598 books match the query 'Religious' and 168 start with t

cover of The Heavens Declare: Natural Theology and the Legacy of Karl Barth

The Heavens Declare

Natural Theology and the Legacy of Karl Barth

Rodney Holder

Templeton Press, 2012

One of the central themes of inquiry for Karl Barth, the twentieth-century Protestant theologian, was the notion of revelation. Although he was suspicious of natural theology (i.e. the seeking of evidence for God’s existence in the ordered structure of the world), recent scientific advances (notably in physics and cosmology) and the flourishing modern dialogue between science and religion offer compelling reasons to revisit Barth’s thinking on the concept. We must again ask whether and how it might be possible to hold together the notion of revelation whilst employing reason and scientific evidence in the justification of belief.

In The Heavens Declare, author Rodney Holder re-examines Barth’s natural theology argument and then explores how it has been critiqued and responded to by others, starting with Dietrich Bonhoeffer and Wolfhart Pannenberg. Holder then considers the contributions of two notable British participants in the science-religion dialogue, Thomas Torrance and Alister McGrath, who, despite their repudiation of natural theology in the traditional sense, also provide many positive lessons. The book concludes by defending an overall position which takes into account the ideas of the aforementioned theologians as well as others who are currently engaged positively in natural theology, such as John Polkinghorne and Richard Swinburne.

Holder’s new study is sure to be of interest to theologians, philosophers of religion, and all scholars interested in the science-religion dialogue, especially those interested in natural theology as an enterprise in itself.
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cover of The Hermetic Deleuze: Philosophy and Spiritual Ordeal

The Hermetic Deleuze

Philosophy and Spiritual Ordeal

Joshua Ramey

Duke University Press, 2012

In his writing, Gilles Deleuze drew on a vast array of source material, from philosophy and psychoanalysis to science and art. Yet scholars have largely neglected one of the intellectual currents underlying his work: Western esotericism, specifically the lineage of hermetic thought that extends from Late Antiquity into the Renaissance through the work of figures such as Iamblichus, Nicholas of Cusa, Pico della Mirandola, and Giordano Bruno. In this book, Joshua Ramey examines the extent to which Deleuze's ethics, metaphysics, and politics were informed by, and can only be fully understood through, this hermetic tradition.

Identifying key hermetic moments in Deleuze's thought, including his theories of art, subjectivity, and immanence, Ramey argues that the philosopher's work represents a kind of contemporary hermeticism, a consistent experiment in unifying thought and affect, percept and concept, and mind and nature in order to engender new relations between knowledge, power, and desire. By uncovering and clarifying the hermetic strand in Deleuze's work, Ramey offers both a new interpretation of Deleuze, particularly his insistence that the development of thought demands a spiritual ordeal, and a framework for retrieving the pre-Kantian paradigm of philosophy as spiritual practice.

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cover of The Hindu Temple: An Introduction to Its Meaning and Forms

The Hindu Temple

An Introduction to Its Meaning and Forms

George Michell

University of Chicago Press, 1988

For more than 1500 years, from the Indian subcontinent to the islands of the Indonesian archipelago, the temple has embodied and symbolized the Hindu worldview at its deepest level and inspired the greatest architectural and artistic achievements in Hindu Asia. In The Hindu Temple, considered the standard introduction to the subject, George Michell explains the cultural, religious, and architectural significance of the temple. He illustrates his points with a profusion of photographs, building plans, and drawings of architectural details, making the book a useful guide for travelers to Asia as well as an illuminating text for students of architecture, religion, and Asian civilizations.

Michell's discussion of the meaning and forms of the temple in Hindu society encompasses the awe-inspiring rock-cut temples at Ellora and Elephanta, the soaring superstructures and extraordinary sexual exhibitionism of the sculptures at Khajuraho, and the colossal mortuary temple of Angkor Vat, as well as the tiny iconic shrines that many Hindus wear around their necks and the simple shrines found under trees or near ponds.
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cover of The Hours of Marie de Medici: A Facsimile

The Hours of Marie de Medici

A Facsimile

Marie de Medici

Bodleian Library Publishing, 2016

A stunning facsimile copy of an illuminated manuscript owned by the French queen Marie de Medici.

At the turn of the fifteenth century, private devotionals became a specialty of the renowned Ghent–Bruges illuminators. Wealthy patrons who commissioned work from these artists often spared no expense in the presentation of their personal prayer books, or “books of hours,” from detailed decoration to luxurious bindings and embroidery.

This manuscript owes its name to the French queen, Marie de Medici, widow of King Henri IV. The manuscript was painted by an artist known as the David Master, one of the renowned Flemish illuminators of the sixteenth century. Fine architectural interiors, gorgeous landscapes, and detailed city scenes form the subjects of three full-size illuminations and forty-two full-page miniatures. It is one of the finest examples of medieval illumination in a personal prayer book and the most copiously illustrated work of the David Master to survive.

Together with a scholarly introduction that gives an overview of Flemish illumination and examines each of the illustrations in detail, this full-color facsimile limited edition, bound in linen with a leather quarter binding and beautifully presented in a slipcase, faithfully reproduces all 176 leaves of the original manuscript.
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cover of The Humble Approach, Anniversary Edition: Scientists Discover God

The Humble Approach, Anniversary Edition

Scientists Discover God

John Marks Templeton

Templeton Press, 2027

For generations the discoveries of science tended to challenge the very existence of God. Templeton makes a striking argument for just the opposite point of view. He goes to the writings of many of the world's leading scientific thinkers—as diverse in background as Albert Einstein and Teilhard de Chardin—and discovers them in awe of the universe, perceiving the hand of Divine mystery at work.


The Humble Approach teaches that man can discover and comprehend only a few of the infinite aspects of God's nature, never enough to form a comprehensive theology. The humble approach may be a science still in its infancy, but it seeks to develop a way of knowing God appropriate to His greatness and our littleness.

The anniversary edition of this groundbreaking book features a new preface by His Holiness the Dalai Lama and a new introduction from Heather Dill, the director of the Templeton Prize. It also includes an updated list of the past winners of the Templeton Prize. 

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cover of The Idea of Persia: A Philosophical Enquiry

The Idea of Persia

A Philosophical Enquiry

Ramin Jahanbegloo

Gingko, 2026

This book explores the idea of Persia as a means of investigating the soul of the fascinating nation.

In 1721, the French philosopher Montesquieu posed the question “Comment peut-on être persan?” ("How can one be Persian?") in the title to his famous Persian Letters. After centuries of invasion, murder, destruction, authoritarian rule, decay of political theory, and increasing dissolution in Iran’s politics, this volume is an investigation into what the answer to that question might be today.

The Idea of Persia explores the notion of what it is to be Persian, but not as it has been constituted in the past with reference to the political experience of antiquity, nor as an affirmation of the secular-rational project of modernity. Rather, the book examines the question of what it is to be Persian against the backdrop of centuries in which a common, plural subjectivity of Persian-ness has been continually delayed by those who, with or without ideologies, believed in politics only as a means of ruling or of being ruled without laws or citizenship. 

The historical battle for social and political freedoms is still underway in Iran. As the nation wrestles with the possibility of an extended period of political, social, and cultural decline, it is a timely moment to return to the perspective embodied in the enlightened thinking of figures such as the writer and three times prime minister of Iran Mohammed Ali Foroughi (1877–1942) and his vision of a country possessing rational and moral capabilities, and to a possible renaissance of social and political institutions.

The idea of Persia as it is presented here sees hope in the future as the means by which Iranians may liberate themselves from the duality of heroes and saints and remake their political mentality while staying true to an age-old idea of Persia and to freedom as an essential virtue. 

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cover of The Image Debate: Figural Representation in Islam and Across the World

The Image Debate

Figural Representation in Islam and Across the World

Edited by Christiane Gruber

Gingko, 2019

The images released by the Islamic State of militants smashing statues at ancient sites were a horrifying aspect of their advance across Northern Iraq and Syria during 2015-16. Their leaders justified this iconoclasm by arguing that such actions were divinely decreed in Islam, a notion that has remained fixed in the public consciousness. 

The Image Debate is a collection of thirteen essays which examine the controversy surrounding the use of images in Islamic and other religious cultures and seek to redress some of the misunderstandings that have arisen. Written by leading academics from the United States, Australia, Turkey, Israel and the United Kingdom, the book has a foreword by Stefano Carboni, Director of the Art Gallery of Western Australia, followed by an introduction by the editor Christiane Gruber, who sets the subject in context with a detailed examination of the debates over idols and the production of figural images in Islamic traditions. 

Twelve further articles are divided into three sections: the first deals with pre-modern Islam: Mika Natif looks at tensions between the Hadith prohibition on images and the praxis of image-making under the Umayyad dynasty and argues that the Umayyad rulers used imagery to establish their political and religious authority; Finbarr Barry Flood examines the practice of epigraphic erasure, i.e., the removal of names of rulers and patrons from historical inscriptions from the medieval Islamic world; and Oya Pancaroğlu focuses on the figural conventions of an illustrated manuscript of Varqa and Gulshah, a medieval Persian romance composed in the masnavi (rhyming couplet) form by the 11th-century poet ‘Ayyuqi. 

The second section addresses the situation outside Islam: Alicia Walker surveys attitudes toward the production and veneration of religious images in Byzantium from the earliest years of the Christian Roman Empire (early 4th century) to the aftermath of the Iconoclast controversy (late 9th century); Steven Fine explores the history of Jewish engagement with ‘art’ from Roman antiquity through the high middle ages through a detailed exploration of the 3rd-century Dura Europos synagogue and its wall paintings; Michael Shenkar examines evidence for the employment of figural images in the cultic practices of some of the major ancient Iranian cultural and political entities, offering a broad perspective on perceptions of images in ancient Iranian worship; and Robert DeCaroli delves into the question of why no image of the Buddha was made during the first five hundred years of Buddhism.  

The third section brings the reader back to Islamic lands with five articles examining aspects of the issue in the modern and contemporary periods: Yousuf Saaed investigates South Asian mass-produced images, especially posters that include illustrations of local Sufi shrines, portraits of saints and Shi‘i iconography; James Bennett explores the visual depiction of Javanese shadow puppets (wayang kulit), including the sage Begawan Abiyasa, whose narratives convey key elements of Sufi mystical philosophy; Allen and Mary Roberts consider images of Cheikh Amadu Bamba, the founding Sufi saint of the Senegalese Mouride order; Rose Issa addresses how the term ‘Islamic’ relates to contemporary art, how artists manage to create work in countries in constant turmoil and to what extent such works reflect their conceptual, aesthetic, and socio-political concerns; and finally Shiva Balaghi traces the use of the figure, along its symbolic shadows and silhouettes, in works by notable Iranian artists living in Iran and in diaspora.
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cover of The Indiscrete Image: Infinitude and Creation of the Human

The Indiscrete Image

Infinitude and Creation of the Human

Thomas A. Carlson

University of Chicago Press, 2008

Humanity’s creative capacity has never been more unsettling than it is at our current moment, when it has ushered us into new technological worlds that challenge the very definition of “the human.” Those anxious to safeguard the human against techno-scientific threats often appeal to religious traditions to protect the place and dignity of the human. But how well do we understand both theological tradition and today’s technological culture? In The Indiscrete Image, Thomas A. Carlson challenges our common ideas about both, arguing instead that it may be humanity’s final lack of definition that first enables, and calls for, human creativity and its correlates—including technology, tradition, and their inextricable interplay within religious existence.
Framed in response to Martin Heidegger’s influential account of the relation between technological modernity and theological tradition, The Indiscrete Image builds an understanding of creativity as conditioned by insurmountable unknowing and incalculable possibility through alternative readings of Christian theological tradition and technological culture—and the surprising resonance between these two. Carlson concludes that the always ongoing work of world creation, tied essentially to human self-creation, implies neither an idol’s closure nor an icon’s transcendence, but the “indiscrete image” whose love makes possible—by keeping open—both the human and its world.
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cover of The Irreducibility of the Human Person: A Catholic Synthesis

The Irreducibility of the Human Person

A Catholic Synthesis

Mark K. Spencer

Catholic University of America Press, 2022

Catholic philosophical anthropologists have defended views of the human person on which we are irreducible to anything non-personal. For example, it is not the case that we are nothing but matter, souls, or parts of society. But many Catholic anthropologies have overlooked ways in which we are irreducible and so have not given an adequate account of the uniqueness of each human person. This book presents a philosophical portrait of human persons that depicts each way in which we are irreducible, with the goal of guiding the reader to perceive, wonder at, and love all the unique features of human persons. It builds this portrait by showing how claims from many strands of the Catholic tradition can be synthesized. These strands include Thomism, Scotism, phenomenology, personalism, nouvelle théologie, analytic philosophy, and Greek and Russian thought. The book focuses on how these traditions’ claims are grounded in experience and on how they help us to perceive irreducible features of persons. While many metaphysical claims about persons are defended, the picture of persons that ultimately emerges is one on which persons are best grasped not through abstract concepts but through aesthetic perception and love, as unique kinds of beauty. This book also explores irreducible features of our subjectivity, senses, intellect, freedom, and affections, and of our souls, bodies, and activities. It includes discussions of divine simplicity and causality, and of the nature of angels, matter, organisms, and artifacts, all of which must be understood to fully grasp our irreducibility. In showing how to synthesize various traditions’ claims, the book also offers new solutions to a number of debates in Catholic philosophy. These include debates over natural law, the natural desire to see God, the separated soul, integralism and personalism, idealist and realist phenomenology, and scholastic accounts of the act of existence.
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cover of The Itineraries of William Wey

The Itineraries of William Wey

Translated and Edited by Francis Davey

Bodleian Library Publishing, 2010

In 1456 and again in 1458, William Wey (1405/6–76) set out on journeys across a Europe in turmoil from local conflicts and cross-border expansions. Wey, a Devon priest and bursar of Eton College, had been granted special dispensation by Henry VI to undertake pilgrimages, and he was prompted by his friends to write an account of his itinerant adventures. He collected his stories from his travels to the Cathedral of Santiago de Compostela in Spain and later Jerusalem in the fifteen chapters that comprise The Itineraries.

The Itineraries contains practical travel advice for the period on conduct and currency, alongside comparative English, Latin, Greek and Hebrew vocabularies, in addition to a remarkable scrapbook compendium of places, roads, and distances. Originally written in English and Latin, Wey’s fascinating observations of a changing Europe are for for first time available in a modern English edition. The pilgrimage was an idea essential to medieval and early modern Christianity, and Wey’s work adds a new dimension to our understanding of its importance and practice. Wey is at once adventurous and highly observant, and The Itineraries will be of interest to scholars of early modern history and armchair pilgrims alike.

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cover of The Kin of Nakedness

The Kin of Nakedness

Chris Crowder

Four Way Books, 2026

The debut collection from Adroit Managing Editor Chris Crowder, The Kin of Nakedness interrogates the ethics of complaining and self-work beginning with a lens focused on body image. Structured by sections that complicate the biblical definitions of servitude—being Christ’s hands and feet—and a long ars poetica, the speaker risks toward honesty as he explores his struggles and privileges as a Black and biracial man. “Digging for everything I have to write into my flesh,” Crowder works to witness the harm done to himself and others who are competing for recognition. Seeking to understand these internal and external struggles, he embodies characters, including benched quarterbacks and Jimmy Fallon, while reckoning with fractured subjects like greedy pastors and alternate universes.

In wrestling with despair, Crowder neither refuses reality nor surrenders to nihilism. The speaker of “I’m Not Always Sulking, Resting My Elbow on a Well” admits to the temptation to surrender, saying, “I can’t trick my anxious ass into thinking that things aren’t better than this,” but the elaboration of “this” becomes a litany that contradicts the insufficiency of this life: “My corgi, Eden. My parents’ garden of beans, collard greens, and spicy peppers. Reacting to heat: it’s actually got good flavor to it. So do the worst days.” Crowder has a signature gift for distilling the bizarre beauty of this existential maelstrom, the succor beside the suffering. He achieves an astonishing inverse transmogrification that shows man capable of God’s metamorphosis: not the body into bread, but the abyss into being. “Before I had skin, I hated it. / The idea.” But, though our nakedness terrifies us, the mortification of the flesh is its capacity to feel every excruciating and ecstatic thing. “Lord, // you asked me what sense / could you not bear / to lose? My answer, now, is touch.”

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cover of The Kingdom and the Garden

The Kingdom and the Garden

Giorgio Agamben

Seagull Books, 2020

In a tour-de-force reinterpretation of the Christian tradition, Agamben shows that the Garden of Eden has always served as a symbol for humanity’s true nature.

What happened to paradise after Adam and Eve were expelled? The question may sound like a theological quibble, or even a joke, but in The Kingdom and the Garden, Giorgio Agamben uses it as a starting point for an investigation of human nature and the prospects for political transformation. In a tour-de-force reinterpretation of the Christian tradition, Agamben shows that the Garden of Eden has always served as a symbol of humanity’s true nature. Where earlier theologians viewed the expulsion as temporary, Augustine’s doctrine of original sin makes it permanent, reimagining humanity as the paradoxical creature that has been completely alienated from its own nature. From this perspective, there can be no return to paradise, only the hope for the messianic kingdom. Yet there have always been thinkers who rebelled against this idea, and Agamben highlights two major examples. The first is the early medieval philosopher John Scotus Eriugena, who argued for a radical unity of humanity with all living things. The second is Dante, whose vision of the earthly paradise points towards the possibility of genuine human happiness in this world. In place of the messianic kingdom, which has provided the model for modern revolutionary movements, Agamben contends that we should place our hopes for political change in a return to our origins, by reclaiming the earthly paradise.
 
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cover of The Kingdom of the Poor: My Journey Home

The Kingdom of the Poor

My Journey Home

Edited by Katie Seigenthaler and Amy Frogge

Vanderbilt University Press, 2024

As Charles Strobel, beloved Nashville priest and champion of the unhoused, reached the end of his life in 2023, he began to contemplate the last message he wanted to leave his family, friends, and community. With the help of his niece, Katie Seigenthaler, and his colleague, Amy Frogge, Strobel began to dictate The Kingdom of the Poor. He wrote, “Mark Twain, the great American folk hero and writer, has said, ‘The two most important days of your life are the day you are born and the day you find out why.’ The following pages help to explain why I was born.”

The “why” of Charlie Strobel’s life, which was devoted to helping those without support systems and homes to call their own, was a simple belief that we are all poor and we are all worthy of love.

The Kingdom of the Poor is the story of the people and experiences that led him to this understanding and inspired him to live his life accordingly.
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cover of The Kingdom of the Poor: My Journey Home

The Kingdom of the Poor

My Journey Home

Edited by Katie Seigenthaler and Amy Frogge

Vanderbilt University Press, 2024

As Charles Strobel, beloved Nashville priest and champion of the unhoused, reached the end of his life in 2023, he began to contemplate the last message he wanted to leave his family, friends, and community. With the help of his niece, Katie Seigenthaler, and his colleague, Amy Frogge, Strobel began to dictate The Kingdom of the Poor. He wrote, “Mark Twain, the great American folk hero and writer, has said, ‘The two most important days of your life are the day you are born and the day you find out why.’ The following pages help to explain why I was born.”

The “why” of Charlie Strobel’s life, which was devoted to helping those without support systems and homes to call their own, was a simple belief that we are all poor and we are all worthy of love.

The Kingdom of the Poor is the story of the people and experiences that led him to this understanding and inspired him to live his life accordingly.
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cover of The Later Works of John Dewey, Volume 9, 1925 - 1953: 1933-1934, Essays, Reviews, Miscellany, and A Common Faith

The Later Works of John Dewey, Volume 9, 1925 - 1953

1933-1934, Essays, Reviews, Miscellany, and A Common Faith

John Dewey. Edited by Jo Ann Boydston

Southern Illinois University Press, 2008

This ninth volume in The Later Works of John Dewey, 1925—1953, brings together sixty items from 1933 and 1934, including Dewey’s Terry Lec­tures at Yale University, published as A Common Faith.

In his introduction, Milton R. Konvitz concludes that A Common Faith remains a provocative book, an intellectual ‘teaser,’ an essay at religious philoso­phy which no philosopher can wholly bypass.”

Dewey concentrated much of his writing in 1933 and 1934 on issues arising from the economic crises of the Great Depression. In the early 1930s Com­munist activity in the New York Teachers Union in­creased. The Report of the Special Grievance Committee of the Teachers Union is published in this volume, as is Dewey’s impromptu address, “On the Grievance Committee’s Report,” made when he presented that report. Rounding out the volume are eighteen arti­cles from the People’s Lobby Bulletin.

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cover of The Law of God: The Philosophical History of an Idea

The Law of God

The Philosophical History of an Idea

Rémi Brague

University of Chicago Press, 2007

The law of God: these words conjure an image of Moses breaking the tablets at Mount Sinai, but the history of the alliance between law and divinity is so much longer, and its scope so much broader, than a single Judeo-Christian scene can possibly suggest. In his stunningly ambitious new history, Rémi Brague goes back three thousand years to trace this idea of divine law in the West from prehistoric religions to modern times—giving new depth to today’s discussions about the role of God in worldly affairs.
          
Brague masterfully describes the differing conceptions of divine law in Judaic, Islamic, and Christian traditions and illuminates these ideas with a wide range of philosophical, political, and religious sources. In conclusion, he addresses the recent break in the alliance between law and divinity—when modern societies, far from connecting the two, started to think of law simply as the rule human community gives itself. Exploring what this disconnection means for the contemporary world, Brague—powerfully expanding on the project he began with The Wisdom of the World—re-engages readers in a millennia-long intellectual tradition, ultimately arriving at a better comprehension of our own modernity.
 
“Brague’s sense of intellectual adventure is what makes his work genuinely exciting to read. The Law of God offers a challenge that anyone concerned with today’s religious struggles ought to take up.”—Adam Kirsch, New York Sun
 
“Scholars and students of contemporary world events, to the extent that these may be viewed as a clash of rival fundamentalisms, will have much to gain from Brague’s study. Ideally, in that case, the book seems to be both an obvious primer and launching pad for further scholarship.”—Times Higher Education Supplement 
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cover of The Life and Pontificate of Pope Pius Xii

The Life and Pontificate of Pope Pius Xii

Frank Coppa

Catholic University of America Press, 2013

Written by one of the foremost historians of Pius XII, the present biographical study, unlike the greater part of the vast and growing historiography of Pope Pius XII, is a balanced and nonreactive account of his life and times. Its focus is not on the pope’s silence during the Holocaust, though it does address the issue in a historical and objective framework. This is a biography of the man as well as the pope. It probes the roots of his traditionalism and legalism, his approach to modernity and reformism in Church and society, and the influences behind his policies and actions.
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cover of The Life and Times of John Steele: Mormon Kingdom Builder

The Life and Times of John Steele

Mormon Kingdom Builder

Kerry William Bate

University of Utah Press, 2025

From radical reformer to Mormon pioneer and mystic

Among the founders of Salt Lake City, Parowan, and Las Vegas, and an explorer of Zion National Park and the Grand Canyon, John Steele's legacy is etched across the American West. The Life and Times of John Steele follows the remarkable journey of this Irish-born convert to Mormonism from his birth into scarcity through his final days in Kanarraville, Utah.

A fervent believer in utopian ideals, Steele sought to build an egalitarian Kingdom of Christ in the last days, becoming a key figure in early Utah history. His multifaceted roles—missionary, city founder, militia major, justice of the peace, and self-taught doctor using folk medicine, charms, and the occult—make his story unique. This meticulously researched biography offers new insights into pivotal events such as the Mountain Meadows Massacre and the communal economics of the Church of Jesus Christ of Latter-day Saints, drawing from Steele’s extensive personal diaries and papers to bring his complex, colorful life and times to light.
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cover of The Life of Selina Campbell: A Fellow Soldier in the Cause of Restoration

The Life of Selina Campbell

A Fellow Soldier in the Cause of Restoration

Loretta M. Long Hunnicutt

University of Alabama Press, 2001

This first biography of Selina Campbell opens a window onto the experience of women in one of the most dynamic religious groups of 19th-century America

Loretta M. Long examines the life and influence of Selina Campbell, one of the most visible women in the 19th-century Disciples of Christ movement. Best known as the wife of Alexander Campbell, founder of the Disciples, Selina Campbell both shaped and exemplified the role of women in this dynamic religious group (also known as the Stone-Campbell movement). Her story demonstrates the importance of faith in the lives of many women during this era and adds a new dimension to the concept of the “separate spheres” of men and women, which women like Campbell interpreted in the context of their religious beliefs.

A household manager, mother, writer, and friend, Campbell held sway primarily in the domestic sphere, but she was not held captive by it. Her relationship with her husband was founded on a deep sense of partnership conditioned by their strong faith in an all-powerful God. Each of them took on complementary roles according to the perceived natural abilities of their genders: Alexander depended on Selina to manage his property and raise the children while he traveled the country preaching. Campbell outlived her husband by 30 years, and during that time published several newspaper articles and supported new causes, such as women in missions.

In the end, as Long amply demonstrates, Selina Campbell was neither her husband’s shadow nor solely a domestic worker. She was, in her husband’s eyes, a full partner and a “fellow soldier” in the cause of Restoration.
 

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cover of The Lion's Ear: Pope Leo X, the Renaissance Papacy, and Music

The Lion's Ear

Pope Leo X, the Renaissance Papacy, and Music

Anthony M. Cummings

University of Michigan Press, 2022

For centuries, the Renaissance papacy has been celebrated for its generous patronage of the arts. Pope Leo X, son of the legendary Lorenzo "the Magnificent" de'Medici, is widely understood to be one of the greatest patrons of music in European history, and one of the emblematic figures of the Italian Renaissance.

The Lion's Ear is the first full-length scholarly treatment of the musical patronage of a Renaissance pope and provides an evocative picture of the musical life of the pre-Reformation papacy. The various uses of music in early modern Rome---music for public festivals, such as carnival; for the liturgical ceremonies of the Sistine Chapel; to accompany daily dining and festive banqueting; for the celebration of saints' feast days; and for theatrical performances---are vividly described and analyzed and give a detailed understanding of the place of music in the life of one of its most important early modern benefactors.

Anthony M. Cummings takes an interdisciplinary approach to his subject matter, bringing together the history of music, art, philosophy, and ecclesiastical history to locate the music in its broadest and deepest contexts. Through materials such as diplomatic correspondence, the book aims to reconstruct the atmosphere of the musical life in Leo X's court, presenting the subject matter in a way that will appeal to scholars and students of musicology and early modern history.

Art historians, ecclesiastical historians, and specialists from many other disciplines have long produced scholarly findings useful for understanding the pre-Reformation papacy, its alliance with the Italian Renaissance, and the extraordinary artistic legacy of that alliance. Anthony M. Cummings complements that scholarship with his thorough and imaginative account of music's relationship with that vibrant and fascinating culture, the first by a specialist in the musical life of early modern Europe.

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cover of The Lublin Lectures and Works on Max Scheler

The Lublin Lectures and Works on Max Scheler

Karol Wojtyla

Catholic University of America Press, 2023

The Catholic University of America Press is honored to publish the English Critical Edition of the Works of Karol Wojtyła/John Paul II. Under the auspices of an international editorial board, the English Critical Edition will comprise more than 20 volumes, covering all of John Paul’s writings and correspondence in the years before and during his papacy. This collection is essential for several reasons. For one thing, gaining access to the saint’s writings has posed a significant challenge. Except for official papal addresses and documents preserved and disseminated by the Vatican, St. John Paul’s works have been scattered and limited. Many documents need a new translation. Finally, English-language audiences have faced the challenge, even in the case of published texts of dealing with several languages, various translations, and textual idiosyncrasies. The second volume of the series presents Wojtyła’s lectures at the Catholic University of Lublin and his works on Max Scheler. This volume consists of three parts: Karol Wojtyła’s lectures at the Lublin University from 1954 to 1957 (during three academic years); Wojtyła’s articles related to the ethical issues discussed in the Lublin lectures, and his habilitation thesis on Max Scheler from 1953 with other essays related more closely to Scheler’s thought. As was the case with Volume 1, Volume 2 also relies on the original manuscripts and typescripts of Wojtyła’s works. These original texts were compared with the Polish published editions, and the significant differences between them were marked in the scholarly apparatus. Some of the essays in this volume were never published in English, others were never published before.
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cover of The Lucca Choirbook: Lucca, Archivio di Stato, MS 238; Lucca, Archivio Arcivescovile, MS 97; Pisa, Archivo Arcivescovile, Biblioteca Maffi, Cartella 11/III

The Lucca Choirbook

Lucca, Archivio di Stato, MS 238; Lucca, Archivio Arcivescovile, MS 97; Pisa, Archivo Arcivescovile, Biblioteca Maffi, Cartella 11/III

Edited and with an Introduction and Inventory by Reinhard Strohm

University of Chicago Press, 2009

More than forty years ago in the state archives of Lucca, Italy, musicologist Reinhard Strohm noticed that bindings on some of the books were unusual: they consisted of the pages of a centuries-old music manuscript. In the following years, Strohm worked with the archivists to remove these leaves and reassemble as much as possible of the original manuscript, a major cultural recovery now known as The Lucca Choirbook.

The recovered volume comprises what remains of a gigantic cathedral codex  commissioned in Bruges around 1463 and containing English, Franco-Flemish, and Italian sacred music of the fifteenth century—including works by the celebrated composers Guillaume Du Fay and Henricus Isaac.

This facsimile of the choirbook includes all the known leaves, ordered according to their proper placement in the original codex. In the introduction, Strohm tells the fascinating story of this choirbook, identifying its early users and reconstructing its travel from Bruges to Lucca.

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cover of The Mahabharata, Volume 8: Book 12, The Book of Peace, Part 2

The Mahabharata, Volume 8

Book 12, The Book of Peace, Part 2

Translated and Edited by James L. Fitzgerald

University of Chicago Press, 2026

A translation of the twelfth book of The Mah­­ābhārata, an epic tale of history and kingship, reinforced with legends, romances, and metaphysical, theological, and ethical teachings written in Sanskrit 1700 or more years ago.

A remarkable composition of 100,000 couplets, The Mah­­ābhārata is the second-longest poem in world literature. In this volume, James L. Fitzgerald completes his translation of the twelfth of The Mah­­ābhārata’s eighteen books, the vast Shanti Parvan, or The Book of Peace. Covering a wide range of ancient Indian intellectual history, The Book of Peace was intended to serve as a comprehensive, brahmin-inspired basis for living a Good Life in a Good Society in a Good Polity and is one of the most important and complex books of the poem.

Fitzgerald’s previous contribution to the Chicago edition of The Mahābhārata, volume 7, opened with Book 11, The Book of the Women, which movingly portrayed the grief of the wives, mothers, and sisters of the many warriors slain in the epic’s central war narrative. The crises of grief presented in The Book of the Women give particular poignancy and depth to the shanti, or pacification, that is the theme of Book 12, The Book of Peace. Volume 7 included the first half of The Book of Peace, and volume 8 now completes it with the second half, which is focused particularly on the ways people can escape the cycle of rebirth and realize sublime beatitude by way of saving knowledge or yoga meditation or devotion to God Viṣṇu-Nārāyaṇa. Supported by an extensive introduction and notes, this publication will be greeted as a major event in Sanskrit studies.
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cover of The Makers of Trinity Church in the City of Boston

The Makers of Trinity Church in the City of Boston

James F. O'Gorman

University of Massachusetts Press, 2004

Since its dedication in 1877, Trinity Church on Copley Square in Boston has been widely regarded as one of the most important and successful monuments of American architecture. It has long been hailed as the cornerstone of the career of America's first celebrity architect, H. H. Richardson. But architecture is not solely the expression of individual genius. Buildings result from collaboration and compromise. They are the concrete manifestations of competing needs, desires, and expectations expressed through clients, building committees, designers, bankers, engineers, builders, decorators, and others. The Makers of Trinity Church in the City of Boston recognizes and celebrates this collaborative effort.

While critics often speak of the church as Richardson's creation, this collection of essays, written by leading scholars in the field, recognizes and assesses the individual contributions of the rector, Phillips Brooks; the chairman of the building committee, Robert Treat Paine; the builder, O. W. Norcross; and the decorator, John La Farge, as well as Richardson. The book includes the first study of the furnishings of the interior by the architect's office and features chapters on the stained glass designers Sarah Wyman Whitman and Margaret Redmond, as well as the architect Charles D. Maginnis, whose remodeling of the chancel in the 1930s brought the building to its full glory. These architectural collaborators are rarely given the recognition they receive here, although the absence of any one of them would have produced a very different result. Such omissions would have significantly diminished this towering landmark of America's cultural heritage.

In addition to the editor, contributors to the volume include Keith Bakker, David B. Chesebrough, Kathleen A. Curran, Erica Hirshler, Keith N. Morgan, Thomas M. Paine, Virginia Chieffo Raguin, Milda B. Richardson, Theodore E. Stebbins Jr., and Charles A. Vandersee.
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cover of The Makers of the Sacred Harp

The Makers of the Sacred Harp

David Warren Steel with Richard H. Hulan

University of Illinois Press, 2010

This authoritative reference work investigates the roots of the Sacred Harp, the central collection of the deeply influential and long-lived southern tradition of shape-note singing. Where other studies of the Sacred Harp have focused on the sociology of present-day singers and their activities, David Warren Steel and Richard H. Hulan concentrate on the regional culture that produced the Sacred Harp in the nineteenth century and delve deeply into history of its authors and composers. They trace the sources of every tune and text in the Sacred Harp, from the work of B. F. White, E. J. King, and their west Georgia contemporaries who helped compile the original collection in 1844 to the contributions by various composers to the 1936 to 1991 editions.
 
The Makers of the Sacred Harp also includes analyses of the textual influences on the music--including metrical psalmody, English evangelical poets, American frontier preachers, camp meeting hymnody, and revival choruses--and essays placing the Sacred Harp as a product of the antebellum period with roots in religious revivalism. Drawing on census reports, local histories, family Bibles and other records, rich oral interviews with descendants, and Sacred Harp Publishing Company records, this volume reveals new details and insights about the history of this enduring American musical tradition.
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cover of The Mansions

The Mansions

Daniel Tobin

Four Way Books, 0

From award-winning poet Daniel Tobin comes The Mansions, an epic trilogy of book-length poems which examines exemplary 20th-Century figures Georges Lemaître, Simone Weil, and Teilhard de Chardin, all at the crossroads of science, history, and religion. Capacious in their philosophical explorations, immaculate in their form, stirring in their alchemy of faith and empiricism, each complete section works both autonomously and as part of the whole, building a house that contains many mansions, simulating the dynamic enormity of creation itself — always already entire and yet unfinished, borderless, infinite. Immersed in a time when cataclysmic geopolitical events coincided with revolutionary scientific progress, The Mansions charts a Dantean journey as it confronts the exigencies and contingencies which define modernity: history, religion, our planet’s fate, and the purpose of humankind. A fractal symphony of voices, Tobin’s tripartite collection represents a staggering literary achievement — a lyric narrative that can hold the totality of the divine and of godlessness, that harmonizes time as change and as eternity, that sees “pendant grapes” as “embodied wine.” Its music is the harvest “cutting free the perfectly nurtured bruise-colored fruit, hour / by hour,” and its wisdom embraces the transience of all things as well as the transfiguration of the self, that everlasting impermanence: “‘I see the landscape as it is when I’m not there.’”
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cover of The Many Lives of a Jesuit, Freemason, and Philanthropist: The Story of Töhötöm Nagy

The Many Lives of a Jesuit, Freemason, and Philanthropist

The Story of Töhötöm Nagy

Éva Petrás

Central European University Press, 2024

The life of Töhötöm Nagy (1908–1979), Jesuit, Mason, and secret service agent, offers fascinating insights into interwar Hungary, the Catholic Church and Vatican diplomacy, Freemasonry, and the activities of communist state security service.

As a young Jesuit Nagy was one of the leaders of a successful Catholic youth movement in interwar Hungary. After World War II he played an important role acting as an intermediary between the Vatican, the Red Army, and the Hungarian Catholic Church. After being sent to South America, he was attracted by liberation theology, but left the Society of Jesus, joined the Freemasons, and did social and philanthropic work in the slums of Buenos Aires. However, in the late 1960s he agreed to work for the Hungarian state security service in return for his repatriation. This latter period is reconstructed from the files of the Historical Archives of State Security in Budapest. Éva Petrás writes with empathy but with a sense of distance of the courage and restless energy of her subject. Her discussion of the limits of free choice and Nagy’s intense struggle to live a meaningful life make this biography breathtaking.

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cover of The Metamorphoses of the City of God

The Metamorphoses of the City of God

Etienne Gilson

Catholic University of America Press, 2021

Étienne Gilson (1884-1978) was a French philosopher and historian of philosophy, as well as a scholar of medieval philosophy. In 1946 he attained the distinction of being elected an "Immortal" (member) of the Académie française. He was nominated for the Nobel Prize in Literature in 1959 and 1964. The appearance of Gilson's Metamorphosis of the City of God, which were originally delivered as lectures at the University of Louvain, Belgium, in the Spring of 1952, coincided with the first steps toward what would become the European Union. The appearance of this English translation coincides with the upheaval of Brexit. Gilson traces the various attempts of thinkers through the centuries to describe Europe's soul and delimit its parts. The Scots, Catalonians, Flemings, and probably others may nod in agreement in Gilson's observation on how odd would be a Europe composed of the political entities that existed two and a half centuries ago. Those who think the European Union has lost its soul may not be comforted by the difficulty thinkers have had over the centuries in defining that soul. Indeed the difficulties that have thus far prevented integrating Turkey into the EU confirm Gilson's description of the conundrum involved even in distinguishing Europe's material components. And yet, the endeavor has succeeded, so that the problem of shared ideals remain inescapable. One wonders which of the thinkers in the succession studied by Gilson might grasp assent and illuminate the EU's path.
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cover of The Moral Meaning of Nature: Nietzsche’s Darwinian Religion and Its Critics

The Moral Meaning of Nature

Nietzsche’s Darwinian Religion and Its Critics

Peter J. Woodford

University of Chicago Press, 2018

What, if anything, does biological evolution tell us about the nature of religion, ethical values, or even the meaning and purpose of life? The Moral Meaning of Nature sheds new light on these enduring questions by examining the significance of an earlier—and unjustly neglected—discussion of Darwin in late nineteenth-century Germany.
 
We start with Friedrich Nietzsche, whose writings staged one of the first confrontations with the Christian tradition using the resources of Darwinian thought. The lebensphilosophie, or “life-philosophy,” that arose from his engagement with evolutionary ideas drew responses from other influential thinkers, including Franz Overbeck, Georg Simmel, and Heinrich Rickert. These critics all offered cogent challenges to Nietzsche’s appropriation of the newly transforming biological sciences, his negotiation between science and religion, and his interpretation of the implications of Darwinian thought. They also each proposed alternative ways of making sense of Nietzsche’s unique question concerning the meaning of biological evolution “for life.” At the heart of the discussion were debates about the relation of facts and values, the place of divine purpose in the understanding of nonhuman and human agency, the concept of life, and the question of whether the sciences could offer resources to satisfy the human urge to discover sources of value in biological processes. The Moral Meaning of Nature focuses on the historical background of these questions, exposing the complex ways in which they recur in contemporary philosophical debate.
[more]
cover of The Mosaic Decoration of San Marco, Venice

The Mosaic Decoration of San Marco, Venice

Otto Demus

University of Chicago Press, 1988

Decorated with the richest, most beautiful mosaics in the world, the Venetian church of San Marco is quite literally a treasure house of medieval art. The domes and walls of the church, encrusted with stone, glass, and gold, have been recognized, over the centuries, as a glorious historical and artistic record. Peopled with hundreds and figures—Adam and Eve, Noah and his progeny, Isaiah, Christ, Mark, of course, and other holy men and women of Venice—these mosaics create a cosmic panorama. The Mosaic Decoration of San Marco, Venice brings these unrivaled mosaics into breathtaking focus, combining a descriptive history of their creation and repair over the ages with close-up photographs revealing their iconographic detail.
[more]
cover of The Mosaics of San Marco in Venice

The Mosaics of San Marco in Venice

Otto Demus

University of Chicago Press, 1984

[more]
cover of The Most Noble of People: Religious, Ethnic, and Gender Identity in Muslim Spain

The Most Noble of People

Religious, Ethnic, and Gender Identity in Muslim Spain

Jessica A. Coope

University of Michigan Press, 2017

The Most Noble of People presents a nuanced look at questions of identity in Muslim Spain under the Umayyads, an Arab dynasty that ruled from 756 to 1031. With a social historical emphasis on relations among different religious and ethnic groups, and between men and women, Jessica A. Coope considers the ways in which personal and cultural identity in al-Andalus could be alternately fluid and contentious.

The opening chapters define Arab and Muslim identity as those categories were understood in Muslim Spain, highlighting the unique aspects of this society as well as its similarities with other parts of the medieval Islamic world. The book goes on to discuss what it meant to be a Jew or Christian in Spain under Islamic rule, and the degree to which non-Muslims were full participants in society. Following this is a consideration of gender identity as defined by Islamic law and by less normative sources like literature and mystical texts. It concludes by focusing on internal rebellions against the government of Muslim Spain, particularly the conflicts between Muslims who were ethnically Arab and those who were Berber or native Iberian, pointing to the limits of Muslim solidarity.

Drawn from an unusually broad array of sources—including legal texts, religious polemic, chronicles, mystical texts, prose literature, and poetry, in both Arabic and Latin—many of Coope’s illustrations of life in al-Andalus also reflect something of the larger medieval world. Further, some key questions about gender, ethnicity, and religious identity that concerned people in Muslim Spain—for example, women’s status under Islamic law, or what it means to be a Muslim in different contexts and societies around the world—remain relevant today.

[more]
cover of The Mystical Poems of Rumi 1

The Mystical Poems of Rumi 1

Jalal al-Din Rumi

University of Chicago Press, 1974

Rumi, who wrote and preached in Persia during the thirteenth century, was inspired by a wandering mystic, or dervish, named Shams al-Din. Rumi's vast body of poetry includes a lengthy poem of religious mysticism, the Mathnavi, and more than three thousand lyrics and odes. A.J. Arberry, who selected four hundred of the lyrics for translation, calls Rumi "one of the world's greatest poets. In profundity of thought, inventiveness of image, and triumphant mastery of language, he stands out as the supreme genius of Islamic mysticism."

"An excellent introduction to Rumi, the greatest mystical poet of Islam. . . . Rumi's scope, like that of all great poets, is universal—reaching from sensuous luxuriance to the driest irony."—Sherman Goldman, East-West Journal
 
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cover of The Mystical Poems of Rumi 2: Second Selection, Poems 201-400

The Mystical Poems of Rumi 2

Second Selection, Poems 201-400

Jalal al-Din Rumi

University of Chicago Press, 1991

Rumi, who wrote and preached in Persia during the thirteenth century, is one of history’s most celebrated mystics. His vast body of poetry includes a lengthy epic of religious mysticism, the Mathnavi, and more than three thousand lyrics and odes. A. J. Arberry, who selected four hundred of the lyrics for translation, calls Rumi "one of the world's greatest poets. In profundity of thought, inventiveness of image, and triumphant mastery of language, he stands out as the supreme genius of Islamic mysticism." Arberry’s authoritative translation is one of the few done directly from the original Persian.

A. J. Arberry (1905-69) was professor of Arabic at Cambridge University.


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cover of The Myth of Disenchantment: Magic, Modernity, and the Birth of the Human Sciences

The Myth of Disenchantment

Magic, Modernity, and the Birth of the Human Sciences

Jason Ananda Josephson Storm

University of Chicago Press, 2017

A great many theorists have argued that the defining feature of modernity is that people no longer believe in spirits, myths, or magic. Jason Ā. Josephson-Storm argues that as broad cultural history goes, this narrative is wrong, as attempts to suppress magic have failed more often than they have succeeded. Even the human sciences have been more enchanted than is commonly supposed. But that raises the question: How did a magical, spiritualist, mesmerized Europe ever convince itself that it was disenchanted?

Josephson-Storm traces the history of the myth of disenchantment in the births of philosophy, anthropology, sociology, folklore, psychoanalysis, and religious studies. Ironically, the myth of mythless modernity formed at the very time that Britain, France, and Germany were in the midst of occult and spiritualist revivals. Indeed, Josephson-Storm argues, these disciplines’ founding figures were not only aware of, but profoundly enmeshed in, the occult milieu; and it was specifically in response to this burgeoning culture of spirits and magic that they produced notions of a disenchanted world.  

By providing a novel history of the human sciences and their connection to esotericism, The Myth of Disenchantment dispatches with most widely held accounts of modernity and its break from the premodern past.
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cover of The Natural Law: A Beginner's Thomistic Guide

The Natural Law

A Beginner's Thomistic Guide

Steven J. Jensen

Catholic University of America Press, 2025

Drawing upon the timeless wisdom of Thomas Aquinas, The Natural Law offers clear insights into perplexing ethical dilemmas. The compelling conclusions of Aquinas emerge through a critical examination of contemporary ethical frameworks including moral relativism, utilitarianism, and Machiavellian politics. In part one, which elucidates the core principles of natural law ethics, the reader will discover fundamental truths underpinning the concepts of right and wrong, which are rooted in the very fabric of our humanity. Part two navigates the ethics of harm, grappling with contentious issues such as capital punishment, just war, and self-defense, while at the same time addressing moral quandaries like sacrificing one life in order to save another. This section also resolves thorny practical questions surrounding human actions. How can we tell the difference between an action and its consequences? How do we determine exactly what it means to kill another person? Part three ventures into the intricacies of human societies. The reader will explore the importance of authority and rules in guiding social interactions, from the nurturing bonds of the family to the shifting complexities of political society. The principles examined will shed light upon controversial topics within sexual ethics, such as transgenderism, faithful spousal intimacy, and cloning. The Natural Law invites readers on an engaging journey of critical inquiry. By challenging prevailing assumptions and provoking self-reflection, it will reshape your understanding of ethics and human nature, ultimately revealing your role and purpose within the universe.
[more]
cover of The Nature of Love

The Nature of Love

Dietrich von Hildebrand

St. Augustine's Press, 2009

[more]
cover of The Nature of Political Philosophy: And Other Studies and Commentaries

The Nature of Political Philosophy

And Other Studies and Commentaries

James V. Schall

Catholic University of America Press, 2022

In his final collection of essays, Father Schall explores the life of faith across a dazzling array of subjects, from Martin Luther to bioethics. With his characteristic patience, brilliance, and careful tenacity, Father Schall interrogates profoundly what it means to try to be a citizen of the Kingdom of God in the city of Man. Never shying away from controversy, across 14 articles and 4 book reviews Father Schall investigates the critical themes of his life and scholarship: reason and revelation; the nature of modernity; literature and salvation; metaphysics and politics; and much more. Whether the reader is new to Father Schall or a longtime student, this posthumously-published collection of essays offers a profound meditation on the nature of political philosophy, and particularly what it would mean for Catholicism to offer a political philosophy. From such fundamental considerations, Schall explores ethical, literary and legal themes, displaying his typical breadth and depth of engagement with all that is real. Ultimately, Father Schall leads one on a Socratic enterprise, an education whereby one comes to question for oneself basic assumptions, and to dig deeper into the first principles as they are recalled in the orders of knowledge and being. While Father Schall has passed on to his reward, this collection of essays helps ensure that his lessons continue to guide, challenge and enrich students for generations to come.
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cover of The Neighbor: Three Inquiries in Political Theology

The Neighbor

Three Inquiries in Political Theology

Slavoj Žižek, Eric L. Santner, and Kenneth Reinhard

University of Chicago Press, 2005

In Civilization and Its Discontents, Freud made abundantly clear what he thought about the biblical injunction, first articulated in Leviticus 19:18 and then elaborated in Christian teachings, to love one's neighbor as oneself. "Let us adopt a naive attitude towards it," he proposed, "as though we were hearing it for the first time; we shall be unable then to suppress a feeling of surprise and bewilderment." After the horrors of World War II, the Holocaust, Stalinism, and Yugoslavia, Leviticus 19:18 seems even less conceivable—but all the more urgent now—than Freud imagined.

In The Neighbor, three of the most significant intellectuals working in psychoanalysis and critical theory collaborate to show how this problem of neighbor-love opens questions that are fundamental to ethical inquiry and that suggest a new theological configuration of political theory. Their three extended essays explore today's central historical problem: the persistence of the theological in the political. In "Towards a Political Theology of the Neighbor," Kenneth Reinhard supplements Carl Schmitt's political theology of the enemy and friend with a political theology of the neighbor based in psychoanalysis. In "Miracles Happen," Eric L. Santner extends the book's exploration of neighbor-love through a bracing reassessment of Benjamin and Rosenzweig. And in an impassioned plea for ethical violence, Slavoj Žižek's "Neighbors and Other Monsters" reconsiders the idea of excess to rehabilitate a positive sense of the inhuman and challenge the influence of Levinas on contemporary ethical thought.

A rich and suggestive account of the interplay between love and hate, self and other, personal and political, The Neighbor will prove to be a touchstone across the humanities and a crucial text for understanding the persistence of political theology in secular modernity.
[more]
cover of The Neighbor: Three Inquiries in Political Theology, with a new Preface

The Neighbor

Three Inquiries in Political Theology, with a new Preface

Slavoj Žižek, Eric L. Santner, and Kenneth Reinhard

University of Chicago Press, 2013

In Civilization and Its Discontents, Freud made abundantly clear what he thought about the biblical injunction, first articulated in Leviticus 19:18 and then elaborated in Christian teachings, to love one's neighbor as oneself. “Let us adopt a naive attitude towards it,” he proposed, “as though we were hearing it for the first time; we shall be unable then to suppress a feeling of surprise and bewilderment.” After the horrors of World War II, the Holocaust, and Stalinism, Leviticus 19:18 seems even less conceivable—but all the more urgent now—than Freud imagined.

In The Neighbor, three of the most significant intellectuals working in psychoanalysis and critical theory collaborate to show how this problem of neighbor-love opens questions that are fundamental to ethical inquiry and that suggest a new theological configuration of political theory. Their three extended essays explore today's central historical problem: the persistence of the theological in the political. In “Toward a Political Theology of the Neighbor,” Kenneth Reinhard supplements Carl Schmitt’s political theology of the enemy and friend with a political theology of the neighbor based in psychoanalysis. In “Miracles Happen,” Eric L. Santner extends the book's exploration of neighbor-love through a bracing reassessment of Benjamin and Rosenzweig. And in an impassioned plea for ethical violence, Slavoj Žižek’s “Neighbors and Other Monsters” reconsiders the idea of excess to rehabilitate a positive sense of the inhuman and challenge the influence of Levinas on contemporary ethical thought.

A rich and suggestive account of the interplay between love and hate, self and other, personal and political, The Neighbor has proven to be a touchstone across the humanities and a crucial text for understanding the persistence of political theology in secular modernity. This new edition contains a new preface by the authors.
[more]
cover of The New Gods

The New Gods

E. M. Cioran

University of Chicago Press, 1974

Dubbed “Nietzsche without his hammer” by literary critic James Wood, the Romanian philosopher E. M. Cioran is known as much for his profound pessimism and fatalistic approach as for the lyrical, raging prose with which he communicates them. Unlike many of his other works, such as On the Heights of Despair and Tears and Saints, The New Gods eschews his usual aphoristic approach in favor of more extensive and analytic essays.
 
Returning to many of Cioran’s favorite themes, The New Gods explores humanity’s attachment to gods, death, fear, and infirmity, in essays that vary widely in form and approach. In “Paleontology” Cioran describes a visit to a museum, finding the relatively pedestrian destination rife with decay, death, and human weakness. In another chapter, Cioran explores suicide in shorter, impressionistic bursts, while “The Demiurge” is a shambolic exploration of man’s relationship with good, evil, and God. All the while, The New Gods reaffirms Cioran’s belief in “lucid despair,” and his own signature mixture of pessimism and skepticism in language that never fails to be a pleasure. Perhaps his prose itself is an argument against Cioran’s near-nihilism: there is beauty in his books.

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cover of The One Thomas More

The One Thomas More

Travis Curtright

Catholic University of America Press, 2012

The One Thomas More carefully studies the central humanist and polemical texts written by More to illustrate a coherent development of thought.
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cover of The Opening Ritual

The Opening Ritual

G.C. Waldrep

Tupelo Press, 2024

The conclusion of G. C. Waldrep’s trilogy exploring chronic illness.

In The Opening Ritual, G. C. Waldrep contends with the failure of the body, the irreducible body, in the light of faith. What can or should “healing” mean when it can’t ever mean “wholeness” again? And what kind of architecture is “mercy” when we live inside damage? These are poems that take both the material and the spiritual seriously, that cast their unsparing glances toward “All that is not / & could never be a parable.”

The collection concludes with a sequence of truly grand meditations on spiritual consciousness—in one the poet notes how, in the stillness of contemplation, the world begins to hum and resound with music. The Opening Ritual attends to and fashions its song from that music.
 
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cover of The Other Jonathan Edwards: Selected Writings on Society, Love, and Justice

The Other Jonathan Edwards

Selected Writings on Society, Love, and Justice

Gerald McDermott

University of Massachusetts Press, 2015

Widely regarded as perhaps America's greatest theologian, Jonathan Edwards still suffers the stereotype of hellfire preacher obsessed with God's wrath. In this anthology, Gerald McDermott and Ronald Story seek to correct that common view by showing that Edwards was also a compassionate, socially conscious minister of the first order. 

Through a selection of sermons and primary writings, McDermott and Story reveal an Edwards who preached love toward all humanity regardless of belief or appearance; who demanded private and public charity to the poor; who criticized hard-hearted business dealings as impious and socially destructive; and who condemned envy and status-seeking as anti-Christian and anti-community. This “other” Jonathan Edwards preached about grace and the love of God but also about responsive constitutional government, the iniquities of hypocrisy and corruption, and the nature of wise leadership. He acknowledged the need for national defense but left room for popular revolt from tyranny. He anticipated a millennial age of peace and prosperity and believed that people should live in the world as they would live through grace in heaven. 

Jonathan Edwards was, in sum, a worldly as well as spiritual reformer who resisted the materialistic, acquisitive, and individualistic currents of American culture. For these reasons, McDermott and Story think he may have lessons to teach us today.

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cover of The Path and the Gate: Mormon Short Fiction

The Path and the Gate

Mormon Short Fiction

Andrew Hall

Signature Books, 2023

The Book of Mormon prophet Nephi describes the journey to eternal life as going through a gate of ordinances and traveling a “straight and narrow path.” Twenty-three authors took that gospel roadmap passage as a prompt to write “a Mormon story.” They responded with a surprisingly wide range of realistic and fantastic tales. Many are human reactions to unexpected steps on the path: a lifetime of faith in a patriarchal blessing’s unfulfilled promise, a survivor of violence calling a divided community to repentance, a baptism gone very wrong, and spiritual gifts that extend far beyond the apostle Paul’s list. The characters stretch from wayward bishops and helpful home teachers to cyber-­Seventies searching for lost sheep in the metaverse, with settings from the slums of Mumbai to a heaven that turns out to be more difficult than expected. Some characters reject the path’s restrictions and expectations, while others can second the reported words of J. Golden Kimball, “I may not always walk the straight and narrow, but I sure in hell try to cross it as often as I can.”
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cover of The Path of Mercy: The Life of Catherine McAuley

The Path of Mercy

The Life of Catherine McAuley

Mary C. Sullivan

Catholic University of America Press, 2012

Breaking new ground in presenting the life of Catherine McAuley (1778?-1841), the Dublin woman who founded the Sisters of Mercy, Mary C. Sullivan has written the first full-length, documented narrative of McAuley in more than fifty years.
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cover of The Phenomenological Study of Religion: Key Texts and Sources

The Phenomenological Study of Religion

Key Texts and Sources

Christina M. Gschwandtner

Northwestern University Press, 2026

Presenting a wide-ranging selection of works and commentary in religious phenomenology

Phenomenology is a central method employed to study religious phenomena within religious studies, philosophy of religion, and philosophical theology. This expertly edited collection brings together historical sources and newly commissioned essays from various ways of investigating religion phenomenologically both to diversify the field and to make available important works that have not been previously translated into English. The Phenomenological Study of Religion includes not only representative texts from well-known phenomenological philosophers and scholars of religion but also selections from significant thinkers that have not been studied as widely, along with contributions from leading contemporary voices. This volume offers scholars and students at all levels of expertise broad exposure to the various configurations of the phenomenological study of religion.

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cover of The Philosophical Life

The Philosophical Life

Arthur P. Urbano

Catholic University of America Press, 2013

Ancient biographies were more than accounts of the deeds of past heroes and guides for moral living. They were also arenas for debating pressing philosophical questions and establishing intellectual credentials, as Arthur P. Urbano argues in this study of biographies composed in Late Antiquity
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cover of The Philosophy of Jesus

The Philosophy of Jesus

Peter Kreeft

St. Augustine's Press, 2007

Amazingly, no one ever seems to have looked at Jesus as a philosopher, or his teaching as philosophy. Yet no one in history has ever had a more radically new philosophy, or made more of a difference to philosophy, than Jesus. He divided all human history into two, into "B.C." and "A.D."; and the history of philosophy is crucial to human history, since philosophy is crucial to man; so how could He not also divide philosophy?

This book (1) looks at Jesus as a complete human being (as well as divine), therefore also as a philosopher; (2) looks at philosophy as Jesus' pre-modern contemporaries did, as a wisdom, a world-view, and a way of life rather than as a super-science (Descartes, Hegel) or as a servant-science (Hobbes, Hume); and (3) looks at philosophy in light of Jesus rather than at Jesus in light of philosophy. It explores the consequences of Etienne Gilson's point that when St. John brought Christianity and Greek philosophy into contact and identified the Messiah the Jews had most deeply sought with the logos that the Greeks had most deeply sought, nothing happened to Christ but something happened to the logos.

This book explores the most radical revolution in the history of philosophy, the differences Jesus made to metaphysics (the philosophy of being), to epistemology (the philosophy of knowing), to anthropology (the philosophy of man), and to philosophical ethics and politics.

And, besides, it has the greatest ending of any philosophy book in a century.

[more]
cover of The Philosophy of John Henry Newman and Pragmatism: A Comparison

The Philosophy of John Henry Newman and Pragmatism

A Comparison

Marial Corona

Catholic University of America Press, 2023

In recent years, interest in John Henry Newman as a philosopher has gained momentum. This work places his philosophical insights in conversation with philosophers from the pragmatic tradition, particularly with C. S. Peirce, the classical pragmatists, and those who have followed their line, and shows several lines of concurrence. It argues that Newman overcame the modern philosophy of his time by reconnecting to the Aristotelian tradition in a very similar way to how Peirce did it fifty years later and the new pragmatists a century after. Without claiming that Newman is a pragmatist philosopher, pragmatism is used as a foil, or point of access, to delve into Newman’s philosophy and bring forth the richness of his thought while placing him in the canon of philosophy. This approach deepens the understanding of his philosophical contributions and widens their reach to circles that have previously not engaged with him. Further, this study provides a means to understand pragmatism’s resources from a seldom-used vantage point and perhaps appreciate its fruitfulness in a new way. Much emphasis is placed in Newman’s texts that refer to his search for and commitment to the truth. The particular nuances of his thought that are brought to light showcase the effective intellectual resources that his writings contain. Newman does not provide ready-made answers to today’s questions, but the way he analyzes and engages with the quandaries of his time can point us to creative and fruitful ways of engaging with those of our times.
[more]