22279 books match the query 'Social Science' and 211 start with v

cover of Violent Affections: Queer Sexuality, Techniques of Power, and Law in Russia

Violent Affections

Queer Sexuality, Techniques of Power, and Law in Russia

Alexander Sasha Kondakov

University College London, 2022

An inciteful analysis of the affective rhetoric surrounding Russian anti-LGBTQ violence.

Passed in 2013, Russia’s “gay propaganda” law cemented the nation’s anti-LGBTQ sentiment into legal rhetoric that has since emboldened countless instances of violence against queer people. Based on an analysis of over three hundred criminal cases of anti-queer violence in Russia before and after the introduction of the law, Violent Affections shows how violent acts are framed in emotional language by perpetrators during their criminal trials, thus uncovering the techniques of power that work to translate emotions into violence against queer people. Utilizing an original methodology of studying legal memes, this book argues that individual affective states are directly connected to the political and legislative violence aimed at policing queer lives. Alexander Sasha Kondakov expands upon two sets of interdisciplinary literature–queer theory and affect theory–in order to conceptualize what is referred to as neo-disciplinary power. The book traces how affections circulate from body to body as a kind of virus, eventually enabling the turn from a memetic response to violent action.
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cover of Violent Belongings: Partition, Gender, and  National Culture in Postcolonial India

Violent Belongings

Partition, Gender, and National Culture in Postcolonial India

Kavita Daiya

Temple University Press, 2008

Focusing on the historical and contemporary narration of the Partition of India, Violent Belongings examines transnational South Asian culture from 1947 onwards. Spanning the Indian subcontinent and its diasporas in the United Kingdom and the United States, it asks how postcolonial/diasporic literature (eg., Rushdie, Mistry, Sidwa and Lahiri), Bollywood film, personal testimonies and journalism represent the violence, migration and questions of national belonging unleashed by that pivotal event during which two million people died and sixteen million were displaced.

In addition to challenging the official narratives of independence and Partition, these narratives challenge our contemporary  understanding of gender and ethnicity in history and politics. Violent Belongings argues that both male and female bodies, and heterosexual coupledom, became symbols of the nation in public life.  In the newly independent Indian nation both men and women were transformed into ideal citizens or troubling bodies, immigrants or refugees, depending on whether they were ethnically Hindu, Muslim, Jewish or Sikh. The divisions set in motion during Partition continue into our own time and account for ethnic violence in South Asia.
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cover of Violent Criminal Acts and Actors Revisited

Violent Criminal Acts and Actors Revisited

Lonnie Athens

University of Illinois Press, 1997

Sociologist Norman K. Denzin characterized Lonnie Athens's earlier work
as "the most far-reaching, provocative, and profound analysis of violent conduct" available in criminological literature. In Violent Criminal Acts and Actors Revisited, Athens returns to his pioneering work and finds that his premises are just as relevant and original as in their earlier version--and that they have been curiously, and to society's detriment, overlooked.
Rather than finding the causes of criminal behavior in external forces
or personality disorders, as conventional wisdom often does, Athens renews his fundamental argument that a violent situation comes into being when defined by an individual as a situation that calls for violence--that an actor responds to the circumstance as he or she defines it. Based on the author's many firsthand interviews with offenders and on his personal experience, Violent Criminal Acts and Actors Revisited augments Athens’s call to reexamine the source and locus of violent criminal behavior.
 
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cover of Violent Democracies in Latin America

Violent Democracies in Latin America

Enrique Desmond Arias and Daniel M. Goldstein, eds.

Duke University Press, 2010

Despite recent political movements to establish democratic rule in Latin American countries, much of the region still suffers from pervasive violence. From vigilantism, to human rights violations, to police corruption, violence persists. It is perpetrated by state-sanctioned armies, guerillas, gangs, drug traffickers, and local community groups seeking self-protection. The everyday presence of violence contrasts starkly with governmental efforts to extend civil, political, and legal rights to all citizens, and it is invoked as evidence of the failure of Latin American countries to achieve true democracy. The contributors to this collection take the more nuanced view that violence is not a social aberration or the result of institutional failure; instead, it is intimately linked to the institutions and policies of economic liberalization and democratization.

The contributors—anthropologists, political scientists, sociologists, and historians—explore how individuals and institutions in Latin American democracies, from the rural regions of Colombia and the Dominican Republic to the urban centers of Brazil and Mexico, use violence to impose and contest notions of order, rights, citizenship, and justice. They describe the lived realities of citizens and reveal the historical foundations of the violence that Latin America suffers today. One contributor examines the tightly woven relationship between violent individuals and state officials in Colombia, while another contextualizes violence in Rio de Janeiro within the transnational political economy of drug trafficking. By advancing the discussion of democratic Latin American regimes beyond the usual binary of success and failure, this collection suggests more sophisticated ways of understanding the challenges posed by violence, and of developing new frameworks for guaranteeing human rights in Latin America.

Contributors: Enrique Desmond Arias, Javier Auyero, Lilian Bobea, Diane E. Davis, Robert Gay, Daniel M. Goldstein, Mary Roldán, Todd Landman, Ruth Stanley, María Clemencia Ramírez

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cover of Violent Encounters: Gender, Colonialism, and the First World War in Cameroon, 1884–1916

Violent Encounters

Gender, Colonialism, and the First World War in Cameroon, 1884–1916

George N. Njung

Ohio University Press, 2027

Violent Encounters offers a powerful and original gendered history of colonial rule and warfare in Cameroon from the advent of German imperialism to the end of the First World War. Centering German Cameroon as an understudied but pivotal site of empire and global conflict, George N. Njung demonstrates that violence was a calculated instrument of colonial governance, which was systematically organized along racial and gendered lines to conquer territory, discipline African communities, and suppress resistance.

Drawing on extensive archival research in Africa and Europe, oral traditions, and interdisciplinary gender analysis, Njung reconstructs how empire and war were lived differently by African men and women. He shows that gender-based violence—especially sexual abuse—functioned as a deliberate political strategy embedded in military campaigns, forced labor regimes, and systems of punishment. African women bore disproportionate burdens at the intersection of gender, race, and militarization, even as they acted as resisters, mobilizers, and negotiators. African men, meanwhile, experienced forced recruitment, battlefield violence, and profound challenges to social authority under colonial rule.

Reinterpreting the First World War in Africa as an escalation rather than a rupture, Violent Encounters situates wartime atrocities, mass displacement, and one of the twentieth century’s earliest refugee crises within a longer continuum of imperial violence. By foregrounding gender, the book repositions Cameroon—and Africa more broadly—as central to understanding the global dynamics of empire, militarization, and resistance in the early twentieth century.

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cover of Violent Exceptions: Children's Human Rights and Humanitarian Rhetorics

Violent Exceptions

Children's Human Rights and Humanitarian Rhetorics

Wendy S. Hesford

The Ohio State University Press, 2021

Violent Exceptions turns to the humanitarian figure of the child-in-peril in twenty-first-century political discourse to better understand how this figure is appropriated by political constituencies for purposes rarely to do with the needs of children at risk. Wendy S. Hesford shows how the figure of the child-in-peril is predicated on racial division, which, she argues, is central to both conservative and liberal logics, especially at times of crisis when politicians leverage humanitarian storytelling as a political weapon. Through iconic images and stories of child migrants, child refugees, undocumented children, child soldiers, and children who are victims of war, terrorism, and state violence, Violent Exceptions illustrates how humanitarian rhetoric turns public attention away from systemic violations against children’s human rights and reframes this violence as exceptional—erasing more gradual forms of violence and minimizing human rights potential to counteract these violations and the precarious conditions from which they arise.
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cover of Violent Exceptions: Children's Human Rights and Humanitarian Rhetorics

Violent Exceptions

Children's Human Rights and Humanitarian Rhetorics

Wendy S. Hesford

The Ohio State University Press, 2021

Violent Exceptions turns to the humanitarian figure of the child-in-peril in twenty-first-century political discourse to better understand how this figure is appropriated by political constituencies for purposes rarely to do with the needs of children at risk. Wendy S. Hesford shows how the figure of the child-in-peril is predicated on racial division, which, she argues, is central to both conservative and liberal logics, especially at times of crisis when politicians leverage humanitarian storytelling as a political weapon. Through iconic images and stories of child migrants, child refugees, undocumented children, child soldiers, and children who are victims of war, terrorism, and state violence, Violent Exceptions illustrates how humanitarian rhetoric turns public attention away from systemic violations against children’s human rights and reframes this violence as exceptional—erasing more gradual forms of violence and minimizing human rights potential to counteract these violations and the precarious conditions from which they arise.
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cover of Violent Extremism: A Handbook of Risk Assessment and Management

Violent Extremism

A Handbook of Risk Assessment and Management

Edited by Caroline Logan, Randy Borum, and Paul Gill

University College London, 2023

A practical study of the prevention of violent extremism.

Violent extremism has galvanized public fear and attention. Driven by their concerns, the public has pushed for law enforcement and mental health systems to prevent attacks rather than just respond to them after they occur. The prevention process requires guidance for practitioners and policymakers on how best to identify people who may be at risk, to understand and assess the nature and function of the harm they may cause, and to manage them to mitigate or prevent harm. Violent Extremism provides such guidance.

Over ten chapters, prepared by leading experts, this handbook illuminates the nature of violent extremism and the evolution of prevention-driven practice. Authors draw on the literature and their experience to explain which factors might increase (risk factors) or decrease (protective factors) risk, how those factors might operate, and how practitioners can prepare risk formulations and scenario plans that inform risk management strategies to prevent violent extremist harm.

Each chapter is crafted to support thoughtful, evidence-based practice that is transparent, accountable, and ultimately defensible. Written for an international audience, the volume will be of interest to law enforcement and mental health professionals, criminal justice and security personnel, as well as criminologists, policymakers, and researchers.
 
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cover of Violent Intimacies: The Trans Everyday and the Making of an Urban World

Violent Intimacies

The Trans Everyday and the Making of an Urban World

Asli Zengin

Duke University Press, 2024

In Violent Intimacies, Aslı Zengin traces how trans people in Turkey creatively negotiate and resist everyday cisheteronormative violence. Drawing on the history and ethnography of the trans communal life in Istanbul, Zengin develops an understanding of cisheteronormative violence that expands beyond sex, gender and sexuality. She shows how cisheteronormativity forms a connective tissue among neoliberal governmentality, biopolitical and necropolitical regimes, nationalist religiosity and authoritarian management of social difference. As much as trans people are shaped by these processes, they also transform them in intimate ways. Transness in Turkey provides an insightful site for developing new perspectives on statecraft, securitization and surveillance, family and kin-making, urban geography, and political life. Zengin offers the concept of violent intimacies to theorize this entangled world of the trans everyday where violence and intimacy are co-constitutive. Violent intimacies emerge from trans people’s everyday interactions with the police, religious and medical institutions, street life, family and kinship, and trans femicides and funerals. The dynamic of violent intimacies prompts new understandings of violence and intimacy and the world-making struggles of trans people in a Middle Eastern context.
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cover of Violent Sensations: Sex, Crime, and Utopia in Vienna and Berlin, 1860-1914

Violent Sensations

Sex, Crime, and Utopia in Vienna and Berlin, 1860-1914

Scott Spector

University of Chicago Press, 2016

Around the turn of the twentieth century, Vienna and Berlin were centers of scientific knowledge, accompanied by a sense of triumphalism and confidence in progress. Yet they were also sites of fascination with urban decay, often focused on sexual and criminal deviants and the tales of violence surrounding them. Sensational media reports fed the prurient public’s hunger for stories from the criminal underworld: sadism, sexual murder, serial killings, accusations of Jewish ritual child murder—as well as male and female homosexuality.

In Violent Sensations, Scott Spector explores how the protagonists of these stories—people at society’s margins—were given new identities defined by the groundbreaking sciences of psychiatry, sexology, and criminology, and how this expert knowledge was then transmitted to an eager public by journalists covering court cases and police investigations. The book analyzes these sexual and criminal subjects on three levels: first, the expertise of scientists, doctors, lawyers, and scholars; second, the sensationalism of newspaper scandal and pulp fiction; and, third, the subjective ways that the figures themselves came to understand who they were. Throughout, Spector answers important questions about how fantasies of extreme depravity and bestiality figure into the central European self-image of cities as centers of progressive civilization, as well as the ways in which the sciences of social control emerged alongside the burgeoning emancipation of women and homosexuals.
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cover of Violent Utopia: Dispossession and Black Restoration in Tulsa

Violent Utopia

Dispossession and Black Restoration in Tulsa

Jovan Scott Lewis

Duke University Press, 2022

In Violent Utopia Jovan Scott Lewis retells the history and afterlife of the 1921 Tulsa race massacre, from the post-Reconstruction migration of Black people to Oklahoma Indian Territory to contemporary efforts to rebuild Black prosperity. He focuses on how the massacre in Tulsa’s Greenwood neighborhood—colloquially known as Black Wall Street—curtailed the freedom built there. Rather than framing the massacre as a one-off event, Lewis places it in a larger historical and social context of widespread patterns of anti-Black racism, segregation, and dispossession in Tulsa and beyond. He shows how the processes that led to the massacre, subsequent urban renewal, and intergenerational poverty shored up by nonprofits constitute a form of continuous slow violence. Now, in their attempts to redevelop resources for self-determination, Black Tulsans must reconcile a double inheritance: the massacre’s violence and the historical freedom and prosperity that Greenwood represented. Their future is tied to their geography, which is the foundation from which they will repair and fulfill Greenwood’s promise.
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cover of Viral Cultures: Activist Archiving in the Age of AIDS

Viral Cultures

Activist Archiving in the Age of AIDS

Marika Cifor

University of Minnesota Press, 2022

Delves deep into the archives that keep the history and work of AIDS activism alive
 

Serving as a vital supplement to the existing scholarship on AIDS activism of the 1980s and 1990s, ViralCultures is the first book to critically examine the archives that have helped preserve and create the legacy of those radical activities. Marika Cifor charts the efforts activists, archivists, and curators have made to document the work of AIDS activism in the United States and the infrastructure developed to maintain it, safeguarding the material for future generations to remember these social movements and to revitalize the epidemic’s past in order to remake the present and future of AIDS. 

Drawing on large institutional archives such as the New York Public Library, as well as those developed by small, community-based organizations, this work of archival ethnography details how contemporary activists, artists, and curators use these records to build on the cultural legacy of AIDS activism to challenge the conditions of injustice that continue to undergird current AIDS crises. Cifor analyzes the various power structures through which these archives are mediated, demonstrating how ideology shapes the nature of archival material and how it is accessed and used. Positioning vital nostalgia as both a critical faculty and a generative practice, this book explores the act of saving this activist past and reanimating it in the digital age. 

While many books, popular films, and major exhibitions have contributed to a necessary awareness of HIV and AIDS activism, Viral Cultures provides a crucial missing link by highlighting the powerful role of archives in making those cultural moments possible. 

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cover of Viral Economies: Bird Flu Experiments in Vietnam

Viral Economies

Bird Flu Experiments in Vietnam

Natalie Porter

University of Chicago Press, 2019

Over the last decade, infectious disease outbreaks have heightened fears of a catastrophic pandemic passing from animals to humans. From Ebola and bird flu to swine flu and MERS, zoonotic viruses are killing animals and wreaking havoc on the people living near them. Given this clear correlation between animals and viral infection, why are animals largely invisible in social science accounts of pandemics, and why do they remain marginal in critiques of global public health?
 
In Viral Economies, Natalie Porter draws from long-term research on bird flu in Vietnam to chart the pathways of scientists, NGO workers, state veterinarians, and poultry farmers as they define and address pandemic risks. Porter argues that as global health programs expand their purview to include life and livestock, they weigh the interests of public health against those of commercial agriculture, rural tradition, and scientific innovation. Porter challenges human-centered analyses of pandemics and shows how dynamic and often dangerous human-animal relations take on global significance as poultry and their pathogens travel through global livestock economies and transnational health networks. Viral Economies urges readers to think critically about the ideas, relationships, and practices that produce our everyday commodities, and that shape how we determine the value of life—both human and nonhuman.
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cover of Viral Frictions: Global Health and the Persistence of HIV Stigma in Kenya

Viral Frictions

Global Health and the Persistence of HIV Stigma in Kenya

Elizabeth J. Pfeiffer

Rutgers University Press, 2022

Viral Frictions takes the reader along a trail of intersecting narratives to uncover how and why it is that HIV-related stigma persists in the age of treatment. Pfeiffer convincingly argues that stigma is a socially constructed process co-produced at the nexus of local, national, and global relationships and storytelling about and practices associated with HIV. Based on a decade of fieldwork in one highway trading center in Kenya, Viral Frictions offers compelling stories of stigma and discrimination as a lens for understanding broader social processes, the complexities of globalization and health, and their profound impact on the everyday social lives and relationships of people living through the ongoing HIV epidemic in sub-Saharan Africa. This highly engaging book is ideal reading for those interested in teaching and learning about intersectionality, as Pfeiffer meticulously demonstrates how HIV stigma interacts with issues of treatment, race, ethnicity, class, gender, sexuality, social change, and international aid systems.
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cover of Viral Loads: Anthropologies of Urgency in the Time of COVID-19

Viral Loads

Anthropologies of Urgency in the Time of COVID-19

Edited by Lenore Manderson, Nancy J. Burke, and Ayo Wahlberg

University College London, 2021

A diagnosis of global inequalities exploited by COVID-19 and how we might evolve.
 
The COVID-19 pandemic disrupted some lives more than others. While more than half the world’s population experienced physical restrictions in the wake of the virus, Viral Loads reveals how the international response placed disparate burdens on exploited communities across the globe. Contributors from six continents situate the pandemic within a highly connected yet exceedingly unequal world marked by fragmented communities, austere economies, and unstable governments. Ambitious in its scope, Viral Loads insists that medical anthropology must be part of any future efforts to build a new post-pandemic world.  
 
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cover of Viral Mothers: Breastfeeding in the Age of HIV/AIDS

Viral Mothers

Breastfeeding in the Age of HIV/AIDS

Bernice L. Hausman

University of Michigan Press, 2010

Viral Mothers: Breastfeeding in the Age of HIV/AIDS addresses modern fears of dangerous motherhood, focusing on preoccupations with mothers' bodies as vectors for infection and contamination. The book examines how the maternal body is perceived as a conduit for disease, drugs, or contaminants that end up in the body of an innocent---and pure---infant. Paying special attention to HIV transmission through breastfeeding, Viral Mothers examines ideologies of maternal embodiment that influence public health protocols and mothers' behaviors worldwide. The medical community has known since the late 1980s that HIV is passed through breast milk from infected mothers to their babies. In highly industrialized countries, HIV-positive mothers are advised not to breastfeed their babies, but in poor countries breastfeeding has continued to be a predominant and medically recommended practice as a partial solution to problems of infant health and welfare in resource-poor contexts. Now, in areas of high rates of HIV infection and high infant mortality, decisions concerning infant feeding are, literally, about life and death. Public health debates concerning breastfeeding and HIV transmission must consider both the mortality associated with not breastfeeding and the possibility of HIV infection from mother to child. The transmission of HIV through breastfeeding is a medical and public health issue that touches on and augments contemporary concerns about bodies, germs, and the environment. These concerns affect all people around the globe as we struggle with the meanings of health, risk, and embodiment in modernity. Viral Mothers addresses and explores the dense cultural meanings evoked by mothers' postnatal transmission of HIV. In so doing, the book pays special attention to fears of contamination and contagion that emerge as consequences of a medicalizing modernity. The main themes of the book---risk, purity, denial, and choice---define the terms through which the viral mother is constituted in discourse and enacted publicly as a set of identifiable, culturally legible, concerns.
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cover of Virgin Crossing Borders: Feminist Resistance and Solidarity in Translation

Virgin Crossing Borders

Feminist Resistance and Solidarity in Translation

Emek Ergun

University of Illinois Press, 2023

The Turkish-language release of Hanne Blank’s Virgin: The Untouched History is a politically engaged translation aimed at disrupting Turkey’s heteropatriarchal virginity codes. In Virgin Crossing Borders, Emek Ergun maps how she crafted her rendering of the text and draws on her experience and the book’s impact to investigate the interventionist power of feminist translation.

Ergun’s comparative framework reveals translation’s potential to facilitate cross-border flows of feminist theories, empower feminist interventions, connect feminist activists across differences and divides, and forge transnational feminist solidarities. As she considers hopeful and woeful pictures of border crossings, Ergun invites readers to revise their views of translation’s role in transnational feminism and examine their own potential as ethically and politically responsible agents willing to search for new meanings.

Sophisticated and compelling, Virgin Crossing Borders reveals translation’s vital role in exchanges of feminist theories, stories, and knowledge.

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cover of Virgin Mary and the Neutrino: Reality in Trouble

Virgin Mary and the Neutrino

Reality in Trouble

Isabelle Stengers

Duke University Press, 2023

In Virgin Mary and the Neutrino, first published in French in 2006 and here appearing in English for the first time, Isabelle Stengers experiments with the possibility of addressing modern practices not as a block but through their divergence from each other. Drawing on thinkers ranging from John Dewey to Gilles Deleuze, she develops what she calls an “ecology of practices” into a capacious and heterogeneous perspective that is inclusive of cultural and political forces but not reducible to them. Stengers first advocates for an approach to sciences that would emphasize the way each should be situated by the kind of relationships demanded by what it attempts to address. This approach turns away from the disabling scientific/nonscientific binary—like the opposition between the neutrino and the Virgin Mary. An ecology of practices instead stimulates an appetite for thinking reality not as an arbiter but as what we can relate to through the generation of diverging concerns and obligations.
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cover of Virgin-Kayenta Cultural Relationships: UUAP 79

Virgin-Kayenta Cultural Relationships

UUAP 79

C. Melvin Aikens

University of Utah Press, 1966

AKA Glen Canyon Series Number 29. This paper reports on the prehistory of the Virgin branch of the Anasazi in the Southwest. It incorporates information from sites excavated in the early 1960s in southwest Utah to reassess earlier studies of Virgin Anasazi culture that were based primarily on pottery. 
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cover of Virginia Woolf Icon

Virginia Woolf Icon

Brenda R. Silver

University of Chicago Press, 1999

This is a book about "Virginia Woolf": the face that sells more postcards than any other at Britain's National Portrait Gallery, the name that Edward Albee's play linked with fear, the cultural icon so rich in meanings that it has been used to market everything from the New York Review of Books to Bass Ale. Brenda Silver analyzes Virginia Woolf's surprising visibility in both high and popular culture, showing how her image and authority have been claimed or challenged in debates about art, politics, anger, sexuality, gender, class, the canon, feminism, race, and fashion.

From Virginia Woolf's 1937 appearance on the cover of Time magazine to her current roles in theater, film, and television, Silver traces the often contradictory representations and the responses they provoke, highlighting the recurring motifs that associate Virginia Woolf with fear. By looking more closely at who is afraid and the contexts in which she is perceived to be frightening, Silver illustrates how Virginia Woolf has become the site of conflicts about cultural boundaries and legitimacy that continue to rage today.
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cover of Virtual Americas: Transnational Fictions and the Transatlantic Imaginary

Virtual Americas

Transnational Fictions and the Transatlantic Imaginary

Paul Giles

Duke University Press, 2002

Arguing that limited nationalist perspectives have circumscribed the critical scope of American Studies scholarship, Virtual Americas advocates a comparative criticism that illuminates the work of well-known literary figures by defamiliarizing it—placing it in unfamiliar contexts. Paul Giles looks at a number of canonical nineteenth- and twentieth-century American writers by focusing on their interactions with British culture. He demonstrates how American authors from Herman Melville to Thomas Pynchon have been compulsively drawn to negotiate with British culture so that their nationalist agendas have emerged, paradoxically, through transatlantic dialogues. Virtual Americas ultimately suggests that conceptions of national identity in both the United States and Britain have emerged through engagement with—and, often, deliberate exclusion of—ideas and imagery emanating from across the Atlantic.

Throughout Virtual Americas Giles focuses on specific examples of transatlantic cultural interactions such as Frederick Douglass’s experiences and reputation in England; Herman Melville’s satirizing fictions of U.S. and British nationalism; and Vladimir Nabokov’s critique of European high culture and American popular culture in Lolita. He also reverses his perspective, looking at the representation of San Francisco in the work of British-born poet Thom Gunn and Sylvia Plath’s poetic responses to England. Giles develops his theory about the need to defamiliarize the study of American literature by considering the cultural legacy of Surrealism as an alternative genealogy for American Studies and by examining the transatlantic dimensions of writers such as Henry James and Robert Frost in the context of Surrealism.

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cover of Virtual Gender: Fantasies of Subjectivity and Embodiment

Virtual Gender

Fantasies of Subjectivity and Embodiment

Mary Ann O'Farrell and Lynne Vallone, Editors

University of Michigan Press, 1999

This collection breaks new ground in the area of gender studies both because it creates a name for gender fantasy--virtual gender--that introduces a new understanding of the concept, and in expanding the idea of virtuality to include people and events in history. The essays in Virtual Gender help identify and name the persistent cultural desire for an imaginative space in which to "put on" alternative gender identities, while examining as well the equally persistent and consequent critique of that desire.The sweep of the volume's coverage is impressive, ranging across historical periods and academic disciplines, as contributors consider the place of the body in gender fantasy and the consequences of gender fantasy for real people and real bodies. The essays investigate figures and topics including Amelia Earhart, soap-opera chat groups, Elizabeth I, mesmerism, lesbianism in the early modern period, cybergames, women in the federalist period, the transgendered body, and performance art. Also examined are the status of embodiment, the origins of gender, gender politics, the pains of subjectivity, the uses of utopian fantasy, technological advances and information technology, the experience of gendered communities, and the role of gender in global politics. Contributors include Harriette Andreadis, Seyla Benhabib, Charlotte Canning, Bernice Hausman, Janel Mueller, Mary Ann O'Farrell, Kay Schaffer, Sidonie Smith, Carroll Smith-Rosenberg, Helen F. Thompson, Lynne Vallone, and Robyn Warhol. The book will appeal to an interdisciplinary audience of scholars, critics, and students with interests in gender, identity, and cyberculture.
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cover of Virtual Homelands: Indian Immigrants and Online Cultures in the United States

Virtual Homelands

Indian Immigrants and Online Cultures in the United States

Madhavi Mallapragada

University of Illinois Press, 2014

The internet has transformed the idea of home for Indians and Indian Americans. In Virtual Homelands: Indian Immigrants and Online Cultures in the United States, Madhavi Mallapragada analyzes home pages and other online communities organized by diasporic and immigrant Indians from the late 1990s through the social media period. Engaging the shifting aspects of belonging, immigrant politics, and cultural citizenship by linking the home page, household, and homeland as key sites, Mallapragada illuminates the contours of belonging and reveals how Indian American struggles over it trace back to the web's active mediation in representing, negotiating, and reimagining "home."

As Mallapragada shows, ideologies around family and citizenship shift to fit the transnational contexts of the online world and immigration. At the same time, the tactical use of the home page to make gender, racial, and class struggles visible and create new modes for belonging implicates the web within complex political and cultural terrain. On e-commerce, community, and activist sites, the recasting of home and homeland online points to intrusion by public agents such as the state, the law, and immigration systems in the domestic, the private, and the familial. Mallapragada reveals that the home page may mobilize to reproduce conservative narratives of Indian immigrants' familial and citizenship cultures, but the reach of a website extends beyond the textual and discursive to encompass the institutions shaping it, as the web unmakes and remakes ideas of "India" and "America."

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cover of Virtual Lotus: Modern Fiction of Southeast Asia

Virtual Lotus

Modern Fiction of Southeast Asia

Teri Shaffer Yamada, Editor

University of Michigan Press, 2002

Virtual Lotus is the first anthology to represent diverse writers throughout Southeast Asia. Their short stories reflect the tremendous social, political, and cultural changes experienced in the region during an age of rapid modernization. Both award-winning writers and new talent are represented, including Pramoedya Ananta Toer (Indonesia), Shahnon Ahmad (Malaysia), and Duong Thu Huong (Vietnam). With keen wit, satire, and pathos their stories poignantly illustrate contemporary life and literary currents in Southeast Asia during the twentieth century.
Short introductions to each story provide a sketch of the country's literary history, revealing the interaction between individual writers and their sociopolitical situations. Many of the stories are ethnographic and provide snapshots of cultures at a specific historical moment. The stories also reflect gender balance, diversity of style, and quality of literary expression. Exploring everything from the realities of being a middle-aged woman in Burma in the witty drama "An Umbrella" to the difficult choice between appeasing a troubled Vietnamese community or tending to an ailing father in "Tu Ben the Actor," this collection is sure to appeal to a variety of readers the world over.
This anthology will be useful in courses in comparative translation and culture, postcolonial studies, political science, Asian history, and gender studies. It is also appropriate for a literary reading public interested in comparative world literature.
Teri Shaffer Yamada is Associate Professor, California State University, Long Beach.
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cover of Virtual Pedophilia: Sex Offender Profiling and U.S. Security Culture

Virtual Pedophilia

Sex Offender Profiling and U.S. Security Culture

Gillian Harkins

Duke University Press, 2020

In Virtual Pedophilia Gillian Harkins traces how by the end of the twentieth century the pedophile as a social outcast evolved into its contemporary appearance as a virtually normal white male. The pedophile's alleged racial and gender normativity was treated as an exception to dominant racialized modes of criminal or diagnostic profiling. The pedophile was instead profiled as a virtual figure, a potential threat made visible only when information was transformed into predictive image. The virtual pedophile was everywhere and nowhere, slipping through day-to-day life undetected until people learned how to arm themselves with the right combination of visually predictive information. Drawing on television, movies, and documentaries such as Law and Order: SVU, To Catch a Predator, Mystic River, and Capturing the Friedmans, Harkins shows how diverse U.S. audiences have been conscripted and trained to be lay detectives who should always be on the lookout for the pedophile as virtual predator. In this way, the perceived threat of the pedophile legitimated increased surveillance and ramped-up legal strictures that expanded the security apparatus of the carceral state.
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cover of Virtual War and Magical Death: Technologies and Imaginaries for Terror and Killing

Virtual War and Magical Death

Technologies and Imaginaries for Terror and Killing

Neil L. Whitehead and Sverker Finnström, eds.

Duke University Press, 2013

Virtual War and Magical Death is a provocative examination of the relations between anthropology and contemporary global war. Several arguments unite the collected essays, which are based on ethnographic research in varied locations, including Guatemala, Uganda, and Tanzania, as well as Afghanistan, Pakistan, Iraq, and the United States. Foremost is the contention that modern high-tech warfare—as it is practiced and represented by the military, the media, and civilians—is analogous to rituals of magic and sorcery. Technologies of "virtual warfare," such as high-altitude bombing, remote drone attacks, night-vision goggles, and even music videos and computer games that simulate battle, reproduce the imaginative worlds and subjective experiences of witchcraft, magic, and assault sorcery long studied by cultural anthropologists.

Another significant focus of the collection is the U.S. military's exploitation of ethnographic research, particularly through its controversial Human Terrain Systems (HTS) Program, which embeds anthropologists as cultural experts in military units. Several pieces address the ethical dilemmas that HTS and other counterinsurgency projects pose for anthropologists. Other essays reveal the relatively small scale of those programs in relation to the military's broader use of, and ambitions for, social scientific data.

Contributors. Robertson Allen, Brian Ferguson, Sverker Finnström, Roberto J. González, David H. Price, Antonius Robben, Victoria Sanford, Jeffrey Sluka, Koen Stroeken, Matthew Sumera, Neil L. Whitehead

[more]
cover of Virtually Latinx: Identities in the Age of Social Media

Virtually Latinx

Identities in the Age of Social Media

Urayoán Noel

University of Texas Press, 2026

Examining how Latinx identity reimagines and connects communities through social media.

The very idea of Latinidad flattens identities, subsuming diverse peoples under a single racialized framework useful for corporate and political marketing. But it is not only ethnic identity that Latinidad tends to erase. In the first-ever study of Latinx social media, Urayoán Noel shows how historically marginalized Latinxs—including Black, Trans, undocumented, and disabled people—have used digital platforms to challenge hegemonic Latinidad and to build alternatives communities.

Incorporating elements of history, ethnography, and performance studies, Virtually Latinx traces the evolution of Latinx social media and blogging since the early 1990s, focusing on creative movements and vocabularies emerging and consolidating online. From Chicano/LatinoNet, Latina Lista, and Remezcla, to activists and performers on TikTok, online creators and platforms have spurred modes of art and activism that counter both Latinidad’s essentialized body politics and Big Tech’s domination of the information sphere. In dialogue with scholars of media, virtuality, and identity, Noel theorizes how hashtags like #Afrolatina, #Latinx, and #Latine have not only facilitated online exchange but also nurtured new knowledge formations surrounding Black, feminist, undocuqueer, Trans, and disability poetics and politics.

[more]
cover of Virtue Hoarders: The Case against the Professional Managerial Class

Virtue Hoarders

The Case against the Professional Managerial Class

Catherine Liu

University of Minnesota Press, 2021

A denunciation of the credentialed elite class that serves capitalism while insisting on its own progressive heroism

Professional Managerial Class (PMC) elite workers labor in a world of performative identity and virtue signaling, publicizing an ability to do ordinary things in fundamentally superior ways. Author Catherine Liu shows how the PMC stands in the way of social justice and economic redistribution by promoting meritocracy, philanthropy, and other self-serving operations to abet an individualist path to a better world. Virtue Hoarders is an unapologetically polemical call to reject making a virtue out of taste and consumption habits.

Forerunners: Ideas First is a thought-in-process series of breakthrough digital publications. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.

[more]
cover of Virtue and Venom: Catalogs of Women from Antiquity to the Renaissance

Virtue and Venom

Catalogs of Women from Antiquity to the Renaissance

Glenda McLeod

University of Michigan Press, 1991

Virtue and Venom traces the history of a previously neglected genre, the catalog of women, from its origins in Greece and Rome to the late Middle Ages, revealing the catalogs’ considerable importance as cultural documents of the evolution of the Western definition of womankind. These catalogs were simple listings of past heroines, sometimes described in extended biographies, sometimes merely enumerated by name. Catalog heroines often appeared in familiar guises—anonymous mothers of great men, fascinating seductresses, self-effacing spouses, abused victims of love, strong and bnilliant achievers. Wnitten by some of the finest authors of the ages, the catalogs fulfilled important functions. By defining women typologically, they instilled stereotypes in the popular mind, and by illustrating proper and improper feminine conduct they reinforced the late medieval link between literature and ethics. Despite the repetitive form of the genre, the catalogs were extremely flexible, able to illustrate different, even antithetical views of femininity—invoking the past as authority or reinterpreting the past in an attempt to associate femininity with changing cultural values. Thus, as well as being the vehicle for the transmission of knowledge, the form could also be manipulated to contest authority, in the guise of invoking it, and present new paradigms. McLeod examines a host of catalogs, including those of Homer, Hesiod, Vergil, Ovid, Juvenal, Plutarch, St. Jerome, and Jean de Meun, but gives special attention to Boccaccio’s De claris mulieribus and Chaucer’s Legend of Good Women. She then shows how the tradition ultimately produced the first major defense of womankind in Christine de Pizan’s Cité des Dames. This book will be of interest to classicists, medievalists, Renaissance and feminist scholars, and anyone interested in the misogynist tradition in the West and the response it engendered.
[more]
cover of Virtue and Venom: Catalogs of Women from Antiquity to the Renaissance

Virtue and Venom

Catalogs of Women from Antiquity to the Renaissance

Glenda McLeod

University of Michigan Press, 1991

Virtue and Venom traces the history of a previously neglected genre, the catalog of women, from its origins in Greece and Rome to the late Middle Ages, revealing the catalogs’ considerable importance as cultural documents of the evolution of the Western definition of womankind. These catalogs were simple listings of past heroines, sometimes described in extended biographies, sometimes merely enumerated by name. Catalog heroines often appeared in familiar guises—anonymous mothers of great men, fascinating seductresses, self-effacing spouses, abused victims of love, strong and bnilliant achievers. Wnitten by some of the finest authors of the ages, the catalogs fulfilled important functions. By defining women typologically, they instilled stereotypes in the popular mind, and by illustrating proper and improper feminine conduct they reinforced the late medieval link between literature and ethics. Despite the repetitive form of the genre, the catalogs were extremely flexible, able to illustrate different, even antithetical views of femininity—invoking the past as authority or reinterpreting the past in an attempt to associate femininity with changing cultural values. Thus, as well as being the vehicle for the transmission of knowledge, the form could also be manipulated to contest authority, in the guise of invoking it, and present new paradigms. McLeod examines a host of catalogs, including those of Homer, Hesiod, Vergil, Ovid, Juvenal, Plutarch, St. Jerome, and Jean de Meun, but gives special attention to Boccaccio’s De claris mulieribus and Chaucer’s Legend of Good Women. She then shows how the tradition ultimately produced the first major defense of womankind in Christine de Pizan’s Cité des Dames. This book will be of interest to classicists, medievalists, Renaissance and feminist scholars, and anyone interested in the misogynist tradition in the West and the response it engendered.
[more]
cover of Virtuous Necessity: Conduct Literature and the Making of the Virtuous Woman in Early Modern England

Virtuous Necessity

Conduct Literature and the Making of the Virtuous Woman in Early Modern England

Jessica C. Murphy

University of Michigan Press, 2015

While many scholars find the early modern triad of virtues for women—silence, chastity, and obedience—to be straightforward and nonnegotiable, Jessica C. Murphy demonstrates that these virtues were by no means as direct and inflexible as they might seem. Drawing on the literature of the period—from the plays of Shakespeare to a conduct manual written for a princess to letters from a wife to her husband—as well as contemporary gender theory and philosophy, she uncovers the multiple meanings of behavioral expectations for sixteenth- and seventeenth-century women. Through her renegotiation of cultural ideals as presented in both literary and nonliterary texts of early modern England, Murphy presents models for “acceptable” women’s conduct that lie outside of the rigid prescriptions of the time.

Virtuous Necessity will appeal to readers interested in early modern English literature, including canonical authors such as Shakespeare, Spenser, and Milton, as well as their female contemporaries such as Amelia Lanyer and Elizabeth Cary. It will also appeal to scholars of conduct literature; of early modern drama, popular literature, poetry, and prose; of women’s history; and of gender theory.
[more]
cover of Virtuous Vice: Homoeroticism and the Public Sphere

Virtuous Vice

Homoeroticism and the Public Sphere

Eric O. Clarke

Duke University Press, 2000

In this daring study of queer life and the public sphere, Eric O. Clarke examines the effects of inclusion within public culture. Departing from studies that emphasize homophobia and its mechanisms of exclusion, Virtuous Vice details how mainstream efforts to represent queers affirmatively continually fall short of full democratic enfranchisement. Clarke draws on contemporary writings along with late-eighteenth- and nineteenth-century English and European cultural history to investigate how concepts of value, representation, and homoeroticism have interacted and circulated in the West since the Enlightenment.
Examining the role of eroticism in citizenship and why only normalizing
constructions of homosexuality enable inclusion, Clarke reconsiders the work of Habermas and Foucault in relation to contemporary visibility politics, Kant’s moral and political theory, Marx’s analysis of value, and the sexualized dynamics of the Victorian cultural public sphere. The juxtaposition of Habermas with Foucault reveals the surprising value of reading the former in the context of queer politics and the usefulness of the theory of the public sphere for understanding contemporary identity politics and the visibility politics of the 1990s. Examining how a host of nonsexual factors impinge historically upon the constitution of sexual identities and practices, Clarke negotiates the relation between questions of publicity and categories of value. Discussions of television sitcoms (such as Ellen), marketing techniques, authenticity, and literary culture add to this daring analysis of visibility politics.
As a critique of the claim that equal representation of gays and lesbians necessarily constitutes progress, this significant intervention into social theory will find enthusiastic readers in the fields of Victorian, cultural, literary, and gay and lesbian studies, as well as other fields engaged with categories of identity.
[more]
cover of Virulent Zones: Animal Disease and Global Health at China's Pandemic Epicenter

Virulent Zones

Animal Disease and Global Health at China's Pandemic Epicenter

Lyle Fearnley

Duke University Press, 2020

Scientists have identified southern China as a likely epicenter for viral pandemics, a place where new viruses emerge out of intensively farmed landscapes and human--animal interactions. In Virulent Zones, Lyle Fearnley documents the global plans to stop the next influenza pandemic at its source, accompanying virologists and veterinarians as they track lethal viruses to China's largest freshwater lake, Poyang Lake. Revealing how scientific research and expert agency operate outside the laboratory, he shows that the search for origins is less a linear process of discovery than a constant displacement toward new questions about cause and context. As scientists strive to understand the environments from which the influenza virus emerges, the unexpected scale of duck farming systems and unusual practices such as breeding wild geese unsettle research objects, push scientific inquiry in new directions, and throw expert authority into question. Drawing on fieldwork with global health scientists, state-employed veterinarians, and poultry farmers in Beijing and at Poyang Lake, Fearnley situates the production of ecological facts about disease emergence inside the shifting cultural landscapes of agrarian change and the geopolitics of global health.
[more]
cover of Virus Research in Twentieth-Century Uganda: Between Local and Global

Virus Research in Twentieth-Century Uganda

Between Local and Global

Julia Ross Cummiskey

Ohio University Press, 2024

Virus Research in Twentieth-Century Uganda presents the stories of scientists at the Uganda Virus Research Institute (UVRI), a biomedical center founded in 1936. The book analyzes the strategies and conditions that allowed the institute to endure and thrive through successive political and scientific regimes of the interwar period, the postwar period, the transition to independence, the conflicts of the 1970s and 1980s, and the Museveni presidency. Julia Ross Cummiskey combines methods and themes from the history of medicine and public health, science and technology studies, and African studies to show that the story of the UVRI and the people who worked there transforms our understanding of the nature of local and international expertise and the evolution of global health research over the course of the twentieth century.

Global health is one of the chief areas in which African and foreign institutions interact today. Billions of dollars are invested in global health projects on the continent, many involving strategically selected “local partners.” In the discourse of these projects, local and global are often framed as complementary but distinct categories of people, institutions, traditions, and practices. But the history of biomedical research at the UVRI shows that these distinctions are unstable and mutable and that people and institutions have mobilized both categories to attract funding, professional prestige, and research opportunities. The book complicates the local/global binary that is implicit (and sometimes explicit) in many studies of colonial, international, and global health and medical research, especially in Africa. Moreover, it challenges assumptions about global health as an enterprise dominated by researchers based in the Global North and recenters the history of biomedicine in Africa.

[more]
cover of Visayan Vignettes: Ethnographic Traces of a Philippine Island

Visayan Vignettes

Ethnographic Traces of a Philippine Island

Jean-Paul Dumont

University of Chicago Press, 1992

"To read the book is to appreciate the highly contingent, provisional, oblique, open-ended way in which people try to make "sense" of another culture."—Resil B. Mojares, Philippine Graphic

"This book is an interestingly complex ethnography that approaches the self-critical dialectical ethnography called for two decades ago....It is a welcome contribution to postmodernist theory and to the ethnography of the Visayas."—Ronald Provencher, Journal of Asian Studies
[more]
cover of Viscous Performances: The Persistence of Creative Resistances in Neoliberal Chile

Viscous Performances

The Persistence of Creative Resistances in Neoliberal Chile

María José Contreras Lorenzini

Duke University Press, 2026

Viscous Performances examines the endurance of creative protest performances in Chile from the 2011 student mobilizations to the aftermath of the 2019 social revolt. Drawing from performance theory, feminist new materialisms, affect studies, and decolonial perspectives, María José Contreras Lorenzini situates Chilean practices of resistance within a global conversation about the politics of performance while attending closely to the historical and material specificities of the Chilean context. Case studies include student interventions, feminist mobilizations, and commemorative actions that unfolded along a two-kilometer stretch of Santiago’s main avenue, La Alameda. Contreras Lorenzini argues that repeated creative resistances that insistently occupied this same urban corridor generated a sticky, persistent, and affectively charged antidote to neoliberalism’s slow violence. These temporally dispersed acts territorialized the urban space as a site of resistance where echoes and reverberations of repertoires accumulated, thickened, and remained available for reenactment. By theorizing resistance as viscous rather than fleeting, Viscous Performances challenges neoliberal framings of dissent that privilege visibility and spectacle and highlights the quieter, less visible practices of care, collaboration, and imagination through which communities sustain long-term struggles.
[more]
cover of Visibility Interrupted: Rural Queer Life and the Politics of Unbecoming

Visibility Interrupted

Rural Queer Life and the Politics of Unbecoming

Carly Thomsen

University of Minnesota Press, 2021

A questioning of the belief in the power of LGBTQ visibility through the lives of queer women in the rural Midwest

Today most LGBTQ rights supporters take for granted the virtue of being “out, loud, and proud.” Most also assume that it would be terrible to be LGBTQ in a rural place. By considering moments in which queerness and rurality come into contact, Visibility Interrupted argues that both positions are wrong. In the first monograph on LGBTQ women in the rural Midwest, Carly Thomsen deconstructs the image of the rural as a flat, homogenous, and anachronistic place where LGBTQ people necessarily suffer. And she suggests that visibility is not liberation and will not lead to liberation. 

Far from being an unambiguous good, argues Thomsen, visibility politics can, in fact, preclude collective action. They also advance metronormativity, postraciality, and capitalism. To make these interventions, Thomsen develops the theory of unbecoming: interrogating the relationship between that which we celebrate and that which we find disdainful—the past, the rural, politics—is crucial for developing alternative subjectivities and politics. Unbecoming precedes becoming. Drawing from critical race studies, disability studies, and queer Marxism, in addition to feminist and queer studies, the insights of this book will be useful to scholars theorizing issues far beyond sexuality and place and to social justice activists who want to move beyond visibility. 

[more]
cover of Visible Borders, Invisible Economies: Living Death in Latinx Narratives

Visible Borders, Invisible Economies

Living Death in Latinx Narratives

Kristy L. Ulibarri

University of Texas Press, 2022

2023 Outstanding Book Award, National Association for Ethnic Studies

A thorough examination of the political and economic exploitation of Latinx subjects, migrants, and workers through the lens of Latinx literature, photography, and film.


Globalization in the United States can seem paradoxical: free trade coincides with fortification of the southern border, while immigration is reimagined as a national-security threat. US politics turn aggressively against Latinx migrants and subjects even as post-NAFTA markets become thoroughly reliant on migrant and racialized workers. But in fact, there is no incongruity here. Rather, anti-immigrant politics reflect a strategy whereby capital uses specialized forms of violence to create a reserve army of the living, laboring dead.

Visible Borders, Invisible Economies turns to Latinx literature, photography, and films that render this unseen scheme shockingly vivid. Works such as Valeria Luiselli’s Tell Me How It Ends and Alex Rivera’s Sleep Dealer crystallize the experience of Latinx subjects and migrants subjugated to social death, their political existence erased by disenfranchisement and racist violence while their bodies still toil in behalf of corporate profits. In Kristy L. Ulibarri’s telling, art clarifies what power obscures: the national-security state performs anti-immigrant and xenophobic politics that substitute cathartic nationalism for protections from the free market while ensuring maximal corporate profits through the manufacture of disposable migrant labor.

[more]
cover of Visible Histories, Disappearing Women: Producing Muslim Womanhood in Late Colonial Bengal

Visible Histories, Disappearing Women

Producing Muslim Womanhood in Late Colonial Bengal

Mahua Sarkar

Duke University Press, 2008

In Visible Histories, Disappearing Women, Mahua Sarkar examines how Muslim women in colonial Bengal came to be more marginalized than Hindu women in nationalist discourse and subsequent historical accounts. She also considers how their near-invisibility except as victims has underpinned the construction of the ideal citizen-subject in late colonial India. Through critical engagements with significant feminist and postcolonial scholarship, Sarkar maps out when and where Muslim women enter into the written history of colonial Bengal. She argues that the nation-centeredness of history as a discipline and the intellectual politics of liberal feminism have together contributed to the production of Muslim women as the oppressed, mute, and invisible “other” of the normative modern Indian subject.

Drawing on extensive archival research and oral histories of Muslim women who lived in Calcutta and Dhaka in the first half of the twentieth century, Sarkar traces Muslim women as they surface and disappear in colonial, Hindu nationalist, and liberal Muslim writings, as well as in the memories of Muslim women themselves. The oral accounts provide both a rich source of information about the social fabric of urban Bengal during the final years of colonial rule and a glimpse of the kind of negotiations with stereotypes that even relatively privileged, middle-class Muslim women are still frequently obliged to make in India today. Sarkar concludes with some reflections on the complex links between past constructions of Muslim women, current representations, and the violence against them in contemporary India.

[more]
cover of Visible Women: New Essays on American Activism

Visible Women

New Essays on American Activism

Edited by Nancy A. Hewitt and Suzanne Lebsock

University of Illinois Press, 1993

In this collection, fifteen leading historians of women and American history explore women's political action from 1830 to the present. Together, their contributions illustrate the tremendous scope and racial, ethnic, and class diversity of women's public activism while also clarifying various conceptual issues. Essays include an analysis of ideologies and strategies; suffrage militance in 1870s; ideas for a feminist approach to public life; labor feminism in the urban South; women's activism in Tampa, Florida; black women and economic nationalism; black women's clubs; the YMCA's place in the community; the role of Southern churchwomen in racial reform and transformation; and other topics.

"Establishes important links between citizenship, race, and gender following the Reconstruction amendments and the Dawes Act of 1887."--Sharon Hartmann Strom, American Historical Review

[more]
cover of Vision Impairment: Science, Art and Lived Experience

Vision Impairment

Science, Art and Lived Experience

Michael Crossland

University College London, 2024

Breathing life into the science of vision, the book illuminates scientific concepts by intertwining them with the personal stories of those affected by sight loss.

What is it like to go blind? Three hundred and fifty million people around the world live with severe vision impairment, ranging from those who can see a couple of letters on a sight chart to those who perceive no light at all. Vision Impairment introduces the readers to some of them, including artists, poets, scientists, architects, politicians, broadcasters, and musicians. Through their stories, this book discusses life with vision impairment–from childhood and education to dating, employment, and aging–as well as the portrayal of blind people in literature and film, the use of technology by people with vision impairment, and the psychological effects of losing vision.

Based on Michael Crossland’s extensive work in children’s and adults’ low vision clinics, and his twenty years of research into vision impairment, the book blends individual stories, key research findings, and the most recent scientific discoveries to present an informative yet optimistic overview of living with sight loss.
 
[more]
cover of Vision/Re-Vision: Adapting Contemporary American Fiction To Film

Vision/Re-Vision

Adapting Contemporary American Fiction To Film

Barbara Tepa Lupack

University of Wisconsin Press, 1996

The essays in Vision/Re-Vision analyze in detail ten popular and important films adapted from contemporary American fiction by women, addressing the ways in which the writers' latent or overt feminist messages are reinterpreted by the filmmakers who bring them to the screen, demonstrating that there is much to praise as well as much to fault in the adaptations and that the process of adaptation itself is instructive rather than destructive, since it enriches understanding about both media.

[more]
cover of Visions of Beirut: The Urban Life of Media Infrastructure

Visions of Beirut

The Urban Life of Media Infrastructure

Hatim El-Hibri

Duke University Press, 2021

In Visions of Beirut Hatim El-Hibri explores how the creation and circulation of images have shaped the urban spaces and cultural imaginaries of Beirut. Drawing on fieldwork and texts ranging from maps, urban plans, and aerial photographs to live television and drone-camera footage, El-Hibri traces how the technologies and media infrastructure that visualize the city are used to consolidate or destabilize regimes of power. Throughout the twentieth century, colonial, economic, and military mapping projects helped produce and govern Beirut's spaces. In the 1990s, the imagery of its post-civil war downtown reconstruction cast Beirut as a site of financial investment in ways that obscured its ongoing crises. During and following the 2006 Israel/Hizbullah war, Hizbullah's use of live television broadcasts of fighting and protests along with its construction of a war memorial museum at a former secret military bunker demonstrate the tension between visualizing space and the practices of concealment. Outlining how Beirut's urban space and public life intertwine with images and infrastructure, El-Hibri interrogates how media embody and exacerbate the region's political fault lines.
[more]
cover of Visions of Queer Martyrdom from John Henry Newman to Derek Jarman

Visions of Queer Martyrdom from John Henry Newman to Derek Jarman

Dominic Janes

University of Chicago Press, 2015

With all the heated debates around religion and homosexuality today, it might be hard to see the two as anything but antagonistic. But in this book, Dominic Janes reveals the opposite: Catholic forms of Christianity, he explains, played a key role in the evolution of the culture and visual expression of homosexuality and male same-sex desire in the nineteenth and twentieth centuries. He explores this relationship through the idea of queer martyrdom—closeted queer servitude to Christ—a concept that allowed a certain degree of latitude for the development of same-sex desire.
            Janes finds the beginnings of queer martyrdom in the nineteenth-century Church of England and the controversies over Cardinal John Henry Newman’s sexuality. He then considers how liturgical expression of queer desire in the Victorian Eucharist provided inspiration for artists looking to communicate their own feelings of sexual deviance. After looking at Victorian monasteries as queer families, he analyzes how the Biblical story of David and Jonathan could be used to create forms of same-sex partnerships. Finally, he delves into how artists and writers employed ecclesiastical material culture to further queer self-expression, concluding with studies of Oscar Wilde and Derek Jarman that illustrate both the limitations and ongoing significance of Christianity as an inspiration for expressions of homoerotic desire.
Providing historical context to help us reevaluate the current furor over homosexuality in the Church, this fascinating book brings to light the myriad ways that modern churches and openly gay men and women can learn from the wealth of each other’s cultural and spiritual experience.
[more]
cover of Visions of Sodom: Religion, Homoerotic Desire, and the End of the World in England, c. 1550-1850

Visions of Sodom

Religion, Homoerotic Desire, and the End of the World in England, c. 1550-1850

H. G. Cocks

University of Chicago Press, 2017

The book of Genesis records the fiery fate of Sodom and Gomorrah—a storm of fire and brimstone was sent from heaven and, for the wickedness of the people, God destroyed the cities “and all the plains, and all the inhabitants of the cities, and that which grew upon the ground.” According to many Protestant theologians and commentators, one of the Sodomites’ many crimes was homoerotic excess.

In Visions of Sodom, H. G. Cocks examines the many different ways in which the story of Sodom’s destruction provided a template for understanding homoerotic desire and behaviour in Britain between the Reformation and the nineteenth century. Sodom was not only a marker of sexual sins, but also the epitome of false—usually Catholic—religion, an exemplar of the iniquitous city, a foreshadowing of the world’s fiery end, an epitome of divine and earthly punishment, and an actual place that could be searched for and discovered. Visions of Sodom investigates each of these ways of reading Sodom’s annihilation in the three hundred years after the Reformation. The centrality of scripture to Protestant faith meant that Sodom’s demise provided a powerful origin myth of homoerotic desire and sexual excess, one that persisted across centuries, and retains an apocalyptic echo in the religious fundamentalism of our own time.
[more]
cover of Visions of Transformation: Hegemony, Plurinationality, and Revolution in Bolivia

Visions of Transformation

Hegemony, Plurinationality, and Revolution in Bolivia

Aaron Augsburger

University of Arizona Press, 2025

On a wave of revolutionary upheaval in the early twenty-first century, Evo Morales was swept into state power as Bolivia’s first Indigenous president with a mandate to radically transform the country. The ensuing period, known simply as “el proceso de cambio” (the process of change), has been a tension-filled and contradictory process involving progressive transformations, ambiguous continuities, and outright revolutionary failures. Importantly, the contradictions have been just as much ideological as they are material.  

By examining and illuminating the contrasting logics underlying opposing theories of revolutionary change, Visions of Transformation provides an analytical framework through which to understand and interpret the central conflicts and contradictions of Bolivia under Evo Morales and the Movimiento al Socialismo.

Based on nearly two years of immersive fieldwork, Visions of Transformation explores the relation between theoretical production and political practice. Through the contrasting perspectives of hegemony and plurinationality, the book analyzes three specific conjunctural moments—a proposed highway through the TIPNIS, a conflict over representation of the highland Indigenous movement organization CONAMAQ, and the struggle for Indigenous autonomy—to shed light on the primary economic, social, political, and theoretical tensions at the heart of Bolivia’s proceso de cambio.

[more]
cover of Visions of War: World War II in Popular Literature and Culture

Visions of War

World War II in Popular Literature and Culture

M. Paul Holsinger

University of Wisconsin Press, 1992

For Americans World War II was “a good war,” a war that was worth fighting. Even as the conflict was underway, a myriad of both fictional and nonfictional books began to appear examining one or another of  the raging battles. These essays  examine some of the best literature and popular culture of World War II. Many of the studies focus on women, several are about children, and all concern themselves with the ways that the war changed lives. While many of the contributors concern themselves with the United States, there are essays about Great Britain, Canada, France, Germany, Poland, Russia, and Japan.
[more]
cover of Visions of the East: Orientalism in Film

Visions of the East

Orientalism in Film

Bernstein, Matthew

Rutgers University Press, 1997

The Sheik. Pépé le Moko. Casablanca. Aladdin. Some of the most popular and frequently discussed titles in movie history are imbued with orientalism, the politically-charged way in which western artists have represented gender, race, and ethnicity in the cultures of North Africa and Asia. This is the first anthology to address and highlight orientalism in film from pre-cinema fascinations with Egyptian culture through the "Whole New World" of Aladdin. Eleven illuminating and well-illustrated essays utilize the insights of interdisciplinary cultural studies, psychoanalysis, feminism, and genre criticism. Other films discussed includeThe Letter, Caesar and Cleopatra, Lawrence of Arabia, Indochine, and several films of France's cinéma colonial.

[more]
cover of Visions of the Sociological Tradition

Visions of the Sociological Tradition

Donald N. Levine

University of Chicago Press, 1995

Don Levine moves from the origins of systematic knowledge in ancient Greece to the present day to present an account that is at once a history of the social science enterprise and an introduction to the cornerstone works of Western social thought.

"Visions" has three meanings, each of which corresponds to a part of the book. In Part 1, Levine presents the ways previous sociologists have rendered accounts of their discipline, as a series of narratives—or "life stories"—that build upon each other, generation to generation, a succession of efforts to envisage a coherent past for the sake of a purposive present.

In Part 2, the heart of the book, Levine offers his own narrative, reconnecting centuries of voices into a richly textured dialogue among the varied strands of the sociological tradition: Hellenic, British, French, German, Marxian, Italian, and American. Here, in a tour de force of clarity and conciseness, he tracks the formation of the sociological imagination through a series of conversations across generations. From classic philosophy to pragmatism, Aristotle to W. I. Thomas, Levine maps the web of visionary statements—confrontations and oppositions—from which social science has grown.

At the same time, this is much more than an expert synthesis of social theory. Throughout each stage, Levine demonstrates social knowledge has grown in response to three recurring questions: How shall we live? What makes humans moral creatures? How do we understand the world? He anchors the creation of social knowledge to ethical foundations, and shows for the first time how differences in those foundations disposed the shapers of modern social science—among them, Marshall and Spencer, Comte and Durkheim, Simmel and Weber, Marx and Mosca, Dewey and Park—to proceed in vastly different ways.

In Part 3, Levine offers a vision of the contemporary scene, setting the crisis of fragmentation in social sciences against the fragmentation of experience and community. By reconstructing the history of social thought as a series of fundamentally moral engagements with common themes, he suggests new uses for sociology's intellectual resources: not only as insight about the nature of modernity, but also as a model of mutually respectful communication in an increasingly fractious world.
[more]
cover of Visions of the Southland: A Year in Los Angeles County

Visions of the Southland

A Year in Los Angeles County

Edited by Wade Graham and William Deverell

University of Chicago Press, 2026

Experience a year in Los Angeles County, in all its glitter and grit, through a unique anthology that pairs essays by acclaimed writers and historians with custom maps.

When many of us picture Los Angeles, we’re actually thinking of LA County. Home to roughly ten million people, the county alone is more populous than forty-two US states. Its eighty-eight cities include places made famous by Hollywood glamor and California dreaming—Beverly Hills, Malibu, and Santa Monica—but also working-class municipalities and the self-explanatory City of Industry. With a territory that includes the Pacific coastline, mountain ranges, and the high Mojave Desert, the county’s landscapes have been touched by earthquakes, droughts, and, of course, devastating fires. LA County is a place of extremes: progress and injustice, innovation and stagnation.

Visions of the Southland collects essays by writers, journalists, and historians to create a nuanced portrait of LA that’s grounded in the county itself—its sites, structures, and stories. Contributors—including Gustavo Arellano, Keri Blakinger, Lynell George, Christopher Hawthorne, Michael Hiltzik, Greg Hise, Carolina Miranda, Becky Nicolaides, Susan Straight, and David L. Ulin—delve into LA’s infamous air pollution, movie ranches, prisons, aqueducts, urban forests, SoCal Bohemianism, and more. A custom map by Ezra Rawitsch enriches each piece and grounds the reader in specific locations throughout the county. Unfolding over the course of a year, the book traces the rhythms of politics, sports, weather, and wildlife across this sprawling and enigmatic place.

Sweeping in its scope and gorgeous in its design, Visions of the Southland will delight Angelenos, history buffs, urbanists, and map enthusiasts alike. 

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