28167 books match the query 'History' and 1118 start with w

cover of What Is Africa’s Problem

What Is Africa’s Problem

Yoweri K. Museveni

University of Minnesota Press, 2000

The president of Uganda addresses key questions about Africa’s future.

Recent seismic shifts in Congo and Rwanda have exposed the continued volatility of the state of affairs in central Africa. As African states have shaken off their postcolonial despots, new leaders with sweeping ideas about a pan-African alliance have emerged-and yet the internecine struggles go on. What is Africa’s problem? As one of the leaders expressing a broad and forceful vision for Africa’s future, Uganda’s Yoweri K. Museveni is perhaps better placed than anyone in the world to address the very question his book poses.

In 1986, after more than a decade of armed struggle, a rebellion led by Museveni toppled the dictatorship of Idi Amin, and Museveni, at 42, became president of Uganda, a country at that time in near total disarray. Since then, Uganda has made remarkable strides in political, civic, and economic arenas, and Museveni has assumed the role of "the éminence grise of the new leadership in central Africa" (Philip Gourevitch, New Yorker). As such, he has proven a powerful force for change, not just in Uganda but across the turbulent span of African states.This collection of Museveni’s writings and speeches lays out the possibilities for social change in Africa. Working with a broad historical understanding and an intimate knowledge of the problems at hand, Museveni describes how movements can be formed to foster democracy, how class consciousness can transcend tribal differences in the development of democratic institutions, and how the politics of identity operate in postcolonial Africa. Museveni’s own contributions to the overthrow of Zaire’s Mobutu Sese Seko and to the political transformation of Uganda suggest the kind of change that may sweep Africa in decades to come. What Is Africa’s Problem? gives a firsthand look at what those changes might be, how they might come about, and what they might mean.
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cover of What Is Art History?

What Is Art History?

Mark Roskill

University of Massachusetts Press, 1989

An introduction to the way art history works. A classic in its field, What Is Art History? now appears in a second edition with a new introduction by the author.
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cover of What Is Contemporary Art?

What Is Contemporary Art?

Terry Smith

University of Chicago Press, 2009

Who gets to say what counts as contemporary art? Artists, critics, curators, gallerists, auctioneers, collectors, or the public? Revealing how all of these groups have shaped today’s multifaceted definition, Terry Smith brilliantly shows that an historical approach offers the best answer to the question: What is Contemporary Art?

Smith argues that the most recognizable kind is characterized by a return to mainstream modernism in the work of such artists as Richard Serra and Gerhard Richter, as well as the retro-sensationalism of figures like Damien Hirst and Takashi Murakami. At the same time, Smith reveals, postcolonial artists are engaged in a different kind of practice: one that builds on local concerns and tackles questions of identity, history, and globalization. A younger generation embodies yet a third approach to contemporaneity by investigating time, place, mediation, and ethics through small-scale, closely connective art making. Inviting readers into these diverse yet overlapping art worlds, Smith offers a behind-the-scenes introduction to the institutions, the personalities, the biennials, and of course the works that together are defining the contemporary. The resulting map of where art is now illuminates not only where it has been but also where it is going.

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cover of What Is Fascism?: On the Institutionalization of Ideology

What Is Fascism?

On the Institutionalization of Ideology

George L. Mosse

University of Wisconsin Press, 2026

In 1963, nearly two decades after the end of the most destructive war in human history, George L. Mosse assembled a group of interdisciplinary scholars from diverse backgrounds to answer a seemingly simple question: What is fascism? The landmark seminar that followed, held at Stanford University, came to define the intellectual conversation about European fascism throughout the postwar era. Mosse strove to better understand the legacy of fascism by debating its origins—often contentiously—with the sharpest minds of his generation.

In this volume, which collects Mosse’s lectures as well as his peers’ responses, Mosse and his colleagues wrestle with fascism’s origins and impact. The straightforward question that launched the seminar quickly expands to deeper debates: What are the intellectual foundations of right-wing populist political movements? How had these particular movements risen to power so quickly and then left so much devastation in their wakes? Were charismatic leaders like Hitler and Mussolini driving forces or did the various incarnations of fascism throughout Europe and beyond constitute a broader “revolution”? What was the relationship of religious and cultural institutions to fascism’s rise and cataclysmic fall?

As the word “fascism” takes on new meaning in the twenty-first century, it is more urgent than ever to revisit the work of scholars who witnessed its birth—and its defeat. In the foreword, Stanley G. Payne situates the lively debate in its historical context, and in the critical introduction, James J. Sheehan shares his own memories of the seminar and reflects on how the experience drove Mosse’s later work.

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cover of What Is Paleolithic Art?: Cave Paintings and the Dawn of Human Creativity

What Is Paleolithic Art?

Cave Paintings and the Dawn of Human Creativity

Jean Clottes

University of Chicago Press, 2016

Was it a trick of the light that drew our Stone Age ancestors into caves to paint in charcoal and red hematite, to watch the heads of lions, likenesses of bison, horses, and aurochs in the reliefs of the walls, as they flickered by firelight? Or was it something deeper—a creative impulse, a spiritual dawn, a shamanistic conception of the world efflorescing in the dark, dank spaces beneath the surface of the earth where the spirits were literally at hand?

In this book, Jean Clottes, one of the most renowned figures in the study of cave paintings, pursues an answer to this “why” of Paleolithic art. While other books focus on particular sites and surveys, Clottes’s work is a contemplative journey across the world, a personal reflection on how we have viewed these paintings in the past, what we learn from looking at them across geographies, and what these paintings may have meant—what function they may have served—for their artists. Steeped in Clottes’s shamanistic theories of cave painting, What Is Paleolithic Art? travels from well-known Ice Age sites like Chauvet, Altamira, and Lascaux to visits with contemporary aboriginal artists, evoking a continuum between the cave paintings of our prehistoric past and the living rock art of today. Clottes’s work lifts us from the darkness of our Paleolithic origins to reveal, by firelight, how we think, why we create, why we believe, and who we are.
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cover of What Kind of Island in What Kind of Sea?

What Kind of Island in What Kind of Sea?

Franz Fühmann

Lever Press, 2021

The dignity of cognitively disabled people and the ethics of representing their lives are at the heart of an extraordinary yet little-known book first published in the former German Democratic Republic. Was für eine Insel in was für einem Meer, or What Kind of Island in What Kind of Sea (Rostock, Hinstorff, 1986) depicts residents of a church-run institution for people with cognitive disabilities in astonishing black-and-white photographs by Dietmar Riemann and in a probing, poignant essay by esteemed German writer Franz Fühmann. This important text, which moved from a medical model to a historical and cultural view of disability as an aspect of human identity and experience, is translated into English for the first time by Elizabeth Hamilton and includes reflections on the book and its impact. As fuller, global histories of disability are now being written, What Kind of Island in What Kind of Sea opens an essential window onto a formerly shuttered world, demonstrating the power of the arts to hone our capacity to perceive and appreciate human difference.
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cover of What Makes a Carmelite a Carmelite: Exploring Carmel's Charism

What Makes a Carmelite a Carmelite

Exploring Carmel's Charism

Keith J. Egan

Catholic University of America Press, 2022

Vatican II initiated lively conversations about the identity of religious orders and congregations when the council pointed out that these religious communities are divine gifts in and to the church. Keith Egan examines the nature of these charisms including, not only the original or founders’ charism, but how charisms evolve over the centuries. Special theological attention to these charisms show that they are not something but, in fact, are the dynamic presence of the Holy Spirit. This volume offers a case study the original charism of the Carmelites. The first Carmelites originated when various hermits were displaced by the armies of Saladin. These dislodged hermits sought refuge on Mount Carmel in a ravine facing the Mediterranean Sea. There, these hermits, now Carmelites, sought from Saint Albert, Patriarch of Jerusalem, a description of their life of solitude. Albert’s Formula of Life describes the original Carmelite charism as a life of prayer and contemplation. This Formula eventually became a Rule that made possible a transformation of hermits into friars. Egan is at work on a sequel that examines this radical transformation.
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cover of What Middletown Read: Print Culture in an American Small City

What Middletown Read

Print Culture in an American Small City

Frank Felsenstein

University of Massachusetts Press, 2015

The discovery of a large cache of circulation records from the Muncie, Indiana, Public Library in 2003 offers unprecedented detail about American reading behavior at the turn of the twentieth century. Frank Felsenstein and James J. Connolly have mined these records to produce an in-depth account of print culture in Muncie, the city featured in the famed “Middletown” studies conducted by Robert and Helen Lynd almost a century ago. Using the data assembled and made public through the What Middletown Read Database (www.bsu.edu/libraries/wmr), a celebrated new resource the authors helped launch, Felsenstein and Connolly analyze the borrowing choices and reading culture of social groups and individuals. 

What Middletown Read is much more than a statistical study. Felsenstein and Connolly dig into diaries, meeting minutes, newspaper reports, and local histories to trace the library's development in relation to the city's cosmopolitan aspirations, to profile individual readers, and to explore such topics as the relationship between children's reading and their schooling and what books were discussed by local women's clubs. The authors situate borrowing patterns and reading behavior within the contexts of a rapidly growing, culturally ambitious small city, an evolving public library, an expanding market for print, and the broad social changes that accompanied industrialization in the United States. The result is a rich, revealing portrait of the place of reading in an emblematic American community.

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cover of What Music Did: The Story of Numerocracy in the West

What Music Did

The Story of Numerocracy in the West

Tony Conrad. Edited by Patrick Nickleson

University of Michigan Press, 2026

In What Music Did, experimental filmmaker and violinist Tony Conrad explores in depth the relationship between music and mathematics. A work of decades that was left unfinished at the time of his death in 2016, Conrad’s expansive history of the interrelationship of music and mathematics is published here for the first time. Editor Patrick Nickleson describes Conrad’s method as that of an anarchic, interarts haberdasher; much of the research comes from musty and out-of-print sources, giving the impression that Conrad followed paths opened up for him in used book shops and conversations, rather than seeking a direct scholarly argument. 

Throughout the book, readers encounter scenes from over two thousand years of history, mathematics, and music: Pythagoras using pebbles to articulate didactic number games to his disciples; Galileo fretting a hill and listening with a musician’s ear to calculate the rate of acceleration under gravity; Rameau trapping Western music in a five-limit tuning system, and what could have been if he were more adept with numbers. Even when drawing on classical sources to explore canonical figures like Saint Augustine, What Music Did offers idiosyncratic critical insights that highlight our ongoing cultural reverence when answers result in simple whole number ratios like 3:2, 4:3, or 5:4. What Music Did is Tony Conrad’s extended indictment of music’s role, from the Pythagoreans to the twentieth century, in upholding the use of number as a clandestine and circumscribed armature of power.
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cover of What Nostalgia Was: War, Empire, and the Time of a Deadly Emotion

What Nostalgia Was

War, Empire, and the Time of a Deadly Emotion

Thomas Dodman

University of Chicago Press, 2017

Nostalgia today is seen as essentially benign, a wistful longing for the past. This wasn't always the case, however: from the late seventeenth century through the end of the nineteenth, nostalgia denoted a form of homesickness so extreme that it could sometimes be deadly.
 
What Nostalgia Was unearths that history. Thomas Dodman begins his story in Basel, where a nineteen-year-old medical student invented the new diagnosis, modeled on prevailing notions of melancholy. From there, Dodman traces its spread through the European republic of letters and into Napoleon's armies, as French soldiers far from home were diagnosed and treated for the disease. Nostalgia then gradually transformed from a medical term to a more expansive cultural concept, one that encompassed Romantic notions of the aesthetic pleasure of suffering. But the decisive shift toward its contemporary meaning occurred in the colonies, where Frenchmen worried about racial and cultural mixing came to view moderate homesickness as salutary. An afterword reflects on how the history of nostalgia can help us understand the transformations of the modern world, rounding out a surprising, fascinating tour through the history of a durable idea.
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cover of What Remains: Searching for the Memory and Lost Grave of John Paul Jones

What Remains

Searching for the Memory and Lost Grave of John Paul Jones

Robert Hornick

University of Massachusetts Press, 2017

John Paul Jones is now considered a Revolutionary War hero and the father of the American Navy, his defiant words “I have not yet begun to fight!” the epitome of courage under fire. It has not always been so. When the Revolutionary War ended, Jones's celebrity vanished. His death in Paris a decade later went unnoticed; he was buried in a foreign grave and forgotten by his fellow Americans.

In What Remains, Robert Hornick explores why Jones was forgotten, the subsequent recovery of his memory and remains, and the much delayed commemoration of his achievement. The book chronicles the efforts of the men and women who, in the nineteenth and early twentieth centuries, reconstructed Jones's legacy, searched for and finally found his lost grave, and returned both his physical remains and his memory to a place of honor. It also recounts the extraordinary moment when Theodore Roosevelt utilized Jones's commemoration to proclaim America a global power. What Remains offers a fascinating story of opportunists and evangelists: of politicians who needed Jones to advance their agendas, but also of fellow warriors committed to recovering one of their own from obscurity and shame.

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cover of What Soldiers Do: Sex and the American GI in World War II France

What Soldiers Do

Sex and the American GI in World War II France

Mary Louise Roberts

University of Chicago Press, 2013

How do you convince men to charge across heavily mined beaches into deadly machine-gun fire? Do you appeal to their bonds with their fellow soldiers, their patriotism, their desire to end tyranny and mass murder? Certainly—but if you’re the US Army in 1944, you also try another tack: you dangle the lure of beautiful French women, waiting just on the other side of the wire, ready to reward their liberators in oh so many ways.

That’s not the picture of the Greatest Generation that we’ve been given, but it’s the one Mary Louise Roberts paints to devastating effect in What Soldiers Do. Drawing on an incredible range of sources, including news reports, propaganda and training materials, official planning documents, wartime diaries, and memoirs, Roberts tells the fascinating and troubling story of how the US military command systematically spread—and then exploited—the myth of French women as sexually experienced and available. The resulting chaos—ranging from flagrant public sex with prostitutes to outright rape and rampant venereal disease—horrified the war-weary and demoralized French population. The sexual predation, and the blithe response of the American military leadership, also caused serious friction between the two nations just as they were attempting to settle questions of long-term control over the liberated territories and the restoration of French sovereignty. 

While never denying the achievement of D-Day, or the bravery of the soldiers who took part, What Soldiers Do reminds us that history is always more useful—and more interesting—when it is most honest, and when it goes beyond the burnished beauty of nostalgia to grapple with the real lives and real mistakes of the people who lived it.
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cover of What That Pig Said to Jesus: On the Uneasy Permanence of Immigrant Life

What That Pig Said to Jesus

On the Uneasy Permanence of Immigrant Life

Philip Garrison

University of Utah Press, 2017

Philip Garrison says his book of essays is “in praise of mixed feelings,” particularly the mixed feelings he and his neighbors have toward the places they came from. His neighborhood is the Columbia Plateau, one of many North American nodes of immigration. Following a meandering, though purposeful trail, Garrison catches hillbillies and newer Mexican arrivals in ambiguous, wary encounters on a set four hundred years in the making, built on a foundation of Native American displacement. Garrison is the product of the earlier surge of new arrivals: from the 1930s to the 1970s, those he calls hillbillies left such mid-nation states as Arkansas, Missouri, Oklahoma, Kansas, and the Dakotas for the West. The more recent wave, from 1990 to 2010, came mostly from the central plateau of Mexico. These are folks with whom Garrison communes in multiple ways. Anecdotes from sources as varied as pioneer diaries, railroad promotions, family Bibles, Wikipedia, and local gossip “portray the region's immigration as a kind of identity makeover, one that takes the form first of breakdown, then of reassembly, and finally of renewal.” Garrison’s mix of slangy memoir and anthropological field notes shines light on the human condition in today’s West. 

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cover of What The Body Cost: Desire, History, And Performance

What The Body Cost

Desire, History, And Performance

Jane Blocker

University of Minnesota Press, 2004

Reexamines rebelliousness and desire in the history of performance art

Because performance is by its very nature ephemeral, it elicits a desire for what is lost more than any other form of art making. But what is the nature of that desire, and on what models has it been structured? How has it affected the ways in which the history of performance art gets told?

In What the Body Cost, Jane Blocker revisits key works in performance art by Carolee Schneemann, Vito Acconci, Hannah Wilke, Yves Klein, Ana Mendieta, and others to challenge earlier critiques that characterize performance, or body art, as a purely revolutionary art form and fail to recognize its reactionary—and sometimes damaging—effects. The scholarship to date on performance art has not, she finds, gone far enough in locating the body at the center of the performance, nor has it acknowledged the psychic, emotional, or social costs exacted on that body. Drawing on the work of critical theorists such as Roland Barthes and Catherine Belsey, as well as queer theory and feminism, What the Body Cost reads against patriarchal and heteronormative tendencies in art history while providing a corrective to the established view that performance art is necessarily transgressive. Instead, Blocker suggests that the historiography of performance art is a postmodern lovers’s discourse in which practitioners, historians, and critics alike fervently seek the body while doubting it can ever be found.
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cover of What They Stole: A Familicide Rooted in Intercountry Adoption

What They Stole

A Familicide Rooted in Intercountry Adoption

Paige Towers

University of Iowa Press, 2026

In 1955, following the devastation of the Korean War, Bertha and Harry Holt made headlines for adopting eight Korean children. Driven by evangelical convictions and emboldened by a special act of Congress, the couple founded the Holt Adoption Program, which would facilitate the migration of tens of thousands of Korean children to the United States over the following decades.

The Sueppels were among the families profoundly shaped by the legacy of the Holt Adoption Program. To their suburban Iowa City community, Steven and Sheryl Sueppel were kind and charitable, humble yet magnetic—seemingly ideal candidates to adopt. But in 2008, when Steven found himself facing federal embezzlement and money laundering charges, he murdered Sheryl and their adopted children before ending his own life.

Paige Towers traces the interwoven histories of the Holts and the Sueppels, exploring the deeper, often hidden complexities of intercountry adoption: the ethical gray zones, the influences of religion and race, and the global inequalities that made such large-scale child migration possible. Meticulously researched and sensitive with its storytelling, What They Stole examines how good intentions can coexist with systemic harm—and how the consequences of systems like the Holts’ can reverberate across generations.
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cover of What We Have Done: An Oral History of the Disability Rights Movement

What We Have Done

An Oral History of the Disability Rights Movement

Fred Pelka

University of Massachusetts Press, 2012

“Nothing about us without us” has been a core principle of American disability rights activists for more than half a century. It represents a response by people with disabilities to being treated with scorn and abuse or as objects of pity, and to having the most fundamental decisions relating to their lives—where they would live; if and how they would be educated; if they would be allowed to marry or have families; indeed, if they would be permitted to live at all—made by those who were, in the parlance of the movement, “temporarily able-bodied.”

In What We Have Done: An Oral History of the Disability Rights Movement, Fred Pelka takes that slogan at face value. He presents the voices of disability rights activists who, in the period from 1950 to 1990, transformed how society views people with disabilities, and recounts how the various streams of the movement came together to push through the Americans with Disabilities Act of 1990, the most sweeping civil rights legislation since passage of the Civil Rights Act of 1964. Beginning with the stories of those who grew up with disabilities in the 1940s and '50s, the book traces how disability came to be seen as a political issue, and how people with disabilities—often isolated, institutionalized, and marginalized—forged a movement analogous to the civil rights, women's rights, and gay rights movements, and fought for full and equal participation in American society.

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cover of What We Know, What We Wish: Maine Statehood, Historical Commemoration, and the Urgency of Public History

What We Know, What We Wish

Maine Statehood, Historical Commemoration, and the Urgency of Public History

Edited by Liam Riordan and Richard W. Judd

University of Massachusetts Press, 2025

Cities, states, and nations are grappling with how best to commemorate historical events and anniversaries in ways that are fair, accurate, and open public dialogue about the often contested past. This volume springs from varied approaches to the historical commemoration of Maine’s state bicentennial in 2020 that involved academics, independent scholars, local and statewide cultural organizations, sovereign Wabanaki nations, and the state itself in the form of the Maine State Bicentennial Commission. While wide-ranging in their goals and values, all sought to take advantage of opportunities for collaboration to contribute to a dynamic and multi-faceted practice of public history. These new essays use Maine’s bicentennial as a focal point to put public history theory into action. Its diverse contributors share stories about the past that move beyond celebration to reflect crucial ways that the past shapes our understanding of the present and our aspirations for the future.

This volume’s core argument is that academics need to collaborate more fully with independent scholars, history-based cultural institutions, and the general public in order for public history to thrive and to improve the quality of civic life. What We Know, What We Wish does this through wide ranging essays that discuss the long statehood era in Maine from the 1770s to 1820s as well as its legacies in the state centennial commemoration of 1920 and museum exhibits from the 2020 bicentennial. The occupational and cultural diversity of the collection’s contributors together with the content of their essays offer a model for how to put public history principles into practice to foreground meaningful historical reflection that is urgently needed in divided communities around the world.

Contributors include the volume editors, as well as Maulian Bryant, Osihkiyol (Zeke) Crofton-Macdonald, Charles H. Lagerbom, Ryan LaRochelle, Stuart Kestenbaum, Michael McVaugh, Kevin D. Murphy, Micah A. Pawling, Jessica Skwire Routhier, Donald Soctomah, Laura Fecych Sprague, Alan Taylor, and Laurel Thatcher Ulrich.

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cover of What We Made: Conversations on Art and Social Cooperation

What We Made

Conversations on Art and Social Cooperation

Tom Finkelpearl

Duke University Press, 2013

In What We Made, Tom Finkelpearl examines the activist, participatory, coauthored aesthetic experiences being created in contemporary art. He suggests social cooperation as a meaningful way to think about this work and provides a framework for understanding its emergence and acceptance. In a series of fifteen conversations, artists comment on their experiences working cooperatively, joined at times by colleagues from related fields, including social policy, architecture, art history, urban planning, and new media. Issues discussed include the experiences of working in public and of working with museums and libraries, opportunities for social change, the lines between education and art, spirituality, collaborative opportunities made available by new media, and the elusive criteria for evaluating cooperative art. Finkelpearl engages the art historians Grant Kester and Claire Bishop in conversation on the challenges of writing critically about this work and the aesthetic status of the dialogical encounter. He also interviews the often overlooked co-creators of cooperative art, "expert participants" who have worked with artists. In his conclusion, Finkelpearl argues that pragmatism offers a useful critical platform for understanding the experiential nature of social cooperation, and he brings pragmatism to bear in a discussion of Houston's Project Row Houses.

Interviewees. Naomi Beckwith, Claire Bishop, Tania Bruguera, Brett Cook, Teddy Cruz, Jay Dykeman, Wendy Ewald, Sondra Farganis, Harrell Fletcher, David Henry, Gregg Horowitz, Grant Kester, Mierle Laderman Ukeles, Pedro Lasch, Rick Lowe, Daniel Martinez, Lee Mingwei, Jonah Peretti, Ernesto Pujol, Evan Roth, Ethan Seltzer, and Mark Stern

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cover of What Women Watched: Daytime Television in the 1950s

What Women Watched

Daytime Television in the 1950s

By Marsha F. Cassidy

University of Texas Press, 2005

In this pathfinding book, based on original archival research, Marsha F. Cassidy offers the first thorough analysis of daytime television's earliest and most significant women's genres, appraising from a feminist perspective what women watched before soap opera rose to prominence.

After providing a comprehensive history of the early days of women's programming across the nation, Cassidy offers a critical discussion of the formats, programs, and celebrities that launched daytime TV in America—Kate Smith's variety show and the famed singer's unsuccessful transition from patriotic radio star to 1950s TV idol; the "charm boys" Garry Moore, Arthur Godfrey, and Art Linkletter, whose programs honored women's participation but in the process established the dominance of male hosts on TV; and the "misery shows" Strike It Rich and Glamour Girl and the controversy, both critical and legal, they stirred up.

Cassidy then turns to NBC's Home show, starring the urbane Arlene Francis, who infused the homemaking format with Manhattan sophistication, and the ambitious daily anthology drama Matinee Theater, which strove to differentiate itself from soap opera and become a national theater of the air. She concludes with an analysis of four popular audience participation shows of the era—the runaway hit Queen for a Day; Ralph Edwards's daytime show of surprises, It Could Be You; Who Do You Trust?, starring a youthful Johnny Carson; and The Big Payoff, featuring Bess Myerson, the country's first Jewish Miss America. Cassidy's close feminist reading of these shows clearly demonstrates how daytime TV mirrored the cultural pressures, inconsistencies, and ambiguities of the postwar era.

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cover of What Work Is

What Work Is

Robert Bruno

University of Illinois Press, 2024

A distinctive exploration of how workers see work

For more than twenty years, Robert Bruno has taught labor history and labor studies to union members from a wide range of occupations and demographic groups. In the class, he asked his students to finish the question “Work is—?” in six words or less. The thousands of responses he collected provide some of the rich source material behind What Work Is. Bruno draws on the thoughts and feelings experienced by workers in the present day to analyze how we might design a future of work. He breaks down perceptions of work into five categories: work and time; the space workers occupy; the impact of work on our lives; the sense of purpose that motivates workers; and the people we work for, in all senses of the term.

Far-seeing and sympathetic, What Work Is merges personal experiences with research, poetry, and other diverse sources to illuminate workers’ lives in the present and envision what work could be in the future.

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cover of What You See in the Dark: A Novel

What You See in the Dark

A Novel

Manuel Muñoz and Charles Taylor

Northwestern University Press, 2025

A doomed love story unfolds alongside the production of Psycho in 1950s Bakersfield, California

Muñoz’s debut novel tells the story of Teresa, an aspiring singer too far away from Los Angeles to share the city’s glamour. In Dan Watson, the most desirable man in town, she believes she has found someone to help her realize those dreams. But when a famous actress arrives from Hollywood with a legendary director in tow, local gossip about Teresa and Dan turns to speculation about the celebrity visitors there to work on what will become an iconic, groundbreaking film of madness and murder at a roadside motel: Alfred Hitchcock’s Psycho. Framed by a foreword from film critic Charles Taylor, Muñoz’s haunting tale reflects “the slow winding down of everything that once seemed certain.”

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cover of What a Woman Ought to Be and to Do: Black Professional Women Workers during the Jim Crow Era

What a Woman Ought to Be and to Do

Black Professional Women Workers during the Jim Crow Era

Stephanie J. Shaw

University of Chicago Press, 1996

Stephanie J. Shaw takes us into the inner world of American black professional women during the Jim Crow era. This is a story of struggle and empowerment, of the strength of a group of women who worked against daunting odds to improve the world for themselves and their people. Shaw's remarkable research into the lives of social workers, librarians, nurses, and teachers from the 1870s through the 1950s allows us to hear these women's voices for the first time. The women tell us, in their own words, about their families, their values, their expectations. We learn of the forces and factors that made them exceptional, and of the choices and commitments that made them leaders in their communities.

What a Woman Ought to Be and to Do brings to life a world in which African-American families, communities, and schools worked to encourage the self-confidence, individual initiative, and social responsibility of girls. Shaw shows us how, in a society that denied black women full professional status, these girls embraced and in turn defined an ideal of "socially responsible individualism" that balanced private and public sphere responsibilities. A collective portrait of character shaped in the toughest circumstances, this book is more than a study of the socialization of these women as children and the organization of their work as adults. It is also a study of leadership—of how African American communities gave their daughters the power to succeed in and change a hostile world.
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cover of What is Contemporary Art?

What is Contemporary Art?

Alexander García Düttmann

Diaphanes, 2019

Art today is often practiced in perfect conformity with the neoliberal zeitgeist, often even denying its own radical potential. What is Contemporary Art? lucidly examines the relationship between art and politics in our time. Addressing the heart of the political-aesthetic debate, Alexander Garcia Düttmann shows how the radicality of contemporary art actually serves to strengthen today’s political ideologies, ultimately frustrating rather than propelling real social change as a result.
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cover of What is Modern Israel?

What is Modern Israel?

Yakov M. Rabkin

Pluto Press, 2016

Few countries provoke as much passion and controversy as Israel. What is Modern Israel? convincingly demonstrates that its founding ideology - Zionism - is anything but a simple reaction to antisemitism. Dispelling the notion that every Jew is a Zionist and therefore a natural advocate for the state of Israel, Yakov Rabkin points to the Protestant roots of Zionism, in order to explain the particular support Israel musters in the United States. 

Drawing on many overlooked pages of history, including English, French, Hebrew, Yiddish and Russian sources, Yakov Rabkin shows that Zionism was conceived as a sharp break with Judaism and Jewish continuity. Israel’s past and present must be seen in the context of European ethnic nationalism, colonial expansion and geopolitical interests, rather than as an incarnation of Biblical prophecies or a culmination of Jewish history.
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cover of What the Anti-Federalists Were For: The Political Thought of the Opponents of the Constitution

What the Anti-Federalists Were For

The Political Thought of the Opponents of the Constitution

Herbert J. Storing

University of Chicago Press, 1981

The Anti-Federalists, in Herbert J. Storing's view, are somewhat paradoxically entitled to be counted among the Founding Fathers and to share in the honor and study devoted to the founding. "If the foundations of the American polity was laid by the Federalists," he writes, "the Anti-Federalist reservations echo through American history; and it is in the dialogue, not merely in the Federalist victory, that the country's principles are to be discovered." It was largely through their efforts, he reminds us, that the Constitution was so quickly amended to include a bill of rights.

Storing here offers a brilliant introduction to the thought and principles of the Anti-Federalists as they were understood by themselves and by other men and women of their time. His comprehensive exposition restores to our understanding the Anti-Federalist share in the founding its effect on some of the enduring themes and tensions of American political life. The concern with big government and infringement of personal liberty one finds in the writings of these neglected Founders strikes a remarkably timely note.
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cover of What the Anti-Federalists Were For: The Political Thought of the Opponents of the Constitution

What the Anti-Federalists Were For

The Political Thought of the Opponents of the Constitution

Herbert J. Storing

University of Chicago Press, 1981

This is an auto-narrated audiobook version of this book. 

The Anti-Federalists, in Herbert J. Storing's view, are somewhat paradoxically entitled to be counted among the Founding Fathers and to share in the honor and study devoted to the founding. "If the foundations of the American polity was laid by the Federalists," he writes, "the Anti-Federalist reservations echo through American history; and it is in the dialogue, not merely in the Federalist victory, that the country's principles are to be discovered." It was largely through their efforts, he reminds us, that the Constitution was so quickly amended to include a bill of rights.

Storing here offers a brilliant introduction to the thought and principles of the Anti-Federalists as they were understood by themselves and by other men and women of their time. His comprehensive exposition restores to our understanding the Anti-Federalist share in the founding its effect on some of the enduring themes and tensions of American political life. The concern with big government and infringement of personal liberty one finds in the writings of these neglected Founders strikes a remarkably timely note.
[more]
cover of What the Butler Winked At: Being the Life and Adventures of Eric Horne, Butler

What the Butler Winked At

Being the Life and Adventures of Eric Horne, Butler

Eric Horne

Westholme Publishing, 2011

A Memoir of the Real Downton Abbey Experience
Eric Horne served as a butler in some of the great English country manors from the 1860s until just after World War I, when many of the families whose heirs died in battle were forced to sell off their homes. Born in Southampton, Horne came from a humble family who valued education. Horne excelled in school and wished to go to sea, but lacking his parents’ permission, he instead ended up as a footboy for a local household. Over the years, Horne moved up in the service of the aristocracy: his goal was to become butler to the king of England, a position he very nearly secured. He did end up in the service of several distinguished households for many decades, and upon his retirement in 1922, he decided to write his memoir. Horne is a unique voice; not only did he have intimate contact with his employers and the household staff, he also possessed literary talent, so that his account provides authentic detail as well as shrewd—and often witty—views of the aristocracy, the servants, and their activities. Horne is not sentimental though; he does not think that he used his life wisely, having never learned a true trade. He reveals the plight of the servant class, where once a butler lost his employment—particularly following the devastation of World War I—he was likely to end up in a poorhouse, because employers did not usually provide pensions and servants were rarely able to save enough money to survive on their own. What the Butler Winked At is a fascinating and essential account of life in a country house during the height of the Victorian and Edwardian eras.

[more]
cover of What's Fair on the Air?: Cold War Right-Wing Broadcasting and the Public Interest

What's Fair on the Air?

Cold War Right-Wing Broadcasting and the Public Interest

Heather Hendershot

University of Chicago Press, 2011

The rise of right-wing broadcasting during the Cold War has been mostly forgotten today. But in the 1950s and ’60s you could turn on your radio any time of the day and listen to diatribes against communism, civil rights, the United Nations, fluoridation, federal income tax, Social Security, or JFK, as well as hosannas praising Barry Goldwater and Jesus Christ. Half a century before the rise of Rush Limbaugh and Glenn Beck, these broadcasters bucked the FCC’s public interest mandate and created an alternate universe of right-wing political coverage, anticommunist sermons, and pro-business bluster.
 
A lively look back at this formative era, What’s Fair on the Air? charts the rise and fall of four of the most prominent right-wing broadcasters: H. L. Hunt, Dan Smoot, Carl McIntire, and Billy James Hargis. By the 1970s, all four had been hamstrung by the Internal Revenue Service, the FCC’s Fairness Doctrine, and the rise of a more effective conservative movement. But before losing their battle for the airwaves, Heather Hendershot reveals, they purveyed ideological notions that would eventually triumph, creating a potent brew of religion, politics, and dedication to free-market economics that paved the way for the rise of Ronald Reagan, the Moral Majority, Fox News, and the Tea Party.
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cover of What's Left of the Left: Democrats and Social Democrats in Challenging Times

What's Left of the Left

Democrats and Social Democrats in Challenging Times

James Cronin, George Ross, and James Shoch, eds.

Duke University Press, 2011

In What’s Left of the Left, distinguished scholars of European and U.S. politics consider how center-left political parties have fared since the 1970s. They explore the left’s responses to the end of the postwar economic boom, the collapse of the Soviet Union, the erosion of traditional party politics, the expansion of market globalization, and the shift to a knowledge-based economy. Their comparative studies of center-left politics in Scandinavia, France, Germany, southern Europe, post–Cold War Central and Eastern Europe, the United Kingdom, and the United States emphasize differences in the goals of left political parties and in the political, economic, and demographic contexts in which they operate. The contributors identify and investigate the more successful center-left initiatives, scrutinizing how some conditions facilitated them, while others blocked their emergence or limited their efficacy. In the contemporary era of slow growth, tight budgets, and rapid technological change, the center-left faces pressing policy concerns, including immigration, the growing population of the working poor, and the fate of the European Union. This collection suggests that such matters present the left with daunting but by no means insurmountable challenges.

Contributors. Sheri Berman, James Cronin, Jean-Michel de Waele, Arthur Goldhammer, Christopher Howard, Jane Jenson, Gerassimos Moschonas, Sofia Pérez, Jonas Pontusson, George Ross, James Shoch, Sorina Soare, Ruy Teixeira

[more]
cover of What's Next?: Eco Materialism and Contemporary Art

What's Next?

Eco Materialism and Contemporary Art

Linda Weintraub

Intellect Books, 2019

By paying tribute to matter, materiality, and materialization, the examples of contemporary art assembled in What’s Next? Eco Materialism and Contemporary Art challenge the social, cultural, and ethical norms that prevailed in the twentieth century. This significant frontier of contemporary culture is identified as ‘Eco Materialism’ because it affirms the emergent philosophy of Neo Materialism and attends to the pragmatic urgency of environmentalism. 
 
In this highly original book, Linda Weintraub surveys the work of forty international artists who present materiality as a strategy to convert society’s environmental neglect into responsible stewardship. These bold art initiatives, enriched by their associations with philosophy, ecology, and cultural critique, bear the hallmark of a significant new art movement. This accessible text, augmented with visuals, charts, and questionnaires, invites students and a wider readership to engage in this timely arena of contemporary art.
[more]
cover of What's True in Mormon Folklore?: The Contribution of Folklore to Mormon Studies

What's True in Mormon Folklore?

The Contribution of Folklore to Mormon Studies

William Wilson

Utah State University Press, 2008

13th volume in the Leonard J. Arrington Lecture Series
[more]
cover of Whatever Happened to Party Government?: Controversies in American Political Science

Whatever Happened to Party Government?

Controversies in American Political Science

Mark Wickham-Jones

University of Michigan Press, 2018

In 1950, the Committee on Political Parties of the American Political Science Association (APSA) published its much-anticipated report, Toward a More Responsible Two-Party System. Highly critical of the existing state of affairs, the report became extremely controversial: before publication, scholars attacked the committee’s draft and suggested it should be suppressed. When released it received a barrage of criticisms. Most academics concluded it was an ill-conceived and mistaken initiative.

Mark Wickham-Jones provides the first full, archival-based assessment of the arguments within APSA about political parties and the 1950 report. He details the report’s failure to generate wider discussion between media, politicians, and the White House. He examines whether it was dominated by a dogmatic attachment to “party government,” and charts the relationship between behavioralists and institutionalists. He also discusses the political dimension to research during the McCarthyite years, and reflects on the nature of American political science in the years after 1945, the period in which behavioralism (which privileges the influence of individuals over institutions) became dominant.

Detailing APSA’s most direct and significant intervention in the political process, Wickham-Jones makes an important contribution to debates that remain in the forefront of discussions about American politics.

[more]
cover of Wheat Flour Messiah: Eric Jansson of Bishop Hill

Wheat Flour Messiah

Eric Jansson of Bishop Hill

Paul Elmen

Southern Illinois University Press, 1997

Wheat Flour Messiah follows the career of Eric Jansson from his boyhood on a farm near Biskopskulla (Bishop’s Hill) in Sweden until his murder in Illinois by a crazed follower in 1850. He was an untutored but brilliant charismatic leader, who by sheer insolence and self-confidence defied both the Swedish state church and the secular government and persuaded some twelve hundred of his wheat flour customers to throw in their lot with him. The essence of his teaching was that anyone who so desired could receive the grace of God in such rich measure that he would instantly be freed of sin and live in angelic innocence from then on. This doctrine was an imperfectly understood version of Methodist perfectionism, held without Wesleyan safeguards, and it doomed his followers to civil war against the Lutheran church.

Jansson went north to Hälsingland in Sweden to sell wheat flour, but his deeper intention was to hold large religious services in the farmyards of followers. On three occasions he and his followers burned all the allegedly heretical books written by such men as Luther, Nohrborg, and Arndt, singing hymns while the flames "destroyed the works of the Devil." Jansson was jailed six times, and six times he was freed. After his last trial, as he was being escorted to jail, he escaped and later arranged passage to America. His disciples followed him in a series of Atlantic crossings during 1847–49 and settled the utopian colony of Bishop Hill, 150 miles west of Chicago. They built impressive buildings, plowed the virgin prairie, and began some successful industry making wagons and weaving rugs.

Two fateful events spelled the doom of this utopian dream. The first, the cholera epidemic of 1849,killed over two hundred of the colonists. The other was the arrival of John Root, who subsequently married Jansson’s cousin, Charlotte, and who, after a series of altercations with Jansson over Charlotte, shot him to death in Cambridge, Illinois. The colony did not long survive without its Prophet, and ten years later the utopian dream ended. Today Bishop Hill remains little changed from a century ago—a colorful memory of American beginnings, a vivid reminder of its fascinating past.

Dr. Elmen’s book tells for the first time the life story of a folk hero, Eric Jansson. The Bishop Hill Colony was clearly the lengthened shadow of this extraordinary man. Students of utopian colonies, teachers and students of American history and religious movements will find here a definitive account of this piece of the American past. Any reader interested in the American Dream will enjoy this account of a vanished people who thought they could find somewhere on earth a great, good place, and who had to learn after much suffering that one cannot express in waking reality the character of man in his dreams.

[more]
cover of Wheel Fever: How Wisconsin Became a Great Bicycling State

Wheel Fever

How Wisconsin Became a Great Bicycling State

Jesse J. Gant

Wisconsin Historical Society Press, 2013

On rails-to-trails bike paths, city streets, and winding country roads, the bicycle seems ubiquitous in the Badger State. Yet there’s a complex and fascinating history behind the popularity of biking in Wisconsin—one that until now has never been told. Meticulously researched through periodicals and newspapers, Wheel Fever traces the story of Wisconsin’s first “bicycling boom,” from the velocipede craze of 1869 through the “wheel fever” of the 1890s. It was during this crucial period that the sport Wisconsinites know and adore first took shape. From the start it has been defined by a rich and often impassioned debate over who should be allowed to ride, where they could ride, and even what they could wear. 
 Many early riders embraced the bicycle as a solution to the age-old problem of how to get from here to there in the quickest and easiest way possible. Yet for every supporter of the “poor man’s horse,” there were others who wanted to keep the rights and privileges of riding to an elite set. Women, the working class, and people of color were often left behind as middle- and upper-class white men benefitted from the “masculine” sport and all-male clubs and racing events began to shape the scene. Even as bikes became more affordable and accessible, a culture defined by inequality helped create bicycling in its own image, and these limitations continue to haunt the sport today.
Wheel Fever is about the origins of bicycling in Wisconsin and why those origins still matter, but it is also about our continuing fascination with all things bicycle. From “boneshakers” to high-wheels, standard models to racing bikes, tandems to tricycles, the book is lushly illustrated with never-before-seen images of early cycling, and the people who rode them: bloomer girls, bicycle jockeys, young urbanites, and unionized workers.
Laying the foundations for a much-beloved recreation, Wheel Fever challenges us to imagine anew the democratic possibilities that animated cycling’s early debates.
[more]
cover of Wheeling's Polonia: Reconstructing Polish Community in a West Virginia Steel Town

Wheeling's Polonia

Reconstructing Polish Community in a West Virginia Steel Town

William Hal Gorby

West Virginia University Press, 2020

William Hal Gorby’s study of Wheeling’s Polish community weaves together stories of immigrating, working, and creating a distinctly Polish American community, or Polonia, in the heart of the upper Ohio Valley steel industry. It addresses major topics in the history of the United States in the first half of the twentieth century, while shifting from urban historians’ traditional focus on large cities to a case study in a smaller Appalachian setting.
 
Wheeling was a center of West Virginia’s labor movement, and Polish immigrants became a crucial element within the city’s active working-class culture. Arriving at what was also the center of the state’s Roman Catholic Diocese, Poles built religious and fraternal institutions to support new arrivals and to seek solace in times of economic strain and family hardship. The city’s history of crime and organized vice also affected new immigrants, who often lived in neighborhoods targeted for selective enforcement of Prohibition.
 
At once a deeply textured evocation of the city’s ethnic institutions and an engagement with larger questions about belonging, change, and justice, Wheeling’s Polonia is an inspiring account of a diverse working-class culture and the immigrants who built it.
 
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cover of When America Became Suburban

When America Became Suburban

Robert A. Beauregard

University of Minnesota Press, 2006

In the decades after World War II, the United States became the most prosperous nation in the world and a superpower whose dominance was symbolized by the American suburbs. Spurred by the decline of its industrial cities and by mass suburbanization, people imagined a new national identity—one that emphasized consumerism, social mobility, and a suburban lifestyle. The urbanity of the city was lost. In When America Became Suburban, Robert A. Beauregard examines this historic intersection of urban decline, mass suburbanization, domestic prosperity, and U.S. global aspirations as it unfolded from 1945 to the mid-1970s. Suburban expansion and the subsequent emergence of sprawling Sunbelt cities transformed every aspect of American society. Assessing the global implications of America’s suburban way of life as evidence of the superiority of capitalist democracy, Beauregard traces how the suburban ideology enabled America to distinguish itself from both the Communist bloc and Western Europe, thereby deepening its claim of exceptionalism on the world-historical stage.Placing the decline of America’s industrial cities and the rise of vast suburban housing and retail spaces into a cultural, political, and global context, Beauregard illuminates how these phenomena contributed to a changing notion of America’s identity at home and abroad. When America Became Suburban brings to light the profound implications of de-urbanization: from the siphoning of investments from the cities and the effect on the quality of life for those left behind to a profound shift in national identity.Robert A. Beauregard is a professor in the Graduate School of Architecture, Planning, and Preservation at Columbia University. He is the author of Voices of Decline: The Postwar Fate of U.S. Cities and editor of Economic Restructuring and Political Response and Atop the Urban Hierarchy.
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cover of When America Turned: Reckoning with 1968

When America Turned

Reckoning with 1968

David Wyatt

University of Massachusetts Press, 2013

Much has been written about the seismic shifts in American culture and politics during the 1960s. Yet for all the analysis of that turbulent era, its legacy remains unclear. In this elegantly written book, David Wyatt offers a fresh perspective on the decade by focusing on the pivotal year of 1968. He takes as his point of departure the testimony delivered by returning veteran John Kerry before the Senate Armed Services Committee in 1971, as he imagined a time in the future when the word "Vietnam" would mean "the place where America finally turned." But turning from what, to what—and for better or for worse?

Wyatt explores these questions as he retraces the decisive moments of 1968—the Tet Offensive, the McCarthy campaign, the assassinations of Martin Luther King Jr. and Robert Kennedy, the student revolt at Columbia, the "police riot" at the Democratic Convention in Chicago, Lyndon Johnson's capitulation, and Richard Nixon's ascendency to power. Seeking to recover the emotions surrounding these events as well as analyze their significance, Wyatt draws on the insights of what Michael Herr has called "straight" and "secret" histories. The first category consists of work by professional historians, traditional journalists, public figures, and political operatives, while the second includes the writings of novelists, poets, New Journalists, and memoirists.

The aim of this parallel approach is to uncover two kinds of truth: a "scholarly truth" grounded in the documented past and an "imaginative truth" that occupies the more ambiguous realm of meaning. Only by reckoning with both, Wyatt believes, can Americans come to understand the true legacy of the 1960s.
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cover of When Buildings Speak: Architecture as Language in the Habsburg Empire and Its Aftermath, 1867-1933

When Buildings Speak

Architecture as Language in the Habsburg Empire and Its Aftermath, 1867-1933

Anthony Alofsin

University of Chicago Press, 2006

In When Buildings Speak,Anthony Alofsin explores the rich yet often overlooked architecture of the late Austro-Hungarian Empire and its successor states. He shows that several different styles emerged in this milieu during the late nineteenth and early twentieth centuries. Moreover, he contends that each of these styles communicates to us in a manner resembling language and its particular means of expression. 
           
Covering a wide range of buildings—from national theaters to crematoria, apartment buildings to warehouses, and sanatoria to postal savings banks—Alofsin proposes a new way of interpreting this language. He calls on viewers to read buildings in two ways: through their formal elements and through their political, social, and cultural contexts.  By looking through Alofsin’s eyes, readers can see how myriad nations sought to express their autonomy by tapping into the limitless possibilities of art and architectural styles. And such architecture can still speak very powerfully to us today about the contradictory issues affecting parts of the former Habsburg Empire.
 
 “The book itself as a production is spectacular.”—David Dunster, Architectural Review
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cover of When Colleges Sang: The Story of Singing in American College Life

When Colleges Sang

The Story of Singing in American College Life

J. Lloyd Winstead

University of Alabama Press, 2013

When Colleges Sang is an illustrated history of the rich culture of college singing from the earliest days of the American republic to the present.
 
Before fraternity songs, alma maters, and the rahs of college fight songs became commonplace, students sang. Students in the earliest American colleges created their own literary melodies that they shared with their classmates. As J. Lloyd Winstead documents in When Colleges Sang, college singing expanded in conjunction with the growth of the nation and the American higher education system.
 
While it was often simply an entertaining pastime, singing had other subtle and not-so-subtle effects. Singing indoctrinated students into the life of formal and informal student organizations as well as encouraged them to conform to college rituals and celebrations. University faculty used songs to reinforce the religious practices and ceremonial observances that their universities supported. Students used singing for more social purposes: students sang to praise their peer’s achievements (and underachievements), mock the faculty, and provide humor. In extreme circumstances, they sang to intimidate classmates and faculty, and to defy college authorities. Singing was, and is, an intrinsic part of campus culture.
 
When Colleges Sang explores the dynamics that inspired collegiate singing and the development of singing traditions from the earliest days of the American college. Winstead explores this tradition’s tenuous beginnings in the Puritan era and follows its progress into the present. Using historical documents provided by various universities, When Colleges Sang follows the unique applications and influences of song that persisted in various forms. This original and significant contribution to the literature of higher education sheds light on how college singing traditions have evolved through the generations and have continued to remain culturally relevant even today.
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cover of When Colombia Bled: A History of the Violencia in Tolima

When Colombia Bled

A History of the Violencia in Tolima

James David Henderson

University of Alabama Press, 1985

A definitive account of the conflict that transformed twentieth-century Colombia.0false18 pt18 pt00falsefalsefalse

When Colombia Bled: A History of the Violencia in Tolima by James D. Henderson is a compelling and deeply researched examination of one of the most traumatic periods in modern Colombian history. Focusing on the department of Tolima, the book chronicles La Violencia, the undeclared civil war between Colombia's Liberal and Conservative parties that engulfed the nation from the late 1940s through the early 1960s. Through a richly detailed narrative, Henderson traces the political tensions, social divisions, and local rivalries that transformed regional disputes into a devastating cycle of violence affecting countless rural communities.

Drawing on extensive archival research, government records, contemporary accounts, and regional sources, Henderson reveals how national political struggles intersected with local circumstances to create a uniquely destructive conflict. The book explores the experiences of political leaders, campesinos, community activists, and ordinary citizens whose lives were shaped by insecurity, displacement, and armed confrontation. By focusing on Tolima, one of the regions most deeply affected by the conflict, Henderson offers a nuanced perspective on the broader forces that influenced Colombia's political development and social transformation.

Both an authoritative regional study and a major contribution to Latin American history, When Colombia Bled provides essential insight into the historical roots of political violence in Colombia and the enduring legacy of a conflict that helped shape the nation's modern identity.

 

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cover of When Cowboys Come Home: Veterans, Authenticity, and Manhood in Post–World War II America

When Cowboys Come Home

Veterans, Authenticity, and Manhood in Post–World War II America

Aaron George

Rutgers University Press, 2024

When Cowboys Come Home: Veterans, Authenticity, and Manhood in Post–World War II America is a cultural and intellectual history of the 1950s that argues that World War II led to a breakdown of traditional markers of manhood and opened space for veterans to reimagine what masculinity could mean. One particularly important strand of thought, which influenced later anxieties over “other-direction” and “conformity,” argued that masculinity was not defined by traits like bravery, stoicism, and competitiveness but instead by authenticity, shared camaraderie, and emotional honesty. To elucidate this challenge to traditional “frontiersman” masculinity, Aaron George presents three intellectual biographies of important veterans who became writers after the war: James Jones, the writer of the monumentally important war novel From Here to Eternity; Stewart Stern, one of the most important screenwriters of the fifties and sixties, including for Rebel without a Cause; and Edward Field, a bohemian poet who used poetry to explore his love for other men. Through their lives, George shows how wartime disabused men of the notion that war was inherently a brave or heroic enterprise and how the alienation they felt upon their return led them to value the authentic connections they made with other men during the war.
 
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cover of When Democrats Won the Heartland: Progressive Populism in the Age of Reagan, 1978-1992

When Democrats Won the Heartland

Progressive Populism in the Age of Reagan, 1978-1992

Cory Haala

University of Illinois Press, 2026

In the 1980s, the Midwestern economic collapse caused by the farm crisis and deindustrialization inspired the region’s liberal politicians to call on progressive populist traditions to rebuild local, state, and national Democratic parties. Cory Haala looks at the Midwest’s central role in asserting an updated populism wielded by grassroots activists, politicians, and a wide-ranging coalition of voters to counter Reagan-era conservativism.

This left-oriented movement resurrected the imagery and policies of twentieth-century radical parties like the Minnesota Farmer-Labor Party and Robert La Follette’s Wisconsin Idea. Delving into progressive populist ideas and tactics, Haala illuminates the work of the activists and politicians who led protests, founded a congressional caucus, and backed presidential campaigns that sought to advance their cause. Haala’s account moves from Iron Range union halls to Iowa farmhouses to South Dakota reservations to revise views of Democratic Party history, the Midwest’s political culture, and populism’s role in US politics.

A counter to established political narratives, When Democrats Won the Heartland takes readers into the history of an unexpected political moment.
[more]
cover of When Dinosaurs Roamed New Jersey

When Dinosaurs Roamed New Jersey

William B. Gallagher

Rutgers University Press, 1997

Did you know that Benjamin Franklin examined the first dinosaur bone in America from Woodbury, Gloucester County, in 1787--decades before the word dinosaur was even coined? Or that when the first reasonably complete dinosaur skeleton in the world was unearthed in Haddonfield, Camden County, in 1858, it was a major scientific breakthrough which forced paleontologists to completely revise their picture of dinosaur anatomy? Few people know that New Jersey is the nursery of American vertebrate paleontology!

When Dinosaurs Roamed New Jersey provides a succinct and readable history of the geology and paleontology of New Jersey from the time the region was covered by Cambrian seas, 543 million years ago, to the Pleistocene Ice Age only 10-15,000 years ago. William Gallagher tells the stories of professional and amateur fossil hunters, their discoveries, and their impact on the history of paleontological thought. He points out places in New Jersey and nearby where specimens characteristic of each era were found. He shows how fossil evidence found in the state is helping paleontologists uncover the ecological interactions and behavior of dinosaurs, and discusses such ongoing scientific controversies as the reason for the extinction of the dinosaurs.

From tracking dinosaur footprints across the Newark basin, to digging for the last dinosaurs in the greensands of South Jersey, to finding a mushroom in ancient amber in East Brunswick, this book is the ideal introduction to the Garden State's fossils and prehistory.

[more]
cover of When Egypt Ruled the East

When Egypt Ruled the East

George Steindorff and Keith C. Steele

University of Chicago Press, 1963

A groundbreaking account of Ancient Egyptian culture and history that set the standard for the field
 
When Egypt Ruled the West was originally published in 1942, and it immediately became the standard account of the history and culture of Ancient Egypt. Drawing on then-new archaeological evidence, George Steindorff told the fascinating story of a splendid culture that flourished thirty-five hundred years ago in the empire on the Nile: Kings and conquests, gods and heroes, beautiful art, sculpture, poetry, architecture, and more. Richly illustrated and written to be accessible to ordinary readers who want to learn more about Ancient Egypt, the book was revised and updated in 1957 by Keith C. Steele to take account of new discoveries and interpretations. Decades later, When Egypt Ruled the West remains a foundational work of the study of the region, its people, and its culture.
[more]
cover of When Ethnicity Did Not Matter in the Balkans: A Study of Identity in Pre-Nationalist Croatia, Dalmatia, and Slavonia in the Medieval and Early-Modern Periods

When Ethnicity Did Not Matter in the Balkans

A Study of Identity in Pre-Nationalist Croatia, Dalmatia, and Slavonia in the Medieval and Early-Modern Periods

John V. A. Fine, Jr.

University of Michigan Press, 2006

"This is history as it should be written. In When Ethnicity Did Not Matter in the Balkans, a logical advancement on his earlier studies, Fine has successfully tackled a fascinating historical question, one having broad political implications for our own times. Fine's approach is to demonstrate how ideas of identity and self-identity were invented and evolved in medieval and early-modern times. At the same time, this book can be read as a critique of twentieth-century historiography-and this makes Fine's contribution even more valuable. This book is an original, much-needed contribution to the field of Balkan studies."
-Steve Rapp, Associate Professor of Caucasian, Byzantine, and Eurasian History, and Director, Program in World History and Cultures Department of History, Georgia State University Atlanta


When Ethnicity Did Not Matter in the Balkans is a study of the people who lived in what is now Croatia during the Middle Ages (roughly 600-1500) and the early-modern period (1500-1800), and how they identified themselves and were identified by others. John V. A. Fine, Jr., advances the discussion of identity by asking such questions as: Did most, some, or any of the population of that territory see itself as Croatian? If some did not, to what other communities did they consider themselves to belong? Were the labels attached to a given person or population fixed or could they change? And were some people members of several different communities at a given moment? And if there were competing identities, which identities held sway in which particular regions?

In When Ethnicity Did Not Matter in the Balkans, Fine investigates the identity labels (and their meaning) employed by and about the medieval and early-modern population of the lands that make up present-day Croatia. Religion, local residence, and narrow family or broader clan all played important parts in past and present identities. Fine, however, concentrates chiefly on broader secular names that reflect attachment to a city, region, tribe or clan, a labeled people, or state.

The result is a magisterial analysis showing us the complexity of pre-national identity in Croatia, Dalmatia, and Slavonia. There can be no question that the medieval and early-modern periods were pre-national times, but Fine has taken a further step by demonstrating that the medieval and early-modern eras in this region were also pre-ethnic so far as local identities are concerned. The back-projection of twentieth-century forms of identity into the pre-modern past by patriotic and nationalist historians has been brought to light. Though this back-projection is not always misleading, it can be; Fine is fully cognizant of the danger and has risen to the occasion to combat it while frequently remarking in the text that his findings for the Balkans have parallels elsewhere.

John V. A. Fine, Jr. is Professor of History at the University of Michigan.
[more]
cover of When Evil Came to Good Hart

When Evil Came to Good Hart

Mardi Link

University of Michigan Press, 2008

"The murder mystery that has confounded and fascinated people for over forty years has been given a whole new life. When Evil Came to Good Hart is a well-researched and well-written piece of nonfiction that holds the reader in its spell, just as it has the many writers, reporters, and law officers who have puzzled over it. My highest praise for Mardi Link's book is to say that it reads like a good novel, a real page-turner."
—Judith Guest, author of Ordinary People and The Tarnished Eye

In this page-turning true-life whodunit, author Mardi Link details all the evidence to date. She crafts her book around police and court documents and historical and present-day statements and interviews, in addition to exploring the impact of the case on the community of Good Hart and the stigma that surrounds the popular summer getaway. Adding to both the sense of tragic history and the suspense, Link laces her tale with fascinating bits of local and Indian lore, while dozens of colorful characters enter and leave the story, spicing the narrative.

During the years of investigation of the murders, officials considered hundreds of tips and leads as well as dozens of sources, among them former secretaries who worked for murder victim Dick Robison; Robison's business associates; John Norman Collins, perpetrator of the "Co-Ed Murders" that took place in Washtenaw County between 1967 and 1969; and an inmate in federal prison in Leavenworth, Kansas, who said he knew who killed the Robison family.

Despite the exhaustive investigative efforts of numerous individuals, decades later the case lies tantalizingly out of reach. It is still an unsolved cold case, yielding, in Link's words, forty years worth of "dead-end leads, anonymous tips, a few hard facts, and countless cockamamie theories."

[more]
cover of When Evil Came to Good Hart, 10th Anniversary Edition

When Evil Came to Good Hart, 10th Anniversary Edition

Mardi Link

University of Michigan Press, 2018

In this page-turning true-life whodunit, author Mardi Link looks into the cold-case files of the murders of a wealthy Detroit-area family in their northern Michigan cabin in 1968, detailing and reviewing all the evidence to date. She crafts her book around police and court documents and historical and present-day statements and interviews, in addition to exploring the impact of the case on the community of Good Hart and the stigma that surrounds the popular summer getaway. Adding to both the sense of tragic history and the suspense, Link laces her tale with fascinating bits of local and Indian lore, while dozens of colorful characters enter and leave the story, spicing the narrative.

During the years of investigation of the murders, officials considered hundreds of tips and leads as well as dozens of sources, among them former secretaries who worked for murder victim Dick Robison; Robison's business associates; John Norman Collins, perpetrator of the "Co-Ed Murders" that took place in Washtenaw County between 1967 and 1969; and an inmate in federal prison in Leavenworth, Kansas, who said he knew who killed the Robison family. Despite the exhaustive investigative efforts of numerous individuals, decades later the case lies tantalizingly out of reach as an unsolved cold case.

This edition, published at the 50th anniversary of the murder, includes a new Afterword by Mardi Link. In it, Link discusses information that’s come to light since the book’s original publication and reflects on how the Robison murders might have been handled differently today.

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cover of When Friends Come From Afar: The Remarkable Story of Bernie Wong and Chicago's Chinese American Service League

When Friends Come From Afar

The Remarkable Story of Bernie Wong and Chicago's Chinese American Service League

Susan Blumberg-Kason

University of Illinois Press, 2024

Born in Hong Kong, Bernie Wong moved to the United States in the early 1960s to attend college. A decade later, she cofounded the Chinese American Service League (CASL) to help meet the needs of the city’s isolated Chinese immigrants. Susan Blumberg-Kason draws on extensive interviews to profile the community and social justice organization. Weaving Wong’s intimate account of her own life story through the CASL’s larger history, Blumberg-Kason follows the group from its origins to its emergence as a robust social network that connects Chinatown residents to everything from daycare to immigration services to culinary education. Blumberg-Kason also traces CASL activism on issues like fair housing and violence against Asian Americans during the COVID-19 pandemic.

At once intimate and broad in scope, When Friends Come from Afar uses one woman’s life to illuminate a bedrock Chicago institution.

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cover of When God Looked the Other Way: An Odyssey of War, Exile, and Redemption

When God Looked the Other Way

An Odyssey of War, Exile, and Redemption

Wesley Adamczyk

University of Chicago Press, 2004

Often overlooked in accounts of World War II is the Soviet Union's quiet yet brutal campaign against Polish citizens, a campaign that included, we now know, war crimes for which the Soviet and Russian governments only recently admitted culpability. Standing in the shadow of the Holocaust, this episode of European history is often overlooked. Wesley Adamczyk's gripping memoir, When God Looked the Other Way, now gives voice to the hundreds of thousands of victims of Soviet barbarism.

Adamczyk was a young Polish boy when he was deported with his mother and siblings from their comfortable home in Luck to Soviet Siberia in May of 1940. His father, a Polish Army officer, was taken prisoner by the Red Army and eventually became one of the victims of the Katyn massacre, in which tens of thousands of Polish officers were slain at the hands of the Soviet secret police. The family's separation and deportation in 1940 marked the beginning of a ten-year odyssey in which the family endured fierce living conditions, meager food rations, chronic displacement, and rampant disease, first in the Soviet Union and then in Iran, where Adamczyk's mother succumbed to exhaustion after mounting a harrowing escape from the Soviets. Wandering from country to country and living in refugee camps and the homes of strangers, Adamczyk struggled to survive and maintain his dignity amid the horrors of war.

When God Looked the Other Way is a memoir of a boyhood lived in unspeakable circumstances, a book that not only illuminates one of the darkest periods of European history but also traces the loss of innocence and the fight against despair that took root in one young boy. It is also a book that offers a stark picture of the unforgiving nature of Communism and its champions. Unflinching and poignant, When God Looked the Other Way will stand as a testament to the trials of a family during wartime and an intimate chronicle of episodes yet to receive their historical due.

“Adamczyk recounts the story of his own wartime childhood with exemplary precision and immense emotional sensitivity, presenting the ordeal of one family with the clarity and insight of a skilled novelist. . . . I have read many descriptions of the Siberian odyssey and of other forgotten wartime episodes. But none of them is more informative, more moving, or more beautifully written than When God Looked the Other Way.”—From the Foreword by Norman Davies, author of Europe: A History and Rising ’44: The Battle for Warsaw
 
“A finely wrought memoir of loss and survival.”—Publishers Weekly

“Adamczyk’s unpretentious prose is well-suited to capture that truly awful reality.” —Andrew Wachtel, Chicago Tribune Books 

“Mr. Adamczyk writes heartfelt, straightforward prose. . . . This book sheds light on more than one forgotten episode of history.”—Gordon Haber, New York Sun 

“One of the most remarkable World War II sagas I have ever read. It is history with a human face.”—Andrew Beichman, Washington Times 

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cover of When Good Men Do Nothing: The Assassination Of Albert Patterson

When Good Men Do Nothing

The Assassination Of Albert Patterson

Alan Grady

University of Alabama Press, 2003

A true crime classic, the definitive account of the notorious 1954 assassination of Alabama Attorney General Albert Patterson

On June 18, 1954, just a few weeks after being elected Alabama's Attorney General, Albert Patterson was assassinated outside his law office in Phenix City, Alabama.  His campaign promised hope and inspired reform to law-abiding citizens of Phenix City, which was notorious for organized crime, prostitution, gambling, bootlegging, and political corruption. Patterson's stance on cleaning up Phenix City had been met with threats and intimidation.  With millions of dollars in illegal income and hundreds of political and professional careers at stake, the motive for his killing seemed apparent.  The primary investigation surrounding Patterson's shooting focused on who pulled the trigger.

Alan Grady has exhaustively mined the state's original murder case files; the papers of John Patterson, Albert's son; records from the Office of Alabama Attorney General (who directed the murder investigation); the case files of the Alabama Department of Toxicology and Criminal Investigation; National Guard reports; and more than 30 interviews with eyewitnesses and interested parties.

Grady takes a complex story of multiple dimensions—a large cast of judicial, criminal, and political players; a web of alliances and allegiances; and a knotted sequence of investigative revelations and dead ends—and transforms it into a readable, incisive analysis of the powers and loyalties that governed, and corrupted to the core, the body politic of the state. Readers will be enthralled and educated by this authoritative account of the most compelling crime drama in Alabama during the 20th century.
 

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