28167 books match the query 'History' and 6372 start with t

cover of The Pliant Public: Ideology and Public Opinion in China

The Pliant Public

Ideology and Public Opinion in China

Jason Y. Wu

University of Michigan Press, 2027

The Chinese Communist Party has long depended on ideology to set the agenda, communicate its priorities, and legitimize its rule. The Pliant Public argues that for Chinese citizens, however, ideology is in short supply. Surveys show that public opinion is depolarized. Ordinary people have little sense of what ideological labels like “left” and “right” mean, and most of the people who put themselves on the right have the scale backwards. Since a depolarized public is ill-equipped to check the state, China’s leaders can make massive changes to government policy without triggering much backlash. 

But depolarization does not always strengthen the state. When citizens lack clear ideological commitments, it is easier for them to set aside their differences. If China’s leaders lost their performance legitimacy, then depolarization could facilitate a broader challenge to party rule.

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cover of The Plight of Feeling: Sympathy and Dissent in the Early American Novel

The Plight of Feeling

Sympathy and Dissent in the Early American Novel

Julia A. Stern

University of Chicago Press, 1997

American novels written in the wake of the Revolution overflow with self-conscious theatricality and impassioned excess. In The Plight of Feeling, Julia A. Stern shows that these sentimental, melodramatic, and gothic works can be read as an emotional history of the early republic, reflecting the hate, anger, fear, and grief that tormented the Federalist era.

Stern argues that these novels gave voice to a collective mourning over the violence of the Revolution and the foreclosure of liberty for the nation's noncitizens—women, the poor, Native and African Americans. Properly placed in the context of late eighteenth-century thought, the republican novel emerges as essentially political, offering its audience gothic and feminized counternarratives to read against the dominant male-authored accounts of national legitimation.

Drawing upon insights from cultural history and gender studies as well as psychoanalytic, narrative, and genre theory, Stern convincingly exposes the foundation of the republic as an unquiet crypt housing those invisible Americans who contributed to its construction.
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cover of The Plot Thickens: Illustrated Victorian Serial Fiction from Dickens to du Maurier

The Plot Thickens

Illustrated Victorian Serial Fiction from Dickens to du Maurier

Mary Elizabeth Leighton

Ohio University Press, 2018

In the early 1800s, books were largely unillustrated. By the 1830s and 1840s, however, innovations in wood- and steel-engraving techniques changed how Victorian readers consumed and conceptualized fiction. A new type of novel was born, often published in serial form, one that melded text and image as partners in meaning-making.

These illustrated serial novels offered Victorians a reading experience that was both verbal and visual, based on complex effects of flash-forward and flashback as the placement of illustrations revealed or recalled significant story elements. Victorians’ experience of what are now canonical novels thus differed markedly from that of modern readers, who are accustomed to reading single volumes with minimal illustration. Even if modern editions do reproduce illustrations, these do not appear as originally laid out. Modern readers therefore lose a crucial aspect of how Victorians understood plot—as a story delivered in both words and images, over time, and with illustrations playing a key role.

In The Plot Thickens, Mary Elizabeth Leighton and Lisa Surridge uncover this overlooked narrative role of illustrations within Victorian serial fiction. They reveal the intricacy and richness of the form and push us to reconsider our notions of illustration, visual culture, narration, and reading practices in nineteenth-century Britain.

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cover of The Plow, the Hammer, and the Knout: An Economic History of Eighteenth-Century Russia

The Plow, the Hammer, and the Knout

An Economic History of Eighteenth-Century Russia

Arcadius Kahan

University of Chicago Press, 1985

In this extraordinary rich and subtle work, Arcadius Kahan analyzes a massive collection of documents which revise traditional interpretations of eighteenth-century Russian economic history. Kahan stresses economic rationality in the context of social constraints, offering the fullest and most convincing explanation yet of the economic foundations of Russia's power. He shows that what have been taken as major failings in the Russian economy were in fact resourceful and even ingenious methods of circumventing deeply rooted structural obstacles to change. Kahan also escapes two extremes that have bedeviled Russian historians since the nineteenth century: he avoids depicting the state as an autonomous structure that acted with impunity upon a passive society, and he refutes the notion of the state as a mere instrument for advancing selfish class interests.
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cover of The Pocket Epicurean

The Pocket Epicurean

John Sellars

University of Chicago Press, 2021

A short, smart guide to living the good life through the teachings of Epicurus.

As long as there has been human life, we’ve searched for what it means to be happy. More than two thousand years ago, the Greek philosopher Epicurus came to his own conclusion: all we really want in life is pleasure. Though today we tend to associate the word “Epicurean” with indulgence in the form of food and wine, the philosophy of Epicurus was about a life well lived even in the hardest of times. As John Sellars shows in this concise, approachable guide, the ideal life envisioned by Epicurus and his followers was a life much more concerned with mental pleasures and the avoidance of pain. Their goal, in short, was a life of tranquility or contentment.
 
In The Pocket Epicurean Sellars walks us through the history of Epicureanism, starting with the private garden on the edge of ancient Athens where Epicurus and his students lived in the fourth century BC, and where women were as welcome as men. Sellars then moves on to ancient Rome, where Epicurean influence flourished thanks to the poet Lucretius and his cohort. Throughout the book, Sellars draws on the ideas of Epicurus to offer a constructive way of thinking about the pleasures of friendship and our place in the world.

 
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cover of The Pocket Stoic

The Pocket Stoic

John Sellars

University of Chicago Press, 2020

To counter the daily anxieties, stress, and emotional swings caused by the barrage of stimuli that plagues modern life, many people have been finding unexpected solace in a philosophy from a very different and distant time: Stoicism. Today, more than 100,000 people are members of online communities for modern Stoics, and there are annual conferences, meet-ups, and workshops for those aspiring to walk the Stoic path. But what is Stoicism, and what makes it resonate so powerfully today?
 
As John Sellars shows in The Pocket Stoic, the popular image of the isolated and unfeeling Stoic hardly does justice to the rich vein of thought that we find in the work of Seneca, Epictetus, and Marcus Aurelius, the three great Roman Stoics. Their works are recognized classics, and for good reason—they speak to some of the perennial issues that face anyone trying to navigate their way through life. These writings, fundamentally, are about how to live—how to understand your place in the world, how to cope when things don’t go well, how to manage your emotions, how to behave toward others, and finally, how to live a good life. To be a Stoic is to recognize that much of the suffering in your life is due to the way you think about things, and that you have the ability to train your mind to look at the world in a new way—to recognize what you can and cannot control and to turn adversity into opportunity.
 
Concise and accessible, The Pocket Stoic provides a welcome introduction to the lives and thought of the key Stoics. It is also a perfect guide to help you start incorporating the practice of Stoicism into your everyday approach to life.
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cover of The Poco Field: An American Story of Place

The Poco Field

An American Story of Place

Talmage A. Stanley

University of Illinois Press, 2012

In this beautifully written meditation on identity and place, Talmage A. Stanley tells the story of his grandparents' middle-class aspirations from the 1920s to the 1940s in the once-booming Pocahontas coalfields of southern West Virginia. Part lyrical family memoir and part social study, The Poco Field: An American Story of Place addresses a long-standing gap in Appalachian and American studies, illustrating the lives and choices of the middle class in the mid-twentieth century and delving into questions of place-based identity.
 
Exploring the natural and built environments of the towns of Keystone, West Virginia and Newbern, Virginia, Stanley delineates the history of conflict and control of local industry and development. Through his grandparents' struggle for upward mobility into the middle class, Stanley narrates a history that counters ideas of Appalachia as an exception to American culture and history, presenting instead an image of the region as an emblem of America at large. Stanley builds out from family and local history to examine broad structures of values and practices as they reflect and relate to place, showing how events such as the development of extensive mineworks, the ghettoization of the area's black residents, the catastrophic flooding of the Elkhorn Creek, and the fraud-induced failure of Keystone National Bank signal values that erode a place both literally and figuratively. Giving voice to activists now working to break down boundaries and assumptions that long have defined and restricted the middle class in the global economy, The Poco Field also champions the creative potential of place for reinvigorating democratic society for the twenty-first century.
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cover of The Poconos: An Illustrated Natural History Guide

The Poconos

An Illustrated Natural History Guide

Carl S. Oplinger and Robert Halma

Rutgers University Press, 2006

The Poconos, a rich plateau nestled in northeastern Pennsylvania between the Delaware River and the Moosic Mountains, encompass a variety of alluring features. The perfect reference for amateur naturalists, outdoor enthusiasts, tourists, and others who wish to explore the area, this classic guide clearly explains the unique geographic characteristics, animal habits and habitats, climate, geology, and vegetation of the area.

The authors trace the region from its beginnings millions of years ago as part of a shallow sea, through the reshaping forces of great glaciers, to today’s roadways and turnpikes. This revised and expanded edition also includes brief profiles of individuals who played significant roles in the preservation or understanding of the area’s ecology. Chapters provide a general survey of the area, including its history and places to be explored and observed, information on forest types, wildlife, and aquatic habitats, updated facts and figures on animal populations, as well as new details on invasive species.

Throughout the book, numerous boxes direct readers to observatory points for specific birds, ecosystems, vegetation types, and geological features, while maps, tables, original pen-and-ink illustrations, and a select list of field guides and other references enhance the book’s appeal. An indispensable companion for visitors as well as residents, The Poconos is a must-read for everyone who wants to discover or better understand the beauty and natural history of this unique region.

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cover of The Poem, the Garden, and the World: Poetry and Performativity in Elizabethan England

The Poem, the Garden, and the World

Poetry and Performativity in Elizabethan England

Jim Ellis

Northwestern University Press, 2023

How an early modern understanding of place and movement are embedded in a performative theory of literature
 
How is a garden like a poem? Early modern writers frequently compared the two, and as Jim Ellis shows, the metaphor gained strength with the arrival of a spectacular new art form—the Renaissance pleasure garden—which immersed visitors in a political allegory to be read by their bodies’ movements. The Poem, the Garden, and the World traces the Renaissance-era relationship of place and movement from garden to poetry to a confluence of both. Starting with the Earl of Leicester’s pleasure garden for Queen Elizabeth’s 1575 progress visit, Ellis explores the political function of the entertainment landscape that plunged visitors into a fully realized golden world—a mythical new form to represent the nation. Next, he turns to one of that garden’s visitors: Philip Sidney, who would later contend that literature’s golden worlds work to move us as we move through them, reorienting readers toward a belief in English empire. This idea would later be illustrated by Edmund Spenser’s Faerie Queen; as with the pleasure garden, both characters and readers are refashioned as they traverse the poem’s dreamlike space. Exploring the artistic creations of three of the era’s major figures, Ellis argues for a performative understanding of literature, in which readers are transformed as they navigate poetic worlds.

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cover of The Poet & the Baroness: W.H. Auden and Stella Musulin, a Friendship

The Poet & the Baroness

W.H. Auden and Stella Musulin, a Friendship

Michael O'Sullivan

Central European University Press, 2023

For long periods in history, the Austrian capital found itself on the geographical edge of western civilisation. Yet from the 18th century on, Vienna has been a vibrant centre of European culture. This city is the scene of the formidable meeting of the two outstanding intellectuals that are at the core of this book. 

The warm relationship between W.H. Auden, the celebrated British-American poet (1907–1973), and his fellow expatriate, the Welsh-Austrian journalist, translator and writer Stella Musulin (1915–1996) lasted while Auden resided in the nearby small town of Kirchstetten starting in 1958. It was here that the poet was laid to rest in the autumn of 1973. This book is based on the unpublished letters of Auden to Musulin and her private journals.  

The study of this inspiring material yields new insights into Auden’s last, prolific, creative period and underscores the ‘Austrian Auden.’ In addition, Michael O’Sullivan pays tribute to the closest ‘Austrian’ friend of the poet. Baroness Stella von Musulin was an intellectual whose two books for Faber & Faber are acknowledged as classics: Vienna in the Age of Metternich and Austria: People & Landscape (with a foreword by Auden). The author situates the close relationship of two individuals in the context of Austria’s complex political, social, and cultural history in the Cold War years.

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cover of The Poet Without a Name: Gray's Elegy and the Problem of History

The Poet Without a Name

Gray's Elegy and the Problem of History

Henry Weinfield

Southern Illinois University Press, 1991

Henry Weinfield offers a new reading not only of the Elegy itself but also of its place in English literary history. His central argument is that in Gray’s Elegy the thematic constellation of poverty, anonymity, alienation, and unfulfilled potential—or what Weinfield calls the "problem of history"—is fully articulated for the first time, and that, as a result, the Elegy represents an important turning-point in the history of English poetry.

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cover of The Poet and Dream Girl: The Love Letters of Lilian Steichen and Carl Sandburg

The Poet and Dream Girl

The Love Letters of Lilian Steichen and Carl Sandburg

Edited by Margaret Sandburg

University of Illinois Press, 1987

"These letters reveal the thoughts of two fine, strong minds drawn to each other first by their interest in socialism, then by their love of poetry and a similarity of ethics and ideals. My mother recognized this in his early prose and poetry. They learned so much about each other from these letters, yet it seems extraordinary that there was so little personal contact."-- From the introduction by Margaret Sandburg
 
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cover of The Poet and the Idiot

The Poet and the Idiot

Friedebert Tuglas

Central European University Press, 2007

Estonian literature in its written form is little more than a century old. As Estonia was part of the Russian Empire, then of the Soviet Union, it is something of a miracle that the powerful presence of the Baltic Germans, the periods of Russification, and other more subtle forms of cultural pressure, have not eradicated Estonian as a serious literary language. One of the central figures to credit for this was Friedebert Tuglas. The nine stories, and the essay, featured here were written during the World War One, or in the first years of Estonian independence in the early 1920s. They reflect the troubled spirit of the times, but exhibit the influence of a wide selection of writers, ranging from O. Wilde and M. Gorky, to F. Nietzsche and Edgar Allan Poe. The subject matter of Tuglas' stories represented here ranges from a starving prisoner, via a luckless pharmacist's hallucinations from childhood, a wandering soldier who encounters weird spirits, to a young man sitting in a park, accosted by a devilish lunatic who wants to introduce a new brand of devil worship to the world.
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cover of The Poet and the Sailor: The Story of My Friendship with Carl Sandburg

The Poet and the Sailor

The Story of My Friendship with Carl Sandburg

Kenneth Dodson. Edited by Richard Dodson. Foreword by Penelope Niven

University of Illinois Press, 2006

Two friends, a lifetime of letters, and an intimate look at a literary icon

Carl Sandburg first encountered Kenneth Dodson through a letter written at sea during World War II. Though Dodson wrote the letter to his wife, Letha, Sandburg read it in tears and told her, "I've got to meet this man." Composed primarily of their correspondence that continued until Sandburg's death in 1967, The Poet and the Sailor is a chronicle of the deep friendship that followed. Ranging over anything they found important, from writing to health and humor, the letters are arranged by Richard Dodson and are accompanied by a foreword from Sandburg's noted biographer, Penelope Niven.

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cover of The Poetics and Politics of the Veil in Iran: An Archival and Photographic Adventure

The Poetics and Politics of the Veil in Iran

An Archival and Photographic Adventure

Azadeh Fatehrad

Intellect Books, 2019

This volume explores the lives of women in Iran through the social, political, and aesthetic contexts of veiling, unveiling, and re-veiling. Through poetic writings and photographs, Azadeh Fatehrad responds to the legacy of the Iranian Revolution via the representation of women in photography, literature, and film. The images and texts are documentary, analytical, and personal.

The Poetics and Politics of the Veil in Iran features Fatehrad’s own photographs in addition to work by artists Hengameh Golestan, Shirin Neshat, Shadi Ghadirian, Abbas Kiarostami, Mohsen Makhmalbaf, Adolf Loos, Gaëtan Gatian de Clérambault, and Alison Watt. In exploring women’s lives in post-revolutionary Iran, Fatehrad considers the role of the found image and the relationship between the archive and the present, resulting in an illuminating history of feminism in Iran in the twentieth and twenty-first centuries.
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cover of The Poetics of Appearance in the Attic Korai

The Poetics of Appearance in the Attic Korai

By Mary Stieber

University of Texas Press, 2004

Some of the loveliest works of Archaic art were the Athenian korai—sculptures of beautiful young women presenting offerings to the goddess Athena that stood on the Acropolis. Sculpted in the sixth and early fifth centuries B.C., they served as votives until Persians sacked the citadel in 480/79 B.C. Subsequently, they were buried as a group and forgotten for nearly twenty-four centuries, until archaeologists excavated them in the 1880s. Today, they are among the treasures of the Acropolis Museum.

Mary Stieber takes a fresh look at the Attic korai in this book. Challenging the longstanding view that the sculptures are generic female images, she persuasively argues that they are instead highly individualized, mimetically realistic representations of Archaic young women, perhaps even portraits of real people. Marshalling a wide array of visual and literary evidence to support her claims, she shows that while the korai lack the naturalism that characterizes later Classical art, they display a wealth and realism of detail that makes it impossible to view them as generic, idealized images. This iconoclastic interpretation of the Attic korai adds a new dimension to our understanding of Archaic art and to the distinction between realism and naturalism in the art of all periods.

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cover of The Poetics of Impudence and Intimacy in the Age of Pushkin

The Poetics of Impudence and Intimacy in the Age of Pushkin

Joe Peschio

University of Wisconsin Press, 2012

In early nineteenth-century Russia, members of jocular literary societies gathered to recite works written in the lightest of genres: the friendly verse epistle, the burlesque, the epigram, the comic narrative poem, the prose parody. In a period marked by the Decembrist Uprising and heightened state scrutiny into private life, these activities were hardly considered frivolous; such works and the domestic, insular spaces within which they were created could be seen by the Russian state as rebellious, at times even treasonous.
    Joe Peschio offers the first comprehensive history of a set of associated behaviors known in Russian as “shalosti,” a word which at the time could refer to provocative behaviors like practical joking, insubordination, ritual humiliation, or vandalism, among other things, but also to literary manifestations of these behaviors such as the use of obscenities in poems, impenetrably obscure allusions, and all manner of literary inside jokes. One of the period’s most fashionable literary and social poses became this complex of behaviors taken together. Peschio explains the importance of literary shalosti as a form of challenge to the legitimacy of existing literary institutions and sometimes the Russian regime itself. Working with a wide variety of primary texts—from verse epistles to denunciations, etiquette manuals, and previously unknown archival materials—Peschio argues that the formal innovations fueled by such “prankish” types of literary behavior posed a greater threat to the watchful Russian government and the literary institutions it fostered than did ordinary civic verse or overtly polemical prose.
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cover of The Poetics of Indeterminacy: Rimbaud to Cage

The Poetics of Indeterminacy

Rimbaud to Cage

Marjorie Perloff

Northwestern University Press, 1999

In her seminal study, first published in 1981, Marjorie Perloff argues that the map of Modernist poetry needs to be redrawn to include a central tradition which cannot properly be situated within the Romantic-Symbolist tradition dominating the early twentieth century.
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cover of The Poetics of Natural History

The Poetics of Natural History

Christoph Irmscher

Rutgers University Press, 2019

Winner of the 2000 American Studies Network Prize and the Literature and Language Award from the Association of American Publishers, Inc.

Early American naturalists assembled dazzling collections of native flora and fauna, from John Bartram’s botanical garden in Philadelphia and the artful display of animals in Charles Willson Peale’s museum to P. T. Barnum’s American Museum, infamously characterized by Henry James as “halls of humbug.” Yet physical collections were only one of the myriad ways that these naturalists captured, catalogued, and commemorated America’s rich biodiversity. They also turned to writing and art, from John Edward Holbrook’s forays into the fascinating world of herpetology to John James Audubon’s masterful portraits of American birds.
 
In this groundbreaking, now classic book, Christoph Irmscher argues that early American natural historians developed a distinctly poetic sensibility that allowed them to imagine themselves as part of, and not apart from, their environment. He also demonstrates what happens to such inclusiveness in the hands of Harvard scientist-turned Amazonian explorer Louis Agassiz, whose racist pseudoscience appalled his student William James. 
 
This expanded, full-color edition of The Poetics of Natural History features a preface and art from award-winning artist Rosamond Purcell and invites the reader to be fully immersed in an era when the boundaries between literature, art, and science became fluid.
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cover of The Poetics of Natural History: From John Bartram to William James

The Poetics of Natural History

From John Bartram to William James

Irmscher, Christoph

Rutgers University Press, 1999

The Poetics of Natural History is about the “daydreams” of early American naturalists (from 1730 to 1868) and the collections they created around these dreams. Christoph Irmscher explores how, through the acts of organizing physical artifacts and reflecting upon their collections through writings and images, naturalists from John Bartram to Louis Agassiz were making sense of themselves and their world. These collections allowed them, in a way, to collect themselves.

In the first part of his book, Irmscher offers us a guided tour of the actual collections, beginning in Bartram’s disorderly botanical garden in Philadelphia and taking us through the artful display of animals in Charles Wilson Peale’s collections and, finally, to the “halls of humbug” of P. T. Barnum’s American Museum. The second part of the book moves away from the collections, and explores natural history words and images. Irmscher unforgettably describes American collectors’ fascination and horror with the American rattlesnake, and invokes the violent and beautiful world of American birds as described in John James Audubon’s paintings and writings.  His book ends with a description of Louis Agassiz’s 1865 expedition to Brazil as seen through the eyes of the young William James, who reluctantly gathered Brazilian fish while his mentor assembled “proof” that some human beings were less human than others.

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cover of The Poetics of Scale: From Apollinaire to Big Data

The Poetics of Scale

From Apollinaire to Big Data

Conrad Steel

University of Iowa Press, 2024

Since the start of the twentieth century, poets have been irresistibly drawn to the image of the poem as a kind of data-handling, a way of mediating between the divergent scales of aesthetics and infrastructure, language and technology. Conrad Steel shows how the history of poetry—with its particular formal affordances, and the particular hopes and fears we invest it with—has always been bound up with our changing logistics of macroscale representation. 

The Poetics of Scale takes us back to the years before the First World War in Paris, where the poet Guillaume Apollinaire claimed to have invented a new mode of poetry large enough to take on the challenges of the coming twentieth century. This history follows Apollinaire’s ideas across the Atlantic and examines how and why his work became such a vital source of inspiration for American poets through the era of intensive American economic expansion and up to the present day. Threading together Apollinaire’s work in the 1910s with three of his American successors—Louis Zukofsky in the 1930s, Allen Ginsberg in the 1950s, and Alice Notley from the 1970s onward—it shows how poetry as a cultural technique became the crucial test case for the scale of our collective imagination.
 
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cover of The Poetry of the American Civil War

The Poetry of the American Civil War

Lee Steinmetz

Michigan State University Press, 2013

Deeply affecting and diverse in perspective, The Poetry of the American Civil War is the first comprehensive volume to focus entirely on poetry written and published during the Civil War. Of the nearly one thousand books of poetry published in the 1860s, some two hundred addressed the war in some way, and these collectively present a textured portrait of life during the conflict. The poets represented here hail from the North and the South, and at times mirror each other uncannily. Among them are housewives, doctors, preachers, bankers, journalists, and teachers. Their verse reflects the day-to-day reality of war, death, and destruction, and it contemplates questions of faith, slavery, society, patriotism, and politics. This is an essential volume for poetry lovers, historians, and Civil War enthusiasts alike.

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cover of The Poison Trials: Wonder Drugs, Experiment, and the Battle for Authority in Renaissance Science

The Poison Trials

Wonder Drugs, Experiment, and the Battle for Authority in Renaissance Science

Alisha Rankin

University of Chicago Press, 2021

In 1524, Pope Clement VII gave two condemned criminals to his physician to test a promising new antidote. After each convict ate a marzipan cake poisoned with deadly aconite, one of them received the antidote, and lived—the other died in agony. In sixteenth-century Europe, this and more than a dozen other accounts of poison trials were committed to writing. Alisha Rankin tells their little-known story.

At a time when poison was widely feared, the urgent need for effective cures provoked intense excitement about new drugs. As doctors created, performed, and evaluated poison trials, they devoted careful attention to method, wrote detailed experimental reports, and engaged with the problem of using human subjects for fatal tests. In reconstructing this history, Rankin reveals how the antidote trials generated extensive engagement with “experimental thinking” long before the great experimental boom of the seventeenth century and investigates how competition with lower-class healers spurred on this trend.

The Poison Trials sheds welcome and timely light on the intertwined nature of medical innovations, professional rivalries, and political power.
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cover of The Poisoned Chalice: Eucharistic Grape Juice and Common-Sense Realism in Victorian Methodism

The Poisoned Chalice

Eucharistic Grape Juice and Common-Sense Realism in Victorian Methodism

Jennifer L. Woodruff Tait

University of Alabama Press, 2011

Examines the introduction of grape juice into the celebration of Holy Communion in the late 19th century Methodist Episcopal Church and reveals how a 1,800-year-old practice of using fermented communion wine became theologically incomprehensible in a mere forty years

This work examines the introduction of grape juice into the celebration of Holy Communion in the late 19th century Methodist Episcopal Church and reveals how a 1,800-year-old practice of using fermented communion wine became theologically incomprehensible in a mere forty years. Through study of denominational publications, influential exegetical works, popular fiction and songs, and didactic moral literature, Jennifer Woodruff Tait charts the development of opposing symbolic associations for wine and grape juice. She argues that 19th century Methodists, steeped in Baconian models of science and operating from epistemological presuppositions dictated by common-sense realism, placed a premium on the ability to perceive reality accurately in order to act morally. They therefore rejected any action or substance that dulled or confused the senses (in addition to alcohol, this included “bad” books, the theatre, stimulants, etc., which were all seen as unleashing unchecked, ungovernable thoughts and passions incompatible with true religion). 
 
This outlook informed Methodist opposition to many popular amusements and behaviors, and they decided to place on the communion table a substance scientifically and theologically pure. Grape juice was considered holy because it did not cloud the mind, and new techniques—developed by Methodist laymen Thomas and Charles Welch—permitted the safe bottling and shipment of the unfermented juice.
 
Although Methodists were not the only religious group to oppose communion wine, the experience of this broadly based and numerous denomination illuminates similar beliefs and actions by other groups.
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cover of The Poisoning of Michigan

The Poisoning of Michigan

Joyce Egginton

Michigan State University Press, 1980

The highly toxic PBB poisoning of Michigan remains the most widespread chemical contamination known in U.S. history. The Poisoning of Michigan is an investigative journalist's account of the contamination of Michigan's dairy cattle with the highly toxic chemical PBB (polybrominated biphenyl) in 1973. A near relation of PCB, this now-banned substance, designed as a fire retardant, was mistaken for a nutritional supplement at a chemical plant. It ended up in cattle feed that was distributed to farms throughout the state. By the time the error was discovered, virtually all nine million residents of Michigan had been ingesting contaminated milk and meat for almost a year.
     A new introduction by the author and an afterword by three distinguished environmental scientists explain how the legacy of Michigan's poisoning lives on—and how equally toxic substitutes for PBB still invade our homes and lives. This new edition of Egginton's environmental classic—first published in 1980 and long out of print—tells how the tragedy affected both the farm community and the wider populace, and how federal and state authorities failed to respond. "We were mired in a swamp of ignorance," one state official admitted.

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cover of The Polarizers: Postwar Architects of Our Partisan Era

The Polarizers

Postwar Architects of Our Partisan Era

Sam Rosenfeld

University of Chicago Press, 2017

Even in this most partisan and dysfunctional of eras, we can all agree on one thing: Washington is broken. Politicians take increasingly inflexible and extreme positions, leading to gridlock, partisan warfare, and the sense that our seats of government are nothing but cesspools of hypocrisy, childishness, and waste. The shocking reality, though, is that modern polarization was a deliberate project carried out by Democratic and Republican activists.

In The Polarizers, Sam Rosenfeld details why bipartisanship was seen as a problem in the postwar period and how polarization was then cast as the solution. Republicans and Democrats feared that they were becoming too similar, and that a mushy consensus imperiled their agendas and even American democracy itself. Thus began a deliberate move to match ideology with party label—with the toxic results we now endure. Rosenfeld reveals the specific politicians, intellectuals, and operatives who worked together to heighten partisan discord, showing that our system today is not (solely) a product of gradual structural shifts but of deliberate actions motivated by specific agendas. Rosenfeld reveals that the story of Washington’s transformation is both significantly institutional and driven by grassroots influences on both the left and the right.

The Polarizers brilliantly challenges and overturns our conventional narrative about partisanship, but perhaps most importantly, it points us toward a new consensus: if we deliberately created today’s dysfunctional environment, we can deliberately change it.
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cover of The Polish Hearst: Ameryka-Echo and the Public Role of the Immigrant Press

The Polish Hearst

Ameryka-Echo and the Public Role of the Immigrant Press

Anna D. Jaroszynska-Kirchmann

University of Illinois Press, 2015

Arriving in the U.S. in 1883, Antoni A. Paryski climbed from typesetter to newspaper publisher in Toledo, Ohio. His weekly Ameryka-Echo became a defining publication in the international Polish diaspora and its much-read letters section a public sphere for immigrants to come together as a community to discuss issues in their own language.

Anna D. Jaroszyńska-Kirchmann mines seven decades' worth of thoughts expressed by Ameryka-Echo readers to chronicle the ethnic press's role in the immigrant experience. Open and unedited debate harkened back to homegrown journalistic traditions, and Jaroszyńska-Kirchmann opens up the nuances of an editorial philosophy that cultivated readers as content creators. As she shows, ethnic publications in the process forged immigrant social networks and pushed notions of education and self-improvement throughout Polonia. Paryski, meanwhile, built a publishing empire that earned him the nickname ""The Polish Hearst.""

Detailed and incisive, The Polish Hearst opens the door on the long-overlooked world of ethnic publishing and the amazing life of one of its towering figures.

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cover of The Political Biographies of Cornelius Nepos

The Political Biographies of Cornelius Nepos

Rex Stem

University of Michigan Press, 2012

The Roman writer Cornelius Nepos was a friend of Cicero and Catullus and other first-century BCE authors, and portions of his encyclopedic work On Famous Men are the earliest surviving biographies written in Latin. In The Political Biographies of Cornelius Nepos, Rex Stem presents Nepos as a valuable witness to the late Republican era, whose biographies share the exemplary republican political perspective of his contemporaries Cicero and Livy. Stem argues that Nepos created the genre of grouped political biographies in order to characterize renowned Mediterranean figures as role models for Roman leaders, and he shows how Nepos invested his biographies with moral and political arguments against tyranny.

This book, the first to regard Nepos as a serious thinker in his own right, also functions as a general introduction to Nepos, placing him in his cultural context. Stem examines Nepos' contributions to the growth of biography, and he defends Nepos from his critics at the same time that he lays out the political significance and literary innovation of Nepos' writings. Accessible to advanced undergraduates, this volume is addressed to a general audience of classicists and ancient historians, as well as those broadly interested in biography, historiography, and political thought.

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cover of The Political Consequences of Motherhood

The Political Consequences of Motherhood

Jill S. Greenlee

University of Michigan Press, 2015

From civically and politically engaged women linking their identity as “mothers” to their fight for prohibition, public sanitation, and protective labor laws to the general call to arms of “mama grizzlies” issued by Sarah Palin in 2010, American political activists and candidates have used motherhood to rally women’s interest, support, and participation throughout American history. Politicized motherhood persists, and motherhood continues to inspire women’s participation and direct their concerns.

In The Political Consequences of Motherhood, Jill S. Greenlee investigates the complex relationship between motherhood and women’s political attitudes. Combining a historical overview of the ways motherhood has been used for political purposes with recent political opinion surveys and individual-level analysis, she explains how and when motherhood shapes women’s thoughts and preferences. Greenlee argues that two mechanisms account for the durability of motherhood politics. First, women experience attitudinal shifts when they become mothers. Second, “mother” is a broad-based identity, widely shared and ideologically unconstrained, that lends itself to appeals across the political spectrum to build support for candidates and policy issues.

[more]
cover of The Political Development of American Debt Relief

The Political Development of American Debt Relief

Emily Zackin and Chloe N. Thurston

University of Chicago Press, 2024

A political history of the rise and fall of American debt relief.

Americans have a long history with debt. They also have a long history of mobilizing for debt relief. Throughout the nineteenth century, indebted citizens demanded government protection from their financial burdens, challenging readings of the Constitution that exalted property rights at the expense of the vulnerable. Their appeals shaped the country’s periodic experiments with state debt relief and federal bankruptcy law, constituting a pre-industrial safety net. Yet, the twentieth century saw the erosion of debtor politics and the eventual retrenchment of bankruptcy protections.

The Political Development of American Debt Relief traces how geographic, sectoral, and racial politics shaped debtor activism over time, enhancing our understanding of state-building, constitutionalism, and social policy.

[more]
cover of The Political Economy of Brazil: Public Policies in an Era of Transition

The Political Economy of Brazil

Public Policies in an Era of Transition

Edited by Lawrence S. Graham and Robert H. Wilson

University of Texas Press, 1992

The transition from authoritarian to democratic government in Brazil unleashed profound changes in government and society that cannot be adequately understood from any single theoretical perspective. The great need, say Graham and Wilson, is a holistic vision of what occurred in Brazil, one that opens political and economic analysis to new vistas. This need is answered in The Political Economy of Brazil, a groundbreaking study of late twentieth-century Brazilian issues from a policy perspective.

The book was an outgrowth of a year-long policy research project undertaken jointly by the Lyndon B. Johnson School of Public Affairs and the Teresa Lozano Long Institute of Latin American Studies, both at the University of Texas at Austin. In this book, several noted scholars focus on specific issues central to an understanding of the political and economic choices that were under debate in Brazil. Their findings reveal that for Brazil the break with the past—the authoritarian regime—could not be complete due to economic choices made in the 1960s and 1970s, and also the way in which economic resources committed at that time locked the government into a relatively limited number of options in balancing external and internal pressures.

These conclusions will be important for everyone working in Latin American and Third World development.

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cover of The Political Economy of Health in Africa: Mis Af#60

The Political Economy of Health in Africa

Mis Af#60

Toyin Falola

Ohio University Press, 1992

This book examines the major phases in the history of health services in Africa and treats health as an integral aspect of the deepening crisis in Africa’s underdevelopment. One important thesis is that Western delivery systems have made health care less accessible for most people. Contributors direct attention to problems engendered by food shortages, acute cases of infection, the market in fake drugs as well as the inequality of access to facilities, the violation of human rights, and the recent danger of the dumping of toxic wastes in several African countries. One major implication of this volume is that there can be no solution to the health crisis in Africa until the linkage between health and poverty is recognized. The authors consider questions that add to the contemporary discussion of the place that traditional African medicine and philosophy should take alongside modern Western medicine in Africa today.
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cover of The Political Economy of Latin America in the Postwar Period

The Political Economy of Latin America in the Postwar Period

Edited by Laura Randall

University of Texas Press, 1998

The historic and increasing interdependence of the Latin American and U.S. economies makes an understanding of the political economies of Latin American nations particularly timely and important. After World War II, many nations initially implemented import substituting industrialization policies. Their outcomes, and the shift in policies, are related to the domestic policies and world economic conditions that led to government deficits, inflation, foreign borrowing, debt renegotiation, and renewed emphasis on common markets and other devices to stimulate trade and investment.

In The Political Economy of Latin America in the Postwar Period, important policy measures are evaluated, such as indexation of prices and contracts; special provisions for financing the government through the Central Bank; stabilization; and deregulation of the economy.

The introduction presents trends in Latin American growth and the factors that influence them. This is followed by parallel studies of the economic development of Argentina, Brazil, Chile, Cuba, Ecuador, Mexico, and Peru from 1945 to the mid-1990s. Noted experts bring their considerable experience to analyzing the content and impact of the economic theories that guided policymaking and their effects on output, income, and quality of life.

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cover of The Political Economy of Third World Intervention: Mines, Money, and U.S. Policy in the Congo Crisis

The Political Economy of Third World Intervention

Mines, Money, and U.S. Policy in the Congo Crisis

David N. Gibbs

University of Chicago Press, 1991

Interventionism—the manipulation of the internal politics of one country by another—has long been a feature of international relations. The practice shows no signs of abating, despite the recent collapse of Communism and the decline of the Cold War.

In The Political Economy of Third World Intervention, David Gibbs explores the factors that motivate intervention, especially the influence of business interests. He challenges conventional views of international relations, eschewing both the popular "realist" view that the state is influenced by diverse national interests and the "dependency" approach that stresses conflicts between industrialized countries and the Third World. Instead, Gibbs proposes a new theoretical model of "business conflict" which stresses divisions between different business interests and shows how such divisions can influence foreign policy and interventionism. Moreover, he focuses on the conflicts among the core countries, highlighting friction among private interests within these countries.

Drawing on U.S. government documents—including a wealth of newly declassified materials—he applies his new model to a detailed case study of the Congo Crisis of the 1960s. Gibbs demonstrates that the Crisis is more accurately characterized by competition among Western interests for access to the Congo's mineral wealth, than by Cold War competition, as has been previously argued.

Offering a fresh perspective for understanding the roots of any international conflict, this remarkably accessible volume will be of special interest to students of international political economy, comparative politics, and business-government relations.

"This book is an extremely important contribution to the study of international relations theory; Gibbs' treatment of the Congo case is superb. He effectively takes the "statists" to task and presents a compelling new way of analyzing external interventions in the Third World."—Michael G. Schatzberg, University of Wisconsin

"David Gibbs makes an original and important contribution to our understanding of the influence of business interests in the making of U.S. foreign policy. His business conflict model provides a synthetic theoretical framework for the analysis of business-government relations, one which yields fresh insights, overcomes inconsistencies in other approaches, and opens new ground for important research. . . . [Gibbs] provides a sophisticated analysis of the conflicts within the U.S. business community and identifies the complex ways in which they interacted with agencies within the government to form U.S. foreign policy toward the Congo. . . . This is a well-crafted analysis of a critical case of U.S. postwar intervention which should be of general interest to scholars and others concerned with the domestic bases of foreign policy."—Thomas J. Biersteker, Director, School of International Relations, University of Southern California
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cover of The Political Economy of the Brazilian State, 1889–1930

The Political Economy of the Brazilian State, 1889–1930

By Steven Topik

University of Texas Press, 1987

In this first overview of the Brazilian republican state based on extensive primary source material, Steven Topik demonstrates that well before the disruption of the export economy in 1929, the Brazilian state was one of the most interventionist in Latin America. This study counters the previous general belief that before 1930 Brazil was dominated by an export oligarchy comprised of European and North American capitalists and that only later did the state become prominent in the country’s economic development.

Topik examines the state’s performance during the First Republic (1889–1930) in four sectors—finance, the coffee trade, railroads, and industry. By looking at the controversies in these areas, he explains how domestic interclass and international struggles shaped policy and notes the degree to which the state acted relatively independently of civil society.

Topik’s primary concern is the actions of state officials and whether their decisions reflected the demands of the ruling class. He shows that conflicting interests of fractions of the ruling class and foreign investors gradually led to far greater state participation than any of the participants originally desired, and that the structure of the economy and of society—not the intentions of the actors—best explains the state’s economic presence.

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cover of The Political Evolution of the Mexican People

The Political Evolution of the Mexican People

By Justo Sierra

University of Texas Press, 1969

Are the Mexican people the children of Moctezuma or the children of Cortés? This question, long the central problem of Mexican historians, Justo Sierra answered by saying, "The Mexicans are the sons of the two peoples, of the two races … to this we owe our soul."

Because Sierra recognized the dual parentage, he was able to view his country's history as an evolutionary process. Formed in both the indigenous past and the colonial past, the Mexican people, after three hundred years of slow and painful gestation, were finally born with the arrival of Independence. They came of age when the Reform, the Republic, and the nation achieved a single identity.

This classical synthesis, written on the eve of the Mexican Revolution, gave direction to the generation that furnished the Revolution's intellectual leaders. Although the author was Secretary of Public Instruction in the dictatorial regime of Porfirio Díaz, he was the first historian to show sympathy for the plight of the masses, and his book ends with the warning that political evolution has lost its way unless the result is freedom.

As Edmundo O'Gorman points out in an important essay on Mexican historiography, written especially for this edition, Sierra was also the first to write a history of his nation in a sincere endeavor to get at the truth, instead of shaping his account to prove a thesis or to preach some political faith. And yet, his work "owes its originality and its lasting merit to his vigorous interpretation of Mexico's history in the light of his convictions, of his keen insight, even of his fears." Though the chapters on the pre-Columbian Indian have been rendered obsolete by later archeological discoveries, the rest of the history is still valid and needs only to be brought up to date.

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cover of The Political Language of Islam

The Political Language of Islam

Bernard Lewis

University of Chicago Press, 1988

A penetrating account, drawing on a wide range of sources in multiple languages, of the development of Islamic political language

What does jihad really mean? What is the Muslim conception of law? What is Islam's stance toward unbelievers? Probing literary and historical sources, Bernard Lewis traces the development of Islamic political language from the time of the Prophet to the present. His analysis of documents written in Arabic, Persian, and Turkish illuminates differences between Muslim political thinking and Western political theory, and clarifies the perception, discussion, and practices of politics in the Islamic world.
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cover of The Political Orchestra: The Vienna and Berlin Philharmonics during the Third Reich

The Political Orchestra

The Vienna and Berlin Philharmonics during the Third Reich

Fritz Trümpi

University of Chicago Press, 2016

This is a groundbreaking study of the prestigious Berlin and Vienna Philharmonics during the Third Reich. Making extensive use of archival material, including some discussed here for the first time, Fritz Trümpi offers new insight into the orchestras’ place in the larger political constellation.

Trümpi looks first at the decades preceding National Socialist rule, when the competing orchestras, whose rivalry mirrored a larger rivalry between Berlin and Vienna, were called on to represent “superior” Austro-German music and were integrated into the administrative and social structures of their respective cities—becoming vulnerable to political manipulation in the process. He then turns to the Nazi period, when the orchestras came to play a major role in cultural policies. As he shows, the philharmonics, in their own unique ways, strengthened National Socialist dominance through their showcasing of Germanic culture in the mass media, performances for troops and the general public, and fictional representations in literature and film. Accompanying these propaganda efforts was an increasing politicization of the orchestras, which ranged from the dismissal of Jewish members to the programming of ideologically appropriate repertory—all in the name of racial and cultural purity.

Richly documented and refreshingly nuanced, The Political Orchestra is a bold exploration of the ties between music and politics under fascism.
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cover of The Political Origins of Inequality: Why a More Equal World Is Better for Us All

The Political Origins of Inequality

Why a More Equal World Is Better for Us All

Simon Reid-Henry

University of Chicago Press, 2015

Inequality is the defining issue of our time. But it is not just a problem for the rich world. It is the global 1% that now owns fully half the world’s wealth—the true measure of our age of inequality. In this historical tour de force, Simon Reid-Henry rewrites the usual story of globalization and development as a story of the management of inequality. Reaching back to the eighteenth century and around the globe, The Political Origins of Inequality foregrounds the political turning points and decisions behind the making of today’s uneven societies. As it weaves together insights from the Victorian city to the Cold War, from US economic policy to Europe’s present migration crisis, a true picture emerges of the structure of inequality itself.   

The problem of inequality, Reid-Henry argues, is a problem that manifests between places as well as over time. This is one reason why it cannot be resolved by the usual arguments of left versus right, bound as they are to the national scale alone. Most of all, however, it is why the level of inequality that confronts us today is indicative of a more general crisis in political thought. Modern political discourse has no place for public reason or the common good. Equality is yesterday’s dream. Yet the fact that we now accept such a world—a world that values security over freedom, special treatment over universal opportunity, and efficiency over fairness—is ultimately because we have stopped even trying in recent decades to build the political architecture the world actually requires.

Our politics has fallen out of step with the world, then, and at the every moment it is needed more than ever. Yet it is within our power to address this. Doing so involves identifying and then meeting our political responsibilities to others, not just offering them the selective charity of the rich. It means looking beyond issues of economics and outside our national borders. But above all it demands of us that we reinvent the language of equality for a modern, global world: and then institute this. The world is not falling apart. Different worlds, we all can see, are colliding together. It is our capacity to act in concert that is falling apart. It is this that needs restoring most of all.
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cover of The Political Philosophy of Pierre Manent: Political Form and Human Action

The Political Philosophy of Pierre Manent

Political Form and Human Action

Joseph Wood

Catholic University of America Press, 2024

This book presents and evaluates the understanding of political form in the work of Pierre Manent. The study of political form is Manent’s central philosophical task. He is interested in the nature of man, in the action that makes us human, and thus in politics and political action as privileged windows into human nature and what it is to be human. Manent places himself in the classical political tradition, with its foundations in human nature and in a politics that accords with nature. He also situates himself within a triangle of faith, philosophy, and politics, all of which interest him as part of the reality of things even as he avoids an exclusive commitment to any one vertex in his investigation. The book first examines the major influences on Manent; the overarching questions that guide his work on political form, the “theologico-political question” and the question of the “modern difference” with the ancient view of man and politics; and his two intertwined paths of inquiry into political events and political thought. Manent describes political forms as “the modes of human association that no science has taken as its specific object.” City, empire, Church, national monarchy or nation-state, and modern state are the principal forms that he examines. The book discusses Manent’s thinking on each form in turn together with the tensions that propel the changes or motion in political form that Manent sees as driving and revealing the course of European political development. Using the work of Alasdair MacIntyre, Russell Hittinger, Étienne Gilson, Robert Sokolowski, and Francis Slade, the book evaluates Manent’s insights into the modern state and political condition, which he judges to be exhausted, as well as his call for the preservation of the form of the “nation marked by Christianity.”
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cover of The Political Power of the Word: Press and Oratory in Nineteenth-century Latin America

The Political Power of the Word

Press and Oratory in Nineteenth-century Latin America

Edited by Ivan Jaksic

University of London Press, 2002

This volume includes seven essays on the development of the press and the significance of political oratory in nineteenth-century Latin America. The authors discuss developments in Mexico, Guatemala, Colombia, Venezuela, Peru, Chile and Agentina, while paying attention to influences and comparisons with the United States and Europe. Four essays concentrate on the periodical press and the wider spectrum of print, and three others on oratory, but all posit and explore a significant overlap between written and oral cultures. The findings and theoretical issues discussed in this volume provide fresh evidence on largely unknown areas of nineteenth-century history and invite further research on a rich new topic of study. Contributors include: Charles A. Hale, University of Iowa; Rebecca Earle, University of Warwick; Carmen McEvoy, University of the South, Sewanee; Carlos Malamud, Universidad Nacional de Educacion a Distancia, Spain; Eduardo Posada-Carbo, University of Warwick; Sol Serrano, Pontifica Universidad Catolica de Chile; Douglass Sullivan Gonzalez, University of Mississippi.
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cover of The Political Style of Conspiracy: Chase, Sumner, and Lincoln

The Political Style of Conspiracy

Chase, Sumner, and Lincoln

Michael William Pfau

Michigan State University Press, 2005

The turbulent history of the United States has provided a fertile ground for conspiracies, both real and imagined. From the American Revolution to the present day, conspiracy discourse—linguistic and symbolic practices and artifacts revolving around themes, claims, or accusations of conspiracy—has been a staple of political rhetoric. Some conspiracy theories never catch on with the public, while others achieve widespread popularity. Whether successful or not, the means by which particular conspiracy theories spread is a rhetorical process, a process in which persuasive language, symbolism, and arguments act upon individual minds within concrete historical and political settings.
     Conspiracy rhetoric was a driving force in the evolution of antebellum political culture, contributing to the rise and fall of the great parties in the nineteenth century. One conspiracy theory in particular—the "slave power" conspiracy—was instrumental in facilitating the growth of the young Republican Party's membership and ideology. The Political Style of Conspiracy analyzes the concept and reality of the "slave power" in the rhetorical discourse of the mid-nineteenth-century, in particular the speeches and writing of politicians Salmon P. Chase, Charles Sumner, and Abraham Lincoln. By examining their mainstream texts, Pfau reveals that, in addition to the "paranoid style" of conspiracy rhetoric that inhabits the margins of political life, Lincoln, Chase, and Sumner also engaged in a distinctive form of conspiracy rhetoric that is often found at the center of mainstream American society and politics.

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cover of The Political Testament of Cardinal Richelieu: The Significant Chapters and Supporting Selections

The Political Testament of Cardinal Richelieu

The Significant Chapters and Supporting Selections

Translated by Henry Bertram Hill

University of Wisconsin Press, 1964

“Hill has prepared an excellent translation of the more important parts of the Political Testament; his notes are clear, concise, informative, and accurate, and his short introduction will provide students who wish to delve into the French original with an indication of the road that is open to them.  .  .  .  Offers a window to the mind of the redoubtable Richelieu.”—American Historical Review
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cover of The Political Theology of David Lipscomb: Collected Works

The Political Theology of David Lipscomb

Collected Works

David Lipscomb; Edited by Edward Peter Stringham and Norman R. Horn

Vanderbilt University Press, 2026

Few figures shaped the Stone-Campbell Restoration movement more than David Lipscomb, whose influence on its theology and practice rivaled that of any of his contemporaries. Yet the writings in this volume have long been unavailable to general readers, and most people are no longer familiar with his ideas, including his belief that Christians should not participate in secular politics.

In the early decades of the Stone-Campbell movement, adherents argued their positions in person and in print, and the direction of the movement was decided by these wide-ranging theological discussions. Dissent was built into the discourse and considered a part of the spiritual well-being of the movement. Followers were expected to read and have opinions on all these discussions. And now most of these books and articles have all but vanished from circulation—not just Lipscomb’s but many of the nineteenth-century Campbellite theologians’ writings.

This volume comprises three of Lipscomb’s most important works regarding Christians’ relationship to civil government, along with an introduction by Edward Peter Stringham and Norman R. Horn that explains how Lipscomb’s political writings receded from view within the movement he once shaped.

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cover of The Political Theory of The Federalist

The Political Theory of The Federalist

David F. Epstein

University of Chicago Press, 1986

In The Political Theory of  “The Federalist,” David F. Epstein offers a guide to the fundamental principles of American government as they were understood by the framers of the Constitution. Epstein here demonstrates the remarkable depth and clarity of The Federalist’s argument, reveals its specifically political (not merely economic) view of human nature, and describes how and why the American regime combines liberal and republican values.

“While it is a model of scholarly care and clarity, this study deserves an audience outside the academy. . . . David F. Epstein’s book is a fine demonstration of just how much a close reading can accomplish, free of any flights of theory or fancy references.”—New Republic

“Epstein’s strength lies in two aspects of his own approach. One is that he reads the text with uncommon closeness and sensitivity; the other is an extensive knowledge of the European political thought which itself forms an indispensable background to the minds of the authors.”—Times Literary Supplement

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cover of The Political Use of Racial Narratives: School Desegregation in Mobile, Alabama, 1954-97

The Political Use of Racial Narratives

School Desegregation in Mobile, Alabama, 1954-97

Richard A. Pride

University of Illinois Press, 2002

Arguing that politics is essentially a contest for meaning and that telling a story is an elemental political act, Richard A. Pride lays bare the history of school desegregation in Mobile, Alabama, to demonstrate the power of narrative in cultural and political change. This book describes the public, personal, and meta-narratives of racial inequality that have competed for dominance in Mobile. Pride begins with a white liberal's quest to desegregate the city's public schools in 1955 and traces which narratives--those of biological inferiority, white oppression, the behavior and values of blacks, and others--came to influence public policy and opinion over four decades. Drawing on contemporaneous sources, he reconstructs the stories of demonstrations, civic forums, court cases, and school board meetings as citizens of Mobile would have experienced them, inviting readers to trace the story of desegregation in Mobile through the voices of politicians, protestors, and journalists and to determine which narratives were indeed most powerful.

Exploring who benefits and who pays when different narratives are accepted as true, Pride offers a step-by-step account of how Mobile's culture changed each time a new and more forceful narrative was used to justify inequality. More than a retelling of Mobile's story of desegregation, The Political Use of Racial Narratives promotes the value of rhetorical and narrative analysis in the social sciences and history.

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cover of The Politics of American Jews

The Politics of American Jews

Herbert F. Weisberg

University of Michigan Press, 2019

Jewish voting is distinctive and paradoxical. Stereotypes about the voting habits of American Jews include that they vote at unusually high levels, that they’re liberal, that they vote for Democratic candidates without regard to their self-interest, and that Israel is their most important issue. Not only are all of those claims wrong, but they obscure aspects of Jews’ voting behavior that are much more interesting.

The Politics of American Jews uncovers new perspectives on Jews’ political choices by analyzing the unprecedented amount of survey data that is now available, including surveys that permit contrasting the voting of Jews with that of comparable non-Jews. The data suggest several mysteries about Jewish voting. While more Jews are Democrats than are liberals, there has not been a previous exploration of why more politically conservative Jews are not Republicans.

A fresh picture of Jews’ political behaviors shows that Jews are no longer politically monolithic. They vote on the basis of their self-interest and their values, but not all Jews share the same self-interest or the same values. While most Jews have incorporated being Democratic and liberal into their political DNA, growing divisions in their ranks suggest a mutation could occur.
 

[more]
cover of The Politics of Beginning: The Origin of Private Authority in the Process of Translation

The Politics of Beginning

The Origin of Private Authority in the Process of Translation

Alejandro Esguerra

University of Michigan Press, 2025

2026 APSA Jeffrey Friedman Best Book on Ideas, Knowledge, and Politics Award Winner

The Politics of Beginning traces the formation of the Forest Stewardship Council (FSC), now the most authoritative private organization for forestry certification. It starts with recounting the highly politicized forest politics of the late 1980s, when activists protested human rights abuses and deforestation while experimenting with sustainable forestry practices. The book then follows the people who became the founding members of the Forest Stewardship Council. By using live audio recordings of the FSC founding assembly in 1993, this book provides an in-depth analysis of a constitutional moment for private authority in world politics.

To explore how timber merchants, Indigenous communities, and social and environmental NGOs engaged in private institution-making, Alejandro Esguerra works with the concept of translation developed in Actor-Network Theory—a process in which knowledge about governance is continuously recontextualized—and introduces it to International Relations theory. He develops a dramaturgical methodology with metaphors of theatre such as stage, script, and performance. This methodology can be used to analyze the ways in which activists and others translate knowledge about governance and the practices of inclusion and exclusion that appear during this process. The environmental crisis requires a transformation in the ways societies value and govern human–nature relations, and The Politics of Beginning reveals the conditions under which even formerly antagonistic actors start developing a common political project.

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cover of The Politics of Care Work: Puerto Rican Women Organizing for Social Justice

The Politics of Care Work

Puerto Rican Women Organizing for Social Justice

Emma Amador

Duke University Press, 2025

In The Politics of Care Work, Emma Amador tells the story of Puerto Rican women’s involvement in political activism for social and economic justice in Puerto Rico and the United States throughout the twentieth century. Amador focuses on the experiences and contributions of Puerto Rican social workers, care workers, and caregivers who fought for the compensation of reproductive labor in society and the establishment of social welfare programs. These activists believed conflicts over social reproduction and care work were themselves high-stakes class struggles for women, migrants, and people of color. In Puerto Rico, they organized for women’s rights, socialism, labor standards, and Puerto Rican independence. They continued this work in the United States by advocating for migrant rights, participating in the civil rights movement, and joining Puerto Rican-led social movements. Amador shows how their relentless efforts gradually shifted the field of social work toward social justice and community-centered activism. The profound and enduring impact of their efforts on Puerto Rican communities underscores the crucial role of Puerto Rican women’s caregiving labor and activism in building and sustaining migrant communities.
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cover of The Politics of Collecting: Race and the Aestheticization of Property

The Politics of Collecting

Race and the Aestheticization of Property

Eunsong Kim

Duke University Press, 2024

In The Politics of Collecting, Eunsong Kim traces how racial capitalism and colonialism situated the rise of US museum collections and conceptual art forms. Investigating historical legal and property claims, she argues that regimes of expropriation—rather than merit or good taste—are responsible for popular ideas of formal innovation and artistic genius. In doing so, she details how Marcel Duchamp’s canonization has more to do with his patron’s donations to museums than it does the quality of Duchamp’s work, and she uncovers the racialized and financialized logic behind the Archive of New Poetry’s collecting practices. Ranging from the conception of philanthropy devised by the robber barons of the late nineteenth century to ongoing digitization projects, Kim provides a new history of contemporary art that accounts for the complicated entanglement of race, capital, and labor behind storied art institutions and artists. Drawing on history, theory, and economics, Kim challenges received notions of artistic success and talent and calls for a new vision of art beyond the cultural institution.
[more]