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Autobiography of the first half of the twentieth century was used variously by different groups of writers to interrogate, negotiate, and even to program the social and political progress of China. However, despite the popularity and success of this genre, it has also been the most forgotten in literary and historical discussions. Personal stories and individual expressions seem to have had no place in 1920s, 1930s, and 1940s China, smothered instead by the grander rhetoric of nationalism. For this reason, autobiography's popularity during the era is an odd phenomenon and also an important genre for study.

The May Fourth Era (1917-40) began as a movement to make the classical literary language accessible to the common people and became a broader political movement against imperialism. The writing of autobiography was influenced by the idea of literature's social and political mission, yet at the same time autobiography was a uniquely potent venue for individual expression. Janet Ng examines this notion in The Experience of Modernity within the framework of autobiographical writings by Chen Hengzhe, Lu Xun, Hu Shi, Xie Bingying, Xiao Hong, Eileen Chang, Yu Dafu, and Shen Congwen.

Janet Ng is Assistant Professor of Asian Literature, the College of Staten.

What did it mean to be a scientist before the profession itself existed? Jan Golinski finds an answer in the remarkable career of Humphry Davy, the foremost chemist of his day and one of the most distinguished British men of science of the nineteenth century. Originally a country boy from a modest background, Davy was propelled by his scientific accomplishments to a knighthood and the presidency of the Royal Society. An enigmatic figure to his contemporaries, Davy has continued to elude the efforts of biographers to classify him: poet, friend to Coleridge and Wordsworth, author of travel narratives and a book on fishing, chemist and inventor of the miners’ safety lamp. What are we to make of such a man?
           
In The Experimental Self, Golinski argues that Davy’s life is best understood as a prolonged process of self-experimentation. He follows Davy from his youthful enthusiasm for physiological experiment through his self-fashioning as a man of science in a period when the path to a scientific career was not as well-trodden as it is today. What emerges is a portrait of Davy as a creative fashioner of his own identity through a lifelong series of experiments in selfhood.

Volume fifteen of the Utah Historical Quarterly, originally published in 1947, was primarily devoted to Powell’s initial reconnaissance of the canyons of the Green and Colorado rivers, an expedition that would prove to be the last great exploration through unknown country in the continental United States. Powell and nine companions launched from Green River Station, Wyoming, on May 24, 1869, embarking on a journey that would become a race against starvation and death and grow tragic with the deaths of three of the party at the hands of the Shivwits (Paiute) Indians. The maps, field notes, and journals of this first exploration would guide Powell when he returned to the canyons in 1871 for a second expedition.

This volume contains the journals of Major John Wesley Powell, George Young Bradley, Walter Henry Powell, and J. C. Sumner. Also included are various letters and notes by the members of the first expedition, and the journal of Francis Marion Bishop from the second expedition. All of the writings offer vivid descriptions of both adventure and of able and energetic scientific field work, and are of enduring interest and importance.

 

Copublished with the Utah State Historical Society.
 

Civil War Hero and Scapegoat, Surveyor of Mexico, General of the Egyptian Army, and Builder of the Statue of Liberty’s Pedestal
In the winter of 1861, as the secession crisis came to a head, an obscure military engineer, Charles Pomeroy Stone, emerged as the rallying point for the defense of Washington, D.C. against rebel attack. He was protector of the newly elected president and right-hand man of the army’s commanding general, General Winfield Scott, under whom he had served with distinction during the Mexican–American War. Nevertheless, with in a year, this same hero sat in a military prison accused of incompetence and possible treason.
Like other Union officers, Stone had the misfortune to run afoul of radical politicians in the nation’s capital who sought to control the war effort by undermining the professional military establishment. Their weapon, the Joint Committee on the Conduct of the War, applied a litmus test of commitment to abolition, loyalty to the Republican Party and battlefield success for the retention and promotion of army commanders. Stone, a Democrat who did not see the conflict as a crusade against slavery, and who lost his only battle, failed on all counts.
Readers of Civil War history know Stone best for his mistreatment at the hands of the Joint Committee.When his name appears, it is almost always in connection with the battle at Ball’s Bluff, Virginia, during which a close associate of Lincoln’s was killed, and its aftermath. His story, however, goes far beyond that engagement. In The Extraordinary Life of Charles Pomeroy Stone: Soldier, Surveyor, Pasha, Engineer that ranges from the Halls of Montezuma to Gold Rush California, and from the pyramids of Egypt to the foot of the Statue of Liberty, historian Blaine Lamb brings to light the many facets of Stone’s remarkable life and career. He weaves into the narrative such characters as Ulysses S. Grant,William Tecumseh Sherman, Abraham Lincoln,Winfield Scott, Alexander von Humboldt, Thaddeus Lowe, Chinese Gordon, Khedive Ismail, and Frederic Auguste Bartholdi. But the center of this tale of nineteenth-century adventure, exploration, war, and intrigue remains Stone himself, a man of honor, steadfast loyalty, and tragic innocence.

That Sartre's study of Flaubert, The Family Idiot, is a towering achievement in intellectual history has never been disputed. Yet critics have argued about the precise nature of this novel, or biography, or "criticism-fiction" which is the summation of Sartre's philosophical, social, and literary thought. Sartre writes, simply, in the preface to the book: "The Family Idiot is the sequel to The Question of Method. The subject: what, at this point in time, can we know about a man? It seemed to me that this question could only be answered by studying a specific case."

"A man is never an individual," Sartre writes, "it would be more fitting to call him a universal singular. Summed up and for this reason universalized by his epoch, he in turn resumes it by reproducing himself in it as singularity. Universal by the singular universality of human history, singular by the universalizing singularity of his projects, he requires simultaneous examination from both ends." This is the method by which Sartre examines Flaubert and the society in which he existed.

Now this masterpiece is being made available in an inspired English translation that captures all the variations of Sartre's style—from the jaunty to the ponderous—and all the nuances of even the most difficult ideas. Volume 1 consists of Part One of the original French work, La Constitution, and is primarily concerned with Flaubert's childhood and adolescence.

Finding herself struggling with depression ("like a rude houseguest, coming and going of its own accord"), Sharon O'Brien set out to understand its origins beyond the biochemical explanations and emotional narratives prevailing in contemporary American culture. Her quest for her inheritance took her straight into the pressures and possibilities of American culture, and then to the heart of her family—the generations who shaped and were shaped by one another and their moment in history. In The Family Silver, as O'Brien travels into her family's past, she goes beyond depression to discover courage, poetry, and grace.

A compassionate and engaging writer, O'Brien uses the biographer's methods to understand her family history, weaving the scattered pieces of the past—her mother's memo books, her father's reading journal, family photographs, tombstones, dance cards, hospital records, the family silver—into a compelling narrative. In the lives of her Irish-American relatives she finds that the American values of upward mobility, progress, and the pressure to achieve sparked both desire and depression, following her family through generations, across the sea, from the Irish famine of the 1840s to Harvard Yard in the late 1960s.

"Many people who write stories of depression or other chronic illnesses tell tales of recovery in the upward-mobility sense, the 'once I was ill, but now I am well' formula that we may find appealing, but doesn't match the messiness of our lives," she writes. "Mine is not such a tale. But it is a recovery tale in another sense—a story of salvage, of rescuing stories from silence." Told with humor and honesty, O'Brien's story will captivate all readers who want to know how they, and their families, have been shaped by the past.

Engelhardt brings us into the world of his fourth-generation farm family, who lived by the family- and faith-based work ethic and concern for respectability they had inherited from their German and Norwegian ancestors. His writing has a particularly Iowa flavor, a style that needs no definition to those who live in the state. Readers will discover the appeal of his wry, humorous, and kind observations and appreciate his well-informed perspective on these transformative American decades. 

These original essays comprise a fascinating investigation into women's strategies for writing the self—constructing the female subject through autobiography, memoirs, letters, and diaries. The collection contains theoretical essays by Donna Stanton, Sandra Gilbert, and Susan Gilbert, and Susan Gubar; chapters on specific issues raised by women's autographs, such as Richard Bowring's study of tenth-century Japanese diaries or Janel Mueller's on The Book of Margery Kempe; and annotated autobiographical fragments, including texts by Julia Kristeva, by a woman who became a czarist cavalry officer, and by a contemporary Palestinian poet. There are also chapters on the seventeenth-century painter Artemisia Gentileschi; Mme de. Sévigné; Mendelssohn's sister, Fanny Hensel; the black minister Jarena Lee; Virginia Woolf; and Eva Peron. The result is a "conversation" between writers and critics across cultural and temporal boundaries. Stanton's essay plays off Virginia Woolf's A Room of One's Own. Kristeva begins with a reading of de Beauvoir, while a self-published French woman writes to defend the joys of family life against the author of Memoirs of a Dutiful Daughter.

The Feminism of Uncertainty brings together Ann Snitow’s passionate, provocative dispatches from forty years on the front lines of feminist activism and thought. In such celebrated pieces as "A Gender Diary"—which confronts feminism’s need to embrace, while dismantling, the category of "woman"—Snitow is a virtuoso of paradox. Freely mixing genres in vibrant prose, she considers Angela Carter, Doris Lessing, and Dorothy Dinnerstein and offers self-reflexive accounts of her own organizing, writing, and teaching. Her pieces on international activism, sexuality, motherhood, and the waywardness of political memory all engage feminism’s impossible contradictions—and its utopian hopes. 

 

 

On November 18, 1944, the end of the war in Europe finally in sight, American copilot Lieutenant Lee Lamar struggled alongside pilot Randall Darden to keep Bottoms Up, their B-24J Liberator, in the air. They and their crew of eight young men had believed the intelligence officer who, at the predawn briefing at their base in southern Italy, had confided that their mission that day would be a milk run. But that twenty-first mission out of Italy would be their last.

            Bottoms Up was staggered by an antiaircraft shell that sent it plunging three miles earthward, the pilots recovering control at just 5,000 feet. With two engines out, they tried to make it to a tiny strip on a British-held island in the Adriatic Sea and in desperation threw out everything not essential to flight: machine guns, belts of ammunition, flak jackets. But over Pula, in what is now Croatia, they were once more hit by German fire, and the focus quickly became escaping the doomed bomber. Seemingly unable to extricate himself, Lamar all but surrendered to death before fortuitously bailing out. He was captured the next day and spent the rest of the war as a prisoner at a stalag on the Baltic Sea, suffering the deprivations of little food and heat in Europe’s coldest winter in a century. He never saw most of his crew again.

            Then, in 2006, more than sixty years after these life-changing experiences, Lamar received an email from Croatian archaeologist Luka Bekic, who had discovered the wreckage of Bottoms Up. A veteran of the Balkan wars of the 1990s, Bekic felt compelled to find out the crew’s identities and fates. Lee Lamar, a boy from a hardscrabble farm in rural northwestern Missouri, had gone to college on the GI Bill, become a civil engineer, gotten married, and raised a family. Yet, for all the opportunity that stemmed from his wartime service, part of him was lost. The prohibition on asking prisoners of war their memories during the repatriation process prevented him from reconciling himself to the events of that November day. That changed when, nearly a year after being contacted by Bekic, Lamar visited the site, hoping to gain closure, and met the Croatian Partisans who had helped some members of his crew escape.

            In this absorbing, alternating account of World War II and its aftermath, Dennis R. Okerstrom chronicles, through Lee Lamar’s experiences, the Great Depression generation who went on to fight in the most expensive war in history. This is the story of the young men who flew Bottoms Up on her final mission, of Lamar’s trip back to the scene of his recurring nightmare, and of a remarkable convergence of international courage, perseverance, and friendship. 

The Inspiring True Story of a World War II Bomber Pilot Who Saved an Austrian Village—and the Incredible Search Across a Lifetime to Repay That Debt

In July 1944, Lt. Henry Supchak was flying his second-to-last mission over Germany when his B-17 bomber, Priority Gal, was hit by antiaircraft fire, disabling two engines and wounding him in the thigh. He attempted to reach neutral Switzerland, but was forced instead to order his eight crewmen to bail out over Austria. As Supchak prepared to abandon his aircraft he saw that it was on a collision course with an Alpine village. He instinctively got back into his seat, adjusted the controls, and barely escaped before the plane exploded at the base of a mountain. He parachuted into a pasture where a shepherd boy and his aunt stared in disbelief at this “man who fell from the sky.” Almost immediately, German infantry surrounded the pilot and took him away to solitary confinement. Although slightly burned by the exploding aircraft, the boy managed to find out where the wounded pilot was being held and snuck food and water to him before Supchak and his crew were taken away to a notorious prison camp for the rest of the war.

Liberated by Patton’s Third Army in April 1945, Supchak remained in the air force after World War II and even advised Gregory Peck during the filming of Twelve O’Clock High. But he carried deep scars from his war experience. Plagued by flashbacks, Supchak attempted to find closure. Opening up to his family and others about his aircombat missions and internment failed to rid him of the nagging dreams as he had hoped. But an inspired quest to find his former crew members before they all passed away put the pilot on a path of peace. A world away, an Austrian entrepreneur was searching for Supchak, the enemy pilot he had seen fall from the sky as a boy and whom he had never forgotten. Despite incredible odds, the pilot and the boy were able to meet again at the spot where Priority Gal had gone down, in a magical, miraculous reunion of closure. Beautifully written with honesty and emotion, The Final Mission: A Boy, a Pilot, and a World at War is a gripping and uplifting story of forgiveness, reconciliation, and healing from the devastation of war.

In the winter of 1834, twenty men convened in Keene, New Hampshire, and published a fiery address condemning their state's legal system as an abomination that threatened the legacy of the American Revolution. They attacked New Hampshire's constitution as an archaic document that undermined democracy and created a system of conniving attorneys and judges. They argued that the time was right for their neighbors to rise up and return the Granite State to the glorious pathway blazed by the nation's founders.

Few people embraced the manifesto and its radical message. Nonetheless, as Eric J. Morser illustrates in this eloquently written and deeply researched book, the address matters because it reveals how commercial, cultural, political, and social changes were remaking the lives of the men who drafted and shared it in the 1830s. Using an imaginative range of sources, Morser artfully reconstructs their moving personal tales and locates them in a grander historical context. By doing so, he demonstrates that even seemingly small stories from antebellum America can help us understand the rich complexities of the era.

On April 5, 1917, Three Plays for a Negro Theater by Ridgely Torrence opened at the Garden Theatre in New York City. This performance was a monumental event in American stage history. Not only was this the first dramatic production to portray African American life beyond the cliché, it was also the first production on Broadway to feature an all-black cast. The morning after the three plays were performed, newspapers were filled with praise for the cast, crew, and playwright. Audience member W. E. B. Du Bois declared the show "epoch making." Despite such early critical acclaim, Three Plays for a Negro Theater closed before the end of the month and received little attention thereafter.

Why was a nation, so fascinated with firsts, able to forget these black actors and this production so quickly? It is this question that Susan Curtis addresses in The First Black Actors on the Great White Way.

Set against the backdrop of transforming theater conventions in the early 1900s and the war in 1917, this important study relates the stories of the actors, stage artists, critics, and many others—black and white—involved in this groundbreaking production. Curtis explores in great depth both the progress in race relations that led to this production and the multifaceted reasons for its quick demise.

Three Plays for a Negro Theater opened on the eve of the United States' entrance into World War I. Curtis attributes the early closure of the three plays to this coincidence, but she does not settle for so simple an explanation. Rather, she investigates the heightened national self-consciousness that followed the United States' entry into the war. America was ready to "make the world safe for democracy," but it was not fully ready to accept democracy and equality in its own culture.

The First Black Actors on the Great White Way is not simply a study of African American theater and its entrance into American culture. By focusing on a single event at a critical moment in history, Curtis offers a unique glimpse into race relations in early-twentieth-century American society. The experience of these pioneering artists reveals an unexplored aspect of the painfully slow evolution of racial equality.

A remarkable story about people who waged an extraordinary campaign against racism, The First Black Actors on the Great White Way will be of special interest to scholars of American studies, race relations, and cultural history, as well as the general reader.

 
For more than half a century, Auguste and Pierre Chouteau dominated trade and enterprise in the Mississippi Valley. In their various roles as merchants, Indian traders, bankers, land speculators, governmental advisors, public officials, and community leaders, the Chouteau brothers exerted a tremendous influence on westward expansion. This is the first full account of their lives and illustrious careers.
 

The First Well is an engaging autobiographical account of Jabra’s boyhood in Bethlehem, where he was born in 1920, and later in Jerusalem, where he moved as a teenager with his parents.Through the eyes and heart of a sensitive, highly imaginative boy, Jabra describes the first sources of his artistic sensibility—the houses, fields, and orchards of his childhood and the Christian, Muslim, and Jewish cultures of Bethlehem and Jerusalem. The First Well is the story of his intellectual and spiritual growth nurtured and encouraged by his family, the Eastern Orthodox Church, and his teachers. His story is both captivatingly innocent and full of wisdom. Wordsworth’s observation, “The Child is father of the Man,” is entirely apt as Jabra’s literary and artistic interests take root and blossom. Here is a chronicle of the experiences and events he drew upon as he became one of the leading authors of the Arab world.

For half a century Lydia Maria Child was a household name in the United States. Hardly a sphere of nineteenth-century life can be found in which Lydia Maria Child did not figure prominently as a pathbreaker. Although best known today for having edited Harriet A. Jacobs’s Incidents in the Life of a Slave Girl, she pioneered almost every department of nineteenth-century American letters—the historical novel, the short story, children’s literature, the domestic advice book, women’s history, antislavery fiction, journalism, and the literature of aging. Offering a panoramic view of a nation and culture in flux, this innovative cultural biography (originally published by Duke University Press in 1994) recreates the world as well as the life of a major nineteenth-figure whose career as a writer and social reformer encompassed issues central to American history.

The Follinglo Dog Book both is and is not about dogs. The dogs are certainly here: from Milla to Chip the Third, we encounter a procession of heroic if often unfortunate creatures who, along with their immigrant masters, led a hard life on the nineteenth-century American frontier. However, if you pick up this book thinking it will offer a heartwarming read about canine experiences, you will find yourself reinformed by the way it unfolds.

Instead, these are the stories of a Norwegian pioneer family that came in 1860 to settle the Iowa prairie on a homestead called Follinglo Farm in Story County, Iowa. In the Tjernagels' experience one may read a chronicle of the state, the region, and the nation. Arriving in Iowa in what was still the age of wooden equipment and animal power, the Tjernagels witnessed each successive revolution on the land. They built homes and barns, cultivated the land, and encountered every manner of natural disaster from prairie fires to blizzards. Through all the struggles and setbacks, Peder Gustav Tjernagel's stories sparkle with boyhood pranks and adventures, in which the family dogs frequently play a role.

Readers will discover a wonderful cast of Norwegian relatives and neighbors, including a Herculean uncle, Store Per (Big Pete), who could lift a cow by its horns; a mysterious aunt, Stora Fastero (Big Sister), whose arrival signaled that a baby was soon to be born; and Elling Eilson, the walking Lutheran apostle. And, of course, there are the dogs who shepherd, protect, and even baby-sit the residents of Follinglo Farm.

Between 1905 and 1939 a conspicuously tall white man with a shock of red hair, dressed in a silk shirt and white linen trousers, could be seen on the streets of Onitsha, in Eastern Nigeria. How was it possible for an unconventional, boy-loving Englishman to gain a social status among the local populace enjoyed by few other Europeans in colonial West Africa?

In The Forger’s Tale: The Search for Odeziaku Stephanie Newell charts the story of the English novelist and poet John Moray Stuart-Young (1881–1939) as he traveled from the slums of Manchester to West Africa in order to escape the homophobic prejudices of late-Victorian society. Leaving behind a criminal record for forgery and embezzlement and his notoriety as a “spirit rapper,” Stuart-Young found a new identity as a wealthy palm oil trader and a celebrated author, known to Nigerians as “Odeziaku.”

In this fascinating biographical account, Newell draws on queer theory, African gender debates, and “new imperial history” to open up a wider study of imperialism, (homo)sexuality, and nonelite culture between the 1880s and the late 1930s. The Forger’s Tale pays close attention to different forms of West African cultural production in the colonial period and to public debates about sexuality and ethics, as well as to movements in mainstream English literature.

"My name will survive as long as man survives, because I am writing the greatest diary that has ever been written. I intend to surpass Pepys as a diarist."

When John Frush Knox (1907-1997) wrote these words, he was in the middle of law school, and his attempt at surpassing Pepys—part scrapbook, part social commentary, and part recollection—had already reached 750 pages. His efforts as a chronicler might have landed in a family attic had he not secured an eminent position after graduation as law clerk to Justice James C. McReynolds—arguably one of the most disagreeable justices to sit on the Supreme Court—during the tumultuous year when President Franklin D. Roosevelt tried to "pack" the Court with justices who would approve his New Deal agenda. Knox's memoir instead emerges as a record of one of the most fascinating periods in American history.

The Forgotten Memoir of John Knox—edited by Dennis J. Hutchinson and David J. Garrow—offers a candid, at times naïve, insider's view of the showdown between Roosevelt and the Court that took place in 1937. At the same time, it marvelously portrays a Washington culture now long gone. Although the new Supreme Court building had been open for a year by the time Knox joined McReynolds' staff, most of the justices continued to work from their homes, each supported by a small staff. Knox, the epitome of the overzealous and officious young man, after landing what he believes to be a dream position, continually fears for his job under the notoriously rude (and nakedly racist) justice. But he soon develops close relationships with the justice's two black servants: Harry Parker, the messenger who does "everything but breathe" for the justice, and Mary Diggs, the maid and cook. Together, they plot and sidestep around their employer's idiosyncrasies to keep the household running while history is made in the Court.

A substantial foreword by Dennis Hutchinson and David Garrow sets the stage, and a gallery of period photos of Knox, McReynolds, and other figures of the time gives life to this engaging account, which like no other recaptures life in Washington, D.C., when it was still a genteel southern town.

Twelve years after it was first published, The Future is Mestizo is now updated and revised with a new foreword, introduction, and epilogue. This book speaks to the largest demographic change in twentieth-century United States history—the Latinization of music, religion, and culture.

The Gambler King of Clark Street tells the story of a larger-than-life figure who fused Chicago’s criminal underworld with the city’s political and commercial spheres to create an urban machine built on graft, bribery, and intimidation. Lindberg vividly paints the life of the Democratic kingmaker against the wider backdrop of nineteenth-century Chicago crime and politics.

McDonald has long been cited in the published work of city historians, members of academia, and the press as the principal architect of a unified criminal enterprise that reached into the corridors of power in Chicago, Cook County, the state of Illinois, and ultimately the Oval Office. The Gambler King of Clark Street is both a major addition to Chicago’s historical literature and a revealing biography of a powerful and troubled man.

Illinois State Historical Society Scholarly Award, Certificate of Excellence, 2009
Society of Midland Authors Biography Award, 2009

“A superb tribute to theatrical pioneers—The Gay and Lesbian Theatrical Legacy is required reading for both theatre scholars and gay/lesbian/bisexual history aficionados. A fascinating journey awaits them all in this highly recommended volume.”

—Broadside: Newsletter of the Theatre Library Association

The Gay and Lesbian Theatrical Legacy collects in a single volume biographies of more than one hundred notable figures whose careers flourished in the years before the 1969 Stonewall Riots marked the beginning of the gay and lesbian civil rights movement in the United States. The leading lights in American theater have included innumerable individuals whose sexualities have deviated from prevailing norms, but this history has until recently been largely unwritten and unknown. This book contributessignificantly to the recovery of this history, fashioning a much fuller, more nuanced portrait of American theater as it evolved and shedding light on the influence that sexual desire may have had on professional choices, relationships, and artistic achievements.

The Gay and Lesbian Theatrical Legacy collects biographies and portraits of influential actors, playwrights, composers, directors, designers, dancers, producers, managers, critics, choreographers, and technicians who made their mark on the American theater. Its broad coverage provides an extended glimpse into lives and careers that intersected and into networks of affiliation that made theatrical history and, by extension, social and cultural history.

The late Billy J. Harbin was Professor of Theater, Louisiana State University. Kim Marra is Associate Professor of Theater, University of Iowa. Robert A. Schanke is Professor of Theater Emeritus, Central College, Pella, Iowa.

The Gazer Within collects the prose of one of America's favorite poets. Refreshingly candid, laugh-out-loud funny, and, at the same time, intimate, the pieces trace Larry Levis's early years growing up on his father's farm, his decision at sixteen to become a poet, and his undergraduate experience in the days of the Vietnam War. In addition to memoir, there are critical reviews, including his seminal essay on the poet Philip Levine, and reviews of poets as diverse as W. D. Snodgrass and Zbigniew Herbert.
David St. John's foreword speaks eloquently of Levis's enduring legacy: "Of the poets of his generation, Larry Levis spoke most powerfully of what it means to be a poet at this historical moment. With the same majesty he brought to his poetry, Larry Levis engaged his readers with the most subtle and disturbing questions of the self to be found in the prose--essays, reviews or interviews--of any contemporary American poet. Broadly international in his scope and deeply personal in his reflections, Levis addressed poetic concerns that are both immediate and timeless. For many of us who struggle with these issues, Larry Levis's prose on poetry stands as some of the most capacious to be found since Randell Jarrell's."
The late Larry Levis was the author of six volumes of poetry. He was Director of the Creative Writing Program, University of Utah; Professor of English, Virginia Commonwealth University; and also taught at the Iowa Writers Workshop.

The Gender of Piety is an intimate history of the Brethren in Christ Church in Zimbabwe, or BICC, as related through six individual life histories that extend from the early colonial years through the first decade after independence. Taken together, these six lives show how men and women of the BICC experienced and sequenced their piety in different ways. Women usually remained tied to the church throughout their lives, while men often had a more strained relationship with it. Church doctrine was not always flexible enough to accommodate expected masculine gender roles, particularly male membership in political and economic institutions or participation in important male communal practices.

The study is based on more than fifteen years of extensive oral history research supported by archival work in Zimbabwe, the United Kingdom, and the United States. The oral accounts make it clear, official versions to the contrary, that the church was led by spiritually powerful women and that maleness and mission-church notions of piety were often incompatible.

The life-history approach illustrates how the tension of gender roles both within and without the church manifested itself in sometimes unexpected ways: for example, how a single family could produce both a legendary woman pastor credited with mediating multiple miracles and a man—her son—who joined the armed wing of the Zimbabwe African People’s Union nationalist political party and fought in Zimbabwe’s liberation war in the 1970s. Investigating the lives of men and women in equal measure, The Gender of Piety uses a gendered interpretive lens to analyze the complex relationship between the church and broader social change in this region of southern Africa.

Louis Stokes was a giant in Ohio politics and one of the most significant figures in the U.S. Congress in recent times. When he arrived in the House of Representatives as a freshman in 1969, there were only six African Americans serving. By the time he retired thirty years later, he had chaired the House Special Committee on the Kennedy and King assassinations, the House Ethics Committee during Abscam, and the House Intelligence Committee during Iran-Contra; he was also a senior member of the powerful House Appropriations Committee.
 
Prior to Louis Stokes’s tenure in Congress he served for many years as a criminal defense lawyer and chairman of the Cleveland NAACP Legal Redress Committee. Among the Supreme Court Cases he argued, the Terry “Stop and Frisk” case is regarded as one of the twenty-five most significant cases in the court’s history. The Gentleman from Ohio chronicles this and other momentous events in the life and legacy of Ohio’s first black representative—a man who, whether in law or politics, continually fought for the principles he believed in and helped lead the way for African Americans in the world of mainstream American politics.
 

The move was successful—though not on the level some boosters envisioned—and since 1888, Toledo glass factories have employed thousands of workers who created the city’s middle class and developed technical innovations that impacted the glass industry worldwide. But as has occurred in other cities dominated by single industries—from Detroit to Pittsburgh to Youngstown—changes to the industry it built have had a devastating impact on Toledo. Today, 45 percent of all glass is manufactured in China.

Well-researched yet accessible, this new book explores how the economic, cultural, and social development of the Glass City intertwined with its namesake industry and examines Toledo’s efforts to reinvent itself amidst the Midwest’s declining manufacturing sector.

This exquisitely written biography of major American poet Theodore Roethke by his close friend and fellow writer Allan Seager was greeted with great enthusiasm in the literary community when it originally appeared in 1968. Kirkus Reviews found The Glass House “finely wrought, compassionate, intimate, and bound to be of inestimable value to all future Roethke scholars” in its exploration of Roethke’s life and its relationship to his art; critic Hugh Kenner called it “simply the best American biography.”
 
Biographer Allan Seager interviewed a number of Roethke’s friends and fellow writers, and he had access to the voluminous notes the poet left behind. Seager reveals the Theodore Roethke who existed behind the public persona – a complex, self-contradictory, gentle, often disturbed mysterious, and ruthlessly honest man. One of the book’s most moving passages is the defense of the poet’s role within the university, written by a colleague when Roethke was faced with the threat of dismissal. A committed teacher himself, Seager succeeds in doing justice to an often neglected aspect of Roethke’s achievement, his remarkable power as a teacher, and his unusual and committed teaching style.
 

Through photographs and translations of Friedrich Nietzsche's evocative writings on his work sites, David Farrell Krell and Donald L. Bates explore the cities and landscapes in which Nietzsche lived and worked.

"A brilliant juxtaposition of life and thought. . . . The sympathy of this pictorial biography is rivaled by few books on Nietzsche."—Charles M. Stang, Boston Book Review

"[A] distinguished addition to the Nietzsche-friendly corpus."—Alain de Botton, Los Angeles Times Book Review

"An odd and oddly endearing record of Nietzsche's travels."—John Banville, New York Review of Books

Updated to include a biography of the three latest governors, one of whom is United States president Bill Clinton, this new edition includes fascinating individual profiles of the state's forty-three consecutive leaders since 1836. From Conway to Tucker, the biographical sketches are filled with valuable personal and political data detailing each governor's origin, family, education, occupation, and accomplishments and failures while in and out of office. By examining the issues confronting Arkansas's governors, the contributors have provided a provocative portrait of the state's political leadership and have explored a whole range of social and economic questions.

Rogues, aristocrats, and a future U.S. president. These and other governors are portrayed in this revised and updated edition of the classic reference work on the chief executives of New Jersey. Editors Michael J. Birkner, Donald Linky, and Peter Mickulas present new essays on the governors of the last three decades—Brendan T. Byrne, Thomas Kean, James Florio, Christine Todd Whitman, Donald DiFrancesco, James McGreevey, Richard Codey, and Jon Corzine. The essays included in the original edition are amended, edited, and corrected as necessary in light of new and relevant scholarship.

The authors of each governor’s life story represent a roster of such notable scholars as Larry Gerlach, Stanley Katz, Arthur Link, and Clement Price, as well as many other experts on New Jersey history and politics. As a result, this revised edition is a thorough and current reference work on the New Jersey governorship—one of the strongest in the nation.

Also of Interest:
New Jersey Politics and Government
The Suburbs Come of Age
Fourth Edition
Barbara G. Salmore with Stephen A. Salmore
978-0-8135-6139-4   paper   $34.95
A volume in the Rivergate Regionals Collection

Me, Governor?
My Life in the Rough-and-Tumble World of New Jersey Politics
Richard J. Codey
978-0-8135-5045-9   cloth   $24.95

The Life and Times of Richard J. Hughes
The Politics of Civility
John B. Wefing
978-0-8135-4641-4   cloth   $32.50

Governor Tom Kean
From the New Jersey Statehouse to the 911 Commission
Alvin S. Felzenberg
978-0-8135-3799-3   cloth   $29.95