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In the nineteenth century, Woman's Exchanges formed a vast national network that created economic alternatives for financially vulnerable women in a world that permitted few respectable employment options. Many remain in business. 

Kathleen Waters Sander delves into the history of Woman's Exchanges and looks at the women who led the organizations—and those who used them to stave off poverty. One of the nation's oldest continuously operating voluntary movements, Exchanges like the Philadelphia Ladies' Depository and the Dorcas Society were fashionable, popular shops where women who had fallen on hard times could sustain themselves. By selling their handiwork on consignment, they not only earned money but avoided the stigma of seeking public employment. As Sander shows, Exchanges evolved into an important forum for entrepreneurial growth. They also provide an example of how women used the voluntary sector, which had so successfully served as a conduit for their political and social reforms, to advance opportunities for economic independence.

Beyond the highly publicized heroics and foibles of players and teams, when the grandstands are empty and the scoreboards dark, there is a world of sport about which little is known by even the most ardent fan. It is the business world of sport; it is characterized by a thirst for power and money, and its players are just as active as those on the professional teams they oversee. In this collection, some of the best scholars in the field use examples from baseball, football, basketball, and hockey to illuminate the significant economic, legal, social, and historic aspects of the business of professional sports. 

Contributors: Dennis A. Ahlburg, Rob B. Beamish, Joan M. Chandler, James B. Dworkin, Lawrence M. Kahn, Charles P. Korr, John J. MacAloon, David Mills, Roger G. Noll, Steven A. Reiss, Gary R. Roberts, Stephen F. Ross, Peter D. Sherer, Leigh Steinberg, and David G. Voigt,

Using documents obtained through the Freedom of Information Act, recently opened archival collections, and interviews with the actual participants, Immerman provides us with a definitive, powerfully written, and tension-packed account of the United States' clandestine operations in Guatemala and their consequences in Latin America today.

What’s your impression of the CIA? A bumbling agency that can’t protect its own spies? A rogue organization prone to covert operations and assassinations? Or a dedicated public service that advances the interests of the United States? Astute TV and movie viewers may have noticed that the CIA’s image in popular media has spanned this entire range, with a decided shift to more positive portrayals in recent years. But what very few people know is that the Central Intelligence Agency has been actively engaged in shaping the content of film and television, especially since it established an entertainment industry liaison program in the mid-1990s.

The CIA in Hollywood offers the first full-scale investigation of the relationship between the Agency and the film and television industries. Tricia Jenkins draws on numerous interviews with the CIA’s public affairs staff, operations officers, and historians, as well as with Hollywood technical consultants, producers, and screenwriters who have worked with the Agency, to uncover the nature of the CIA’s role in Hollywood. In particular, she delves into the Agency’s and its officers’ involvement in the production of The Agency, In the Company of Spies, Alias, The Recruit, The Sum of All Fears, Enemy of the State, Syriana, The Good Shepherd, and more. Her research reveals the significant influence that the CIA now wields in Hollywood and raises important and troubling questions about the ethics and legality of a government agency using popular media to manipulate its public image.

In the spring of 1871, Ralph Waldo Emerson boarded a train in Concord, Massachusetts, bound for a month-and-a-half-long tour of California—an interlude that became one of the highlights of his life. On their journey across the American West, he and his companions would take in breathtaking vistas in the Rockies and along the Pacific Coast, speak with a young John Muir in the Yosemite Valley, stop off in Salt Lake City for a meeting with Brigham Young, and encounter a diversity of communities and cultures that would challenge their Yankee prejudices.

Based on original research employing newly discovered documents, The California Days of Ralph Waldo Emerson maps the public story of this group’s travels onto the private story of Emerson’s final years, as aphasia set in and increasingly robbed him of his words. Engaging and compelling, this travelogue makes it clear that Emerson was still capable of wonder, surprise, and friendship, debunking the presumed darkness of his last decade.

A skillful and fascinating retelling of the often testy relationship between J. P. Morgan and Roger Fry, two men who did more to establish the preeminence of the Metropolitan Museum of Art than any collector and curator before or since.

Shortly after the turn of the twentieth century, the Metropolitan Museum of Art began an ambitious program of collection building and physical expansion that transformed it into one of the world’s foremost museums, an eminence that it has maintained ever since. Two men of singular qualities and accomplishments played key roles in the Met’s transformation—J. P. Morgan, America’s leading financier and a prominent art collector, and Roger Fry, the headstrong English expert in art history who served as the Met’s curator of painting. Their complicated, often contentious relationship embodies and illuminates the myriad tensions between commerce and art, philanthropists and professional staff, that a great museum must negotiate to define and fulfill its mission.

In this masterful, multidisciplinary narrative, Charles Molesworth offers the first in-depth look at how Morgan and Fry helped to mold the cultural legacy of masterpieces of painting and the development of the “encyclopedic” museum. Structuring the book as a joint biography, Molesworth describes how Morgan used his vast wealth to bring European art to an American citizenry, while Fry brought high standards of art history from the world of connoisseurs to a general public. Their clashes over the purpose and functions of the Met, which ultimately led to Fry’s ouster, reveal the forces—personal and societal—that helped to shape the Metropolitan Museum and other major American cultural institutions during the twentieth century.

How the transition from physical trading floors to automated ones changed central business districts and urban policy.

Wall Street is defined by the New York Stock Exchange’s headquarters, while the Chicago Board of Trade’s iconic building anchors LaSalle Street in the city’s Loop. These buildings have not moved in a century, but their trading floors have experienced dramatic changes over the past sixty years. While thousands of commuters still work in and around Wall Street, most stocks are traded via computer. Not even the NYSE’s servers are onsite.

The Capitals of Capital charts the rise and dematerialization of stock-exchange trading floors in New York and Chicago, demonstrating how the finance industry has long been entwined with urban planning and development. Aaron Shkuda shows in detail how the industry came to dominate cities both economically and spatially, tracing the demands of firms like Chase Manhattan Bank and the Chicago Mercantile Exchange for larger central facilities, better tax breaks, and other accommodations—until technological developments shifted their priorities from spaces for people to capacity for machines. Shkuda’s history of trading floors reveals financial institutions as change agents in urbanism; through their evolving construction proposals, they forced elected officials, urban planners, architects, and voters to consider the value of trading floors, their significance to a city and its people, and what kind of resources they deserved. Today, as Wall Street towers are converted to apartments and server farms, The Capitals of Capital sheds light on the ever-shifting relationship between the finance industry and urban spaces.

A penetrating look into the hidden networks of wartime capture, circulation, and detainment by United States military personnel

The Capture Chain offers a detailed history of the United States’ detention practices and the evolving infrastructure designed for the apprehension, control, and transportation of people during times of war. Spanning eight decades and several major conflicts, this work examines the hidden spaces and logistical networks connecting the front lines and prisoner-of-war camps—sites that exist at the fraught intersection of life maintenance and death distribution.

Detailing the routes, protocols, research methods, and technical systems that constitute what Richard Nisa terms the global capture chain, this book underscores how such military architectures have become increasingly sophisticated and technologically advanced since the dawn of the Cold War. Drawing on declassified military documents, diplomatic records from the Geneva Conventions, and memoirs written by soldiers and prisoners, The Capture Chain offers unprecedented insight into this shifting geography of psychological and physical violence.

Using archival research to draw links between behavioral science studies during the Korean War, Vietnam-era computation, and post-9/11 rendition networks and digital biometrics, The Capture Chain introduces new ways of understanding urgent contemporary debates around autonomous warfare, mass surveillance, and detainment. By introducing the capture chain as both a historical object and a methodological lens, Nisa highlights the legal and moral grey area that constitutes the ongoing militarized maintenance of human life.

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Stephen A. Marini, discoverer of The Cashaway Psalmody, offers the fascinating story of the tunebook and its many meanings. From its musical, literary, and religious origins in England, he moves on to the life of Durham Hills; how Carolina communities used the book; and the Psalmody's significance in understanding how ritual song—transmitted via transatlantic music, lyrics, and sacred singing—shaped the era's development. Marini also uses close musical and textual analyses to provide a critical study that offers music historians and musicologists valuable insights on the Pslamody and its period.

Meticulous in presentation and interdisciplinary in scope, The Cashaway Psalmody unlocks an important source for understanding life in the Lower South in the eighteenth century.

Winner, Friends of the Dallas Public Library Award, Texas Institute of Letters, 2001

A complex mosaic of post oak and blackjack oak forests interspersed with prairies, the Cross Timbers covers a north-south belt of southern Kansas, eastern Oklahoma, and North Central Texas. Home to Native Americans over several thousand years, the Cross Timbers became a barrier to westward expansion in the nineteenth century, until roads and railroads opened it up to farmers and ranchers, coal miners, and modern city developers, all of whom changed its character in far-reaching ways.

This landmark book fully describes the natural environment of the Cross Timbers and the role that people have played in transforming the region. Richard Francaviglia opens with a natural history that discusses the region's geography and geology, vegetation, and climate. He then traces the interaction of people and the landscape, from the earliest Native American inhabitants and European explorers to the developers and residents of today's ever-expanding cities and suburbs. Many historical and contemporary maps and photographs illustrate the text.

This path-breaking anthology illuminates the lives of ten influential twentieth-century American women and looks at the challenges experienced by the women who have written about them. Exploring the frequently complicated dialogue between writer and subject, the contributors discuss tools appropriate to writing women's biography while their riveting accounts reveal how feminist scholarship led them to approach the study of women's lives in unconventional ways.

"This wonderful collection demonstrates the significance of women's biography as a central part of feminist scholarship. The feminist biographer inserts a second life into a biography, her own, giving us yet another layer of depth and insight."--Ann J. Lane, author of To "Herland" and Beyond: The Life and Work of Charlotte Perkins Gilman