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The Rain Gods’ Rebellion examines Nahua oral narratives to illuminate the cultural basis of the 1977–1984 rebellion against the local Hispanic elite in Huitzilan de Serdán, Mexico. Drawing from forty years of fieldwork in the region, James M. Taggart traces the sociopolitical role of Nahua rain gods—who took both human and divine forms—back hundreds of years and sheds new light on the connections between social experiences and the Nahua understanding of water and weather in stories. As Taggart shows, Nahua tales of the rain gods’ rebellion anticipated the actual 1977 land invasion in Huitzilan, in which some 200–300 Nahua were killed.

The Rain Gods’ Rebellion reveals how local culture evolves from the expression of unrest to organized insurgency and then into collective memory. Taggart records a tradition of storytelling in which Nahuas radicalized themselves through recounting the rain gods’ stories—stories of the gods organizing and striking with bolts of lightning the companion spirits of autocratic local leaders who worked closely with mestizos. The tales are part of a tradition of resisting the friars’ efforts to convert the Nahuas, Totonacs, Otomi, and Tepehua to Christianity and inspiring nativistic movements against invading settlers.

Providing a rare longitudinal look at the cultural basis of this grassroots insurgency, The Rain Gods’ Rebellion offers rare insight into the significance of oral history in forming Nahua collective memory and, by extension, culture. It will be of significance to scholars of Indigenous studies, anthropology, oral history, and violence studies, as well as linguistic anthropologists and sociolinguists.

The long history of transatlantic movement in the Spanish-speaking world has had a significant impact on present-day concepts of Mexico and the implications of representing Mexico and Latin America more generally in Spain, Europe, and throughout the world. In addition to analyzing texts that have received little to no critical attention, this book examines the connections between contemporary travel, including the local dynamics of encounters and the global circulation of information, and the significant influence of the history of exchange between Spain and Mexico in the construction of existing ideas of place.

To frame the analysis of contemporary travel writing, author Jane Hanley examines key moments in the history of Mexican-Spanish relations, including the origins of narratives regarding Spaniards' sense of Mexico's similarity to and difference from Spain. This history underpins the discussion of the role of Spanish travelers in their encounters with Mexican peoples and places and their reflection on their own role as communicators of cultural meaning and participants in the tourist economy with its impact—both negative and positive—on places.

Through close readings of the painted images in a major sixteenth-century illustrated manuscript, this book demonstrates the critical role that images played in ethnic identity formation and politics in colonial Mexico.

The Relación de Michoacán (1539–1541) is one of the earliest surviving illustrated manuscripts from colonial Mexico. Commissioned by the Spanish viceroy Antonio de Mendoza, the Relación was produced by a Franciscan friar together with indigenous noble informants and anonymous native artists who created its forty-four illustrations. To this day, the Relación remains the primary source for studying the pre-Columbian practices and history of the people known as Tarascans or P’urhépecha. However, much remains to be said about how the Relación’s colonial setting shaped its final form.

By looking at the Relación in its colonial context, this study reveals how it presented the indigenous collaborators a unique opportunity to shape European perceptions of them while settling conflicting agendas, outshining competing ethnic groups, and carving a place for themselves in the new colonial society. Through archival research and careful visual analysis, Angélica Afanador-Pujol provides a new and fascinating account that situates the manuscript’s images within the colonial conflicts that engulfed the indigenous collaborators. These conflicts ranged from disputes over political posts among indigenous factions to labor and land disputes against Spanish newcomers. Afanador-Pujol explores how these tensions are physically expressed in the manuscript’s production and in its many contradictions between text and images, as well as in numerous emendations to the images. By studying representations of justice, landscape, conquest narratives, and genealogy within the Relación, Afanador-Pujol clearly demonstrates the visual construction of identity, its malleability, and its political possibilities.

In the first two decades of the 21st century, more than two million Mexican migrants returned to Mexico from the United States. Between 2010 and 2020, the number of people who returned to Mexico was so large that, for the first time in at least fifty years, more people entered Mexico from the United States than entered the United States from Mexico. Many of these migrants were destined for urban areas, and we know little about how they fare after they return to cities. In The Returned, sociologists Claudia Masferrer, Erin R. Hamilton, and Nicole Denier examine the experiences of returned migrants in Mexico City, one of the largest metropolitan areas in the world.

Masferrer, Hamilton, and Denier draw on interviews with former U.S. migrants living in Mexico City to better understand the experience of return migration to urban areas. Each of the migrants they spoke with lived in the United States for long periods with noncitizen status during the last four decades. During this time, U.S. immigration policy became increasingly focused on restriction and enforcement, which made it difficult for migrants to safely move back and forth across the border for work or to visit family without documentation. The authors find that upon their return, migrants in Mexico City felt disoriented and lost and had difficulty adapting to a massive urban environment where there is little support for returnees. They struggled to translate their work experience from their time in the U.S. to find quality jobs. Additionally, many found their family lives upended as they reunited with or formed families in the U.S.. Some found themselves separated from family members still in the U.S. with no ability to legally visit them. Others brought their families back to Mexico, some of whom were U.S. citizens and had never been to Mexico before. They, too, struggled to adapt and integrate to life in Mexico City.

The authors use the experiences of return migrants to discuss policies and practices that would improve their lives and ease their reintegration. To help with the disorientation they experience, returnees proposed ongoing psychological support with mental health professionals who have knowledge and training in the social and legal issues that return migrants face. Return migrants also advocated for policies to enhance skill matching, job creation, and entrepreneurship, as many felt the occupational skills they developed in the U.S. were undervalued in Mexico. To address family separation, returnees argued for legal and policy reform to accommodate family reunification.
The Returned is an illuminating account of the difficulties faced by return migrants and their families in Mexico City.
 

Winner, William P. Clements Prize, Best Non-Fiction Book on Southwestern America, 2004

Not quite the United States and not quite Mexico, La Junta de los Rios straddles the border between Texas and Chihuahua, occupying the basin formed by the conjunction of the Rio Grande and the Rio Conchos. It is one of the oldest continuously inhabited settlements in the Chihuahuan Desert, ranking in age and dignity with the Anasazi pueblos of New Mexico.

In the first comprehensive history of the region, Jefferson Morgenthaler traces the history of La Junta de los Rios from the formation of the Mexico-Texas border in the mid-19th century to the 1997 ambush shooting of teenage goatherd Esquiel Hernandez by U.S. Marines performing drug interdiction in El Polvo, Texas. "Though it is scores of miles from a major highway, I found natives, soldiers, rebels, bandidos, heroes, scoundrels, drug lords, scalp hunters, medal winners, and mystics," writes Morgenthaler. "I found love, tragedy, struggle, and stories that have never been told." In telling the turbulent history of this remote valley oasis, he examines the consequences of a national border running through a community older than the invisible line that divides it.

Hidden high in the Sierra de Guatemala mountain range of northeastern Mexico in the state of Tamaulipas is the northernmost tropical cloud forest of the Western Hemisphere. Within its humid oak-sweetgum woodlands, tropical and temperate species of plants and animals mingle in rare diversity, creating a mecca for birders and other naturalists.

Fred and Marie Webster first visited Rancho del Cielo, cloud forest home of Canadian immigrant Frank Harrison, in 1964, drawn by the opportunity to see such exotic birds as tinamous, trogons, motmots, and woodcreepers only 500 miles from their Austin, Texas, home. In this book, they recount their many adventures as researchers and tour leaders from their base at Rancho del Cielo, interweaving their reminiscences with a history of the region and of the struggle by friends from both sides of the border to have some 360,000 acres of the mountain declared an area protected from exploitation—El Cielo Biosphere Reserve. Their firsthand reporting, enlivened with vivid tales of the people, land, and birds of El Cielo, adds an engagingly personal chapter to the story of conservation in Mexico.

Popular images of women in Mexico—conveyed through literature and, more recently, film and television—were long restricted to either the stereotypically submissive wife and mother or the demonized fallen woman. But new representations of women and their roles in Mexican society have shattered the ideological mirrors that reflected these images. This book explores this major change in the literary representation of women in Mexico.

María Elena de Valdés enters into a selective and hard-hitting examination of literary representation in its social context and a contestatory engagement of both the literary text and its place in the social reality of Mexico. Some of the topics she considers are Carlos Fuentes and the subversion of the social codes for women; the poetic ties between Sor Juana Inés de la Cruz and Octavio Paz; questions of female identity in the writings of Rosario Castellanos, Luisa Josefina Hernández, María Luisa Puga, and Elena Poniatowska; the Chicana writing of Sandra Cisneros; and the postmodern celebration—without reprobation—of being a woman in Laura Esquivel's Like Water for Chocolate.

Balkansky’s full-coverage survey of the Sola Valley, 65 km southwest of Oaxaca City, documents 120 sites. By combining his data with that of 13 other regions of Oaxaca, he produces a model for Zapotec state expansion that integrates colonization, diplomacy, and military conquest.

Winner, Katherine Singer Kovacs Prize, Modern Language Association, 2010

The Spectacular City, Mexico, and Colonial Hispanic Literary Culture tracks the three spectacular forces of New World literary culture—cities, festivals, and wonder—from the sixteenth to the seventeenth century, from the Old World to the New, and from Mexico to Colombia, Peru, and Bolivia. It treats a multitude of imperialist and anti-imperialist texts in depth, including poetry, drama, protofiction, historiography, and journalism. While several of the landmark authors studied, including Hernán Cortés and Sor Juana Inés de la Cruz, are familiar, others have received remarkably little critical attention. Similarly, in spotlighting creole writers, Merrim reveals an intertextual tradition in Mexico that spans two centuries. Because the spectacular city reaches its peak in the seventeenth century, Merrim's book also theorizes and details the spirited work of the New World Baroque. The result is the rich examination of a trajectory that leads from the Renaissance ordered city to the energetic revolts of the spectacular city and the New World Baroque.

In The Spectacular Generic, Cori Hayden examines how generic drugs have transformed public health politics and everyday experiences of pharmaceutical consumption in Latin America. Focusing on the Mexican pharmacy chain Farmacias Similares and its proprietor, Víctor González Torres, Hayden shows how generics have become potent commodities in a postpatent world. In the early 2000s, González Torres, a.k.a. “Dr. Simi,” capitalized on the creation of new markets for generic medicines, selling cheaper copies of leading-brand drugs across Latin America. But Dr. Simi has not simply competed with the transnationals; his enterprise has also come to compete with the Mexican state, reorganizing the provision of medicine and basic health care for millions of people. Hayden juxtaposes this story with Dr. Simi’s less successful efforts in Argentina, where he confronted a radically different configuration of pharmaceutical politics. Building from these diverging trajectories, Hayden illuminates the politics of generic substitution as a question that goes beyond substituting one drug for another. Generic politics can radically reshape the relations among consumers, states, and pharmaceutical markets, even as they have yet to resolve the problems of cost and access.

The Tarahumara Rebellion of 1690 examines a seventeenth-century Indigenous uprising in northern Mexico aimed at driving out Spanish miners, missionaries, and settlers from Tarahumara (Rarámuri) and Tepehuanes homelands.

Previous histories have interpreted this revolt, and other borderlands uprisings, as localized and spontaneous events aimed at rectifying specific grievances. Historian Joseph P. Sánchez argues that the revolts of the Tepehuanes and the Tarahumaras in northern New Spain, or Nueva Vizcaya, were well-planned, inspired by outside events, and drew in multiple communities and ethnicities. Drawing on a wealth of primary sources, including Jesuit accounts and archival documents, Sánchez offers a comprehensive narrative that challenges conventional interpretations of colonial Mexican uprisings.

Far from localized, the Indigenous rebellions in the northern Mexican borderlands during the colonial period were part of the overall Indigenous struggle for defense of homeland throughout the Americas. The Tarahumara Rebellion of 1690 brings together a rich history of localized events and broader historical trends and offers a compelling narrative that enriches our understanding of the colonial experience in northern New Spain.

Winner, LASA Mexico Humanities Book Prize, 2017

Among the surviving documents from the colonial period in Mexico are rare Maya-authored manuscript compilations of Christian texts, translated and adapted into the Maya language and worldview, which were used to evangelize the local population. The Morely Manuscript is well known to scholars, and now The Teabo Manuscript introduces an additional example of what Mark Z. Christensen terms a Maya Christian copybook. Recently discovered in the archives of Brigham Young University, the Teabo Manuscript represents a Yucatecan Maya recounting of various aspects of Christian doctrine, including the creation of the world, the Fall of Adam and Eve, and the genealogy of Christ.

The Teabo Manuscript presents the first English translation and analysis of this late colonial Maya-language document, a facsimile and transcription of which are also included in the book. Working through the manuscript section by section, Christensen makes a strong case for its native authorship, as well as its connections with other European and Maya religious texts, including the Morely Manuscript and the Books of Chilam Balam. He uses the Teabo Manuscript as a platform to explore various topics, such as the evangelization of the Maya, their literary compositions, and the aspects of Christianity that they deemed important enough to write about and preserve. This pioneering research offers important new insights into how the Maya negotiated their precontact intellectual traditions within a Spanish and Catholic colonial world.

Northeast of modern-day Mexico City stand the remnants of one of the world's largest preindustrial cities, Teotihuacan. Monumental in scale, Teotihuacan is organized along a three-mile-long thoroughfare, the Avenue of the Dead, that leads up to the massive Pyramid of the Moon. Lining the avenue are numerous plazas and temples, which indicate that the city once housed a large population that engaged in complex rituals and ceremonies. Although scholars have studied Teotihuacan for over a century, the precise nature of its religious and political life has remained unclear, in part because no one has yet deciphered the glyphs that may explain much about the city's organization and belief systems.

In this groundbreaking book, Annabeth Headrick analyzes Teotihuacan's art and architecture, in the light of archaeological data and Mesoamerican ethnography, to propose a new model for the city's social and political organization. Challenging the view that Teotihuacan was a peaceful city in which disparate groups united in an ideology of solidarity, Headrick instead identifies three social groups that competed for political power—rulers, kin-based groups led by influential lineage heads, and military orders that each had their own animal insignia. Her findings provide the most complete evidence to date that Teotihuacan had powerful rulers who allied with the military to maintain their authority in the face of challenges by the lineage heads. Headrick's analysis also underscores the importance of warfare in Teotihuacan society and clarifies significant aspects of its ritual life, including shamanism and an annual tree-raising ceremony that commemorated the Mesoamerican creation story.

Around 1930, a highly popular and distinctive type of accordion music, commonly known as conjunto, emerged among Texas-Mexicans. Manuel Peña's The Texas-Mexican Con;unto is the first comprehensive study of this unique folk style. The author's exhaustive fieldwork and personal interviews with performers, disc jockeys, dance promoters, recording company owners, and conjunto music lovers provide the crucial connection between an analysis of the music itself and the richness of the culture from which it sprang.

Using an approach that integrates musicological, historical, and sociological methods of analysis, Peña traces the development of the conjunto from its tentative beginnings to its preeminence as a full-blown style by the early 1960s. Biographical sketches of such major early performers as Narciso Martínez (El Huracán del Valle), Santiago Jiménez (El Flaco), Pedro Ayala, Valerio Longoria, Tony de la Rosa, and Paulino Bernal, along with detailed transcriptions of representative compositions, illustrate the various phases of conjunto evolution.

Peña also probes the vital connection between conjunto's emergence as a powerful symbolic expression and the transformation of Texas-Mexican society from a pre-industrial folk group to a community with increasingly divergent socioeconomic classes and ideologies. Of concern throughout the study is the interplay between ethnicity, class, and culture, and Peña's use of methods and theories from a variety of scholarly disciplines enables him to tell the story of conjunto in a manner both engaging and enlightening. This important study will be of interest to all students of Mexican American culture, ethnomusicology, and folklore.

Created in Tepechpan, a relatively minor Aztec city in Central Mexico, the Tira de Tepechpan records important events in the city's history from 1298 through 1596. Most of the history is presented pictographically. A line of indigenous year signs runs the length of the Tira, with images above the line depicting events in Tepechpan and images below the line recording events at Tenochtitlan, capital of the Aztec empire and later the seat of Spanish rule. Written annotations amplify some of the images.

In this volume, which includes color plates of the entire Tira, Lori Boornazian Diel investigates the motives behind the creation and modification of the Tira in the second half of the sixteenth century. She identifies the Tira's different contributors and reconciles their various histories by asking why these painters and annotators, working at different times, recorded the events that they did. Comparing the Tira to other painted histories from Central Mexico, Diel demonstrates that the main goal of the Tira was to establish the antiquity, autonomy, and prestige of Tepechpan among the Central Mexican city-states that vied for power and status in the preconquest and colonial worlds. Offering the unique point of view of a minor city with grand ambitions, this study of the Tira reveals imperial strategy from the grassroots up, showing how a subject city negotiated its position under Aztec and Spanish control.

Connecting community, infrastructure, and expansion in ancient Mesoamerica

This groundbreaking volume presents a fresh and comprehensive look at the urban development of Mesoamerican cities. Moving beyond traditional methods, The Urban Questions adopts a dynamic, multidisciplinary approach to understanding the complexity and diversity of ancient settlements. By examining urbanism at multiple scales—from individual events to households, neighborhoods, and entire regions—it offers a nuanced view of how these cities evolved over time.

Contributors explore key themes such as community identity, infrastructure management, and the intersection of social, political, and economic processes. Rich in both spatial and material analysis, the chapters provide insights into the lived experience of ancient Mesoamerican inhabitants and the gradual expansion of their cities. With innovative archaeological methodologies and theoretical frameworks, this volume is an essential resource for scholars of Mesoamerican studies, archaeology, and urban history, shedding new light on the dynamic nature of ancient cities.

In the first volume of a series on Prehistory and Human Ecology of the Valley of Oaxaca, Anne V. T. Kirkby investigated the agricultural production in the valley. With land-use data gathered at the time of her study (the 1960s), she created population and distribution models to help archaeologists interpret prehistoric settlement patterns in the region.

While the concept of defeat in the Mexican literary canon is frequently acknowledged, it has rarely been explored in the fullness of the psychological and religious contexts that define this aspect of "mexicanidad." Going beyond the simple narrative of self-defeat, The Uses of Failure in Mexican Literature and Identity presents a model of failure as a source of knowledge and renewed self-awareness.

Studying the relationship between national identity and failure, John Ochoa revisits the foundational texts of Mexican intellectual and literary history, the "national monuments," and offers a new vision of the pivotal events that echo throughout Mexican aesthetics and politics. The Uses of Failure in Mexican Literature and Identity encompasses five centuries of thought, including the works of the Conquistador Bernal Díaz del Castillo, whose sixteenth-century True History of the Conquest of New Spain formed Spanish-speaking Mexico's early self-perceptions; José Vasconcelos, the essayist and politician who helped rebuild the nation after the Revolution of 1910; and the contemporary novelist Carlos Fuentes.

A fascinating study of a nation's volatile journey towards a sense of self, The Uses of Failure elegantly weaves ethical issues, the philosophical implications of language, and a sociocritical examination of Latin American writing for a sparkling addition to the dialogue on global literature.

Unlike many other handicrafts in the Mexican state of Oaxaca, which have long cultural and historical trajectories, Oaxacan woodcarving began in the second half of the twentieth century and has always been done for the commercial market. In The Value of Aesthetics, Alanna Cant explores how one family’s workshop in the village of San Martín Tilcajete has become the most critically and economically successful, surpassing those of neighbors who use similar materials and techniques. The dominance of this family is tied to their ability to produce a new aesthetic that appeals to three key “economies of culture”: the tourist market for souvenirs, the national market for traditional Mexican artesanías, and the international market for indigenous art.

Offering a new analytical model by which anthropologists can approach visual aesthetics and conceptualize the power of artworks as socially active objects, The Value of Aesthetics shows how aesthetic practices produce and redefine social and political relationships. By investigating the links between aesthetics and issues of production, authorship, ownership, and identity, Cant shows aesthetic change to be a process that ultimately repackages everyday life into commodified objects in Oaxaca.

In Part I of this volume, C. Earle Smith draws on years of survey in the Oaxaca Valley and archaeological discoveries of plant remains in the region to create a portrait of the valley’s original wild vegetation, previous to human settlement. In Part 2, Ellen Messer provides the results of her ethnobotanical study of the Zapotec residents of Mitla, a town in the southern highlands of the Valley of Oaxaca. Over the course of four years, she studied with local residents to learn the names and uses for wild plants and agricultural plants in the area.

The Mexican Revolution began in 1910 with the overthrow of dictator Porfirio Díaz. The Wind That Swept Mexico, originally published in 1943, was the first book to present a broad account of that revolution in its several different phases. In concise but moving words and in memorable photographs, this classic sweeps the reader along from the false peace and plenty of the Díaz era through the doomed administration of Madero, the chaotic years of Villa and Zapata, Carranza and Obregón, to the peaceful social revolution of Cárdenas and Mexico's entry into World War II.

The photographs were assembled from many sources by George R. Leighton with the assistance of Anita Brenner and others. Many of the prints were cleaned and rephotographed by the distinguished photographer Walker Evans.