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Gary Cartwright is one of Texas’s legendary writers. In a career spanning nearly six decades, he has been a newspaper reporter, Senior Editor of Texas Monthly, and author of several acclaimed books, including Blood Will Tell, Confessions of a Washed-up Sportswriter, and Dirty Dealing. Cartwright was a finalist for a National Magazine Award for reporting excellence, and he has won several awards from the Texas Institute of Letters, including its most prestigious—the Lon Tinkle Award for lifetime achievement. His personal life has been as colorful and occasionally outrageous as any story he reported, and in this vivid, often hilarious, and sometimes deeply moving memoir, Cartwright tells the story of his writing career, tangled like a runaway vine with great friendships, love affairs, four marriages, four or five great dogs . . . looking always to explain, at least to himself, how the pattern probably makes a kind of perverted sense.

Cartwright’s career began at the Fort Worth Star-Telegram and Fort Worth Press, among kindred spirits and fellow pranksters Edwin “Bud” Shrake and Dan Jenkins. He describes how the three rookie writers followed their mentor Blackie Sherrod to the Dallas Times Herald and the Dallas Morning News, becoming the “best staff of sportswriters anywhere, ever” and creating a new kind of sportswriting that “swept the country and became standard.” Cartwright recalls his twenty-five years at Texas Monthly, where he covered everything from true crime to notable Texans to Texas’s cultural oddities. Along the way, he tells lively stories about “rebelling against sobriety” in many forms, with friends and co-conspirators that included Willie Nelson, Ann Richards, Dennis Hopper, Willie Morris, Don Meredith, Jack Ruby, and countless others. A remarkable portrait of the writing life and Austin’s counterculture, The Best I Recall may skirt the line between fact and fiction, but it always tells the truth.

The Confederate Navy’s Savannah Squadron, its relationship with the people of Savannah, Georgia, and its role in the city’s economy

In this well-written and extensively researched narrative, Maurice Melton charts the history of the unit, the sailors (both white and black), the officers, their families, and their activities aboard ship and in port.

The Savannah Squadron worked, patrolled, and fought in the rivers and sounds along the Georgia coast. Though they saw little activity at sea, the unit did engage in naval assault, boarding, capture, and ironclad combat. The sailors finished the war as an infantry unit in Robert E. Lee’s Army of Northern Virginia, fighting at Sayler’s Creek on the road to Appomattox.

Melton concentrates on navy life and the squadron’s place in wartime Savannah. The book reveals who the Confederate sailors were and what their material, social, and working lives were like.

The Best Station of Them All is an essential piece of historical literature for anyone interested in the Civil War, its navies, or Savannah.
 

The Sandinista revolution in Nicaragua inspired many North Americans, including the author of this moving and informative book. John Brentlinger made six trips to Nicaragua, both before and after the defeat of the Sandinista Party. Combining the insights of a philosopher with the experiences of a participant-observer, he interprets the Sandinista period as a people’s struggle for self-realization in work, culture, politics, and community. 

The book alternates between journal and essay chapters, weaving descriptions of personal experiences together with interviews and analysis. Whether telling the story of the last day of a young teacher’s life, describing new forms of poetry and art, examining representations of Nicaragua in the U.S. media, or discussing the government’s success and failures, Brentlinger vividly captures the spirit and enduring significance of the Sandinista revolution.  

The first in-depth study of the Freemasons during the Civil War

One of the enduring yet little examined themes in Civil War lore is the widespread belief that on the field of battle and afterward, members of Masonic lodges would give aid and comfort to wounded or captured enemy Masons, often at great personal sacrifice and danger. This work is a deeply researched examination of the recorded, practical effects of Freemasonry among Civil War participants on both sides.

From first-person accounts culled from regimental histories, diaries, and letters, Michael A. Halleran has constructed an overview of 19th-century American freemasonry in general and Masonry in the armies of both North and South in particular, and provided telling examples of how Masonic brotherhood worked in practice. Halleran details the response of the fraternity to the crisis of secession and war, and examines acts of assistance to enemies on the battlefield and in POW camps.

The author examines carefully the major Masonic stories from the Civil War, in particular the myth that Confederate Lewis A. Armistead made the Masonic sign of distress as he lay dying at the high-water mark of Pickett’s charge at Gettysburg.

An interdisciplinary investigation of the Bible's place in American experience

Much has changed since the Society of Biblical Literature's Bible in American Culture series was published in the 1980s, but the influence of the Bible has not waned. In the United States, the stories, themes, and characters of the Bible continue to shape art, literature, music, politics, education, and social movements to varying degrees. In this volume, contributors highlight new approaches that move beyond simple citation of texts and explore how biblical themes infuse US culture and how this process in turn transforms biblical traditions.

Features

• An examination of changes in the production, transmission, and consumption of the Bible
• An exploration of how Bible producers disseminate US experiences to a global audience
• An assessment of the factors that produce widespread myths about and nostalgia for a more biblically grounded nation

Explore perceptions and interpretations of scripture in American politics, identity, popular culture, and public education

Essays from the perspectives of American history, the history of ideas, film studies, visual studies, cultural studies, education, and church-state studies provide essential research for those interested in the intersection of the Bible and American culture. The contributors are Yaakov Ariel, Jacques Berlinerblau, Mark A. Chancey, Rubén Dupertuis, John Fea, Shalom Goldman, Charles C. Haynes, Carol Meyers, Eric M. Meyers, David Morgan, Adele Reinhartz, and David W. Stowe.

Features:

• Ten essays and an introduction present research from professors of biblical studies, Judaism, English, and history
• Articles relevant to scholars, students, and the general public
• Analysis of the tensions in American society regarding the Bible and its role in public life.

First published in 1968, this engrossing and beautiful picture book about wildlife on Isle Royale is available again

Isle Royale, “the big island” of this book, is a wilderness national park in Lake Superior and home to a unique and fascinating ecosystem of animals, most notably the iconic wolf and majestic moose. Here is author Julian May’s story about the island’s beginning, the kinds of animals that came to populate it, and their effects on the pristine landscape. Among them were the moose, who swam to the island from the distant shore to fend off starvation. The moose found conditions on Isle Royale so favorable that they reproduced quickly—but then faced another food shortage. The wolves arrived by floating to the island on an ice floe in winter and soon became important to the island’s ecology as successful predators of the moose. 

Complementing this fascinating text, John Schoenherr’s magnificent illustrations convey the strength of these animals and the beauty of the island that is their home.

First published in 1968, and reprinted here with a new note by renowned wolf expert L. David Mech, The Big Island is an enchanting introduction to the wilderness and wildlife of Isle Royale. 

Uncovering the stories of Virginia's ancient peoples through the science of bioarchaeology.

By the 14th century more than a dozen accretional burial mounds—reaching heights of 12 to 15 feet—marked the floodplains of interior Virginia. Today, none of these mounds built by the nearly forgotten Monacan Indians remain on the landscape, having been removed over the centuries by a variety of natural and cultural causes. This study uses what remains of the mounds—excavated from the 1890s to the 1980s— to gain a new understanding of the Monacans and to gauge their importance in the realm of the late prehistoric period in the Eastern Woodlands.

Based on osteological examinations of dozens of complete skeletons and thousands of isolated bones and bone fragments, this work constructs information on Monacan demography, diet, health, and mortuary ritual in the 10th through the 15th centuries. The results show an overall pattern of stability and local autonomy among the Late Woodland village societies of interior Virginia in which a mixture of maize farming and the collection of wild food resources were successful for more than 600 years.

This book—uniting biological and cultural aspects of the data for a holistic understanding of everyday life in the period—will be of interest to ethnohistorians, osteologists, bioarchaeologists, and anyone studying Late Woodland, Mississippian, and contact periods, as well as middle range societies, in the Eastern Woodlands.

In the light of the deepening crisis of capitalism and continued non-Western capitalist accumulation, Henry Heller re-examines the debates surrounding the transition from feudalism to capitalism in Europe and elsewhere.

Focusing on arguments about the origin, nature and sustainability of capitalism, Heller offers a new reading of the historical evidence and a critical interrogation of the transition debate. He advances the idea that capitalism must be understood as a political as well as an economic entity. This book breathes new life into the scholarship, taking issue with the excessively economistic approach of Robert Brenner, which has gained increasing support over the last ten years. It concludes that the future of capitalism is more threatened than ever before.

The new insights in this book make it essential reading for engaged students and scholars of political economy and history.

A revealing genealogy of image-recognition techniques and technologies
 

Today’s most advanced neural networks and sophisticated image-analysis methods come from 1950s and ’60s Cold War culture—and many biases and ways of understanding the world from that era persist along with them. Aerial surveillance and reconnaissance shaped all of the technologies that we now refer to as computer vision, including facial recognition. The Birth of Computer Vision uncovers these histories and finds connections between the algorithms, people, and politics at the core of automating perception today.

James E. Dobson reveals how new forms of computerized surveillance systems, high-tech policing, and automated decision-making systems have become entangled, functioning together as a new technological apparatus of social control. Tracing the development of a series of important computer-vision algorithms, he uncovers the ideas, worrisome military origins, and lingering goals reproduced within the code and the products based on it, examining how they became linked to one another and repurposed for domestic and commercial uses. Dobson includes analysis of the Shakey Project, which produced the first semi-autonomous robot, and the impact of student protest in the early 1970s at Stanford University, as well as recovering the computer vision–related aspects of Frank Rosenblatt’s Perceptron as the crucial link between machine learning and computer vision.

Motivated by the ongoing use of these major algorithms and methods, The Birth of Computer Vision chronicles the foundations of computer vision and artificial intelligence, its major transformations, and the questionable legacy of its origins.


Cover alt text: Two overlapping circles in cream and violet, with black background. Top is a printed circuit with camera eye; below a person at a 1977 computer.

A systematic attempt to understand the rabbinic world through its approach to confronting uncertainty

In the history of halakhah, the treatment of uncertainty became one of the most complex fields of intense study. In his latest book, Moshe Halbertal focuses on examining the point of origin of the study of uncertainty in early rabbinic literature, including the Mishnah, Tosefta, and halakhic midrashim. Halbertal explores instructions concerning how to behave in situations of uncertainty ranging from matters of ritual purity, to lineage and marriage, to monetary law, and to the laws of forbidden foods. This examination of the rules of uncertainty introduced in early rabbinic literature reveals that these rules were not aimed at avoiding but rather at dwelling in the midst of uncertainty, thus rejecting the sectarian isolationism that sought to minimize a community’s experience of and friction with uncertainty.

Features:

• A thorough investigation of the principles concerning how to behave in cases of uncertainty
• An examination of two distinct modes for coping with uncertainty

Opening a new area in Latin American studies, The Birth of the Penitentiary in Latin America showcases the most recent historical outlooks on prison reform and criminology in the Latin American context. The essays in this collection shed new light on the discourse and practice of prison reform, the interpretive shifts induced by the spread of criminological science, and the links between them and competing discourses about class, race, nation, and gender. The book shows how the seemingly clear redemptive purpose of the penitentiary project was eventually contradicted by conflicting views about imprisonment, the pervasiveness of traditional forms of repression and control, and resistance from the lower classes.

The essays are unified by their attempt to view the penitentiary (as well as the variety of representations conveyed by the different reform movements favoring its adoption) as an interpretive moment, revealing of the ideology, class fractures, and contradictory nature of modernity in Latin America. As such, the book should be of interest not only to scholars concerned with criminal justice history, but also to a wide range of readers interested in modernization, social identities, and the discursive articulation of social conflict. The collection also offers an up-to-date sampling of new historical approaches to the study of criminal justice history, illuminates crucial aspects of the Latin American modernization process, and contrasts the Latin American cases with the better known European and North American experiences with prison reform.

In one remarkable quarter-century, thirteen quarrelsome colonies were transformed into a nation. Edmund S. Morgan's classic account of the Revolutionary period shows how the challenge of British taxation started the Americans on a search for constitutional principles to protect their freedom and eventually led to the Revolution.

Morgan demonstrates that these principles were not abstract doctrines of political theory but grew instead out of the immediate needs and experiences of the colonists. They were held with passionate conviction, and incorporated, finally, into the constitutions of the new American states and of the United States.

Though the basic theme of the book and his assessment of what the Revolution achieved remain the same, Morgan has updated the revised edition of The Birth of the Republic (1977) to include some textual and stylistic changes as well as a substantial revision of the Bibliographic Note.

The outpouring of creative expression known as the Black Arts Movement of the 1960s and 1970s spawned a burgeoning number of black-owned cultural outlets, including publishing houses, performance spaces, and galleries. Central to the movement were its poets, who in concert with editors, visual artists, critics, and fellow writers published a wide range of black verse and advanced new theories and critical approaches for understanding African American literary art. 

The Black Arts Enterprise and the Production of African American Poetry offers a close examination of the literary culture in which BAM's poets (including Amiri Baraka, Nikki Giovanni, Sonia Sanchez, Larry Neal, Haki Madhubuti, Carolyn Rodgers, and others) operated and of the small presses and literary anthologies that first published the movement's authors. The book also describes the role of the Black Arts Movement in reintroducing readers to poets such as Langston Hughes, Robert Hayden, Margaret Walker, and Phillis Wheatley.

Focusing on the material production of Black Arts poetry, the book combines genetic criticism with cultural history to shed new light on the period, its publishing culture, and the writing and editing practices of its participants. Howard Rambsy II demonstrates how significant circulation and format of black poetic texts—not simply their content—were to the formation of an artistic movement. The book goes on to examine other significant influences on the formation of Black Arts discourse, including such factors as an emerging nationalist ideology and figures such as John Coltrane and Malcolm X.