1993 books match the query 'Latin America' and 392 start with t

cover of This Land Is Ours Now: Social Mobilization and the Meanings of Land in Brazil

This Land Is Ours Now

Social Mobilization and the Meanings of Land in Brazil

Wendy Wolford

Duke University Press, 2010

In This Land Is Ours Now, Wendy Wolford presents an original framework for understanding social mobilization. She argues that social movements are not the politically coherent, bounded entities often portrayed by scholars, the press, and movement leaders. Instead, they are constantly changing mediations between localized moral economies and official movement ideologies. Wolford develops her argument by analyzing how a particular social movement works: Brazil’s Rural Landless Workers’ Movement, known as the Movimento Sem Terra (MST). Founded in the southernmost states of Brazil in the mid-1980s, this extraordinary grassroots agrarian movement grew dramatically in the ensuing years. By the late 1990s it was the most dynamic, well-organized social movement in Brazilian history.

Drawing on extensive ethnographic research, Wolford compares the development of the movement in Brazil’s southern state of Santa Catarina and its northeastern state of Pernambuco. As she explains, in the south, most of the movement’s members were sons and daughters of small peasant farmers; in the northeast, they were almost all former plantation workers, who related awkwardly to the movement’s agenda of accessing “land for those who work it.” The MST became an effective presence in Pernambuco only after the local sugarcane economy had collapsed. Worldwide sugarcane prices dropped throughout the 1990s, and by 1999 the MST was a prominent political organizer in the northeastern plantation region. Yet fewer than four years later, most of the region’s workers had dropped out of the movement. By delving into the northeastern workers’ motivations for joining and then leaving the MST, Wolford adds nuance and depth to accounts of a celebrated grassroots social movement, and she highlights the contingent nature of social movements and political identities more broadly.

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cover of Thread of Blood: Colonialism, Revolution, and Gender on Mexico's Northern Frontier

Thread of Blood

Colonialism, Revolution, and Gender on Mexico's Northern Frontier

Ana María Alonso

University of Arizona Press, 1995

This book is about the construction and tranformation of peasant military colonists on Mexico's northern frontier from the late 18th through the early 20th century. Though the majority of the data comes from the pueblo of Namiquipa in the state of Chihuahua, the argument has broader implications for the study of northern Mexico, frontier societies, and our understanding of the northern armies in the 1910 Revolution. The study is rare for its integration of several levels, placing an analysis of gender and ethnicity within a specific historical period.

The author demonstrates that a distinct kind of frontier serrano society was generated in Namiquipa between the mid-18th and mid-19th centuries. In exchange for keeping the Apaches at bay, colonists were provided with arms and land grants. At the same time, they developed a gendered sense of ethnic identity that equated honor with land, autonomy, and a kind of masculinity that distinguished the "civilized" colonist from the "barbarous" Indian. While this identity was itself ordered hierarchically between men and women, and between "Hispanic" and "Indian," it also provided serranos with a sense of pride and dignity that was not directly associated with wealth.

After the defeat of the Apaches, and with increased state control during the last decades of the Porfiriato, the serranos on the frontier were transformed from bulwarks of order to victims of progress. The expansion of capitalism and the manipulation of local political office by men no longer accountable to communal norms eroded the legitimacy of both powerholders and the central state. In response, serranos constructed an ideology of history based on past notions of masculine honor and autonomy. This ideology motivated their confrontations with the Mexican state during the 1890s and also served as the force behind their mobilization in the 1910 revolution.
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cover of Threatening Others: Nicaraguans and the Formation of National Identities in Costa Rica

Threatening Others

Nicaraguans and the Formation of National Identities in Costa Rica

Carlos Sandoval-Garcia

Ohio University Press, 2004

During the last two decades, a decline in public investment has undermined some of the national values and institutions of Costa Rica. The resulting sense of dislocation and loss is usually projected onto Nicaraguan “immigrants.”

Threatening Others: Nicaraguans and the Formation of National Identities in Costa Rica explores the representation of the Nicaraguan “other” in the Costa Rican imagery. It also seeks to address more generally why the sense of national belonging constitutes a crucial identification in contemporary societies. Interdisciplinary and based on extensive fieldwork, it looks critically at the “exceptionalism” that Costa Ricans take for granted and view as a part of their national identity.

Carlos Sandoval-García argues that Nicaraguan immigrants, once perceived as a “communist threat,” are now victims of an invigorated, racialized politics in which the Nicaraguan nationality has become an offense in itself.

Threatening Others is a deeply searching book that will interest scholars and students in Latin American studies and politics, cultural studies, and ethnic studies.

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cover of Tijuana Dreaming: Life and Art at the Global Border

Tijuana Dreaming

Life and Art at the Global Border

Josh Kun and Fiamma Montezemolo, eds.

Duke University Press, 2012

Tijuana Dreaming is an unprecedented introduction to the arts, culture, politics, and economics of contemporary Tijuana, Mexico. With many pieces translated from Spanish for the first time, the anthology features contributions by prominent scholars, journalists, bloggers, novelists, poets, curators, and photographers from Tijuana and greater Mexico. They explore urban planning in light of Tijuana's unique infrastructural, demographic, and environmental challenges. They delve into its musical countercultures, architectural ruins, cinema, and emergence as a hot spot on the international art scene. One contributor examines fictional representations of Tijuana's past as a Prohibition-era "city of sin" for U.S. pleasure seekers. Another reflects on the city's recent struggles with kidnappings and drug violence. In an interview, Néstor García Canclini revisits ideas that he advanced in Culturas híbridas (1990), his watershed book about Latin America and cultural hybridity. Taken together, the selections present a kaleidoscopic portrait of a major border city in the age of globalization.

Contributors. Tito Alegría, Humberto Félix Berumen, Roberto Castillo Udiarte, Iain Chambers, Luis Humberto Crosthwaite, Teddy Cruz, Ejival, Tarek Elhaik, Guillermo Fadanelli, Néstor García Canclini, Ingrid Hernández, Jennifer Insley-Pruitt, Kathryn Kopinak, Josh Kun, Jesse Lerner, Fiamma Montezemolo, Rene Peralta, Rafa Saavedra, Lucía Sanromán, Santiago Vaquera-Vásquez, Heriberto Yépez

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cover of Title of Totonicapán

Title of Totonicapán

transcription, translation, and commentary by Allen J. Christenson

University Press of Colorado, 2022

This work is the first English translation of the complete text of the Title of Totonicapán, one of the most important documents composed by the K’iche’ Maya in the highlands of Guatemala, second only to the Popol Vuh. The original document was completed in 1554, only a few decades after the Spanish Conquest of the K’iche’ people in 1524. This volume contains a wholly new translation from the original K’iche’ Maya text, based on the oldest known manuscript copy, rediscovered by Robert Carmack in 1973.
 
The Title of Totonicapán is a land title written by surviving members of the K’iche’ Maya nobility, a branch of the Maya that dominated the highlands of western Guatemala prior to the Spanish invasion in 1524, and it was duly signed by the ruling lords of all three major K’iche’ lineages—the Kaweqib’, the Nijayib’, and the Ajaw K’iche’s. Titles of this kind were relatively common for Maya communities in the Guatemalan highlands in the first century after the Spanish Conquest as a means of asserting land rights and privileges for its leaders. Like the Popol Vuh, the Title of Totonicapán is written in the elevated court language of the early Colonial period and eloquently describes the mythic origins and history of the K’iche’ people. For the most part, the Title of Totonicapán agrees with the Popol Vuh’s version of K’iche’ history and cosmology, providing a complementary account that attests traditions that must have been widely known and understood. But in many instances the Totonicapán document is richer in detail and departs from the Popol Vuh’s more cursory description of history, genealogy, and political organization. In other instances, it contradicts assertions made by the authors of the Popol Vuh, perhaps a reflection of internal dissent and jealousy between rival lineages within the K’iche’ hierarchy. It also contains significant passages of cosmology and history that do not appear in any other highland Maya text.
 
This volume makes a comprehensive and updated edition of the Title of Totonicapán accessible to scholars and students in history, anthropology, archaeology, and religious studies in Latin America, as well as those interested in Indigenous literature and Native American/Indigenous studies more broadly. It is also a stand-alone work of Indigenous literature that provides additional K’iche’ perspectives, enhancing the reading of other colonial Maya sources.
 
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cover of To Be A Slave in Brazil: 1550-1888

To Be A Slave in Brazil

1550-1888

Mattoso, Katia M de Queiros

Rutgers University Press, 1986

This book was published originally in French in 1979 and in Portuguese in 1982. Written without scholarly footnotes for a general readership, it is a deceptively simple book direct in its presentation, lacking a specialized jargon, and organized in an imaginative and interesting way. But it also is a volume that reflects some of the most recent and innovative research on the question of slavery. Putting aside the somewhat arid debate over the feudal or capitalist nature of the "slave mode of production" and the political aspects of the movement for abolition, To Be a Slave in Brazil presents an overview of Brazilian slavery which reflects the trend toward study of the slave community, religion, the family, and other features of the internal aspects of slavery.
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cover of To Die in this Way: Nicaraguan Indians and the Myth of Mestizaje, 1880-1965

To Die in this Way

Nicaraguan Indians and the Myth of Mestizaje, 1880-1965

Jeffrey L. Gould

Duke University Press, 1998

Challenging the widely held belief that Nicaragua has been ethnically homogeneous since the nineteenth century, To Die in This Way reveals the continued existence and importance of an officially “forgotten” indigenous culture. Jeffrey L. Gould argues that mestizaje—a cultural homogeneity that has been hailed as a cornerstone of Nicaraguan national identity—involved a decades-long process of myth building.

Through interviews with indigenous peoples and records of the elite discourse that suppressed the expression of cultural differences and rationalized the destruction of Indian communities, Gould tells a story of cultural loss. Land expropriation and coerced labor led to cultural alienation that shamed the indigenous population into shedding their language, religion, and dress. Beginning with the 1870s, Gould historicizes the forces that prompted a collective movement away from a strong identification with indigenous cultural heritage to an “acceptance” of a national mixed-race identity.

By recovering a significant part of Nicaraguan history that has been excised from the national memory, To Die in This Way critiques the enterprise of third world nation-building and thus marks an important step in the study of Latin American culture and history that will also interest anthropologists and students of social and cultural historians.

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cover of To Feast on Us as Their Prey: Cannibalism and the Early Modern Atlantic

To Feast on Us as Their Prey

Cannibalism and the Early Modern Atlantic

Rachel B. Herrmann

University of Arkansas Press, 2019

Winner, 2020 Association for the Study of Food and Society Book Award, Edited Volume

Long before the founding of the Jamestown, Virginia, colony and its Starving Time of 1609–1610—one of the most famous cannibalism narratives in North American colonial history—cannibalism played an important role in shaping the human relationship to food, hunger, and moral outrage. Why did colonial invaders go out of their way to accuse women of cannibalism? What challenges did Spaniards face in trying to explain Eucharist rites to Native peoples? What roles did preconceived notions about non-Europeans play in inflating accounts of cannibalism in Christopher Columbus’s reports as they moved through Italian merchant circles?

Asking questions such as these and exploring what it meant to accuse someone of eating people as well as how cannibalism rumors facilitated slavery and the rise of empires, To Feast on Us as Their Prey posits that it is impossible to separate histories of cannibalism from the role food and hunger have played in the colonization efforts that shaped our modern world.

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cover of To Rise in Darkness: Revolution, Repression, and Memory in El Salvador, 1920–1932

To Rise in Darkness

Revolution, Repression, and Memory in El Salvador, 1920–1932

Jeffrey L. Gould, Aldo A. Lauria-Santiago

Duke University Press, 2008

To Rise in Darkness offers a new perspective on a defining moment in modern Central American history. In January 1932 thousands of indigenous and ladino (non-Indian) rural laborers, provoked by electoral fraud and the repression of strikes, rose up and took control of several municipalities in central and western El Salvador. Within days the military and civilian militias retook the towns and executed thousands of people, most of whom were indigenous. This event, known as la Matanza (the massacre), has received relatively little scholarly attention. In To Rise in Darkness, Jeffrey L. Gould and Aldo A. Lauria-Santiago investigate memories of the massacre and its long-term cultural and political consequences.

Gould conducted more than two hundred interviews with survivors of la Matanza and their descendants. He and Lauria-Santiago combine individual accounts with documentary sources from archives in El Salvador, Guatemala, Washington, London, and Moscow. They describe the political, economic, and cultural landscape of El Salvador during the 1920s and early 1930s, and offer a detailed narrative of the uprising and massacre. The authors challenge the prevailing idea that the Communist organizers of the uprising and the rural Indians who participated in it were two distinct groups. Gould and Lauria-Santiago demonstrate that many Communist militants were themselves rural Indians, some of whom had been union activists on the coffee plantations for several years prior to the rebellion. Moreover, by meticulously documenting local variations in class relations, ethnic identity, and political commitment, the authors show that those groups considered “Indian” in western El Salvador were far from homogeneous. The united revolutionary movement of January 1932 emerged out of significant cultural difference and conflict.

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cover of Tortilleras Negotiating Intimacy: Love, Friendship, and Sex in Queer Mexico City

Tortilleras Negotiating Intimacy

Love, Friendship, and Sex in Queer Mexico City

Anahi Russo Garrido

Rutgers University Press, 2020

Tortilleras Negotiating Intimacy: Love, Friendship, and Sex in Queer Mexico City is the first ethnography in English to focus primarily on women’s sexual and intimate cultures in Mexico. The book shows the transformation of intimacy in the lives of three generations of women in queer spaces in contemporary Mexico City, as their sexual citizenship changes, including references to same-sex marriage and anti-discrimination laws. The book shows how these individuals reconfigure relationships through marriage, polyamory, friendship, and sex. Tortilleras Negotiating Intimacy suggests that “new” intimate cartographies are emerging in Mexico City, ultimately redefining relationships, gender, and mexicanidad. Building on ethnographic data collected over the past decade, including forty-five in-depth interviews with women between the ages of twenty-two and sixty-five participating in LGBT spaces, Tortilleras Negotiating Intimacy shows how lesbian women (mainly cis, but some trans) negotiate friendship, same-sex marriage, polyamory, and sexual practices, reinventing love, eroticism, friendship, and ultimately the social organization of Latin American societies.
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cover of Tortilleras: Hispanic & U.S. Latina Lesbian Expression

Tortilleras

Hispanic & U.S. Latina Lesbian Expression

Lourdes Torres

Temple University Press, 2003

The first anthology to focus exclusively on queer readings of Spanish, Latin American, and US Latina lesbian literature and culture, Tortilleras interrogates issues of gender, national identity, race, ethnicity, and class to show the impossibility of projecting a singular Hispanic or Latina Lesbian. Examining carefully the works of a range of lesbian writers and performance artists, including Carmelita Tropicana and Christina Peri Rossi, among others, the contributors create a picture of the complicated and multi-textured contributions of Latina and Hispanic lesbians to literature and culture. More than simply describing this sphere of creativity, the contributors also recover from history the long, veiled existence of this world, exposing its roots, its impact on lesbian culture, and, making the power of lesbian performance and literature visible.
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cover of Touched Bodies: The Performative Turn in Latin American Art

Touched Bodies

The Performative Turn in Latin American Art

Mara Polgovsky Ezcurra

Rutgers University Press, 2019

Shortlisted for the 2020 Association for the Study of the Arts of the Present Book Prize​
Winner of the 2019 Art Journal Prize from the College Art Association

What is the role of pleasure and pain in the politics of art? In Touched Bodies, Mara Polgovsky Ezcurra approaches this question as she examines the flourishing of live and intermedial performance in Latin America during times of authoritarianism and its significance during transitions to democracy. Based on original documents and innovative readings, her book brings politics and ethics to the discussion of artistic developments during the “long 1980s”. She describes the rise of performance art in the context of feminism, HIV-activism, and human right movements, taking a close look at the work of Diamela Eltit and Raúl Zurita from Chile, León Ferrari and Liliana Maresca from Argentina, and Marcos Kurtycz, the No Grupo art collective, and Proceso Pentágono from Mexico. The comparative study of the work of these artists attests to a performative turn in Latin American art during the 1980s that, like photography and film before, recast the artistic field as a whole, changing the ways in which we perceive art and understand its role in society.
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cover of Toward a Latino/a Biblical Interpretation

Toward a Latino/a Biblical Interpretation

Francisco Lozada Jr.

SBL Press, 2017

Engage an interdisciplinary approach

In Toward a Latino/a Biblical Interpretation Francisco Lozada Jr. explores the complex and diverse issues related to Latino/a biblical interpretation. After laying the theoretical foundation, he offers three sample readings of biblical texts to lead readers through the intricacy of interpretation that has historically and culturally surrounded understanding what it means to do Latino/a biblical interpretation. Throughout, Lozada attempts to work out various strategies that Latinos/as have employed to read biblical texts. He argues that Latino/a biblical interpretation is concerned with identity and belongingness with a goal of transforming/liberating the Latino/a community.

Features

  • An introduction to what it means to do Latino/a biblical interpretation
  • A demonstration of three different reading strategies (correlation, dialogical, and ideological) that Latinos/as employ in reading biblical texts
  • An exploration of whether one has to be Latino/a to do Latino/a biblical interpretation
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cover of Town in the Empire: Government, Politics, and Society in Seventeenth Century Popayán

Town in the Empire

Government, Politics, and Society in Seventeenth Century Popayán

By Peter Marzahl

University of Texas Press, 1979

During the seventeenth century, many of the fundamental characteristics of Spanish America were established. Peter Marzahl adds significantly to our understanding of this period with this study of Popayán, a town in what was then part of New Granada and is now Colombia. New Granada was something of a backwater of the empire, but very likely Popayán was more typical of everyday colonial life than the major centers that have drawn most attention from historians.

In the first part of his study, Marzahl describes both town and region, depicts economic activities (agriculture, gold mining, trade), and analyzes urban and rural society. Of particular interest is his discussion of the complex interaction among the different ethnic groups: Spaniards, Mestizos, Indians, and Blacks. In the longer second part he presents a detailed account of the makeup and operations of the town councils. His extensive research in primary sources makes possible a thorough examination of Popayán's administration and politics and their relationship to economic and social patterns. He also describes the councils' relations with the provincial governors, the viceregal authorities in Bogotá, and the Church. Because this study treats a neglected period and region and, in so doing, offers fresh materials and insights, it is an important contribution to our knowledge and comprehension of colonial Spanish America.

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cover of Traces Behind the Esmeraldas Shore

Traces Behind the Esmeraldas Shore

Warren DeBoer

University of Alabama Press, 1996

Although long famous for its antiquities—notably intricate goldwork, elaborate pottery, and earthen mounds—the Santiago-Cayapas region of coastal Ecuador has been relatively neglected from the standpoint of scientific archaeology. Until recently, no sound chronology was available, and even the approximate age of the region's most impressive monument, the large and much-looted site of La Tolita, remained in doubt.

Building on evidence obtained during the last decade, this book documents an eventful prehistory for Santiago-Cayapas that spans three millennia. A highlight of this prehistory was the reign of La Tolita as a regional center from 200 B.C. to A.D. 350. Archaeological data from
La Tolita's hinterland indicate a complex and changing social landscape in which La Tolita's hegemony was never absolute nor uncontested.

Abundantly illustrated and written in a crisp, witty, and occasionally irreverent style, Traces Behind the Esmeraldas Shore will stimulate debate and rankle interpretive conventions about those social formations that archaeologists gloss as 'chiefdoms.'

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cover of Tracks in the Amazon: The Day-to-Day Life of the Workers on the Madeira-Mamoré Railroad

Tracks in the Amazon

The Day-to-Day Life of the Workers on the Madeira-Mamoré Railroad

Gary Neeleman

University of Utah Press, 2014

When construction of the Madeira-Mamoré Railroad began in 1867, Bolivia had lost its war with Chile, causing it to become landlocked and unable to ship its minerals and other products from the Pacific Coast. Since Bolivia needed to find a way to move products from the Atlantic Coast, the government decided a railroad should be built around the Madeira River—which originates in Bolivia and travels almost 2,000 miles through Brazil to the Amazon—facilitating shipment to foreign markets via the Amazonian waterway. Completion of the railroad was initially stalled by lack of funding, but the project was resurrected in the early twentieth century and completed in 1912. Intended as an integral piece of the rubber export industry, the railroad became unnecessary once the world supply of rubber moved from Brazil to Asia.

Although there have been many brief chronicles and writings about the Madeira-Mamoré Railroad over the years, most barely scratch the surface of this incredible story. Of particular import in Tracks in the Amazon are the photographs—which until now have rarely been seen—taken by Dana Merrill, a New York photographer hired to document the construction of the railroad. It also includes reproductions of the Porto Velho Marconigram, an English-language newspaper written for and by the American expatriates who lived in the construction headquarters at Porto Velho. Because this unique railroad traversed the densest tropical jungle on earth, more than 10,000 workers lost their lives laying the first five miles of track. The images and descriptions of the life of the workers on the railroad illustrate the challenges of working in the jungles—the unforgiving climate, malaria and yellow feverbearing mosquitoes, and the threat of wild animals—which made conditions for the workers next to impossible.

Finalist for the International Latino Book Awards: Best Book in Nonfiction in Portuguese. 
 
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cover of Trade and Privateering in Spanish Florida, 1732–1763

Trade and Privateering in Spanish Florida, 1732–1763

Joyce Elizabeth Harman, With a New Introduction by Carl E. Swanson

University of Alabama Press, 2004

A groundbreaking study of commerce, conflict, and survival in colonial Spanish Florida.

Trade and Privateering examines the illegal yet highly profitable and mutually beneficial trade between Spanish Florida and the English colonies on the eastern seaboard in the mid-18th century. In St. Augustine, the arrival of subsidies from Spain was erratic, causing shortages of food and supplies, so authorities ignored the restrictions on trade with foreign colonies and welcomed British goods. Likewise, the British colonists sought Spanish products from Florida, especially oranges.
But when England and Spain became declared enemies in the War of Jenkins’ Ear and the French and Indian Wars, this tacit trade arrangement was threatened, and the result was a rise of privateering in the region. Rather than do without Spanish goods, the English began to attack and capture Spanish vessels with their cargoes at sea. Likewise, the Spaniards resorted to privateering as a means of steadily supplying the Florida colony. Harman concludes that, both willingly and unwillingly, the English colonies helped their Spanish neighbor to sustain its position in the Southeast.
 

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cover of Trading Roles: Gender, Ethnicity, and the Urban Economy in Colonial Potosí

Trading Roles

Gender, Ethnicity, and the Urban Economy in Colonial Potosí

Jane E. Mangan

Duke University Press, 2005

Located in the heart of the Andes, Potosí was arguably the most important urban center in the Western Hemisphere during the colonial era. It was internationally famous for its abundant silver mines and regionally infamous for its labor draft. Set in this context of opulence and oppression associated with the silver trade, Trading Roles emphasizes daily life in the city’s streets, markets, and taverns. As Jane E. Mangan shows, food and drink transactions emerged as the most common site of interaction for Potosinos of different ethnic and class backgrounds. Within two decades of Potosí’s founding in the 1540s, the majority of the city’s inhabitants no longer produced food or alcohol for themselves; they purchased these items. Mangan presents a vibrant social history of colonial Potosí through an investigation of everyday commerce during the city’s economic heyday, between the discovery of silver in 1545 and the waning of production in the late seventeenth century.

Drawing on wills and dowries, judicial cases, town council records, and royal decrees, Mangan brings alive the bustle of trade in Potosí. She examines quotidian economic transactions in light of social custom, ethnicity, and gender, illuminating negotiations over vendor locations, kinship ties that sustained urban trade through the course of silver booms and busts, and credit practices that developed to mitigate the pressures of the market economy. Mangan argues that trade exchanges functioned as sites to negotiate identities within this colonial multiethnic society. Throughout the study, she demonstrates how women and indigenous peoples played essential roles in Potosí’s economy through the commercial transactions she describes so vividly.

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cover of Trafficking: Narcoculture in Mexico and the United States

Trafficking

Narcoculture in Mexico and the United States

Hector Amaya

Duke University Press, 2020

In Trafficking Hector Amaya examines how the dramatic escalation of drug violence in Mexico in 2008 prompted new forms of participation in public culture in Mexico and the United States. He contends that, by becoming a site of national and transnational debate about the role of the state, this violence altered the modes publicness could take, transforming assumptions about freedom of expression and the rules of public participation. Amaya examines the practices of narcocorrido musicians who take advantage of digital production and distribution technologies to escape Mexican censors and to share music across the US-Mexico border, as well as anonymous bloggers whose coverage of trafficking and violence from a place of relative safety made them public heroes. These new forms of being in the public sphere, Amaya demonstrates, evolved to exceed the bounds of the state and traditional media sources, signaling the inadequacy of democratic theories of freedom and publicness to understand how violence shapes public discourse.
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cover of Trail of Footprints: A History of Indigenous Maps from Viceregal Mexico

Trail of Footprints

A History of Indigenous Maps from Viceregal Mexico

By Alex Hidalgo

University of Texas Press, 2019

Trail of Footprints offers an intimate glimpse into the commission, circulation, and use of indigenous maps from colonial Mexico. A collection of sixty largely unpublished maps from the late sixteenth to the eighteenth centuries and made in the southern region of Oaxaca anchors an analysis of the way ethnically diverse societies produced knowledge in colonial settings. Mapmaking, proposes Hidalgo, formed part of an epistemological shift tied to the negotiation of land and natural resources between the region’s Spanish, Indian, and mixed-race communities. The craft of making maps drew from social memory, indigenous and European conceptions of space and ritual, and Spanish legal practices designed to adjust spatial boundaries in the New World. Indigenous mapmaking brought together a distinct coalition of social actors—Indian leaders, native towns, notaries, surveyors, judges, artisans, merchants, muleteers, collectors, and painters—who participated in the critical observation of the region’s geographic features. Demand for maps reconfigured technologies associated with the making of colorants, adhesives, and paper that drew from Indian botany and experimentation, trans-Atlantic commerce, and Iberian notarial culture. The maps in this study reflect a regional perspective associated with Oaxaca’s decentralized organization, its strategic position amidst a network of important trade routes that linked central Mexico to Central America, and the ruggedness and diversity of its physical landscape.

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cover of Trajectories of Empire: Transhispanic Reflections on the African Diaspora

Trajectories of Empire

Transhispanic Reflections on the African Diaspora

Jerome C. Branche

Vanderbilt University Press, 2022

Trajectories of Empire extends from the beginning of the Iberian expansion of the mid-fifteenth century, through colonialism and slavery, and into the twentieth and twenty-first centuries in Latin American republics. Its point of departure is the question of empire and its aftermath as reflected in the lives of contemporary Latin Americans of African descent and of their ancestors in the historical processes of Iberian colonial expansion, colonization, and the Atlantic slave trade.

The book’s chapters explore what Blackness means in the so-called racial democracies of Brazil and Cuba today. Among the historical narratives and themes it covers are the role of medical science in the objectification and nullification of Black female personhood during slavery in nineteenth-century Brazil; the protocols of portraiture in the colonial period that, in including enslaved individuals, pictorially highlight and freeze their supposed inferiority vis-à-vis their owners; and those aspects of discourse that promote colonial capture and oppression in terms of evangelization and the saving of souls, or simply create the discursive template as early as the fifteenth century, for their continued alienation and marginalization across generations.

Trajectories of Empire’s contributions come from the fields of literary criticism, visual culture, history, anthropology, popular culture (rap), and cultural studies. As the product of an interdisciplinary collective, this book will be of interest to scholars in Iberian or Hispanic studies, Africana studies, postcolonial studies, and transatlantic studies, as well as the general public.
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cover of Transatlantic Fascism: Ideology, Violence, and the Sacred in Argentina and Italy, 1919-1945

Transatlantic Fascism

Ideology, Violence, and the Sacred in Argentina and Italy, 1919-1945

Federico Finchelstein

Duke University Press, 2010

In Transatlantic Fascism, Federico Finchelstein traces the intellectual and cultural connections between Argentine and Italian fascisms, showing how fascism circulates transnationally. From the early 1920s well into the Second World War, Mussolini tried to export Italian fascism to Argentina, the “most Italian” country outside of Italy. (Nearly half the country’s population was of Italian descent.) Drawing on extensive archival research on both sides of the Atlantic, Finchelstein examines Italy’s efforts to promote fascism in Argentina by distributing bribes, sending emissaries, and disseminating propaganda through film, radio, and print. He investigates how Argentina’s political culture was in turn transformed as Italian fascism was appropriated, reinterpreted, and resisted by the state and the mainstream press, as well as by the Left, the Right, and the radical Right.

As Finchelstein explains, nacionalismo, the right-wing ideology that developed in Argentina, was not the wholesale imitation of Italian fascism that Mussolini wished it to be. Argentine nacionalistas conflated Catholicism and fascism, making the bold claim that their movement had a central place in God’s designs for their country. Finchelstein explores the fraught efforts of nationalistas to develop a “sacred” ideological doctrine and political program, and he scrutinizes their debates about Nazism, the Spanish Civil War, imperialism, anti-Semitism, and anticommunism. Transatlantic Fascism shows how right-wing groups constructed a distinctive Argentine fascism by appropriating some elements of the Italian model and rejecting others. It reveals the specifically local ways that a global ideology such as fascism crossed national borders.

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cover of Transatlantic Topographies: Islands, Highlands, Jungles

Transatlantic Topographies

Islands, Highlands, Jungles

Ileana Rodriguez

University of Minnesota Press, 2004

Explores the construction of the Americas by and through European eyes

Transatlantic Topographies was first published in 2004. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

Transatlantic Topographies studies the representation of American space during the initial confrontation between Europeans and Amerindians and during the eighteenth, nineteenth, and twentieth centuries. Starting from topographical descriptions of land, islands, highlands, and jungles, Ileana Rodríguez shows how existing systems of knowledge broke down with the discovery of the Americas and had to be reinvented through the interpretation of signs, the accumulation of evidence, material exchange, and, finally, through the learning, teaching, and “kidnapping” of language. Proceeding from the period of exploration to the modern creation of a “twentieth-century frontier,” Rodríguez charts the path that led from island paradise to jungle chaos, from representations of natural beauty to the racialization of the islands. Drawing attention to cross-cultural miscommunication and the riddles of meaning and message it produces, Transatlantic Topographies develops a highly nuanced understanding of the evolving forces of imperialism as they gave way to postcolonialism and then to transnationalism—and newly re-inscribed notions of imperial economic practices.
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cover of Transforming Saints: From Spain to New Spain

Transforming Saints

From Spain to New Spain

Charlene Villaseñor Black

Vanderbilt University Press, 2022

Transforming Saints explores the transformation and function of the images of holy women within wider religious, social, and political contexts of Old Spain and New Spain from the Spanish conquest to Mexican independence.

The chapters here examine the rise of the cults of the lactating Madonna, St. Anne, St. Librada, St. Mary Magdalene, and the Suffering Virgin. Concerned with holy figures presented as feminine archetypes—images that came under Inquisition scrutiny—as well as with cults suspected of concealing Indigenous influences, Charlene Villaseñor Black argues that these images would come to reflect the empowerment and agency of women in viceregal Mexico. Her close analysis of the imagery additionally demonstrates artists' innovative responses to Inquisition censorship and the new artistic demands occasioned by conversion.

The concerns that motivated the twenty-first century protests against Chicana artists Yolanda López in 2001 and Alma López in 2003 have a long history in the Hispanic world, in the form of anxieties about the humanization of sacred female bodies and fears of Indigenous influences infiltrating Catholicism. In this context Black also examines a number of important artists in depth, including El Greco, Murillo, Jusepe de Ribera, Pedro de Mena, Baltasar de Echave Ibía, Juan Correa, Cristóbal de Villalpando, and Miguel Cabrera.
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cover of Translating Blackness: Latinx Colonialities in Global Perspective

Translating Blackness

Latinx Colonialities in Global Perspective

Lorgia García Peña

Duke University Press, 2022

In Translating Blackness Lorgia García Peña considers Black Latinidad in a global perspective in order to chart colonialism as an ongoing sociopolitical force. Drawing from archives and cultural productions from the United States, the Caribbean, and Europe, García Peña argues that Black Latinidad is a social, cultural, and political formation—rather than solely a site of identity—through which we can understand both oppression and resistance. She takes up the intellectual and political genealogy of Black Latinidad in the works of Frederick Douglass, Gregorio Luperón, and Arthur Schomburg. She also considers the lives of Black Latina women living in the diaspora, such as Black Dominicana guerrillas who migrated throughout the diaspora after the 1965 civil war and Black immigrant and second-generation women like Mercedes Frías and Milagros Guzmán organizing in Italy with other oppressed communities. In demonstrating that analyses of Black Latinidad must include Latinx people and cultures throughout the diaspora, García Peña shows how the vaivén—or, coming and going—at the heart of migrant life reveals that the nation is not a sufficient rubric from which to understand human lived experiences.
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cover of Translation and Epistemicide: Racialization of Languages in the Americas

Translation and Epistemicide

Racialization of Languages in the Americas

Joshua M. Price

University of Arizona Press, 2023

Translation has facilitated colonialism from the fifteenth century to the present day. Epistemicide, which involves destroying, marginalizing, or banishing Indigenous, subaltern, and counter-hegemonic knowledges, is one result. In the Americas, it is a racializing process. But in the hands of subaltern translators and interpreters, translation has also been used as a decolonial method.

The book gives an account of translation-as-epistemicide in the Americas, drawing on a range of examples from the early colonial period to the War on Terror. The first chapters demonstrate four distinct operations of epistemicide: the commensuration of worlds, the epistemic marginalization of subaltern translators and the knowledge they produce, the criminalization of translators and interpreters, and translation as piracy or extractivism. The second part of the book outlines decolonial translation strategies, including an epistemic posture the author calls “bewilderment.”

Translation and Epistemicide tracks how through the centuries translation practices have enabled colonialism and resulted in epistemicide, or the destruction of Indigenous and subaltern knowledge.
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cover of Translocalities/Translocalidades: Feminist Politics of Translation in the Latin/a Américas

Translocalities/Translocalidades

Feminist Politics of Translation in the Latin/a Américas

Sonia E. Alvarez, Claudia de Lima Costa, Verónica Feliu, Rebecca J. Hester, Norma Klahn, and Millie Thayer, eds.

Duke University Press, 2014

Translocalities/Translocalidades is a path-breaking collection of essays on Latin American, Caribbean, and United States–based Latina feminisms and their multiple translations and cross-pollinations. The contributors come from countries throughout the Américas and are based in diverse disciplines, including media studies, literature, Chicana/o studies, and political science. Together, they advocate a hemispheric politics based on the knowledge that today, many sorts of Latin/o-americanidades—Afro, queer, indigenous, feminist, and so on—are constructed through processes of translocation. Latinidad in the South, North and Caribbean "middle" of the Américas, is constituted out of the intersections of the intensified cross-border, transcultural, and translocal flows that characterize contemporary transmigration throughout the hemisphere, from La Paz to Buenos Aires to Chicago and back again. Rather than immigrating and assimilating, many people in the Latin/a Américas increasingly move back and forth between localities, between historically situated and culturally specific, though increasingly porous, places, across multiple borders, and not just between nations. The contributors deem these multidirectional crossings and movements, and the positionalities engendered, translocalities/translocalidades.

Contributors. Sonia E. Alvarez, Kiran Asher, Victoria (Vicky) M. Bañales, Marisa Belausteguigoitia Rius, Maylei Blackwell, Cruz C. Bueno, Pascha Bueno-Hansen, Mirangela Buggs, Teresa Carrillo, Claudia de Lima Costa, Isabel Espinal, Verónica Feliu, Macarena Gómez-Barris, Rebecca J. Hester, Norma Klahn, Agustín Lao-Montes, Suzana Maia, Márgara Millán, Adriana Piscitelli, Ana Rebeca Prada, Ester R. Shapiro, Simone Pereira Schmidt, Millie Thayer
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cover of Transnational Communism across the Americas

Transnational Communism across the Americas

Edited by Marc Becker, Margaret Power, Tony Wood, and Jacob A. Zumoff

University of Illinois Press, 2023

Transnational Communism across the Americas offers an innovative approach to the study of Latin American communism. It convincingly illustrates that communist parties were both deeply rooted in their own local realities and maintained significant relationships with other communists across the region and around the world. The essays in this collection use a transnational lens to examine the relationships of the region’s communist parties with each other, their international counterparts, and non-communist groups dedicated to anti-imperialism, women’s rights, and other causes. Topics include the shifting relationship between Mexican communists and the Comintern, Black migrant workers in the Caribbean, race relations in Cuba, Latin American communists in the USSR, Luís Carlos Prestes in Brazil, the U.S. and Puerto Rican communist and Nationalist parties, peace activist networks in Latin America, communist women in Guatemala, transnational student groups, and guerrillas in El Salvador.

Contributors: Marc Becker, Jacob Blanc, Tanya Harmer, Patricia Harms, Lazar Jeifets, Victor Jeifets, Adriana Petra, Margaret M. Power, Frances Peace Sullivan, Tony Wood, Kevin A. Young, and Jacob Zumoff

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cover of Transnational Desires: Brazilian Erotic Dancers in New York

Transnational Desires

Brazilian Erotic Dancers in New York

Suzana Maia

Vanderbilt University Press, 2012

Migrant sex workers are commonly cast as victims, moved by desperation to flee poverty and hopelessness in their home country. The Brazilian erotic dancers Suzana Maia presents in Transnational Desires, however, are women from the Brazilian middle classsome of them welleducated professionalswho migrated to the United States not just to better themselves economically but also to realize their personal dreams.

Their motivation to migrate and to work as erotic dancers can also be understood in the context of a representational system, inaugurated in colonial times, that emphasizes the exoticism of Brazilian womentheir bodies, their skin tone, their sexuality. These stereotypes are the props that Brazilian women use to construct their performances in Manhattan and Queens gentlemen's bars and the language through which they negotiate their relationships to society at large.

Transnational Desires focuses on the lives of nine Brazilian dancers with whom the author, herself a middleclass Brazilian, developed close relationships over the years. Maia examines their social relations both in the bar scene and with family, friends, and lovers outside. She shows that for these women erotic dancing is part of a life trajectory that involves negotiating their social position and life prospects in a fundamentally transnational social universe.

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cover of Traslados/Translations: Essays on Latin America in Honour of Jason Wilson

Traslados/Translations

Essays on Latin America in Honour of Jason Wilson

Edited by Claire Lindsay

University of London Press, 2012

This volume is an investigation of some of the enduring preoccupations of one of the UK's foremost Latin Americanists. The essays, by a distinguished group of scholars including former students, colleagues, and intellectual interlocutors, reflect a number of Jason Wilson's many research interests. They continue conversations with Wilson and develop lines of enquiry fostered by his work in areas as diverse as travel, translation, cultural and intellectual history, and literary and visual culture.At the same time, the essays address a wide selection of important topics in Latin American studies and contribute to our understanding of the region's culture and history (for example, by engaging with recent historical re-evaluations of Alexander von Humboldt, amplifying the emerging scholarship on post conflict visual representations of Argentina, and enriching our knowledge of the works of writers such as Jorge Luis Borges and Alejandra Pizarnik.)
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cover of Trauma, Taboo, and Truth-Telling: Listening to Silences in Postdictatorship Argentina

Trauma, Taboo, and Truth-Telling

Listening to Silences in Postdictatorship Argentina

Nancy J. Gates-Madsen

University of Wisconsin Press, 2018

Argentina’s repressive 1976–83 dictatorship, during which an estimated thirty thousand people were “disappeared,” prompted the postauthoritarian administrations and human rights groups to encourage public exposure of past crimes and traumas. Truth commissions, trials, and other efforts have aimed to break the silence and give voice to the voiceless. Yet despite these many reckonings, there are still silences, taboos, and unanswerable questions.
            Nancy J. Gates-Madsen reads between the lines of Argentine cultural texts (fiction, drama, testimonial narrative, telenovela, documentary film) to explore the fundamental role of silence—the unsaid—in the expression of trauma. Her careful examination of the interplay between textual and contextual silences illuminates public debate about the meaning of memory in Argentina—which stories are being told and, more important, which are being silenced. The imposition of silence is not limited to the military domain or its apologists, she shows; the human rights community also perpetuates and creates taboos.
[more]
cover of Traumatic States: Gendered Violence, Suffering, and Care in Chile

Traumatic States

Gendered Violence, Suffering, and Care in Chile

Nia Parson

Vanderbilt University Press, 2013

The end of the Pinochet regime in Chile saw the emergence of an organized feminist movement that influenced legal and social responses to gender-based violence, and with it new laws and avenues for reporting violence that never before existed. What emerged were grassroots women's rights organizations, challenging and engaging the government and NGOs to confront long-ignored problems in responding to marginalized victims.


In Traumatic States, anthropologist Nia Parson explores the development of methods of care and recovery from domestic violence. She interviews and contextualizes the lives of numerous individuals who have confronted these acts, as victims, authorities, and activists. Ultimately, Traumatic States argues that facing the challenges of healing both body and mind, and addressing the fundamental inequalities that make those challenges even more formidable, are part of the same battle.
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cover of Traveling from New Spain to Mexico: Mapping Practices of Nineteenth-Century Mexico

Traveling from New Spain to Mexico

Mapping Practices of Nineteenth-Century Mexico

Magali M. Carrera

Duke University Press, 2011

Antonio García Cubas’s Carta general of 1857, the first published map of the independent Mexican nation-state, represented the country’s geographic coordinates in precise detail. The respected geographer and cartographer made mapping Mexico his life’s work. Combining insights from the history of cartography and visual culture studies, Magali M. Carrera explains how García Cubas fabricated credible and inspiring nationalist visual narratives for a rising sovereign nation by linking old and new visual strategies.

From the sixteenth century until the early nineteenth, Europeans had envisioned New Spain (colonial Mexico) in texts, maps, and other images. In the first decades of the 1800s, ideas about Mexican, rather than Spanish, national character and identity began to cohere in written and illustrated narratives produced by foreign travelers. During the nineteenth century, technologies and processes of visual reproduction expanded to include lithography, daguerreotype, and photography. New methods of display—such as albums, museums, exhibitions, and world fairs—signaled new ideas about spectatorship. García Cubas participated in this emerging visual culture as he reconfigured geographic and cultural imagery culled from previous mapping practices and travel writing. In works such as the Atlas geográfico (1858) and the Atlas pintoresco é historico (1885), he presented independent Mexico to Mexican citizens and the world.

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Travels and Archaeology in South Chile

Bird, Junius B.

University of Iowa Press, 1988

"This is a remarkable book by one of the true geniuses in the field of anthropology during this century and one who provided valuable data for specialists in other disciplines as well."--H. M. Wormington "An engaging manuscript that should charm a broad audience."--Thomas F. Lynch "The field notes of Junius, and Peggy's diary, are valuable records of the excavations, artifacts, and interpretations of the best archaeologists to work in the southern tip of South America."--James G. Griffin Junius Bird's three great archaeological field achievements--at the Strait of Magellan in Chilean Patagonia, in the Atacama Desert of northern Chile, and at the sites of early coastal dwellers in northern Peru--made his reputation as a New World prehistorian. His work in south Chile is especially important, since it established the great antiquity of human populations in South America. Until now, most of Bird's Chilean data remained unpublished, but this rich collection of field notebooks from his 1936 and 1937 excavations makes this primary information available for the first time. Included in this volume are new data from Bird's excavations at Palli Aike, Fell's Cave, and Cañadon Leona as well as Cerro Sota and Mylodon caves. Excerpts from his published articles plus contributions by Juliet Clutton-Brock and Vera Markgraf reinforce the book with major new information about these truly pioneering investigations. Complementing the technical data are excerpts from the field journal kept by Margaret (Peggy) Bird. Witty, charming, and personable, her writings convey the more human aspects of Bird's research while interpreting his theoretical ideas. Finally, the many photographs taken by the Birds add a striking visual dimension to this volume. The Birds' fieldwork took place under conditions, and with a spirit, vastly different from those of most researchers today. The texts and teamwork revealed in Travels and Archaeology in South Chilewill appeal to everyone concerned with the heavily debated question of earliest peopling in the Americas, with South American anthropology and archaeology, and with the days when archaeology truly meant exploration. TABLE OF CONTENTS 1. Background and Departure Overview South Chile and the Canoe Indians Daily Life Sailing the Channels 2. Chronological Synthesis and Dating The Periods The Radiocarbon Dates 3. Canadon Leona General Description Excavation Information The Artifacts Faunal Remains Possible Age of Deposit Burials Summary Daily Life 4. Palli Aike General Description Excavation in Two Phases Excavation Information The Artifacts Possible Age of Deposit Faunal Remains Human Remains Daily Life 5. Fell's Cave General Description Excavation Information, 1936-1937 The Artifacts Faunal Remains Daily Life Excavations by John Fell and the French Mission Excavations, 1969-1970 The Carnivore Remains Excavated at Fell's Cave in 1970. By Juliet Clutton-Brock Fell's Cave: 11,000 Years of Changes in Paleoenvironments, Fauna, and Human Occupation. By Vera Markgraf 6. Cerro Sota Cave General Description Excavation Information The Artifacts Faunal Remains A Group Burial Probable Dating of the Deposit Daily Life 7. Mylodon Cave Background Structure of the Floor Deposit Results and Conclusions Human Remains Sloth Skin Broken or "Cut" Bone Domestication of the Sloth Summary of Evidence Age of Remains Two Additional Specimens
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cover of Travels with Tooy: History, Memory, and the African American Imagination

Travels with Tooy

History, Memory, and the African American Imagination

Richard Price

University of Chicago Press, 2007

Thirty-five years into his research among the descendants of rebel slaves living in the South American rain forest, anthropologist Richard Price encountered Tooy, a priest, philosopher, and healer living in a rough shantytown on the outskirts of Cayenne, French Guiana. Tooy is a time traveler who crosses boundaries between centuries, continents, the worlds of the living and the dead, and the visible and invisible. With an innovative blend of storytelling and scholarship, Travels with Tooy recounts the mutually enlightening and mind-expanding journeys of these two intellectuals.

Included on the itinerary for this hallucinatory expedition: forays into the eighteenth century to talk with slaves newly arrived from Africa; leaps into the midst of battles against colonial armies; close encounters with double agents and femme fatale forest spirits; and trips underwater to speak to the comely sea gods who control the world’s money supply. This enchanting book draws on Price’s long-term ethnographic and archival research, but above all on Tooy’s teachings, songs, stories, and secret languages to explore how Africans in the Americas have created marvelous new worlds of the imagination.
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Tribal and Chiefly Warfare in South America

Elsa M. Redmond

University of Michigan Press, 1994

This book presents new data on warfare from both ethnohistoric and ethnographic sources. The author documents principal differences between tribal and chiefly warfare; outlines the evidence archaeologists can expect to recover from warfare; and formulates testable hypotheses on the role of warfare in social and political evolution. This monograph is part of a series on Latin American Ethnohistory and Archaeology.

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cover of Tropes of Enlightenment in the Age of Bolivar: Simon Rodriguez and the American Essay at Revolution

Tropes of Enlightenment in the Age of Bolivar

Simon Rodriguez and the American Essay at Revolution

Ronald Briggs

Vanderbilt University Press, 2010

In Tropes of Enlightenment in the Age of Bolivar, Ronald Briggs shines a much-needed light on the writings and life of Simon Rodriguez, early tutor to the hero of Latin American independence Simon Bolivar and an accomplished essayist in his own right. Bolivar and Rodriguez's lives intersected often after those early years. When Bolivar swore his life to Spanish American independence on a hill outside Rome in 1805, Rodriguez was there to witness the historic moment. And when Bolivar needed to shape the new government of Bolivia, he enlisted Rodriguez to serve roles in developing both its educational system and its infrastructure.
The book, released during the bicentennial of the early wars for Latin American independence, boldly places Rodriguez in the pantheon of important writers who influenced philosophical thought during the upheavals of the eighteenth and nineteenth centuries, including Ralph Waldo Emerson, Noah Webster, and Tom Paine. Beyond merely providing the first in-depth analysis of Rodriguez's writings and life work, Briggs also reveals an innovator of style as Rodriguez shaped the utility and vitality of the essay as an emerging form of argument.
Tropes of Enlightenment in the Age of Bolivar is an essential study of a unique and playful writer who is finally revealed as a foundational figure in Spanish American independence and an influential thinker in the larger field of hemispheric studies.
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cover of Tropical Multiculturalism: A Comparative History of Race in Brazilian Cinema and Culture

Tropical Multiculturalism

A Comparative History of Race in Brazilian Cinema and Culture

Robert Stam

Duke University Press, 1997

Tropical Multiculturalism provides a major study of race in Brazilian culture through the most complete critical analysis of Brazilian cinema in any language. Focusing on representations of multicultural themes involving Euro- and Afro-Brazilians, other immigrants, and indigenous peoples in the rich tradition of Brazilian fictional feature film, Robert Stam puts Brazilian culture at the center of a wide-ranging analysis of race, representation, history, and film. Drawing parallels between the histories of colonialism, slavery, and immigration in Brazil and the United States, he also contends that questions of ethnic and racial representations are best viewed within the larger context of a comparative analysis of racially plural societies.
Stam examines the broad historical and cultural links that connect Brazil and the United States before considering multicultural imagery in Brazilian film as it has changed from the silent era to the present. His analysis moves through the comic chanchadas of the 1930s and 1940s, to the Hollywood-style films from Sao Paulo in the 1950s, and the diverse phases of Cinema Novo beginning in the 1960s. He explores a wealth of subjects, including the submerged "blackness" of Carmen Miranda, the anti-racist agenda of Orson Welles’s never-released Brazilian film It’s All True, the international background behind Black Orpheus, the career of Grande Otelo (Brazil’s greatest black film star), the allegorical "cannibalistic" films like How Tasty Was My Frenchman, and "indigenous media"—the attempt by Brazilian "indians" to use camcorders and VCRs for their own cultural and political purposes. Tropical Multiculturalism is simultaneously a history of Brazilian cinema from the standpoint of race, a history of Brazil itself through its cinematic representations, a comparative study of racial formations in Brazil and the United States, and a theorized analysis of racialized representations.
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cover of Tropical Riffs: Latin America and the Politics of Jazz

Tropical Riffs

Latin America and the Politics of Jazz

Jason Borge

Duke University Press, 2018

In Tropical Riffs Jason Borge traces how jazz helped forge modern identities and national imaginaries in Latin America during the mid-twentieth century. Across Latin America jazz functioned as a conduit through which debates about race, sexuality, nation, technology, and modernity raged in newspapers, magazines, literature, and film. For Latin American audiences, critics, and intellectuals—who often understood jazz to stem from social conditions similar to their own—the profound penetration into the fabric of everyday life of musicians like Duke Ellington, Dizzy Gillespie, and Charlie Parker represented the promises of modernity while simultaneously posing a threat to local and national identities. Brazilian antijazz rhetoric branded jazz as a problematic challenge to samba and emblematic of Americanization. In Argentina jazz catalyzed discussions about musical authenticity, race, and national culture, especially in relation to tango. And in Cuba, the widespread popularity of Chano Pozo and Dámaso Pérez Prado popularity challenged the United States' monopoly on jazz. Outlining these hemispheric flows of ideas, bodies, and music, Borge elucidates how "America's art form" was, and remains, a transnational project and a collective idea.
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cover of Tropical Travels: Brazilian Popular Performance, Transnational Encounters, and the Construction of Race

Tropical Travels

Brazilian Popular Performance, Transnational Encounters, and the Construction of Race

By Lisa Shaw

University of Texas Press, 2018

Brazilian popular culture, including music, dance, theater, and film, played a key role in transnational performance circuits—inter-American and transatlantic—from the latter nineteenth century to the middle of the twentieth century. Brazilian performers both drew inspiration from and provided models for cultural production in France, Portugal, Argentina, the United States, and elsewhere. These transnational exchanges also helped construct new ideas about, and representations of, “racial” identity in Brazil. Tropical Travels fruitfully examines how perceptions of “race” were negotiated within popular performance in Rio de Janeiro and how these issues engaged with wider transnational trends during the period.

Lisa Shaw analyzes how local cultural forms were shaped by contact with imported performance traditions and transnational vogues in Brazil, as well as by the movement of Brazilian performers overseas. She focuses specifically on samba and the maxixe in Paris between 1910 and 1922, teatro de revista (the Brazilian equivalent of vaudeville) in Rio in the long 1920s, and a popular Brazilian female archetype, the baiana, who moved to and fro across national borders and oceans. Shaw demonstrates that these transnational encounters generated redefinitions of Brazilian identity through the performance of “race” and ethnicity in popular culture. Shifting the traditional focus of Atlantic studies from the northern to the southern hemisphere, Tropical Travels also contributes to a fuller understanding of inter-hemispheric cultural influences within the Americas.

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cover of Tula Of The Toltecs: Excavations And Survey

Tula Of The Toltecs

Excavations And Survey

Dan M. Healan

University of Iowa Press, 1988

[more]
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Twenty Theses on Politics

Enrique Dussel

Duke University Press, 2008

First published in Spanish in 2006, Twenty Theses on Politics is a major statement on political philosophy from Enrique Dussel, one of Latin America’s—and the world’s—most important philosophers, and a founder of the philosophy of liberation. Synthesizing a half-century of his pioneering work in moral and political philosophy, Dussel presents a succinct rationale for the development of political alternatives to the exclusionary, exploitative institutions of neoliberal globalization. In twenty short, provocative theses he lays out the foundational elements for a politics of just and sustainable coexistence. Dussel first constructs a theory of political power and its institutionalization, taking on topics such as the purpose of politics and the fetishization of power. He insists that political projects must criticize or reject as unsustainable all political systems, actions, and institutions whose negative effects are suffered by oppressed or excluded victims. Turning to the deconstruction or transformation of political power, he explains the political principles of liberation and addresses matters such as reform and revolution.

Twenty Theses on Politics is inspired by recent political transformations in Latin America. As Dussel writes in Thesis 15, regarding the liberation praxis of social and political movements, “The winds that arrive from the South—from Nestor Kirchner, Tabaré Vásquez, Luiz Inácio Lula da Silva, Evo Morales, Hugo Chávez, Fidel Castro, and so many others—show us that things can be changed. The people must reclaim sovereignty!” Throughout the twenty theses Dussel engages with Latin American thinkers and activists and with radical political projects such as the World Social Forum. He is also in dialogue with the ideas of Marx, Hegel, Habermas, Rawls, and Negri, offering insights into the applications and limits of their thinking in light of recent Latin American political thought and practice.

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