Results by title

In 1997, John Stanchak, an editor at Cowles Enthusiast Media (now part of Primedia), realized his vision of “a publication that contained the best, most up-to-date scholarship on the [Civil] war, but was edited with the amateur historian in mind,” with the publication of Columbiad: A Quarterly Review of the War between the States. In the four years the journal was published, it strived to lessen the rift between the scholarly world of professional historians and the “popular” history with which the general reader is more familiar. Now, a selection of the essays that best represent the successful balance between “serious scholarship” and a narrative reading style preferred by the educated layman has been collected in The Ongoing Civil War.

The South has made much of J. E. B. Stuart and Stonewall Jackson, but no individual has had a greater elevation to divine status than John Pelham, remembered as the “Gallant Pelham.” An Alabama native, Pelham left West Point for service in the Confederacy and distinguished himself as an artillery commander in Robert E. Lee’s Army of Northern Virginia. Lee is reported to have said of him, “It is glorious to see such courage in one so young!” Blond, blue-eyed, and handsome, Pelham’s modest demeanor charmed his contemporaries, and he was famously attractive to women. He was killed in action at the battle of Kelly’s Ford in March of 1863, at twenty-four years of age, and reportedly three young women of his acquaintance donned mourning at the loss of the South’s “beau ideal.” Maxwell’s work provides the first deeply researched biography of Pelham, perhaps Alabama’s most notable Civil War figure, and explains his enduring attraction.
 

A rare and dramatic first-person account by a Union scout who served General William Tecumseh Sherman on his “march to the sea”
 
After his father-in-law passed away, Stephen Murphy found, among the voluminous papers left behind, an ancestral memoir. Murphy quickly became fascinated with the recollections of George W. Quimby (1842–1926), a Union soldier and scout for General William Tecumseh Sherman.
 
Before Quimby became a part of Sherman’s March, he was held captive by Nathan Bedford Forrest’s troops in western Tennessee. He joined Sherman’s Army in Vicksburg, destroying railroads and bridges across Mississippi and Alabama on the way to Georgia. As the notorious march began, Quimby became a scout and no longer experienced war as his fellow soldiers did. Scouts moved ahead of the troops to anticipate opportunities and dangers. The rank and file were instructed to be seen and feared, while scouts were required to be invisible and stealthy. This memoir offers the rare perspective of a Union soldier who ventured into Confederate territory and sent intelligence to Sherman.
 
Written around 1901 in the wake of the Spanish American War, Quimby’s memoir shows no desire to settle old scores. He’s a natural storyteller, keeping his audience’s attention with tales of drunken frolics and narrow escapes, providing a memoir that reads more like an adventure novel. He gives a new twist to the familiar stories of Sherman’s March, reminding readers that while the Union soldiers faced few full-scale battles, the campaign was still quite dangerous.
 
More than a chronicle of day-to-day battles and marches, The Perfect Scout is more episodic and includes such additional elements as the story of how he met his wife and close encounters with the enemy. Offering a full picture of the war, Quimby writes not only about his adventures as one of Sherman’s scouts, but also about the suffering of the civilians caught in the war. He provides personal insight into some of the war’s historic events and paints a vivid picture of the devastation wreaked upon the South that includes destroyed crops and homes and a shattered economy. He also tells of the many acts of kindness he received from Southerners, including women and African Americans, who helped him and his fellow scouts by providing food, shelter, or information.

Deeply affecting and diverse in perspective, The Poetry of the American Civil War is the first comprehensive volume to focus entirely on poetry written and published during the Civil War. Of the nearly one thousand books of poetry published in the 1860s, some two hundred addressed the war in some way, and these collectively present a textured portrait of life during the conflict. The poets represented here hail from the North and the South, and at times mirror each other uncannily. Among them are housewives, doctors, preachers, bankers, journalists, and teachers. Their verse reflects the day-to-day reality of war, death, and destruction, and it contemplates questions of faith, slavery, society, patriotism, and politics. This is an essential volume for poetry lovers, historians, and Civil War enthusiasts alike.

Cavalry units from Midwestern states remain largely absent from Civil War literature, and what little has been written largely overlooks the individual men who served. The Fifth Illinois Cavalry has thus remained obscure despite participating in some of the most important campaigns in Arkansas and Mississippi. In this pioneering examination of that understudied regiment, Rhonda M. Kohl offers the only modern, comprehensive analysis of a southern Illinois regiment during the Civil War and combines well-documented military history with a cultural analysis of the men who served in the Fifth Illinois.

In the fall of 1861, fifty-one-year-old Rev. Francis Springer enlisted in the Union army. The following spring, Springer, a friend and one-time neighbor to Abraham Lincoln, rode away with the 10th Illinois Cavalry. A witness to the Battle of Prairie Grove (December 1862), Springer was later named post chaplain at Fort Smith, where, in additon to preaching and ministering to the troops, he was placed in charge of refugees—widows, orphans, and contrabands—the displaced victims of virulent guerrilla warfare in Northwest Arkansas. Springer also wrote articles and columns in the Fort Smith New Era under the pseudonym, “Thrifton.” Springer’s honest appraisals of life in the Army of the Frontier make for fascinating reading, and his unique perspective as moralist, educator, and journalist provide new insight into the Civil War and how it was fought in the West. The book includes several never-before published photographs and appendixes which feature accounts of six military executions that Springer participated in as a Union Army chaplain, the hitherto unpublished last letters home of two rebel soldiers condemned and executed at Fort Smith, as well as a eulogy for Abraham Lincoln.

The Preacher’s Tale includes several never before published photographs, and appendixes that contain accounts of six military executions that Springer participated in as a Union Army chaplain, the last letters home of two rebel soldiers condemned and executed at Fort Smith, as well as a eulogy written for Abraham Lincoln.

During the American Civil War, southern white women found themselves speaking and acting in unfamiliar and tumultuous circumstances. With the war at their doorstep, women who supported the war effort took part in defining what it meant to be, and to behave as, a Confederate through their verbal and nonverbal rhetorics. Though most did not speak from the podium, they viewed themselves as participants in the war effort, indicating that what they did or did not say could matter. Drawing on the rich evidence in women’s Civil War diaries, The Rhetoric of Rebel Women recognizes women’s persuasive activities as contributions to the creation and maintenance of Confederate identity and culture.

Informed by more than one hundred diaries, this study provides insight into how women cultivated rhetorical agency, challenging traditional gender expectations while also upholding a cultural status quo. Author Kimberly Harrison analyzes the rhetorical choices these women made and valued in wartime and postwar interactions with Union officers and soldiers, slaves and former slaves, local community members, and even their God. In their intimate accounts of everyday war, these diarists discussed rhetorical strategies that could impact their safety, their livelihoods, and those of their families. As they faced Union soldiers in attempts to protect their homes and property, diarists saw their actions as not only having local, immediate impact on their well-being but also as reflecting upon their cause and the character of the southern people as a whole. They instructed themselves through their personal writing, allowing insight into how southern women prepared themselves to speak and act in new and contested contexts.

The Rhetoric of Rebel Women highlights the contributions of privileged white southern women in the development of the Confederate national identity, presenting them not as passive observers but as active participants in the war effort.

The Sacred Causeof Union highlights Iowans’ important role in reuniting the nation when the battle over slavery tore it asunder. In this first-ever survey of the state’s Civil War history, Thomas Baker interweaves economics, politics, army recruitment, battlefield performance, and government administration. Scattered across more than a dozen states and territories, Iowa’s fighting men marched long distances and won battles against larger rebel armies despite having little food or shelter and sometimes poor equipment. On their own initiative, the state’s women ventured south to the battlefields to tend to the sick and injured, and farm families produced mountains of food to feed hungry federal armies. In the absence of a coordinated military supply system, women’s volunteer organizations were instrumental in delivering food, clothing, medicines, and other supplies to those who needed them. All of these efforts contributed mightily to the Union victory and catapulted Iowa into the top circle of most influential states in the nation.

To shed light on how individual Iowans experienced the war, the book profiles six state residents. Three were well-known. Annie Wittenmyer, a divorced woman with roots in Virginia, led the state’s efforts to ship clothing and food to the soldiers. Alexander Clark, a Muscatine businessman and the son of former slaves, eloquently championed the rights of African Americans. Cyrus Carpenter, a Pennsylvania-born land surveyor anxious to make his fortune, served in the army and then headed the state’s Radical Republican faction after the war, ultimately being elected governor.

Three never became famous. Ben Stevens, a young, unemployed carpenter, fought in an Iowa regiment at Shiloh, and then transferred to a Louisiana African American regiment so that he could lead the former slaves into battle. Farm boy Abner Dunham defended the Sunken Road at the Battle of Shiloh, before spending seven grim months in Confederate prison camps. The young Charles Musser faced pressure from his neighbors to enlist and from his parents to remain at home to work on the farm. Soon after he signed on to serve the Union, he discovered that his older brother had joined the Confederate Army. Through the letters and lives of these six Iowans, Thomas Baker shows how the Civil War transformed the state at the same time that Iowans transformed the nation.
 

Immigrants and their children became the chief component of the U.S. working class during the nineteenth century. Bruce Levine examines the early years of this social transformation, focusing on German-born craft workers and the key roles they played in the economic and political life of the wage-earning population of antebellum America. Interweaving themes often treated separately---immigration, industrialization, class formation, and the political polarization over slavery---Levine sheds new light on the development of the working class, the nature and appeals of partisan politics, and the conflicts that led to sectional war.
The Spirit of 1848 offers much new information and insight concerning craftwork, the nature of the antebellum labor movement (including the great New York City tailors' strike of 1850), the meaning of nativism, the significance of the push for land reform, the diverse character of the free-soil movement, and the popular appeals of both the Democratic and Republican parties.
 

This remarkable biography and edited diary tell the story of William Ellis Jones (1838–1910), an artillerist in Crenshaw’s Battery, Pegram’s Battalion, the Army of Northern Virginia. One of the few extant diaries by a Confederate artillerist, Jones’s articulate writings cover camp life as well as many of the key military events of 1862, including the Peninsula Campaign, the Second Battle of Manassas, the Maryland Campaign, and the Battle of Fredericksburg.

In 1865 Jones returned to his prewar printing trade in Richmond, and his lasting reputation stems from his namesake publishing company’s role in the creation and dissemination of much of the Lost Cause ideology. Unlike the pro-Confederate books and pamphlets Jones published—primary among them the Southern Historical Society Papers—his diary shows the mindset of an unenthusiastic soldier. In a model of contextualization, Constance Hall Jones shows how her ancestor came to embrace an uncritical veneration of the army’s leadership and to promulgate a mythology created by veterans and their descendants who refused to face the amorality of their cause.

Jones brackets the soldier’s diary with rich, biographical detail, profiling his friends and relatives and providing insight into his childhood and post-war years. In doing so, she offers one of the first serious investigations into the experience of a Welsh immigrant family loyal to the Confederacy and makes a significant contribution to our understanding of Civil War–era Richmond and the nineteenth-century publishing industry. Invitingly written, The Spirits of Bad Men Made Perfect is an engaging life-and-times story that will appeal to historians and general readers alike.
 

Few American Civil War operations matched the controversy, intensity, and bloodshed of Confederate general John Bell Hood’s ill-fated 1864 campaign against Union forces in Tennessee. In the first-ever anthology on the subject, The Tennessee Campaign of 1864, edited by Steven E. Woodworth and Charles D. Grear, fourteen prominent historians and emerging scholars examine the three-month operation, covering the battles of Allatoona, Spring Hill, and Franklin, as well as the decimation of Hood’s army at Nashville.

Contributors explore the campaign’s battlefield action, including how Major General Andrew J. Smith’s three aggressive divisions of the Army of Tennessee became the most successful Federal unit at Nashville, how vastly outnumbered Union troops held the Allatoona Pass, why Hood failed at Spring Hill and how the event has been perceived, and why so many of the Army of Tennessee’s officer corps died at the Battle of Franklin, where the Confederacy suffered a disastrous blow. An exciting inclusion is the diary of Confederate major general Patrick R. Cleburne, which covers the first phase of the campaign. Essays on the strained relationship between Ulysses S. Grant and George H. Thomas and on Thomas’s approach to warfare reveal much about the personalities involved, and chapters about civilians in the campaign’s path and those miles away show how the war affected people not involved in the fighting. An innovative case study of the fighting at Franklin investigates the emotional and psychological impact of killing on the battlefield, and other implications of the campaign include how the courageous actions of the U.S. Colored Troops at Nashville made a lasting impact on the African American community and how preservation efforts met with differing results at Franklin and Nashville.

Canvassing both military and social history, this well-researched volume offers new, illuminating perspectives while furthering long-running debates on more familiar topics. These in-depth essays provide an expert appraisal of one of the most brutal and notorious campaigns in Civil War history.

Told in unflinching detail, this is the story of the Twenty-Ninth Ohio Volunteer Infantry, also known as the Giddings Regiment or the Abolition Regiment, after its founder, radical abolitionist Congressman J. R. Giddings. The men who enlisted in the Twenty-Ninth OVI were, according to its lore, handpicked to ensure each was as pure in his antislavery beliefs as its founder. Whether these soldiers would fight harder than other soldiers, and whether the people of their hometowns would remain devoted to the ideals of the regiment, were questions that could only be tested by the experiment of war.

The Untried Life is the story of these men from their very first regimental formation in a county fairground to the devastation of Gettysburg and the march to Atlanta and back again, enduring disease and Confederate prisons. It brings to vivid life the comradeship and loneliness that pervaded their days on the march. Dozens of unforgettable characters emerge, animated by their own letters and diaries: Corporal Nathan Parmenter, whose modest upbringing belies the eloquence of his writings; Colonel Lewis Buckley, one of the Twenty-Ninth’s most charismatic officers; and Chaplain Lyman Ames, whose care of the sick and wounded challenged his spiritual beliefs.

The Untried Life shows how the common soldier lived—his entertainments, methods of cooking, medical treatment, and struggle to maintain family connections—and separates the facts from the mythology created in the decades after the war.

In The Unwritten War, Daniel Aaron examines the literary output of American writers—major and minor—who treated the Civil War in their works. He seeks to understand why this devastating and defining military conflict has failed to produce more literature of a notably high and lasting order, why there is still no "masterpiece" of Civil War fiction.

In his portraits and analyses of 19th- and some 20th-century writers, Aaron distinguishes between those who dealt with the war only marginally—Henry Adams, Henry James, William Dean Howells, Mark Twain-and those few who sounded the war's tragic import—Herman Melville, Walt Whitman, and William Faulkner. He explores the extent to which the war changed the direction of American literature and how deeply it entered the consciousness of American writers. Aaron also considers how writers, especially those from the South, discerned the war's moral and historical implications.

The Unwritten War was originally published by Alfred A. Knopf in 1973. The New Republic declared, [This book's] major contribution will no doubt be to American literary history. In this respect it resembles Edmund Wilson's Patriotic Gore and is certain to become an indispensable guide for anyone who wants to explore the letters, diaries, journals, essays, novels, short stories, poems-but apparently no plays-which constitute Civil War literature. The mass of material is presented in a systematic, luminous, and useful way.
 

Debora Greger is a stoic comedian in an age when even wit has its dark
          undertones. In this her fourth collection she finds Ovid in Provincetown,
          a right whale in Iowa, and Cleopatra in the afterworld. Nothing resides
          in its proper place, except the place of exile. "Characteristic wit,
          irony, and precision." —Publishers Weekly
 

After a series of victories through Mississippi early in the spring of 1863, General Ulysses S. Grant’s Army of the Tennessee had reached the critical point in its campaign to capture Vicksburg. Taking the city on the hill would allow the Union to control the Mississippi River and would divide the Confederacy in half. Confederate morale was low, and a Union victory in the war appeared close before the start of Grant’s assault against General John C. Pemberton’s Army of Mississippi.
 
But due to difficult terrain, strong defenses, and uncoordinated movements, the quick triumph Grant desired was unattainable. On the afternoon of May 19, with little rest, preparation, or reconnaissance, Union forces charged the Confederate lines only to be repulsed. A respite between the assaults allowed both sides to reinforce their positions. Early on May 22 the Union artillery sought to soften the stronghold’s defenses before the general attack, but despite the Union forces’ preparation, the fighting proved even more disorganized and vicious. Again Grant failed to move Pemberton. Not wanting to risk more soldiers in a third attack, Grant conceded to the necessity of laying siege. Confederate morale climbed as the Southerners realized they had held their ground against an overwhelming force.
 
Editors Steven E. Woodworth and Charles D. Grear have assembled five captivating essays that examine Grant’s unsuccessful assaults against Confederate defensive lines around Vicksburg. Ranging from military to social history, the essays further historical debates on prominent topics, such as the reactions of Midwesterners to the first failures of Grant’s Vicksburg campaign. Two essays from opposing sides analyze the controversial decisions surrounding the Railroad Redoubt, the site of the bloodiest fighting on May 22. Another investigates how the tenacity of Texan reinforcements forced Union soldiers to abandon their gains.
 
Peppered with first-hand observations and bolstered by an impressive depth of research, this anthology is an invitingly written account and comprehensive assessment. By zeroing in on the two assaults, the contributors offer essential clarity and understanding of these important events within the larger scope of the Civil War’s Vicksburg Campaign.

Ulysses S. Grant’s ingenious campaign to capture the last Confederate stronghold on the Mississippi River was one of the most decisive events of the Civil War and one of the most storied military expeditions in American history. The ultimate victory at Vicksburg effectively cut the Confederacy in two, gave control of the river to Union forces, and delivered a devastating blow from which the South never fully recovered. Editors Steven E. Woodworth and Charles D. Grear have assembled essays by prominent and emerging scholars, who contribute astute analysis of this famous campaign’s most crucial elements and colorful personalities.

Encompassed in this first of five planned volumes on the Vicksburg campaign are examinations of the pivotal events that comprised the campaign’s maneuver stage, from March to May of 1863. The collection sheds new light on Grant’s formidable intelligence network of former slaves, Mississippi loyalists, and Union spies; his now legendary operations to deceive and confuse his Confederate counterparts; and his maneuvers from the perspective of classic warfare. Also presented are insightful accounts of Grant’s contentious relationship with John A. McClernand during the campaign; interactions between hostile Confederate civilians and Union army troops; and the planning behind such battles as Grierson’s Raid, Port Gibson, Raymond, Jackson, Champion Hill, and Big Black River Bridge.

The only Confederate ship to circumnavigate the globe

The Confederate cruiser Shenandoah was the last of a group of commerce raiders deployed to prey on Union merchant ships. Ordered to the Pacific Ocean to “greatly damage and disperse” the Yankee whaling fleet in those waters, the Shenandoah’s successful pursuit of her quarry compared favorably with the exploits of the more celebrated Alabama and Florida but has never been as well known because it coincided with the war’s end and the Confederacy’s downfall. It was, however, one of the best documented naval expeditions—from England to the Indian Ocean, Australia and the South Pacific, the Bering Sea, San Francisco, and finally to port in Liverpool—during the Civil War.
 
The ship’s log and Captain James Waddell’s notes are well preserved, and a number of the Shenandoah’s officers kept detailed journals of the entire voyage. One of the most significant journals, by Lieutenant William Whittle, is presented here, with annotations from other journals, the official records and logs, and newspaper accounts of the Shenandoah’s activities, together bringing to life the history of this remarkable voyage.
 

A Cuban woman who moved to New Orleans in the 1850s and eloped with her American lover, Loreta Janeta Velazquez fought in the Civil War for the Confederacy as the cross-dressing Harry T. Buford. As Buford, she single-handedly organized an Arkansas regiment; participated in the historic battles of Bull Run, Balls Bluff, Fort Donelson, and Shiloh; romanced men and women; and eventually decided that spying as a woman better suited her Confederate cause than fighting as a man. In the North, she posed as a double agent and worked to traffic information, drugs, and counterfeit bills to support the Confederate cause. She was even hired by the Yankee secret service to find "the woman . . . traveling and figuring as a Confederate agent"—Velazquez herself.

Originally published in 1876 as The Woman in Battle, this Civil War narrative offers Velazquez’s seemingly impossible autobiographical account, as well as a new critical introduction and glossary by Jesse Alemán. Scholars are divided between those who read the book as a generally honest autobiography and those who read it as mostly fiction. According to Alemán’s critical introduction, the book also reads as pulp fiction, spy memoir, seduction narrative, travel literature, and historical account, while it mirrors the literary conventions of other first-person female accounts of cross-dressing published in the United States during wartime, dating back to the Revolutionary War. Whatever the facts are, this is an authentic Civil War narrative, Alemán concludes, that recounts how war disrupts normal gender roles, redefines national borders, and challenges the definition of identity.

The Wounded River takes the reader back more than 130 years to reveal a marvelous, first-hand account of nineteenth-century warfare. In the process, the work cuts the legends and mythology that have come to frame and define accounts of America's bloodiest war. Of equal significance, Peter Josyph's editorial work on this superb collection of letters from the Western Americana Division of Yale University's Beinecke Rare Book and Manuscripts Library enhances and clarifies Lauderdale's experinces as a surgeon aboard the U.S. Army hospital ship D. A. January.  
      The reader looks on while Lauderdale, a New York civilian contract surgeon, operates on hundreds of Confederate and Union wounded. The young doctor's clear writing style and his great compassion for these unfortunate men whose bodies were ripped apart by bullets, shell fragments, and bayonets permits us to catch a disturbiing glimpse of what modern warfare does to humanity. Finally, we learn of Lauderdale's motives for volunteering, his impressions of the "hospital ship" D. A. January, Confederate morale, the Abolitionist cause, and black slavery. The Wounded River is a must read for anyone interested in the real American Civil War.

Published to mark the Civil War sesquicentennial, The Yellowhammer War collects new essays on Alabama’s role in, and experience of, the bloody national conflict and its aftermath.

During the first winter of the war, Confederate soldiers derided the men of an Alabama Confederate unit for their yellow-trimmed uniforms that allegedly resembled the plumage of the yellow-shafted flicker or “yellowhammer” (now the Northern Flicker, Colaptes auratus, and the state bird of Alabama). The soldiers’ nickname, “Yellowhammers,” came from this epithet. After the war, Alabama veterans proudly wore yellowhammer feathers in their hats or lapels when attending reunions. Celebrations throughout the state have often expanded on that pageantry and glorified the figures, events, and battles of the Civil War with sometimes dubious attention to historical fact and little awareness of those who supported, resisted, or tolerated the war off the battlefield.

Many books about Alabama’s role in the Civil War have focused serious attention on the military and political history of the war. The Yellowhammer War likewise examines the military and political history of Alabama’s Civil War contributions, but it also covers areas of study usually neglected by centennial scholars, such as race, women, the home front, and Reconstruction. From Patricia A. Hoskins’s look at Jews in Alabama during the Civil War and Jennifer Ann Newman Treviño’s examination of white women’s attitudes during secession to Harriet E. Amos Doss’s study of the reaction of Alabamians to Lincoln’s Assassination and Jason J. Battles’s essay on the Freedman’s Bureau, readers are treated to a broader canvas of topics on the Civil War and the state.

CONTRIBUTORS
Jason J. Battles / Lonnie A. Burnett / Harriet E. Amos Doss / Bertis English / Michael W. Fitzgerald / Jennifer Lynn Gross / Patricia A. Hoskins / Kenneth W. Noe / Victoria E. Ott  / Terry L. Seip / Ben H. Severance / Kristopher A. Teters / Jennifer Ann Newman Treviño / Sarah Woolfolk Wiggins / Brian Steel Wills

Published in Cooperation with the Frances S. Summersell Center for the Study of the South

This memoir is a dramatic, intelligent first-person account of an Alabama regiment central to the Confederate campaign, written by its commander.

From Seven Pines to Sharpsburg and Chancellorsville to Spotsylvania, the Third Alabama Regiment played a key role in the Civil War. One of the first infantry units from the Deep South to make the journey to Virginia in 1861, the Third Alabama was the first to cross the Potomac into Maryland and to enter the streets of Gettysburg in 1863.

As the regiment’s leader and one of General Robert E. Lee’s brigade commanders, General Cullen Andrews Battle witnessed the extent of the many triumphs and sufferings of the Army of Northern Virginia. Trained as a journalist and lawyer, he records these events honestly and with compassion. Battle captures the courage of citizen soldiers fighting without prior military training, always paying tribute to the heroism of those under his command, while providing vivid accounts of some of the war’s bloodiest fights. He assesses Confederate mistakes, particularly at Seven Pines—and sheds light on the third Battle of Winchester, the only decisive defeat in which the regiment was involved.

Brandon Beck’s introductory notes provide a thorough review of Battle’s life and valuable biographical information on soldiers under his command as well as on other officers in the Army of Northern Virginia. A worthwhile addition to all Civil War libraries, public or private, Third Alabama! offers an informative, dramatic reading of the wartime activities of one of the Confederacy’s bravest fighting units.

“Riveting reading." —Georgia Historical Quarterly

The Civil War diary of Hiram Smith Williams is extremely unusual. A carriage maker and native of New Jersey, Williams only arrived in the Deep South in 1959 and yet enlisted in the Confederate Army. As a middle-class craftsman, he represented neither wealthy Southern planters nor yeoman farmers. Part of the 40th Alabama Volunteer Regiment, he was first in Mobile, where he attempted to transfer to the CSA Navy. Failing that, he went with his regiment to Atlanta to engage in the great battle there. 

A careful writer, Williams paid the same attention to his composition as he did to his carriages. Unlike many Civil War veterans, he never revised his diary to embellish his record or heroism. Prized by historians both for providing an unique point of view as well as an exceptionally articulate narrative, Williams' diary is an important addition to any Civil War library. 


 

  

Over one hundred and fifty years after it began, the Civil War still fascinates us—the vast armies marching to war, iconic leaders like Abraham Lincoln and Robert E. Lee, the drama of a nation divided. But the Civil War was also about individuals, the hundreds of thousands of ordinary men and boys who fought and died on either side and the families and friends left at home.

This Wicked Rebellion: Wisconsin Civil War Soldiers Write Home tells this other side of the story. Drawing from over 11,000 letters in the Wisconsin Historical Society’s Civil War collection, it gives a unique and intimate glimpse of the men and women who took part in the War for the Union. Follow Wisconsin soldiers as they sign up or get drafted, endure drill and picket duty, and get their first experiences of battle. Join them as they fight desperation and fear, encounter the brutality of slavery, and struggle with the reasons for war.

From impressions of army life and the South to the hardships of disease and battle, these letters tell the story of the war through the eyes and pens of those who fought in it. This Wicked Rebellion brings to life the heroism and heartache, mayhem and misery of the Civil War, and the powerful role Wisconsin played in it.

An anthology of Thomas Wolfe’s short stories, novel excerpts, and plays illuminating the Civil War

This collection of Thomas Wolfe’s writings demonstrates the centrality of the Civil War to Wolfe’s literary concerns and identity. From Look Homeward, Angel to The Hill Beyond and The Web and the Rock, Wolfe perpetually returned to the themes of loss, dissolution, sorrow, and romance engendered in the minds of many southerners by the Civil War and its lingering aftermath. His characters reflect time and again on Civil War heroes and dwell on ghostlike memories handed down by their mothers, fathers, and grandfathers. Wolfe and his protagonists compare their contemporary southern landscape to visions they have conjured of its appearance before and during the war, thereby merging the past with the present in an intense way. Ultimately, Wolfe’s prose style—incantatory and rhapsodic—is designed to evoke the national tragedy on an emotional level.

Selections of Wolfe’s writings in this collection include short stories ("Chickamauga," "Four Lost Men," "The Plumed Knight"), excerpts from his novels (O Lost, the restored version of Look Homeward, Angel, The Hills Beyond, and Of Time and the River) and a play, Mannerhouse, edited and introduced by David Madden. Madden, who makes the provocative claim that everything a southern writer writes derives from the Civil War experience, also highlights many issues essential to understanding Wolfe’s absorption with the Civil War.
 

The Transformation of the Abolitionist Movement from Peaceful Demonstration to Radical Confrontation as Embodied in John Brown
Establishing himself as a fresh and important voice in the history of African American emancipation,William S. King provides a critical introduction to the lead-up to the Civil War. A skilled and judicious chronicler, King seamlessly weaves multiple and seemingly disparate threads, including early nineteenth-century Revivalism, the emergence of the Republic of Texas, the fugitive slave laws—and even the explosion of a cannon aboard the U.S.S. Princeton in 1844—to explain how the opposition to slavery in America changed from producing speeches and pamphlets to embracing the reality that slavery could be eradicated only through armed conflict. By tracing this transformation through the life of John Brown, King provides an entirely new assessment of this enigmatic figure who was characterized as a “mad man” in the wake of his butchering of proslavery settlers in Kansas and the inept raid on Harpers Ferry, Virginia. King puts these actions in context to explain the paradox of Brown’s legacy. On one hand he was vilified as an unstable threat to American democracy or a fanatical sideshow to the history of the Civil War, while on the other he was an inspiration to the oppressed, a man who garnered the indomitable Harriet Tubman’s commitment to the righteousness of his endeavor.
Elegantly written with a command of period sources, Till the Dark Angel Comes: Abolitionism and the Road to the Second American Revolution is the story of interracial opposition to slavery, the important debates among free blacks as to their future in America, and the arguments and compromises at the highest levels of government. Here we encounter many personalities of the time, some well known, such as Frederick Douglass,William Lloyd Garrison, and John C. Calhoun, and others less so, but no less important—Martin Delany, Henry Highland Garnet, and Elijah Lovejoy.

Even before the first cannonballs were fired at Fort Sumter, American writers were trying to make creative sense of the War Between the States. These thirty-one stories were culled from hundreds that circulated in popular magazines between 1861 and the celebration of the American centennial in 1876. Arranged to echo the sequence of the unfolding drama of the war and Reconstruction, together these short stories constitute an “inadvertent novel,” a collective narrative about a domestic crisis that was still ongoing as the stories were being written and published.
The authors, who include Louisa May Alcott and Mark Twain, depict the horrors of the battlefield, the suffering in prison camps and field hospitals, and the privations of the home front. In these pages, bushwhackers carry the war to out-of-the-way homesteads, spies work households from the inside, journeying paymasters rely on the kindness of border women, and soldiers turn out to be girls. The stories are populated with nurses, officers, speculators, preachers, slaves, and black troops, and they take place in cities, along the frontier, and on battlefields from Shiloh to Gettysburg.
The book opens with a prewar vigilante attack on the Underground Railroad and a Kansas parson in Henry King’s “The Cabin at Pharoah’s Ford” and concludes with an ex-slave recalling the loss of her remaining son in Twain’s “A True Story.” In between are stories written by both women and men that were published in magazines from the South and West as well as the culturally dominant Northeast. Wartime wood engravings highlight the text. Kathleen Diffley’s introduction provides literary and historical background, and her commentary introduces readers to magazine authors as well as the deepening disruptions of a country at war.
Just as they did for nineteenth-century readers, these stories will bring the war home to contemporary readers, giving shape to a crisis that rocked the nation then and continues to haunt it now.

A Choice Academic Book of the Year: The Sweeping Story of the Men and Women Who Fought to End Slavery in America
Drawing on decades of research, and demonstrating remarkable command of a great range of primary sources, William S. King has written an important history of African Americans’ own contributions and points of crossracial cooperation to end slavery in America. Beginning with the civil war along the border of Kansas and Missouri, the author traces the life of John Brown and the personal support for his ideas from elite New England businessmen, intellectuals such as Emerson and Thoreau, and African Americans, including his confidant, Frederick Douglass, and Harriet Tubman. Throughout, King links events that contributed to the growing antipathy in the North toward slavery and the South’s concerns for its future, including Nat Turner’s insurrection, the Amistad affair, the Fugitive Slave law, the Kansas-Nebraska Act, and the Dred Scott decision. The author also effectively describes the debate within the African American community as to whether the U.S. Constitution was colorblind or if emigration was the right course for the future of blacks in America.
Following Brown’s execution after the failed raid on Harper’s Ferry in 1859, King shows how Brown’s vision that only a clash of arms would eradicate slavery was set into motion after the election of Abraham Lincoln. Once the Civil War erupted on the heels of Brown’s raid, the author relates how black leaders, white legislators, and military officers vigorously discussed the use of black manpower for the Union effort as well as plans for the liberation of the “veritable Africa” within the southern United States. Following the Emancipation Proclamation of January 1863, recruitment of black soldiers increased and by war’s end they made up nearly ten percent of the Union army, and contributed to many important victories.
To Raise Up a Nation: John Brown, Frederick Douglass, and the Making of a Free Country is a sweeping history that explains how the destruction of American slavery was not directed primarily from the counsels of local and national government and military men, but rather through the grassroots efforts of extraordinary men and women. As King notes, the Lincoln administration ultimately armed black Americans, as John Brown had attempted to do, and their role was a vital part in the defeat of slavery.

The Impact of Illicit Trade Between the North and South During the Civil War
While Confederate blockade runners famously carried the seaborne trade for the South during the American Civil War, the amount of Southern cotton exported to Europe was only half of that shipped illicitly to the North. Most went to New England textile mills where business “was better than ever,” according to textile mogul Amos Lawrence. Rhode Island senator William Sprague, a mill owner and son-in-law to Treasury Secretary Salmon P. Chase, was a member of a partnership supplying weapons to the Confederacy in exchange for cotton. The trade in contraband was not confined to New England. Union General William T. Sherman claimed Confederates were supplied with weapons from Cincinnati, while General Ulysses S. Grant captured Rebel cavalry armed with carbines purchased in Union-occupied Memphis. During the last months of the war, supplies entering the Union-controlled port of Norfolk, Virginia, were one of the principal factors enabling Robert E. Lee’s Confederate army to avoid starvation. Indeed, many of the supplies that passed through the Union blockade into the Confederacy originated in Northern states, instead of Europe as is commonly supposed. Merchants were not the only ones who profited; Union officers General Benjamin Butler and Admiral David Dixon Porter benefited from this black market. President Lincoln admitted that numerous military leaders and public officials were involved, but refused to stop the trade.
            In Trading with the Enemy: The Covert Economy During the American Civil War, New York Times Disunion contributor Philip Leigh recounts the little-known story of clandestine commerce between the North and South. Cotton was so important to the Northern economy that Yankees began growing it on the captured Sea Islands of South Carolina. Soon the neutral port of Matamoras, Mexico, became a major trading center, where nearly all the munitions shipped to the port—much of it from Northern armories—went to the Confederacy. After the fall of New Orleans and Vicksburg, a frenzy of contraband-for-cotton swept across the vast trans-Mississippi Confederacy, with Northerners sometimes buying the cotton directly from the Confederate government. A fascinating study, Trading with the Enemy adds another layer to our understanding of the Civil War.

This work is a narrative of Zachary Taylor’s Mexican War campaign, from the formation of his army in 1844 to his last battle at Buena Vista in 1847, with emphasis on the 163 men in his “Army of Occupation” who became Confederate or Union generals in the Civil War. It clarifies what being a Mexican War veteran meant in their cases, how they interacted with one another, how they performed their various duties, and how they reacted under fire. Referring to developments in Washington, D.C., and other theaters of the war, this book provides a comprehensive picture of the early years of the conflict based on army records and the letters and diaries of the participants.