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Walter F. White of Atlanta, Georgia, joined the National Association for the Advancement of Colored People (NAACP) in 1918 as an assistant to Executive Secretary James Weldon Johnson. When Johnson retired in 1929, White replaced him as head of the NAACP, a position he maintained until his death in 1955. During his long tenure, White was in the vanguard of the struggle for interracial justice. His reputation went into decline, however, in the era of grassroots activism that followed his death. White’s disagreements with the US Left, and his ambiguous racial background—he was of mixed heritage, could “pass” as white, and divorced a black woman to marry a white woman—fueled ambivalence about his legacy.

In this comprehensive biography, Zangrando and Lewis seek to provide a reassessment of White within the context of his own time, revising critical interpretations of his career. White was a promoter of and a participant in the Harlem Renaissance, a daily fixture in the halls of Congress lobbying for civil rights legislation, and a powerful figure with access to the administrations of Roosevelt (via Eleanor) and Truman. As executive secretary of the NAACP, White fought incessantly to desegregate the American military and pushed to ensure equal employment opportunities. On the international stage, White advocated for people of color in a decolonized world, and for economic development aid to nations like India and Haiti, bridging the civil rights struggles at home and abroad.

Supported by The Walter and May Reuther Memorial Fund
Previously published by Basic Books as The Most Dangerous Man in Detroit: Walter Reuther and the Fate of American Labor
 

Now in paper.

At the young age of just 15, Wanda Gág received her dying father's last wish that she take up his dream of becoming a successful artist: "What papa couldn't do, Wanda would have to finish." Wanda assumed the role of head of the household and became the sole means of support for her sick mother and six siblings. Although times were tough, Wanda persevered and eventually became a celebrated artist and author living in New York City.

Karen Nelson Hoyle tells the story of Wanda Gág's eccentric life as a children's book author and traces the significant contributions she made to the genre. Drawn from extensive research of the artist's personal and professional papers and correspondence with friends and contemporaries, Hoyle presents a rich portrait of a gifted artist.

Ah, the Wild West! Wide open plains, beautiful sunsets, and thundering herds. Days when the cowboy was king, and good guys always wore white. The love affair with the American West has stood the test of time and survived competition from sports, electronic gadgets, and reality.

Wanted Dead or Alive presents the first-ever comprehensive look at how the American West has been depicted in popular culture. Following Richard Aquila's introduction, which examines the birth and growth of the pop culture West in the context of American history, noted experts explore developments in popular Western fiction, major forms of live Western entertainment, trends in Western movies and television shows, images of the West in popular music, and visual images of the West in popular art and advertising. For the reader on the trail of even more information, each section of the book concludes with suggestions for further reading.
 

A unique collection of more than 150 letters written to an Ohio serviceman during the American Civil War that offers glimpses of women’s lives as they waited, worked, and wrote from the Ohio home front. The letters reveal fascinating details of the lives of mostly young, single women—friends, acquaintances, love interests, and strangers who responded to one Union soldier’s advertisement for correspondents. Almost all of the women who responded to Lieutenant Edwin Lewis Lybarger’s lonely-hearts newspaper advertisement lived in Ohio and supported the Union. Lybarger carried the collection of letters throughout three years of military service, preserved them through his life, and left them to be discovered in an attic trunk more than a century after Lee’s surrender.

Women’s letter writing functioned as a form of “war work” that bolstered the spirits of enlisted men and “kinship work” that helped forge romantic relationships and sustain community bonds across the miles. While men’s letters and diaries abound in Civil War history, less readily available are comprehensive collections of letters from middle-class and rural women that survived the weathering of marches, camp life, and battles to emerge unscathed from men’s knapsacks at war’s end.

The collection is accompanied by a detailed editorial introduction that highlights significant themes in the letters. Together, they contribute to the still-unfolding historical knowledge concerning Northern women’s lives and experiences during this significant period in American history.

 

War Is Not a Game tells the story of this new soldiers’ antiwar movement, showing why it was born, how it quickly grew, where it has struggled, what it accomplished, and how it continues to resonate in the national conversation about our military and our wars. Nan Levinson reveals the individuals behind the movement, painting an unforgettable portrait of these working-class veterans who refused to be seen as simply tragic victims or battlefront heroes and instead banded together to become leaders of a national organization. 

 

Written with sensitivity and humor, War Is Not a Game gives readers an uncensored, grunt’s-eye view of the occupations in Iraq and Afghanistan, while conveying the equally dramatic struggles that soldiers face upon returning home. Demanding to be seen neither simply as tragic victims nor as battlefront heroes, the Iraq Veterans Against the War have worked to shape the national conversation. This book celebrates their bravery, showing that sometimes the most vital battles take place on the home front. 

A masterpiece of prose and research, the definitive history of the struggle for Atlanta during the Civil War, an episode immortalized by the novel Gone with the Wind
Called “the greatest event of the Civil War” by New York diarist George Templeton Strong, the epic struggle for the city of Atlanta in the bloody summer of 1864 was a pivotal moment in American history. Union commander William Tecumseh Sherman’s relentless fight for the city secured the reelection of Abraham Lincoln, sealed the fate of the Southern Confederacy, and set a precedent for military campaigns that endures today. Its depiction in the novel and motion picture Gone with the Wind established the fight for Atlanta as an iconic episode in our nation’s most terrible war. In War Like the Thunderbolt: The Battle and Burning of Atlanta, award-winning author Russell S. Bonds takes the reader behind the lines and across the smoky battlefields of Peachtree Creek, Atlanta, Ezra Church, and Jonesboro, and into the lives of fascinating characters, both the famous and the forgotten, including the fiery and brilliant Sherman; General John Bell Hood, the Confederacy’s last hope to defend Atlanta; Benjamin Harrison, the diminutive young Indiana colonel who would rise to become President of the United States; Patrick Cleburne, the Irishmanturned- Southern officer; and ten-year-old diarist Carrie Berry, who bravely withstood and bore witness to the fall of the city. Here also is the dramatic story of the ordeal of Atlanta itself—the five-week artillery bombardment, the expulsion of its civilian population, and the infamous fire that followed. Based on new research in diaries, newspapers, previously unpublished letters, and other archival sources, War Like the Thunderbolt is a combination of captivating narrative and insightful military analysis—a stirring account of the battle and burning of the “Gate City of the South.”

Malaria is one of the leading killers in the world today. Though drugs against malaria have a long history, attempts to develop novel therapeutics spanned the twentieth century and continue today. In this historical study, Leo B. Slater shows the roots and branches of an enormous drug development project during World War II. Fighting around the globe, American soldiers were at high risk for contracting malaria, yet quinine–a natural cure–became harder to acquire. A U.S. government-funded antimalarial program, initiated by the National Research Council, brought together diverse laboratories and specialists to provide the best drugs to the nation's military. This wartime research would deliver chloroquinine–long the drug of choice for prevention and treatment of malaria–and a host of other chemotherapeutic insights.

A massive undertaking, the antimalarial program was to biomedical research what the Manhattan Project was to the physical sciences.

A volume in the Critical Issues in Health and Medicine series, edited by Rima D. Apple and Janet Golden.

This is a lively history of specific social, political, ad economic changes that all-out war brought to the home front in mid-America. Drawing from letters to the editor in local and state papers, from editorials, from personal interviews, and from the manuscript collections left by state political leaders, Calvin Smith brings into focus the impact of wartime not only upon agricultural and business economics but also upon particular social groups and the lives of individuals.

The war generated the beginnings of a rights revolution in black communities throughout the nation. The author takes a careful look at the resulting strain on relations between the state’s black and white citizens. No less important is the consideration of Japanese Americans from the West Coast who were relocated to camps in Arkansas, and of the Jehovah’s Witnesses who would not take part in the war effort either on the battlefield or at home.

War and Wartime Changes illuminates a fascinating and sometimes embarrassing segment of history which until now has not been presented in a single, cohesive work. The author details the unique experiences Arkansas had at this time as well as the patriotism its citizens felt for their country.

Here is the story for the historian, for every student of society and its ways, and for anyone who wants to understand or remember the patriotic fervor of Americans during World War II. Calvin Smith has created, with persistent and imaginative research, a rare admixture of nostalgia and solid scholarship.

The American victory in the Revolutionary War came as a surprise to people all over the world. Believing that successful wars were fought by professionals and aristocrats, they could not understand how ragged and hungry troops of ill-assorted civilians were able to defeat one of the world's strongest professional armies.

This book is an effort to explain how and why that upset was accomplished. Alternating with scene and summary, the narrative has pace and proportion. Battles fall into campaigns, and campaigns interpret strategy. Commanders are deftly characterized, and flashes of insight illuminate victories and defeats. There emerges a picture of American soldiers as tougher and more deeply motivated fighters than the uncommitted British and German professionals. The book also demonstrates how highly prized were the rights that the revolutionists sought to confirm or establish, and serves as a reminder today that some ideas are worth risking life for.

"What is most amazing about this excellent history is Prof. Peckham's ability to retell these . . . legendary events . . . in a way which enriches and absorbs the reader."—Robert Kirsch, Los Angeles Times

War in Modern US History: A Transatlantic Perspective brings together scholars based primarily in Europe to reconsider the place of war in the modern history of the United States. Although war has been central to the making of US power and global influence, the study of war and the military has often remained fragmented across subfields: military history, diplomatic history, cultural history, social history, American studies, sociology, and political science. This volume argues that a transatlantic and interdisciplinary perspective offers a particularly productive vantage point from which to rethink these divisions. The book approaches war not as a narrowly defined set of military actions but as a “total social act” whose effects extend across political institutions, social hierarchies, cultural representations, technologies, memory, gender, welfare, and everyday life. Its chapters range from the Civil War to the post-9/11 era and examine subjects including military occupation in Tennessee during the Civil War, nuclear communication during the Cold War, World War II intelligence, Cold War role-playing games, military spouses, disabled veterans, US military reform, and the afterlives of American bases in France. Together, they show how the boundaries between war and peace, military and civilian life, domestic and foreign policy, and national and transnational history have been constructed, blurred, and contested over time. By foregrounding the work of scholars trained in differing European academic contexts, the collection also highlights the value of looking at US history from the outside. This perspective challenges assumptions of American exceptionalism, brings US military history into dialogue with European and global historiographies of war, and encourages a broader understanding of the field. With an afterword by Beth Bailey, the volume speaks to scholars interested in the fields of US history, military history, war and society, and American studies and in the global and transnational dimensions of US power. Contributors Beth Bailey Olivier Burtin Malcolm Craig Anne-Lise Dall’Agnola François Doppler-Speranza Lucie Genay Katharina Gerund Andrew Houck Johannes Nagel Hélène Solot Simona Tobia

The First Military Action Authorized by Pennsylvania and How it Changed the Future of the American Colonies
On the morning of September 8, 1756, a band of about three hundred volunteers of a newly created Pennsylvania militia led by Lt. Col. John Armstrong crept slowly through the western Pennsylvania brush. The night before they had reviewed a plan to quietly surround and attack the Lenape, or Delaware, Indian village of Kittanning. The Pennsylvanians had learned that several prominent Delaware who had led recent attacks on frontier settlements as well as a number of white prisoners were at the village. Seeking reprisal, Armstrong’s force successfully assaulted Kittanning, killing one of the Delaware they sought, but causing most to flee—along with their prisoners. Armstrong then ordered the village burned. The raid did not achieve all of its goals, but it did lead to the Indians relocating their villages further away from the frontier settlements. However, it was a major victory for those Pennsylvanians—including some Quaker legislators—who believed the colony must be able to defend itself from outside attack, whether from the French, Indians, or another colony.
In War in the Peaceable Kingdom: The Kittanning Raid of 1756, historian Brady J. Crytzer follows the two major threads that intertwined at Kittanning: the French and Indian War that began in the Pennsylvania frontier, and the bitter struggle between pacifist Quakers and those Quakers and others—most notably, Benjamin Franklin—who supported the need to take up arms. It was a transformational moment for the American colonies. Rather than having a large, pacifist Pennsylvania in the heart of British North America, the colony now joined the others in training soldiers for defense. Ironically, it would be Pennsylvania soldiers who, in the early days of the American Revolution, would be crucial to the survival of George Washington’s army.

The Last Major Combat for American Troops in Germany During the Final Days of World War II
By April 1945, the last German counteroffensive in the west had been defeated, the vaunted Siegfried Line was no more, the Rhine River had been crossed, and major German cities were being bombed relentlessly. The war in Europe appeared to be in its final stages. As American and British armies overran central Germany, the Russians were smashing their way from the east toward Berlin. Optimism reigned up and down the Allied lines. But as the American Army’s 100th Infantry Division pushed along the west bank of the Neckar River across from bomb-shattered Heilbronn, resistance unexpectedly stiffened. In that 700-year-old city, a major industrial and communications center still operating for the benefit of the Nazi war machine, Hitler’s subordinates had battened down for a last-ditch stand. For sheer ferocity, it would exceed anything the now-battle-hardened Americans had experienced. Here, American troops faced a grueling campaign of house-to-house fighting, with Hitler Youth, Volkssturm militia, and an SS division attempting to stop the American advance at this critical sector of the European theater. Having been repeatedly targeted by Alllied aircraft, the city resembled a vast, Hellish ruin, and as American soldiers inched their way forward, they encountered booby traps, withering sniper fire, deadly Panzerfaust rounds, and a fanatical enemy. The nine-day battle for Heilbronn would be the last major combat for American troops in Europe. Within three weeks of their securing the city, Hitler would be dead and Germany defeated.

In War in the Ruins: The American Army’s Final Battle Against Nazi Germany, Edward G. Longacre recounts this neglected but essential chapter in the history of World War II, describing the 100th Division’s swift but grueling advance through the Vosges Mountains, their Rhine River crossing, the assault on the historic Maginot Line, and the ominous approach to Heilbronn. The author then describes the entire bitter battle and its aftermath, using private letters, journals, German and American action reports, and other primary source material, to establish War in the Ruins as an essential volume in the history of World War II in Europe.

War on Error brings together the stories of twelve young people, all vastly different but all American, and all Muslim. Their approaches to religion couldn’t be more diverse: from a rapper of Korean and Egyptian descent to a bisexual Sudanese American to a converted white woman from Colorado living in Cairo and wearing the hijab. These individuals, whether they were born to the religion or came to it on their own, have made their own decisions about how observant they’ll be, whether or not to fast, how often to pray, and what to wear. Though each story is unique, each is also seen through the searching eyes of Melody Moezzi, herself an American Muslim of Iranian descent. She finds that the people she interviews are horrified that, in a post-9/11 world, they have seen their religion come to be represented, in the minds of many Americans, by terrorism. These thoughtful and articulate individuals represent the truth about the faith and its adherents who are drawn to the logic, compassion, and tolerance they find in Muslim teachings. Moezzi, ever comfortable with contradiction and nuance, is a likable narrator whose underlying assumption that “faith is greater than dogma” is strengthened as she learns more about her religion and faces her own biases and blind spots. This fresh new voice, combined with the perceptions and experiences of her fellow American Muslims, make for a read that is both illuminating and enjoyable.

With US soldiers stationed around the world and engaged in multiple conflicts, Americans will be forced for the foreseeable future to come to terms with those permanently disabled in battle. At the moment, we accept rehabilitation as the proper social and cultural response to the wounded, swiftly returning injured combatants to their civilian lives. But this was not always the case, as Beth Linker reveals in her provocative new book, War’s Waste.

 

Linker explains how, before entering World War I, the United States sought a way to avoid the enormous cost of providing injured soldiers with pensions, which it had done since the Revolutionary War. Emboldened by their faith in the new social and medical sciences, reformers pushed rehabilitation as a means to “rebuild” disabled soldiers, relieving the nation of a monetary burden and easing the decision to enter the Great War. Linker’s narrative moves from the professional development of orthopedic surgeons and physical therapists to the curative workshops, or hospital spaces where disabled soldiers learned how to repair automobiles as well as their own artificial limbs. The story culminates in the postwar establishment of the Veterans Administration, one of the greatest legacies to come out of the First World War.

In the three years, eight months, and twenty days of the Khmer Rouge’s deadly reign over Cambodia, an estimated 1.7 million Cambodians perished as a result of forced labor, execution, starvation, and disease. Despite the passage of more than thirty years, two regime shifts, and a contested U.N. intervention, only one former Khmer Rouge official has been successfully tried and sentenced for crimes against humanity in an international court of law to date. It is against this background of war, genocide, and denied justice that Cathy J. Schlund-Vials explores the work of 1.5-generation Cambodian American artists and writers.

Drawing on what James Young labels “memory work”—the collected articulation of large-scale human loss—War, Genocide, and Justice investigates the remembrance work of Cambodian American cultural producers through film, memoir, and music. Schlund-Vials includes interviews with artists such as Anida Yoeu Ali, praCh Ly, Sambath Hy, and Socheata Poeuv. Alongside the enduring legacy of the Killing Fields and post-9/11 deportations of Cambodian American youth, artists potently reimagine alternative sites for memorialization, reclamation, and justice. Traversing borders, these artists generate forms of genocidal remembrance that combat amnesic politics and revise citizenship practices in the United States and Cambodia.

Engaged in politicized acts of resistance, individually produced and communally consumed, Cambodian American memory work represents a significant and previously unexamined site of Asian American critique.

The United States has more than two million people locked away in federal, state, and local prisons. Although most of the U.S. population is non-Hispanic and white, the vast majority of the incarcerated—and policed—is not. In this compelling collection, scholars, activists, and current and former prisoners examine the sensibilities that enable a penal democracy to thrive. Some pieces are new to this volume; others are classic critiques of U.S. state power. Through biography, diary entries, and criticism, the contributors collectively assert that the United States wages war against enemies abroad and against its own people at home.

Contributors consider the interning or policing of citizens of color, the activism of radicals, structural racism, destruction and death in New Orleans following Hurricane Katrina, and the FBI Counterintelligence Program designed to quash domestic dissent. Among the first-person accounts are an interview with Dhoruba Bin Wahad, a Black Panther and former political prisoner; a portrayal of life in prison by a Plowshares nun jailed for her antinuclear and antiwar activism; a discussion of the Puerto Rican Independence Movement by one of its members, now serving a seventy-year prison sentence for sedition; and an excerpt from a 1970 letter by the Black Panther George Jackson chronicling the abuses of inmates in California’s Soledad Prison. Warfare in the American Homeland also includes the first English translation of an excerpt from a pamphlet by Michel Foucault and others. They argue that the 1971 shooting of George Jackson by prison guards was a murder premeditated in response to human-rights and justice organizing by black and brown prisoners and their supporters.

Contributors. Hishaam Aidi, Dhoruba Bin Wahad (Richard Moore), Marilyn Buck, Marshall Eddie Conway, Susie Day, Daniel Defert, Madeleine Dwertman, Michel Foucault, Carol Gilbert, Sirène Harb, Rose Heyer, George Jackson, Joy James, Manning Marable, William F. Pinar, Oscar Lòpez Rivera, Dylan Rodríguez, Jared Sexton, Catherine vön Bulow, Laura Whitehorn, Frank B. Wilderson III

This book explores Andy Warhol’s creative engagement with social class. During the 1960s, as neoliberalism perpetuated the idea that fixed classes were a mirage and status an individual achievement, Warhol’s work appropriated images, techniques, and technologies that have long been described as generically “American” or “middle class.” Drawing on archival and theoretical research into Warhol’s contemporary cultural milieu, Grudin demonstrates that these features of Warhol’s work were in fact closely associated with the American working class. The emergent technologies Warhol conspicuously employed to make his work—home projectors, tape recorders, film and still cameras—were advertised directly to the working class as new opportunities for cultural participation. What’s more, some of Warhol’s most iconic subjects—Campbell’s soup, Brillo pads, Coca-Cola—were similarly targeted, since working-class Americans, under threat from a variety of directions, were thought to desire the security and confidence offered by national brands.
 
Having propelled himself from an impoverished childhood in Pittsburgh to the heights of Madison Avenue, Warhol knew both sides of this equation: the intense appeal that popular culture held for working-class audiences and the ways in which the advertising industry hoped to harness this appeal in the face of growing middle-class skepticism regarding manipulative marketing. Warhol was fascinated by these promises of egalitarian individualism and mobility, which could be profound and deceptive, generative and paralyzing, charged with strange forms of desire. By tracing its intersections with various forms of popular culture, including film, music, and television, Grudin shows us how Warhol’s work disseminated these promises, while also providing a record of their intricate tensions and transformations.
 

By focusing on how the idea of heroism on the battlefield helped construct, perpetuate, and challenge racial and gender hierarchies in the United States between World War I and the present, Warring over Valor provides fresh perspectives on the history of American military heroism. The book offers two major insights into the history of military heroism. First, it reveals a precarious ambiguity in the efforts of minorities such as African Americans, Asian Americans, Native Americans, women, and gay men to be recognized as heroic soldiers. Paradoxically, America’s heroism discourse allowed them to press their case for full membership in the nation, but doing so simultaneously validated the dichotomous interpretations of race and gender they repudiated. The ambiguous role of marginalized groups in war-related hero-making processes also testifies to this volume’s second general insight: the durability and tenacity of the masculine warrior hero in U.S. society and culture. Warring over Valor bridges a gap in the historiography of heroism and military affairs. 

A governor who saw ghosts, an incorrigible horse thief, a husband and wife who each stood over seven feet tall, an American Indian chief who defied forced removal, and the first woman to practice law before the Supreme Court: these are just some of the remarkable characters whose lives influenced and defined the state of Wisconsin. Authors Michael Edmonds and Samantha Snyder plumbed the depths of the Wisconsin Historical Society’s collections to research and compose lively portraits of eighty of these notable individuals: mayors, ministers, mystics, murderers, and everything in between. Each story is followed by recommended sources for readers’ continued exploration. Whether read on the fly or all in one sitting, these short, colorful narratives will intrigue and inform as you delve into Wisconsin’s diverse and diverting history.

An eye-opening first-hand account of life in a WWII shipyard from a woman's perspective 

In 1942, Katherine Archibald, a graduate student at Berkeley, left the halls of academe to spend two years working in a nearby Oakland shipyard. She arrived with a host of preconceptions about the American working class, race relations and the prospect for their improvement, and wartime unity. Her experience working in a shipyard where women were seen as intruders, where "Okies" and black migrants from the South were regarded with barely-disguised hatred, and where trade unions preferred protecting their turf to defending workers' rights, threw much of her liberal faith into doubt.  

Archibald's 1947 book about her experiences, Wartime Shipyard: A Study in Social Disunity, remains a classic account of life and labor on the home front. This new edition includes an introduction written by historians Eric Arnesen and Alex Lichtenstein, who explore Archibald's work in light of recent scholarship on women and African Americans in the wartime workplace. 

Elizabeth Blair Lee was raised in Washington's political circles, and her husband, Samuel Phillips Lee, third cousin to Robert E. Lee, commanded the North Atlantic Blockading Squadron during the Civil War. When they married, Elizabeth promised to write every day they were apart. Of the hundreds of letters with which she kept her promise, Virginia Jeans Laas has edited a choice selection that illuminates the functioning of a nineteenth-century family and the Mrs. Lee's unique perspective on the political and military affairs of the nation's beleaguered capital.
 

In the early decades of the twentieth century, Iowans all across the Hawkeye State succumbed to the nationwide craze for exchanging photographic postcards, mailing each other thousands of images—serious and whimsical—of Uncle Bob and Baby Dora, the Sunday school outing, train wrecks, the Fourth of July celebration, the merchants' carnival, the record-setting blizzard following the bin-busting harvest, the new courthouse, Ackley's Sauer-Kraut Band. Now, thanks to the generosity of David A. Wilson, whose ample collection of photographic cards would be the envy of those early Iowans, Lyell Henry has organized more than two hundred postcards into eight reflective chapters that create a beguiling collective portrait of Iowa life and culture from 1905 to 1919.

In a century characterized by dramatic health-care remedies—bloodletting, purging, and leeching, for example—hydropathy was one of the most celebrated alternative forms of medical care. Unlike these other cures, however, hydropathy, which entailed various applications of cold water, also staunchly advocated the reformation of such personal habits as diet, exercise, dress, and way of life. Susan E. Cayleff explores the relationship between this fascinating sect of nineteenth-century medicine and the women who took the cure.

Wash and Be Healed investigates the theories, practices, medical and social philosophies, institutions, and the most prominent proponents of the water-cure movement and studies them in relation to the diverse reform networks of the nineteenth century. Documenting the popularity and importance of hydropathy among female activists, Cayleff argues that the water-cure movement was overpowered by allopathic (or orthodox) medicine which viewed hydropathy as a crackpot therapeutic largely because of its close association with nineteenth-century social activism. The book gives us an alternative view of social and sexual relationships which should contribute to the growing awareness among scholars that the history of health and healing must be more than the history of allopathic medicine.

It has long been recognized that the much loved and widely revered Congregational minister, the Reverend Washington Gladden, pursued a career that embodied the salient features of what was probably the most dynamic period in the history of religion in America. For Gladden was one of the principal actors in those episodes that constitute the often violent but always exhilarating transition from orthodoxy to a more flexible faith based on principles of social justice and service to mankind that took place between the Civil War and World War I.

Gladden was one of the first among clergymen to respond to the intellectual and social currents that arose to challenge traditional modes of Protestant thought and social action. By the end of the nineteenth century, when both liberal theology and the Social Gospel had, in a sense, triumphed as the dominant forces in American Protestantism, he had achieved recognition as one of the earliest, most constant, and most influential exponents of both movements. He was, in addition, one of their chief popularizers; and his copious writings—some forty books and hundreds of articles—represent classic examples of the liberal, socially-conscious Protestantism that distinguished his age.

Mr. Dorn has provided the first comprehensive study of Gladden’s spectacular career. He traces his life and its influences from his birth in Pennsylvania to his long and successful pastorate at the First Congregational Church in Columbus, Ohio, where he gained national fame in stormy encounters with such prominent figures as the redoubtable Billy Sunday and his wife “Ma,” and for his lucid and vigorous positions on national issues such as the “tainted money” controversy that brought him into conflict with Standard Oil.
 

While Attacking the Irish at Stony Point and Paulus Hook, George Washington Prepared a Bold Plan to End the War in New York City
Despite great limits of money and manpower, George Washington sought to wage an aggressive war in 1779. He launched the Sullivan–Clinton campaign against Britain’s Iroquois allies in upstate New York, and in response to British attacks up the Hudson River and against coastal Connecticut, he authorized raids on British outposts at Stony Point and Paulus Hook. But given power by Congress to plan and execute operations with the French on a continental scale, Washington planned his boldest campaign. When it appeared that the French would bring a fleet and an army to America, and supported by intelligence from his famed “Culper” spy network, the American commander proposed a joint Franco-American attack on the bastion of British power in North America—New York City—to capture its garrison. Such a blow, he hoped, would end the war in 1779.
Based on extensive primary source material, Washington’s War 1779, by historian Benjamin Lee Huggins, describes Washington’s highly detailed plans and extensive prepara­tions for his potentially decisive Franco-American campaign to defeat the British at New York in the fall of 1779. With an emphasis on Washington's generalship in that year—from strategic and operational planning to logistics to diplomacy—and how it had evolved since the early years of the war, the book also details the other offensive operations in 1779, including the attacks in upstate New York, Stony Point, and Paulus Hook. Although the American and French defeat at Savannah, Georgia, prevented Washington from carrying out his New York offensive, Washington gained valuable experience in planning for joint operations that would help him win at Yorktown two years later. 

The recent financial crisis led to sweeping reforms that inspired countless references to the financial reforms of the New Deal. Comparable to the reforms of the New Deal in both scope and scale, the 2,300-page Dodd-Frank Act of 2010—the main regulatory reform package introduced in the United States—also shared with New Deal reforms the assumption that the underlying cause of the crisis was misbehavior by securities market participants, exacerbated by lax regulatory oversight.

With Wasting a Crisis, Paul G. Mahoney offers persuasive research to show that this now almost universally accepted narrative of market failure—broadly similar across financial crises—is formulated by political actors hoping to deflect blame from prior policy errors. Drawing on a cache of data, from congressional investigations, litigation, regulatory reports, and filings to stock quotes from the 1920s and ’30s, Mahoney moves beyond the received wisdom about the financial reforms of the New Deal, showing that lax regulation was not a substantial cause of the financial problems of the Great Depression. As new regulations were formed around this narrative of market failure, not only were the majority largely ineffective, they were also often counterproductive, consolidating market share in the hands of leading financial firms. An overview of twenty-first-century securities reforms from the same analytic perspective, including Dodd-Frank and the Sarbanes-Oxley Act of 2002, shows a similar pattern and suggests that they too may offer little benefit to investors and some measurable harm.

Winner of the 2020 Gourmand Awards, Food Writing Section, USA​

Watching Our Weights explores the competing and contradictory fat representations on television that are related to weight-loss and health, medicalization and disease, and body positivity and fat acceptance. While television—especially reality television—is typically understood to promote individual self-discipline and expert interventions as necessary for transforming fat bodies into thin bodies, fat representations and narratives on television also create space for alternative as well as resistant discourses of the body. Melissa Zimdars thus examines the resistance inherent within TV representations and narratives of fatness as a global health issue, the inherent and overt resistance found across stories of medicalized fatness, and programs that actively avoid dieting narratives in favor of less oppressive ways of thinking about the fat body. Watching Our Weights weaves together analyses of media industry lore and decisions, communication and health policies, medical research, activist projects, popular culture, and media texts to establish both how television shapes our knowledge of fatness and how fatness helps us better understand contemporary television.