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Alex Carey documents the twentieth-century history of corporate propaganda as practiced by U.S. businesses, and its export to and adoption by Western democracies like the United Kingdom and Australia. The collection, drawn from Carey's voluminous unpublished writings, examines how and why the business elite successfully sold its values and perspectives to the rest of society.
 

"It is well known that Southern Texas possesses a greater variety of Mineral Waters than any other country on the globe" enthused a promotion for one of Texas' many watering spas of the nineteenth century. Though most are closed and nearly forgotten today, Texas spas and resorts once drew thousands of visitors from across the country, seeking healing of body and spirit in the rejuvenating mineral waters.

This book offers the first comprehensive history of Texas' healing springs. Janet Valenza tracks the rise, popularity, and decline of the "water cure" from the 1830s to the present day. She follows the development of major spas and resorts, such as Mineral Wells and Indian Hot Springs near El Paso, as well as of smaller, family-run springs. She also describes how mineral waters influenced patterns of settlement, transportation routes, commerce, and people's attitudes toward the land. Period photos and quotes from those seeking cures offer vivid glimpses into the daily life at the springs, which Valenza lists and describes county-by-county in the appendix.

"They say that the eldest of the chief's daughters..." So begins a tale from the Basotho, unfolded by the meager light of a dung fire that burns smokily behind the reed screen sheltering the entrance of the hut. The old ones of the tribe wait until dark before telling their stories, for everyone knows horns will grow from the head of one who tells a story during daylight hours. Tales from the Basotho abounds with elements familiar to folk narrative. The heroes and heroines are the chiefs and their wives, their sons and their daughters. Fantastic creatures frequent the narratives. exhibiting their awful powers.

Rustic peace and beauty pervade the stories, as Minnie Postma amply demonstrates in her versions of the tales. Something fearful may be occurring—the dreaded Koeoko pulling the only son of the chief under water—but, at the same time, girls with babies tied to their backs are searching for edible bulbs in the veld, and an old woman dreams in the gentle sunlight in front of the huts.

These tales from the Basotho are for entertainment only. There is a tabu against telling tales while the sun shines, because daylight hours must be saved for work. The telling itself is the· reason the story exists, for the audience is already aware of the outcome of each tale. As Wm. Hugh Jansen emphasizes in his foreword, "text" and "context" are often easily interpreted and made accessible in a translation, but Tales from the Basotho is ultimately successful for its rendering of "texture." And texture is doubly hard to convey when the telling itself is of primary importance. Minnie Postma and Susie McDermid have transferred the art of the Basotho raconteur onto the printed page. All the simple, understandable formulas, exclamations, and repetitions used so skillfully by the native storyteller are present. Rhythm is an important element in the tales, and a word, a phrase, even a whole paragraph will be repeated until the rhythm satisfies the storyteller, in tum increasing the appreciation of the listeners.

Abernethy presents the history and folklore of the Big Thicket and its people, including a collection of Alabama-Coushatta tales, a search for hidden Jayhawkers during the Civil War, a nineteenth-century travel account, and a family history of the legendary Hooks.

Tales of Dionysus is the first English verse translation of one of the most extraordinary poems of the Greek literary tradition, the Dionysiaca of Nonnus of Panopolis. By any standard, the Dionysiaca is a formidable work. It is by far the longest poem surviving from the classical world, a massive mythological epic stretching to over 20,000 lines, written in the tradition of Homer, using Homer’s verse, Homer’s language, his narrative turns and motifs, and invoking his ancient Muses. But it is also the last ancient epic to follow a Homeric model, composed so late in fact that it stands as close in time to the Renaissance as it does to archaic Greece. Like its titular hero, Dionysus, with his fluidity of forms, names, and divine incarnations, the poem itself is continually shifting shape. Out of its formal epic frame spills a tumult of ancient literary types: tragedy, elegy, didactic, panegyric, pastoral idyll, and the novel are all parts of this gigantic enterprise, each genre coming to the fore one after the other.

Tales of Dionysus brings together forty-two translators from a wide range of backgrounds, with different experiences and different potential relationships to the text of Nonnus’ poem. All work in their own styles and with their own individual approaches to the poem, to translation, and to poetic form. This variety turns Tales of Dionysus into a showcase of the multiple possibilities open to classical translation in the contemporary world.

Hidden gems from Chicago’s past

Tales of Forgotten Chicago contains twenty-one fascinating, little-known stories about a great city and its people. Richard C. Lindberg has dug deeply to reveal lost historical events and hidden gems from Chicago’s past.  

Spanning the Civil War through the 1960s, the volume showcases forgotten crimes, punishments, and consequences: poisoned soup that nearly killed three hundred leading citizens, politicians, and business and religious leaders; a woman in showbiz and her street-thug husband whose checkered lives inspired a 1955 James Cagney movie; and the first police woman in Chicago, hired as a result of the senseless killing of a young factory girl in a racially tinged case of the 1880s.

Also included are tales of industry and invention, such as America’s first automobile race, the haunting of a wealthy Gilded Age manufacturer’s mansion, and the identity of the telephone’s rightful inventor. Chapters on the history of early city landmarks spotlight the fight to save Lakefront Park and how “Lucky” Charlie Weeghman’s north side baseball park became Wrigley Field. Other chapters explore civic, cultural, and political happenings: the great Railroad Fairs of 1948 and 1949; Richard J. Daley’s revival of the St. Patrick’s Day parade; political disrupter Lar “America First” Daly; and the founding of the Special Olympics in Chicago by Anne Burke and others. Finally, some are just wonderful tales, such asa  touching story about the sinking of Chicago's beloved Christmas tree ship.

Engrossing and imaginative, this collection opens new windows into the past of the Windy City.

It is for good reason that J. Frank Dobie is known as the Southwest's master storyteller. With his eye for color and detail, his ear for the rhythm of language and song, and his heart open to the simple truth of folk wisdom and ways, he movingly and unpretentiously spins the tales of our collective heritages. This he does in Tales of Old-Time Texas, a heartwarming array of twenty-eight stories filled with vivid characters, exciting historical episodes, and traditional themes. As Dobie himself says: "Any tale belongs to whoever can best tell it." Here, then, is a collection of the best Texas tales—by the Texan who can best tell them.

Dobie's recollections include such classics in Lone Star State lore as the tale of Jim Bowie's knife, the legend of the Texas bluebonnet, the story of the Wild Woman of the Navidad, and the account of the headless horseman of the mustangs. Other stories in this outstanding collection regale us with odd and interesting characters and events: the stranger of Sabine Pass, the Apache secret of the Guadalupes, the planter who gambled away his bride, and the Robinhooding of Sam Bass. These stories, and many more, make Tales of Old-Time Texas a beloved classic certain to endure for generations.

With a common heritage as former colonies of Europe, why did the United States so outstrip Latin America in terms of economic development in the nineteenth century? In this innovative study, Camilla Townsend challenges the traditional view that North Americans succeeded because of better attitudes toward work—the Protestant work ethic—and argues instead that they prospered because of differences in attitudes towards workers that evolved in the colonial era.

Townsend builds her study around workers' lives in two very similar port cities in the 1820s and 1830s. Through the eyes of the young Frederick Douglass in Baltimore, Maryland, and an Indian woman named Ana Yagual in Guayaquil, Ecuador, she shows how differing attitudes towards race and class in North and South America affected local ways of doing business. This empirical research significantly clarifies the relationship between economic culture and racial identity and its long-term effects.

Although it has long been known that the Indonesian War of Independence was far more violent than generally assumed by the Dutch public, for a long time the tendency to downplay, ignore, or justify the scale and nature of this violence dominated. Tales of Violence examines how politicians and administrators in both the Netherlands and Indonesia have dealt with this large-scale violence and poses painful questions.

How were the violence of war and the numerous excesses between 1945-1949 discussed, concealed, passed on, manipulated, and used politically? What did Dutch, colonial, and Indonesian politicians and administrators know about the nature of the actions of their own and enemy troops?

Why did investigations into specific scandals grind to a halt or were their outcomes hidden from the public? What did those in charge do with their knowledge and how did communications influence public support for warfare? The authors argue that the way the war in Indonesia has long been viewed has its origins partly in the language and manipulation of information during the conflict.

An anonymous minstrel in thirteenth-century France composed this gripping account of historical events in his time. Crusaders and Muslim forces battle for control of the Holy Land, while power struggles rage between and among religious authorities and their conflicting secular counterparts, pope and German emperor, the kings of England and the kings of France. Meanwhile, the kings cannot count on their independent-minded barons to support or even tolerate the royal ambitions. Although politics (and the collapse of a royal marriage) frame the narrative, the logistics of war are also in play: competing military machinery and the challenges of transporting troops and matariel. Inevitably, the civilian population suffers. The minstrel was a professional story-teller, and his livelihood likely depended on his ability to captivate an audience. Beyond would-be objective reporting, the minstrel dramatizes events through dialogue, while he delves into the motives and intentions of important figures, and imparts traditional moral guidance. We follow the deeds of many prominent women and witness striking episodes in the lives of Eleanor of Aquitaine, Richard the Lionhearted, Blanche of Castile, Frederick the Great, Saladin, and others. These tales survive in several manuscripts, suggesting that they enjoyed significant success and popularity in their day. Samuel N. Rosenberg produced this first scholarly translation of the Old French tales into English. References that might have been obvious to the minstrel’s original audience are explained for the modern reader in the indispensable annotations of medieval historian Randall Todd Pippenger. The introduction by eminent medievalist William Chester Jordan places the minstrel’s work in historical context and discusses the surviving manuscript sources.

Praise for Talk about Sex

“Must reading for scholars, sexuality researchers, activists, and public policy and public health planners engaged in efforts to promote education on sex, sexually transmitted diseases, and HIV infection prevention for adolescents in schools.”—JAMA 
 
Talk about Sex is a rich social history about the political transformations, cultural dynamics, and emotional rhetorical strategies that helped the right wing manufacture controversies on the local and national levels in the United States. Although the emergence of a politicized Christian Right is commonly dated at the mid-seventies, with the founding of groups like the Moral Majority, Talk about Sex tells the story of a powerful right-wing Christian presence in politics a full decade earlier. These activists used inflammatory sexual rhetoric—oftentimes deceptive and provocative—to capture the terms of public debate, galvanize voters, and reshape the culture according to their own vision. 

This 20th Anniversary Edition includes a new preface and epilogue by the author that examines current controversies over public education on sexuality, gender, and race. 
 
Demonstrating how the right wing draws on the cultural power of sexual shame and fear to build a political movement, Talk about Sex explores the complex entanglements of sexual knowledge, politics, and discourses.
 

Fatna El Bouih was first arrested in Casablanca as an 18-year-old student leader with connections to the Marxist movement. Over the next decade she was rearrested, forcibly disappeared, tortured, and transferred between multiple prisons. While imprisoned, she helped organize a hunger strike, completed her undergraduate degree in sociology, and began work on a Master's degree.

Beginning with the harrowing account of her kidnapping during the heightened political tension of the 1970s, Talk of Darkness tells the true story of one woman's struggle to secure political prisoners' rights and defend herself against an unjust imprisonment.

Poetically rendered from Arabic into English by Mustapha Kamal and Susan Slyomovics, Fatna El Bouih's memoir exposes the techniques of state-instigated "disappearance" in Morocco and condemns the lack of laws to protect prisoners' basic human rights.

In the 2010s, Turkey’s ruling Justice and Development Party (AKP) began to mobilize an international media system to project Turkey as a rising player and counter foreign criticism of its authoritarian practices. Bilge Yesil examines the AKP’s English-language communication apparatus, focusing on its objectives and outcomes, the idea-generating framework that undergirds it, and the implications of its activities. She also analyzes the decolonial and pan-Islamist messages AKP-sponsored outlets deploy to position Turkey as a burgeoning great power opposed to imperialism and claiming to be the voice of oppressed Muslims around the world. As the AKP wields this rhetoric to further its geopolitical and economic goals, media outlets pursue their own objectives by obfuscating facts with identity politics, demonizing the West to aggrandize the East and rallying Muslims under Turkey’s purportedly benevolent leadership.

Insightfully exploring the crossroads of communications and authoritarianism, Talking Back to the West illuminates how the Erdogan government and its media allies use history, religion, and identity to pursue complementary agendas and tighten the AKP’s grip on power.

The incomparable Mary Beard is back, and she’s talking all things classics.

Why the ongoing fascination with the ancient world? This witty, approachable book asks why—for better or (sometimes) worse—antiquity continues to exert such a powerful hold on the contemporary imagination. Recalling a formative childhood encounter with a four-thousand-year-old piece of bread in a museum, Beard introduces the idea of thauma, or wonder, that kick-started a lifetime engaging with classics. It was not the canonical “greats” of ancient literature and art that initially drew her in, she confesses, but rather the more intimate, messy, and humdrum evidence of daily life in the remote past.

Confronting the uses and abuses of symbols of the ancient world, Beard reminds us that the traditions and “masterpieces” of Greece and Rome have certainly been politicized, but they belong to neither the left nor the right. Happily, no one owns the past. She warns us not to let a sense of reverence or overfamiliarity dampen the “shock of the old,” arguing that one of the most important things that classics teach us is how to grapple with complicated and controversial things. “The Greeks and Romans are long dead, they cannot answer back, and you can say what you like about them,” she reminds readers. “The simple fact that classics belong to none of us can offer a safe space to argue about the most difficult debates we face now.”

Beard welcomes everyone into classics. “It is not compulsory to be excited by the ancient world,” she writes. “But it can be a shame not to be.” This charming, sharp, and readable book from one of the world’s most entertaining classicists offers something for both new and established fans of classics, bringing new wonder and curiosity to even the most ancient of ideas.
 

The incomparable Mary Beard is back, and she’s talking all things classics.

Why the ongoing fascination with the ancient world? This witty, approachable book asks why—for better or (sometimes) worse—antiquity continues to exert such a powerful hold on the contemporary imagination. Recalling a formative childhood encounter with a four-thousand-year-old piece of bread in a museum, Beard introduces the idea of thauma, or wonder, that kick-started a lifetime engaging with classics. It was not the canonical “greats” of ancient literature and art that initially drew her in, she confesses, but rather the more intimate, messy, and humdrum evidence of daily life in the remote past.

Confronting the uses and abuses of symbols of the ancient world, Beard reminds us that the traditions and “masterpieces” of Greece and Rome have certainly been politicized, but they belong to neither the left nor the right. Happily, no one owns the past. She warns us not to let a sense of reverence or overfamiliarity dampen the “shock of the old,” arguing that one of the most important things that classics teach us is how to grapple with complicated and controversial things. “The Greeks and Romans are long dead, they cannot answer back, and you can say what you like about them,” she reminds readers. “The simple fact that classics belong to none of us can offer a safe space to argue about the most difficult debates we face now.”

Beard welcomes everyone into classics. “It is not compulsory to be excited by the ancient world,” she writes. “But it can be a shame not to be.” This charming, sharp, and readable book from one of the world’s most entertaining classicists offers something for both new and established fans of classics, bringing new wonder and curiosity to even the most ancient of ideas.
 

First place in the 2020 American Journal of Nursing Book of the Year Award in History and Public Policy​
Winner of the 2020 Lavinia L. Dock Award from the American Association for the History of Nursing

Talking Therapy traces the rise of modern psychiatric nursing in the United States from the 1930s to the 1970s. Through an analysis of the relationship between nurses and other mental health professions, with an emphasis on nursing scholarship, this book demonstrates the inherently social construction of ‘mental health’, and highlights the role of nurses in challenging, and complying with, modern approaches to psychiatry. After WWII, heightened cultural and political emphasis on mental health for social stability enabled the development of psychiatric nursing as a distinct knowledge project through which nurses aimed to transform institutional approaches to patient care, and to contribute to health and social science beyond the bedside. Nurses now take for granted the ideas that underpin their relationships with patients, but this book demonstrates that these were ideas not easily won, and that nurses in the past fought hard to make mental health nursing what it is today.
 

An early history of Talladega College
 
In 1954 when the U.S. Supreme Court declared separate education inherently unequal, Talladega College was a notable black liberal arts school thriving in rural east Alabama. This is a study of that college, its growth, development, and significance, from its inception by freed slaves in the 1860s through the student protest movement more than a century later. Initially Talladega offered primary, secondary, nursing, and theological as well as college-level work. Under strong leadership of visionaries such as James T. Cater, the school’s first black dean, Talladega became a first-rate liberal arts institution. During its first decades the school struggled against poverty, white hostility, Ku Klux Klan threats, and internal dissension to produce a number of teachers and ministers for Alabama schools and churches.
 
This book examines such college issues as finance, enrollment, students, educational policy, and the often stormy relationship with black and white neighbors. It provides a sense of both the obstacles to and the positive consequences of building and nurturing a black college.
 

Only an extraordinary Texas Ranger could have cleaned up bandit-plagued Southwest Texas, between the Nueces River and the Rio Grande, in the years following the Civil War. Thousands of raiders on horseback, some of them Anglo-Americans, regularly crossed the river from Mexico to pillage, murder, and rape. Their main objective? To steal cattle, which they herded back across the Rio Grande to sell. Honest citizens found it almost impossible to live in the Nueces Strip.

In desperation, the governor of Texas called on an extraordinary man, Captain Leander M. McNelly, to take command of a Ranger company and stop these border bandits. One of McNelly's recruits for this task was George Durham, a Georgia farmboy in his teens when he joined the "Little McNellys," as the Captain's band called themselves. More than half a century later, it was George Durham, the last surviving "McNelly Ranger," who recounted the exciting tale of taming the Nueces Strip to San Antonio writer Clyde Wantland.

In Durham's account, those long-ago days are brought vividly back to life. Once again the daring McNelly leads his courageous band across Southwest Texas to victories against incredible odds. With a boldness that overcame their dismayingly small number, the McNellys succeeded in bringing law and order to the untamed Nueces Strip—succeeded so well that they antagonized certain "upright" citizens who had been pocketing surreptitious dollars from the bandits' operations.

An essential study of nineteenth-century Spanish political thought.

Jaime Balmes and Juan Donoso Cortés–the two most important conservative thinkers in nineteenth-century Spain–actively sought to preserve the centrality of church and monarchy in the wake of the rise of liberalism, while at the same time discrediting the stereotypical view of Spain as a backward and isolated country. Although they pursued a similar goal, their positions differed: while Balmes’ works anticipated a socially oriented Catholicism, Donoso presented Christianity as the supreme social good, incompatible with modern liberalism. In Taming the Revolution, Andrea Acle-Kreysing highlights the unresolved tensions in their works, escaping the dualistic interpretations of this period that defines tradition from modernity. This work endeavors to show how Spanish political thought was a compelling variation–rather than an aberration–of contemporary European debates.
 

One of the most obvious stylistic features of Athenian black-figure vase painting is the use of color to differentiate women from men. By comparing ancient art in Egypt and Greece, Tan Men/Pale Women uncovers the complex history behind the use of color to distinguish between genders, without focusing on race. Author Mary Ann Eaverly considers the significance of this overlooked aspect of ancient art as an indicator of underlying societal ideals about the role and status of women. Such a commonplace method of gender differentiation proved to be a complex and multivalent method for expressing ideas about the relationship between men and women, a method flexible enough to encompass differing worldviews of Pharaonic Egypt and Archaic Greece. Does the standard indoor/outdoor explanation—women are light because they stay indoors—hold true everywhere, or even, in fact, in Greece? How “natural” is color-based gender differentiation, and, more critically, what relationship does color-based gender differentiation have to views about women and the construction of gender identity in the ancient societies that use it?

The depiction of dark men and light women can, as in Egypt, symbolize reconcilable opposites and, as in Greece, seemingly irreconcilable opposites where women are regarded as a distinct species from men. Eaverly challenges traditional ideas about color and gender in ancient Greek painting, reveals an important strategy used by Egyptian artists to support pharaonic ideology and the role of women as complementary opposites to men, and demonstrates that rather than representing an actual difference, skin color marks a society’s ideological view of the varied roles of male and female.

A new interpretation of the roots of Israeli culture

In Tangled Roots: The Emergence of Israeli Culture, Israel Bartal traces the history of modern Hebrew culture prior to the emergence of political Zionism. Bartal examines how traditional and modernist ideals and Western and non-European Jewish cultures merged in an unprecedented encounter between an ancient land (Israel) and a multigenerational people (the Jews). Premodern Jewish traditionalists, Palestinian locals, foreign imperial forces, and Jewish intellectuals, writers, journalists, and party functionaries each affected the Israeli culture that emerged. As this new Hebrew culture was taking shape, the memory of the recent European past played a highly influential role in shaping the image of the New Hebrew, that mythological hero who was meant to supplant the East European exilic Jew.

Features

• A critical revision of most contemporary politicized histories of Jewish nationalism
• An examination of the history of modern Hebrew culture prior to political Zionism