Results by title
78 books match the query 'After' and 59 start with a
A War on Terror
Afghanistan and AfterPaul Rogers
Pluto Press, 2004
Paul Rogers is one of the world's leading security experts. Since the 11 September attacks, he has been a regular guest on TV news channels throughout America and Britain, where he has offered expert advice on the real implications of 9/11 and Bush's 'war on terror'. His articles in newspapers around the world, and in the web journal Open Democracy, have become essential reading for many thousands of people, including government officials, senior military, heads of UN agencies, opinion formers, journalists and peace activists.
A War on Terror is Paul Roger's radical assessment of Bush's new policy, the way it has affected world security and the grave implications that it holds for future peace, not only in the Middle East but throughout the world. Moving from the war in Afghanistan and its aftermath to the Israeli/Palestinian conflict, the continuing development of al-Qaida and its associates through to the war on Iraq, Rogers presents a uniquely cogent analysis of these rapid and traumatic events.
In a world in which the US and other states of the Atlantic community are increasingly speaking a different language to that of the majority of the world, Paul Rogers offers a vital critical assessment of the language of dominance and control as 'the New American Century' unfolds.
For the US, in particular, the post-9/11 world is one in which it is essential to maintain firm control of international security, extending to pre-emptive military action. In this book, Rogers demonstrates how futile, mistaken and deeply counter-productive that belief is, and points the way to more effective routes to a more just and secure world.
After The Boom In Tombstone And Jerome, Arizona
Decline In Western Resource TownsEric L. Clements
University of Nevada Press, 2014
After The End
Representations Of Post-ApocalypseJames Berger
University of Minnesota Press, 1999
Explores the cultural function of the concept of “the end.”
Apocalyptic thought is hardly unique to the end of the twentieth century; it’s been a fixture of American culture for decades. Currently, the media are rife with omens and signs, and we’re bombarded with warnings that “the end is near.” But as James Berger argues here, the end never comes. There is always something left.
In this study of the cultural pursuit of the end and what follows, Berger contends that every apocalyptic depiction leaves something behind, some mixture of paradise and wasteland. Combining literary, psychoanalytic, and historical methods, Berger mines these depictions for their weight and influence on current culture. He applies wide-ranging evidence-from science fiction to Holocaust literature, from Thomas Pynchon to talk shows, from American politics to the fiction of Toni Morrison-to reveal how representations of apocalyptic endings are indelibly marked by catastrophic histories. These post-apocalyptic visions reveal as much about our perception of the past as they do about conceptions of the future. Berger examines the role of such historical crises as slavery, the Holocaust, and the Vietnam War and describes how these traumas continue to generate cultural symptoms. The shadow of impending apocalypse darkens today’s vision of the future, but it’s a familiar shadow: traumas we have already experienced as a culture are recycled into visions of new endings. Our “endings” are already after the end. Berger demonstrates that post-apocalyptic representations are both symptoms and therapies. Contemporary culture continually draws on these traumatic histories, trying to forget, remember, deny, and recover. After the End puts these visions in context, revealing them in some cases as dangerous evasions, in others as crucial tools for cultural survival. ISBN 0-8166-2932-3 Cloth £00.00 $47.95xxISBN 0-8166-2933-1 Paper £00.00 $18.95x248 Pages 5 7/8 x 9 MarchTranslation Inquiries: University of Minnesota Press
After The Fire
A Writer Finds His PlacePaul Zimmer
University of Minnesota Press, 2002
Looking back at a lifetime of rich experience from Wisconsin’s driftless hills
We all dream of finding the place we can be most ourselves, the landscape that seems to have been crafted just for us. The poet Paul Zimmer has found his: a farm in the driftless hills of southwestern Wisconsin, a region of rolling land and crooked rivers, "driftless" because here the great glaciers of the Patrician ice sheet split widely, leaving behind a heart-shaped area untouched by crushing ice. After the Fire is the story of Zimmer’s journey from his boyhood in the factory town of Canton, Ohio, and his days as a soldier during atomic tests in the Nevada desert, to his many years in the book business as a writer and publisher, and the rural tranquillity of his present life.
Zimmer juxtaposes timeless rustic subjects (tending the land, country people and their ways, the ever-changing beauty of his natural surroundings) with flashbacks to key moments: his first and only boxing match, hearing Count Basie play and discovering his lifelong love of jazz, his return to the France of his ancestors, his painful departure from the publishing world after forty years. These stories are full of humor and pathos, keen insights and poignant meditations, but the real center of the book is the abiding beauty of the driftless hills, the silence and peace that is the source of and reward for Zimmer’s hard-won wisdom. Above all, it is a meditation on the ways that nature provides deep meaning and solace, and a consideration of the importance of finding the right place.
After The First Death There Is No Other
Natalie L.M. Petesch
University of Iowa Press, 1974
After The Grapes Of Wrath
Essays On John Steinbeck In Honor of Tetsumaro HayashiDonald V. Coers
Ohio University Press, 1994
Traditionally, the critical reputation of Nobel Prize-winning American novelist John Steinbeck (1902-1968) has rested on his achievements of the 1930s, especially In Dubious Battle (1936), Of Mice and Men (19370, The Long Valley (1938), and, of course, The Grapes of Wrath (1939), one of the most powerful – and arguable on of the greatest – American novels of this century.
Book reviewers and academic critics often turned antagonistic toward Steinbeck when he no longer produced work with the sweeping reach and social consciousness of The Grapes of Wrath. He was accused of selling out, or co-opting his talent, when in fact the inordinate public success of Grapes and especially its attendant notoriety had caused a backlash for Steinbeck. As a result he became self-conscious about his own ability, and suspicious of that “clumsy vehicle,” the novel. The very act of researching and writing Grapes, which occupied him fully for several years and which he had already conceived as his final book on proletarian themes, changed him drastically.
No longer willing to be the chronicler of Depression-era subjects, Steinbeck went afield to find new roots, new sources, new forms. For example, in the six years following the publication of Grapes, Steinbeck completed a suit of love poems; a full-length novel (bastardized by Alfred Hitchcock in his 1943 film, Lifeboat); a nonfiction scientific book, Sea of Cortez: A Leisurely Journal of Travel and Research (with Edward F. Ricketts); a documentary film, The Forgotten Village; a documentary book to help the war effort, Bombs Away: The Story of a Bomber Team; a series of articles he wrote as a war correspondent for the New York Herald Tribune (later collected as Once There Was a War); and two novels, The Moon Is Down and Cannery Row.
Steinbeck came to define himself less as a novelist and more as a man of letters, a restless experimenter with form and subject matter, and a prophetic postmodernist whose key subject for the rest of his career was the dilemma of individual choice and ethical consciousness. Thus, Steinbeck’s later fiction, from The Moon Is Down (1942) through The Winter of Our Discontent (1962), and his later nonfiction, from Sea of Cortez (1941) through Travels with Charley (1962) and America and Americans (1966), often shows a different set of stylistic, thematic, and philosophical bearings from his earlier work and underscores his dramatic shift toward “individual thinking.” A full appreciation of Steinbeck’s mid-career metamorphosis and, consequently, of his later achievement requires a corresponding shift in critical approach – a departure from the traditional New Critical norms. Instead of marginalizing these works, all the contributors to this volume agree that Steinbeck’s later publications merit – indeed, demand – closer scrutiny.
Written especially for this collection in honor of Professor Tetsumaro Hayashi, the distinguished founder and editor-in-chief of the Steinbeck Quarterly, on his retirement from Ball State University and his move to Kwassui Women’s College in Nagasaki, Japan, these essays explore new ways of addressing Steinbeck’s later work and career, and include forays into subjects as diverse as ethnicity and music. They range from treatment of his post-structuralist use of language in Sea of Cortez and his involvement as a speech writer for Franklin Delano Roosevelt’s reelection bid in 1944 to the influence of Charles Darwin’s theories of sexual selection in The Wayward Bus, his revision of the myth of Cain in The Winter of Our Discontent, and his employment of Arthurian quest values in his last book, America and Americans.
For this group of critics – which includes respected veteran Steinbeck scholars Robert DeMott, John Ditsky, Mimi Gladstein, Cliff Lewis, Robert Morsberger, Susan Shillinglaw, and Roy Simmonds, as well as talented new voices Debra Barker, Kevin Hearle, Michael Meyer, Brian Railsback, Eiko Shiraga, and Geralyn Strecker – The Moon is Down and The Wayward Bus loom as significant works in the post 1930s re-evaluation (two essays each appear on these works). The book also includes Donald Coers’s interview with the writer’s widow, Elaine Steinbeck, the first of its kind ever published. After The Grapes of Wrath opens with eminent Americanist Warren French’s appreciation of Professor Hayashi’s distinguished career and his influence in Steinbeck studies; a bibliography of Hayashi’s major publication concludes this honorary gathering.
After a California Earthquake
Attitude and Behavior ChangeRisa Palm and Michael E. Hodgson
University of Chicago Press, 1992
After and Before the Lightning
Simon J. Ortiz
University of Arizona Press, 1994
Acoma Pueblo poet Ortiz spent a winter in South Dakota, teaching at Sinte Gleska College on the Rosebud Lakota Sioux Reservation. The bitter cold and driving snow of a prairie winter were a reality commanding his attention through its absolute challenge to survival and the meaning of survival.
Ortiz's way of dealing with the hard elements of winter was to write After and Before the Lightning, prose and verse poems that were his response to that long season between the thunderstorms of autumn and spring. "I needed a map of where I was and what I was doing in the cosmos," he writes. In these poems, which he regards as a book-length poetic work, he charts the vast spaces of prairie and time that often seem indistinguishable. As he faces the reality of winter on the South Dakota reservation, he also confronts the harsh political reality for its Native community and culture and for Indian people everywhere.
"Writing this poetry reconnected me to the wonder and awe of life," Ortiz states emphatically. Readers will feel the reality of that wonder and awe—and the cold of that South Dakota winter—through the gentle ferocity of his words.
After the Afterlife
PoemsT. R. Hummer
Acre Books, 2017
which is like trying to teach
The cat to waltz, so much awkwardness, so many tender
advances, and I’m shocked when it actually learns,
When it minces toward me in a tiny cocktail gown, offering a martini,
asking for this dance, insisting on hearing me refuse
To reply, debating all along, in the chorus of its interior mewing, who
are you really, peculiar animal, who taught you to call you you.
After the Beautiful
Hegel and the Philosophy of Pictorial ModernismRobert B. Pippin
University of Chicago Press, 2013
While Hegel could never engage modernist painting, he did have an understanding of modernity, and in it, art—he famously asserted—was “a thing of the past,” no longer an important vehicle of self-understanding and no longer an indispensable expression of human meaning. Pippin offers a sophisticated exploration of Hegel’s position and its implications. He also shows that had Hegel known how the social institutions of his day would ultimately fail to achieve his own version of genuine equality, a mutuality of recognition, he would have had to explore a different, new role for art in modernity. After laying this groundwork, Pippin goes on to illuminate the dimensions of Hegel’s aesthetic approach in the path-breaking works of Manet, the “grandfather of modernism,” drawing on art historians T. J. Clark and Michael Fried to do so. He concludes with a look at Cézanne, the “father of modernism,” this time as his works illuminate the relationship between Hegel and the philosopher who would challenge Hegel’s account of both modernity and art—Martin Heidegger.
Elegantly inter-weaving philosophy and art history, After the Beautiful is a stunning reassessment of the modernist project. It gets at the core of the significance of modernism itself and what it means in general for art to have a history. Ultimately, it is a testament, via Hegel, to the distinctive philosophical achievements of modernist art in the unsettled, tumultuous era we have inherited.
After the Bell
Contemporary American Prose about SchoolMaggie Anderson
University of Iowa Press, 2007
The essays are by emerging as well as established fiction writers, poets, social commentators, and educational theorists. Told from the point of view of students, teachers, parents, and administrators through the multiple perspectives or race, class, physical and intellectual abilities, and sexually, the stories reveal how memories of our school days haunt and sustain us.
After the Berlin Wall
A History of the EBRD, Volume 1Andrew Kilpatrick
Central European University Press, 2020
After the Berlin Wall tells the inside story of an international financial institution, the European Bank for Reconstruction and Development (EBRD), created in the aftermath of communism to help the countries of central and eastern Europe transition towards open market-oriented democratic economies.
The first volume of a history in two parts, After the Berlin Wall charts the EBRD’s life from a fledgling high-risk start-up investing in former socialist countries from 1991 to become an established member of the international financial community, which (as of April 2020) operates in almost 40 countries across three continents.
This volume describes the multilateral negotiations that created this cosmopolitan institution with a ‘European character’ and the emergence of the EBRD’s unique business model: a focus on the private sector and a mission to deliver development impact with sustainable financial returns. The author recounts the challenges that ‘transition’ countries faced in moving from a defunct to a functioning economic system and maps the EBRD’s response to critical events, from the dissolution of the Soviet Union, to the safe confinement of the Chernobyl disaster site, the debt default in Russia and the onset of the global financial crisis in 2008.
After the Bloodbath
Is Healing Possible in the Wake of Rampage Shootings?James D. Diamond
Michigan State University Press, 2019
After the Bombs
Arturo Arias
Northwestern University Press, 1995
After the Cold War
Essays on the Emerging World OrderEdited by Keith Philip Lepor
University of Texas Press, 1997
The end of the Cold War between the United States and the former Soviet Union reassured people around the world who had lived in fear of a nuclear confrontation between the superpowers. Yet the early euphoria over "peace dividends" and a "new world order" was premature. Conflicts within and between nation-states are springing up around the globe, challenging world leaders and ordinary citizens to find peaceful means for national, group, and individual self-determination.
In this book of specially commissioned essays, twenty world leaders assess the possibilities and perils of the new strategic, political, and economic interrelationships that are emerging around the world. They tackle such fundamental questions as: What is the future of the international system as we approach the twenty-first century? What will be the fate of disintegrating nation-states, and how will the international community respond? Has the nation-state outlived its usefulness? Are we beginning to witness the complete breakdown of the international system?
The contributors are:
- Ali Alatas (Indonesia)
- Tariq Aziz (Iraq)
- James A. Baker III (United States)
- Benazir Bhutto (Pakistan)
- Boutros Boutros-Ghali (United Nations)
- Fernando Henrique Cardoso (Brazil)
- Osama El-Baz (Egypt)
- Eduardo Frei (Chile)
- Alberto Fujimori (Peru)
- Rachid Ghannouchi (eminent Islamic thinker)
- Mikhail Sergeyevich Gorbachev (Russian Federation)
- Kamal Kharrazi (Iran)
- Andrei Kozyrev (Russian Federation)
- Leonid Kuchma (Ukraine)
- Nelson Mandela (South Africa)
- Nursultan Nazarbayev (Kazakhstan)
- Olusegun Obasanjo (Nigeria)
- Muammar El-Qadhafi (Libya)
- Fidel Ramos (Philippines)
- Shri P. V. Narasimha Rao (India)
After the Corinthian Women Prophets
Reimagining Rhetoric and PowerJoseph A. Marchal
SBL Press, 2021
Rhetoric, Power, and Possibilities
Thirty years after the publication of Antoinette Clark Wire’s groundbreaking The Corinthian Women Prophets, an interdisciplinary, international, and intergenerational group of scholars reflects upon Wire’s impact on New Testament scholarship. Essays pursue further historical and theoretical possibilities, often in search of marginalized people, including the women of Corinth, using feminist, rhetorical, materialist, decolonizing, queer, and posthumanist approaches to interpret Paul’s letters and the history of ancient Mediterranean assemblies. Contributions from Cavan Concannon, Arminta Fox, Joseph A. Marchal, Shelly Matthews, Anna Miller, Jorunn Økland, and Antoinette Clark Wire reconsider how both the methods and results of Wire’s work reveal the possibilities of other people beside Paul who are worth our attention and effort. The essays in this collection introduce students and scholars to the possibilities of interdisciplinary and intersectional approaches for engaging the broader Pauline corpus.
After the Coup
An Ethnographic Reframing of Guatemala 1954Edited by Timothy J. Smith and Abigail E. Adams
University of Illinois Press, 2011
Recent research and the release of newly declassified U.S. government documents underscore the importance of reading Guatemala's current history through the lens of 1954. Scholars and researchers who have worked in Guatemala from the 1940s to the present articulate how the coup fits into ethnographic representations of Guatemala. Highlighting the voices of individuals with whom they have lived and worked, the contributors also offer an unmatched understanding of how the events preceding and following the coup played out on the ground.
Contributors are Abigail E. Adams, Richard N. Adams, David Carey Jr., Christa Little-Siebold, Judith M. Maxwell, Victor D. Montejo, June C. Nash, and Timothy J. Smith.
After the Crisis
Contemporary States of PhotographyEdited by Donatien Grau and Christoph Wiesner
Diaphanes, 2019
After the Czars and Commissars
Journalism in Authoritarian Post-Soviet Central AsiaEric Freedman
Michigan State University Press, 2011
After the Death of God
Secularization as a Philosophical Challenge from Kant to NietzscheEspen Hammer
University of Chicago Press, 2025
The secularization thesis, which held that religious belief would gradually yield to rationality, has been thoroughly debunked. What, then, can we learn from philosophers for whom the death of God seemed so imminent? In this book, Espen Hammer offers a sweeping analysis of secularization in nineteenth-century German philosophy, arguing that the persistence of religion (rather than its absence) animated this tradition. Hammer shows that Kant, Hegel, Feuerbach, Marx, and Nietzsche, each in their own way, sought to preserve and transform religion’s ethical and communal aspirations for modern life. A renewed appreciation for this tradition’s generous thought, Hammer argues, can help us chart a path through needlessly destructive conflicts between secularists and fundamentalists today.
After the Death of Literature
Richard B. Schwartz
Southern Illinois University Press, 1997
Calling Samuel Johnson the greatest literary critic since Aristotle, Richard B. Schwartz assumes the perspective of that quintessential eighteenth-century man of letters to examine the critical and theoretical literary developments that gained momentum in the 1970s and stimulated the culture wars of the 1980s and 1990s.
Schwartz speculates that Johnson—who revered hard facts, a wide cultural base, and common sense—would have exhibited scant patience with the heavily academic approaches currently favored in the study of literature. He considers it probable that the combatants in the early struggles of the culture wars are losing energy and that, in the wake of Alvin Kernan’s declaration of the death of literature, new battlegrounds are developing. Ironically admiring the orchestration and staging of battles old and new—"superb" he calls them—he characterizes the entire cultural war as a "battle between straw men, carefully constructed by the combatants to sustain a pattern of polarization that could be exploited to provide continuing professional advancement."
In seven diverse essays, Schwartz calls for both the broad cultural vision and the sanity of a Samuel Johnson from those who make pronouncements about literature. Running through and unifying these essays is the conviction that the cultural elite is clearly detached from life: "Academics, fleeing in horror from anything smacking of the bourgeois, offer us something far worse: bland sameness presented in elitist terms in the name of the poor." Another theme is that the either/or absolutism of many of the combatants is "absurd on its face [and] belies the complexities of art, culture, and humanity."
Like Johnson, Schwartz would terminate the divorce between literature and life, make allies of literature and criticism, and remove poetry from the province of the university and return it to the domain of readers. Texts would carry meaning, embody values, and have a serious impact on life.
After the Death of Poetry
Poet and Audience in Contemporary AmericaVernon Shetley
Duke University Press, 1993
In exemplary case studies, Shetley identifies the very different ways in which three postwar poets—Elizabeth Bishop, James Merrill, and John Ashbery—try to restore some of the challenge and risk that characterized modernist poetry's relation to its first readers. Sure to be controversial, this cogent analysis offers poets and readers a clear sense of direction and purpose, and so, the hope of reaching each other again.
After the Deluge
Regional Crises and Political Consolidation in RussiaDaniel S. Treisman
University of Michigan Press, 2001
Yet, by mid-decade, a fragile equilibrium had emerged out of the apparently chaotic brinkmanship of central and regional officials. Based on extensive statistical analysis of previously unpublished data as well as interviews with numerous central and regional policymakers, After the Deluge suggests an original and counterintuitive interpretation of this experience.
In most cases, confrontations between regions and Moscow constituted a functional kind of drama. Regional leaders signaled just how much they were willing to risk to secure particular benefits. With a policy of "selective fiscal appeasement," federal officials directed subsidies, tax breaks, and other benefits to the most protest-prone regions, which in turn engendered a shift in local public opinion. By buying off potential regional dissenters, Moscow halted what might have become an accelerating bandwagon.
Besides offering insight into Russia's emerging politics, After the Deluge suggests a range of parallels to other cases of territorially divided states and empires--from contemporary China to Ottoman Turkey. It should appeal to a broad audience of scholars in political science, economics, history, geography, and policy studies.
Daniel S. Treisman is Assistant Professor of Political Science, University of California, Los Angeles.
After the Digging
Alan Shapiro
University of Chicago Press, 1998
"Powerful. . . . That a young poet can handle this subject so well in a first book is . . . a pleasure in itself."—Robert von Hallberg, Contemporary Literature, 1981
After the Divorce
Grazia Deledda
Northwestern University Press, 1995
Winner of the 1926 Nobel Prize for Literature
The novel begins with Costantino Ledda's conviction and sentencing for the murder of his cruel uncle. Though innocent of the crime, he accepts the guilty verdict as punishment for marrying Giovanna Era through a civil ceremony rather than an expensive church wedding. When her husband is taken away, Giovanna has no way to provide for herself, her mother, and her son, who soon dies of malnutrition. Out of desperation she divorces Costantino, according to a new law for wives of convicts, and marries a wealthy but brutish landowner. When the true murderer confesses and Costantino returns, he and Giovanna begin a forbidden and ultimately destructive affair.
Deleda's tragic story of poverty, passion, and guilt portrays the primitive and remote world of the church, pre-Christian superstitions, and laws dictated from the mainland, in her native Sardinia, where society hangs in a delicate balance. Once this order is disrupted, none of these characters can escape the spiral of destruction dictated by fate, God, and society.
After the End of History
American Fiction in the 1990sCohe, Samuel
University of Iowa Press, 2009
In this bold book, Samuel Cohen asserts the literary and historical importance of the period between the fall of the Berlin wall and that of the Twin Towers in New York. With refreshing clarity, he examines six 1990s novels and two post-9/11 novels that explore the impact of the end of the Cold War: Pynchon's Mason & Dixon, Roth's American Pastoral, Morrison's Paradise, O'Brien's In the Lake of the Woods, Didion's The Last Thing He Wanted, Eugenides's Middlesex, Lethem's Fortress of Solitude, and DeLillo's Underworld. Cohen emphasizes how these works reconnect the past to a present that is ironically keen on denying that connection. Exploring the ways ideas about paradise and pastoral, difference and exclusion, innocence and righteousness, triumph and trauma deform the stories Americans tell themselves about their nation’s past, After the End of History challenges us to reconsider these works in a new light, offering fresh, insightful readings of what are destined to be classic works of literature.
At the same time, Cohen enters into the theoretical discussion about postmodern historical understanding. Throwing his hat in the ring with force and style, he confronts not only Francis Fukuyama’s triumphalist response to the fall of the Soviet Union but also the other literary and political “end of history” claims put forth by such theorists as Fredric Jameson and Walter Benn Michaels. In a straightforward, affecting style, After the End of History offers us a new vision for the capabilities and confines of contemporary fiction.
After the End of History
The Curious Fate of American MaterialismRobert E. Lane
University of Michigan Press, 2005
--David O. Sears, Professor of Psychology and Political Science, UCLA
"Lane's deep knowledge of the sources of human happiness enables him to develop a powerful critique of economic theory."
---Robert A. Dahl, Sterling Professor Emeritus of Political Science, Yale University
Robert E. Lane is the Eugene Meyer Professor Emeritus of Political Science at Yale University. His previous publications include The Loss of Happiness in Market Democracies (2000) and The Market Experience (1991).
After the End
Making U.S. Foreign Policy in the Post-Cold War WorldJames M. Scott, ed.
Duke University Press, 1998
These essays examine the recent efforts of U.S. policymakers to recast the roles, interests, and purposes of the United States both at home and abroad in a political environment where policy making has become increasingly decentralized and democratized. The contributors suggest that foreign policy leadership has shifted from White House and executive branch dominance to an expanded group of actors that includes the president, Congress, the foreign policy bureaucracy, interest groups, the media, and the public. The volume includes case studies that focus on China, Russia, Bosnia, Somalia, democracy promotion, foreign aid, and NAFTA. Together, these chapters describe how policy making after 1991 compares to that of other periods and suggest how foreign policy will develop in the future.
This collection provides a broad, balanced evaluation of U.S. foreign policy making in the post–Cold War setting for scholars, teachers, and students of U.S. foreign policy, political science, history, and international studies.
Contributors. Ralph G. Carter, Richard Clark, A. Lane Crothers, I. M. Destler, Ole R. Holsti, Steven W. Hook, Christopher M. Jones, James M. McCormick, Jerel Rosati, Jeremy Rosner, John T. Rourke, Renee G. Scherlen, Peter J. Schraeder, James M. Scott, Jennifer Sterling-Folker, Rick Travis, Stephen Twing
After the Fall
War and Occupation in Irène Némirovsky's Suite françaiseNathan Bracher
Catholic University of America Press, 2010
After the Fire
The Destruction of the Lancaster County AmishRandy-Michael Testa
Brandeis University Press, 1992
After the Flood
How the Great Recession Changed Economic ThoughtEdited by Edward L. Glaeser, Tano Santos, and E. Glen Weyl
University of Chicago Press, 2017
A momentous collection of the best recent scholarship, After the Flood illustrates both the scope of the crises’ impact on our understanding of global financial markets and the innovative processes whereby scholars have adapted their research to gain a greater understanding of them. Among the contributors are José Scheinkman and Lars Peter Hansen, who bring up to date decades of collaborative research on the mechanisms that tie financial markets to the broader economy; Patrick Bolton, who argues that limiting bankers’ pay may be more effective than limiting the activities they can undertake; Edward Glaeser and Bruce Sacerdote, who study the social dynamics of markets; and E. Glen Weyl, who argues that economists are influenced by the incentives their consulting opportunities create.
After the Future
The Paradoxes of Postmodernism & Contemporary Russian CultureMikhail N. Epstein
University of Massachusetts Press, 1995
This book brings together for the first time in English the major writings of Mikhail Epstein, one of post-Soviet Russia's most prominent theoreticians of cultural studies and postmodernism. Written from a non-Western point of view yet informed by a familiarity with Western literary theory, it offers a fresh, lucid perspective on the post-communist literary scene as well as a practical and theoretical introduction to the new discipline of Russian “culturology.”
After the Garden?, Volume 98
Michael Crozier
Duke University Press, 0
Focusing on a range of periods in places from France to the Balkans and from Siberia to San Diego, essays center on such subjects as the “global garden,” Lockean landscapes, ecohistory, nineteenth-century Australian and North American landscape painting, and zoos. Helping to ground the collection in its project of illuminating both the earthly reality and the metaphorical richness of landscape are two photoessays that focus on “unsettled” sites of the Far East and American West.
Contributors. Ruth Beilin, Tim Bonyhady, John Bradley, Tom Conley, Michael Crizier, Thomas Lahusen, Artemis Leontis, Anders Linde-Laursen, Robert M. Markley, Louis A. Ruprecht Jr., Susan Willis
After the Ice Age
The Return of Life to Glaciated North AmericaE. C. Pielou
University of Chicago Press, 1991
After the Imperial Turn
Thinking with and through the NationAntoinette Burton, ed.
Duke University Press, 2003
While most of the contributors discuss British imperialism and its repercussions, the volume also includes, as counterpoints, essays on the history and historiography of France, Germany, Spain, and the United States. Whether looking at the history of the passport or the teaching of history from a postnational perspective, this collection explores such vexed issues as how historians might resist the seduction of national narratives, what—if anything—might replace the nation’s hegemony, and how even history-writing that interrogates the idea of the nation remains ideologically and methodologically indebted to national narratives. Placing nation-based studies in international and interdisciplinary contexts, After the Imperial Turn points toward ways of writing history and analyzing culture attentive both to the inadequacies and endurance of the nation as an organizing rubric.
Contributors. Tony Ballantyne, Antoinette Burton, Ann Curthoys, Augusto Espiritu, Karen Fang, Ian Christopher Fletcher, Robert Gregg, Terri Hasseler, Clement Hawes, Douglas M. Haynes, Kristin Hoganson, Paula Krebs, Lara Kriegel, Radhika Viyas Mongia, Susan Pennybacker, John Plotz, Christopher Schmidt-Nowara, Heather Streets, Hsu-Ming Teo, Stuart Ward, Lora Wildenthal, Gary Wilder
After the Invasion
The Soviet Army and Czech Society 1968—1991Marie Cerná
Karolinum Press, 2024
This book addresses different aspects of the Soviet army’s twenty-year presence in Czechoslovakia between 1968 and 1991. It explores the circumstances of the Soviet settling in the country, immediately related to the invasion of the Warsaw Pact armies in August 1968; its active interference in the political developments in the early stage of the “normalization” era; and the universal support provided by the normalization era regime. It examines the darker side of this support when the constant favoring of Soviet interests—often to the detriment of the local population and the environment—went hand in hand with the resignation of the Czechoslovak state to lawfulness and the execution of effective administration on its territory.
Based on extensive local and national primary sources, the volume describes the often problematic coexistence of the Soviet garrisons and local inhabitants, who did not have sufficient protection at the central level. In this context, it points out the contradictory logic that framed the mutual coexistence: the official policy of friendship on the one hand and the counter-intelligence protection of Soviet military premises on the other. Marie Cerná records the traces that the presence of the Soviet army left in the collective memory and examines the circumstances of its departure from the country in 1990 and 1991, which began immediately after the change of the political regime. She presents the long-term presence of the Soviet army as a fundamentally political and politicized matter, which was first the subject of power controversies and later of propaganda and intentional manipulation.
After the Irish Renaissance
A Critical History of the Irish Drama since The Plough and The StarsRobert Hogan
University of Minnesota Press, 1967
After the King
Watteau, Spectacle, and the Poetics of MemoryGeorgia J. Cowart
University of Chicago Press, 2026
Musicologist Georgia J. Cowart explores how Antoine Watteau’s late paintings reimagine the symbolic order of absolutism in the wake of Louis XIV’s death.
Antoine Watteau has long been known for the theatricality of his paintings, but what that theatricality signifies has remained elusive. In After the King, Georgia Cowart contends that this mode of painting takes shape in response to the spectacle of Louis XIV’s absolutism, which the painter’s late works transform into a new aesthetic language.
The king’s death marked a turning point in Watteau’s art. In the six years that followed, his paintings turned more decisively toward the musical stage. Evoking theatrical plots, frontispieces, and costume types, they conjured a world in which the legacy of absolutist culture lingered as stylized memory—its rituals, emblems, and pleasures recast through theatrical illusion and ironic distance.
Rather than treating Watteau as a painter of nostalgic reverie or Rococo charm, Cowart situates his art within the immersive performance culture of Versailles and the vibrant Parisian stage, at a time when the opéra-ballet, popular opera, and the commedia dell’arte were charting new theatrical landscapes. Drawing on art history, musicology, theater studies, and Pierre Nora’s theory of lieux de mémoire, she proposes a new framework that understands Watteau’s paintings as acts of theatrical memory and cultural recomposition.
Elegantly written and conceptually ambitious, After the King reveals how Watteau recoded the symbols of monarchy to stage a post-absolutist cultural imagination shaped by irony, sensuality, and poetic transformation.
After the Map
Cartography, Navigation, and the Transformation of Territory in the Twentieth CenturyWilliam Rankin
University of Chicago Press, 2016
In After the Map, William Rankin argues that although this shift did not render traditional maps obsolete, it did radically change our experience of geographic knowledge, from the God’s-eye view of the map to the embedded subjectivity of GPS. Likewise, older concerns with geographic truth and objectivity have been upstaged by a new emphasis on simplicity, reliability, and convenience. After the Map shows how this change in geographic perspective is ultimately a transformation of the nature of territory, both social and political.
After the Nation
Postnational Satire in the Works of Carlos Fuentes and Thomas PynchonPedro García-Caro Foreword by Jean Franco
Northwestern University Press, 2014
After the Nation proposes a series of groundbreaking new approaches to novels, essays, and short stories by Carlos Fuentes and Thomas Pynchon within the framework of a hemispheric American studies. García-Caro offers a pioneering comparativist approach to the contemporary American and Mexican literary canons and their underlying nationalist encodement through the study of a wide range of texts by Pynchon and Fuentes which question and historicize in different ways the processes of national definition and myth-making deployed in the drawing of literary borders. After the Nation looks at these literary narratives as postnational satires that aim to unravel and denounce the combined hegemonic processes of modernity and nationalism while they start to contemplate the ensuing postnational constellations. These are texts that playfully challenge the temporal and spatial designs of national themes while they point to and debase “holy” borders, international borders as well as the internal lines where narratives of nation are embodied and consecrated.
After the Nazi Racial State
Difference and Democracy in Germany and EuropeRita Chin, Heide Fehrenbach, Geoff Eley, and Atina Grossmann
University of Michigan Press, 2010
"After the Nazi Racial State offers a comprehensive, persuasive, and ambitious argument in favor of making 'race' a more central analytical category for the writing of post-1945 history. This is an extremely important project, and the volume indeed has the potential to reshape the field of post-1945 German history."
---Frank Biess, University of California, San Diego
What happened to "race," race thinking, and racial distinctions in Germany, and Europe more broadly, after the demise of the Nazi racial state? This book investigates the afterlife of "race" since 1945 and challenges the long-dominant assumption among historians that it disappeared from public discourse and policy-making with the defeat of the Third Reich and its genocidal European empire. Drawing on case studies of Afro-Germans, Jews, and Turks---arguably the three most important minority communities in postwar Germany---the authors detail continuities and change across the 1945 divide and offer the beginnings of a history of race and racialization after Hitler. A final chapter moves beyond the German context to consider the postwar engagement with "race" in France, Britain, Sweden, and the Netherlands, where waves of postwar, postcolonial, and labor migration troubled nativist notions of national and European identity.
After the Nazi Racial State poses interpretative questions for the historical understanding of postwar societies and democratic transformation, both in Germany and throughout Europe. It elucidates key analytical categories, historicizes current discourse, and demonstrates how contemporary debates about immigration and integration---and about just how much "difference" a democracy can accommodate---are implicated in a longer history of "race." This book explores why the concept of "race" became taboo as a tool for understanding German society after 1945. Most crucially, it suggests the social and epistemic consequences of this determined retreat from "race" for Germany and Europe as a whole.
Rita Chin is Associate Professor of History at the University of Michigan.
Heide Fehrenbach is Presidential Research Professor at Northern Illinois University.
Geoff Eley is Karl Pohrt Distinguished University Professor of Contemporary History at the University of Michigan.
Atina Grossmann is Professor of History at Cooper Union.
Cover illustration: Human eye, © Stockexpert.com.
After the New Criticism
Frank Lentricchia
University of Chicago Press, 1981
Lentricchia's critical intention is in evidence in his sustained attack on the more or less hidden formalist premises inherited from the New Critical fathers. Even in the name of historical consciousness, he contends, contemporary theorists have often cut literature off from social and temporal processes. By so doing he believes that they have deprived literature of its relevant values and turned the teaching of both literature and theory into a rarefied activity. All along the way, with the help of such diverse thinkers as Saussure, Barthes, Foucault, Derrida, and Bloom, Lentricchia indicates a strategy by which future critical theorists may resist the mandarin attitudes of their fathers.
After the Nobel Prize 1989-1994
The Non-fiction Writing of Naguib Mahfouz, Volume IVNaguib Mahfouz
Gingko, 2015
In carefully crafted short texts, his social conscience is revealed as he highlights political shortcomings, economic injustice, and corruption in Egypt and the wider Arab world. His philosophical sensitivity comes to the fore as he contemplates the meaning of a historic events, contributions of an influential people, and what is required to lead a good life. The collapse of the Soviet Union, the Oslo peace accords, the spread of terrorism, the Cairo earthquake, the passing of Louis Awad, Yusuf Idris, Yahya Hakki, the third term of Hosni Mubarak, climate change, and more come under Naguib Mahfouz’s fine scrutiny. For any fan of Mahfouz’s fiction, this collection opens a window on a different side of his intellect, and it offers insights from one of the region’s greatest modern minds.
After the Operation
Elizabeth T. Gray
Four Way Books, 2025
After the Others
PoemsBruce Weigl
Northwestern University Press, 1999
In his twelfth volume of poetry, Bruce Weigl continues his quest for emotional and spiritual enlightenment. Quiet and moving, these poems combine an intimate voice with a searingly direct look at suffering and senseless violence, at human desire and love, and at man's relationship with nature.
After the Post–Cold War
The Future of Chinese HistoryDai Jinhua
Duke University Press, 2018
After the Pre-Raphaelites
Art and Aestheticism in Victorian EnglandElizabeth Prettejohn
Rutgers University Press, 1999
Victorian Aestheticism has often been traded as a frivolous elevation of art above the concerns of political and social life. This book reinterprets Aestheticism as a significant exploration of what it might mean to produce works of art in the modern world. The chapters address not only "art for art's sake" but also linkages with the realms of science and morality. A major concern is the relationship between art and sexuality, from the experiments of the Rossetti circle in the 1860s to the male nude in late-Victorian sculpture. Both homosexual and heterosexual eroticism emerge as key issues in the artistic debates of the late-Victorian period.
As a complement to the existing literature on Pre-Raphaelitism, this collection is essential reading for all students of nineteenth-century art, literature, and culture.
Contributors are: Caroline Arscott, Robyn Asleson, Colin Cruise, Whitney Davis, Kate Flint, Alastair Grieve, Michael Hatt, Anne Koval, Alison Smith, and Robin Spencer
After the Program Era
The Past, Present, and Future of Creative Writing in the UniversityLoren Glass
University of Iowa Press, 2016
After the Program Era explores the consequences and implications, as well as the lacunae and liabilities, of McGurl’s foundational intervention. Glass focuses only on American fiction and the traditional MFA program, and this collection aims to expand and examine its insights in terms of other genres and sites. Postwar poetry, in particular, has until now been neglected as a product of the Program Era, even though it is, arguably, a “purer” example, since poets now depend almost entirely on the patronage of the university. Similarly, this collection looks beyond the traditional MFA writing program to explore the pre-history of writing programs in American universities, as well as alternatives to the traditionally structured program that have emerged along the way.
Taken together, the essays in After the Program Era seek to answer and explore many of these questions and continue the conversations McGurl only began.
CONTRIBUTORS
Seth Abramson, Greg Barnhisel, Eric Bennett, Matthew Blackwell, Kelly Budruweit, Mike Chasar, Simon During, Donal Harris, Michael Hill, Benjamin Kirbach, Sean McCann, Mark McGurl, Marija Rieff, Juliana Spahr, Stephen Voyce, Stephanie Young
After the Public Turn
Composition, Counterpublics, and the Citizen BricoleurFrank Farmer
Utah State University Press, 2013
Farmer examines two very different kinds of publics, cultural and disciplinary, and discusses two counterpublics within those broad categories: zine discourses and certain academic discourses. By juxtaposing these two significantly different kinds of publics, Farmer suggests that each discursive world can be seen, in its own distinct way, as a counterpublic, an oppositional social formation that has a stake in widening or altering public life as we know it.
Drawing on major figures in rhetoric and cultural theory, Farmer builds his argument about composition teaching and its relation to the public sphere, leading to a more sophisticated understanding of public life and a deeper sense of what democratic citizenship means for our time.
After the Reunion
PoemsDavid Baker
University of Arkansas Press, 1994