775 books match the query 'Germany' and 174 start with t

cover of The Political Orchestra: The Vienna and Berlin Philharmonics during the Third Reich

The Political Orchestra

The Vienna and Berlin Philharmonics during the Third Reich

Fritz Trümpi

University of Chicago Press, 2016

This is a groundbreaking study of the prestigious Berlin and Vienna Philharmonics during the Third Reich. Making extensive use of archival material, including some discussed here for the first time, Fritz Trümpi offers new insight into the orchestras’ place in the larger political constellation.

Trümpi looks first at the decades preceding National Socialist rule, when the competing orchestras, whose rivalry mirrored a larger rivalry between Berlin and Vienna, were called on to represent “superior” Austro-German music and were integrated into the administrative and social structures of their respective cities—becoming vulnerable to political manipulation in the process. He then turns to the Nazi period, when the orchestras came to play a major role in cultural policies. As he shows, the philharmonics, in their own unique ways, strengthened National Socialist dominance through their showcasing of Germanic culture in the mass media, performances for troops and the general public, and fictional representations in literature and film. Accompanying these propaganda efforts was an increasing politicization of the orchestras, which ranged from the dismissal of Jewish members to the programming of ideologically appropriate repertory—all in the name of racial and cultural purity.

Richly documented and refreshingly nuanced, The Political Orchestra is a bold exploration of the ties between music and politics under fascism.
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cover of The Politics of Free Markets: The Rise of Neoliberal Economic Policies in Britain, France, Germany, and the United States

The Politics of Free Markets

The Rise of Neoliberal Economic Policies in Britain, France, Germany, and the United States

Monica Prasad

University of Chicago Press, 2006

The attempt to reduce the role of the state in the market through tax cuts, decreases in social spending, deregulation, and privatization—“neoliberalism”—took root in the United States under Ronald Reagan and in Britain under Margaret Thatcher. But why did neoliberal policies gain such prominence in these two countries and not in similarly industrialized Western countries such as France and Germany?

In The Politics of Free Markets, a comparative-historical analysis of the development of neoliberal policies in these four countries,Monica Prasad argues that neoliberalism was made possible in the United States and Britain not because the Left in these countries was too weak, but because it was in some respects too strong. At the time of the oil crisis in the 1970s, American and British tax policies were more punitive to business and the wealthy than the tax policies of France and West Germany; American and British industrial policies were more adversarial to business in key domains; and while the British welfare state was the most redistributive of the four, the French welfare state was the least redistributive. Prasad shows that these adversarial structures in the United States and Britain created opportunities for politicians to find and mobilize dissatisfaction with the status quo, while the more progrowth policies of France and West Germany prevented politicians of the Right from anchoring neoliberalism in electoral dissatisfaction.

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cover of The Politics of Military Force: Antimilitarism, Ideational Change, and Post-Cold War German Security Discourse

The Politics of Military Force

Antimilitarism, Ideational Change, and Post-Cold War German Security Discourse

Frank A. Stengel

University of Michigan Press, 2020

The Politics of Military Force examines the dynamics of discursive change that made participation in military operations possible against the background of German antimilitarist culture. Once considered a strict taboo, so-called out-of-area operations have now become widely considered by German policymakers to be without alternative. The book argues that an understanding of how certain policies are made possible (in this case, military operations abroad and force transformation), one needs to focus on processes of discursive change that result in different policy options appearing rational, appropriate, feasible, or even self-evident. Drawing on Essex School discourse theory, the book develops a theoretical framework to understand how discursive change works, and elaborates on how discursive change makes once unthinkable policy options not only acceptable but even without alternative. Based on a detailed discourse analysis of more than 25 years of German parliamentary debates, The Politics of Military Force provides an explanation for: (1) the emergence of a new hegemonic discourse in German security policy after the end of the Cold War (discursive change), (2) the rearticulation of German antimilitarism in the process (ideational change/norm erosion) and (3) the resulting making-possible of military operations and force transformation (policy change). In doing so, the book also demonstrates the added value of a poststructuralist approach compared to the naive realism and linear conceptions of norm change so prominent in the study of German foreign policy and International Relations more generally.
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cover of The Politics of Sociability: Freemasonry and German Civil Society, 1840-1918

The Politics of Sociability

Freemasonry and German Civil Society, 1840-1918

Stefan-Ludwig Hoffmann

University of Michigan Press, 2007

An ambitious, original work, The Politics of Sociability is Stefan-Ludwig Hoffmann's exploration of the social and political significance of Freemasonry in German history. Drawing on de Tocqueville's theory that without civic virtue there is no civil society, and that civic virtue unfolds only through the social interaction between citizens, Hoffmann examines the critical link between Freemasonry and the evolution of German civil society in the late nineteenth century. The practice of Masonic sociability reflected an enlightened belief in the political significance of moral virtue for civil society, indeed, for humanity. Freemasons' self-image as civilizing agents, acting in good faith and with the unimpeachable idea of universal brotherhood, was contradicted not only by their heightened sense of exclusivity; Freemasons unintentionally exacerbated nineteenth-century political conflicts---for example, between liberals and Catholics, or Germans and French---by employing a universalist language.

Using a wealth of archival sources previously unavailable, Stefan-Ludwig Hoffmann shows how Freemasonry became a social refuge for elevated and liberal-minded bourgeois men who felt attracted to its secret rituals and moral teachings. German Freemasons sought to reform self and society but, Hoffmann argues, ultimately failed to balance modern politics with a cosmopolitan ethos. Hoffmann illuminates a capacious history of the political effects of Enlightenment concepts and practices in a century marked by nationalism, social discord, and religious conflict.

Stefan-Ludwig Hoffmann is Assistant Professor of Modern History at Ruhr-University Bochum. The German edition of this book, Die Politik der Geselligkeit: Freimaurerlogen in der deutschen Bürgergesellschaft, 1840-1918 (Vandenhoeck & Ruprecht, 2000), won the Association of German Historians' 2002 Hedwig Hintze Prize for Best First Book.

Tom Lampert was born in Boston in 1962 and grew up in northern California. He received a BA in political science from Stanford University (1986) and a PhD in government from Cornell (1998). His book, Ein einziges Leben (Hanser Verlag 2001) was published as One Life by Harcourt in 2004, which he translated himself. Lampert has worked as a freelance translator since 1998. He currently lives in Bad Kreuznach, Germany.

Cover Image: Monument of the Battle of the Nations in Leipzig, erected between 1898 and 1913 by German Freemasons, Barbarossa-Head by Christian Behrens, located next to the stairs leading to the monument. The German mythical figure of the Kaiser Barbarossa is depicted as a sphinx, which in Masonic symbolism protects the Masonic secret from profanation. Courtesy of the Deutsche Bücherei, Leipzig.

"This is an exemplary study of the role of Freemasonry in the German Bürgergesellschaft (civil society) of the nineteenth and early twentieth centuries, concise, comprehensive, and well written. It combines social profiling with a careful examination of contemporary concepts in a long-term diachronic study, based on an impressive amount of primary material. . . . Hoffmann's empirically and methodologically convincing study is not only a major contribution to our understanding of Freemasonry in the German Bürgergesellschaft. It also reflects the complex social and political transformation of German society in the nineteenth century and the difficulties contemporaries faced in responding to it."
---German History

"Hoffmann's arguments are theoretically informed, supported by a wealth of archival sources. . . . Indeed, in many ways this is the best combination of painstaking social history and well-argued Begriffsgeschichte (conceptual history). . . . One of the great virtues of this book is that Hoffmann does not shy away from the contradictions in the Freemasons' rhetoric and actions. Such contradictions, in fact, are key to the Mason's importance, because they force us to rethink some of our assumptions about Imperial Germany. . . . This is an important book that encourages us to rethink many of our characterizations of the German Kaiserreich and our assumptions about civil society."
---Central European History

"Based on a rich variety of sources. . . . Hoffmann explores the evolving relationship between Freemasonry and the monarchy, state, and church, and he also scrutinizes the internal practices and discourse of these notoriously secretive and cosmopolitan societies. . . . Hoffmann engages fruitfully with a wide historiography covering themes such as masculinity and racism, he dissects the complex attitude of Freemasonry to Jews and Catholics, and he scrutinizes the attacks of its conservative, clerical, and antisemitic critics."
---Journal of Modern History

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cover of The Politics of Women's Suffrage: Local, National and International Dimensions

The Politics of Women's Suffrage

Local, National and International Dimensions

Edited by Alexandra Hughes-Johnson and Lyndsey Jenkins

University of London Press, 2021

A history of the early twentieth-century movement for women’s suffrage in the United Kingdom and the Commonwealth. 
 
In the United Kingdom, the question of women’s suffrage represented the most substantial challenge to the constitution since 1832, seeking not only to expand but to redefine definitions of citizenship and power. At the same time, it was inseparable from other urgent contemporary political debates—the Irish question, the decline of the British Empire, the Great War, and the increasing demand for workers’ rights.  

This collection positions women’s suffrage as central to, rather than separate from, these broader political discussions, demonstrating how they intersected and were mutually constitutive. In particular, this collection pays close attention to the issues of class and Empire which shaped this era. It demonstrates how campaigns for women’s rights were consciously and unconsciously played out, impacting attitudes to motherhood, spurring the radical “birth-strike” movement, and burgeoning communist sympathies in working-class communities around Britain and beyond.
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cover of The Postwar Transformation of Germany: Democracy, Prosperity and Nationhood

The Postwar Transformation of Germany

Democracy, Prosperity and Nationhood

John S. Brady, Beverly Crawford, and Sarah Elise Wiliarty, Editors

University of Michigan Press, 1999

As Germany celebrates the fiftieth anniversary of the founding of the Federal Republic of Germany--the former West Germany-- leading scholars take stock in this volume of the political, social, and economic progress Germany made as it built a democratic political system and a powerful economy, survived the Cold War, and dealt with the challenges of reunification.
The contributors address issues such as Germany's response to extremists, the development of a professional civil service, judicial review, the maintenance of the welfare state, the nature of contemporary German nationalism, and Germany's role in the world.
Contributors are Thomas Banchoff, Thomas U. Berger, Patricia Davis, Ernst Haas, Jost Halfmann, Christard Hoffmann, Carl-Lugwig Holtfrerich, Donald P. Kommers, Wolfgang Krieger, Peter Krueger, Gregg O. Kvistad, Ludger Lindlar, Charles Maier, Andrei Markovitz, Peter Merkl, Claus Offe, Simon Reich, and Michaela Richter.
John S. Brady and Sarah Elise Wiliarty are doctoral candidates in the Department of Political Science, University of California, Berkeley. Beverly Crawford is Professor of Political Science, Senior Lecturer in Political Economy of Industrial Societies, and Associate Director, Center for German and European Studies, University of California, Berkeley.
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cover of The Power of Intellectuals in Contemporary Germany

The Power of Intellectuals in Contemporary Germany

Edited by Michael Geyer

University of Chicago Press, 2001

A decade after reunification, with Germany laboring to define a new national identity, the defunct German Democratic Republic has gained a second life in the pages of history. The former GDR, and particularly the fate of its intellectuals, has become the subject of novels, memoirs, and films, and it has also become the backdrop for general debates over the power of intellectuals in contemporary media and society.

This new collection of essays considers the demise of the GDR and its impact on the place of intellectuals in Germany today. Distinguished contributors from Germany, Austria, and the United States survey aspects of high and low culture, including the current nostalgia for East German film, the demise of the GDR rock scene, the pivotal role of East German poets, the consolidation and privatization of German media, and the frightening new resurgence of right-wing violence. The result is a timely volume that charts Germany's rocky transition from one world to another.

Contributors:
Mitchell G. Ash
Simone Barck
David Bathrick
John Borneman
Dorothea Dornhof
Michael Geyer
Andreas Graf
Dietrich Hohmann
Andreas Huyssen
Konrad Jarausch
Alexander Kluge
Loren Kruger
Martina Langermann
Siegfried Lokatis
Patricia Anne Simpson
Frank Trommler
Katie Trumpener
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cover of The Practical Imagination: The German Sciences of State in the Nineteenth Century

The Practical Imagination

The German Sciences of State in the Nineteenth Century

David F. Lindenfeld

University of Chicago Press, 1997

Drawing on the work of Foucault and Bourdieu, David Lindenfeld illuminates the practical imagination as it was exhibited in the transformation of the political and social sciences during the changing conditions of nineteenth-century Germany. Using a wealth of information from state and university archives, private correspondence, and a survey of lecture offerings in German universities, Lindenfeld examines the original group of learned disciplines which originated in eighteenth-century Germany as a curriculum to train state officials in the administration and reform of society and which included economics, statistics, politics, public administration, finance, and state law, as well as agriculture, forestry, and mining. He explores the ways in which some systems of knowledge became extinct, and how new ones came into existence, while other migrated to different subject areas.

Lindenfeld argues that these sciences of state developed a technique of deliberation on practical issues such as tax policy and welfare, that serves as a model for contemporary administrations.



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cover of The Queer Art of History: Queer Kinship after Fascism

The Queer Art of History

Queer Kinship after Fascism

Jennifer V. Evans

Duke University Press, 2023

In The Queer Art of History Jennifer V. Evans examines postwar and contemporary German history to broadly argue for a practice of queer history that moves beyond bounded concepts and narratives of identity. Drawing on Black feminism, queer of color critique, and trans studies, Evans points out that although many rights for LGBTQI people have been gained in Germany, those rights have not been enjoyed equally. There remain fundamental struggles around whose bodies, behaviors, and communities belong. Evans uses kinship as an analytic category to identify the fraught and productive ways that Germans have confronted race, gender nonconformity, and sexuality in social movements, art, and everyday life. Evans shows how kinship illuminates the work of solidarity and intersectional organizing across difference and offers an openness to forms of contemporary and historical queerness that may escape the archive’s confines. Through forms of kinship, queer and trans people test out new possibilities for citizenship, love, and public and family life in postwar Germany in ways that question claims about liberal democracy, the social contract, and the place of identity in rights-based discourses.
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cover of The Reformation of the Image

The Reformation of the Image

Joseph Leo Koerner

University of Chicago Press, 2004

With his 95 Theses, Martin Luther advanced the radical notion that all Christians could enjoy a direct, personal relationship with God—shattering years of Catholic tradition and obviating the need for intermediaries like priests and saints between the individual believer and God. The text of the Bible, the Word of God itself, Luther argued, revealed the only true path to salvation—not priestly ritual and saintly iconography.

But if words—not iconic images—showed the way to salvation, why didn't religious imagery during the Reformation disappear along with indulgences? The answer, according to Joseph Leo Koerner, lies in the paradoxical nature of Protestant religious imagery itself, which is at once both iconic and iconoclastic. Koerner masterfully demonstrates this point not only with a multitude of Lutheran images, many never before published, but also with a close reading of a single pivotal work—Lucas Cranach the Elder's altarpiece for the City Church in Wittenberg (Luther's parish). As Koerner shows, Cranach, breaking all the conventions of traditional Catholic iconography, created an entirely new aesthetic for the new Protestant ethos.

In the Crucifixion scene of the altarpiece, for instance, Christ is alone and stripped of all his usual attendants—no Virgin Mary, no John the Baptist, no Mary Magdalene—with nothing separating him from Luther (preaching the Word) and his parishioners. And while the Holy Spirit is nowhere to be seen—representation of the divine being impossible—it is nonetheless dramatically present as the force animating Christ's drapery. According to Koerner, it is this "iconoclash" that animates the best Reformation art.

Insightful and breathtakingly original, The Reformation of the Image compellingly shows how visual art became indispensable to a religious movement built on words.
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cover of The Repression of Psychoanalysis: Otto Fenichel and the Political Freudians

The Repression of Psychoanalysis

Otto Fenichel and the Political Freudians

Russell Jacoby

University of Chicago Press, 1986

By examining the private correspondence of a circle of German psychoanalyst emigrés that included Otto Fenichel, Annie Reich, and Edith Jacobson, Russell Jacoby recaptures the radical zeal of classical analysis and the efforts of the Fenichel group to preserve psychoanalysis as a social and political theory, open to a broad range of intellectuals regardless of their medical background. In tracing this effort, he illuminates the repression by psychoanalysis of its own radical past and its transformation into a narrow medical technique. This book is of critical interest to the general reader as well as to psychoanalytic historians, theorists, and therapists.
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cover of The Rest Is Slander: Five Stories

The Rest Is Slander

Five Stories

Thomas Bernhard

Seagull Books, 2022

A collection of previously untranslated stories from a master of twentieth-century Austrian literature, Thomas Bernhard.

“The cold increases with the clarity,” said Thomas Bernhard while accepting a major literary prize in 1965. That clarity was the postwar realization that the West’s last remaining cultural reference points were being swept away by the ever-greater commodification of humankind. Collecting five stylistically transitional tales by Bernhard, all of which take place in sites of extreme cold, this volume extends that bleak vision of the master Austrian storyteller.
 
In “Ungenach,” the reluctant heir of an enormous estate chooses to give away his legacy to an assortment of oddballs as he discovers the past of his older brother, who was murdered during a career in futile colonialist philanthropy. In “The Weatherproof Cape,” a lawyer tries to maintain a sense of familial solidarity with a now-dead client with the help of an unremarkable piece of clothing. “Midland in Stilfs” casts a jaundiced eye on the laughable efforts of a cosmopolitan foreigner to attain local authenticity on a moribund Alpine farmstead. In “At the Ortler,” two middle-aged brothers—one a scientist, the other an acrobat—meditate on their unusual career paths while they climb a mountain to reclaim a long-abandoned family property. And in “At the Timberline,” the unexpected arrival of a young couple in a mountain village leads to the discovery of a scandalous crime that casts a shadow on the personal life of the policeman investigating it.
 
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cover of The Rise of the Research University: A Sourcebook

The Rise of the Research University

A Sourcebook

Edited by Louis Menand, Paul Reitter, and Chad Wellmon

University of Chicago Press, 2017

The modern research university is a global institution with a rich history that stretches into an ivy-laden past, but for as much as we think we know about that past, most of the writings that have recorded it are scattered across many archives and, in many cases, have yet to be translated into English. With this book, Paul Reitter, Chad Wellmon, and Louis Menand bring a wealth of these important texts together, assembling a fascinating collection of primary sources—many translated into English for the first time—that outline what would become the university as we know it.
           
The editors focus on the development of American universities such as Cornell, Johns Hopkins, Harvard, and the Universities of Chicago, California, and Michigan. Looking to Germany, they translate a number of seminal sources that formulate the shape and purpose of the university and place them next to hard-to-find English-language texts that took the German university as their inspiration, one that they creatively adapted, often against stiff resistance. Enriching these texts with short but insightful essays that contextualize their importance, the editors offer an accessible portrait of the early research university, one that provides invaluable insights not only into the historical development of higher learning but also its role in modern society.
 
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cover of The Romantic Conception of Life: Science and Philosophy in the Age of Goethe

The Romantic Conception of Life

Science and Philosophy in the Age of Goethe

Robert J. Richards

University of Chicago Press, 2002

"All art should become science and all science art; poetry and philosophy should be made one." Friedrich Schlegel's words perfectly capture the project of the German Romantics, who believed that the aesthetic approaches of art and literature could reveal patterns and meaning in nature that couldn't be uncovered through rationalistic philosophy and science alone. In this wide-ranging work, Robert J. Richards shows how the Romantic conception of the world influenced (and was influenced by) both the lives of the people who held it and the development of nineteenth-century science.

Integrating Romantic literature, science, and philosophy with an intimate knowledge of the individuals involved—from Goethe and the brothers Schlegel to Humboldt and Friedrich and Caroline Schelling—Richards demonstrates how their tempestuous lives shaped their ideas as profoundly as their intellectual and cultural heritage. He focuses especially on how Romantic concepts of the self, as well as aesthetic and moral considerations—all tempered by personal relationships—altered scientific representations of nature. Although historians have long considered Romanticism at best a minor tributary to scientific thought, Richards moves it to the center of the main currents of nineteenth-century biology, culminating in the conception of nature that underlies Darwin's evolutionary theory.

Uniting the personal and poetic aspects of philosophy and science in a way that the German Romantics themselves would have honored, The Romantic Conception of Life alters how we look at Romanticism and nineteenth-century biology.
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cover of The Ruin Dwellers: Progress and Its Discontents in the West German Counterculture

The Ruin Dwellers

Progress and Its Discontents in the West German Counterculture

Jake P. Smith

University of Chicago Press, 2025

Traces the shifting dynamics within leftist activism in 1970s and ’80s Europe and its experiments in art, life, and politics.

The Ruin Dwellers takes readers into the urban spaces of youth revolts during the 1970s and ’80s in West Germany and elsewhere in western and central Europe. Whereas earlier generations of leftist activists were primarily oriented toward the utopian future, participants in the youth movements of the 1970s and ’80s developed a more complex set of temporal practices that sought to scramble the borders between the past, present, and future.
 
Examining a rich corpus of radical texts and practices, historian Jake P. Smith shows that squatters and their leftist allies in this period engaged in social, cultural, and aesthetic experiments with modes of autonomous living. Smith brings to life the real and imagined landscapes conjured in squatted houses and street protests; in art, dress, music, graffiti, and film; and in philosophical, poetic, and political texts. In so doing, he offers an eye-opening look at anarchic world-making practices that found new ways of imagining an emancipated future through inhabiting the fractured past.
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cover of The Saxon War

The Saxon War

Bruno of Merseburg

Catholic University of America Press, 2022

Bruno, a cleric who served the archbishop of Magdeburg and subsequently the bishop of Merseburg during the course of the 1060s to the 1080s, composed one of the most important historical works treating the tumultuous period in the history of the German kingdom in the second half of the eleventh century. Bruno’s main focus in his Saxon War is the civil wars that engulfed the German kingdom from the mid 1060s through the end of the 1080s. However, as a historian of contemporary affairs, Bruno also offers crucial insights regarding the so-called Investiture Controversy, which Bruno treats largely as a political conflict between a tyrannical German ruler and the Saxons with some papal intervention, social conflict within the German kingdom, as well as the development of economic and military institutions. Unlike his contemporary Lampert of Hersfeld, Bruno was closely connected to the foremost leaders of the Saxon resistance against King Henry IV, and provides unique insights regarding their plans, hopes, and fears. Bruno also provides nearly two dozen full-text copies of letters that were sent by the main participants in the intra-German conflict as well as ten letters from Pope Gregory VII, four of which do not appear in any other source including the papal register. An additional important feature of Bruno’s history is that he treats military matters in an extraordinarily detailed manner, and is the most important narrative source for understanding the conduct of war during the second half of the eleventh century. Bruno’s detailed treatment of military matters is based upon his very extensive contacts with leading military figures, as well as his own personal observations regarding the numerous battles that punctuated the struggle between the Saxons and their erstwhile ruler. In sum, Bruno offers both unique perspectives and unique information about a crucial period in both German and European history, which make this text valuable not only for scholars, but also for a broader audience interested in the political, religious, and particularly military history of the eleventh century. This will be the first English translation of this work.
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cover of The Science of the Swastika

The Science of the Swastika

Bernard Mees

Central European University Press, 2008

The first theoretically informed study of the relationship between an academic discipline and what the Nazis termed their Weltanschauung. The first study of Sinnbildforschung, German ideograph or swastika studies, though more broadly it tells the tale of the development of German antiquarian studies (ancient Germanic history, archaeology, anthropology, folklore, historical linguistics and philology) under the influence of radical right wing politics, and the contemporary construction of 'Germanicness' and its role in Nazi thought. The swastika and similar symbols were employed by the ancestors of the modern day Germans. As these had also become emblematic symbols of the forces of German reaction, Sinnbildforschung became intrinsically connected with the National Socialist regime after 1933 and disappeared along with the Third Reich in 1945.
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cover of The Search for Medieval Music in Africa and Germany, 1891-1961: Scholars, Singers, Missionaries

The Search for Medieval Music in Africa and Germany, 1891-1961

Scholars, Singers, Missionaries

Anna Maria Busse Berger

University of Chicago Press, 2020

This innovative book reassesses the history of musicology, unearthing the field’s twentieth-century German and global roots. In the process, Anna Maria Busse Berger exposes previously unseen historical relationships such as those between the modern rediscovery of medieval music, the rise of communal singing, and the ways in which African music intersected with missionary work in the German colonial period. Ultimately, Busse Berger offers a monumental new account of the early twentieth-century music culture in Germany and East Africa.

​The book unfolds in three parts. Busse Berger starts with the origins of comparative musicology circa 1900, when early proponents used ideas from comparative linguistics to test whether parallels could be drawn between nonwestern and medieval European music. She then turns to youth movements of the era—the Wandervogel, Jugendmusikbewegung, and Singbewegung—whose focus on joint music making influenced many musicologists. Finally, she considers case studies of Protestant and Catholic mission societies in what is now Tanzania, where missionaries—many of them musicologists and former youth-group members—extended the discipline via ethnographic research and a focus on local music and communities. In highlighting these long-overlooked transnational connections and the role of global music in early musicology, Busse Berger shapes a fresh conception of music scholarship during a pivotal part of the twentieth century.
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cover of The Secret Protocol: The Molotov-Ribbentrop Pact and the Falsification of History

The Secret Protocol

The Molotov-Ribbentrop Pact and the Falsification of History

Antonella Salomoni, Translated by Antony Shugaar

University of Wisconsin Press, 2025

In 1939, the Soviet Union and Germany agreed to a nonaggression treaty named for its signatories, foreign ministers Vyacheslav Molotov and Joachim von Ribbentrop. Kept hidden from the public was an addendum to the Molotov-Ribbentrop Pact, a “secret protocol” whose existence was denied by the Soviet Union until 1992. It defined new borders for German and Soviet spheres of influence, effectively preparing for the partition of Poland, the Baltic states, and Bessarabia. Shortly after signing on August 23, 1939, both the USSR and Nazi Germany invaded Poland. In this volume, Antonella Salomoni scrutinizes this consequential document and its afterlives, focusing predominantly on the discourse that surrounded it.

From the moment of the secret protocol’s inception—and the near-instantaneous rumors of its existence—it generated friction and competing narratives. The document became public during the Nuremberg trials, but the USSR declared it a fabrication evidencing the West’s willingness to falsify history. It continues to be relevant to the reconfiguration of history currently advanced by Vladimir Putin. By centering the rumors, accusations, and propaganda the pact precipitated, Salomoni illuminates how political actors can use and abuse history, how they create and disseminate truths and falsehoods, and how they can blur the boundary between facts and fictions even in the glaring face of black-and-white documentation.
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cover of The Sins of the Fathers: Germany, Memory, Method

The Sins of the Fathers

Germany, Memory, Method

Jeffrey K. Olick

University of Chicago Press, 2016

National identity and political legitimacy always involve a delicate balance between remembering and forgetting. All nations have elements in their past that they would prefer to pass over—the catalog of failures, injustices, and horrors committed in the name of nations, if fully acknowledged, could create significant problems for a country trying to move on and take action in the present. Yet denial and forgetting carry costs as well.

Nowhere has this precarious balance been more potent, or important, than in the Federal Republic of Germany, where the devastation and atrocities of two world wars have weighed heavily in virtually every moment and aspect of political life. The Sins of the Fathers confronts that difficulty head-on, exploring the variety of ways that Germany’s leaders since 1949 have attempted to meet this challenge, with a particular focus on how those approaches have changed over time. Jeffrey K. Olick asserts that other nations are looking to Germany as an example of how a society can confront a dark past—casting Germany as our model of difficult collective memory.
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cover of The Social Politics of Medieval Diplomacy: Anglo-German Relations (1066-1307)

The Social Politics of Medieval Diplomacy

Anglo-German Relations (1066-1307)

Joseph P. Huffman

University of Michigan Press, 2000

Late nineteenth- and twentieth-century political and intellectual boundaries have heavily influenced our views of medieval Germany. Historians have looked back to the Middle Ages for the origins of modern European political crises. They concluded that while England and France built nation-states during the medieval era, Germany--lacking a unified nation-state--remained uniquely backward and undeveloped.
Employing a comparative social history, Huffman reassesses traditional national historiographies of medieval diplomacy and political life. Germany is integrated into Anglo-French notions of western Europe and shown to be both an integral player in western European political history as well as a political community that was as fully developed as those of medieval England or France.
The Social Politics of Medieval Diplomacy offers a study of the social dynamics of relations between political communities. In particular, the Anglo-French political communities do not appear as state and constitution builders, while the German political community is not as a state and constitution destroyer. The book concludes by encouraging medievalists to integrate the German kingdom into their intellectual constructs of medieval Europe.
This book is an essential history of medieval Germany. It bridges the gaps between Anglo-French and German scholarship and political and social history. Joseph Huffman makes available German-language scholarship. Both English and German history is integrated in an accessible and interesting way. The historiographical implications of this study will be far-reaching.
Joseph P. Huffman is Associate Professor of History and Political Science, Messiah College.
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cover of The Song Is Over: A Jewish Girl in Dresden

The Song Is Over

A Jewish Girl in Dresden

Henny Brenner

University of Alabama Press, 2010

 
A moving story of German Jews saved by the firebombing of Dresden.
February, 1945. After heavy bombing by Allied air forces, Dresden was on fire and in ruins. Ironically, for the few Dresden Jews who had not yet been deported and murdered by the Nazis, the destruction meant rescue. With the Gestapo order for the family to report for deportation still in hand, Henny Wolf Brenner and her parents ran for their lives. They went into hiding and waited for the end of the war. Despite the family’s fears, the Gestapo did not succeed in tracking down the city’s last few Jews, and the family survived.
At the end of the war the Red Army liberated Dresden. But instead of the desired release from terror into a resumption of a peaceful, productive life, different forms of repression awaited Brenner and her parents. In the new communist-run East Germany, she was refused advanced schooling because she was not a Party member. Under the communist regime, it was clear the Jewish population was not welcome, and consequently normal life was impossible. With heavy hearts, the family decided to abandon their beloved home and risk the dangers of flight from East Berlin to West Berlin. With the help of good friends, they were successful in their venture.
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cover of The Sounds of Ethnicity: Listening to German North America, 1850 - 1914

The Sounds of Ethnicity

Listening to German North America, 1850 - 1914

Barbara Lorenzkowski

University of Manitoba Press, 2010

Sounds of Ethnicity takes us into the linguistic, cultural, and geographical borderlands of German North America in the Great Lakes region between 1850 and 1914. Drawing connections between immigrant groups in Buffalo, New York, and Berlin (now Kitchener), Ontario, Barbara Lorenzkowski examines the interactions of language and music—specifically German-language education, choral groups, and music festivals—and their roles in creating both an ethnic sense of self and opportunities for cultural exchanges at the local, ethnic, and transnational levels. She exposes the tensions between the self-declared ethnic leadership that extolled the virtues of the German mother tongue as preserver of ethnic identity and gateway to scholarship and high culture, and the hybrid realities of German North America where the lives of migrants were shaped by two languages, English and German. Theirs was a song not of cultural purity, but of cultural fusion that gave meaning to the way German migrants made a home for themselves in North America.Written in lively and elegant prose, Sounds of Ethnicity is a new and exciting approach to the history of immigration and identity in North America.
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cover of The Sovereigns: A Jewish Family in the German Countryside

The Sovereigns

A Jewish Family in the German Countryside

Eric Lucas

Northwestern University Press, 2001

This memoir is a moving testament to the power of family. The Lucas clan was a close-knit, successful family of rural German Jews—butchers and meat dealers—whose strength and pride was challenged by the rise of Nazism. As the family grew, so did its prosperity and power, and the sons, daughter, and their relatives became known as the Sovereigns.

But anti-Semites, under the protection of the Nazi regime, began to settle old scores, and targeted the economically successful rural Jews. New laws stripped Jewish meat dealers of their rights, and Aryan competitors eagerly forced them aside. That was only the beginning. In the Holocaust that followed, some members of the family escaped. Others did not.
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cover of The Stories They Told Me: The Life of My Deaf Parents

The Stories They Told Me

The Life of My Deaf Parents

Maria Wallisfurth

Gallaudet University Press, 2017

In this heartfelt memoir, Maria Wallisfurth recounts the lives of her deaf parents in Germany from the turn of the twentieth century through World War II. Her mother, Maria Giefer, was born in 1897 and her father, Wilhelm Sistermann, was born in 1896. The author captures the seasonal rhythms and family life of her mother’s youth in rural Germany, a time filled as much with hardship as it is with love. When she is old enough, she moves to the nearby city of Aachen to attend a school for deaf children, where she learns to lipread and speak. After her schooling is complete, she returns home to work on the family farm and experiences the privations and fear that accompany World War I. She later goes back to Aachen, where she joins a deaf club and falls in love with Wilhelm, a painter and photographer who was raised in the city. Amidst high unemployment, food shortages, and rapid inflation, the two are married in 1925 and two years later the author is born. Under the Nazi regime, Maria and Wilhelm are ordered to undergo forced sterilization. Although their deafness is not hereditary and they submit applications of protest, they are compelled to comply with the law.
       Despite their dissimilar backgrounds and the political circumstances that roiled their lives, the author’s parents showed great love for each other and their only daughter. The Stories They Told Me is a richly detailed document of time and place and a rare account of deaf lives during this era.
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cover of The Strange and Terrible Visions of Wilhelm Friess: The Paths of Prophecy in Reformation Europe

The Strange and Terrible Visions of Wilhelm Friess

The Paths of Prophecy in Reformation Europe

Jonathan Green

University of Michigan Press, 2014

Although nearly forgotten today, the prophetic writing of Wilhelm Friess was the most popular work of its kind in Germany in the second half of the sixteenth century. While the author “Wilhelm Friess” was a convenient fiction, his text had a long and remarkable history as it moved from the papal court in fourteenth-century Avignon, to Antwerp under Habsburg oppression, to Nuremberg as it was still reeling from Lutheran failures in the Schmalkaldic War, and then back to Antwerp at the outbreak of the Dutch revolt.

Dutch scholars have recognized that Frans Fraet was executed for printing a prognostication by Willem de Vriese, but this prognostication was thought to be lost. A few scholars of sixteenth-century German apocalypticism have briefly noted the prophecies of Wilhelm Friess but have not studied them in depth. The Strange and Terrible Visions of Wilhelm Friess is the first to connect de Vriese and Friess, as well as recognize the prophecy of Wilhelm Friess as an adaptation of a French version of theVademecum of Johannes de Rupescissa, making these pamphlets by far the most widespread source for Rupescissa’s apocalyptic thought in Reformation Germany. The book explains the connection between the first and second prophecies of Wilhelm Friess and discovers the Calvinist context of the second prophecy and its connection to Johann Fischart, one of the most important German writers of the time.

Jonathan Green provides a study of how textual history interacts with print history in early modern pamphlets and proposes a model of how early modern prophecies were created and transmitted. The Strange and Terrible Visions of Wilhelm Friess makes important contributions to the study of early modern German and Dutch literature, apocalypticism and confessionalization during the Reformation, and the history of printing in the sixteenth century.

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cover of The Strategy of Life: Teleology and Mechanics in Nineteenth-Century German Biology

The Strategy of Life

Teleology and Mechanics in Nineteenth-Century German Biology

Timothy Lenoir

University of Chicago Press, 1989

In the early nineteenth century, a group of German biologists led by Johann Friedrich Blumenbach and Karl Friedrich Kielmeyer initiated a search for laws of biological organization that would explain the phenomena of form and function and establish foundations for a unified theory of life. The tradition spawned by these efforts found its most important spokesman in Karl Ernst von Baer. Timothy Lenoir chronicles the hitherto unexplored achievements of the practitioners of this research tradition as they aimed to place functional morphology at the heart of a new science, which they called "biology."

Strongly influenced by Immanuel Kant, the biologists' approach combined a sophisticated teleology with mechanistic theories and sparked bitter controversies with the rival programs, mechanistic reductionism and Darwinism. Although temporarily eclipsed by these two approaches, the morphological tradition, Lenoir argues, was not vanquished in the field of scientific debate. It contributed to pathbreaking research in areas such as comparative anatomy, embryology, paleontology, and biogeography.
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cover of The Streets of Europe: The Sights, Sounds, and Smells That Shaped Its Great Cities

The Streets of Europe

The Sights, Sounds, and Smells That Shaped Its Great Cities

Brian Ladd

University of Chicago Press, 2020

A multi-sensory urban history of Europe’s bustling streets.

Merchants’ shouts, jostling strangers, aromas of fresh fish and flowers, plodding horses, and friendly chatter long filled the narrow, crowded streets of the European city. As they developed over many centuries, these spaces of commerce, communion, and commuting framed daily life. At its heyday in the 1800s, the European street was the place where social worlds connected and collided.

Brian Ladd recounts a rich social and cultural history of the European city street, tracing its transformation from a lively scene of trade and crowds into a thoroughfare for high-speed transportation. Looking closely at four major cities—London, Paris, Berlin, and Vienna—Ladd uncovers both the joys and the struggles of a past world. The story takes us up to the twentieth century, when the life of the street was transformed as wealthier citizens withdrew from the crowds to seek refuge in suburbs and automobiles. As demographics and technologies changed, so did the structure of cities and the design of streets, significantly shifting our relationships to them. In today’s world of high-speed transportation and impersonal marketplaces, Ladd leads us to consider how we might draw on our history to once again build streets that encourage us to linger. 
​
By unearthing the vivid descriptions recorded by amused and outraged contemporaries, Ladd reveals the changing nature of city life, showing why streets matter and how they can contribute to public life.
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The Summers

Ronya Othmann, translated by Gary Schmidt

University of Wisconsin Press, 2023

Ronya Othmann’s debut novel narrates the coming of age of Leyla, a Yazidi–Kurdish–German girl. She spends the school year in her mother’s home country of Germany but travels every summer to her father’s home village in Syria, near the Turkish border. She knows its smells and tastes. She knows its stories. She knows where the Yazidi villagers keep their suitcases hidden, should they need to escape again. And she watches from afar, horrified, as ISIS troops move on the village, threatening the lives of her grandparents, aunts, uncles, cousins, and friends.

Leyla’s sexual awakening proves far less traumatic than her growing disenchantment with her German classmates and friends, who appear completely indifferent to the fate of her Yazidi community. Thoughtful and poignant, The Summers addresses issues of gender, sexuality, cultural difference, politics, and identity. Othmann draws readers into multiple worlds, ultimately revealing the hopes and dreams that bind us all together when forces threaten to tear us apart. 
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cover of The Symphony Concert in Nazi Germany

The Symphony Concert in Nazi Germany

Neil Gregor

University of Chicago Press, 2025

A new history of how the musical worlds of German towns and cities were transformed during the Nazi era.

In the years after the Nazis came to power in January 1933 and throughout the Second World War, all aspects of life in Germany changed. Despite the social and political upheaval, gentile citizens continued to attend concerts. In this book, historian Neil Gregor surveys how the classical concert scene was impacted in Nazi Germany. Taking the perspective of the audience, rather than institutions or performers, Gregor delves into the cultural lives of ordinary Germans under conditions of dictatorship. Did the ways in which Germans heard music in the period change? Did a Nazi way of listening emerge?

For audiences, Gregor shows, changes to the concert experience were small and often took place around the edges. This, combined with the preserved idea of the concert hall as a space of imagined civility and cultivation, led many concertgoers and music lovers to claim after the war that their field and their practice had been innocent—a place to retreat from the vicious violence and racism of the Nazi regime. Drawing on untapped archival sources, The Symphony Concert in Nazi Germany reveals that the true history was one of disruption but also of near seamless adaptation. Through countless small acts, the symphony concert was reframed within the languages of strident nationalism, racism, and militarism to ensure its place inside the cultural cosmos of National Socialist Germany.
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cover of The Tango Player

The Tango Player

Christoph Hein

Northwestern University Press, 1994

Set in 1968 Leipzig, Christoph Hein's novel is the story of Dallow, an apolitical academic who has just returned to civilian life after serving twenty-one months in prison. His crime: he was the substitute piano player in a student cabaret in which seditious verses were sung. Dallow returns to a life in of loveless sex, police harassment, and brutality, revealing how a corrupt system perverts all human interaction, and how lives are ruined by malicious caprice.
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cover of The Terezín Album of Mariánka Zadikow

The Terezín Album of Mariánka Zadikow

Annotated by Debórah Dwork

University of Chicago Press, 2008

“With simple means, without any ‘title,’ this book should in distant times always be in your memory.”
 
An imprisoned bookbinder wrote these words in a small blank book that he had secretly crafted from pilfered materials at the Terezín (Theresienstadt) concentration camp in September 1944. He presented the album to a fellow prisoner, twenty-one-year-old Marianka Zadików. Over the next several months, as the Nazis pressed forward with mass deportations from Terezín to Auschwitz, Marianka began to collect inscriptions and sketches from her fellow inmates.

Marianka Zadików’salbum, presented here in a facsimile edition, is a poignant document from the last months of the Holocaust. The words and images inscribed here—by children and grandparents, factory workers and farmhands, professionals and intellectuals, musicians and artists—reflect both joy and trepidation. They include passages of remembered verse, lovingly executed drawings, and hurried farewells on the eve of transport to Auschwitz. The great German-Jewish scholar Rabbi Leo Baeck, one of the elders of the camp, offers Marianka an inscription about Jewish self-discovery, and participants in Terezín’s now-famous musical performances fill several pages with musical annotation.

Facing-page translations render the book’s multitude of languages into English, while historical and biographical notes give details, where known, of the fates of those whose words are recorded here. An introduction by acclaimed Holocaust scholar Debórah Dwork tells the story of the Terezín camp and how Marianka and her family fared while imprisoned there.

The array of voices and the glimpses into individual lives afforded us by The Terezín Album make it an arresting reminder of the sustaining power of care, community, and hope amid darkness.
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cover of The Tragic Sense of Life: Ernst Haeckel and the Struggle over Evolutionary Thought

The Tragic Sense of Life

Ernst Haeckel and the Struggle over Evolutionary Thought

Robert J. Richards

University of Chicago Press, 2008

Prior to the First World War, more people learned of evolutionary theory from the voluminous writings of Charles Darwin’s foremost champion in Germany, Ernst Haeckel (1834–1919), than from any other source, including the writings of Darwin himself. But, with detractors ranging from paleontologist Stephen Jay Gould to modern-day creationists and advocates of intelligent design, Haeckel is better known as a divisive figure than as a pioneering biologist. Robert J. Richards’s intellectual biography rehabilitates Haeckel, providing the most accurate measure of his science and art yet written, as well as a moving account of Haeckel’s eventful life.

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cover of The Translated Jew: German Jewish Culture outside the Margins

The Translated Jew

German Jewish Culture outside the Margins

Leslie Morris

Northwestern University Press, 2018

The Translated Jew brings together an eclectic set of literary and visual texts to reimagine the transnational potential for German Jewish culture in the twenty-first century. Departing from scholarship that has located the German Jewish text as an object that can be defined geographically and historically, Leslie Morris challenges national literary historiography and redraws the maps by which transnational Jewish culture and identity must be read.

Morris explores the myriad acts of translation, actual and metaphorical, through which Jewishness leaves its traces, taking as a given the always provisional nature of Jewish text and Jewish language. Although the focus is on contemporary German Jewish literary cultures, The Translated Jew also turns its attention to a number of key visual and architectural projects by American, British, and French artists and writers, including W. G. Sebald, Anne Blonstein, Hélène Cixous, Ulrike Mohr, Daniel Blaufuks, Paul Celan, Raymond Federman, and Rose Ausländer.

In thus realigning German Jewish culture with European and American Jewish culture and post-Holocaust aesthetics, this book explores the circulation of Jewishness between the United States and Europe. The insistence on the polylingualism of any single language and the multidirectionality of Jewishness are at the very center of The Translated Jew.
 

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cover of The Trial of the Germans: An Account of the Twenty-two Defendants before the International Military Tribunal at Nuremberg

The Trial of the Germans

An Account of the Twenty-two Defendants before the International Military Tribunal at Nuremberg

Eugene Davidson

University of Missouri Press, 1997

The "definitive one-volume study of Nuremberg," The Trial of the Germans is now available in paperback. An astute observer of the Nuremberg trial, Eugene Davidson has struggled with the issues it raised: Was it a necessary response to the heinous crimes of the Third Reich? How were Germany and the Germans capable of such extraordinary evil? Was the trial just, given the claims that the defendants were simply serving their country, doing as they had been told to do? And if not just, was it nonetheless necessary as a warning to prevent future crimes against humanity? Davidson's approach to these and other large questions of justice is made through examination of each of the defendants in the trial. His reluctant, but firm, conclusion is: "In a world of mixed human affairs where a rough justice is done that is better than lynching or being shot out of hand, Nuremberg may be defended as a political event if not as a court." Some sentences may have seemed too severe, but none was harsher than the punishments meted out to innocent people by the regime these men served. "In a certain sense," says Davidson, "the trial succeeded in doing what judicial proceedings are supposed to do: it convinced even the guilty that the verdict against them was just."

Faulty as the trial was from the legal point of view, a catharsis of the pent-up emotions of millions of people had to be provided and a record of what had taken place duly preserved for whatever use later generations would make of it.

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cover of The Trouble with Wagner

The Trouble with Wagner

Michael P. Steinberg

University of Chicago Press, 2018

In this unique and hybrid book, cultural and music historian Michael P. Steinberg combines a close analysis of Wagnerian music drama with a personal account of his work as a dramaturg on the bicentennial production of The Ring of the Nibelung for the Teatro alla Scala Milan and the Berlin State Opera. Steinberg shows how Wagner uses the power of a modern mythology to heighten music’s claims to knowledge, thereby fusing not only art and politics, but truth and lies as well. Rather than attempting to separate value and violence, or “the good from the bad,” as much Wagner scholarship as well as popular writing have tended to do, Steinberg proposes that we confront this paradox and look to the capacity of the stage to explore its depths and implications.  

Drawing on decades of engagement with Wagner and of experience teaching opera across disciplines, The Trouble with Wagner is packed with novel insights for experts and interested readers alike.
 
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cover of The Uncanny Gaze: The Drama of Early German Cinema

The Uncanny Gaze

The Drama of Early German Cinema

Heide Schlupmann. Translated by Inga Pollmann. Foreword by Miriam Hansen.

University of Illinois Press, 2010

Heide Schlüpmann's classic study of early German cinema was published in German as Unheimlichkeit des Blicks: Das Drama des Frühen deutschen Kinos in 1990. For the first time in English, this translation makes available her feminist examination of German cinema and Germany in the sociopolitical context of Wilhelmine society. By examining then-unknown pre-World War I narrative films, this study paints a picture of the conflicted early years of the German cinema. During this period cinema and film production were able to develop independently from the cultural bourgeoisie and relied on those forces excluded from high "culture": technology, business, performers, showmen, and actors. In cinema, the dime novel and kitsch were exhibited for all, and the internationalism of modernity prevailed over the prevailing nationalism of the period.

Featuring a foreword by film scholar Miriam Hansen and a new afterword by Schlüpmann, this volume performs a critical perusal of film commentary and offers an in-depth look at little-known films in early German cinema.

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cover of The Unmaking of Adolf Hitler

The Unmaking of Adolf Hitler

Eugene Davidson

University of Missouri Press, 2003

The Unmaking of Adolf Hitler, which includes dozens of photos from German collections, covers literally every aspect of Hitler's life from his success after he came to power in 1933 to his self-destruction. Renowned author Eugene Davidson describes in detail Hitler’s stratagems in reviving morale and undoing the inequitable treaties imposed on Germany after World War I and his shrewd moves to take advantage of the fatal miscalculations of the coalition that had been aligned against the Reich. Once Hitler had brutally improved Germany's desperate state, there followed mortal errors and fateful mistakes of judgment arising from his own inadequacies. Compelling, well-researched, and eminently readable, The Unmaking of Adolf Hitler strives to explain how and why Hitler's empire collapsed from his own actions.

Available only in the USA and Canada.
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cover of The Unwanted Child: The Fate of Foundlings, Orphans, and Juvenile Criminals in Early Modern Germany

The Unwanted Child

The Fate of Foundlings, Orphans, and Juvenile Criminals in Early Modern Germany

Joel F. Harrington

University of Chicago Press, 2009

The baby abandoned on the doorstep is a phenomenon that has virtually disappeared from our experience, but in the early modern world, unwanted children were a very real problem for parents, government officials, and society. The Unwanted Child skillfully recreates sixteenth-century Nuremberg to explore what befell abandoned, neglected, abused, or delinquent children in this critical period.

Joel F. Harrington tackles this question by focusing on the stories of five individuals. In vivid and poignant detail, he recounts the experiences of an unmarried mother-to-be, a roaming mercenary who drifts in and out of his children’s lives, a civic leader handling the government’s response to problems arising from unwanted children, a homeless teenager turned prolific thief, and orphaned twins who enter state care at the age of nine. Braiding together these compelling portraits, Harrington uncovers and analyzes the key elements that link them, including the impact of war and the vital importance of informal networks among women. From the harrowing to the inspiring, The Unwanted Child paints a gripping picture of life on the streets five centuries ago.

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cover of The Unwelcome One: Returning Home from Auschwitz

The Unwelcome One

Returning Home from Auschwitz

Hans Frankenthal

Northwestern University Press, 2003

Hans Frankenthal's memoir relates the life-story of a German Jew who returned to his hometown after Auschwitz.
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cover of The Utility of Splendor: Ceremony, Social Life, and Architecture at the Court of Bavaria, 1600-1800

The Utility of Splendor

Ceremony, Social Life, and Architecture at the Court of Bavaria, 1600-1800

Samuel John Klingensmith

University of Chicago Press, 1993

The grand palaces and princely villas of the Bavarian Wittelsbach dynasty—Nymphenburg, Schleissheim, the vast Residenzschloss in Munich, and others—impress visitors with their great halls and intimate cabinets, dramatic stairhalls and seemingly endless rows of sumptuously decorated rooms. But these dazzling residences did not exist solely to delight the eye. In The Utility of Splendor, Samuel John Klingensmith discusses how, over the years, successive rulers reshaped the internal spaces of their residences to reflect changes in the elaborate ceremony that regulated daily life at court.

Drawing on a broad range of sources, including building documents, correspondence, diaries, and court regulations, Klingensmith investigates the intricacies of Bavarian court practice and shows that Versailles was only one among several influences on German palace planning. Klingensmith offers a cogent, detailed understanding of the relations between architectural spaces and the ceremonial, social, and private life that both required and used them. Handsomely illustrated with photographs and plans, The Utility of Splendor will appeal to anyone interested in how life was lived among the nobility during the last centuries of the old regime.

Samuel John Klingensmith (1949-1986) was assistant professor of art history at Tulane University.
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cover of The Wall Jumper: A Berlin Story

The Wall Jumper

A Berlin Story

Peter Schneider

University of Chicago Press, 1998

A classic novel that Werner Herzog called “the ultimate depiction” of the Berlin Wall and that Salman Rushdie said was “marvelous”

When the Berlin Wall was still the most tangible representation of the Cold War, Peter Schneider made this political and ideological symbol into something personal, that could be perceived on a human level, from more than one side. In Schneider's Berlin, real people cross the Wall not to defect but to quarrel with their lovers, see Hollywood movies, and sometimes just because they can't help themselves—the Wall has divided their emotions as much as it has their country. This unforgettable novel, originally published in 1982, takes us back to a time when the Cold War seemed to have no end in sight and the Wall loomed over everyday life on both sides of Berlin.
 
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cover of The War against Catholicism: Liberalism and the Anti-Catholic Imagination in Nineteenth-Century Germany

The War against Catholicism

Liberalism and the Anti-Catholic Imagination in Nineteenth-Century Germany

Michael B. Gross

University of Michigan Press, 2005

"A lucid, innovative work of top-flight scholarship. Gross shows us the depths of anti-Catholicism in nineteenth-century Germany; he explains why the German Kulturkampf had such force and why prominent liberals imagined it as a turning point not only in Germany but in world history."
---Helmut Walser Smith, Vanderbilt University

"A marvelously original account of how the Kulturkampf emerged from the cultural, social, and gendered worlds of German liberalism. While not neglecting the 1870s, Gross's analysis directs historians' attention to the under-researched 1850s and 1860s-decades in which liberals' anti-Catholic arguments were formulated against a backdrop of religious revival, democratic innovation, national ambition, and the articulation of new roles for women in society, politics, and the church. The drama of these decades resonates in every chapter of Gross's fine study."
---James Retallack, University of Toronto

"Michael Gross has put the culture back into the Kulturkampf! Integrating social and political analysis with illuminating interpretations of visual and linguistic evidence, Gross explores the work of religious cleavage in defining German national identity. An emerging women's movement, liberal virtues, and Catholic difference come together to explain why, in a century of secularization, Germany's Catholics experienced a religious revival, and why its liberals responded with enmity and frustration. Vividly written and a pleasure to read, this groundbreaking study offers real surprises."
---Margaret Lavinia Anderson, University of California, Berkeley


An innovative study of the relationship between the two most significant, equally powerful, and irreconcilable movements in Germany, Catholicism and liberalism, in the decades following the 1848 Revolution.

After the defeat of liberalism in the Revolution of 1848, and in the face of the dramatic revival of popular Catholicism, German middle-class liberals used anti-Catholicism to orient themselves culturally in a new age. Michael B. Gross's study shows how anti-Catholicism and specifically the Kulturkampf, the campaign to break the power of the Catholic Church, were not simply attacks against the church nor were they merely an attempt to secure state autonomy. Gross shows that the liberal attack on Catholicism was actually a complex attempt to preserve moral, social, political, and sexual order during a period of dramatic pressures for change.

Gross argues that a culture of anti-Catholicism shaped the modern development of Germany including capitalist economics, industrial expansion, national unification, and gender roles. He demonstrates that images of priests, monks, nuns, and Catholics as medieval, backward, and sexually deviant asserted the liberal middle-class claim to social authority after the Revolution of 1848. He pays particular attention to the ways anti-Catholicism, Jesuitphobia, and antimonastic hysteria were laced with misogyny and expressed deeper fears of mass culture and democracy in the liberal imagination. In doing so, he identifies the moral, social, and cultural imperatives behind the Kulturkampf in the 1870s.

By offering a provocative reinterpretation of liberalism and its relationship to the German anti-Catholic movement, this work ultimately demonstrates that in Germany, liberalism itself contributed to a culture of intolerance that would prove to be a serious liability in the twentieth century. It will be of particular interest to students and scholars of culture, ideology, religion, and politics.
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cover of The War in Their Minds: German Soldiers and Their Violent Pasts in West Germany

The War in Their Minds

German Soldiers and Their Violent Pasts in West Germany

Svenja Goltermann

University of Michigan Press, 2017

Historians are increasingly looking at the sacrifices Germans had to make during World War II. In this context, Svenja Goltermann has taken up a particularly delicate topic, German soldiers’ experience of violence during the war, and repercussions of this experience after their return home. Part I of her book explores the ways in which veterans’ experiences of wartime violence reshaped everyday family life, involving family members in complex ways. Part II offers an extensive analysis of the psychiatric response to this new category of patient, and in particular the reluctance of psychiatrists to recognize the psychic afflictions of former POWs as constituting the grounds for long-term disability. Part III analyzes the cultural representations of veterans’ psychic suffering, encompassing the daily press, popular films, novels, and theater.

Originally published in German as Die Gesellschaft der Uberlebenden, The War in Their Minds examines hitherto unused source material—psychiatric medical files of soldiers—to make clear how difficult it was for the soldiers and their families to readjust to normal, everyday life. Goltermann allows these testimonies of violence, guilt, justification, and helplessness speak for themselves and sensitively explores how the pension claims of returning soldiers were to compete with the claims of the Holocaust victims to compensation.
[more]
cover of The Warwolf: A Peasant Chronicle of the Thirty Years War

The Warwolf

A Peasant Chronicle of the Thirty Years War

Hermann Lons

Westholme Publishing, 2006

The conflict that ravaged seventeeth-century Europe, as seen in a classic German novel—freshly translated
The Thirty Years War, fought between 1618 and 1648, was a ruthless struggle for political and religious control of central Europe. Engulfing most of present-day Germany, the war claimed at least ten million lives. The lengthy conflict was particularly hard on the general population, as thousands of undisciplined mercenaries serving Sweden, Spain, France, the Netherlands, and various German principalities, robbed, murdered, and pillaged communities; disease spread out of control and starvation became commonplace. In The Warwolf, Hermann Löns's acclaimed historical novel, the tragedy and horrors of war in general, and these times in particular are revealed. The Warwolf, based on the author's careful research, traces the life of Harm Wulf, a land-owning peasant farmer of the northern German heath who realizes after witnessing the murder of neighbours and family at the hands of marauding troops that he has a choice between compromising his morals or succumbing to inevitable torture and death. Despite his desire for peace, Wulf decides to band with his fellow farmers and live like "wolves," fiercely protecting their isolated communities from all intruders. Löns's brilliant portrayal of the two sides faced by any person in a moral crisis—in Harm Wulf's case, whether to kill or be killed—continues to resonate. Originally published in 1910 and still in print in Germany, The Warwolf is available for first time in English.
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cover of The Weimar Origins of Rhetorical Inquiry

The Weimar Origins of Rhetorical Inquiry

David L. Marshall

University of Chicago Press, 2020

The Weimar origins of political theory is a widespread and powerful narrative, but this singular focus leaves out another intellectual history that historian David L. Marshall works to reveal: the Weimar origins of rhetorical inquiry. Marshall focuses his attention on Martin Heidegger, Hannah Arendt, Walter Benjamin, and Aby Warburg, revealing how these influential thinkers inflected and transformed problems originally set out by Max Weber, Carl Schmitt, Theodor Adorno, Hans Baron, and Leo Strauss. He contends that we miss major opportunities if we do not attend to the rhetorical aspects of their thought, and his aim, in the end, is to lay out an intellectual history that can become a zone of theoretical experimentation in para-democratic times. Redescribing the Weimar origins of political theory in terms of rhetorical inquiry, Marshall provides fresh readings of pivotal thinkers and argues that the vision of rhetorical inquiry that they open up allows for new ways of imagining political communities today.
 
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cover of The Word Unheard: Legacies of Anti-Semitism in German Literature and Culture

The Word Unheard

Legacies of Anti-Semitism in German Literature and Culture

Martha B. Helfer

Northwestern University Press, 2011

The publication of Martha B. Helfer’s The Word Unheard: Legacies of Anti-Semitism in German Literature and Culture marks a stunningly original new direction in the interpretation of canonical works of eighteenth- and nineteenth-century German literature. 

Between 1749 and 1850—the formative years of the so-called Jewish Question in Germany—the emancipation debates over granting full civil and political rights to Jews provided the topical background against which all representations of Jewish characters and concerns in literary texts were read. Helfer focuses sharply on these debates and demonstrates through close readings of works by Gotthold Lessing, Friedrich Schiller, Achim von Arnim, Annette von Droste- Hülshoff, Adalbert Stifter, and Franz Grillparzer how disciplinary practices within the field of German studies have led to systematic blind spots in the scholarship on anti-Semitism to date. 

While all the authors discussed are well known and justly celebrated, the particular works addressed represent an effective mix of enduring classics and less recognized, indeed often scandalously overlooked, texts whose consideration leads to a reevaluation of the author’s more mainstream oeuvre. Although some of the works and authors chosen have previously been noted for their anti-Semitic proclivities, the majority have not, and some have even been marked by German scholarship as philo-Semitic—a view that The Word Unheard undertakes not so much to refute as to complicate, and in the process to question not only these texts but also the deafness of the German scholarly tradition. With implications that reach into many disciplines, The Word Unheard will be a foundational study for all scholars of modern Germany.

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cover of The Work of Music: Labor and Creativity in Germany's Long Nineteenth Century

The Work of Music

Labor and Creativity in Germany's Long Nineteenth Century

Celia Applegate

University of Wisconsin Press, 2025

In The Work of Music, Celia Applegate examines the cultural history of Austro-German music through the lens of labor from the 1648 Peace of Westphalia to the Third Reich. She explores the working world of music and musicians, the various jobs they performed, the work music did in society, the observations and commentaries of contemporaries on the shape and function of musical life, and the work of organizing music making, both amateur and professional. At a time when ideas of absolute music and music-as-leisure were both on the rise, writing about music tended to obscure these practical matters. Here, Applegate reflects on how an intensely musical society organized and understood the ubiquitous activity that underpinned it.
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cover of The Worker: Dominion and Form

The Worker

Dominion and Form

Ernst Jünger, Edited by Laurence Paul Hemming, Translated from the German by Bogdan Costea and Laurence Paul Hemming

Northwestern University Press, 2018

Written in 1932, just before the fall of the Weimar Republic and on the eve of the Nazi accession to power, Ernst Jünger’s The Worker: Dominion and Form articulates a trenchant critique of bourgeois liberalism and seeks to identify the form characteristic of the modern age. Jünger’s analyses, written in critical dialogue with Marx, are inspired by a profound intuition of the movement of history and an insightful interpretation of Nietzsche’s philosophy.

Martin Heidegger considered Jünger “the only genuine follower of Nietzsche,” singularly providing “an interpretation which took shape in the domain of that metaphysics which already determines our epoch, even against our knowledge; this metaphysics is Nietzsche's doctrine of the ‘will to power.’” In The Worker, Jünger examines some of the defining questions of that epoch: the nature of individuality, society, and the state; morality, justice, and law; and the relationships between freedom and power and between technology and nature.

This work, appearing in its entirety in English translation for the first time, is an important contribution to debates on work, technology, and politics by one of the most controversial German intellectuals of the twentieth century. Not merely of historical interest, The Worker carries a vital message for contemporary debates about world economy, political stability, and equality in our own age, one marked by unsettling parallels to the 1930s.
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cover of The World in a Box: The Story of an Eighteenth-Century Picture Encyclopedia

The World in a Box

The Story of an Eighteenth-Century Picture Encyclopedia

Anke te Heesen

University of Chicago Press, 2002

This is a book about a box that contained the world. The box was the Picture Academy for the Young, a popular encyclopedia in pictures invented by preacher-turned-publisher Johann Siegmund Stoy in eighteenth-century Germany. Children were expected to cut out the pictures from the Academy, glue them onto cards, and arrange those cards in ordered compartments—the whole world filed in a box of images.

As Anke te Heesen demonstrates, Stoy and his world in a box epitomized the Enlightenment concern with the creation and maintenance of an appropriate moral, intellectual, and social order. The box, and its images from nature, myth, and biblical history, were intended to teach children how to collect, store, and order knowledge. te Heesen compares the Academy with other aspects of Enlightenment material culture, such as commercial warehouses and natural history cabinets, to show how the kinds of collecting and ordering practices taught by the Academy shaped both the developing middle class in Germany and Enlightenment thought. The World in a Box, illustrated with a multitude of images of and from Stoy's Academy, offers a glimpse into a time when it was believed that knowledge could be contained and controlled.
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