4917 books match the query 'Philosophy' and 1267 start with t

cover of The Nietzsche Canon: A Publication History and Bibliography

The Nietzsche Canon

A Publication History and Bibliography

William H. Schaberg

University of Chicago Press, 1996

Although the past several years have witnessed an outpouring of scholarship on nearly every aspect of Nietzsche's thought, a portrait of Nietzsche as author has been conspicuously lacking. Here, William H. Schaberg presents a detailed publication history and biography of Nietzsche as author and an equally comprehensive annotated bibliography of his work. Schaberg describes how and why Nietzsche's books were written, when and by whom they were published, and how many copies were printed and sold, a story set against the background of publishing practice in nineteenth-century Germany. Schaberg establishes a genealogy of Nietzsche's works and clarifies the relationships between those works, an understanding of which is essential to any informed opinion of his philosophy.

Included for the first time in any language is an extensive account of Nietzsche's finances and his relationships with his publishers. Schaberg reveals a man who was obsessed with money, fought bitterly with his publishers, complained about his readers, and all the while continued to produce more and more books that went unread. He also reveals the influential role of Nietzsche's sister Elizabeth, who provoked disputes between Nietzsche and his publisher during her brother's lifetime and deliberately falsified information after his death.
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cover of The Non-Modern Crisis of the Modern University

The Non-Modern Crisis of the Modern University

D. Bret Leraul and Willy Thayer

Northwestern University Press, 2025

A landmark work of critical theory about the Western university from the Southern Cone

Renowned Chilean philosopher Willy Thayer’s La crisis no moderna de la universidad moderna, first published in 1996 and in an updated edition in 2019, is a landmark work of critical theory from the Southern Cone. Presented in English for the first time, The Non-Modern Crisis of the Modern University rewrites the idea of the Western university while also diagnosing the ills of postdictatorship Chile through a philosophically informed dismantling of its neoliberal institutionalization of higher education. Bret Leraul’s translation advances the vital work of globalizing critical university studies by disseminating theory from the Global South. If the university helped to construct Chile’s neoliberal society, Thayer’s polemical deconstruction of both will help readers reconstruct the cultural politics of the era to better understand the global hegemony of neoliberalism today.

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cover of The Nonhuman Turn

The Nonhuman Turn

Richard Grusin

University of Minnesota Press, 2015

Edited by Richard Grusin of the Center for 21st Century Studies, this is the first book to name and characterize—and therefore consolidate—a wide array of current critical, theoretical, and philosophical approaches to the humanities and social sciences under the concept of the nonhuman turn. Each of these approaches is engaged in decentering the human in favor of a concern for the nonhuman, understood by contributors in a variety of ways—in terms of animals, affectivity, bodies, materiality, technologies, and organic and geophysical systems.

The nonhuman turn in twenty-first-century studies can be traced to multiple intellectual and theoretical developments from the last decades of the twentieth century: actor-network theory, affect theory, animal studies, assemblage theory, cognitive sciences, new materialism, new media theory, speculative realism, and systems theory. Such varied analytical and theoretical formations obviously diverge and disagree in many of their assumptions, objects, and methodologies. However, they all take up aspects of the nonhuman as critical to the future of twenty-first-century studies in the arts, humanities, and social sciences.

Unlike the posthuman turn, the nonhuman turn does not make a claim about teleology or progress in which we begin with the human and see a transformation from the human to the posthuman. Rather, the nonhuman turn insists (paraphrasing Bruno Latour) that “we have never been human,” that the human has always coevolved, coexisted, or collaborated with the nonhuman—and that the human is identified precisely by this indistinction from the nonhuman.

Contributors: Jane Bennett, Johns Hopkins U; Ian Bogost, Georgia Institute of Technology; Wendy Hui Kyong Chun, Brown U; Mark B. N. Hansen, Duke U; Erin Manning, Concordia U, Montreal; Brian Massumi, U of Montreal; Timothy Morton, Rice U; Steven Shaviro, Wayne State U; Rebekah Sheldon, Indiana U.

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cover of The Nonsense of Kant and Lewis Carroll: Unexpected Essays on Philosophy, Art, Life, and Death

The Nonsense of Kant and Lewis Carroll

Unexpected Essays on Philosophy, Art, Life, and Death

Ben-Ami Scharfstein

University of Chicago Press, 2014

What if Immanuel Kant floated down from his transcendental heights, straight through Alice’s rabbit hole, and into the fabulous world of Lewis Carroll? For Ben-Ami Scharfstein this is a wonderfully instructive scenario and the perfect way to begin this wide-ranging collection of decades of startlingly synthesized thought. Combining a deep knowledge of psychology, cultural anthropology, art history, and the history of religions—not to mention philosophy—he demonstrates again and again the unpredictability of writing and thought and how they can teach us about our experiences.
           
Scharfstein begins with essays on the nature of philosophy itself, moving from an autobiographical account of the trials of being a comparativist to philosophy’s function in the outside world to the fear of death in Kant and Hume. From there he explores an impressive array of art: from China and Japan to India and the West; from an essay on sadistic and masochistic body art to one on the epistemology of the deaf and the blind. He then returns to philosophy, writing on Machiavelli and political ruthlessness, then on the ineffable, and closes with a review of Walter Kaufmann’s multivolume look at the essence of humanity, Discovering the Mind. Altogether, these essays are a testament to adventurous thought, the kind that leaps to the furthest reaches of the possible.   
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cover of The Notion of the A Priori

The Notion of the A Priori

Mikel Dufrenne

Northwestern University Press, 2009

Originally published in 1966, this pivotal work of Mikel Dufrenne revises Kant’s notion of a priori, a concept previously given insufficient attention by philosophers, to realize a rich understanding that finally does justice to one of Kant’s most troubling cruxes. Following the Husserlian analytics of phenomenology, Dufrenne postulates a dualistic conception of the a priori as a structure that expresses itself outside the human subject, but also as a virtual knowledge that points to a philosophy of immediate apprehension or feeling. A friend of Paul Ricoeur, with whom he was detained as a prisoner of war during World War II, Dufrenne’s work until now has been sorely overlooked by American philosophers.

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cover of The Objective Eye: Color, Form, and Reality in the Theory of Art

The Objective Eye

Color, Form, and Reality in the Theory of Art

John Hyman

University of Chicago Press, 2006

“The longer you work, the more the mystery deepens of what appearance is, or how what is called appearance can be made in another medium."—Francis Bacon, painter
 
This, in a nutshell, is the central problem in the theory of art. It has fascinated philosophers from Plato to Wittgenstein. And it fascinates artists and art historians, who have always drawn extensively on philosophical ideas about language and representation, and on ideas about vision and the visible world that have deep philosophical roots.

John Hyman’s The Objective Eye is a radical treatment of this problem, deeply informed by the history of philosophy and science, but entirely fresh. The questions tackled here are fundamental ones: Is our experience of color an illusion? How does the metaphysical status of colors differ from that of shapes? What is the difference between a picture and a written text?  Why are some pictures said to be more realistic than others? Is it because they are especially truthful or, on the contrary, because they deceive the eye?
 
The Objective Eye explores the fundamental concepts we use constantly in our most innocent thoughts and conversations about art, as well as in the most sophisticated art theory.  The book progresses from pure philosophy to applied philosophy and ranges from the metaphysics of color to Renaissance perspective, from anatomy in ancient Greece to impressionism in nineteenth-century France. Philosophers, art historians, and students of the arts will find The Objective Eye challenging and absorbing.
 
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cover of The Obsolescence of the Human

The Obsolescence of the Human

Günther Anders

University of Minnesota Press, 2025

Now available in English—one of the twentieth century’s most important works on the philosophy of technology


With this first English translation of influential German philosopher Günther Anders’s 1956 masterpiece of critical theory, The Obsolescence of the Human, a new generation of readers can now engage with his prescient and haunting vision of a “world without us” dominated by technology.



Looking at technological events such as the detonation of the nuclear bomb and the arrival of televisions in our living rooms, Anders advances a warning of what humanity looks like in a world where it has surrendered all agency. He outlines the new emotional landscapes that shape our relationship to increasingly capable technology, including Promethean shame, the human sense of unease our own superior technological innovations can instill. Confronting the growing gap between what we can collectively create and what we can individually comprehend, Anders speculates on the trajectory of a developing technological world that rapidly exceeds our ability to control or even foresee its negative consequences.

 

The Obsolescence of the Human prefigures contemporary posthumanist discourse and is eerily predictive of current debates around automation, global warming, and artificial intelligence. Providing new ways to conceptualize the intersection of technology and emotion, it offers groundbreaking frameworks for future-oriented ethics. Radical in both its stylistic experimentation and its theoretical insights, this new translation presents a cautionary tale regarding the human capacity to usher in its own destruction.

 

 

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cover of The Old Regime and the Revolution, Volume I: The Complete Text

The Old Regime and the Revolution, Volume I

The Complete Text

Alexis de Tocqueville

University of Chicago Press, 1998

The Old Regime and the Revolution is Alexis de Tocqueville's great meditation on the origins and meanings of the French Revolution. One of the most profound and influential studies of this pivotal event, it remains a relevant and stimulating discussion of the problem of preserving individual and political freedom in the modern world. Alan Kahan's translation provides a faithful, readable rendering of Tocqueville's last masterpiece, and includes notes and variants which reveal Tocqueville's sources and include excerpts from his drafts and revisions. The introduction by France's most eminent scholars of Tocqueville and the French Revolution, Françoise Mélonio and the late François Furet, provides a brilliant analysis of the work.
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cover of The One Culture?: A Conversation about Science

The One Culture?

A Conversation about Science

Edited by Jay A. Labinger and Harry Collins

University of Chicago Press, 2001

So far the "Science Wars" have generated far more heat than light. Combatants from one or the other of what C. P. Snow famously called "the two cultures" (science versus the arts and humanities) have launched bitter attacks but have seldom engaged in constructive dialogue about the central issues. In The One Culture?, Jay A. Labinger and Harry Collins have gathered together some of the world's foremost scientists and sociologists of science to exchange opinions and ideas rather than insults. The contributors find surprising areas of broad agreement in a genuine conversation about science, its legitimacy and authority as a means of understanding the world, and whether science studies undermines the practice and findings of science and scientists.

The One Culture? is organized into three parts. The first consists of position papers written by scientists and sociologists of science, which were distributed to all the participants. The second presents commentaries on these papers, drawing out and discussing their central themes and arguments. In the third section, participants respond to these critiques, offering defenses, clarifications, and modifications of their positions.

Who can legitimately speak about science? What is the proper role of scientific knowledge? How should scientists interact with the rest of society in decision making? Because science occupies such a central position in the world today, such questions are vitally important. Although there are no simple solutions, The One Culture? does show the reader exactly what is at stake in the Science Wars, and provides a valuable framework for how to go about seeking the answers we so urgently need.

Contributors include:
Constance K. Barsky, Jean Bricmont, Harry Collins, Peter Dear, Jane
Gregory, Jay A. Labinger, Michael Lynch, N. David Mermin, Steve
Miller, Trevor Pinch, Peter R. Saulson, Steven Shapin, Alan Sokal,
Steven Weinberg, Kenneth G. Wilson
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cover of The One and Only Law: Walter Benjamin and the Second Commandment

The One and Only Law

Walter Benjamin and the Second Commandment

James R. Martel

University of Michigan Press, 2014

Walter Benjamin’s “Critique of Violence,” widely considered his final word on law, proposes that all manifestations of law are false stand-ins for divine principles of truth and justice that are no longer available to human beings. However, he also suggests that we must have law—we are held under a divine sanction that does not allow us to escape our responsibilities. James R. Martel argues that this paradox is resolved by considering that, for Benjamin, there is only one law that we must obey absolutely—the Second Commandment against idolatry. What remains of law when its false bases of authority are undermined would be a form of legal and political anarchism, quite unlike the current system of law based on consistency and precedent.

Martel engages with the ideas of key authors including Alain Badiou, Immanuel Kant, and H.L.A. Hart in order to revisit common contemporary assumptions about law. He reveals how, when treated in constellation with these authors, Benjamin offers a way for human beings to become responsible for their own law, thereby avoiding the false appearance of a secular legal practice that remains bound by occult theologies and fetishisms.
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cover of The One and the Many: Contemporary Collaborative Art in a Global Context

The One and the Many

Contemporary Collaborative Art in a Global Context

Grant H. Kester

Duke University Press, 2011

Collaborative and collective art practices have proliferated around the world over the past fifteen years. In The One and the Many, Grant H. Kester provides an overview of the broader continuum of collaborative art, ranging from the work of artists and groups widely celebrated in the mainstream art world, such as Thomas Hirschhorn, Superflex, Francis Alÿs, and Santiago Sierra, to the less-publicized projects of groups, such as Park Fiction in Hamburg, Networking and Initiatives for Culture and the Arts in Myanmar, Ala Plastica in Argentina, Huit Facettes in Senegal, and Dialogue in central India. The work of these groups often overlaps with the activities of NGOs, activists, and urban planners. Kester argues that these parallels are symptomatic of an important transition in contemporary art practice, as conventional notions of aesthetic autonomy are being redefined and renegotiated. He describes a shift from a concept of art as something envisioned beforehand by the artist and placed before the viewer, to the concept of art as a process of reciprocal creative labor. The One and the Many presents a critical framework that addresses the new forms of agency and identity mobilized by the process of collaborative production.
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cover of The One and the Others: Metaphysics, Poetry, and the Antinomies of Plato’s "Parmenides"

The One and the Others

Metaphysics, Poetry, and the Antinomies of Plato’s "Parmenides"

Andrew Cutrofello

Northwestern University Press, 2026

An original account of Western metaphysics based on Plato’s Parmenides

At the end of Plato’s Parmenides, Parmenides concludes that “whether ‘the One’ is or is not, it and ‘the Others’ both are and are not, and both appear and do not appear, all things in all ways.” Throughout the history of philosophy various attempts have been made to make sense of Plato’s puzzling dialectical exercise. In this ambitious book Andrew Cutrofello shows how Kant and Hegel extended it, how contemporary philosophers, including Graham Priest and Alain Badiou, have reinterpreted it, and how poets such as Dante, Shakespeare, Blake, Wordsworth, and Susan Howe have channeled it. What emerges is an original conception of the history of metaphysics as a series of antinomies, and of metaphysical poetry as a type of antinomianism.
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cover of The One by Whom Scandal Comes

The One by Whom Scandal Comes

René Girard (Translated by M. B. DeBevoise)

Michigan State University Press, 2014

“Why is there so much violence in our midst?” René Girard asks. “No question is more debated today. And none produces more disappointing answers.” In Girard’s mimetic theory it is the imitation of someone else’s desire that gives rise to conflict whenever the desired object cannot be shared. This mimetic rivalry, Girard argues, is responsible for the frequency and escalating intensity of human conflict. For Girard, human conflict comes not from the loss of reciprocity between humans but from the transition, imperceptible at first but then ever more rapid, from good to bad reciprocity. In this landmark text, Girard continues his study of violence in light of geopolitical competition, focusing on the roots and outcomes of violence across societies latent in the process of globalization. The volume concludes in a wide-ranging interview with the Sicilian cultural theorist Maria Stella Barberi, where Girard’s twenty-first century emphases on the continuity of all religions, global conflict, and the necessity of apocalyptic thinking emerge.
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cover of The Ontology of Becoming and the Ethics of Particularity

The Ontology of Becoming and the Ethics of Particularity

M. C. Dillon

Ohio University Press, 2012

M. C. Dillon (1938–2005) was widely regarded as a world-leading Merleau-Ponty scholar. His book Merleau-Ponty’s Ontology (1988) is recognized as a classic text that revolutionized the philosophical conversation about the great French phenomenologist. Dillon followed that book with two others: Semiological Reductionism, a critique of early-1990s linguistic reductionism, and Beyond Romance, a richly developed theory of love. At the time of his death, Dillon had nearly completed two further books to which he was passionately committed. The first one offers a highly original interpretation of Nietzsche’s ontology of becoming. The second offers a detailed ethical theory based on Merleau-Ponty’s account of carnal intersubjectivity. The Ontology of Becoming and the Ethics of Particularity collects these two manuscripts written by a distinguished philosopher at the peak of his powers—manuscripts that, taken together, offer a distinctive and powerful view of human life and ethical relations.

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cover of The Open-Ended City: David Dillon on Texas Architecture

The Open-Ended City

David Dillon on Texas Architecture

By Kathryn E. Holliday; foreword by Robert Decherd

University of Texas Press, 2019

Texas Historical Commission Award of Excellence in Media Achievement, Texas Historical Commission

In 1980, David Dillon launched his career as an architectural critic with a provocative article that asked “Why Is Dallas Architecture So Bad?” Over the next quarter century, he offered readers of the Dallas Morning News a vision of how good architecture and planning could improve quality of life, combatting the negative effects of urban sprawl, civic fragmentation, and rapacious real estate development typical in Texas cities. The Open-Ended City gathers more than sixty key articles that helped establish Dillon’s national reputation as a witty and acerbic critic, showing readers why architecture matters and how it can enrich their lives.

Kathryn E. Holliday discusses how Dillon connected culture, commerce, history, and public life in ways that few columnists and reporters ever get the opportunity to do. The articles she includes touch on major themes that animated Dillon’s writing: downtown redevelopment, suburban sprawl, arts and culture, historic preservation, and the necessity of aesthetic quality in architecture as a baseline for thriving communities. While the specifics of these articles will resonate with those who care about Dallas, Fort Worth, and other Texas cities, they are also deeply relevant to all architects, urbanists, and citizens who engage in the public life and planning of cities. As a collection, The Open-Ended City persuasively demonstrates how a discerning critic helped to shape a landmark city by shaping the conversation about its architecture.

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cover of The Opening of the American Mind: Ten Years of The Point

The Opening of the American Mind

Ten Years of The Point

The Point

University of Chicago Press, 2020

In a cultural landscape dominated by hot takes and petty polemics, The Point stands for something different. Informed by the conviction that humanistic thinking has relevance for everyday life, the magazine has long maintained a rare space for thoughtful dialogue between a wide range of political views, philosophical perspectives, and personal experiences: its contributors include liberals and conservatives, philosophers and activists, Marxists and Catholics, New Yorkers and Midwesterners. A little more than a decade since its founding on the campus of the University of Chicago, it offers a unique and revelatory look at the changing face of America, one that speaks not only to way American minds have been forced to “open” by a decade of trauma and transformation, but also to the challenge of remaining open to our fellow citizens during our deeply divided present.

Featuring award-winning and highly acclaimed essays from The Point’s first ten years, The Opening of the American Mind traces the path of American intellect from the magazine’s inception in 2009, when Barack Obama was ascending the steps of the White House, to the brink of the 2020 election. The essays, chosen both for the way they capture their time and transcend it, are assembled into five sections that address cycles of cultural frustrations, social movements, and the aftermath of the 2016 election, and provide lively, forward-looking considerations of how we might expand our imaginations into the future. Spanning the era of Obama and Trump, Occupy Wall Street and Black Lives Matter, #MeToo and renewed attention to reparations, this anthology offers critical reflections on some of the decade’s most influential events and stands as a testament to the significance of open exchange. The intellectual dialogue provided by The Point has never been more urgently needed, and this collection will bring the magazine’s vital work to an even broader readership.
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cover of The Organism Is a Theory: Giuseppe Longo on Biology, Mathematics, and AI

The Organism Is a Theory

Giuseppe Longo on Biology, Mathematics, and AI

Giuseppe Longo

University of Minnesota Press, 2026

A bold reimagining of life that bridges science, philosophy, cybernetics, and the complexities of biological existence
 

The Organism Is a Theory is an intriguing synthesis of decades of interdisciplinary research by eminent mathematician and biological scientist Giuseppe Longo. A unique collaboration between Longo and philosopher of technology Adam Nocek, the volume confronts foundational issues in the history of mathematics, computer science, physics, and theoretical biology.

 

Challenging conventional approaches that apply computational and formalist models to the biological world, Longo reveals how the limitations of these models hinder the understanding of organismic complexity, development, and evolution. Through a critique of dominant scientific paradigms, he emphasizes the need for a new biological theory that accounts for the temporal and spatial intricacies of life. Enhanced by Nocek’s comprehensive introduction and a fascinating three-part interview with Longo, The Organism Is a Theory offers a bold rethinking of the biosciences, integrating the work of Alan Turing, Bernhard Riemann, Henri Poincaré, Kurt Gödel, and others into Longo’s vision of critical biology.

 

Bridging scientific and philosophical discourses, this book creatively applies insights from mathematics, physics, and computing into the study of the organism to present a new theoretical approach to understanding biological complexity that resists reductive mechanistic and informatic explanations.

 

 

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cover of The Origins Of Postcommunist Elites: From Prague Spring To The Breakup Of Czechoslovakia

The Origins Of Postcommunist Elites

From Prague Spring To The Breakup Of Czechoslovakia

Gil Eyal

University of Minnesota Press, 2003

How is it that Czechoslovakia’s separation into two countries in 1993 was accomplished so peacefully—especially when compared with the experiences of its neighbors Russia and Yugoslavia? This book provides a sociological answer to this question—and an empirical explanation for the breakup of Czechoslovakia—by tracing the political processes begun in the Prague Spring of 1968.

Gil Eyal’s main argument is that Czechoslovakia’s breakup was caused by a struggle between two fractions of what sociologists call the “new class,” which consisted primarily of intellectuals and technocrats. Focusing on the process of polarization that created these two distinct political elites, Eyal shows how, in response to the events of the ill-fated Prague Spring, Czech and Slovak members of the “new class” embarked on divergent paths and developed radically different, even opposed, identities, worldviews, and interests. Unlike most accounts of postcommunist nationalist conflict, this book suggests that what bound together each of these fractions—and what differentiated each from the other—were not national identities and nationalist sentiments per se, but their distinctive visions of the social role of intellectuals.

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cover of The Origins of Modern Environmental Thought

The Origins of Modern Environmental Thought

J. Edward de Steiguer

University of Arizona Press, 2006

The Origins of Modern Environmental Thought provides readers with a concise and lively introduction to the seminal thinkers who created the modern environmental movement and inspired activism and policy change. Beginning with a brief overview of the works of Thoreau, Mill, Malthus, Leopold, and others, de Steiguer examines some of the earliest philosophies that underlie the field. He then describes major socioeconomic factors in post–World War II America that created the milieu in which the modern environmental movement began, with the publication of Rachel Carson’s Silent Spring. The following chapters offer summaries and critical reviews of landmark works by scholars who helped shape and define modern environmentalism.

Among others, de Steiguer examines works by Barry Commoner, Paul Ehrlich, Kenneth Boulding, Garrett Hardin, Herman Daly, and Arne Naess. He describes the growth of the environmental movement from 1962 to 1973 and explains a number of factors that led to a decline in environmental interest during the mid-1970s. He then reveals changes in environmental awareness in the 1980s and concludes with commentary on the movement through 2004. Updated and revised from The Age of Environmentalism, this expanded edition includes three new chapters on Stewart Udall, Roderick Nash, and E. F. Schumacher, as well as a new concluding chapter, bibliography, and updated material throughout. This primer on the history and development of environmental consciousness and the many modern scholars who have shaped the movement will be useful to students in all branches of environmental studies and philosophy, as well as biology, economics, and physics.
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cover of The Origins of Self: An Anthropological Perspective

The Origins of Self

An Anthropological Perspective

Martin P. J. Edwardes

University College London, 2019

The Origins of Self explores the role selfhood plays in defining both human society and each individual in that society. It considers the genetic and cultural origins of self, the role that self plays in socialization and language, and the types of selves we generate in our individual journeys to and through adulthood. Martin P. J. Edwardes argues that other-awareness is a relatively early evolutionary development, present throughout the primate clade and perhaps beyond, but self-awareness is a product of the sharing of social models, something only humans appear to do. The self of which we are aware is not something innate within us, it is a model of our self produced as a response to the models of us offered to us by other people. Edwardes proposes that human construction of selfhood involves seven different types of self. All but one of them are internally generated models, and the only nonmodel, the actual self, is completely hidden from conscious awareness. We rely on others to tell us about our self, and even to let us know we are a self. Developed in relation to a range of subject areas—linguistics, anthropology, genomics, and cognition, as well as sociocultural theory—The Origins of Self is of particular interest to students and researchers studying the origins of language, human origins in general, and the cognitive differences between human and other animal psychologies.
 
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cover of The Origins of the Philosophy of Symbolic Forms: Kant, Hegel, and Cassirer

The Origins of the Philosophy of Symbolic Forms

Kant, Hegel, and Cassirer

Donald Phillip Verene

Northwestern University Press, 2012

The Origins of the Philosophy of Symbolic Forms marks the culmination of Donald Phillip Verene’s work on Ernst Cassirer and heralds a major step forward in the critical work on the twentieth-century philosopher. Verene argues that Cassirer’s philosophy of symbolic forms cannot be understood apart from a dialectic between the Kantian and Hegelian philosophy that lies within it. 

Verene takes as his departure point that Cassirer never wishes to argue Kant over Hegel. Instead he takes from each what he needs, realizing that philosophical idealism itself did not stop with Kant but developed to Hegel, and that much of what remains problematic in Kantian philosophy finds particular solutions in Hegel’s philosophy. Cassirer never replaces transcendental reflection with dialectical speculation, but he does transfer dialectic from a logic of illusion, that is, the form of thinking beyond experience as Kant conceives it in the Critique of Pure Reason, to a logic of consciousness as Hegel employs it in the Phenomenology of Spirit. Cassirer rejects Kant’s thing-in-itself but he also rejects Hegel’s Absolute as well as Hegel’s conception of Aufhebung. Kant and Hegel remain the two main characters on his stage, but they are accompanied by a large secondary cast, with Goethe in the foreground. Cassirer not only contributes to Goethe scholarship, but in Goethe he finds crucial language to communicate his assertions. Verene introduces us to the originality of Cassirer’s philosophy so that we may find access to the riches it contains.
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cover of The Other Emerson

The Other Emerson

Branka Arsic

University of Minnesota Press, 2010

Ralph Waldo Emerson is one of the most significant figures in nineteenth-century American literature and culture-indeed, this collection argues, in the history of philosophy. The Other Emerson is a thorough reassessment of the philosophical underpinnings, theoretical innovations, and ethical and political implications of the prose writings of one of America's most enduring thinkers.

Considering Emerson first and foremost as a daring and original thinker, The Other Emerson focuses on three Emersonian subjects-subjectivity, the political, and the nature of philosophy-and range in topic from Emerson's relationships to slavery and mourning to his place in the development of Romanticism as reread by contemporary systems theory. It is Emerson's appreciation of truth's instability that link him to the European philosophical tradition.

Contributors: Eduardo Cadava, Princeton U; Sharon Cameron, Johns Hopkins U; Russell B. Goodman, U of New Mexico; Paul Grimstad, Yale U; Eric Keenaghan, U at Albany, SUNY; Gregg Lambert, Syracuse U; Sandra Laugier, Université de Picardie Jules Verne; Donald Pease, Dartmouth College.
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cover of The Other Renaissance: Italian Humanism between Hegel and Heidegger

The Other Renaissance

Italian Humanism between Hegel and Heidegger

Rocco Rubini

University of Chicago Press, 2014

A natural heir of the Renaissance and once tightly conjoined to its study, continental philosophy broke from Renaissance studies around the time of World War II. In The Other Renaissance, Rocco Rubini achieves what many have attempted to do since: bring them back together. Telling the story of modern Italian philosophy through the lens of Renaissance scholarship, he recovers a strand of philosophic history that sought to reactivate the humanist ideals of the Renaissance, even as philosophy elsewhere progressed toward decidedly antihumanist sentiments.
           
Bookended by Giambattista Vico and Antonio Gramsci, this strand of Renaissance-influenced philosophy rose in reaction to the major revolutions of the time in Italy, such as national unity, fascism, and democracy. Exploring the ways its thinkers critically assimilated the thought of their northern counterparts, Rubini uncovers new possibilities in our intellectual history: that antihumanism could have been forestalled, and that our postmodern condition could have been entirely different. In doing so, he offers an important new way of thinking about the origins of modernity, one that renews a trust in human dignity and the Western legacy as a whole.
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cover of The Other Side of Empathy

The Other Side of Empathy

Jade E. Davis

Duke University Press, 2023

In The Other Side of Empathy, Jade E. Davis contests the value of empathy as an affective or critical tool. Whether focusing on technology, colonialism, or racism, she shows how empathy can obscure relationships of dominance, control, submission, and victimization, arguing that these histories taint the whole concept of empathy. Drawing on digital archives of photographs, memoirs, newspapers, interviews, and advertisements regarding nineteenth-century ethnographic museums and human zoos, Davis shows how empathetic responses erase culpabilities from those institutions that commodify difference. She also contends that empathy’s mediation through digital technology cannot lead to more ethical actions, as technology only connects representations of people rather than the people themselves. In empathy’s place, Davis proposes mutual recognition as a way to see and experience others beyond colonial modes of empathy. Davis illustrates that moving beyond empathy allows for a more nuanced understanding of the colonial past and its ongoing impact while providing for a more meaningful affective engagement with the world.
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cover of The Other Side of the Digital: The Sacrificial Economy of New Media

The Other Side of the Digital

The Sacrificial Economy of New Media

Andrea Righi

University of Minnesota Press, 2021

A necessary, rich new examination of how the wired world affects our humanity

Our tech-fueled economy is often touted as a boon for the development of our fullest human potential. But as our interactions are increasingly turned into mountains of data sifted by algorithms, what impact does this infinite accumulation and circulation of information really have on us? What are the hidden mechanisms that drive our continuous engagement with the digital?

In The Other Side of the Digital, Andrea Righi argues that the Other of the digital acts as a new secular God, exerting its power through endless accountability that forces us to sacrifice ourselves for the digital. Righi deconstructs the contradictions inherent in our digital world, examining how ideas of knowledge, desire, writing, temporality, and the woman are being reconfigured by our sacrificial economy. His analyses include how both our self-image and our perception of reality are skewed by technologies like fitness bands, matchmaking apps, and search engines, among others.

The Other Side of the Digital provides a necessary, in-depth cultural analysis of how the political theology of the new media functions under neoliberalism. Drawing on the work of well-known thinkers like Jacques Derrida, Jacques Lacan, and Ludwig Wittgenstein, as well as Carla Lonzi, Luisa Muraro, and Luciano Parinetto, Righi creates novel appraisals of popular digital tools that we now use routinely to process life experiences. Asking why we must sign up for this sort of regime, The Other Side of the Digital is an important wake-up call to a world deeply entangled with the digital.

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cover of The Otherness of Self: A Genealogy of Self in Contemporary China

The Otherness of Self

A Genealogy of Self in Contemporary China

Xin Liu

University of Michigan Press, 2002

An exploration of the conflict between traditional Chinese ideology and modern Chinese business practice
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cover of The Panopticon Versus "New South Wales" and Other Writings on Australia

The Panopticon Versus "New South Wales" and Other Writings on Australia

Tim Causer and Philip Schofield

University College London, 2021

Jeremy Bentham’s writings on Australian governance and colonization.
 
Jeremy Bentham conceived the panopticon, in part, as an alternative to criminal transportation to Australia. This latest volume in The Collected Works of Jeremy Bentham series draws out these connections by collecting both Bentham’s fragmentary and extended comments on Australian governance and colonization. These writings include a fragment headed “New Wales” (1792) correspondence with William Wilberforce (1802), three letters to Lord Pelham (1802), a “Plea for the Constitution” (1802–3), and “Colonization Company Proposal” (1831)—the majority published here for the first time. Although Bentham’s most famous ideas emerged from his opposition to colonization, these writings demonstrate how the reformer became a vocal advocate for settler colonization near the end of his life.
 
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cover of The Paradisiacs: Last Kingdom IV

The Paradisiacs

Last Kingdom IV

Pascal Quignard

Seagull Books, 2025

Pascal Quignard delves into the uncanny bond between recognition and loss, outlining how our earliest experiences shape our longing for a paradise we can never reclaim.

What if paradise was not a place we lost, but one we never truly knew? In Paradisiacs, the fourth volume of the Last Kingdom series, Pascal Quignard meditates on the nature of paradise—not as an Eden to which we might return, but as a place of origin that lingers in myth. Through his signature blend of ancient texts, Paleolithic art, psychoanalysis, and personal reflection, Quignard explores our primal longing for recognition. He traces this yearning back to the erstwhile, a prenatal paradise from which we are expelled at birth, and examines how resemblance and recognition shape our identities.

At once poetic and philosophical, Paradisiacs invites readers into Quignard’s singular world, where language and history coalesce into a profound rumination on the origins of selfhood. With John Taylor’s masterly translation, this latest installment of Last Kingdom is a hypnotic and revelatory reading experience for those drawn to the intersections of philosophy and the ineffable.
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cover of The Paradox of Democracy: Free Speech, Open Media, and Perilous Persuasion

The Paradox of Democracy

Free Speech, Open Media, and Perilous Persuasion

Zac Gershberg and Sean Illing

University of Chicago Press, 2022

A thought-provoking history of communications that challenges ideas about freedom of speech and democracy.

At the heart of democracy lies a contradiction that cannot be resolved, one that has affected free societies since their advent: Though freedom of speech and media has always been a necessary condition of democracy, that very freedom is also its greatest threat. When new forms of communication arrive, they often bolster the practices of democratic politics. But the more accessible the media of a society, the more susceptible that society is to demagoguery, distraction, and spectacle. Tracing the history of media disruption and the various responses to it over time, Zac Gershberg and Sean Illing reveal how these changes have challenged democracy—often with unsettling effects. 

The Paradox of Democracy captures the deep connection between communication and political culture, from the ancient art of rhetoric and the revolutionary role of newspapers to liberal broadcast media and the toxic misinformation of the digital public sphere. With clear-eyed analysis, Gershberg and Illing show that our contemporary debates over media, populism, and cancel culture are not too different from the democratic cultural experiences of the past. As we grapple with a fast-changing, hyper-digital world, they prove democracy is always perched precipitously on a razor’s edge, now as ever before.
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cover of The Paradoxes of Unintended Consequences

The Paradoxes of Unintended Consequences

István Rév

Central European University Press, 2000

This volume of essays is dedicated to George Soros in honor of his seventieth birthday. The authors come from the different but intersecting worlds of academia, politics and business. The editors have chosen the title The Paradoxes of Unintended Consequences to encourage the contributors to adopt a dialogue-oriented approach and in reference to the example of Giordano Bruno, who was burnt at the stake 400 years ago for holding heretic views which were probably far more backward than the views of those condemning him. The idea behind this approach was that any complex social process or political attempt to change the lives of people will have unintended consequences, usually paradoxical ones. These consequences should force us to reconsider our original theory. The volume also contains a short biography of George Soros and a list of his published works and philanthropic initiatives
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cover of The Past in Ruins: Tradition and the Critique of Modernity

The Past in Ruins

Tradition and the Critique of Modernity

David Gross

University of Massachusetts Press, 1992

What is the fate of tradition in the modern world? Once a viral source of social cohesion and continuity, many traditions in the West today seem to have been undermined or to have disappeared altogether. Some observers regard this erosion of past values and practices as a disaster, the root cause of contemporary spiritual and social decay. Others see the same phenomenon as emancipatory, making possible new ways of living and new modes of cultural expression. 

The Past in Ruins engages and extends this debate beyond these two perspectives. Neither a nostalgic lament for a “world we have lost” nor a celebration of the decline of tradition, the book offers a description of what has disappeared and why, an appraisal of what has survived and how, and a discussion of what to do with tradition now that it no longer serves the integrative function it once did. 

In David Gross’s view, the collapse of tradition, though real, can easily be exaggerated. Many traditions have survived at the margins of social life; others have been reconstituted in new forms, or have persisted as “fragments” or “residues.” Yet, though vestiges of tradition remain, they have come to represent something strange or “other.” According to Gross, it is precisely this quality of otherness that makes tradition especially valuable, for today tradition can do what it has rarely done before. It can disturb and unsettle, it can force us to rethink the “givens” of modern life, and it can reconnect us with many of the past’s “lost” or undeveloped possibilities.

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cover of The Path of Desire: Living Tantra in Northeast India

The Path of Desire

Living Tantra in Northeast India

Hugh B. Urban

University of Chicago Press, 2024

A provocative study of contemporary Tantra as a dynamic living tradition.
 
Tantra, one of the most important religious currents in South Asia, is often misrepresented as little more than ritualized sex. Through a mixture of ethnography and history, Hugh B. Urban reveals a dynamic living tradition behind the sensationalist stories. Urban shows that Tantric desire goes beyond the erotic, encompassing such quotidian experiences as childbearing and healing. He traces these holistic desires through a series of unique practices: institutional Tantra centered on gurus and esoteric rituals; public Tantra marked by performance and festival; folk Tantra focused on magic and personal well-being; and popular Tantra imagined in fiction, film, and digital media. The result is a provocative new description of Hindu Tantra that challenges us to approach religion as something always entwined with politics and culture, thoroughly entangled with ordinary needs and desires.
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cover of The Pedagogical Contract: The Economies of Teaching and Learning in the Ancient World

The Pedagogical Contract

The Economies of Teaching and Learning in the Ancient World

Yun Lee Too

University of Michigan Press, 2000

The Pedagogical Contract explores the relationship between teacher and student and argues for ways of reconceiving pedagogy. It discloses this relationship as one that since antiquity has been regarded as a scene of give-and-take, where the teacher exchanges knowledge for some sort of payment by the student and where pedagogy always runs the risk of becoming a broken contract. The book seeks to liberate teaching and learning from this historical scene and the anxieties that it engenders, arguing that there are alternative ways of conceiving the economy underlying pedagogical activities.
Reading ancient material together with contemporary representations of teaching and learning, Yun Lee Too shows that apart from being conceived as a scene of self-interest in which a professional teacher, or sophist, is the charlatan who cheats his pupil, pedagogy might also purport to be a disinterested process of socialization or a scene in which lack and neediness are redeemed through the realization that they are required precisely to stimulate the desire to learn. The author also argues that pedagogy ideally ignores the imperative of the conventional marketplace for relevance, utility, and productivity, inasmuch as teaching and learning most enrich a community when they disregard the immediate material concerns of the community.
The book will appeal to all those who understand scholarship as having an important social and/or political role to play; it will also be of interest to literary scholars, literary and cultural theorists, philosophers, historians, legal theorists, feminists, scholars of education, sociologists, and political theorists.
Yun Lee Too is Assistant Professor of Classics, Columbia University. She is the author of Rethinking Sexual Harassment;The Rhetoric of Identity in Socrates: Text, Power, Pedagogy; and The Idea of Ancient Literary Criticism, forthcoming; and coeditor, with Niall Livingstone, of Pedagogy and Power: Rhetorics of Classical Learning.
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cover of The Pedagogy of Wisdom: An Interpretation of Plato's Theaetetus

The Pedagogy of Wisdom

An Interpretation of Plato's Theaetetus

Gregory Kirk

Northwestern University Press, 2015

In this interpretive commentary on Theaetetus, Gregory Kirk makes a major con­tribution to scholarship on Plato by emphasizing the relevance of the interpersonal dynamics between the interlocutors for the interpretation of the dialogue’s central arguments about knowledge. Kirk attends closely to the personalities of the partici­pants in the dialogue, focusing especially on the unique demands faced by a stu­dent—in this case, Theaetetus—and the ways in which one can embrace or deflect the responsibilities of learning. Kirk’s approach gives equal consideration to the dual demands of dramatic interpretation and philosophical argument that constitute the unique character of the Platonic text, and he develops an original interpretation of the Theaetetus, concluding that the uncertainty that characterizes wisdom supersedes the certainty of knowledge.

 

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cover of The Pensive Image: Art as a Form of Thinking

The Pensive Image

Art as a Form of Thinking

Hanneke Grootenboer

University of Chicago Press, 2020

Grootenboer considers painting as a form of thinking in itself, rather than a subject of philosophical and interpretive thought.
 
While the philosophical dimension of painting has long been discussed, a clear case for painting as a form of visual thinking has yet to be made. Traditionally, vanitas still life paintings are considered to raise ontological issues while landscapes direct the mind toward introspection. Grootenboer moves beyond these considerations to focus on what remains unspoken in painting, the implicit and inexpressible that manifests in a quality she calls pensiveness. Different from self-aware or actively desiring images, pensive images are speculative, pointing beyond interpretation. An alternative pictorial category, pensive images stir us away from interpretation and toward a state of suspension where thinking through and with the image can start.

In fluid prose, Grootenboer explores various modalities of visual thinking— as the location where thought should be found, as a refuge enabling reflection, and as an encounter that provokes thought. Through these considerations, she demonstrates that artworks serve as models for thought as much as they act as instruments through which thinking can take place. Starting from the premise that painting is itself a type of thinking, The Pensive Image argues that art is capable of forming thoughts and shaping concepts in visual terms.

 
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cover of The People's Princes: Machiavelli, Leadership, and Liberty

The People's Princes

Machiavelli, Leadership, and Liberty

John P. McCormick

University of Chicago Press, 2025

A new window into Machiavelli’s idea of virtuous leadership and the appropriate relationship among leaders, common citizens, and elites.

For more than a decade, John P. McCormick has been at the forefront of a new wave of scholarship that reveals the anti-elitist and democratic commitments at the center of Niccolo Machiavelli’s political thought. In The People’s Princes, McCormick turns his attention to Machiavelli’s conception of virtuous leadership and Machiavelli’s views on the appropriate relationships among individual leaders, common citizens, and elites.

While most people think of Machiavelli as a cynical advisor of tyrants—a man who counseled leaders to aggrandize themselves, by any means necessary, at the expense of their subjects and citizens—The People’s Princes fundamentally challenges this understanding. Drawing from Machiavelli’s major political works a normative standard for leadership that emphasizes the mutually reinforcing relationship of civic leadership and popular government, McCormick delineates Machiavelli’s method of “political exemplarity” by analyzing in detail the Florentine’s case studies of leaders and their interactions with populaces throughout ancient and modern history.

McCormick argues that Machiavelli suggests that civic leaders should enhance their reputations by providing for their own eventual obsolescence; specifically, they should establish institutional means through which common citizens rule themselves more directly and substantively. The People’s Princes invites readers to consider Machiavelli anew, and also reflect on insights that remain relevant in the twenty-first century amidst growing concerns that political leaders are not accountable or responsive to popular majorities.

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cover of The Performance Apparatus: On Ideological Production of Behaviors

The Performance Apparatus

On Ideological Production of Behaviors

Branislav Jakovljevic

University of Michigan Press, 2025

The publication of Louis Althusser’s 1969 article “Ideology and Ideological State Apparatuses,” made a deep impact on cultural studies and was instrumental in the formation of the apparatus theory in film studies. While contemporaneous with the emergence of performance art, this article and the questions of ideology and apparatus it raises barely registered in the field of performance studies, which was then in its formative phase. Jakovljević takes this absence of Althusser’s apparatus theory from performance studies as an indicator of the ideological position of the field at the moment of its emergence, arguing that, while theories of ideology played no major role in early performance studies, performance art itself offered a number of incisive critiques of ideology. Jakovljević looks at permutations of the apparatus by investigating the work of theorists such as Louis Althusser, Michel Foucault, Gilles Deleuze, and Judith Butler, and engagements with the apparatus by a number of artists, such as Amiri Baraka, Philippe Thomas, New York Art & Language, Terry Fox, Every house has a door, Clive Robertson, and Cassils.
 
Jakovljević suggests that the centrality of behavior in early performance theory is important for the understanding of contemporary society, which is dominated by surveillance capitalism. If ideology is lodged in behaviors, and if surveillance capitalism thrives on the monetization of the behavioral surplus, then performance theory can make significant contributions to our understanding of the moment in which we live and the future we are facing. The Performance Apparatus argues for the importance of continuing attention to the question of ideology in contemporary, neoliberal order.
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cover of The Perils of Global Legalism

The Perils of Global Legalism

Eric A. Posner

University of Chicago Press, 2009

The first months of the Obama administration have led to expectations, both in the United States and abroad, that in the coming years America will increasingly promote the international rule of law—a position that many believe is both ethically necessary and in the nation’s best interests.

With The Perils of Global Legalism, Eric A. Posner explains that such views demonstrate a dangerously naive tendency toward legalism—an idealistic belief that law can be effective even in the absence of legitimate institutions of governance. After tracing the historical roots of the concept, Posner carefully lays out the many illusions—such as universalism, sovereign equality, and the possibility of disinterested judgment by politically unaccountable officials—on which the legalistic view is founded. Drawing on such examples as NATO’s invasion of Serbia, attempts to ban the use of land mines, and the free-trade provisions of the WTO, Posner demonstrates throughout that the weaknesses of international law confound legalist ambitions—and that whatever their professed commitments, all nations stand ready to dispense with international agreements when it suits their short- or long-term interests.

Provocative and sure to be controversial, The Perils of Global Legalism will serve as a wake-up call for those who view global legalism as a panacea—and a reminder that international relations in a brutal world allow no room for illusions.

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cover of The Personalism of Edith Stein: A Synthesis of Thomism and Phenomenology

The Personalism of Edith Stein

A Synthesis of Thomism and Phenomenology

Robert McNamara

Catholic University of America Press, 2023

Edith Stein’s life and thought intersect with many important movements of life and thought in the twentieth century. Through her life and eventual martyrdom, she gave witness to the primacy of truth and faith in the face of political totalitarianism, and in her philosophical works, she contributed to a synthesis of phenomenological thought with the thought of Aquinas, while also progressively advancing a compelling form of philosophical personalism. As a result, Stein represents one of the most important Catholic thinkers of the twentieth century and is a figure of growing fascination and devotion among believers and nonbelievers alike. The Personalism of Edith Stein is an investigation of Stein’s mature philosophical anthropology, exploring her engagement with the thought of Aquinas and Thomism while maintaining the phenomenological mode of investigation. Through a careful examination of Stein’s later works under the themes of human nature, the human individual, and the human being’s relation to God, McNamara shows that Stein’s mature personalism is considerably expanded and substantiated by her assimilation of key anthropological and metaphysical teachings of Aquinas and Thomism, and, conversely, that Stein significantly develops and deepens these same teachings through a phenomenological reconsideration of each from a personalist perspective. As a whole, the study reveals the profound accord between Stein’s mature thought and the received teachings of Aquinas, while yet carefully attending to the remaining differences between them. Ultimately, the author proposes that Stein imbues the teachings of Aquinas with a fundamental personalization such that her mature anthropology can be understood as a Thomistically informed personalism that represents a significant, original contribution to the anthropological dimension of the philosophia perennis.
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cover of The Personality of Power: A Theory of Fascism for Anti-fascist Life

The Personality of Power

A Theory of Fascism for Anti-fascist Life

Brian Massumi

Duke University Press, 2025

“I am the Chosen One!” With this exclamation Donald Trump crowns the national exceptionalism his base upholds with a claim of personal exceptionalism. He leaves no doubt as to the emotional note: “I am your vengeance!” He personifies reaction for the masses. Except, in today’s microsegmented social media environment the “masses” no longer exist. Fascism’s cultural conditions have shifted. In The Personality of Power, Brian Massumi retheorizes the conditions of contemporary fascism through the prism of Trump’s persona. Older theories based on identification of the masses with a charismatic leader no longer hold. Rather, an affective regime of reaction agitates bodies and orients lives at the molecular level. Massumi examines this agitation in relation to race, gender, personhood, and conspiracy thinking. The Personality of Power is a political treatise on fascism and its precursor movements, coupled with a philosophical inquiry into becoming reactionary as a collective process. Massumi calls the very concept of the person into question, asking what collective personhood means concretely. Nothing less than an alternative political logic is needed, turned to the task of thinking collective individuation.
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cover of The Perspective of Morality: Philosophical Foundations of Thomistic Virtue Ethics

The Perspective of Morality

Philosophical Foundations of Thomistic Virtue Ethics

Martin Rhonheimer

Catholic University of America Press, 2011

The Perspective of the Acting Person introduces readers to one of the most important and provocative thinkers in contemporary moral philosophy
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cover of The Perspective of the Acting Person: Essays in the Renewal of Thomistic Moral Philosophy

The Perspective of the Acting Person

Essays in the Renewal of Thomistic Moral Philosophy

Martin Rhonheimer

Catholic University of America Press, 2008

The Perspective of the Acting Person introduces readers to one of the most important and provocative thinkers in contemporary moral philosophy
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cover of The Phaedo: A Platonic Labyrinth and On Plato’s Euthyphro: New Edition

The Phaedo

A Platonic Labyrinth and On Plato’s Euthyphro: New Edition

Ronna Burger

St. Augustine's Press, 2023

Since antiquity the Phaedo has been considered the source of “the twin pillars of Platonism” – the theory of ideas and the immortality of the soul. Tracing the movement of the argument through the work as a whole, Burger is led to a radical rethinking of those doctrines. That movement is indicated by the structure of the dialogue, divided in two halves by a central interlude in which Socrates warns against the great danger of “misology,” loss of trust in human reason.  The discussion that follows, with that danger in mind, brings about a transformation in the understanding of knowledge, the ideas, the soul, death, and immortality. With this "second sailing," as Socrates calls it, the Platonism presented in the Phaedo emerges as precisely the target of which the dialogue is a critique.

This revised and expanded edition includes a new Preface, “The Death of Socrates and the Post-Socratic Schools,” and an essay, “On Plato's Euthyphro.”

“This is a comprehensive study of the Phaedo, thoroughly researched, and sparkling with insights into the text.” – Paul Woodruff, University of Texas

“Burger has a wonderfully fertile mind and supports her imaginative thesis with a close reading, extremely sensitive to nuance.” – Jerome Schiller, The Journal of the History of Philosophy 1986

"On Plato's Euthyphro" presents a more thoughtful and careful analysis of the dialogue than any previous full-length commentary. -- Lewis Fallis, Interpretation 2016
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cover of The Phantom of the Ego: Modernism and the Mimetic Unconscious

The Phantom of the Ego

Modernism and the Mimetic Unconscious

Nidesh Lawtoo

Michigan State University Press, 2013

The Phantom of the Ego is the first comparative study that shows how the modernist account of the unconscious anticipates contemporary discoveries about the importance of mimesis in the formation of subjectivity. Rather than beginning with Sigmund Freud as the father of modernism, Nidesh Lawtoo starts with Friedrich Nietzsche’s antimetaphysical diagnostic of the ego, his realization that mimetic reflexes—from sympathy to hypnosis, to contagion, to crowd behavior—move the soul, and his insistence that psychology informs philosophical reflection. Through a transdisciplinary, comparative reading of landmark modernist authors like Nietzsche, Joseph Conrad, D. H. Lawrence, and Georges Bataille, Lawtoo shows that, before being a timely empirical discovery, the “mimetic unconscious” emerged from an untimely current in literary and philosophical modernism. This book traces the psychological, ethical, political, and cultural implications of the realization that the modern ego is born out of the spirit of imitation; it is thus, strictly speaking, not an ego, but what Nietzsche calls, “a phantom of the ego.” The Phantom of the Ego opens up a Nietzschean back door to the unconscious that has mimesis rather than dreams as its via regia, and argues that the modernist account of the “mimetic unconscious” makes our understanding of the psyche new.

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cover of The Phenomenological Study of Religion: Key Texts and Sources

The Phenomenological Study of Religion

Key Texts and Sources

Christina M. Gschwandtner

Northwestern University Press, 2026

Presenting a wide-ranging selection of works and commentary in religious phenomenology

Phenomenology is a central method employed to study religious phenomena within religious studies, philosophy of religion, and philosophical theology. This expertly edited collection brings together historical sources and newly commissioned essays from various ways of investigating religion phenomenologically both to diversify the field and to make available important works that have not been previously translated into English. The Phenomenological Study of Religion includes not only representative texts from well-known phenomenological philosophers and scholars of religion but also selections from significant thinkers that have not been studied as widely, along with contributions from leading contemporary voices. This volume offers scholars and students at all levels of expertise broad exposure to the various configurations of the phenomenological study of religion.

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cover of The Phenomenology of Aesthetic Experience

The Phenomenology of Aesthetic Experience

Mikel Dufrenne

Northwestern University Press, 1973

The Phenomenology of Aesthetic Experience (Fr. Phénoménologie de l'expérience esthétique) was first published in 1953. In the first of four parts, Dufrenne distinguishes the "aesthetic object" from the "work of art." In the second, he elucidates types of works of art, especially music and painting. He devotes his third section to aesthetic perception. In the fourth, he describes a Kantian critique of aesthetic experience.

A perennial classic in the SPEP series, the work is rounded out by a detailed "Translator's Foreword" especially helpful to readers in aesthetics interested in the context and circumstances around which the original was published as well as the phenomenological background of the book.
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cover of The Phenomenology of Dance

The Phenomenology of Dance

Maxine Sheets-Johnstone

Temple University Press, 2015

When The Phenomenology of Dance was first published in 1966, Maxine Sheets-Johnstone asked: “When we look at a dance, what do we see?” Her questions, about the nature of our experience of dance and the nature of dance as a formed and performed art, are still provocative and acutely significant today. Sheets-Johnstone considers dance as an aesthetic mode of expression, and integrates theories of dance into philosophical discussions of the nature of movement.
 
Back in print after nearly 20 years, The Phenomenology of Dance provides an informed approach to teaching dance and to dance education, appreciation, criticism, and choreography. In addition to the foreword by Merce Cunningham from the original edition, and the preface from the second edition, this fiftieth anniversary edition includes an in-depth introduction that critically and constructively addresses present-day scholarship on movement and dance.
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cover of The Phenomenology of Pain

The Phenomenology of Pain

Saulius Geniusas

Ohio University Press, 2020

The Phenomenology of Pain is the first book-length investigation of its topic to appear in English. Groundbreaking, systematic, and illuminating, it opens a dialogue between phenomenology and such disciplines as cognitive science and cultural anthropology to argue that science alone cannot clarify the nature of pain experience without incorporating a phenomenological approach. Building on this premise, Saulius Geniusas develops a novel conception of pain grounded in phenomenological principles: pain is an aversive bodily feeling with a distinct experiential quality, which can only be given in original first-hand experience, either as a feeling-sensation or as an emotion.

Geniusas crystallizes the fundamental methodological principles that underlie phenomenological research. On the basis of those principles, he offers a phenomenological clarification of the fundamental structures of pain experience and contests the common conflation of phenomenology with introspectionism. Geniusas analyzes numerous pain dissociation syndromes, brings into focus the de-personalizing and re-personalizing nature of chronic pain experience, and demonstrates what role somatization and psychologization play in pain experience. In the process, he advances Husserlian phenomenology in a direction that is not explicitly worked out in Husserl’s own writings.

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cover of The Phenomenon of Life: Toward a Philosophical Biology

The Phenomenon of Life

Toward a Philosophical Biology

Hans Jonas

Northwestern University Press, 2001

A classic of phenomenology and existentialism, The Phenomenon of Life sets forth a systematic and comprehensive philosophy—an existential interpretation of biological facts laid out in support of his claim that the mind is prefigured throughout organic existence. Hans Jonas shows how life-forms present themselves on an ascending scale of perception and freedom of action, a scale reaching its apex in a human being's capacity for thought and morally responsible behavior.
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cover of The Philosopher and the Storyteller: Eric Voegelin and Twentieth-Century Literature

The Philosopher and the Storyteller

Eric Voegelin and Twentieth-Century Literature

Charles R. Embry

University of Missouri Press, 2018

Throughout his philosophical career, Eric Voegelin had much to say about literature in both his published work and his private letters. Many of his most trenchant comments regarding the analysis of literature appear in his correspondence with critic Robert Heilman, and, through his familiarity with that exchange, Charles Embry has gained extraordinary insight into Voegelin’s literary views.

The Philosopher and the Storyteller is the first book-length study of the literary dimensions of Voegelin’s philosophy—and the first to use his philosophy to read specific novels. Bringing to bear a thorough familiarity with both Voegelin and great literature, Embry shows that novels—like myths, philosophy, and religious texts—participate in the human search for the truth of existence, and that reading literature within a Voegelinian framework exposes the existential and philosophical dimensions of those works.

Embry focuses on two key elements of Voegelin’s philosophy as important for reading literature: metaxy, the in-between of human consciousness, and metalepsis, human participation in the community of being. He shows how Voegelin’s philosophy in general is rooted in literary-symbolic interpretation and, therefore, provides a foundation for the interpretation of literature. And finally he explores Voegelin’s insistence that the soundness of literary criticism lies in the consciousness of the reader.

Embry then offers Voegelinian readings that vividly illustrate the principles of this approach. First he considers Graham Swift’s Waterland as an example of the human search for meaning in the modern world, then he explores the deformation and recovery of reality in Heimito von Doderer’s long and complex novel The Demons, and finally he examines how Flannery O’Connor’s The Violent Bear It Away mythically expresses the flux of divine presence in what Voegelin calls the Time of the Tale.

The Philosopher and the Storyteller unites fiction and philosophy in the common quest to understand our nature, our world, and our cosmos. A groundbreaking exploration of the connection between Voegelin and twentieth-century literature, this book opens a new window on the philosopher’s thought and will motivate readers to study other novels in light of this approach.

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