3064 books match the query 'Social conditions' and 510 start with t

cover of The Transparent Traveler: The Performance and Culture of Airport Security

The Transparent Traveler

The Performance and Culture of Airport Security

Rachel Hall

Duke University Press, 2015

At the airport we line up, remove our shoes, empty our pockets, and hold still for three seconds in the body scanner. Deemed safe, we put ourselves back together and are free to buy the beverage we were prohibited from taking through security. In The Transparent Traveler Rachel Hall explains how the familiar routines of airport security choreograph passenger behavior to create submissive and docile travelers. The cultural performance of contemporary security practices mobilizes what Hall calls the "aesthetics of transparency." To appear transparent, a passenger must perform innocence and display a willingness to open their body to routine inspection and analysis. Those who cannot—whether because of race, immigration and citizenship status, disability, age, or religion—are deemed opaque, presumed to be a threat, and subject to search and detention. Analyzing everything from airport architecture, photography, and computer-generated imagery to full-body scanners and TSA behavior detection techniques, Hall theorizes the transparent traveler as the embodiment of a cultural ideal of submission to surveillance. 
 
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cover of The Tribe of Black Ulysses: African American Lumber Workers in the Jim Crow South

The Tribe of Black Ulysses

African American Lumber Workers in the Jim Crow South

William P. Jones

University of Illinois Press, 2005

The lumber industry employed more African American men than any southern economic sector outside agriculture. Yet little scholarship exists on these workers and their times. 

William P. Jones merges interviews with archival sources to explore black men and women's changing relationship to industrial work in the southern sawmill communities of Elizabethtown, North Carolina; Chapman, Alabama; and Bogalusa, Louisiana. By placing black lumber workers within the history of southern industrialization, Jones reveals that industrial employment was another facet of the racial segregation and political disfranchisement that defined black life in the Jim Crow South. He also examines an older tradition of southern sociology that viewed industrialization as socially disruptive and morally corrupting to African American social and cultural traditions rooted in agriculture.

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cover of The Troubles in Ballybogoin: Memory and Identity in Northern Ireland

The Troubles in Ballybogoin

Memory and Identity in Northern Ireland

William F. Kelleher, Jr.

University of Michigan Press, 2004

Why are the political polarities of Northern Ireland so intractable? Why, in a society riven by class division, do Northern Ireland's people identify most strongly with the nationalist and religious groupings of British Protestant versus Irish Catholic? Why, after over thirty years of violence and death, is dialogue about the future so difficult to create and sustain?

In The Troubles in Ballybogoin, William F. Kelleher Jr. examines the patterns of avoidance and engagement deployed by people in the western region of Northern Ireland and compares them to colonial patterns of settlement and retreat. The book shows how social memories inform and are strengthened by mundane aspects of daily life—the paths people use to move through communal spaces, the bodily movements involved in informal social encounters that mark political identities, and the "holiday" marches that displace citizens for the day and divide cross-community friendships.

The Troubles in Ballybogoin is the story of Ireland, its historical conundrums, its violence. It details the location of historical memory in the politics of the everyday and the colonial modernities that so often nurture long-term conflict.

". . . Bill Kelleher brings the reader in to the heart of Northern Ireland and its long, tragic conflict. Northern Ireland, in all its complexity, is authentically rendered."
-Robert Connolly, writer and co-director, The Road to Reconciliation

". . . this exemplary ethnography is among the best books on Northern Ireland, and one of the very few that makes human sense of daily sectarian life."
-Lawrence Taylor, National University of Ireland, Maynooth

"More than a tour-a moving narrative."
-David Stark, Columbia University

"This is a wonderful contribution to Irish studies, postcolonial studies, and anthropology."
-Begoña Arétxaga, University of Texas, Austin

"It is a book that will be widely read and greatly appreciated."
--David Lloyd, Scripps College
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cover of The Truly Disadvantaged: The Inner City, the Underclass, and Public Policy

The Truly Disadvantaged

The Inner City, the Underclass, and Public Policy

William Julius Wilson

University of Chicago Press, 1987

"The Truly Disadvantaged should spur critical thinking in many quarters about the causes and possible remedies for inner city poverty. As policy makers grapple with the problems of an enlarged underclass they—as well as community leaders and all concerned Americans of all races—would be advised to examine Mr. Wilson's incisive analysis."—Robert Greenstein, New York Times Book Review

"'Must reading' for civil-rights leaders, leaders of advocacy organizations for the poor, and for elected officials in our major urban centers."—Bernard C. Watson, Journal of Negro Education

"Required reading for anyone, presidential candidate or private citizen, who really wants to address the growing plight of the black urban underclass."—David J. Garrow, Washington Post Book World

Selected by the editors of the New York Times Book Review as one of the sixteen best books of 1987.
Winner of the 1988 C. Wright Mills Award of the Society for the Study of Social Problems.
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cover of The Truly Disadvantaged: The Inner City, the Underclass, and Public Policy, Second Edition

The Truly Disadvantaged

The Inner City, the Underclass, and Public Policy, Second Edition

William Julius Wilson

University of Chicago Press, 2012

Renowned American sociologist William Julius Wilson takes a look at the social transformation of inner city ghettos, offering a sharp evaluation of the convergence of race and poverty. Rejecting both conservative and liberal interpretations of life in the inner city, Wilson offers essential information and a number of solutions to policymakers. The Truly Disadvantaged is a wide-ranging examination, looking at the relationship between race, employment, and education from the 1950s onwards, with surprising and provocative findings. This second edition also includes a new afterword from Wilson himself that brings the book up to date and offers fresh insight into its findings.

“The Truly Disadvantaged should spur critical thinking in many quarters about the causes and possible remedies for inner city poverty. As policymakers grapple with the problems of an enlarged underclass they—as well as community leaders and all concerned Americans of all races—would be advised to examine Mr. Wilson's incisive analysis.”—Robert Greenstein, New York Times Book Review

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cover of The Turkishness Contract

The Turkishness Contract

Baris Ünlü

Temple University Press, 2025

The Turkishness Contract places Critical Race Theory in conversation with literature on Turkey and nation-state making via a historical study enriched by in-depth interviews. In this new English-language edition, Barış Ünlü makes a number of comprehensive changes to his widely read and much discussed 2018 Turkish book, including a new preface and a new sweeping and theoretical introduction.

Ünlü uses Critical Race Theory to present a historical–sociological model to examine not only the historical constitution and contemporary functioning of the Turkish nation-state, but also the affective and bodily modalities of being Turkish. He also develops a framework for rethinking the complex relations between the socio-genesis of the Turkish nation and state and the psycho-genesis of the Turkish people, their cognitive habits and emotional orientations, and the structural privileges and unconsciousness strategies of Turkishness.

The Turkishness Contract addresses broader theoretical concerns including histories of colonialism, ethnic/racial social contracts, privilege, Armenian Genocide and the Kurdish question, as well as the unraveling of Turkey’s social contract at a moment of contemporary right-wing authoritarianism. 

In the series Critical Race, Indigeneity, and Relationality
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cover of The Unbounded Community: Neighborhood Life and Social Structure in New York City, 1830–1875

The Unbounded Community

Neighborhood Life and Social Structure in New York City, 1830–1875

Kenneth A. Scherzer

Duke University Press, 1992

Stick ball, stoop sitting, pickle barrel colloquys: The neighborhood occupies a warm place in our cultural memory—a place that Kenneth A. Scherzer contends may have more to do with ideology and nostalgia than with historical accuracy. In this remarkably detailed analysis of neighborhood life in New York City between 1830 and 1875, Scherzer gives the neighborhood its due as a complex, richly textured social phenomenon and helps to clarify its role in the evolution of cities.
After a critical examination of recent historical renderings of neighborhood life, Scherzer focuses on the ecological, symbolic, and social aspects of nineteenth-century community life in New York City. Employing a wide array of sources, from census reports and church records to police blotters and brothel guides, he documents the complex composition of neighborhoods that defy simple categorization by class or ethnicity. From his account, the New York City neighborhood emerges as a community in flux, born out of the chaos of May Day, the traditional moving day. The fluid geography and heterogeneity of these neighborhoods kept most city residents from developing strong local attachments. Scherzer shows how such weak spatial consciousness, along with the fast pace of residential change, diminished the community function of the neighborhood. New Yorkers, he suggests, relied instead upon the "unbounded community," a collection of friends and social relations that extended throughout the city.
With pointed argument and weighty evidence, The Unbounded Community replaces the neighborhood of nostalgia with a broader, multifaceted conception of community life. Depicting the neighborhood in its full scope and diversity, the book will enhance future forays into urban history.
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cover of The Uncaring, Intricate World: A Field Diary, Zambezi Valley, 1984-1985

The Uncaring, Intricate World

A Field Diary, Zambezi Valley, 1984-1985

Pamela Reynolds

Duke University Press, 2019

In the 1950s the colonial British government in Northern and Southern Rhodesia (present-day Zambia and Zimbabwe) began construction on a large hydroelectric dam that created Lake Kariba and dislocated nearly 60,000 indigenous residents. Three decades later, Pamela Reynolds began fieldwork with the Tonga people to study the lasting effects of the dispossession of their land on their lives. In The Uncaring, Intricate World Reynolds shares her field diary, in which she records her efforts to study children and their labor and, by doing so, exposes the character of everyday life. More than a memoir, her diary captures the range of pleasures, difficulties, frustrations, contradictions, and grappling with ethical questions that all anthropologists experience in the field. The Uncaring, Intricate World concludes with afterwords by Jane I. Guyer and Julie Livingston, who critically reflect on its context, its meaning for today, and relevance to conducting anthropological work.
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cover of The Underclass Question

The Underclass Question

Bill Lawson

Temple University Press, 1992

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cover of The Underground Heart: A Return to a Hidden Landscape

The Underground Heart

A Return to a Hidden Landscape

Ray Gonzalez

University of Arizona Press, 2002

Returning home after a long absence is not always easy. For Ray Gonzalez, it is more than a visit; it is a journey to the underground heart. He has lived in other parts of the country for more than twenty years, but this award-winning poet now returns to the desert Southwest—a native son playing tourist—in order to unearth the hidden landscapes of family and race.

As Gonzalez drives the highways of New Mexico and west Texas, he shows us a border culture rejuvenated by tourist and trade dollars, one that will surprise readers for whom the border means only illegal immigration, NAFTA, and the drug trade. Played out against a soundtrack of the Allman Brothers and The Doors, The Underground Heart takes readers on a trip through a seemingly barren landscape that teems with life and stories. Gonzalez witnesses Minnesotans experiencing culture shock while attending a college football game in El Paso; he finds a proliferation of Pancho Villa death masks housed at different museums; he revisits Carlsbad Caverns, discovering unsuspected beauty beneath the desert's desolation; and he takes us shopping at El Mercado—where tourists can buy everything from black velvet paintings of Elvis (or Jesus, or JFK) to Mexican flag underwear.

From "nuclear tourism" in New Mexico to "heritage tourism" in the restored missions of San Antonio, Gonzalez goes behind the slogans of The Land of Enchantment and The Lone Star State to uncover a totally different Southwest. Here are tourist centers that give a distorted view of southwestern life to outsiders, who leave their dollars in museum gift shops and go home weighed down with pounds of Indian jewelry around their necks. Here border history is the story of one culture overlaid on another, re-forming itself into a whole new civilization on the banks of the Rio Grande.

The Underground Heart is a book brimming with subtle ironies and insights both quiet and complex—one which recognizes that sometimes one must go away and grow older to finally recognize home as a life-giving, spiritually sustaining place. As Gonzalez rediscovers the land of his past, he comes to understand the hyper, bilingual atmosphere of its future. And in the Southwest he describes, readers may catch a glimpse of their own hidden landscapes of home.
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cover of The Unedited Diaries of Carolina Maria De Jesus

The Unedited Diaries of Carolina Maria De Jesus

Levine, Robert M

Rutgers University Press, 1998

Carolina Maria de Jesus' book, Quarto de Despejo (The Trash Room), depicted the harsh life of the slums, but it also spoke of the author's pride in her blackness, her high moral standards, and her patriotism. More than a million copies of her diary are believed to have been sold worldwide. Yet many Brazilians refused to believe that someone like de Jesus could have written such a diary, with its complicated words (some of them misused) and often lyrical phrasing as she discussed world events. Doubters prefer to believe the book was either written by Audáulio Dantas, the enterprising newspaper reporter who discovered her, or that Dantas rewrote it so substantially that her book is a fraud. With the cooperation of de Jesus' daughter, recent research shows that although Dantas deleted considerable portions of the diary (as well as a second one), every word was de Jesus'.

But Dantas did "create" a different Carolina from the woman who coped with her harsh life by putting things down on paper. This book sets the record straight by providing detailed translations of de Jesus' unedited diaries and explains why Brazilian elites were motivated to obscure her true personality and present her as something she was not. It is not only about the writer but about Brazil as recorded by her sarcastic pen. The diary entries in this book span from 1958 to 1966, five years beyond text previously known to exist. They show de Jesus as she was, preserving her Joycean stream-of-consciousness language and her pithy characterizations.

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cover of The University Against Itself: The NYU Strike and the Future of the Academic Workplace

The University Against Itself

The NYU Strike and the Future of the Academic Workplace

edited by Monika Krause, Mary Nolan, Michael Palm and Andrew Ross

Temple University Press, 2008

During the last two decades, many U.S. universities have restructured themselves to operate more like corporations.  Nowhere has this process been more dramatic than at New York University, which has often been touted as an exemplar of the "corporate university."  Over the same period, an academic labor movement has arisen in response to this corporatization.  Using the unprecedented 2005 strike by the graduate student union at NYU as a springboard, The University Against Itself provides a brief history of labor organizing on American campuses, analyzes the state of academic labor today, and speculates about how the university workplace may evolve for employees.

All of the contributors were either participants in the NYU strike -- graduate students, faculty, and organizers -- or are nationally recognized as writers on academic labor.  They are deeply troubled by the ramifications of corporatizing universities.  Here they spell out their concerns, offering lessons from one historic strike as well as cautions about the future of all universities.

Contributors include: Stanley Aronowitz, Barbara Bowen, Andrew Cornell, Ashley Dawson, Stephen Duncombe, Steve Fletcher, Greg Grandin, Adam Green, Kitty Krupat, Gordon Lafer, Micki McGee, Sarah Nash, Cary Nelson, Matthew Osypowski, Ed Ott, Ellen Schrecker, Susan Valentine, and the editors.
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cover of The Unruly Dead: Spirits, Memory, and State Formation in Timor-Leste

The Unruly Dead

Spirits, Memory, and State Formation in Timor-Leste

Lia Kent

University of Wisconsin Press, 2024

“What might it mean to take the dead seriously as political actors?” asks Lia Kent in this exciting new contribution to critical human rights scholarship. In Timor-Leste, a new nation-state that experienced centuries of European colonialism before a violent occupation by Indonesia from 1975 to 1999, the dead are active participants in social and political life who continue to operate within familial structures of obligation and commitment. On individual, local, and national levels, Timor-Leste is invested in various forms of memory work, including memorialization, exhumation, reburial, and commemoration of the occupation’s victims. Such practices enliven the dead, allowing them to forge new relationships with the living and unsettling the state-building logics that seek to contain and control them. 

With generous, careful ethnography and incisive analysis, Kent challenges comfortable, linear narratives of transitional justice and argues that this memory work is reshaping the East Timorese social and political order—a process in which the dead are active, and sometimes disruptive, participants. Community ties and even the landscape itself are imbued with their presence and demands, and the horrific scale of mass death in recent times—at least a third of the population perished during the Indonesian occupation—means Timor-Leste’s dead have real, significant power in the country’s efforts to remember, recover, and reestablish itself.
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cover of The Value Gap: Female-Driven Films from Pitch to Premiere

The Value Gap

Female-Driven Films from Pitch to Premiere

Courtney Brannon Donoghue

University of Texas Press, 2023

How female directors, producers, and writers navigate the challenges and barriers facing female-driven projects at each stage of filmmaking in contemporary Hollywood.

Conversations about gender equity in the workplace accelerated in the 2010s, with debates inside Hollywood specifically pointing to broader systemic problems of employment disparities and exploitative labor practices. Compounded by the devastating #MeToo revelations, these problems led to a wide-scale call for change. The Value Gap traces female-driven filmmaking across development, financing, production, film festivals, marketing, and distribution, examining the realities facing women working in the industry during this transformative moment. Drawing from five years of extensive interviews with female producers, writers, and directors at different stages of their careers, Courtney Brannon Donoghue examines how Hollywood business cultures “value” female-driven projects as risky or not bankable. Industry claims that “movies targeting female audiences don’t make money” or “women can’t direct big-budget blockbusters” have long circulated to rationalize systemic gender inequities and have served to normalize studios prioritizing the white male–driven status quo. Through a critical media industry studies lens, The Value Gap challenges this pervasive logic with firsthand accounts of women actively navigating the male-dominated and conglomerate-owned industrial landscape.

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cover of The Value of Homelessness: Managing Surplus Life in the United States

The Value of Homelessness

Managing Surplus Life in the United States

Craig Willse

University of Minnesota Press, 2015

It is all too easy to assume that social service programs respond to homelessness, seeking to prevent and understand it. The Value of Homelessness, however, argues that homelessness today is an effect of social services and sciences, which shape not only what counts as such but what will?or ultimately won’t?be done about it. 

Through a history of U.S. housing insecurity from the 1930s to the present, Craig Willse traces the emergence and consolidation of a homeless services industry. How to most efficiently allocate resources to control ongoing insecurity has become the goal, he shows, rather than how to eradicate the social, economic, and political bases of housing needs. Drawing on his own years of work in homeless advocacy and activist settings, as well as interviews conducted with program managers, counselors, and staff at homeless services organizations in New York, Los Angeles, San Francisco, and Seattle, Willse provides the first analysis of how housing insecurity becomes organized as a governable social problem.

An unprecedented and powerful historical account of the development of contemporary ideas about homelessness and how to manage homelessness, The Value of Homelessness offers new ways for students and scholars of social work, urban inequality, racial capitalism, and political theory to comprehend the central role of homelessness in governance and economy today.


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cover of The Victory Album: Reflections on the Good Life after the Good War

The Victory Album

Reflections on the Good Life after the Good War

Philip D. Beidler

University of Alabama Press, 2010

In these essays, a combination of personal remembrance and broad-stroke cultural history, Philip Beidler addresses the culture and politics of post–WWII America: the national blindness toward the Holocaust and a rising China, the canker of McCarthyism, ascendant cultures of hard smoking and heavy drinking, the worship of cars and film idols, and the chronic fear of an always-possible nuclear apocalypse. In lively, driving prose, he recalls veiled episodes in the history of the Korean War, the civil rights movement, and the struggle for women’s liberation. On these subjects and many others, Beidler draws from his own experience and a penetrating grasp of American social history, offering deep, pointed, and comprehensive perspectives on iconic moments in American history.

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cover of The Village Is Like a Wheel: Rethinking Cargos, Family, and Ethnicity in Highland Mexico

The Village Is Like a Wheel

Rethinking Cargos, Family, and Ethnicity in Highland Mexico

Roger Magazine

University of Arizona Press, 2012

In this modern-day anthropological manifesto, Roger Magazine proposes a radical but commonsense change to the study of people whose understanding of the world differs substantially from our own. Specifically, it argues for a major shift in the prevailing approach to the study of rural highland peoples in Mexico. Using ethnographic material, Roger Magazine builds a convincing case that many of the discipline’s usual topics and approaches distract anthropologists from what is truly important to the people whose lives they study. While Western anthropologists have usually focused on the production of things, such as community, social structure, cultural practices, identities, and material goods—since this is what they see as the appropriate objective of productive action in their own lives—residents of rural highland communities in Mexico (among others) are primarily concerned with what Magazine calls the production of active subjectivity in other persons.

According to Magazine, where Western anthropologists often assume that persons are individuals capable of acting on their own to produce things, rural highland Mexicans see persons as inherently interdependent and in need of others even to act. He utilizes the term “active subjectivity” to denote the fact that what they produce in others is not simply action but also a subjective state or attitude of willingness to perform the action.

The author’s goals are to improve understandings of rural highland Mexicans’ lives and to contribute to a broader disciplinary effort aimed at revealing the cultural specificity or ethnocentricity of our supposedly universally applicable concepts and theories.
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cover of The Violence of Austerity

The Violence of Austerity

Edited by David Whyte and Vickie Cooper

Pluto Press, 2017

In the aftermath of the global financial crisis in 2008, Britain’s government put into effect a hotly contested series of major cuts in public expenditure with the stated aim of restoring economic security. Since then, this reign of austerity continues to devastate contemporary Britain through a disconnected and unaffected political elite.
 
In The Violence of Austerity, David Whyte and Vickie Cooper bring together the passionate voices of campaigners and academics to show that rather than stimulating economic growth, austerity policies have led to a dismantling of the social systems that operated as a buffer against economic hardship. Chapters from major contributors—including Danny Dorling, Mary O’Hara and Rizwaan Sabir—show how austerity is a form of institutional violence more socially harmful and far-reaching than other more politicized and publicized forms of violence, such as terrorism or gun violence. Contributors expose highly significant cases of this institutional violence driven by public sector cuts: police attacks on the homeless, violent evictions of the rented sector, risks faced by people on workfare, and more. The Violence of Austerity is a devastating, authoritative study of the myriad ways austerity policies harm people in Britain that will resonate with anyone concerned with the increasing power of the political elite and the future of social welfare.
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cover of The Virtuous and Violent Women of Seventeenth-Century Massachusetts

The Virtuous and Violent Women of Seventeenth-Century Massachusetts

Emily C.K. Romeo

University of Massachusetts Press, 2020

Dismantling the image of the peaceful and serene colonial goodwife and countering the assumption that New England was inherently less violent than other regions of colonial America, Emily C. K. Romeo offers a revealing look at acts of violence by Anglo-American women in colonial Massachusetts, from the everyday to the extraordinary. Using Essex County as a case study, Romeo deftly utilizes seventeenth- and eighteenth-century sources to demonstrate that Puritan women, both “virtuous” and otherwise, learned to negotiate the shifting boundaries between acceptable and unacceptable violence in their daily lives and communities.

The Virtuous and Violent Women of Seventeenth-Century Massachusetts shows that more dramatic violence by women—including infanticide, the scalping of captors during the Indian Wars, and even witchcraft accusations—was not necessarily intended to challenge the structures of authority but often sprung from women's desire to protect property, safety, and standing for themselves and their families. The situations in which women chose to flout powerful social conventions and resort to overt violence expose the underlying, often unspoken, priorities and gendered expectations that shaped this society.

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cover of The Wagon and Other Stories from the City

The Wagon and Other Stories from the City

Martin Preib

University of Chicago Press, 2010

Martin Preib is an officer in the Chicago Police Department—a beat cop whose first assignment as a rookie policeman was working on the wagon that picks up the dead. Inspired by Preib’s daily life on the job, The Wagon and Other Stories from the City chronicles the outer and inner lives of both a Chicago cop and the city itself.

The book follows Preib as he transports body bags, forges an unlikely connection with his female partner, trains a younger officer, and finds himself among people long forgotten—or rendered invisible—by the rest of society. Preib recounts how he navigates the tenuous labyrinths of race and class in the urban metropolis, such as a domestic disturbance call involving a gang member and his abused girlfriend or a run-in with a group of drunk yuppies. As he encounters the real and imagined geographies of Chicago, the city reveals itself to be not just a backdrop, but a central force in his narrative of life and death. Preib’s accounts, all told in his breathtaking prose, come alive in ways that readers will long remember.

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cover of The Wall of Respect: Public Art and Black Liberation in 1960s Chicago

The Wall of Respect

Public Art and Black Liberation in 1960s Chicago

Edited by Abdul Alkalimat, Romi Crawford, and Rebecca Zorach

Northwestern University Press, 2017

The Wall of Respect: Public Art and Black Liberation in 1960s Chicago is the first in-depth, illustrated history of a lost Chicago monument. The Wall of Respect was a revolutionary mural created by fourteen members of the Organization of Black American Culture (OBAC) on the South Side of Chicago in 1967. This book includes photographs by Darryl Cowherd, Bob Crawford, Roy Lewis, and Robert A. Sengstacke, and gathers historic essays, poetry, and previously unpublished primary documents from the movement’s founders that provide a guide to the work’s creation and evolution.

The Wall of Respect received national critical acclaim when it was unveiled on the side of a building at Forty-Third and Langley in Chicago’s Bronzeville neighborhood. Painters and photographers worked side by side on the mural's seven themed sections, which featured portraits of Black heroes and sheroes, among them John Coltrane, Nina Simone, Billie Holiday, Malcolm X, Muhammad Ali, and W. E. B. Du Bois. The Wall became a platform for music, poetry, and political rallies. Over time it changed, reflecting painful controversies among the artists as well as broader shifts in the Civil Rights and Black Liberation Movements.

At the intersection of African American culture, politics, and Chicago art history, The Wall of Respect offers, in one keepsake-quality work, an unsurpassed collection of images and essays that illuminate a powerful monument that continues to fascinate artists, scholars, and readers in Chicago and across the United States.
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cover of The War for the Heart and Soul of a Highland Maya Town: Revised Edition

The War for the Heart and Soul of a Highland Maya Town

Revised Edition

By Robert S. Carlsen, with a contribution by Martín Prechtel

University of Texas Press, 2011

This compelling ethnography explores the issue of cultural continuity and change as it has unfolded in the representative Guatemala Mayan town Santiago Atitlán. Drawing on multiple sources, Robert S. Carlsen argues that local Mayan culture survived the Spanish Conquest remarkably intact and continued to play a defining role for much of the following five centuries. He also shows how the twentieth-century consolidation of the Guatemalan state steadily eroded the capacity of the local Mayas to adapt to change and ultimately caused some factions to reject—even demonize—their own history and culture. At the same time, he explains how, after a decade of military occupation known as la violencia, Santiago Atitlán stood up in unity to the Guatemalan Army in 1990 and forced it to leave town.

This new edition looks at how Santiago Atitlán has fared since the expulsion of the army. Carlsen explains that, initially, there was hope that the renewed unity that had served the town so well would continue. He argues that such hopes have been undermined by multiple sources, often with bizarre outcomes. Among the factors he examines are the impact of transnational crime, particularly gangs with ties to Los Angeles; the rise of vigilantism and its relation to renewed religious factionalism; the related brutal murders of followers of the traditional Mayan religion; and the apocalyptic fervor underlying these events.

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cover of The War of My Generation: Youth Culture and the War on Terror

The War of My Generation

Youth Culture and the War on Terror

Kieran, David

Rutgers University Press, 2015

Following the 9/11 attacks, approximately four million Americans have turned eighteen each year and more than fifty million children have been born. These members of the millennial and post-millennial generation have come of age in a moment marked by increased anxiety about terrorism, two protracted wars, and policies that have raised questions about the United States's role abroad and at home. Young people have not been shielded from the attacks or from the wars and policy debates that followed. Instead, they have been active participants—as potential military recruits and organizers for social justice amid anti-immigration policies, as students in schools learning about the attacks or readers of young adult literature about wars. 

The War of My Generation is the first essay collection to focus specifically on how the terrorist attacks and their aftermath have shaped these new generations of Americans. Drawing from a variety of disciplines, including anthropology, sociology, cultural studies, and literary studies, the essays cover a wide range of topics, from graphic war images in the classroom to computer games designed to promote military recruitment to emails from parents in the combat zone. The collection considers what cultural factors and products have shaped young people's experience of the 9/11 attacks, the wars that have followed, and their experiences as emerging citizen-subjects in that moment. Revealing how young people understand the War on Terror—and how adults understand the way young people think—The War of My Generation offers groundbreaking research on catastrophic events still fresh in our minds. 
 
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cover of The Welfare State and Beyond: Success and Problems in Scandinavia

The Welfare State and Beyond

Success and Problems in Scandinavia

Gunnar Heckscher

University of Minnesota Press, 1984

The Welfare State and Beyond was first published in 1984. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

The welfare state emerged in a number of industrialized countries after the First World War as a middle ground between capitalism and socialism. The aim of architects of the welfare state was to abolish the injustices and hardships that accompanied capitalism and to do so without wholesale social or economic revolution. Establishment of the welfare state created something close to euphoria among many observers; it was, it seemed, the answer to many, if not all, troubling social questions. But it eventually became obvious that this type of society was not immune to problems.

In The Welfare State and Beyond Gunnar Heckscher examines four Nordic countries—Denmark, Finland, Norway, and Sweden—not to either criticize or defend the welfare state but to shed some light on a number of questions: Has the welfare state achieved what it attempted? Are the results generally held to be satisfactory? What important problems remain unsolved and what types of solutions have been proposed? Although Heckscher has been associated with the Conservative party in Sweden, his objective, clear-eyed analysis cites both the accomplishments of the welfare state and the troubling problems that still await resolution.

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cover of The Well-Being of the Elderly in Asia: A Four-Country Comparative Study

The Well-Being of the Elderly in Asia

A Four-Country Comparative Study

Albert I. Hermalin, Editor

University of Michigan Press, 2010

In the broadest sense, The Well-Being of the Elderly in Asia is a study of social change and of anticipating future social change. It examines the effects on the current and future elderly of the rapid demographic transition that has occurred over much of Asia, accompanied in many countries by equally dramatic social and economic transformations. Policymakers in Asia have been aware of these trends and their potentially deleterious consequences for a decade or more, and have sought to fashion appropriate policies and programs that anticipate and mitigate their effects. Accordingly, any study of the sociodemographic trends and their impact must be examined in the light of policies put in place and under development.
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cover of The West Side Carbondale, Pennsylvania Mine Fire

The West Side Carbondale, Pennsylvania Mine Fire

Kathleen Purcell Munley

University of Scranton Press, 2010

In early 1947 residents of the west side of Carbondale, Pennsylvania began noticing a peculiar steam escaping from the ground. An investigation into this phenomenon revealed that Carbondale was slowly but steadily being destroyed by a burning inferno deep below its surface—a fire raging through the deserted anthracite coal mine shafts that twisted and turned beneath that part of the city. After several years of attempting to contain the fire by flushing, municipal leaders decided that the only sure way of eliminating the threat to the community was by digging it out. To eradicate the burning menace, hundreds of homes and buildings were purchased and destroyed, and what was once a vibrant neighborhood became an abandoned wasteland.

            
Historian Kathleen Purcell Munley narrates here the story of this great fire, identifying its source, tracing its history, and, through personal interviews with former Carbondale residents, reveals its physical and psychological toll. The mine fire destroyed the West Side as it was, but this volume will keep its memory alive and preserve an important chapter in the history of Carbondale and Pennsylvania.

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cover of The Whiskey Merchant’s Diary: An Urban Life in the Emerging Midwest

The Whiskey Merchant’s Diary

An Urban Life in the Emerging Midwest

Joseph J. Mersman

Ohio University Press, 2007

Joseph J. Mersman was a liquor merchant, a German American immigrant who aspired—successfully—to become a self-made man. Hundreds of the residents of Mersman’s hometown in Germany immigrated to Cincinnati in the 1830s, joining many thousands of other German immigrants. In 1847, at the age of twenty-three, Mersman began recording his activities in a bound volume, small enough to fit into his coat pocket. His diary, filled with work and play, eating and drinking, flirting and dancing, provides a unique picture of everyday life, first in Cincinnati and then in St. Louis, the new urban centers of the emerging Midwest.

Outside of Gold Rush diaries and emigration journals, few narrative records of the antebellum period have been published. Illustrated with photographs, maps, and period advertisements, the diary reveals how a young man worked to establish himself during an era that was rich in opportunity.

As a whiskey rectifier, Mersman bought distilled spirits, redistilled or reprocessed them to remove contaminants or increase the alcohol content, and added various flavorings before selling his product to liquor retailers. In his diary, he describes scrambling for capital, marketing his wares, and arranging transportation by steamboat, omnibus, and train. Although the business that he sought to master was eliminated by the passage of the Pure Food Law of 1906, Mersman, like most rectifiers, was a reputable wholesaler. Merchants like him played an important role in distributing liquor in nineteenth-century America.

Mersman confronted serious disease, both as a sufferer from syphilis and as a witness to two devastating cholera epidemics. Unlike other residents of St. Louis, who fled the relative safety of the countryside, he remained in the city and saw the impact of the epidemics on the community.

Linda A. Fisher’s extensive, insightful, and highly readable annotations add a wealth of background information to Mersman’s story. Her professional training and career as a physician give her a particularly valuable perspective on the public health aspects of Mersman’s life and times.

[more]
cover of The Woman in the Zoot Suit: Gender, Nationalism, and the Cultural Politics of Memory

The Woman in the Zoot Suit

Gender, Nationalism, and the Cultural Politics of Memory

Catherine S. Ramírez

Duke University Press, 2009

The Mexican American woman zoot suiter, or pachuca, often wore a V-neck sweater or a long, broad-shouldered coat, a knee-length pleated skirt, fishnet stockings or bobby socks, platform heels or saddle shoes, dark lipstick, and a bouffant. Or she donned the same style of zoot suit that her male counterparts wore. With their striking attire, pachucos and pachucas represented a new generation of Mexican American youth, which arrived on the public scene in the 1940s. Yet while pachucos have often been the subject of literature, visual art, and scholarship, The Woman in the Zoot Suit is the first book focused on pachucas.

Two events in wartime Los Angeles thrust young Mexican American zoot suiters into the media spotlight. In the Sleepy Lagoon incident, a man was murdered during a mass brawl in August 1942. Twenty-two young men, all but one of Mexican descent, were tried and convicted of the crime. In the Zoot Suit Riots of June 1943, white servicemen attacked young zoot suiters, particularly Mexican Americans, throughout Los Angeles. The Chicano movement of the 1960s–1980s cast these events as key moments in the political awakening of Mexican Americans and pachucos as exemplars of Chicano identity, resistance, and style. While pachucas and other Mexican American women figured in the two incidents, they were barely acknowledged in later Chicano movement narratives. Catherine S. Ramírez draws on interviews she conducted with Mexican American women who came of age in Los Angeles in the late 1930s, 1940s, and 1950s as she recovers the neglected stories of pachucas. Investigating their relative absence in scholarly and artistic works, she argues that both wartime U.S. culture and the Chicano movement rejected pachucas because they threatened traditional gender roles. Ramírez reveals how pachucas challenged dominant notions of Mexican American and Chicano identity, how feminists have reinterpreted la pachuca, and how attention to an overlooked figure can disclose much about history making, nationalism, and resistant identities.

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cover of The Wombs of Women: Race, Capital, Feminism

The Wombs of Women

Race, Capital, Feminism

Françoise Vergès

Duke University Press, 2020

In the 1960s thousands of poor women of color on the (post)colonial French island of Reunion had their pregnancies forcefully terminated by white doctors; the doctors operated under the pretext of performing benign surgeries, for which they sought government compensation. When the scandal broke in 1970, the doctors claimed to have been encouraged to perform these abortions by French politicians who sought to curtail reproduction on the island, even though abortion was illegal in France. In The Wombs of Women—first published in French and appearing here in English for the first time—Françoise Vergès traces the long history of colonial state intervention in black women’s wombs during the slave trade and postslavery imperialism as well as in current birth control politics. She examines the women’s liberation movement in France in the 1960s and 1970s, showing that by choosing to ignore the history of the racialization of women’s wombs, French feminists inevitably ended up defending the rights of white women at the expense of women of color. Ultimately, Vergès demonstrates how the forced abortions on Reunion were manifestations of the legacies of the racialized violence of slavery and colonialism.
 
[more]
cover of The Women of Katrina: How Gender, Race, and Class Matter in an American Disaster

The Women of Katrina

How Gender, Race, and Class Matter in an American Disaster

Emmanuel David

Vanderbilt University Press, 2012

The transformative event known as "Katrina" exposed long-standing social inequalities. While debates rage about race and class relations in New Orleans and the Katrina diaspora, gender remains curiously absent from public discourse and scholarly analysis. This volume draws on original research and firsthand narratives from women in diverse economic, political, ethnic, and geographic contexts to portray pre-Katrina vulnerabilities, gender concerns in post-disaster housing and assistance, and women's collective struggles to recover from this catastrophe.
[more]
cover of The Women of Suye Mura

The Women of Suye Mura

Robert J. Smith and Ella Lury Wiswell

University of Chicago Press, 1982

Japanese women are frequently perceived by foreigners as stereotypes. Pictured as compliant, long-suffering, and charming in a childlike way, they are said to be child-centered and restricted in their interests and actions to the domestic realm. The appear as victim, pawn, or tragic heroine: Madame Chrysanthemum, Madame Butterfly, and even the impossible Mariko of Shogun.

The Women of Suye Mura provides a rich body of information by means of which such stereotypes may be reevaluated and challenged. Based on Ella Wiswell's extensive field notes from the mid-1930s—when she and her late husband John Embree undertook a joint research project in rural Japan—this volume forms a companion to Embree's now-standard Suye Mura: A Japanese Village. Its focus on the women of the village affords a unique look at their daily lives and a detailed portrait of their world-views and social understandings at a time when the orthodoxies of the contemporary state were not yet completely accepted. Through Ella Wiswell's journal, sensitively edited by Robert Smith, we may understand some of their hopes and fears, see what amuses and angers them, and hear their comments on everything from adultery and illness to religion, magic and the origins of the imperial house.

The body of data, secured by direct observation, is unparalleled in the literature. No other account of the lives of Japanese rural women of this era remains, and in no contemporary community can their like be found. The Women of Suye Mura will thus serve as an important resource for anyone interested in the past—and present—of the Japanese woman.
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cover of The Word Unheard: Legacies of Anti-Semitism in German Literature and Culture

The Word Unheard

Legacies of Anti-Semitism in German Literature and Culture

Martha B. Helfer

Northwestern University Press, 2011

The publication of Martha B. Helfer’s The Word Unheard: Legacies of Anti-Semitism in German Literature and Culture marks a stunningly original new direction in the interpretation of canonical works of eighteenth- and nineteenth-century German literature. 

Between 1749 and 1850—the formative years of the so-called Jewish Question in Germany—the emancipation debates over granting full civil and political rights to Jews provided the topical background against which all representations of Jewish characters and concerns in literary texts were read. Helfer focuses sharply on these debates and demonstrates through close readings of works by Gotthold Lessing, Friedrich Schiller, Achim von Arnim, Annette von Droste- Hülshoff, Adalbert Stifter, and Franz Grillparzer how disciplinary practices within the field of German studies have led to systematic blind spots in the scholarship on anti-Semitism to date. 

While all the authors discussed are well known and justly celebrated, the particular works addressed represent an effective mix of enduring classics and less recognized, indeed often scandalously overlooked, texts whose consideration leads to a reevaluation of the author’s more mainstream oeuvre. Although some of the works and authors chosen have previously been noted for their anti-Semitic proclivities, the majority have not, and some have even been marked by German scholarship as philo-Semitic—a view that The Word Unheard undertakes not so much to refute as to complicate, and in the process to question not only these texts but also the deafness of the German scholarly tradition. With implications that reach into many disciplines, The Word Unheard will be a foundational study for all scholars of modern Germany.

[more]
cover of The Work of Music: Labor and Creativity in Germany's Long Nineteenth Century

The Work of Music

Labor and Creativity in Germany's Long Nineteenth Century

Celia Applegate

University of Wisconsin Press, 2025

In The Work of Music, Celia Applegate examines the cultural history of Austro-German music through the lens of labor from the 1648 Peace of Westphalia to the Third Reich. She explores the working world of music and musicians, the various jobs they performed, the work music did in society, the observations and commentaries of contemporaries on the shape and function of musical life, and the work of organizing music making, both amateur and professional. At a time when ideas of absolute music and music-as-leisure were both on the rise, writing about music tended to obscure these practical matters. Here, Applegate reflects on how an intensely musical society organized and understood the ubiquitous activity that underpinned it.
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cover of The World Sixties Made: Politics And Culture In Recent America

The World Sixties Made

Politics And Culture In Recent America

edited by Van Gosse and Richard Moser

Temple University Press, 2003

How can we make sense of the fact that after decades of right-wing political mobilizing the major social changes wrought by the Sixties are more than ever part of American life? The World the Sixties Made, the first academic collection to treat the last quarter of the twentieth century as a distinct period of U.S. history, rebuts popular accounts that emphasize a conservative ascendancy. The essays in this volume survey a vast historical terrain to tease out the meaning of the not-so-long ago. They trace the ways in which recent U.S. culture and politics continue to be shaped by the legacy of the New Left's social movements, from feminism to gay liberation to black power. Together these essays demonstrate that the America that emerged in the 1970s was a nation profoundly, even radically democratized.
[more]
cover of The World Turned: Essays on Gay History, Politics, and Culture

The World Turned

Essays on Gay History, Politics, and Culture

John D Emilio

Duke University Press, 2002

Something happened in the 1990s, something dramatic and irreversible. A group of people long considered a moral menace and an issue previously deemed unmentionable in public discourse were transformed into a matter of human rights, discussed in every institution of American society. Marriage, the military, parenting, media and the arts, hate violence, electoral politics, public school curricula, human genetics, religion: Name the issue, and the the role of gays and lesbians was a subject of debate. During the 1990s, the world seemed finally to turn and take notice of the gay people in its midst. In The World Turned, distinguished historian and leading gay-rights activist John D’Emilio shows how gay issues moved from the margins to the center of national consciousness during the critical decade of the 1990s.

In this collection of essays, D’Emilio brings his historian’s eye to bear on these profound changes in American society, culture, and politics. He explores the career of Bayard Rustin, a civil rights leader and pacifist who was openly gay a generation before almost everyone else; the legacy of radical gay and lesbian liberation; the influence of AIDS activist and writer Larry Kramer; the scapegoating of gays and lesbians by the Christian Right; the gay-gene controversy and the debate over whether people are "born gay"; and the explosion of attention focused on queer families. He illuminates the historical roots of contemporary debates over identity politics and explains why the gay community has become, over the last decade, such a visible part of American life.

[more]
cover of The World through the Dime Store Door: A Memoir

The World through the Dime Store Door

A Memoir

Aileen Kilgore Henderson

University of Alabama Press, 2020

A coming-of-age memoir evoking farm, mining, and small-town life in Alabama’s Tuscaloosa County as the world transitions from the Great Depression to World War II.

In the 1930s, the rural South was in the throes of the Great Depression. Farm life was monotonous and hard, but a timid yet curious teenager thought it worth recording. Aileen Kilgore Henderson kept a chronicle of her family’s daily struggles in Tuscaloosa County alongside events in the wider world she gleaned from shortwave radio and the occasional newspaper. She wrote about Howard Hughes’s round-the-world flight and her horror at the rise to power in Germany of a bizarre politician named Adolf Hitler. Henderson longed to join the vast world beyond the farm, but feared leaving the refuge of her family and beloved animals.

Yet, with her father’s encouragement, she did leave, becoming a clerk in the Kress dime store in downtown Tuscaloosa. Despite long workdays and a lengthy bus commute, she continued to record her observations and experiences in her diary, for every day at the dime store was interesting and exciting for an observant young woman who found herself considering new ideas and different points of view.

Drawing on her diary entries from the 1930s and early 1940s, Henderson recollects a time of sweeping change for Tuscaloosa and the South. The World through the Dime Store Door is a personal and engaging account of a Southern town and its environs in transition told through the eyes of a poor young woman with only a high school education but gifted with a lively mind and an openness to life.
 

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cover of The Worlds of Russian Village Women: Tradition, Transgression, Compromise

The Worlds of Russian Village Women

Tradition, Transgression, Compromise

Laura J. Olson and Svetlana Adonyeva

University of Wisconsin Press, 2012

Russian rural women have been depicted as victims of oppressive patriarchy, celebrated as symbols of inherent female strength, and extolled as the original source of a great world culture. Throughout the years of collectivization, industrialization, and World War II, women played major roles in the evolution of the Russian village. But how do they see themselves? What do their stories, songs, and customs reveal about their values, desires, and motivations?
    Based upon nearly three decades of fieldwork, from 1983 to 2010, The Worlds of Russian Rural Women follows three generations of Russian women and shows how they alternately preserve, discard, and rework the cultural traditions of their forebears to suit changing needs and self-conceptions. In a major contribution to the study of folklore, Laura J. Olson and Svetlana Adonyeva document the ways that women’s tales of traditional practices associated with marriage, childbirth, and death reflect both upholding and transgression of social norms. Their romance songs, satirical ditties, and healing and harmful magic reveal the complexity of power relations in the Russian villages.
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cover of The Worth of Women: Wherein Is Clearly Revealed Their Nobility and Their Superiority to Men

The Worth of Women

Wherein Is Clearly Revealed Their Nobility and Their Superiority to Men

Moderata Fonte

University of Chicago Press, 1997

Gender equality and the responsibility of husbands and fathers: issues that loom large today had currency in Renaissance Venice as well, as evidenced by the publication in 1600 of The Worth of Women by Moderata Fonte.

Moderata Fonte was the pseudonym of Modesta Pozzo (1555–92), a Venetian woman who was something of an anomaly. Neither cloistered in a convent nor as liberated from prevailing codes of decorum as a courtesan might be, Pozzo was a respectable, married mother who produced literature in genres that were commonly considered "masculine"—the chivalric romance and the literary dialogue. This work takes the form of the latter, with Fonte creating a conversation among seven Venetian noblewomen. The dialogue explores nearly every aspect of women's experience in both theoretical and practical terms. These women, who differ in age and experience, take as their broad theme men's curious hostility toward women and possible cures for it.

Through this witty and ambitious work, Fonte seeks to elevate women's status to that of men, arguing that women have the same innate abilities as men and, when similarly educated, prove their equals. Through this dialogue, Fonte provides a picture of the private and public lives of Renaissance women, ruminating on their roles in the home, in society, and in the arts.

A fine example of Renaissance vernacular literature, this book is also a testament to the enduring issues that women face, including the attempt to reconcile femininity with ambition.
[more]
cover of Theatres of the Body: Dance and Discourse in Antebellum Philadelphia

Theatres of the Body

Dance and Discourse in Antebellum Philadelphia

Lynn Matluck Brooks

Temple University Press, 2025

Theatres of the Body is Lynn Matluck Brooks’ critical examination of danced stage productions in antebellum Philadelphia. Starting in the 1820s, Brooks explores visual art and social and theatrical dancing across different classes, focusing on the work of E. W. Clay. Continuing through the 1830s, she looks at pantomime ballets and blackface minstrelsy through a political lens, asking questions regarding citizenship, slavery, and freedom. At the time, the city boasted the largest number of native-born ballet dancers in the young nation. Philadelphia also became a creative home to blackface star T. D. Rice, who helped popularize that performance genre.

Reviewing print culture in the 1840s, Brooks shows how newspapers, magazines, and popular fiction provided documentation of dancing in Philadelphia as well as the responses of dance commentators, practitioners, and moralists. Theatres of the Body also considers the interplay of science with dance in the 1850s, which impacted both dance practices and reception.

Providing an expansive historiography of these significant contributions to dance in the United States, Brooks deepens our understanding of antebellum culture and history.
[more]
cover of Themes of Indigenous Acculturation in Northwest Mexico

Themes of Indigenous Acculturation in Northwest Mexico

Edited by Thomas B. Hinton and Phil C. Weigand

University of Arizona Press, 1981

The Anthropological Papers of the University of Arizona is a peer-reviewed monograph series sponsored by the School of Anthropology. Established in 1959, the series publishes archaeological and ethnographic papers that use contemporary method and theory to investigate problems of anthropological importance in the southwestern United States, Mexico, and related areas.
[more]
cover of Theorizing Social Movements

Theorizing Social Movements

Joe Foweraker

Pluto Press, 1995

[more]
cover of There Used to Be Order: Life on the Copperbelt after the Privatisation of the Zambia Consolidated Copper Mines

There Used to Be Order

Life on the Copperbelt after the Privatisation of the Zambia Consolidated Copper Mines

Patience Mususa

University of Michigan Press, 2021

In There Used to Be Order, Patience Mususa considers social change in the Copperbelt region of Zambia following the re-privatization of the large state mining conglomerate, the Zambia Consolidated Copper Mines (ZCCM), in the mid-1990s. As the copper mines were Zambia’s most important economic asset, the sale of ZCCM was considered a major loss to the country. More crucially, privatization marked the end of a way of life for mine employees and mining communities. Based on three years of ethnographic field research, this book examines life for those living in difficult economic circumstances, and considers the tension between the life they live and the nature of an “extractive area.” This account, unusual in its examination of middle-income decline in Africa, directs us to think of the Copperbelt not only as an extractive locale for copper whose activities are affected by the market, but also as a place where the residents’ engagement with the harsh reality of losing jobs and struggling to earn a living after the withdrawal of welfare is simultaneously changing both the material and social character of the place. Drawing on phenomenological approaches, the book develops a theoretical model of “trying,” which accounts for both Copperbelt residents’ aspirations and efforts.
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cover of There Was an Old Woman: Reflections on These Strange, Surprising, Shining Years

There Was an Old Woman

Reflections on These Strange, Surprising, Shining Years

Andrea Carlisle

Oregon State University Press, 2023

Andrea Carlisle isn’t struggling with her new identity as The Old Woman in the ways society seems to think she should. In fact, she is finding her later years to be an extraordinary and interesting time. In trying to understand the discrepancy, she interrogates the sources of negativity in literature, art, and received wisdom that often lead women to dread this transformative time of life. Given the cultural pervasiveness of ill will toward older women, it is small wonder that growing older is not seen as a natural, even desirable, process. Although some elements of aging are hard to reckon with, there is much to make use of and delight in, along with mysteries, surprises, and revelations.

In these personal essays, Carlisle looks for new ways to bring herself more fully to this time of life, such as daily walks with other women and connecting to the natural world that surrounds her houseboat on an Oregon river at the foot of a forest. She writes about experiences shared with many, if not most, older women: wondering at her body’s transformation, discovering new talents, caregiving, facing loss, tuning in to life patterns and drawing strength through understanding them, letting go (or not) of pieces of the past, and facing other changes large and small. Those curious about, approaching, or living in old age will find wisdom and insight in her unique perspective.

In a voice that rings with clarity, humor, humility, Carlisle shows us that Old Age is not another country where we can expect to find The Old Woman grimly waiting, but is instead an expansion of the borders in the country we’re most familiar with: ourselves.
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cover of There's Hope for the World: The Memoir of Birmingham, Alabama's First African American Mayor

There's Hope for the World

The Memoir of Birmingham, Alabama's First African American Mayor

Richard Arrington

University of Alabama Press, 2008

On a sultry September morning in 1955, a young African American man, the son of share croppers, boarded a Greyhound bus in Birmingham, Alabama, to leave his home state for the first time in his life. He was headed for the University of Detroit on a teaching scholarship from MilesCollege. Richard Arrington could not have guessed then that his future as a teacher would be postponed for decades by big-city politics--and that he would serve a record-setting five terms as chief executive of Alabama’s largest city.

Under Arrington’s leadership, Birmingham rebuilt itself from a foundering, steel-driven industrial center to one of the most diversified metropolitan areas in the Southeast, with an economy fueled by health care, biomedical research, engineering, telecommunications, and banking. As mayor, Arrington’s economic legacy is impressive. When he left office, Birmingham boasted a record number of jobs and the lowest unemployment rate in its history. Additionally, Birmingham had built the strongest tax base in Alabama, expanded its city limits by 60 square miles, reduced crime to its lowest level in 25 years, and funded a $260 million school construction program. Today Birmingham is financially sound and is the only city in the Southeast with a $100 million endowment fund.

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cover of These Colored United States: African American Essays from the 1920s

These Colored United States

African American Essays from the 1920s

Lutz, Tom

Rutgers University Press, 1996

"This series of essays from a crucial journal of the Harlem Renaissance epitomizes the diversity of middle-class African American intellectual culture of the 1920s, while the headnotes and introduction deftly articulate the complex social and institutional matrix from which the series emerged."––George Hutchinson, University of Tennessee, author of The Harlem Renaissance in Black and White

Originally published in The Messenger, “the most vibrant and controversial black journal in the nation” at the time, these essays represent an unexamined chapter in African American cultural history and provide a unique overview of social and cultural life during this crucial decade for race relations in the United States. While most scholarly attention on African American culture in the 1920s has focused on life in the major East Coast cities or the South, these essays are written by a highly diverse, eclectic group of African American writers from thirty different states, charged with assessing African American life in their home state. Socialists and pro-business writers, cultural nationalists and assimilationists, fiction writers, sociologists, theater critics, representatives of the New Negro group, the NAACP, and the union movement, and a series of idiosyncratic, nonaligned writers help give a full sense of the diversity of African American intellectual and cultural life in the 1920s.

Amont the essayists are Anita Scott Coleman, WIlliam H. Ferris, Alice Dunbar-Nelson, Charles S. Johnson, E. Franklin Frazier, Theophilus Lewis, Wallace Thurman, Roy Wilkins, George Schuyler, and Mamie Elaine Francis. The focus on the actual lived experience of African Americans across the nation provides copious materials for cultural study unavailable in any other collection.

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cover of They Die Strangers

They Die Strangers

By Mohammad Abdul-Wali

University of Texas Press, 2002

They Die Strangers, a novella and thirteen short stories, is the first full-length work of the distinguished Yemeni writer Mohammad Abdul-Wali to appear in English. Abdul-Wali died tragically in an aviation accident, and his stories were collected after his death by the translators Abubaker Bagader and Deborah Akers.

Abdul-Wali was born in Ethiopia of Arab Yemeni parents. His stories, filled with nostalgia and the bitterness of exile, deal with the common experiences of Yemenis like himself who are caught between cultures by the displacements of civil war or labor migration. His characters include women left behind, children raised without fathers, and men returning home after years of absence. He explores the human condition through the eyes of the oppressed and disenfranchised and is particularly sympathetic to the plight of women.

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cover of They Thought They Were Free: The Germans, 1933-45

They Thought They Were Free

The Germans, 1933-45

Milton Mayer

University of Chicago Press, 1966

First published in 1955, They Thought They Were Free is an eloquent and provocative examination of the development of fascism in Germany. Mayer’s book is a study of ten Germans and their lives from 1933-45, based on interviews he conducted after the war when he lived in Germany. Mayer had a position as a research professor at the University of Frankfurt and lived in a nearby small Hessian town which he disguised with the name “Kronenberg.” “These ten men were not men of distinction,” Mayer noted, but they had been members of the Nazi Party; Mayer wanted to discover what had made them Nazis.

“What happened here was the gradual habituation of the people, little by little, to being governed by surprise; to receiving decisions deliberated in secret; to believing that the situation was so complicated that the government had to act on information which the people could not understand, or so dangerous that, even if the people could not understand it, it could not be released because of national security. And their sense of identification with Hitler, their trust in him, made it easier to widen this gap and reassured those who would otherwise have worried about it.”--from Chapter 13, “But Then It Was Too Late”
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cover of They Thought They Were Free: The Germans, 1933–45

They Thought They Were Free

The Germans, 1933–45

Milton Mayer

University of Chicago Press, 2017

The classic, chilling account of how fascism took over Germany—and of the constant danger of complacency

“When this book was first published it received some attention from the critics but none at all from the public. Nazism was finished in the bunker in Berlin and its death warrant signed on the bench at Nuremberg.”
 
That’s Milton Mayer, writing in a foreword to the 1966 edition of They Thought They Were Free. He’s right about the critics: the book was a finalist for the National Book Award in 1956. General readers may have been slower to take notice, but over time they did—what we’ve seen over decades is that any time people, across the political spectrum, start to feel that freedom is threatened, the book experiences a ripple of word-of-mouth interest.
 
They Thought They Were Free is an eloquent and provocative examination of the development of fascism in Germany. Mayer’s book is a study of ten Germans and their lives from 1933-45, based on interviews he conducted after the war when he lived in Germany. Mayer had a position as a research professor at the University of Frankfurt and lived in a nearby small Hessian town which he disguised with the name “Kronenberg.” “These ten men were not men of distinction,” Mayer noted, but they had been members of the Nazi Party; Mayer wanted to discover what had made them Nazis. His discussions with them of Nazism, the rise of the Reich, and mass complicity with evil became the backbone of this book, an indictment of the ordinary German that is all the more powerful for its refusal to let the rest of us pretend that our moment, our society, our country are fundamentally immune.
 
A new foreword to this edition by eminent historian of the Reich Richard J. Evans puts the book in historical and contemporary context. We live in an age of fervid politics and hyperbolic rhetoric. They Thought They Were Free cuts through that, revealing instead the slow, quiet accretions of change, complicity, and abdication of moral authority that quietly mark the rise of evil.
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cover of They'll Cut Off Your Project: A Mingo County Chronicle

They'll Cut Off Your Project

A Mingo County Chronicle

Huey Perry, with a foreword by Jeff Biggers

West Virginia University Press, 2010

In old England, if a king didn’t like you, he would cut off your head. Now, if they don’t like you, they’ll cut off your project!

As the Johnson Administration initiated its war on poverty in the 1960s, the Mingo County Economic Opportunity Commission project was established in southern West Virginia. Huey Perry, a young, local history teacher was named the director of this program and soon he began to promote self-sufficiency among low-income and vulnerable populations. As the poor of Mingo County worked together to improve conditions, the local political infrastructure felt threatened by a shift in power. Bloody Mingo County, known for its violent labor movements, corrupt government, and the infamous Hatfield-McCoy rivalry, met Perry’s revolution with opposition and resistance. 

In They’ll Cut Off Your Project, Huey Perry reveals his efforts to help the poor of an Appalachian community challenge a local regime. He describes this community’s attempts to improve school programs and conditions, establish cooperative grocery stores to bypass inflated prices, and expose electoral fraud. Along the way, Perry unfolds the local authority’s hostile backlash to such change and the extreme measures that led to an eventual investigation by the FBI. They’ll Cut Off Your Project chronicles the triumphs and failures of the war on poverty, illustrating why and how a local government that purports to work for the public’s welfare cuts off a project for social reform.

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