherman’s March, reminding readers that while the Union soldiers faced few full-scale battles, the campaign was still quite dangerous.
 
More than a chronicle of day-to-day battles and marches, The Perfect Scout is more episodic and includes such additional elements as the story of how he met his wife and close encounters with the enemy. Offering a full picture of the war, Quimby writes not only about his adventures as one of Sherman’s scouts, but also about the suffering of the civilians caught in the war. He provides personal insight into some of the war’s historic events and paints a vivid picture of the devastation wreaked upon the South that includes destroyed crops and homes and a shattered economy. He also tells of the many acts of kindness he received from Southerners, including women and African Americans, who helped him and his fellow scouts by providing food, shelter, or information.

The Perils and Prospects of Southern Black Leadership fills an important gap in uncovering the history of southern black leaders between the death of Booker T. Washington and the rise of Martin Luther King, Jr. Originally published to critical acclaim in 1977 (Duke University Press), and now available in paperback with a new preface by the author, this book provides an intellectual biography of Gordon Blaine Hancock, a Virginia educator, journalist, and minister whose writings and speeches on race relations were widely influential in the South in the thirty years prior to the Brown decision of 1954. In showing how Hancock faced his generation's main dilemma—how to end Jim Crow and ensure integration without abandoning ideals of black identity, independence, and solidarity—Raymond Gavins's biography illuminates the history of African Americans and race relations in America.

Do you love Philadelphia? Do you love good writing? Well, this is the book for you. It's about the people of Philadelphia--the good, the fine, and the imperfect. Yes, the sports heroes are here--Mike Schmidt, Julius ("Dr. J.") Erving. And the politicians--Ed Rendell, John Street. And the moguls--Brian Roberts, Comcast honcho. And the would-be moguls--Mark Yagalla, world-class embezzler. And so many more, including--writing in their own words--Terry Gross, Patti LaBelle, W. Wilson Goode, Sr., Judy Wicks, Judith Rodin, and Smarty Jones (proving that this horse is no one-trick pony). And so many more--25 of them in all. The people--and the horse--who have meant something to this city during the last 20 years. Ripped from the pages of Philadelphia magazine (well, OK, carefully removed and lovingly pasted into this book), here are profiles of the people who made an era.

Published in 1863, William M. Thayer’s The Pioneer Boy, and How He Became President fictionalized Abraham Lincoln’s younger years to serve as a moral and religious model for adolescent readers. The bestseller went through many editions over the following decades, but branded Thayer as a minor writer of juvenile stories.

This new edition of Pioneer Boy reprints the text with extensive annotations by Steven K. Rogstad. In his reappraisal of the work, Rogstad taps the factual history woven into the plot and dialogue to illuminate how the young Lincoln presented by Thayer compares with historical documents and credible reminisces of the future president. Rogstad’s chapter-by-chapter analysis reveals the work as an astute biography while reevaluating Thayer as a source worthy of consideration within Lincoln scholarship. An introduction offers an in-depth consideration of Lincoln’s own presentations of his youth, Thayer’s career, and the book’s long life.

A new look at an overlooked text, The Pioneer Boy, and How He Became President analyzes what we can learn from William M. Thayer’s popular book.

By turns outlandish, humorous, and scatological, the Historia Augusta is an eccentric compilation of biographies of the Roman emperors and usurpers of the second and third centuries. Historians of late antiquity have struggled to explain the fictional date and authorship of the work and its bizarre content (did the Emperor Carinus really swim in pools of floating apples and melons? did the usurper Proculus really deflower a hundred virgins in fifteen days?). David Rohrbacher offers, instead, a literary analysis of the work, focusing on its many playful allusions. Marshaling an array of interdisciplinary research and original analysis, he contends that the Historia Augusta originated in a circle of scholarly readers with an interest in biography, and that its allusions and parodies were meant as puzzles and jokes for a knowing and appreciative audience.

Las Vegas was largely shaped by a handful of colorful and astute casino operators who turned a dusty desert town into the gaudy, booming holiday mecca that it is today. The essays in this book introduce us to these players. We discover how early leaders like Cliff Jones, Moe Dalitz, and Benny Binion first grasped Las Vegas’s potential as a center for high-stakes gambling, and we read of mobster Bugsy Siegel’s efforts to bring to reality another man’s dream of a glamorous resort-casino on a then-remote site at the edge of town. Other visionaries like Jay Sarno, Sam Boyd, and Jackie Gaughan helped turn casinos into the islands of fantasy, replete with lavish entertainment spectacles. The arrival of eccentric billionaire Howard Hughes introduced a new style of corporate management --one carried on by Kirk Kerkorian and Steve Wynn to an industry previously led by independent entrepreneurs and their families. In preparing their essays, the authors consulted a wide range of sources and conducted interviews with many of the surviving players and their families and associates. The result is an engaging, highly informative account of a city’s growth through the visions, energies, and decisions of some remarkable gambler-businessmen.

Josefina Niggli (1910–1983) was one of the most successful Mexican American writers of the early twentieth century. Born of European parents and raised in Mexico, she spent most of her adult life in the United States, and in her plays and novels she aimed to portray authentic Mexican experiences for English-speaking audiences. Niggli crossed borders, cultures, and genres, and her life and work prompt interesting questions about race, class, gender, modernity, ethnic and national identity, and the formation of literary canons.
    Although Niggli is perhaps best known for her fiction and folk plays, this anthology recovers her historical dramas, most of which have been long out of print or were never published. These plays are deeply concerned with the aftermath of the 1910 Mexican Revolution, imagining its implications for Mexico, Mexican Americans, and U.S.-Mexico relations. Included are Mexican Silhouettes (1928), Singing Valley (1936), The Cry of Dolores (1936), The Fair God (1936), Soldadera (1938), This is Villa! (1939), and The Ring of General Macias (1943). These works reflect on the making of history and often portray the Revolution through the lens of women’s experiences.
            Also included in this volume are an extensive critical introduction to Niggli, a chronology of her life and writings, plus letters and reviews by, to, and about Josefina Niggli. that provide illuminating context for the plays.

 

 

“The Best of the Best of the University Presses: Books You Should Know About” presented at the 2008 American Library Association Annual Conference

Two friends, a lifetime of letters, and an intimate look at a literary icon

Carl Sandburg first encountered Kenneth Dodson through a letter written at sea during World War II. Though Dodson wrote the letter to his wife, Letha, Sandburg read it in tears and told her, "I've got to meet this man." Composed primarily of their correspondence that continued until Sandburg's death in 1967, The Poet and the Sailor is a chronicle of the deep friendship that followed. Ranging over anything they found important, from writing to health and humor, the letters are arranged by Richard Dodson and are accompanied by a foreword from Sandburg's noted biographer, Penelope Niven.

Olga Sedakova stands out among contemporary Russian poets for the integrity, erudition, intellectual force, and moral courage of her writing. After years of flourishing quietly in the late Soviet underground, she has increasingly brought her considered voice into public debates to speak out for freedom of belief and for those who have been treated unjustly. This volume, the first collection of scholarly essays to treat her work in English, assesses her contributions as a poet and as a thinker, presenting far-reaching accounts of broad themes and patterns of thought across her writings as well as close readings of individual texts.

Essayists from Russia, Ukraine, Germany, Italy, and the United States show how Sedakova has contributed to ongoing aesthetic and cultural debates. Like Sedakova's own work, the volume affirms the capacity of words to convey meaning and to change our understanding of life itself. The volume also includes dozens of elegant new translations of Sedakova's poems.

Each day, as Oded Löwenheim commutes by mountain bike along dirt trails and wadis in the hills of Jerusalem to Hebrew University, he feels a strong emotional connection to his surroundings. But for him this connection also generates, paradoxically, feelings and emotions of confusion and estrangement.

In the fall of 1950, newspapers around the world reported that the Italian-born nuclear physicist Bruno Pontecorvo and his family had mysteriously disappeared while returning to Britain from a holiday trip. Because Pontecorvo was known to be an expert working for the UK Atomic Energy Research Establishment, this raised immediate concern for the safety of atomic secrets, especially when it became known in the following months that he had defected to the Soviet Union. Was Pontecorvo a spy? Did he know and pass sensitive information about the bomb to Soviet experts? At the time, nuclear scientists, security personnel, Western government officials, and journalists assessed the case, but their efforts were inconclusive and speculations quickly turned to silence. In the years since, some have downplayed Pontecorvo’s knowledge of atomic weaponry, while others have claimed him as part of a spy ring that infiltrated the Manhattan Project.

           

The Pontecorvo Affair draws from newly disclosed sources to challenge previous attempts to solve the case, offering a balanced and well-documented account of Pontecorvo, his activities, and his possible motivations for defecting. Along the way, Simone Turchetti reconsiders the place of nuclear physics and nuclear physicists in the twentieth century and reveals that as the discipline’s promise of military and industrial uses came to the fore, so did the enforcement of new secrecy provisions on the few experts in the world specializing in its application.

John Wesley Powell’s 1869 expedition down the Green and Colorado Rivers and through the Grand Canyon continues to be one of the most celebrated adventures in American history, ranking with the Lewis and Clark expedition and the Apollo landings on the moon. For nearly twenty years Lago has researched the Powell expedition from new angles, traveled to thirteen states, and looked into archives and other sources no one else has searched. He has come up with many important new documents that change and expand our basic understanding of the expedition by looking into Powell’s crewmembers, some of whom have been almost entirely ignored by Powell historians. Historians tended to assume that Powell was the whole story and that his crewmembers were irrelevant. More seriously, because several crew members made critical comments about Powell and his leadership, historians who admired Powell were eager to ignore and discredit them.
 
Lago offers a feast of new and important material about the river trip, and it will significantly rewrite the story of Powell’s famous expedition. This book is not only a major work on the Powell expedition, but on the history of American exploration of the West.

For most people, a diagnosis of cystic fibrosis means the certainty of a life ended too soon. But for twin girls with the disease, what began as a family’s stubborn determination grew into a miracle.

            The tragedy of CF has been touchingly recounted in such books as Frank Deford’s Alex: The Life of a Child, but The Power of Two is the first book to portray the symbiotic relationship between twins who share this life-threatening disease through adulthood. Isabel Stenzel Byrnes and Anabel Stenzel tell of their lifelong struggle to pursue normal lives with cystic fibrosis while grappling with the realization that they will die young. Their story reflects the physical and emotional challenges of a particularly aggressive form of CF and tells how the twins’ bicultural heritage—Japanese and German—influenced the way they coped with these challenges.

            Born in 1972, seventeen years before scientists discovered the genetic mutation that causes CF, Isabel and Anabel endured the daily regimen of chest percussion, frequent doctor visits, and lengthy hospitalizations. But they tell how, in the face of innumerable setbacks, their deep-seated dependence on each other allowed them to survive long enough to reap the benefits of the miraculous lung transplants that marked a crossroads in their lives: “We have an old life—one of growing up with chronic illness—and a new life—one of opportunities and gifts we have never imagined before.” In this memoir, they pay tribute to the people who shaped their experience.

            The Power of Two is an honest and gripping portrayal of day-to-day health care, the impact of chronic illness on marriage and family, and the importance of a support network to continuing survival. It conveys an important message to both popular and professional readers as it addresses key psychosocial issues in chronic illness throughout the sufferer’s lifespan and illuminates the human side of advances in biotechnology.

            Even as gene therapy and stem cell research increase the chances for eradicating CF, this stirring account portrays its effects on one family that refused to give up. These two remarkable sisters have much to teach about the power of perseverance—and about the ultimate power of hope.

For most people, a diagnosis of cystic fibrosis means the certainty of a life ended too soon. But for Isabel Stenzel Byrnes and Anabel Stenzel, twin girls with the disease, what began as a family’s stubborn determination grew into a miracle.

The Pox Lover is a personal history of the turbulent 1990s in New York City and Paris by a pioneering American AIDS journalist, lesbian activist, and daughter of French-Haitian elites. In an account that is by turns searing, hectic, and funny, Anne-christine d'Adesky remembers "the poxed generation" of AIDS—their lives, their battles, and their determination to find love and make art in the heartbreaking years before lifesaving protease drugs arrived.

D'Adesky takes us through a fast-changing East Village: squatter protests and civil disobedience lead to all-night drag and art-dance parties, the fun-loving Lesbian Avengers organize dyke marches, and the protest group ACT UP stages public funerals. Traveling as a journalist to Paris, an insomniac d'Adesky trolls the Seine, encountering waves of exiles fleeing violence in the Balkans, Haiti, and Rwanda. As the last of the French Nazis stand trial and the new National Front rises in the polls, d'Adesky digs into her aristocratic family's roots in Vichy France and colonial Haiti. This is a testament with a message for every generation: grab at life and love, connect with others, fight for justice, keep despair at bay, and remember.

In the fall of 1861, fifty-one-year-old Rev. Francis Springer enlisted in the Union army. The following spring, Springer, a friend and one-time neighbor to Abraham Lincoln, rode away with the 10th Illinois Cavalry. A witness to the Battle of Prairie Grove (December 1862), Springer was later named post chaplain at Fort Smith, where, in additon to preaching and ministering to the troops, he was placed in charge of refugees—widows, orphans, and contrabands—the displaced victims of virulent guerrilla warfare in Northwest Arkansas. Springer also wrote articles and columns in the Fort Smith New Era under the pseudonym, “Thrifton.” Springer’s honest appraisals of life in the Army of the Frontier make for fascinating reading, and his unique perspective as moralist, educator, and journalist provide new insight into the Civil War and how it was fought in the West. The book includes several never-before published photographs and appendixes which feature accounts of six military executions that Springer participated in as a Union Army chaplain, the hitherto unpublished last letters home of two rebel soldiers condemned and executed at Fort Smith, as well as a eulogy for Abraham Lincoln.

The Preacher’s Tale includes several never before published photographs, and appendixes that contain accounts of six military executions that Springer participated in as a Union Army chaplain, the last letters home of two rebel soldiers condemned and executed at Fort Smith, as well as a eulogy written for Abraham Lincoln.

A Short History of the Politics of Reconstruction in a Changing America
On December 5, 1876, President Ulysses S. Grant transmitted his eighth and final message to Congress. In reviewing his tenure as president, Grant proclaimed, “Mistakes have been made,” though he assured Congress, his administration’s “failures have been errors of judgment, not of intent.” Until recently, scholars have portrayed Grant as among the country’s worst chief executives. Though the scholarly consensus about Grant’s presidency is changing, the general public knows little, if anything, about his two terms, other than their outsized reputation for corruption. While scandals are undoubtedly part of the story, there is more to Grant’s presidency: Grant faced the Panic of 1873, the severest economic depression in U.S. history, defeated the powerful Senator Charles Sumner on the annexation of Cuba, and deftly avoided war with Spain while laying the groundwork for the “special relationship” between Great Britain and the United States. Grant’s efforts to ensure justice for African Americans and American Indians, however, were undercut by his own decisions and by the contradictory demands of the various constituencies that made up the Republican Party.
In The Presidency of Ulysses S. Grant: Preserving the Civil War’s Legacy, historian Paul Kahan focuses on the unique political, economic, and cultural forces unleashed by the Civil War and how Grant addressed these issues during his tumultuous two terms as chief executive. A timely reassessment, The Presidency of Ulysses S. Grant sheds new light on the business of politics in the decade after the Civil War and portrays an energetic and even progressive executive whose legacy has been overshadowed by both his wartime service and his administration’s many scandals.

The 1950s and 1960s were years of shifting values and social changes that did not sit well with many citizens of Richmond, Virginia, and in particular with one conservative family, a staunchly southern mother and father and their two daughters.  A powerful evocation of time and place, this memoir—a gifted poet's first book of prose—is the story of an inquisitive and sensitive young woman's coming of age and a deeply moving recounting of her reconciliation later in life with the family she left behind.

Returning us to a Cold War world marked by divisions of race, gender, wealth, and class, The Prodigal Daughter is an exploration of difference, the powerful wedge that separates individuals within a social milieu and within a family. Echoing the biblical Prodigal Son, Margaret Gibson's memoir is less concerned with the years of excess away from home than with the seeds of division sown in this family's early years.  Hers is the story of a mother proud to be a Lady, a Southerner, and a Christian; of two daughters trapped by their mother's power; and of their father's breakdown under social and family expectations.

Slow to rebel, young Margaret finally flees the world of manners and custom—which she deems poor substitutes for right thought and right action in the face of the Civil Rights movement and the Vietnam War—and abandons her fundamentalist upbringing.  In a defiant gesture that proves prophetic, she once signed a postcard home "The Prodigal."  After years of being the distant, absent daughter, she finds herself returning home to meet the needs of her stroke-crippled younger sister and her incapacitated parents.

In this tale of homecoming and forgiveness, death and dying, Gibson recounts how she overcame her long indifference to a sister she had thought different from herself, recognizing the strengths of the bonds that both hold us and set us free. Interweaving astute social observations on social pressures, race relations, sibling rivalry, adolescent angst, and more, The Prodigal Daughter is a startlingly honest portrayal of one family in one southern city and the story of all too many families across America.

Robert Bechtold Heilman is one of the last survivors of a remarkable generation of American critics that included such literary giants as Cleanth Brooks, Allen Tate, and Edmund Wilson, men to whom literary criticism was not a profession or an academic necessity but a calling. In a distinguished career that has spanned nearly six decades, Heilman has influenced generations of scholars and critics through his exquisitely written commentaries on subjects ranging from William Shakespeare to Thomas Hardy.

In The Professor and the Profession, Heilman looks back over his life and times from his perspective as both an academic and an American. Differing in theme and subject matter, the essays included in this collection are ultimately unified by the author himself. Whether the topic is football, Robert Penn Warren, or education, Heilman's generous and intelligent voice emerges on every page. Yet this collection is more than one academic's personal reminiscences; it is a reflection upon American literary history itself.

In the first section of essays, "The Self Displayed," Heilman reveals how he developed from a small-town boy into a distinguished critic and teacher, touching upon his participation in baseball and love of football along the way. "Writers Portrayed" and "Literary Types and Problems Inspected," the following sections, offer his opinions on the past and on the current state of American literary criticism, including personal portraits of such renowned friends as Eric Voegelin, Robert Penn Warren, Theodore Roethke, and Malcolm Cowley. The final section, "Education Examined," is an enlightening inquiry into the development of American universities in the twentieth century.

A fascinating chronicle of a significant academic life, The Professor and the Profession will appeal to a broad array of scholars, from young academics wanting to know where they came from to those of Heilman's generation who can appreciate this personal reminiscence into the world of letters.

In 1950, as a young bride, Margaret Laurence set out with her engineer husband to what was then Somaliland: a British protectorate in North Africa few Canadians had ever heard of. Her account of this voyage into the desert is full of wit and astonishment. Laurence honestly portrays the difficulty of colonial relationships and the frustration of trying to get along with Somalis who had no reason to trust outsiders. There are moments of surprise and discovery when Laurence exclaims at the beauty of a flock of birds only to discover that they are locusts, or offers medical help to impoverished neighbors only to be confronted with how little she can help them. During her stay, Laurence moves past misunderstanding the Somalis and comes to admire memorable individuals: a storyteller, a poet, a camel-herder. The Prophet’s Camel Bell is both a fascinating account of Somali culture and British colonial characters, and a lyrical description of life in the desert.
 

One of the most original and prolific economists of the twentieth century, Joan Robinson (1903–83) is widely regarded as the most important woman in the history of economic thought. Robinson studied economics at Cambridge University, where she made a career that lasted some fifty years. She was an unlikely candidate for success at Cambridge. A young woman in 1930 in a university dominated by men, she succeeded despite not having a remarkable academic record, a college fellowship, significant publications, or a powerful patron. In The Provocative Joan Robinson, Nahid Aslanbeigui and Guy Oakes trace the strategies and tactics Robinson used to create her professional identity as a Cambridge economist in the 1930s, examining how she recruited mentors and advocates, carefully defined her objectives, and deftly pursued and exploited opportunities.

Aslanbeigui and Oakes demonstrate that Robinson’s professional identity was thoroughly embedded in a local scientific culture in which the Cambridge economists A. C. Pigou, John Maynard Keynes, Dennis Robertson, Piero Sraffa, Richard Kahn (Robinson’s closest friend on the Cambridge faculty), and her husband Austin Robinson were important figures. Although the economists Joan Robinson most admired—Pigou, Keynes, and their mentor Alfred Marshall—had discovered ideas of singular greatness, she was convinced that each had failed to grasp the essential theoretical significance of his own work. She made it her mission to recast their work both to illuminate their major contributions and to redefine a Cambridge tradition of economic thought. Based on the extensive correspondence of Robinson and her colleagues, The Provocative Joan Robinson is the story of a remarkable woman, the intellectual and social world of a legendary group of economists, and the interplay between ideas, ambitions, and disciplinary communities.

The Pushkin Handbook, a collection of studies by leading Pushkin scholars from the former Soviet Union, North America, and elsewhere, unites in one volume a multiplicity of voices engaged in a genuinely post-Soviet dialogue. From its beginnings, Pushkin’s oeuvre has accommodated numerous, often competing readings. This book is further testimony to the continuing complexity of Russia’s preeminent writer: his place in the literary and cultural cosmos, his relationship to his Russian predecessors and contemporaries, and his reception and interpretation at various points in history.