Stephen Knadler
University of Michigan Press, 2019
Rima Apple
Rutgers University Press, 1996
"Have you taken your vitamins today?" That question echoes daily through American households. Thanks to intensive research in nutrition and medicine, the importance of vitamins to health is undisputed. But millions of Americans believe that the vitamins they get in their food are not enough. Vitamin supplements have become a multibillion-dollar industry. At the same time, many scientists, consumer advocacy groups, and the federal Food and Drug Administration doubt that most people need to take vitamin pills.
Vitamania tells how and why vitamins have become so important to so many Americans. Rima Apple examines the claims and counterclaims of scientists, manufacturers, retailers, politicians, and consumers from the discovery of vitamins in the early twentieth century to the present. She reveals the complicated interests--scientific, professional, financial--that have propelled the vitamin industry and its would-be regulators. From early advertisements linking motherhood and vitamin D, to Linus Pauling's claims for vitamin C, to recent congressional debates about restricting vitamin products, Apple's insightful history shows the ambivalence of Americans toward the authority of science. She also documents how consumers have insisted on their right to make their own decisions about their health and their vitamins.
Vitamania makes fascinating reading for anyone who takes--or refuses to take--vitamins. It will be of special interest to students, scholars, and professionals in public health, the biomedical sciences, history of medicine and science, twentieth-century history, nutrition, marketing, and consumer studies.
Spencer Di Scala
Haus Publishing, 2009
Samuel O. Regalado
University of Illinois Press, 2007
Lively and filled with vivid anecdotes, Viva Baseball! chronicles the struggles of Latin American professional baseball players in the United States from the late 1800s to the present.
As Latino players, managers, and owners continue to blossom into baseball's biggest stars, they have benefited from a growing Spanish-language media, a group identity, an increase in financial leverage and attention, and a burgeoning Latino culture in the United States. Although there have been several positive developments in the treatment of Latin American players, many, such as Albert Pujols, Pedro Martinez, Alex Rodriguez, and Ozzie Guillen, still face shocking racism. Samuel O. Regalado draws upon archives and rich interviews with Latin baseball stars like Felipe Alou, Orlando Cepeda, and Minnie Minoso to show the changing tenor of discrimination in the twenty-first-century game.
By David C. Bailey
University of Texas Press, 1974
Between 1926 and 1929, thousands of Mexicans fought and died in an attempt to overthrow the government of their country. They were the Cristeros, so called because of their battle cry, ¡Viva Cristo Rey!—Long Live Christ the King! The Cristero rebellion and the church-state conflict remain one of the most controversial subjects in Mexican history, and much of the writing on it is emotional polemic. David C. Bailey, basing his study on the most important published and unpublished sources available, strikes a balance between objective reporting and analysis. This book depicts a national calamity in which sincere people followed their convictions to often tragic ends.
The Cristero rebellion climaxed a century of animosity between the Catholic church and the Mexican state, and this background is briefly summarized here. With the coming of the 1910 revolution the hostility intensified. The revolutionists sought to impose severe limitations on the Church, and Catholic anti-revolutionary militancy grew apace. When the government in 1926 decreed strict enforcement of anticlerical legislation, matters reached a crisis. Church authorities suspended public worship throughout Mexico, and Catholics in various parts of the country rose up in arms. There followed almost three years of indecisive guerrilla warfare marked by brutal excesses on both sides. Bailey describes the armed struggle in broad outline but concentrates on the political and diplomatic maneuvering that ultimately decided the issue.
A de facto settlement was brought about in 1929, based on the government’s pledge to allow the Church to perform its spiritual offices under its own internal discipline. The pact was arranged mainly through the intercession of U.S. Ambassador Dwight Morrow. His role in the conflict, as well as that of other Americans who decisively influenced the course of events, receives detailed attention in the study. The position of the Vatican during the conflict and its role in the settlement are also examined in detail.
With the 1929 settlement the clergy returned to the churches, whereupon the Cristeros lost public support and the rebellion collapsed. The spirit of the settlement soon evaporated, more strife followed, and only after another decade did permanent religious peace come to Mexico.
By Elaine A. Peña
University of Texas Press, 2020
Pamela Bannos
University of Chicago Press, 2017
Michael Largey
University of Chicago Press, 2006
Benjamin Hebblethwaite
Temple University Press, 2011
Vodou songs constitute the living memory of Haitian Vodou communities, and song texts are key elements to understanding Haitian culture. Vodou songs form a profound religious and cultural heritage that traverses the past and refreshes the present. Offering a one-of-a-kind research tool on Vodou and its cultural roots in Haiti and pre-Haitian regions, Vodou Songs in Haitian Creole and English provides a substantial selection of hard to find or unpublished sacred Vodou songs in a side-by-side bilingual format.
Esteemed scholar Benjamin Hebblethwaite introduces the language, mythology, philosophy, origins, and culture of Vodou through several chapters of source songs plus separate analytical chapters. He guides readers through songs, chants, poems, magical formulae, invocations, prayers, historical texts and interviews, as well as Haitian Creole grammar and original sacred literature. An in-depth dictionary of key Vodou terms and concepts is also provided.
This corpus of songs and the research about them provide a crucial understanding of the meaning of Vodou religion, language, and culture.
Dana Rush
Vanderbilt University Press, 2013
The book is richly illustrated with color photographs of Vodun shrines, temple wall paintings, masquerades, and Hindu chromolithographs.
This book is the first publication in a new series called "Critical Investigations of the African Diaspora." The series grows out of Issues in Critical Investigation, a Vanderbilt initiative to assist junior scholars through critical feedback from senior faculty, annual symposia, and prize competitions in the humanities and social sciences. Dana Rush's Vodun in Coastal Benin is the winner of the inaugural Anna Julia Cooper Prize in the Humanities.
Jerry Day
University of Missouri Press, 2003
By Alice Embree
University of Texas Press, 2021
Voice Lessons explores the rich personal and political terrain of Alice Embree, a 1960s activist and convert to the women’s liberation movement of the 1970s, bringing a woman’s perspective to a transformational time in US history. This riveting memoir traces the author’s roots in segregated Austin and her participation in efforts to integrate the University of Texas. It follows her antiwar activism from a vigil in front of President Lyndon Johnson’s ranch in 1965 to a massive protest after the shootings at Kent State in 1970. Embree’s activism brought her and the Students for a Democratic Society into conflict with Frank Erwin, the powerful chairman of the UT Board of Regents, and inspired a campus free speech movement. She recounts her experiences living in New York during the tumultuous years of 1968 and 1969, including the Columbia University strike and the Woodstock music festival. She also tells about protesting at the Chicago Democratic Convention, her interactions with Yippies and poets, and her travels to Chile, Cuba, and Mexico. Embree highlights the radical roots of the women’s liberation movement in Austin and the audacious women’s community that challenged gender roles, fought for reproductive justice, and inspired a lifetime of activism.
Bonnie Gordon
University of Chicago Press, 2023
Vincent J. Roscigno
University of Minnesota Press, 2004
Vividly shows how music united striking workers
The 1934 strike of southern textile workers, involving nearly 400,000 mill hands, remains perhaps the largest collective mobilization of workers in U.S. history. How these workers came together in the face of the powerful and coercive opposition of management and the state is the remarkable story at the center of this book.
The Voice of Southern Labor chronicles the lives and experiences of southern textile workers and provides a unique perspective on the social, cultural, and historical forces that came into play when the group struck, first in 1929, and then on a massive scale in 1934. The workers’s grievances, solidarity, and native radicalism of the time were often reflected in the music they listened to and sang, and Vincent J. Roscigno and William F. Danaher offer an in-depth context for understanding this intersection of labor, politics, and culture. The authors show how the message of the southern mill hands spread throughout the region with the advent of radio and the rise of ex–mill worker musicians, and how their sense of opportunity was further bolstered by Franklin D. Roosevelt’s radio speeches and policies.Richard Wolf
University of Illinois Press, 2017

Rachel E. Johnson
University of London Press, 2025
Sara Pankenier Weld
Northwestern University Press, 2014

Russell G. Hamilton
University of Minnesota Press, 1975
Voices From an Empire was first published in 1975. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
The literature of the various regions of Lusophone Africa has received relatively little critical attention compared with that which has been focused on the work of writers in the English- and French- speaking countries of Africa. With the profound changes which are occurring in the social and political structures of Lusophone Africa, there is particular need for the comprehensive look at Afro-Protuguese literature which this account provides.
Professor Hamilton traces the development of this literature in the broad perspective of it social, cultural, and aesthetic context. He discusses the whole of the Afro-Portuguese literary phenomenon, as it occurs on the Cape Verde archipelago, in Guinea-Bissau, on the Guinea Gulf islands of Sao Tome and Principe, in Angola, and in Mozambique.
In an introduction he discusses some basic questions about Afro-Protuguese literature, among them, the matter of a definition of this body of writing, the implications of the concept of negritude, the role of Portugal and Brazil in Afro-Portuguese literature, and the social and cultural significance of the dominant literary themes found in the various regions of Lusophone Africa. Because he sees the regionalist movement in Angola as the most significant in terms of a neo-African orientation, he begins the book with an extensive study of the literature of that country. Many examples of afro-Portuguese poetry are given, both in the original language and in the English translation. There is a bibliography, and a map shows the African regions of study.

Keith Bolender
Pluto Press, 2010
Jon Kasparek and Bobbie Malone
Wisconsin Historical Society Press, 2006
Voices and Votes: How Democracy Works in Wisconsin; Teacher's Guide and Student Materials features several activities for each chapter to engage students in a more in-depth exploration of the book. These activities, designed for both individual and small groups, demand the use of higher-level thinking skills while integrating a wide range of learning styles, and all have culminating components that can be used for assessment. The guide also features easily reproducible student pages, including maps, charts, and interesting illustrations.
Jon Kasparek
Wisconsin Historical Society Press, 2006
Voices & Votes: How Democracy Works in Wisconsin invites upper elementary school students to explore the intersection of American civics and Wisconsin history. This sixth and final book in the New Badger History series introduces students to the basic structures of American democracy, state government, and Wisconsin's road to statehood. The first seven chapters help students grasp how the three branches of government function at the federal, state, local, and tribal levels, while tying these structural notions to Wisconsin history. Students will learn that citizens' voices and votes help government evolve to meet ever-changing societal needs. The last chapter emphasizes how young people can actively engage in their communities to bring about positive change.
Wisconsin Historical Society Press, 2025
Edited by Irene Eber
University of Chicago Press, 2008
Michael E. Stevens
Wisconsin Historical Society Press, 1996
An unforgettable collection of 174 letters and diary entries written by 92 wisconsin men and women who served in Vietnam. Includes a journal kept by Menasha native Frederic Flom on cigarette wrappers during his final 16 days of captivity — the only known diary smuggled out by a Vietnam prisoner of war.
Brian S. Bauer
University Press of Colorado, 2016
A rich new source of important archival information, Voices from Vilcabamba examines the fall of the Inca Empire in unprecedented detail. Containing English translations of seven major documents from the Vilcabamba era (1536–1572), this volume presents an overview of the major events that occurred in the Vilcabamba region of Peru during the final decades of Inca rule.
Brian S. Bauer, Madeleine Halac-Higashimori, and Gabriel E. Cantarutti have translated and analyzed seven documents, most notably Description of Vilcabamba by Baltasar de Ocampo Conejeros and a selection from Martín de Murúa’s General History of Peru, which focuses on the fall of Vilcabamba. Additional documents from a range of sources that include Augustinian investigations, battlefield reports, and critical eyewitness accounts are translated into English for the first time.
With a critical introduction on the history of the region during the Spanish Conquest and introductions to each of the translated documents, the volume provides an enhanced narrative on the nature of European-American relations during this time of important cultural transformation.
Calais Writers
Pluto Press, 2017

Aleksandr Solzhenitsyn
Northwestern University Press, 2010
After the publication in 1962 of One Day in the Life of Ivan Denisovich, Aleksandr Solzhenitsyn began receiving, and would continue to receive throughout his life, testimonies from fellow survivors of the gulag. Originally selected by Solzhenitsyn, the memoirs in this volume are an important addition to the literature of the Soviet gulag. Written by men from a wide variety of occupations and social classes, the writing in Voices from the Gulag lends a voice to the many ordinary people—including a circus performer, a teenage boy, and a Red Army soldier—whom a brutal system attempted to erase from memory.
Richard L. Cates Jr.
University of Wisconsin Press, 2008
Edited by Fred Branfman with essays and drawings by Laotian villagers; Foreword by Alfred W. McCoy
University of Wisconsin Press, 2013
Marc Zimmerman
Ohio University Press, 1998
Samruam Singh
University of Wisconsin Press, 2008
By Jane Clements Monday and Betty Bailey Colley
University of Texas Press, 1997
Founded before the Civil War, the King and Kenedy Ranches have become legendary for their size, their wealth, and their endless herds of cattle. A major factor in the longevity of these ranches has always been the loyal workforce of vaqueros (Mexican and Mexican American cowboys) and their families. Some of the vaquero families have worked on the ranches through five or six generations.
In this book, Jane Clements Monday and Betty Bailey Colley bring together the voices of these men and women who make ranching possible in the Wild Horse Desert. From 1989 to 1995, the authors interviewed more than sixty members of vaquero families, ranging in age from 20 to 93. Their words provide a panoramic view of ranch work and life that spans most of the twentieth century.
The vaqueros and their families describe all aspects of life on the ranches, from working cattle and doing many kinds of ranch maintenance to the home chores of raising children, cooking, and cleaning. The elders recall a life of endless manual labor that nonetheless afforded the satisfaction of jobs done with skill and pride. The younger people describe how modernization has affected the ranches and changed the lifeways of the people who work there.
Caitlin Frances Bruce
University of Texas Press, 2024
2024 Visual Communication Division Award, National Communication Association
2025 Philosophy of Communication, Theory, and Critique Division Distinguished Book Award, National Communication Association
2025 Winans-Wichelns Memorial Award for Distinguished Scholarship in Rhetoric and Public Address, National Communication Association
How a city government in central Mexico evolved from waging war on graffiti in the early 2000s to sanctioning its creation a decade later, and how youth navigated these changing conditions for producing art.
The local government, residents, and media outlets in León, Mexico, treated graffiti as a disease until the state began sponsoring artistic graffiti through a program of its own. In Voices in Aerosol, the first book-length study of state-sponsored graffiti, Caitlin Frances Bruce considers the changing perceptions and recognition of graffiti artists, their right to the city, and the use of public space over the span of eighteen years (2000–2018). Focusing on the midsized city of León, Bruce offers readers a look at the way negotiations with the neoliberal state unfolded at different levels and across decades.
Issues brought to light in this case study, such as graffiti as a threat and graffiti as a sign of gentrification, resonate powerfully with those germane to other urban landscapes throughout the Western Hemisphere and beyond. Combining archival work, interviews, considerations of urban planning, local politics in Mexico, and insights gained by observing graffiti events and other informal artistic encounters, Bruce offers a new lens through which to understand the interplay between sanctioned and unsanctioned forms of cultural expression. Ultimately, Voices in Aerosol builds a strong case for graffiti as a contested tool for "voicing" public demands.
Jean D'Costa
University of Alabama Press, 2009
Recovering the voices that shaped Jamaica's language, literature, and identity.
Voices in Exile: Jamaican Texts of the 18th and 19th Centuries is a landmark anthology that brings together a rich collection of historical documents illuminating the origins and development of Jamaican language, culture, and identity. Edited by renowned scholars Jean D'Costa and Barbara Lalla, the volume gathers songs, sermons, folk narratives, eyewitness accounts, personal testimonies, and other primary materials that reveal the complex social and cultural world of Jamaica during the colonial and post-emancipation eras.
Spanning the eighteenth and nineteenth centuries, the collection traces the emergence of a distinctive Jamaican society forged through the interaction of African, European, and Caribbean peoples. The selected texts capture the realities of plantation life, slavery, resistance, religious expression, language development, and everyday experience while showcasing the creativity and resilience of communities whose voices have often been marginalized in traditional historical narratives.
Particularly valuable for its documentation of Jamaican Creole and evolving linguistic practices, the anthology provides readers with direct access to the words and perspectives of individuals living through profound social transformation. Materials from the periods before emancipation, during apprenticeship, and after emancipation illustrate how language and culture adapted to changing political and economic conditions.
More than a collection of historical texts, Voices in Exile serves as a window into the formation of Jamaican identity and the broader cultural history of the Caribbean. By preserving and contextualizing these remarkable documents, D'Costa and Lalla offer an indispensable resource for students and scholars of Caribbean studies, literature, linguistics, history, postcolonial studies, and the African diaspora. The result is a compelling archive of voices that continue to resonate across centuries and enrich our understanding of Jamaica's cultural heritage.
Celia Hawkesworth
Central European University Press, 2000
Women are conspicuously absent from traditional cultural histories of south-east Europe. This book addresses that imbalance by describing the contribution of women to literary culture in the Orthodox/ Ottoman areas of Serbia and Bosnia.
The first complete literary history in relation to women's writing in south-east Europe. The author provides a broad chronological account of this contribution, dividing the book into two main parts; the earlier period up until the eighteenth century concentrates on the projections of gender through the medium of oral tradition and the lives of a handful of educated women in medieval Serbia and the few works of literature they left. Hawkesworth also looks at the written literature produced by women, first in the mid-nineteenth century and then at the turn of the century. The second part focuses on the trials and tribulations that affected feminism and women's literature throughout the twentieth century. The author finishes by highlighting the new women's movement, 1975-1990, a great period for women in Yugoslavia which created a stimulating atmosphere for outstanding pieces of women's journalism, prose and verse, culminating in the creation of new women's studies courses in many universities.
Patricia Roberts-Miller
University of Alabama Press, 1999
Edited by Laurence Cox, Salar Mohandesi and Bjarke Skaerlund Risager
Pluto Press, 2018
Edited by Luz E. Huertas, Bonnie A. Lucero, and Gregory J. Swedberg
University of Arizona Press, 2016
Romila Thapar
Seagull Books, 2020
Michael B. Silvers
University of Illinois Press, 2018
Silvers offers case studies focused on the sertão that range from the Brazilian wax harvested in Ceará for use in early wax cylinder sound recordings to the drought- and austerity-related cancellation of Carnival celebrations in 2014-16. Unearthing links between music and the environmental and social costs of drought, his daring synthesis explores ecological exile, poverty, and unequal access to water resources alongside issues like corruption, prejudice, unbridled capitalism, and expanding neoliberalism.
ku'ualoha ho'omanawanui
University of Minnesota Press, 2014
Stories of the volcano goddess Pele and her youngest sister Hi‘iaka, patron of hula, are most familiar as a form of literary colonialism—first translated by missionary descendants and others, then co-opted by Hollywood and the tourist industry. But far from quaint tales for amusement, the Pele and Hi‘iaka literature published between the 1860s and 1930 carried coded political meaning for the Hawaiian people at a time of great upheaval. Voices of Fire recovers the lost and often-suppressed significance of this literature, restoring it to its primary place in Hawaiian culture.
Ku‘ualoha ho‘omanawanui takes up mo‘olelo (histories, stories, narratives), mele (poetry, songs), oli (chants), and hula (dances) as they were conveyed by dozens of authors over a tumultuous sixty-eight-year period characterized by population collapse, land alienation, economic exploitation, and military occupation. Her examination shows how the Pele and Hi‘iaka legends acted as a framework for a Native sense of community. Freeing the mo‘olelo and mele from colonial stereotypes and misappropriations, Voices of Fire establishes a literary mo‘okū‘auhau, or genealogy, that provides a view of the ancestral literature in its indigenous contexts.
The first book-length analysis of Pele and Hi‘iaka literature written by a Native Hawaiian scholar, Voices of Fire compellingly lays the groundwork for a larger conversation of Native American literary nationalism.
Halliwell, Martin
Rutgers University Press, 2017
Diana Allan
Pluto Press, 2021
***Winner of an English PEN Award 2021***
During the 1948 war more than 750,000 Palestinian Arabs fled or were violently expelled from their homes by Zionist militias. The legacy of the Nakba - which translates to ‘disaster’ or ‘catastrophe’ - lays bare the violence of the ongoing Palestinian plight.
Voices of the Nakba collects the stories of first-generation Palestinian refugees in Lebanon, documenting a watershed moment in the history of the modern Middle East through the voices of the people who lived through it.
The interviews, with commentary from leading scholars of Palestine and the Middle East, offer a vivid journey into the history, politics and culture of Palestine, defining Palestinian popular memory on its own terms in all its plurality and complexity.
Hoyt Purvis
Butler Center for Arkansas Studies, 2013
Sarah Hayden
University of Minnesota Press, 2026
An acute theorization of the human voice in contemporary art
Voiceworks is a perceptive exploration of contemporary artworks in which the primary medium of activation is the human voice. Engaging in close readings of video and installations primarily from the 2010s and 2020s, Sarah Hayden reveals how voiceworks intervene politically through their handling of writing and voicing.
Surveying works from eighteen established and emerging artists including Hito Steyerl, John Akomfrah, Alban Muja, Emma Wolukau-Wanambwa, and Cally Spooner, Voiceworks attends to the sensuous potentiality of voiced language in composition and physical space. The book elucidates how these works operate relationally, conscripting embodied involvement in the service of collective critical and resistant aims.
Augmented by Hayden’s experience as a curator of exhibitions and public programs around audiovisual work, Voiceworks skillfully traverses scholarship in critical theory, sound studies, film and video theory, poetics, and feminist criticism to analyze this prominent but underexplored strand of contemporary art practice.
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David M. Pyle
Bodleian Library Publishing, 2017
Edited by George W. Stocking, Jr.
University of Wisconsin Press, 1998
Walter T. Durham
Vanderbilt University Press, 1997
Greg Olson
University of Missouri Press, 2025
Folklorist Wayland Hand once called Mary Alicia Owen “the most famous American Woman Folklorist of her time.” Drawing on primary sources, such as maps, census records, court documents, personal letters and periodicals, and the scholarship of others who have analyzed various components of Owen’s multifaceted career, historian Greg Olson offers the most complete account of her life and work to date. He also offers a critical look at some of the short stories Owen penned, sometimes under the name Julia Scott, and discusses how the experience she gained as a fiction writer helped lead her to a successful career in folklore.
John P. Gluck
University of Chicago Press, 2016