28167 books match the query 'History' and 1118 start with w
Yoweri K. Museveni
University of Minnesota Press, 2000
The president of Uganda addresses key questions about Africa’s future.
Recent seismic shifts in Congo and Rwanda have exposed the continued volatility of the state of affairs in central Africa. As African states have shaken off their postcolonial despots, new leaders with sweeping ideas about a pan-African alliance have emerged-and yet the internecine struggles go on. What is Africa’s problem? As one of the leaders expressing a broad and forceful vision for Africa’s future, Uganda’s Yoweri K. Museveni is perhaps better placed than anyone in the world to address the very question his book poses.
In 1986, after more than a decade of armed struggle, a rebellion led by Museveni toppled the dictatorship of Idi Amin, and Museveni, at 42, became president of Uganda, a country at that time in near total disarray. Since then, Uganda has made remarkable strides in political, civic, and economic arenas, and Museveni has assumed the role of "the éminence grise of the new leadership in central Africa" (Philip Gourevitch, New Yorker). As such, he has proven a powerful force for change, not just in Uganda but across the turbulent span of African states.This collection of Museveni’s writings and speeches lays out the possibilities for social change in Africa. Working with a broad historical understanding and an intimate knowledge of the problems at hand, Museveni describes how movements can be formed to foster democracy, how class consciousness can transcend tribal differences in the development of democratic institutions, and how the politics of identity operate in postcolonial Africa. Museveni’s own contributions to the overthrow of Zaire’s Mobutu Sese Seko and to the political transformation of Uganda suggest the kind of change that may sweep Africa in decades to come. What Is Africa’s Problem? gives a firsthand look at what those changes might be, how they might come about, and what they might mean.Mark Roskill
University of Massachusetts Press, 1989
Terry Smith
University of Chicago Press, 2009
Who gets to say what counts as contemporary art? Artists, critics, curators, gallerists, auctioneers, collectors, or the public? Revealing how all of these groups have shaped today’s multifaceted definition, Terry Smith brilliantly shows that an historical approach offers the best answer to the question: What is Contemporary Art?
Smith argues that the most recognizable kind is characterized by a return to mainstream modernism in the work of such artists as Richard Serra and Gerhard Richter, as well as the retro-sensationalism of figures like Damien Hirst and Takashi Murakami. At the same time, Smith reveals, postcolonial artists are engaged in a different kind of practice: one that builds on local concerns and tackles questions of identity, history, and globalization. A younger generation embodies yet a third approach to contemporaneity by investigating time, place, mediation, and ethics through small-scale, closely connective art making. Inviting readers into these diverse yet overlapping art worlds, Smith offers a behind-the-scenes introduction to the institutions, the personalities, the biennials, and of course the works that together are defining the contemporary. The resulting map of where art is now illuminates not only where it has been but also where it is going.
George L. Mosse
University of Wisconsin Press, 2026
In 1963, nearly two decades after the end of the most destructive war in human history, George L. Mosse assembled a group of interdisciplinary scholars from diverse backgrounds to answer a seemingly simple question: What is fascism? The landmark seminar that followed, held at Stanford University, came to define the intellectual conversation about European fascism throughout the postwar era. Mosse strove to better understand the legacy of fascism by debating its origins—often contentiously—with the sharpest minds of his generation.
In this volume, which collects Mosse’s lectures as well as his peers’ responses, Mosse and his colleagues wrestle with fascism’s origins and impact. The straightforward question that launched the seminar quickly expands to deeper debates: What are the intellectual foundations of right-wing populist political movements? How had these particular movements risen to power so quickly and then left so much devastation in their wakes? Were charismatic leaders like Hitler and Mussolini driving forces or did the various incarnations of fascism throughout Europe and beyond constitute a broader “revolution”? What was the relationship of religious and cultural institutions to fascism’s rise and cataclysmic fall?
As the word “fascism” takes on new meaning in the twenty-first century, it is more urgent than ever to revisit the work of scholars who witnessed its birth—and its defeat. In the foreword, Stanley G. Payne situates the lively debate in its historical context, and in the critical introduction, James J. Sheehan shares his own memories of the seminar and reflects on how the experience drove Mosse’s later work.
Jean Clottes
University of Chicago Press, 2016
Franz Fühmann
Lever Press, 2021
Keith J. Egan
Catholic University of America Press, 2022
Frank Felsenstein
University of Massachusetts Press, 2015
The discovery of a large cache of circulation records from the Muncie, Indiana, Public Library in 2003 offers unprecedented detail about American reading behavior at the turn of the twentieth century. Frank Felsenstein and James J. Connolly have mined these records to produce an in-depth account of print culture in Muncie, the city featured in the famed “Middletown” studies conducted by Robert and Helen Lynd almost a century ago. Using the data assembled and made public through the What Middletown Read Database (www.bsu.edu/libraries/wmr), a celebrated new resource the authors helped launch, Felsenstein and Connolly analyze the borrowing choices and reading culture of social groups and individuals.
What Middletown Read is much more than a statistical study. Felsenstein and Connolly dig into diaries, meeting minutes, newspaper reports, and local histories to trace the library's development in relation to the city's cosmopolitan aspirations, to profile individual readers, and to explore such topics as the relationship between children's reading and their schooling and what books were discussed by local women's clubs. The authors situate borrowing patterns and reading behavior within the contexts of a rapidly growing, culturally ambitious small city, an evolving public library, an expanding market for print, and the broad social changes that accompanied industrialization in the United States. The result is a rich, revealing portrait of the place of reading in an emblematic American community.
Tony Conrad. Edited by Patrick Nickleson
University of Michigan Press, 2026
Thomas Dodman
University of Chicago Press, 2017
Robert Hornick
University of Massachusetts Press, 2017
John Paul Jones is now considered a Revolutionary War hero and the father of the American Navy, his defiant words “I have not yet begun to fight!” the epitome of courage under fire. It has not always been so. When the Revolutionary War ended, Jones's celebrity vanished. His death in Paris a decade later went unnoticed; he was buried in a foreign grave and forgotten by his fellow Americans.
In What Remains, Robert Hornick explores why Jones was forgotten, the subsequent recovery of his memory and remains, and the much delayed commemoration of his achievement. The book chronicles the efforts of the men and women who, in the nineteenth and early twentieth centuries, reconstructed Jones's legacy, searched for and finally found his lost grave, and returned both his physical remains and his memory to a place of honor. It also recounts the extraordinary moment when Theodore Roosevelt utilized Jones's commemoration to proclaim America a global power. What Remains offers a fascinating story of opportunists and evangelists: of politicians who needed Jones to advance their agendas, but also of fellow warriors committed to recovering one of their own from obscurity and shame.
Mary Louise Roberts
University of Chicago Press, 2013
Philip Garrison
University of Utah Press, 2017
Philip Garrison says his book of essays is “in praise of mixed feelings,” particularly the mixed feelings he and his neighbors have toward the places they came from. His neighborhood is the Columbia Plateau, one of many North American nodes of immigration. Following a meandering, though purposeful trail, Garrison catches hillbillies and newer Mexican arrivals in ambiguous, wary encounters on a set four hundred years in the making, built on a foundation of Native American displacement. Garrison is the product of the earlier surge of new arrivals: from the 1930s to the 1970s, those he calls hillbillies left such mid-nation states as Arkansas, Missouri, Oklahoma, Kansas, and the Dakotas for the West. The more recent wave, from 1990 to 2010, came mostly from the central plateau of Mexico. These are folks with whom Garrison communes in multiple ways. Anecdotes from sources as varied as pioneer diaries, railroad promotions, family Bibles, Wikipedia, and local gossip “portray the region's immigration as a kind of identity makeover, one that takes the form first of breakdown, then of reassembly, and finally of renewal.” Garrison’s mix of slangy memoir and anthropological field notes shines light on the human condition in today’s West.
Jane Blocker
University of Minnesota Press, 2004
Reexamines rebelliousness and desire in the history of performance art
Because performance is by its very nature ephemeral, it elicits a desire for what is lost more than any other form of art making. But what is the nature of that desire, and on what models has it been structured? How has it affected the ways in which the history of performance art gets told?
In What the Body Cost, Jane Blocker revisits key works in performance art by Carolee Schneemann, Vito Acconci, Hannah Wilke, Yves Klein, Ana Mendieta, and others to challenge earlier critiques that characterize performance, or body art, as a purely revolutionary art form and fail to recognize its reactionary—and sometimes damaging—effects. The scholarship to date on performance art has not, she finds, gone far enough in locating the body at the center of the performance, nor has it acknowledged the psychic, emotional, or social costs exacted on that body. Drawing on the work of critical theorists such as Roland Barthes and Catherine Belsey, as well as queer theory and feminism, What the Body Cost reads against patriarchal and heteronormative tendencies in art history while providing a corrective to the established view that performance art is necessarily transgressive. Instead, Blocker suggests that the historiography of performance art is a postmodern lovers’s discourse in which practitioners, historians, and critics alike fervently seek the body while doubting it can ever be found.Paige Towers
University of Iowa Press, 2026
Fred Pelka
University of Massachusetts Press, 2012
“Nothing about us without us” has been a core principle of American disability rights activists for more than half a century. It represents a response by people with disabilities to being treated with scorn and abuse or as objects of pity, and to having the most fundamental decisions relating to their lives—where they would live; if and how they would be educated; if they would be allowed to marry or have families; indeed, if they would be permitted to live at all—made by those who were, in the parlance of the movement, “temporarily able-bodied.”
In What We Have Done: An Oral History of the Disability Rights Movement, Fred Pelka takes that slogan at face value. He presents the voices of disability rights activists who, in the period from 1950 to 1990, transformed how society views people with disabilities, and recounts how the various streams of the movement came together to push through the Americans with Disabilities Act of 1990, the most sweeping civil rights legislation since passage of the Civil Rights Act of 1964. Beginning with the stories of those who grew up with disabilities in the 1940s and '50s, the book traces how disability came to be seen as a political issue, and how people with disabilities—often isolated, institutionalized, and marginalized—forged a movement analogous to the civil rights, women's rights, and gay rights movements, and fought for full and equal participation in American society.
Edited by Liam Riordan and Richard W. Judd
University of Massachusetts Press, 2025
Cities, states, and nations are grappling with how best to commemorate historical events and anniversaries in ways that are fair, accurate, and open public dialogue about the often contested past. This volume springs from varied approaches to the historical commemoration of Maine’s state bicentennial in 2020 that involved academics, independent scholars, local and statewide cultural organizations, sovereign Wabanaki nations, and the state itself in the form of the Maine State Bicentennial Commission. While wide-ranging in their goals and values, all sought to take advantage of opportunities for collaboration to contribute to a dynamic and multi-faceted practice of public history. These new essays use Maine’s bicentennial as a focal point to put public history theory into action. Its diverse contributors share stories about the past that move beyond celebration to reflect crucial ways that the past shapes our understanding of the present and our aspirations for the future.
This volume’s core argument is that academics need to collaborate more fully with independent scholars, history-based cultural institutions, and the general public in order for public history to thrive and to improve the quality of civic life. What We Know, What We Wish does this through wide ranging essays that discuss the long statehood era in Maine from the 1770s to 1820s as well as its legacies in the state centennial commemoration of 1920 and museum exhibits from the 2020 bicentennial. The occupational and cultural diversity of the collection’s contributors together with the content of their essays offer a model for how to put public history principles into practice to foreground meaningful historical reflection that is urgently needed in divided communities around the world.
Contributors include the volume editors, as well as Maulian Bryant, Osihkiyol (Zeke) Crofton-Macdonald, Charles H. Lagerbom, Ryan LaRochelle, Stuart Kestenbaum, Michael McVaugh, Kevin D. Murphy, Micah A. Pawling, Jessica Skwire Routhier, Donald Soctomah, Laura Fecych Sprague, Alan Taylor, and Laurel Thatcher Ulrich.
Tom Finkelpearl
Duke University Press, 2013
Interviewees. Naomi Beckwith, Claire Bishop, Tania Bruguera, Brett Cook, Teddy Cruz, Jay Dykeman, Wendy Ewald, Sondra Farganis, Harrell Fletcher, David Henry, Gregg Horowitz, Grant Kester, Mierle Laderman Ukeles, Pedro Lasch, Rick Lowe, Daniel Martinez, Lee Mingwei, Jonah Peretti, Ernesto Pujol, Evan Roth, Ethan Seltzer, and Mark Stern
By Marsha F. Cassidy
University of Texas Press, 2005
In this pathfinding book, based on original archival research, Marsha F. Cassidy offers the first thorough analysis of daytime television's earliest and most significant women's genres, appraising from a feminist perspective what women watched before soap opera rose to prominence.
After providing a comprehensive history of the early days of women's programming across the nation, Cassidy offers a critical discussion of the formats, programs, and celebrities that launched daytime TV in America—Kate Smith's variety show and the famed singer's unsuccessful transition from patriotic radio star to 1950s TV idol; the "charm boys" Garry Moore, Arthur Godfrey, and Art Linkletter, whose programs honored women's participation but in the process established the dominance of male hosts on TV; and the "misery shows" Strike It Rich and Glamour Girl and the controversy, both critical and legal, they stirred up.
Cassidy then turns to NBC's Home show, starring the urbane Arlene Francis, who infused the homemaking format with Manhattan sophistication, and the ambitious daily anthology drama Matinee Theater, which strove to differentiate itself from soap opera and become a national theater of the air. She concludes with an analysis of four popular audience participation shows of the era—the runaway hit Queen for a Day; Ralph Edwards's daytime show of surprises, It Could Be You; Who Do You Trust?, starring a youthful Johnny Carson; and The Big Payoff, featuring Bess Myerson, the country's first Jewish Miss America. Cassidy's close feminist reading of these shows clearly demonstrates how daytime TV mirrored the cultural pressures, inconsistencies, and ambiguities of the postwar era.
Robert Bruno
University of Illinois Press, 2024
For more than twenty years, Robert Bruno has taught labor history and labor studies to union members from a wide range of occupations and demographic groups. In the class, he asked his students to finish the question “Work is—?” in six words or less. The thousands of responses he collected provide some of the rich source material behind What Work Is. Bruno draws on the thoughts and feelings experienced by workers in the present day to analyze how we might design a future of work. He breaks down perceptions of work into five categories: work and time; the space workers occupy; the impact of work on our lives; the sense of purpose that motivates workers; and the people we work for, in all senses of the term.
Far-seeing and sympathetic, What Work Is merges personal experiences with research, poetry, and other diverse sources to illuminate workers’ lives in the present and envision what work could be in the future.
Manuel Muñoz and Charles Taylor
Northwestern University Press, 2025
A doomed love story unfolds alongside the production of Psycho in 1950s Bakersfield, California
Muñoz’s debut novel tells the story of Teresa, an aspiring singer too far away from Los Angeles to share the city’s glamour. In Dan Watson, the most desirable man in town, she believes she has found someone to help her realize those dreams. But when a famous actress arrives from Hollywood with a legendary director in tow, local gossip about Teresa and Dan turns to speculation about the celebrity visitors there to work on what will become an iconic, groundbreaking film of madness and murder at a roadside motel: Alfred Hitchcock’s Psycho. Framed by a foreword from film critic Charles Taylor, Muñoz’s haunting tale reflects “the slow winding down of everything that once seemed certain.”
Stephanie J. Shaw
University of Chicago Press, 1996
Alexander García Düttmann
Diaphanes, 2019
Yakov M. Rabkin
Pluto Press, 2016
Herbert J. Storing
University of Chicago Press, 1981
Herbert J. Storing
University of Chicago Press, 1981
Eric Horne
Westholme Publishing, 2011
A Memoir of the Real Downton Abbey Experience
Eric Horne served as a butler in some of the great English country manors from the 1860s until just after World War I, when many of the families whose heirs died in battle were forced to sell off their homes. Born in Southampton, Horne came from a humble family who valued education. Horne excelled in school and wished to go to sea, but lacking his parents’ permission, he instead ended up as a footboy for a local household. Over the years, Horne moved up in the service of the aristocracy: his goal was to become butler to the king of England, a position he very nearly secured. He did end up in the service of several distinguished households for many decades, and upon his retirement in 1922, he decided to write his memoir. Horne is a unique voice; not only did he have intimate contact with his employers and the household staff, he also possessed literary talent, so that his account provides authentic detail as well as shrewd—and often witty—views of the aristocracy, the servants, and their activities. Horne is not sentimental though; he does not think that he used his life wisely, having never learned a true trade. He reveals the plight of the servant class, where once a butler lost his employment—particularly following the devastation of World War I—he was likely to end up in a poorhouse, because employers did not usually provide pensions and servants were rarely able to save enough money to survive on their own. What the Butler Winked At is a fascinating and essential account of life in a country house during the height of the Victorian and Edwardian eras.
Heather Hendershot
University of Chicago Press, 2011
James Cronin, George Ross, and James Shoch, eds.
Duke University Press, 2011
Contributors. Sheri Berman, James Cronin, Jean-Michel de Waele, Arthur Goldhammer, Christopher Howard, Jane Jenson, Gerassimos Moschonas, Sofia Pérez, Jonas Pontusson, George Ross, James Shoch, Sorina Soare, Ruy Teixeira

Linda Weintraub
Intellect Books, 2019
William Wilson
Utah State University Press, 2008
Mark Wickham-Jones
University of Michigan Press, 2018
In 1950, the Committee on Political Parties of the American Political Science Association (APSA) published its much-anticipated report, Toward a More Responsible Two-Party System. Highly critical of the existing state of affairs, the report became extremely controversial: before publication, scholars attacked the committee’s draft and suggested it should be suppressed. When released it received a barrage of criticisms. Most academics concluded it was an ill-conceived and mistaken initiative.
Mark Wickham-Jones provides the first full, archival-based assessment of the arguments within APSA about political parties and the 1950 report. He details the report’s failure to generate wider discussion between media, politicians, and the White House. He examines whether it was dominated by a dogmatic attachment to “party government,” and charts the relationship between behavioralists and institutionalists. He also discusses the political dimension to research during the McCarthyite years, and reflects on the nature of American political science in the years after 1945, the period in which behavioralism (which privileges the influence of individuals over institutions) became dominant.
Detailing APSA’s most direct and significant intervention in the political process, Wickham-Jones makes an important contribution to debates that remain in the forefront of discussions about American politics.
Paul Elmen
Southern Illinois University Press, 1997
Wheat Flour Messiah follows the career of Eric Jansson from his boyhood on a farm near Biskopskulla (Bishop’s Hill) in Sweden until his murder in Illinois by a crazed follower in 1850. He was an untutored but brilliant charismatic leader, who by sheer insolence and self-confidence defied both the Swedish state church and the secular government and persuaded some twelve hundred of his wheat flour customers to throw in their lot with him. The essence of his teaching was that anyone who so desired could receive the grace of God in such rich measure that he would instantly be freed of sin and live in angelic innocence from then on. This doctrine was an imperfectly understood version of Methodist perfectionism, held without Wesleyan safeguards, and it doomed his followers to civil war against the Lutheran church.
Jansson went north to Hälsingland in Sweden to sell wheat flour, but his deeper intention was to hold large religious services in the farmyards of followers. On three occasions he and his followers burned all the allegedly heretical books written by such men as Luther, Nohrborg, and Arndt, singing hymns while the flames "destroyed the works of the Devil." Jansson was jailed six times, and six times he was freed. After his last trial, as he was being escorted to jail, he escaped and later arranged passage to America. His disciples followed him in a series of Atlantic crossings during 1847–49 and settled the utopian colony of Bishop Hill, 150 miles west of Chicago. They built impressive buildings, plowed the virgin prairie, and began some successful industry making wagons and weaving rugs.
Two fateful events spelled the doom of this utopian dream. The first, the cholera epidemic of 1849,killed over two hundred of the colonists. The other was the arrival of John Root, who subsequently married Jansson’s cousin, Charlotte, and who, after a series of altercations with Jansson over Charlotte, shot him to death in Cambridge, Illinois. The colony did not long survive without its Prophet, and ten years later the utopian dream ended. Today Bishop Hill remains little changed from a century ago—a colorful memory of American beginnings, a vivid reminder of its fascinating past.
Dr. Elmen’s book tells for the first time the life story of a folk hero, Eric Jansson. The Bishop Hill Colony was clearly the lengthened shadow of this extraordinary man. Students of utopian colonies, teachers and students of American history and religious movements will find here a definitive account of this piece of the American past. Any reader interested in the American Dream will enjoy this account of a vanished people who thought they could find somewhere on earth a great, good place, and who had to learn after much suffering that one cannot express in waking reality the character of man in his dreams.
Jesse J. Gant
Wisconsin Historical Society Press, 2013
William Hal Gorby
West Virginia University Press, 2020
Robert A. Beauregard
University of Minnesota Press, 2006
David Wyatt
University of Massachusetts Press, 2013
Anthony Alofsin
University of Chicago Press, 2006
J. Lloyd Winstead
University of Alabama Press, 2013
James David Henderson
University of Alabama Press, 1985
A definitive account of the conflict that transformed twentieth-century Colombia.0false18 pt18 pt00falsefalsefalse
When Colombia Bled: A History of the Violencia in Tolima by James D. Henderson is a compelling and deeply researched examination of one of the most traumatic periods in modern Colombian history. Focusing on the department of Tolima, the book chronicles La Violencia, the undeclared civil war between Colombia's Liberal and Conservative parties that engulfed the nation from the late 1940s through the early 1960s. Through a richly detailed narrative, Henderson traces the political tensions, social divisions, and local rivalries that transformed regional disputes into a devastating cycle of violence affecting countless rural communities.
Drawing on extensive archival research, government records, contemporary accounts, and regional sources, Henderson reveals how national political struggles intersected with local circumstances to create a uniquely destructive conflict. The book explores the experiences of political leaders, campesinos, community activists, and ordinary citizens whose lives were shaped by insecurity, displacement, and armed confrontation. By focusing on Tolima, one of the regions most deeply affected by the conflict, Henderson offers a nuanced perspective on the broader forces that influenced Colombia's political development and social transformation.
Both an authoritative regional study and a major contribution to Latin American history, When Colombia Bled provides essential insight into the historical roots of political violence in Colombia and the enduring legacy of a conflict that helped shape the nation's modern identity.
Aaron George
Rutgers University Press, 2024
Cory Haala
University of Illinois Press, 2026
William B. Gallagher
Rutgers University Press, 1997
Did you know that Benjamin Franklin examined the first dinosaur bone in America from Woodbury, Gloucester County, in 1787--decades before the word dinosaur was even coined? Or that when the first reasonably complete dinosaur skeleton in the world was unearthed in Haddonfield, Camden County, in 1858, it was a major scientific breakthrough which forced paleontologists to completely revise their picture of dinosaur anatomy? Few people know that New Jersey is the nursery of American vertebrate paleontology!
When Dinosaurs Roamed New Jersey provides a succinct and readable history of the geology and paleontology of New Jersey from the time the region was covered by Cambrian seas, 543 million years ago, to the Pleistocene Ice Age only 10-15,000 years ago. William Gallagher tells the stories of professional and amateur fossil hunters, their discoveries, and their impact on the history of paleontological thought. He points out places in New Jersey and nearby where specimens characteristic of each era were found. He shows how fossil evidence found in the state is helping paleontologists uncover the ecological interactions and behavior of dinosaurs, and discusses such ongoing scientific controversies as the reason for the extinction of the dinosaurs.
From tracking dinosaur footprints across the Newark basin, to digging for the last dinosaurs in the greensands of South Jersey, to finding a mushroom in ancient amber in East Brunswick, this book is the ideal introduction to the Garden State's fossils and prehistory.
George Steindorff and Keith C. Steele
University of Chicago Press, 1963
John V. A. Fine, Jr.
University of Michigan Press, 2006
Mardi Link
University of Michigan Press, 2008
"The murder mystery that has confounded and fascinated people for over forty years has been given a whole new life. When Evil Came to Good Hart is a well-researched and well-written piece of nonfiction that holds the reader in its spell, just as it has the many writers, reporters, and law officers who have puzzled over it. My highest praise for Mardi Link's book is to say that it reads like a good novel, a real page-turner."
—Judith Guest, author of Ordinary People and The Tarnished Eye
In this page-turning true-life whodunit, author Mardi Link details all the evidence to date. She crafts her book around police and court documents and historical and present-day statements and interviews, in addition to exploring the impact of the case on the community of Good Hart and the stigma that surrounds the popular summer getaway. Adding to both the sense of tragic history and the suspense, Link laces her tale with fascinating bits of local and Indian lore, while dozens of colorful characters enter and leave the story, spicing the narrative.
During the years of investigation of the murders, officials considered hundreds of tips and leads as well as dozens of sources, among them former secretaries who worked for murder victim Dick Robison; Robison's business associates; John Norman Collins, perpetrator of the "Co-Ed Murders" that took place in Washtenaw County between 1967 and 1969; and an inmate in federal prison in Leavenworth, Kansas, who said he knew who killed the Robison family.
Despite the exhaustive investigative efforts of numerous individuals, decades later the case lies tantalizingly out of reach. It is still an unsolved cold case, yielding, in Link's words, forty years worth of "dead-end leads, anonymous tips, a few hard facts, and countless cockamamie theories."
Mardi Link
University of Michigan Press, 2018
In this page-turning true-life whodunit, author Mardi Link looks into the cold-case files of the murders of a wealthy Detroit-area family in their northern Michigan cabin in 1968, detailing and reviewing all the evidence to date. She crafts her book around police and court documents and historical and present-day statements and interviews, in addition to exploring the impact of the case on the community of Good Hart and the stigma that surrounds the popular summer getaway. Adding to both the sense of tragic history and the suspense, Link laces her tale with fascinating bits of local and Indian lore, while dozens of colorful characters enter and leave the story, spicing the narrative.
During the years of investigation of the murders, officials considered hundreds of tips and leads as well as dozens of sources, among them former secretaries who worked for murder victim Dick Robison; Robison's business associates; John Norman Collins, perpetrator of the "Co-Ed Murders" that took place in Washtenaw County between 1967 and 1969; and an inmate in federal prison in Leavenworth, Kansas, who said he knew who killed the Robison family. Despite the exhaustive investigative efforts of numerous individuals, decades later the case lies tantalizingly out of reach as an unsolved cold case.
This edition, published at the 50th anniversary of the murder, includes a new Afterword by Mardi Link. In it, Link discusses information that’s come to light since the book’s original publication and reflects on how the Robison murders might have been handled differently today.
Susan Blumberg-Kason
University of Illinois Press, 2024
At once intimate and broad in scope, When Friends Come from Afar uses one woman’s life to illuminate a bedrock Chicago institution.
Wesley Adamczyk
University of Chicago Press, 2004
Alan Grady
University of Alabama Press, 2003
A true crime classic, the definitive account of the notorious 1954 assassination of Alabama Attorney General Albert Patterson
On June 18, 1954, just a few weeks after being elected Alabama's Attorney General, Albert Patterson was assassinated outside his law office in Phenix City, Alabama. His campaign promised hope and inspired reform to law-abiding citizens of Phenix City, which was notorious for organized crime, prostitution, gambling, bootlegging, and political corruption. Patterson's stance on cleaning up Phenix City had been met with threats and intimidation. With millions of dollars in illegal income and hundreds of political and professional careers at stake, the motive for his killing seemed apparent. The primary investigation surrounding Patterson's shooting focused on who pulled the trigger.
Alan Grady has exhaustively mined the state's original murder case files; the papers of John Patterson, Albert's son; records from the Office of Alabama Attorney General (who directed the murder investigation); the case files of the Alabama Department of Toxicology and Criminal Investigation; National Guard reports; and more than 30 interviews with eyewitnesses and interested parties.
Grady takes a complex story of multiple dimensions—a large cast of judicial, criminal, and political players; a web of alliances and allegiances; and a knotted sequence of investigative revelations and dead ends—and transforms it into a readable, incisive analysis of the powers and loyalties that governed, and corrupted to the core, the body politic of the state. Readers will be enthralled and educated by this authoritative account of the most compelling crime drama in Alabama during the 20th century.