914 books match the query 'Medieval' and 244 start with t

cover of The Contemporary Medieval in Practice

The Contemporary Medieval in Practice

Claire A. Lees and Gillian R. Overing

University College London, 2019

Contemporary art can provide medievalists with innovative ways to reframe the past. Meanwhile, medievalists offer contemporary art insights into cultural works of the past that have been reworked in the present.

Speculative and nontraditional, The Contemporary Medieval in Practice adapts the conventional scholarly essay to reflect its interdisciplinary subject. Creative critical writing encourages the introduction of dialogue, poetry, and short essays within scholarly style, and this, the authors argue, makes it an ideal format for exploring innovative pathways from the contemporary to the medieval. Discussing urgent critical discourses and cultural practices, such as the study of the environment and the ethics of understanding bodies, identities, and histories, this short, accessible book focuses on early medieval British culture, or Anglo-Saxon studies, and its relation with, use of, and reworking in contemporary visual, poetic, and material culture after 1950. 
 
 
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cover of The Correspondence of Johann Amerbach: Early Printing in its Social Context

The Correspondence of Johann Amerbach

Early Printing in its Social Context

Selected, Translated, Edited, and with Commentary by Barbara C. Halporn

University of Michigan Press, 2000

After Gutenberg, the book world was changed forever. Writers wanted to break into print; venture capitalists and printers wanted to make money; scholars wanted to promote their educational agendas. To be economically viable, the printed book--unlike the handmade book--required distribution to large international markets, promotion, advertising, capital, and above all, profit. In a heady atmosphere of speculation, competition, and high risk, printers set up shop and went bankrupt with dizzying rapidity. Against these odds Johann Amerbach established a successful printing-publishing firm that survived for thirty-five years. His correspondence takes the reader into that rapidly changing world.
Between 1478 and 1513 Amerbach published more than a hundred substantial works. He is best known for his monumental editions of the works of early church fathers. Crucial to his success was the information network he kept through correspondence with scholars, teachers, printers, booksellers, library curators, and other members of the literate community. The letters reveal how books were made, by whom, and for whom. The Correspondence of Johann Amerbach allows us to see the tensions in the new alliance between commerce and the republic of letters. Filling out the scene more fully, letters between the Amerbach children and their parents tell of the daily life, expectations, and aspirations of an intellectual bourgeois family at the end of the fifteenth century.
Barbara C. Halporn is Head of the Collection Development Department, Widener Library, Harvard University.
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cover of The Crooked Stick: A History of the Longbow

The Crooked Stick

A History of the Longbow

Hugh D. H. Soar

Westholme Publishing, 2004

The Complete Story of a Legendary Weapon

"Spendidly enthusiastic. . . . Soar's book is indispensable."—Bernard Cornwell

"A fascinating study of a forgotten weapon. . . . For centuries the longbow dominated battle, affecting the fates of nations" —Wall Street Journal

"Bowyers, bowhunters, target archers and students of archery history should all find cause for celebration with Hugh Soar's concise but authoritative text." —Traditional Bowhunter

On a clear July morning in 1346, a small force approached the walls of Caen for battle. The attackers rode to the field on horseback, banners and pennants fluttering in the light breeze. Behind them marched bowmen in tightly ranked units. At the sound of a crisp battle horn, they halted. A twinge of apprehension rippled through the thousands of Norman defenders as they looked down at the opposing army, for precision archery formation had long since disappeared as a military concept in medieval France. Here was not the expected rabble of unrated bucolics cowed by the might of France; confronting them was a quietly determined group of trained soldiers armed not with the familiar arbalest but with a new and strange weapon of great length. The defenders of Caen were about to meet the English war bow and its deadly battle shaft. For the next 100 years, this weapon, the "crooked stick," would command continental battlefields, etching its fearsome reputation at Crécy, Poitiers, Agincourt, and Verneuil, while establishing England as an international power for the first time.

Although the longbow is best known for its deployment during the Hundred Years' War, its origins lie with ancient Saxon seafighters and Welsh craftsmen, while today the bow is a vibrant part of the traditional archery scene. In The Crooked Stick: A History of the Longbow, historian Hugh D. H. Soar pulls together all of these strings, presenting the engaging story of this most charismatic standoff weapon. After a careful consideration of Neolithic bows and arrows, the author describes the bow's use in the medieval hunt and its associated customs. The longbow made its deepest mark in warfare, however, and the author follows the weapon's development and tactical deployment from the hand-bow of William the Conqueror's campaigns to the continental set-piece battles between England and France. Although soldiers reluctantly gave up the longbow for firearms, its recreational use became immensely popular, particularly during the Regency and Victorian periods. In the twentieth century it appeared as if the longbow would disappear into the fog of legend, but a new interest in traditional craft and expertise gained hold, and the pleasure of using this ancient instrument is now firmly part of archery around the world.

Through a remarkable command of manuscript and printed sources and a judicious use of material evidence, including his own important collection of rare longbows, Hugh Soar establishes the deep connections of this bow to England, Scotland, and Wales. Figures in the past like William Wallace, Edward III, and Henry V appear alongside detailed descriptions of bows, strings, arrows, and arrowheads, while the rise of institutions and craftsmen devoted to the longbow are presented to show how knowledge of this weapon was carried forward across the centuries. Today, those in the sport of archery and military historians will find that The Crooked Stick will enhance their own interests in a weapon of legendary status.

In addition to the illustrated text, the book contains appendices detailing the history and design of bracers, tabs and tips, quivers, and arrowheads associated with the longbow.
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cover of The Cult of the Saints: Its Rise and Function in Latin Christianity

The Cult of the Saints

Its Rise and Function in Latin Christianity

Peter Brown

University of Chicago Press, 1982

Following the fall of the Roman Empire in the West, the cult of the saints was the dominant form of religion in Christian Europe. In this elegantly written work, Peter Brown explores the role of tombs, shrines, relics, and pilgrimages connected with the sacred bodies of the saints. He shows how men and women living in harsh and sometimes barbaric times relied upon the merciful intercession of the holy dead to obtain justice, forgiveness, and to find new ways to accept their fellows. Challenging the common treatment of the cult as an outbreak of superstition among the lower classes, Brown demonstrates how this form of religiousity engaged the finest minds of the Church and elicited from members of the educated upper classes some of their most splendid achievements in poetry, literature, and the patronage of the arts.

"Brown has an international reputation for his fine style, a style he here turns on to illuminate the cult of the saints. Christianity was born without such a cult; it took rise and that rise needs chronicling. Brown has a gift for the memorable phrase and sees what the passersby have often overlooked. An eye-opener on an important but neglected phase of Western development."—The Christian Century

"Brilliantly original and highly sophisticated . . . . [The Cult of the Saints] is based on great learning in several disciplines, and the story is told with an exceptional appreciation for the broad social context. Students of many aspects of medieval culture, especially popular religion, will want to consult this work."—Bennett D. Hill, Library Journal
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cover of The Cult of the Saints: Its Rise and Function in Latin Christianity, Enlarged Edition

The Cult of the Saints

Its Rise and Function in Latin Christianity, Enlarged Edition

Peter Brown

University of Chicago Press, 2014

The classic account of how medieval people engaged with the cult of the saints

In this groundbreaking work, Peter Brown explores how the worship of saints and their corporeal remains became central to religious life in Western Europe after the fall of the Roman Empire. During this period, earthly remnants served as a heavenly connection, and their veneration is a fascinating window into the cultural mood of a region in transition.

Brown challenges the long-held “two-tier” idea of religion that separated the religious practices of the sophisticated elites from those of the superstitious masses, instead arguing that the cult of the saints crossed boundaries and played a dynamic part in both the Christian faith and the larger world of late antiquity. He shows how men and women living in harsh and sometimes barbaric times relied upon the holy dead to obtain justice, forgiveness, and power, and how a single sainted hair could inspire great thinkers and great artists.

An essential text by one of the foremost scholars of European history, this expanded edition includes a new preface from Brown, which presents new ideas based on subsequent scholarship.
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cover of The Culture of Merit: Nobility, Royal Service, and the Making of Absolute Monarchy in France, 1600-1789

The Culture of Merit

Nobility, Royal Service, and the Making of Absolute Monarchy in France, 1600-1789

Jay M. Smith

University of Michigan Press, 1996

The eighteenth century's critique of privilege and its commitment to the idea of advancement by merit are widely regarded as sources of modernity. But if meritocratic values were indeed the product of the Enlightenment and the French Revolution, how do we explain earlier attention to merit--especially the nobility whose values the Revolution rejected? The Culture of Merit probes this paradox by analyzing changing perceptions of merit among the old nobility from the age of Louis XIII to the eve of the French Revolution.
Jay M. Smith argues that the early modern nobility instinctively drew a correlation between the meaning of merit and an image of the "sovereign's gaze." In the early seventeenth century, merit meant the qualities traditionally associated with aristocratic values: generosity, fidelity, and honor. Nobles sought to display those qualities before the appreciative gaze of the king himself. But the expansion of the monarchy forced the routinization of the sovereign's gaze, and Louis XIV began to affirm and reward new qualities--talent and application--besides those thought innately noble.
The contradictions implicit within the absolute monarchy's culture of merit are demonstrated by the eighteenth-century French army, which was dominated by the nobility, but also committed to efficiency and expertise. Smith shows that the army's continuous efforts to encourage and reward "merit" led to a clash of principles. The ever-growing emphasis on talent and discipline led reformers--the great majority of them noble--to attack the most egregious examples of privilege and favoritism in the army. Smith's analysis of the long-term evolution in conceptions of royal service suggests a new explanation for the shift in values signified by the French Revolution. The transition away from the "personal" gaze of the king toward the "public" gaze of the monarchy and nation foretold the triumph of a new culture of merit in which noble birth would have no meaning.
The Culture of Merit will interest historians and other social scientists concerned with issues of aristocratic identity, state formation, professionalization, and the changing political culture of pre-Revolutionary France.
Jay M. Smith is Assistant Professor of History, University of North Carolina, Chapel Hill.
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cover of The Culture of San Sepolcro during the Youth of Piero della Francesca

The Culture of San Sepolcro during the Youth of Piero della Francesca

James R. Banker

University of Michigan Press, 2003

The paintings of Piero della Francesca have remained intriguing because of their distinctive three-dimensional space and unemotional figures, but the artist himself remains a mystery. Curiously, his activities were not confined to painting. He wrote treatises on perspective, commercial arithmetic, and geometry, all without ever settling in any of the centers of great intellectual achievement. James R.Banker has unearthed previously undiscovered documents that make it possible for him to write a social biography of the artist that accounts for his early formation. The Culture of San Sepolcro during the Youth of Piero della Francesca examines the culture of the southeastern Tuscan town of Piero's youth. Analyses of San Sepolcro's political and social organization and its specific religious culture serve to enhance our understanding of Piero's early career prior to his experiences in Florence.
Piero della Francesca has remained an enigma because of the contradictions observed in his life and art. Banker's archival research has enabled him to clear away some of the obscurities. This book situates Piero in the earliest social and intellectual worlds within which he moved. Heretofore, writers on Piero have begun his putative formation in Florence in 1439. Banker demonstrates that the young painter's formation began prior to 1439, when he was surrounded by his family and the local artisans' community.
The Culture of San Sepolcro during the Youth of Piero della Francesca integrates social and art history in order to better understand the formation of a Renaissance artist. It will be vital to scholars and historians of the Italian Renaissance city states, as well as to art historians and those interested in the relationship of art and society.
James R. Banker is Professor of History, North Carolina State University.
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cover of The Daily Lives of the Anglo-Saxons

The Daily Lives of the Anglo-Saxons

Carole Biggam

Arizona Center for Medieval and Renaissance Studies, 2017

Essays in Anglo-Saxon Studies v.8 (Glasgow, 2015).

Insights into the lives of any group of historical people are provided by three main types of evidence: their language, their literature and their material culture. The contributors to this volume draw on all three types of evidence in order to present new research into the lives of the Anglo-Saxons. The particular focus is on daily life – the ordinary rather than the extraordinary, the normal rather than the exceptional. Rather than attempting an overview, the essays address individual scenarios in greater depth, but with an emphasis on shared experience.

The following scholars have contributed essays to this collection:

Martha Bayless
University of Oregon

Carole P. Biggam
University of Glasgow

Paul Cavill
University of Nottingham

Amy W. Clark
University of California, Berkeley

James Graham-Campbell
University College London

Antonina Harbus
Macquarie University, Sydney

Carole Hough
University of Glasgow

Daria Izdebska
Liverpool Hope University

Karen Louise Jolly
University of Hawai‘i at Mānoa

Alexandra Lester-Makin
University of Manchester

Elisabeth Okasha
University College, Cork

Phyllis Portnoy
University of Manitoba

Jane Roberts
University of London
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cover of The Danger of Romance: Truth, Fantasy, and Arthurian Fictions

The Danger of Romance

Truth, Fantasy, and Arthurian Fictions

Karen Sullivan

University of Chicago Press, 2018

The curious paradox of romance is that, throughout its history, this genre has been dismissed as trivial and unintellectual, yet people have never ceased to flock to it with enthusiasm and even fervor. In contemporary contexts, we devour popular romance and fantasy novels like The Lord of the Rings, Harry Potter, and Game of Thrones, reference them in conversations, and create online communities to expound, passionately and intelligently, upon their characters and worlds. But romance is “unrealistic,” critics say, doing readers a disservice by not accurately representing human experiences. It is considered by some to be a distraction from real literature, a distraction from real life, and little more.

Yet is it possible that romance is expressing a truth—and a truth unrecognized by realist genres? The Arthurian literature of the Middle Ages, Karen Sullivan argues, consistently ventriloquizes in its pages the criticisms that were being made of romance at the time, and implicitly defends itself against those criticisms. The Danger of Romance shows that the conviction that ordinary reality is the only reality is itself an assumption, and one that can blind those who hold it to the extraordinary phenomena that exist around them. It demonstrates that that which is rare, ephemeral, and inexplicable is no less real than that which is commonplace, long-lasting, and easily accounted for. If romance continues to appeal to audiences today, whether in its Arthurian prototype or in its more recent incarnations, it is because it confirms the perception—or even the hope—of a beauty and truth in the world that realist genres deny.
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cover of The Darker Side of the Renaissance: Literacy, Territoriality, and Colonization

The Darker Side of the Renaissance

Literacy, Territoriality, and Colonization

Walter D. Mignolo

University of Michigan Press, 1995

Winner of the Modern Language Association's Katherine Singer Kovacs Prize.
The Darker Side of the Renaissance weaves together literature, semiotics, history, historiography, cartography, geography, and cultural theory to examine the role of language in the colonization of the New World.
Walter D. Mignolo locates the privileging of European forms of literacy at the heart of New World colonization. He examines how alphabetic writing is linked with the exercise of power, what role "the book" has played in colonial relations, and the many connections between writing, social organization, and political control. It has long been acknowledged that Amerindians were at a disadvantage in facing European invaders because native cultures did not employ the same kind of texts (hence "knowledge") that were validated by the Europeans. Yet no study until this one has so thoroughly analyzed either the process or the implications of conquest and destruction through sign systems.
Starting with the contrasts between Amerindian and European writing systems, Mignolo moves through such topics as the development of Spanish grammar, the different understandings of the book as object and text, principles of genre in history-writing, and an analysis of linguistic descriptions and mapping techniques in relation to the construction of territoriality and understandings of cultural space.
The Darker Side of the Renaissance will significantly challenge commonplace understandings of New World history. More importantly, it will continue to stimulate and provide models for new colonial and post-colonial scholarship.
". . . a contribution to Renaissance studies of the first order. The field will have to reckon with it for years to come, for it will unquestionably become the point of departure for discussion not only on the foundations and achievements of the Renaissance but also on the effects and influences on colonized cultures." -- Journal of Hispanic/ Latino Theology
Walter D. Mignolo is Professor in the Department of Romance Studies and the Program in Literature, Duke University.
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cover of The Deeds of Count Roger of Calabria and Sicily and of His Brother Duke Robert Guisc

The Deeds of Count Roger of Calabria and Sicily and of His Brother Duke Robert Guisc

Kenneth Baxter Wolf

University of Michigan Press, 2005

Geoffrey Malaterra's Deeds of Count Roger is the most important extant account of the Norman conquest of Muslim Silicy (1061-91). This volume includes a translation of the Latin original as well as an introduction, notes, and maps.

The Deeds of Count Roger fills a gap in the primary literature pertaining to the earliest phase of Latin Christian expansion at the expense of Islam, since the Norman conquests in Sicily were more or less contemporary with the First Crusade and the beginnings of the Spanish Reconquista. The account also illustrates the complexity of medieval historical writing, with Malaterra on the one hand praising the Normans for their military achievements and on the other subtly criticising the "lust for domination" that inspired them.

Kenneth Baxter Wolf is Professor of History at Pomona College.

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cover of The Deeds of Pope Innocent III

The Deeds of Pope Innocent III

James M. Powell

Catholic University of America Press, 2004

The Deeds of Pope Innocent III, composed before 1210 by an anonymous member of the papal curia, provides a unique window into the activities, policies, and strategies of the papacy and the curia during one of the most important periods in the history of the medieval church.
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cover of The Desert Fathers

The Desert Fathers

Helen Waddell

University of Michigan Press, 1956

The words of the 4th-century monastics who founded the Desert Rule
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cover of The Discovery of Being and Thomas Aquinas

The Discovery of Being and Thomas Aquinas

Christopher M. Cullen, SJ

Catholic University of America Press, 2019

While there has been agreement among followers of Aquinas that being insofar as it is being (being qua being) is the subject of metaphysics, there is not agreement on how this being qua being is to be understood, nor on how we come to know the being that is the object of metaphysical investigation. The topic of what being is, as the object of the science of metaphysics, and how to account for the “discovery” of the being of metaphysics have emerged as central problems for the contemporary retrieval of Aquinas and for the larger project of post-Leonine Thomism in general. This lack of agreement has hampered the retrieval of Aquinas’s metaphysics.

The collection of essays within The Discovery of Being and Thomas Aquinas is divided into three major parts: the first set of essays concerns the foundation of metaphysics within Thomism; the second set exemplifies the use of metaphysics in fundamental philosophical issues within Thomism; and the third set employs metaphysics in central theological issues.

The Discovery of Being and Thomas Aquinas allows major scholars of the different types of Thomism to engage in a full-scale defense of their position, as well as expanding Thomistic metaphysics to the discipline of theology in important ways.
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cover of The Douce Apocalypse: Picturing the End of the World in the Middle Ages

The Douce Apocalypse

Picturing the End of the World in the Middle Ages

Nigel Morgan

Bodleian Library Publishing, 2006

One of the finest of all medieval apocalypse manuscripts, the Douce Apocalypse was part of a series of illuminated texts that brought St. John’s apocalyptic visions to life. 

Now the manuscript—created sometime between 1250 and 1275—reaches an entirely new audience at the hands of noted scholar Nigel Morgan. The Douce Apocalypse explores the manuscript’s royal patronage, looks at its fascinating imagery, and examines its significance in light of contemporary prophecy. The commentary is accompanied by lush, full-color illustrations.

As Morgan relates, the Douce Apocalypse is especially enlightening because of its unfinished nature. A few of its images remain incomplete—and such absences give insight into the artist’s painstaking techniques of drawing, gilding, and painting. The second volume in the Treasures from the Bodleian Library series, The Douce Apocalypse will convey both the beauty of the original and the enduring fascination of its contents.
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cover of The Early Heidegger and Medieval Philosophy: Phenomenology for the Godforsaken

The Early Heidegger and Medieval Philosophy

Phenomenology for the Godforsaken

S. J. McGrath

Catholic University of America Press, 2006

The Early Heidegger and Medieval Philosophy is a major interpretive study of Heidegger's complex relationship to medieval philosophy.
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cover of The Early Medieval Balkans: A Critical Survey from the Sixth to the Late Twelfth Century

The Early Medieval Balkans

A Critical Survey from the Sixth to the Late Twelfth Century

John V. A. Fine

University of Michigan Press, 1991

This book discusses the development of ethnic nationalism among Bulgars, Croatians, Serbians, and Macedonians.

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cover of The Early Middle Ages

The Early Middle Ages

Franca Ela Consolino

SBL Press, 2020

Examine the creative, profound dialogue between medieval women and biblical traditions

The latest volume in the Bible and Women series examines the relationship between women and the Bible’s reception during the early Middle Ages (500–1100 CE) in both the Greek East and the Latin West. Essays focus on interactions between women and the Bible through biblical precepts on women and for women, biblical women as the subjects of action or objects of discussion, and writings by women that refer to the Bible as a moral authority. The women discussed in the volume range from the well-known—including the nuns Kassia in Byzantium and Hrosvita in the West; the aristocrat Dhuoda, author of a moral guide for her son; Gisela, the sister of Charlemagne and abbess of Chelles; and her niece Rotrude—to those who remain anonymous. Contributions also explore how the Old and New Testaments exercised influence on emerging Islam.

Features:

  • Analysis of images of the Virgin Mary as a means of tracing the spread of her cult and feast days from East to West
  • Exploration of the significance of classical culture for medieval women who composed poems for a Christian audience
  • Evaluation of art as a means of establishing devotional relationships not necessarily mediated by the voices of preachers or the reading of texts
  • .
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cover of The Earth Is Our Book: Geographical Knowledge in the Latin West ca. 400-1000

The Earth Is Our Book

Geographical Knowledge in the Latin West ca. 400-1000

Natalia Lozovsky

University of Michigan Press, 2000

"Early medieval geographical tradition resembles Andersen's ugly duckling. It often gets scolded and cannot find a place of its own, all because people almost invariably misunderstand its true nature." Thus begins Natalia Lozovsky's new book, The Earth Is Our Book: Geographical Knowledge in the Latin West ca. 400-1000. Filling a gap in the field of medieval studies, which has traditionally marginalized or ignored medieval geography altogether, Lozovsky explores medieval scholars' perceptions and representations of geographical space, how geographical knowledge fit into medieval society, and how this knowledge was taught and transmitted.
Tackling an impressive array of primary and secondary sources--including a variety of late antique and early medieval texts--Lozovsky examines early medieval geography as it existed in other fields of learning: theology, history, and natural science. She expounds on the use of published resources by examining the nature of geographical knowledge in the Middle Ages. She draws on unpublished sources--such as school commentaries--for the rich information they provide about geographical education during that period. For many scholars of medieval studies, early medieval geographical texts have more philological than geographical value. Lozovsky's work provides an insightful, alternative interpretation.
Those interested in history, medieval studies, ethnography, science, education, religion, Latin studies, and, of course, geography, will find this book a most fascinating read.
Natalia Lozovsky is an instructor in the Department of History, University of Colorado, Boulder.
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cover of The Edges of the Medieval World

The Edges of the Medieval World

Gerhard Jaritz

Central European University Press, 2009

In the Middles Ages, the edges of one's world could represent different meanings. On the one hand, they might have been situated in far-away regions, mainly in the east and north, that one most often only knew from hearsay and which were inhabited by strange beings: humans with their faces on their chest, without a mouth, or with dog heads. On the other hand, the edges of one's world could just mean the borders of the community where one lived and that one sometimes might not have had the possibility to cross during one's whole life.In this volume specialists from eight European countries offer their ideas about different edges of the medieval world and contribute to a discussion that has been increasing greatly in Medieval Studies in recent times.
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cover of The Elefánthy: The Hungarian Nobleman and His Kindred

The Elefánthy

The Hungarian Nobleman and His Kindred

Erik Fügedi

Central European University Press, 1998

In an exploration of the life and customs of the Hungarian nobility, this book compares historical reality and legal literature on the example of one noble family--the Elefánthy kindred from northern Hungary (present-day Slovakia). The author begins by outlining the customary law regarding noble status, inheritance and marriage, as summarized in the famous code of Stephen Werbőczy (1514). He then compares these norms with the documentary evidence and establishes the fact that the legal literature differs in regard to social mobility and kindred solidarity.

With this frame of reference in mind, the fate of the Elefánthy family is traced through several generations, enabling the author to make some general statistical statements on inheritance, the rise and fall of various branches, marriage strategies, and the "survival skills" of the kindred. In his summary, the author outlines some of the major avenues for further research, including the peculiar Hungarian form of retainership (familiaritas), and the relationships between noble families and between the nobility and local communities.

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cover of The Emperor Incognito: Joseph II's Journey through Enlightenment Europe

The Emperor Incognito

Joseph II's Journey through Enlightenment Europe

Monika Czernin

Haus Publishing, 2027

An emperor meets his people: the extraordinary journeys of Joseph II.

It is the end of the eighteenth century, and the European royal houses are beginning to falter. The young Habsburg emperor Joseph II realizes that reform is inevitable, and he eagerly soaks up Enlightenment ideas. Incognito, and without the usual pomp and entourage, he travels through his vast empire to see with his own eyes how his subjects live, suffer, and starve.

Along with princes and kings, he meets ordinary people and visits hospitals and factories in his search for new insights that will help him build a modern state. When he visits his sister Marie Antoinette in Versailles, he can see the French Revolution looming on the horizon. By the end of his journey, he had spent a quarter of his twenty-five-year reign on the road. With an introduction by Dominic Lieven and based on countless sources, Monika Czernin’s The Emperor Incognito tells the story of an extraordinary man in an age of great upheaval, who was far ahead of his time.

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cover of The Epic Catalogue: List Form and Reception from Beowulf to Paradise Lost

The Epic Catalogue

List Form and Reception from Beowulf to Paradise Lost

Eva von Contzen

The Ohio State University Press, 2026

In The Epic Catalogue, Eva von Contzen offers the first sustained study of the catalogue as form in epic poetry, tracing its functions and meanings across medieval and early modern literature. Ever since the Catalogue of Ships in Homer’s Iliad, catalogues have stood at the heart of epic poetry, yet their status is paradoxical: canonical and indispensable for the genre of epic, but also resistant to narrative flow and therefore both a challenge and a nuisance to audiences. Moving from biblical epic and Milton’s Paradise Lost to Beowulf and early English poetry, von Contzen presents four case studies that examine the catalogue’s role in shaping poetic authority, readerly engagement, and the reception of classical models. Von Contzen’s literary-historical approach bridges classical and vernacular traditions from early English to early modern poetry and sharpens our view of both continuities and ruptures in the epic tradition, challenging conventional narratives of classical reception. Bringing together formalist and cognitive literary methodologies, she argues that catalogues are not inert enumerations but dynamic cognitive forms that invite audiences to think differently about order, memory, and the status of epic itself.
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cover of The Exposition of 1 John and An Exposition upon Matthew V-VII

The Exposition of 1 John and An Exposition upon Matthew V-VII

William Tyndale

Catholic University of America Press, 2023

The Exposition of 1 John and An Exposition upon Matthew V-VII are William Tyndale’s two major exegetical writings, published respectively in 1531 and 1533 in Antwerp. By this period Tyndale’s English translations of the New Testament and Pentateuch had both been printed, and he was preparing a revised version of the former to be published in 1534. Among the books he produced in the interim are these verse-by-verse commentaries on St. John’s first epistle and on Jesus’s Sermon on the Mount. In them Tyndale characteristically alternates between fierce polemics and solemn homilies that together, as has been claimed, amount to the most complete articulation of his theological positions. This volume replaces the nineteenth-century editions on which scholars and students have long relied by providing an original-spelling text of each Exposition with notes recording substantive textual variants in all sixteenth-century editions; an introduction and extensive commentary documenting, in particular, parallels and differences between the two texts and Tyndale’s other works, the works of Luther and other reform theologians, and the works of the Church Fathers and others; plus a comprehensive glossary, appendices, and indices.
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cover of The Faces of Time: Portrayal of the Past in Old French and Latin Historical Narrative of the Anglo-Norman Regnum

The Faces of Time

Portrayal of the Past in Old French and Latin Historical Narrative of the Anglo-Norman Regnum

Jean Blacker

University of Texas Press, 1994

The twelfth century witnessed the sudden appearance and virtual disappearance of an important literary genre—the Old French verse chronicle. These poetic histories of the British kings, which today are treated as fiction, were written contemporaneously with Latin prose narratives, which are regarded as historical accounts. In this pathfinding study, however, Jean Blacker asserts that twelfth-century authors and readers viewed both genres as factual history.

Blacker examines four Old French verse chronicles—Gaimar's Estoire des Engleis (c. 1135), Wace's Roman de Brut (c. 1155) and Roman de Rou (c. 1160–1174), and Benoît de Sainte-Maure's Chronique des Ducs de Normandie (c. 1174–1180) and four Latin narratives—William of Malmesbury's Gesta Regum (c. 1118–1143) and Historia Novella (c. 1140–1143), Orderic Vitalis's Historia Ecclesiastica (c. 1118–1140), and Geoffrey of Monmouth's Historia Regum Britanniae (c. 1138). She compares their similarity in three areas—the authors' stated intentions, their methods of characterization and narrative development, and the possible influences of patronage and audience expectation on the presentation of characters and events.

This exploration reveals remarkable similarity among the texts, including their idealization of historical and even legendary figures, such as King Arthur. It opens fruitful lines of inquiry into the role these writers played in the creation of the Anglo-Norman regnum and suggests that the Old French verse chronicles filled political, psychic, and aesthetic needs unaddressed by Latin historical writing of the period.

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cover of The Fantasy of the Middle Ages: An Epic Journey through Imaginary Medieval Worlds

The Fantasy of the Middle Ages

An Epic Journey through Imaginary Medieval Worlds

Larisa Grollemond

J. Paul Getty Trust, The, 2022

This abundantly illustrated book is an illuminating exploration of the impact of medieval imagery on three hundred years of visual culture.
 
From the soaring castles of Sleeping Beauty to the bloody battles of Game of Thrones, from Middle-earth in The Lord of the Rings to mythical beasts in Dungeons & Dragons, and from Medieval Times to the Renaissance Faire, the Middle Ages have inspired artists, playwrights, filmmakers, gamers, and writers for centuries. Indeed, no other historical era has captured the imaginations of so many creators.

This volume aims to uncover the many reasons why the Middle Ages have proven so applicable to a variety of modern moments from the eighteenth through the twenty-first century. These “medieval” worlds are often the perfect ground for exploring contemporary cultural concerns and anxieties, saying much more about the time and place in which they were created than they do about the actual conditions of the medieval period. With over 140 color illustrations, from sources ranging from thirteenth-century illuminated manuscripts to contemporary films and video games, and a preface by Game of Thrones costume designer Michele Clapton, The Fantasy of the Middle Ages will surprise and delight both enthusiasts and scholars.

This title is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from June 21 to September 11, 2022.

[more]
cover of The Footsteps of Israel: Understanding Jews in Anglo-Saxon England

The Footsteps of Israel

Understanding Jews in Anglo-Saxon England

Andrew P. Scheil

University of Michigan Press, 2004

"This innovative, well-researched study looks at anti-Judaic rhetoric in the Old English and Latin texts of Anglo-Saxon England-a land lacking real Jews. The author isolates a common pool of inherited images for portraying the Jew, and teaches us to hear, especially in the vernacular, their increasingly dark and disturbing inflections." ---Roberta Frank, Yale University "The Footsteps of Israel is a fascinating study of a pervasive stereotype. Scheil's analysis of how Jews, with no real physical presence in Anglo-Saxon England, captured the imagination of writers of the period, is a superb achievement." ---Louise Mirrer, President and CEO, New-York Historical Society "The elegance of Scheil's prose weaves a unifying thread through the vast literary and historical tapestry he presents, moving with grace from Latin to Old English, from Bede to later authors, from Wordsworth and Blake to modern writers. He speaks elegantly of these texts' conversations with the past, and the Jews emerge as both enemies and spiritual antecedents of the 'New Israel' of Anglo-Saxon England." ---Stephen Spector, State University of New York, Stonybrook Jews are the omnipresent border-dwellers of medieval culture, a source of powerful metaphors active in the margins of medieval Christianity. This book outlines an important prehistory to later persecutions in England and beyond, yet it also provides a new understanding of the previously unrecognized roles Jews and Judaism played in the construction of social identity in early England. Andrew P. Scheil approaches the Anglo-Saxon understanding of Jews from a variety of directions, including a survey of the lengthy history of the ideology of England as the New Israel, its sources in late antique texts and its manifestation in both Old English and Latin texts from Anglo-Saxon England. In tandem with this perhaps more sympathetic understanding of the Jews is a darker vision of anti-Judaism, associating the Jews in an emotional fashion with the materiality of the body. In exploring the complex ramifications of this history, the author is the first to assemble and study references to Jews in Anglo-Saxon culture. For this reason, The Footsteps of Israel will be an important source for Anglo-Saxonists, scholars of late antiquity and the early Middle Ages, scholars of medieval antisemitism in general, students of Jewish history, and medievalists interested in cultural studies.
[more]
cover of The Friend

The Friend

Alan Bray

University of Chicago Press, 2003

In the chapel of Christ's College, Cambridge, some twenty years ago, historian Alan Bray made an astonishing discovery: a tomb shared by two men, John Finch and Thomas Baines. The monument featured eloquent imagery dedicated to their friendship: portraits of the two friends linked by a knotted cloth. And Bray would soon learn that Finch commonly described his friendship with Baines as a connubium or marriage.

There was a time, as made clear by this monument, when the English church not only revered such relations between men, but also blessed them. Taking this remarkable idea as its cue, The Friend explores the long and storied relationship between friendship and the traditional family of the church in England. This magisterial work extends from the year 1000, when Europe acquired a shape that became its enduring form, and pursues its account up to the eighteenth and nineteenth centuries. Spanning a vast array of fascinating examples, which range from memorial plaques and burial brasses to religious rites and theological imagery to classic works of philosophy and English literature, Bray shows how public uses of private affection were very common in premodern times. He debunks the now-familiar readings of friendship by historians of sexuality who project homoerotic desires onto their subjects when there were none. And perhaps most notably, he evaluates how the ethics of friendship have evolved over the centuries, from traditional emphases on loyalty to the Kantian idea of moral benevolence to the more private and sexualized idea of friendship that emerged during the modern era.

Finely nuanced and elegantly conceived, The Friend is a book rich in suggestive propositions as well as eye-opening details. It will be essential reading for anyone interested in the history of England and the importance of friendship in everyday life.

History Today’s Book of the Year, 2004
 
“Bray’s loving coupledom is something with a proper historical backbone, with substance and form, something you can trace over time, visible and archeologicable. . . . Bray made a great contribution in helping to bring this long history to light.”— James Davidson, London Review of Books  

[more]
cover of The Fullness of Time: Temporalities of the Fifteenth-Century Low Countries

The Fullness of Time

Temporalities of the Fifteenth-Century Low Countries

Matthew S. Champion

University of Chicago Press, 2017

The Low Countries were at the heart of innovation in Europe in the fifteenth century. Throughout this period, the flourishing cultures of the Low Countries were also wrestling with time itself. The Fullness of Time explores that struggle, and the changing conceptions of temporality that it represented and embodied showing how they continue to influence historical narratives about the emergence of modernity today.
 
The Fullness of Time asks how the passage of time in the Low Countries was ordered by the rhythms of human action, from the musical life of a cathedral to the measurement of time by clocks and calendars, the work habits of a guildsman to the devotional practices of the laity and religious orders. Through a series of transdisciplinary case studies, it explores the multiple ways that objects, texts and music might themselves be said to engage with, imply, and unsettle time, shaping and forming the lives of the inhabitants of the fifteenth-century Low Countries. Champion reframes the ways historians have traditionally told the history of time, allowing us for the first time to understand the rich and varied interplay of temporalities in the period.
 
[more]
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The Gallant Spaniard

Miguel de Cervantes; Translated by Philip Krummrich

Vanderbilt University Press, 2023

There are surprising omissions in the translated body of Spanish Golden Age literature, including in the corpus of Miguel de Cervantes. We have many highly competent translations of Don Quixote, but until now not a single English version of his play The Gallant Spaniard. Although Cervantes’s dramatic works have always attracted less attention than his narrative fiction, there has been significant critical interest in this play in recent years, due in no small part to its unique portrayal of Christian-Muslim relations. Critics have argued persuasively about the value of The Gallant Spaniard in the service of a more general understanding of Cervantes in his last years, specifically in regard to his views on this cultural divide.

This edition, translated by Philip Krummrich, consists of a critical introduction and a full verse translation of the play with notes.
[more]
cover of The Gateway to the Middle Ages: France and Britain

The Gateway to the Middle Ages

France and Britain

Eleanor Shipley Duckett

University of Michigan Press, 1988

Portrays France and Britain at the beginning of the Dark Ages
[more]
cover of The Gateway to the Middle Ages: Italy

The Gateway to the Middle Ages

Italy

Eleanor Shipley Duckett

University of Michigan Press, 1988

Portrays the struggle to defend Italian lands against the Eastern Goths and barbarians from the North.
[more]
cover of The Gateway to the Middle Ages: Monasticism

The Gateway to the Middle Ages

Monasticism

Eleanor Shipley Duckett

University of Michigan Press, 1988

In an era when the sounds of monasticism's interior life speak to a new generation, Eleanor Shipley Duckett offers an illuminated description of its development under such figures as Columban, "the saint afire with Irish enthusiam"; St. Benedict, greatest of the monks, who established a pattern of the religious life still vibrant to this day; and St. Gregory, Benedict's pupil and greatest of the popes, who more than any other prepared the See of Rome for its triumphant emergence in the Middle Ages.
"Professor Duckett writes a history of this period that is as full of intellectual excitement as those centuries were of military excitement." -- Christian Century
"New light on the troubled origins of the medieval spirit." --New Republic
Eleanor Shipley Duckett was Professor Emerita of Latin Languages and Literature, Smith College.
[more]
cover of The Gothic War: Justinian's Campaign to Reclaim Italy

The Gothic War

Justinian's Campaign to Reclaim Italy

Torsten Cumberland Jacobsen

Westholme Publishing, 2009

The War that Reshaped the Political Future of Europe

“Jacobsen brings to the story an intimate knowledge of Italy. The battles took place on terrain Jacobsen knows well. . . Recommended.”—Choice

“Jacobsen provides an operational history of Justinian’s campaign. Throughout he traces the military strategies and tactical intrigues of leaders such as the Roman general Belisarius and the Goth leader Totila.”—Publishers Weekly

“Jacobsen knows the sites he writes about, he has read Procopius diligently . . . and his military reconstruction can be faulted only in attributing to both sides rather better command and control than the ancient armies could generally manage. . . . Jacobsen has offered wargamers a tool they will appreciate.”—The Classical Review

A period of stability in the early sixth century A.D. gave the Eastern Roman emperor Justinian an opportunity to recapture parts of the Western Empire which had been lost to invading barbarians in the preceding centuries. The climactic conflict over Italy between 535 and 554—the Gothic War—decided the political future of Europe, holding in its balance the possibility that the Roman Empire might rise again. While large portions of the original territory of the ancient Roman Empire were recaptured, the Eastern Empire was incapable of retaining much of its hard-won advances, and soon the empire once again retracted. As a result of the Gothic War, Italy was invaded by the Lombards who began their important kingdom, the Franks began transforming Gaul into France, and without any major force remaining in North Africa, that territory was quickly overrun by the first wave of Muslim expansion in the ensuing century. Written as a general overview of this critical period, The Gothic War: Justinian’s Campaign to Reclaim Italy opens with a history of the conflict with Persia and the great Roman general Belisarius’s successful conquest of the Vandals in North Africa. After an account of the Ostrogothic tribe and their history, the campaigns of the long war for Italy are described in detail, including the three sieges of Rome, which turned the great city from a bustling metropolis into a desolate ruin. In addition to Belisarius, the Gothic War featured many of history’s most colorful antagonists, including Rome’s Narses the Eunuch, and the Goths’ ruthless and brilliant tactician, Totila. Two appendices provide information about the armies of the Romans and Ostrogoths, including their organization, weapons, and tactics, all of which changed over the course of the war.
[more]
cover of The Governance of Friendship: Law and Gender in the Decameron

The Governance of Friendship

Law and Gender in the Decameron

Michael Sherberg

The Ohio State University Press, 2011

The Governance of Friendship: Law and Gender in the DECAMERON by Michael Sherberg addresses two related and heretofore unexamined problems in the pages of the Decameron: its theory of friendship and the legal theory embedded in it. Sherberg shows how Aristotle’s Ethics as well as Thomas Aquinas’s Summa Theologica inform these two discourses, at the intersection of which Boccaccio locates the question of gender relations which is one of the book’s central concerns.

Through a series of close readings at all three levels of the text—the author’s statements, the frame narrative, and the stories themselves—Sherberg shows how Boccaccio exposes and explores gender tensions rooted in a notion of the patriarchal household, which finds its own rationale in the natural-law postulate of the inferiority of women. Relying on the writings of the great twentieth-century legal theorist Hans Kelsen, Sherberg demonstrates how through the complex architecture of the Decameron Boccaccio dismantles the logic of natural law, exposing it instead as a rhetoric used by men to justify their control of women.

The Governance of Friendship aims well to advance our understanding of Boccaccio as an intellectual: not only steeped in the key texts of his time, but also at the forefront of critical thinking about such issues as law and gender which will play out over the coming centuries and beyond.
[more]
cover of The Green Ages: Medieval Innovations in Sustainability

The Green Ages

Medieval Innovations in Sustainability

Annette Kehnel

Brandeis University Press, 2024

A fascinating blend of history and ecological economics that uncovers the medieval precedents for modern concepts of sustainable living.
 
In The Green Ages, historian Annette Kehnel explores sustainability initiatives from the Middle Ages, highlighting communities that operated a barter trade system on the Monte Subiaco in Italy, sustainable fishing at Lake Constance, common lands in the United Kingdom, transient grazing among Alpine shepherds in the south of France, and bridges built by crowdfunding in Avignon. Kehnel takes these medieval examples and applies their practical lessons to the modern world to prove that we can live sustainably—we’ve done it before!
 
From the garden economy in the mythical-sounding City of Ladies to early microcredit banks, Kehnel uncovers a world at odds with our understanding of the typical medieval existence. Premodern history is full of inspiring examples and concepts ripe for rediscovery, and we urgently need them as today’s challenges—finite resources, the twilight of consumerism, and growing inequality—threaten what we have come to think of as a modern way of living sustainably. This is a stimulating and revelatory look at a past that has the power to change our future.
[more]
cover of The Grinnell Beowulf

The Grinnell Beowulf

Timothy D. Arner

Arizona Center for Medieval and Renaissance Studies, 2000

[more]
cover of The Harbour of all this Sea and Realm: Crusader to Venetian Famagusta

The Harbour of all this Sea and Realm

Crusader to Venetian Famagusta

Michael J.K. Walsh

Central European University Press, 2014

The Harbour of All This Sea and Realm offers an overview of the Lusignan, Genoese and Venetian history of the main port city of Cyprus, a Mediterranean crossroads. The essays contribute to the understanding of Famagusta's social and administrative structure, as well as the influences on its architectural, artisan, and art historical heritage from the thirteenth to sixteenth centuries. We read of crusader bishops from central France, metalworkers from Asia Minor, mercenaries from Genoa, refugees from Acre, and traders from Venice. The themes of the city's diasporas and cultural hybridity permeate and unify the essays in this collaborative effort. Some of the studies use archival sources to reconstruct the early stages of appearances of various buildings. Such research is of vital importance, given the threat to Famagusta's medieval and early modern heritage by its use as a military base since 1974.
[more]
cover of The Hellenistic, Roman, and Medieval Glass from Cosa

The Hellenistic, Roman, and Medieval Glass from Cosa

David Frederick Grose (R. T. Scott, editor)

University of Michigan Press, 2017

The Hellenistic, Roman, and Medieval Glass from Cosa continues the exemplary record of publication by the American Academy in Rome on important classes of materials recovered in excavation from one of the principal archaeological sites of Roman Italy. Over 15,000 fragments of glass tableware, ranging in date from the mid-second century BCE to the early fifth century CE, were found at Cosa, a small town in Etruria (modern Tuscany). Cosa’s products were chiefly exported to North Africa and Europe, but its influence was felt throughout the Mediterranean world.

The research and analysis presented here are the work of the late David Frederick Grose, who began this project when no other city site excavations in Italy focused on ancient glass. He confirmed that the Roman glass industry began to emerge in the Julio-Claudian era, beginning in the principate of Augustus. His study traces the evolution of manufacturing techniques from core-formed vessels to free blown glass, and it documents changes in taste and style that were characteristic of the western glass industry throughout its long history.

At the time of Grose’s unexpected passing, his study was complete but not yet published. Nevertheless, the reputation of his work in this area has done much to establish the value and importance of excavating and researching Cosa’s glass. This volume, arranged and edited by R. T. Scott, makes Grose’s essential scholarship on the subject available for the first time.


 
[more]
cover of The Hero's Place: Medieval Literary Traditions of Space and Belonging

The Hero's Place

Medieval Literary Traditions of Space and Belonging

Molly Robinson Kelly

Catholic University of America Press, 2009

The Hero's Place presents an innovative study of how the spaces described in a literary work contribute dynamically and profoundly to that work's meaning.
[more]
cover of The Historical Construction of National Consciousness: Selected Writings

The Historical Construction of National Consciousness

Selected Writings

Jeno Szucs

Central European University Press, 2022

A long essay entitled Three Historical Regions of Europe, appearing first in a samizdat volume in Budapest in 1980, instantly put its author into the forefront of the transnational debate on Central Europe, alongside such intellectual luminaries as Milan Kundera and Czesław Miłosz. The present volume offers English-language readers a rich selection of the depth and breadth of the legacy of Jenő Szűcs (1928–1988).

The selection documents Szűcs’s seminal contribution to many contemporary debates in historical anthropology, nationalism studies, and conceptual history. It contains his key texts on the history of national consciousness and patterns of collective identity, as well as medieval and early modern political thought. The works published here, most of them previously unavailable in English, provide a sophisticated analysis of a wide range of subjects from the myths of origins of Hungarians before Christianization to the political and religious ideology of the Dózsa peasant uprising in 1514, the medieval roots of civil society, or the revival of ethnic nationalism during the communist era. The volume, with an introduction by the editors locating Szűcs in a transnational context, offers a unique insight into the complex and sensitive debate on national identity in post-1945 East Central Europe.

[more]
cover of The Idea of the Theater in Latin Christian Thought: Augustine to the Fourteenth Century

The Idea of the Theater in Latin Christian Thought

Augustine to the Fourteenth Century

Donnalee Dox

University of Michigan Press, 2004

"Through well-informed and nuanced readings of key documents from the fourth through fourteenth centuries, this book challenges historians' long-held beliefs about how concepts of Greco-Roman theater survived the fall of Rome and the Middle Ages, and contributed to the dramatic triumphs of the Renaissance. Dox's work is a significant contribution to the history of ideas that will change forever the standard narrative of the birth and development of theatrical activity in medieval Europe."
---Margaret Knapp, Arizona State University

"...an elegantly concise survey of the way classical notions of theater have been interpreted in the Latin Middle Ages. Dox convincingly demonstrates that far from there being a single 'medieval' attitude towards theater, there was in fact much debate about how theater could be understood to function within Christian tradition, even in the so-called 'dark ages' of Western culture. This book makes an innovative contribution to studies of the history of the theater, seen in terms of the history of ideas, rather than of practice."
---Constant Mews, Director, Centre for the Study of Religion & Theology, University of Monash, Australia

"In the centuries between St. Augustine and Bartholomew of Bruges, Christian thought gradually moved from a brusque rejection of classical theater to a progressively nuanced and positive assessment of its value. In this lucidly written study, Donnalee Dox adds an important facet to our understanding of the Christian reaction to, and adaptation of, classical culture in the centuries between the Church Fathers and the rediscovery of Aristotle."
---Philipp W. Rosemann, University of Dallas


This book considers medieval texts that deal with ancient theater as documents of Latin Christianity's intellectual history. As an exercise in medieval historiography, this study also examines biases in modern scholarship that seek links between these texts and performance practices. The effort to bring these texts together and place them in their intellectual contexts reveals a much more nuanced and contested discourse on Greco-Roman theater and medieval theatrical practice than has been acknowledged. The book is arranged chronologically and shows the medieval foundations for the Early Modern integration of dramatic theory and theatrical performance.

The Idea of the Theater in Latin Christian Thought will be of interest to theater historians, intellectual historians, and those who work on points of contact between the European Middle Ages and Renaissance. The broad range of documents discussed (liturgical treatises, scholastic commentaries, philosophical tracts, and letters spanning many centuries) renders individual chapters useful to philosophers, aestheticians, and liturgists as well as to historians and historiographers. For theater historians, this study offers an alternative reading of familiar texts which may alter our understanding of the emergence of dramatic and theatrical traditions in the West. Because theater is rarely considered as a component of intellectual projects in the Middle Ages, this study opens a new topic in the writing of medieval intellectual history.
[more]
cover of The Illuminated Chronicle: Chronicle of the Deeds of the Hungarians from the Fourteenth-Century Illuminated Codex

The Illuminated Chronicle

Chronicle of the Deeds of the Hungarians from the Fourteenth-Century Illuminated Codex

János M. Bak

Central European University Press, 2018

The Illuminated Chronicle was composed in 1358 in the international artistic style at the royal court of Louis I of Hungary. Its text, presented here in a new edition and translation, is the most complete record of Hungary's medieval historical tradition, going back to the eleventh century and including the mythical past of its people. The pictures in this manuscript—formerly known as the Vienna Chronicle—are not merely occasional illustrations added to some exemplars, but text and image are closely connected and mutually related to each other, to qualify it as a proper “illuminated chronicle”. The artistic value of the miniatures is quite high, and the characters are drawn with detail and with a knowledge of anatomy. Forty-two of the miniatures are included in the present volume. A full color facsimile will be accessible online.  

The 147 pictures are an invaluable source of information on late medieval cultural history, costume, and court life. In a historiographical context, The Illuminated Chronicle is an attempt at the popularization of the national history and a systematic appeal to circles beyond the old monastic-clerical audience.

The Illuminated Chronicle (Chronica de gestis Hungarorum e codice picto saec. xiv.) is the ninth volume in the Central European Medieval Texts, a Latin–English bilingual series.

[more]
cover of The Importance of Chaucer

The Importance of Chaucer

John H. Fisher

Southern Illinois University Press, 1992

In this fresh and innovative approach, John H. Fisher eloquently explains Chaucer’s importance to Western culture.

English literature begins with Chaucer. The first writer to demonstrate that English was as effective a medium for literature as Latin or French, Chaucer introduced realism, satire, and humor into English writing. In examining Chaucer’s cultural importance, however, Fisher ventures beyond literary excellence, basing his cultural interpretation on inferences about Chaucer’s domestic life, about his possible experience in the inns of chancery and inns of court, and about the possibility that Henry V and the Lancastrian government sought deliberately to promote Chaucer’s poems as models of what could be accomplished in the vernacular.

Fisher’s willingness to boldly infer from the scant evidence available allows him to place Chaucer in the poet’s, and our, culture in a way he has not been placed before. By attributing to Chaucer innovations to which other writers have only alluded, and by reaching conclusions which others have been hesitant to approach, Fisher presents an interpretation at once controversial, engaging, and informative.

[more]
cover of The Individual and the Cosmos in Renaissance Philosophy

The Individual and the Cosmos in Renaissance Philosophy

Ernst Cassirer

University of Chicago Press, 2010

This provocative volume, one of the most important interpretive works on the philosophical thought of the Renaissance, has long been regarded as a classic in its field.  Ernst Cassirer here examines the changes brewing in the early stages of the Renaissance, tracing the interdependence of philosophy, language, art, and science; the newfound recognition of individual consciousness; and the great thinkers of the period—from da Vinci and Galileo to Pico della Mirandola and Giordano Bruno. The Individual and the Cosmos in Renaissance Philosophy discusses the importance of fifteenth-century philosopher Nicholas Cusanus, the concepts of freedom and necessity, and the subject-object problem in Renaissance thought.

“This fluent translation of a scholarly and penetrating original leaves little impression of an attempt to show that a ‘spirit of the age’ or ‘spiritual essence of the time’ unifies and expresses itself in all aspects of society or culture.”—Philosophy

[more]
cover of The Inner Lives of Medieval Inquisitors

The Inner Lives of Medieval Inquisitors

Karen Sullivan

University of Chicago Press, 2011

There have been numerous studies in recent decades of the medieval inquisitions, most emphasizing larger social and political circumstances and neglecting the role of the inquisitors themselves. In this volume, Karen Sullivan sheds much-needed light on these individuals and reveals that they had choices—both the choice of whether to play a part in the orthodox repression of heresy and, more frequently, the choice of whether to approach heretics with zeal or with charity.

           

In successive chapters on key figures in the Middle Ages—Bernard of Clairvaux, Dominic Guzmán, Conrad of Marburg, Peter of Verona, Bernard Gui, Bernard Délicieux, and Nicholas Eymerich—Sullivan shows that it is possible to discern each inquisitor making personal, moral choices as to what course of action he would take. All medieval clerics recognized that the church should first attempt to correct heretics through repeated admonitions and that, if these admonitions failed, it should then move toward excluding them from society. Yet more charitable clerics preferred to wait for conversion, while zealous clerics preferred not to delay too long before sending heretics to the stake. By considering not the external prosecution of heretics during the Middles Ages, but the internal motivations of the preachers and inquisitors who pursued them, as represented in their writings and in those of their peers, The Inner Lives of Medieval Inquisitors explores how it is that the most idealistic of purposes can lead to the justification of such dark ends.

[more]
cover of The Jesuit and the Incas: The Extraordinary Life of Padre Blas Valera, S.J.

The Jesuit and the Incas

The Extraordinary Life of Padre Blas Valera, S.J.

Sabine Hyland

University of Michigan Press, 2004

In the spirit of justice Blas Valera broke all the rules-and paid with his life. Hundreds of years later, his ghost has returned to haunt the official story. But is it the truth, and will it set the record straight?

This is the tale of Father Blas Valera, the child of a native Incan woman and Spanish father, caught between the ancient world of the Incas and the conquistadors of Spain. Valera, a Jesuit in sixteenth-century Peru, believed in what to his superiors was pure heresy: that the Incan culture, religion, and language were equal to their Christian counterparts.

As punishment for his beliefs he was imprisoned, beaten, and, finally, exiled to Spain, where he died at the hands of English pirates in 1597.

Four centuries later, this Incan chronicler had been all but forgotten, until an Italian anthropologist discovered some startling documents in a private Neapolitan collection. The documents claimed, among other things, that Valera's death had been faked by the Jesuits; that he had returned to Peru; and, intriguingly, while there had taught his followers that the Incas used a secret phonetic quipu-a record-keeping device of the Inca empire-to record history.

Far from settling anything, the documents created an international sensation among scholars and led to bitter disputes over how they should be assessed. Are they forgeries, authentic documents, or something in between? If genuine, they will radically reform our view of Inca culture and Valera. The author insightfully examines the evidence, showing how fact and fiction intertwine, and brings the dimly understood history of this author-priest to light.
Sabine Hyland is Co-director of a multidisciplinary project studying the Chanka people of Peru. She holds a doctoral degree in anthropology from Yale, and is Assistant Professor of Anthropology at St. Norbert College.
[more]
cover of The Judgment of the Nations

The Judgment of the Nations

Christopher Dawson

Catholic University of America Press, 2011

Christopher Dawson wrote The Judgment of the Nations in 1942, in the midst of the horrors of World War II.
[more]
cover of The Key to Natural Philosophy

The Key to Natural Philosophy

Barbara Honorius Augustodunensis

Catholic University of America Press, 2026

Honorius Augustodunensis (“of Regensburg”), born perhaps in the 1070s, was a native son of southern Germany or Austria who pursued his studies in England with St. Anselm of Canterbury. Under Anselm’s influence he became a Benedictine monk before returning to Germany in the opening years of the twelfth century. During his life-long monastic career he blossomed as a prolific writer. He died around 1140. The epithet “of Autun,” as a translation of “Augustodunensis,” was applied to him by scholars a century ago and earlier, but it has long been discredited, and the meaning of “Augustodunensis” remains a mystery. Although Honorius has been appropriately described as an enigmatic figure, his strong influence on Western theologians is widely recognized. Despite his large corpus, now known to consist of approximately thirty texts (but almost certainly more) Honorius Augustodunensis is the most unjustly neglected writer of the twelfth- century renaissance. Although he is best known as a popularizer, he also composed a major philosophical text, The Key to Natural Philosophy (Clavis physicae), ca. 1125-30. Taking the form of a dialogue between master and disciple, the Clavis is an abridged paraphrase of Eriugena’s Periphyseon, the most radical work of Neoplatonic thought in the time frame between pseudo-Dionysius and Meister Eckhart. Honorius treats such topics as the unknowability of God, apophatic and cataphatic theology, the primordial causes, the cosmological process of creation and return, human and angelic nature, the Fall, the four elements, and the findings of ancient astronomers. Although Eriugena was condemned for heresy in the thirteenth century, Honorius managed to escape that censure. The Key to Natural Philosophy thus became the chief conduit of the Carolingian philosopher’s thought in the later Middle Ages, influencing readers from Eckhart through Nicholas of Cusa.
[more]
cover of The Key to The Name of the Rose: Including Translations of All Non-English Passages

The Key to The Name of the Rose

Including Translations of All Non-English Passages

Adele J. Haft, Jane G. White, and Robert J. White

University of Michigan Press, 1999

Umberto Eco's The Name of the Rose is a brilliant mystery set in a fictitious medieval monastery. The text is rich with literary, historical, and theoretical references that make it eminently re-readable. The Key makes each reading fuller and more meaningful by helping the interested reader not merely to read but also to understand Eco's masterful work. Inspired by pleas from friends and strangers, the authors, each trained in Classics, undertook to translate and explain the Latin phrases that pepper the story. They have produced an approachable, informative guide to the book and its setting--the middle ages. The Key includes an introduction to the book, the middle ages, Umberto Eco, and philosophical and literary theories; a useful chronology; and reference notes to historical people and events.
The clear explanations of the historical setting and players will be useful to anyone interested in a general introduction to medieval history.
Adele J. Haft is Associate Professor of Classics, Hunter College, City University of New York. Jane G. White is chair of the Department of Languages, Dwight Englewood School. Robert J. White is Professor of Classics and Oriental Studies, Hunter College, City University of New York.
[more]