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38 books match the query 'Encounters'

cover of Artifact: Encounters with the Campus Shooting Archives

Artifact

Encounters with the Campus Shooting Archives

Julija Šukys

West Virginia University Press, 2025

2026 IPPY Awards Bronze Medal Winner, Current Events - Social Issues/Humanitarian
2026 PROSE Award Finalist, Humanities: Literature

Artifact is about the stories we tell ourselves after mass shootings. Each college campus shooting leaves a record: archival collections, monuments to the dead, government-led inquiries, internal university investigations, and lawsuits. Artifact: Encounters with the Campus Shooting Archives seeks to understand university and college campus shootings that involve students and faculty of those institutions. The book examines the aftermaths of such attacks by moving between university archives, memorials to victims, conversations with survivors, and beyond.

Julija Šukys examines a series of five North American university and college campus shootings between 1966 and 2015: the École Polytechnique in Montreal, Concordia University in Montreal, Virginia Tech, University of Alabama–Huntsville, and Umpqua Community College in Roseburg, Oregon. These attacks involved students and faculty as both victims and perpetrators—that is, all the shooters were either faculty members or (in one case, would-be) students of the institution where the killings took place.

Šukys arrives at each site long after the killings have taken place: by now, the teddy bears, flowers, and crosses have been cleared away. Prying journalists are long gone. She sorts through myriad objects left at makeshift memorial sites. She talks for hours with a professor who survived an attack only because her colleague’s gun jammed as it was pointed at her head. She wanders and documents the reconfigured buildings made unrecognizable after the horrors that occurred within them. She reads tedious court transcripts, officious government-commissioned reports, and a troubling memoir written by a shooter’s mother and sifts through the mathematics papers that one campus shooter publishes from his prison cell.

Artifact weighs what it means to live in a place where students and their teachers are gunned down on a seemingly regular basis. It asks how we can continue to learn, teach, and live when nothing changes in response to these deaths. It attempts to speak into silence, to look at the pain of those who have come through trauma, and to meet their gazes without platitudes or triumphalism. The result is a searching book about care, memory, forgiveness, and survival.

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cover of Born of Resistance: Cara a Cara Encounters with Chicana/o Visual Culture

Born of Resistance

Cara a Cara Encounters with Chicana/o Visual Culture

Edited by Scott L. Baugh and Víctor A. Sorell

University of Arizona Press, 2015

This collection of essays interrogates the most contested social, political, and aesthetic concept in Chicana/o cultural studies—resistance.

If Chicana/o culture was born of resistance amid assimilation and nationalistic forces, how has it evolved into the twenty-first century? This groundbreaking volume redresses the central idea of resistance in Chicana/o visual cultural expression through nine clustered discussions, each coordinating scholarly, critical, curatorial, and historical contextualizations alongside artist statements and interviews. Landmark artistic works—illustrations, paintings, sculpture, photography, film, and television—anchor each section. Contributors include David Avalos, Mel Casas, Ester Hernández, Nicholas Herrera, Luis Jiménez, Ellen Landis, Yolanda López, Richard Lou, Delilah Montoya, Laura Pérez, Lourdes Portillo, Luis Tapia, Chuy Treviño, Willie Varela, Kathy Vargas, René Yañez, Yvonne Yarbro-Bejarano, and more. Cara a cara, face-to-face, encounters across the collection reveal the varied richness of resistant strategies, movidas, as they position crucial terms of debate surrounding resistance, including subversion, oppression, affirmation, and identification.

The essays in the collection represent a wide array of perspectives on Chicana/o visual culture. Editors Scott L. Baugh and Víctor A. Sorell have curated a dialog among the many voices, creating an important new volume that redefines the role of resistance in Chicana/o visual arts and cultural expression.
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cover of Common Ground: Encounters with Nature at the Edges of Life

Common Ground

Encounters with Nature at the Edges of Life

Rob Cowen

University of Chicago Press, 2016

All too often, we think of nature as something distinct from ourselves, something to go and see, a place that’s separate from the ordinary modern world in which we live and work. But if we take the time to look, we soon find that’s not how nature works. Even in our parceled-out, paved-over urban environs, nature is all around us; it is in us. It is us.
 
That’s what Rob Cowen discovered after moving to a new home in northern England. After ten years in London he was suddenly adrift, searching for a sense of connection. He found himself drawn to a square-mile patch of waste ground at the edge of town. Scrappy, weed-filled, this heart-shaped tangle of land was the very definition of overlooked—a thoroughly in-between place that capitalism no longer had any use for, leaving nature to take its course. Wandering its meadows, woods, hedges, and fields, Cowen found it was also a magical, mysterious place, haunted and haunting, abandoned but wildly alive—and he fell in fascinated love.
 
Common Ground is a true account of that place and Cowen’s transformative journey through its layers and lives, but it’s much more too. As the land’s stories intertwine with events in his own life—and he learns he is to become a father for the first time—the divisions between human and nature begin to blur and shift. The place turns out to be a mirror, revealing what we are, what we’re not and how those two things are ultimately inseparable.
 
This is a book about discovering a new world, a forgotten world on the fringes of our daily lives, and the richness that comes from uncovering the stories and lives—animal and human—contained within. It is an unforgettable piece of nature writing, part of a brilliant tradition that stretches from Gilbert White to Robert Macfarlane and Helen Macdonald.
 
“I am dreaming of the edge-land again,” Cowen writes. Read Common Ground, and you, too, will be dreaming of the spaces in between, and what—including us—thrives there.
 
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cover of Encounters With Silence

Encounters With Silence

Karl Rahner

St. Augustine's Press, 1999

One of the classics of modern spirituality, Encounters with Silence is one of Karl Rahner’s most lucid and powerful books. A book of meditations about man’s relation with God, it is not a work of dry theology, but rather a book of prayerful reflections on love, knowledge, and faith, obedience, everyday routines, life with our friends and neighbors, our work and vocation, and human goodness. The immense success of this moving work is a tribute to its practicality and the ability of the great theologian to speak simply and yet profoundly to ordinary men and women seeking an inspiring guide to the inner life, one that never forsakes the world of reality. The book is cast in the form of a dialogue with God that moves from humble but concerned inquiry to joyful contemplation.

“You will come again because the fact that you have already come must continue to be revealed ever more clearly. It must become progressively manifest to the world that the heart of all things is already transformed, because you have taken them all to your heart. . . . The false appearance of our world, the shabby pretense that it has not been liberated . . . must be more and more thoroughly rooted out and destroyed. . . . And your coming is neither past nor future, but the present, which has only to reach its fulfillment. Now it is still the one single hour of your advent.” (from the book)

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cover of Encounters and Dialogues with Martin Heidegger, 1929-1976

Encounters and Dialogues with Martin Heidegger, 1929-1976

Heinrich Wiegand Petzet

University of Chicago Press, 1993

Despite his predominance in twentieth-century philosophy, no intellectual biography of Martin Heidegger has yet appeared. This account of Heidegger's personal relations, originally published in German and extensively corrected by the author for this translation, enlarges our understanding of a complex figure.

A well-known art historian and an intimate friend of Heidegger's, Heinrich Wiegand Petzet provides a rich portrait of Heidegger that is part memoir, part biography, and part cultural history. By recounting chronologically a series of encounters between the two friends from their meeting in 1929 until the philosopher's death in 1976, as well as between Heidegger and other contemporaries, Petzet reveals not only new aspects of Heidegger's thought and attitudes toward the historical and intellectual events of his time but also the greater cultural and social context in which he articulated his thought.
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cover of Encounters and Reflections: Conversations with Seth Benardete

Encounters and Reflections

Conversations with Seth Benardete

Seth Benardete

University of Chicago Press, 2002

By turns wickedly funny and profoundly illuminating, Encounters and Reflections presents a captivating and unconventional portrait of the life and works of Seth Benardete. One of the leading scholars of ancient thought, Benardete here reflects on both the people he knew and the topics that fascinated him throughout his career in a series of candid, freewheeling conversations with Robert Berman, Ronna Burger, and Michael Davis.
The first part of the book discloses vignettes about fellow students, colleagues, and acquaintances of Benardete's who later became major figures in the academic and intellectual life of twentieth-century America. We glimpse the student days of Allan Bloom, Stanley Rosen, George Steiner, and we discover the life of the mind as lived by well-known scholars such as David Grene, Jacob Klein, and Benardete's mentor Leo Strauss. We also encounter a number of other learned, devoted, and sometimes eccentric luminaries, including T.S. Eliot, James Baldwin, Werner Jaeger, John Davidson Beazley, and Willard Quine. In the book's second part, Benardete reflects on his own intellectual growth and on his ever-evolving understanding of the texts and ideas he spent a lifetime studying. Revisiting some of his recurrent themes—among them eros and the beautiful, the city and the law, and the gods and the human soul—Benardete shares his views on thinkers such as Plato, Homer, and Heidegger, as well as the relations between philosophy and science and between Christianity and ancient Roman thought.

Engaging and informative, Encounters and Reflections brings Benardete's thought to life to enlighten and inspire a new generation of thinkers.
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cover of Encounters in Modern Hebrew: Level 1

Encounters in Modern Hebrew

Level 1

Edna Amir Coffin

University of Michigan Press, 1992

Encounters in Modern Hebrew is designed to fulfill the needs of English-speaking students who want to gain a basic knowledge of modern Hebrew. Extensively classroom-tested at the University of Michigan, the text provides a comprehensive introduction to the reading, writing, and pronunciation of modern Hebrew through an array of interesting exercises and activities reflecting up-to-the-minute language-learning theory.
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cover of Encounters in Modern Hebrew: Level 2

Encounters in Modern Hebrew

Level 2

Edna Amir Coffin

University of Michigan Press, 1993

Encounters in Modern Hebrew is designed to fulfill the needs of English-speaking students who want to gain a basic knowledge of modern Hebrew. Extensively classroom-tested at the University of Michigan, the text provides a comprehensive introduction to the reading, writing, and pronunciation of modern Hebrew through an array of interesting exercises and activities reflecting up-to-the-minute language-learning theory.
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cover of Encounters in Modern Hebrew: Level 3

Encounters in Modern Hebrew

Level 3

Edna Amir Coffin

University of Michigan Press, 1997

Encounters in Modern Hebrew is designed to fulfill the needs of English-speaking students of Hebrew who seek oral and written communication and reading comprehension. Extensively classroom-tested at the University of Michigan, the text provides the means to acquire a meaningful command of the Hebrew language with an emphasis on an expansive vocabulary and a variety of language domains. Employing interesting exercises and activities, Encounters in Modern Hebrew, Level 3 incorporates many current communicative and culturally-based approaches to mastering a foreign language. Encounters in Modern Hebrew, Level 3 presents a study environment conducive to the speaking, reading, and writing of free and authentic Hebrew.

This volume shows students a wider range of Hebrew-speaking cultural activities in a larger human context, from materials about holidays, including a Jewish holiday celebrated only in North Africa, to discussions of the roles of women that raise the issue of gender equality. Other chapters examine ethnic jokes and their problematic qualities, geography, and the differences between popular and literary language registers. Encounters in Modern Hebrew, Level 3 ushers the Hebrew student through a wide domain of the human community.
Edna Amir Coffin is Arthur F. Thurnau Professor of Modern Hebrew Language and Literature and Senior Research Scientist, Center for Learning and Teaching, University of Michigan.
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cover of Encounters in Video Art in Latin America

Encounters in Video Art in Latin America

Elena Shtromberg

J. Paul Getty Trust, The, 2023

With insightful essays and interviews, this volume examines how artists have experimented with the medium of video across different regions of Latin America since the 1960s.
 
The emergence of video art in Latin America is marked by multiple points of development, across more than a dozen artistic centers, over a period of more than twenty-five years. When it was first introduced during the 1960s, video was seen as empowering: the portability of early equipment and the possibility of instant playback allowed artists to challenge and at times subvert the mainstream media. Video art in Latin America was—and still is—closely related to the desire for social change. Themes related to gender, ethnic, and racial identity as well as the consequences of social inequality and ecological disasters have been fundamental to many artists’ practices.
 
This compendium explores the history and current state of artistic experimentation with video throughout Latin America. Departing from the relatively small body of existing scholarship in English, much of which focuses on individual countries, this volume approaches the topic thematically, positioning video artworks from different periods and regions throughout Latin America in dialogue with each other. Organized in four broad sections—Encounters, Networks and Archives, Memory and Crisis, and Indigenous Perspectives—the book’s essays and interviews encourage readers to examine the medium of video across varied chronologies and geographies.
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cover of Encounters in the Dark: Identity Formation in the Jacob Story

Encounters in the Dark

Identity Formation in the Jacob Story

Noel Forlini Burt

SBL Press, 2020

An interdisciplinary study of a familiar patriarchal narrative

Encounters in the Dark: Identity Formation in the Jacob Story traces the many moments of darkness in the life of Jacob. From the darkness of his mother's womb, to the darkness Jacob uses to deceive his father and his brother, to the night he sleeps on the ground with just a stone for a pillow at Bethel, and to the triumphant scene of wrestling God by the Jabbok River, the biblical story frequently situates Jacob in the darkness. Through an exploration of key moments in Jacob's story, Noel Forlini Burt follows Jacob's journey from home to exile and back home again. His story symbolizes the larger story of Israel's own wrestling with God in the darkness of exile and return.

Features

  • An exploration of the poetics and rhetoric of the Jacob story
  • An examination of characterization in its ancient and modern contexts
  • An analysis of individual and collective identity
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cover of Encounters in the New World: Jesuit Cartography of the Americas

Encounters in the New World

Jesuit Cartography of the Americas

Mirela Altic

University of Chicago Press, 2022

Analyzing more than 150 historical maps, this book traces the Jesuits’ significant contributions to mapping and mapmaking from their arrival in the New World.

In 1540, in the wake of the tumult brought on by the Protestant Reformation, Saint Ignatius of Loyola founded the Society of Jesus, also known as the Jesuits. The Society’s goal was to revitalize the faith of Catholics and to evangelize to non-Catholics through charity, education, and missionary work. By the end of the century, Jesuit missionaries were sent all over the world, including to South America. In addition to performing missionary and humanitarian work, Jesuits also served as cartographers and explorers under the auspices of the Spanish, Portuguese, and French crowns as they ventured into remote areas to find and evangelize to native populations.

In Encounters in the New World, Mirela Altic analyzes more than 150 of their maps, most of which have never previously been published. She traces the Jesuit contribution to mapping and mapmaking from their arrival in the New World into the post-suppression period, placing it in the context of their worldwide undertakings in the fields of science and art. Altic’s analysis also shows the incorporation of indigenous knowledge into the Jesuit maps, effectively making them an expression of cross-cultural communication—even as they were tools of colonial expansion. This ambiguity, she reveals, reflects the complex relationship between missions, knowledge, and empire. Far more than just a physical survey of unknown space, Jesuit mapping of the New World was in fact the most important link to enable an exchange of ideas and cultural concepts between the Old World and the New.
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cover of Encounters on Contested Lands: Indigenous Performances of Sovereignty and Nationhood in Québec

Encounters on Contested Lands

Indigenous Performances of Sovereignty and Nationhood in Québec

Julie Burelle

Northwestern University Press, 2019

Winner, 2019 John W. Frick Book Award
Winner, 2020 Ann Saddlemyer Award
Finalist, ATHE Outstanding Book Award for 2020
Mention Spéciale, Société québécoise d'études théâtrale


In Encounters on Contested Lands, Julie Burelle employs a performance studies lens to examine how instances of Indigenous self-representation in Québec challenge the national and identity discourses of the French Québécois de souche—the French-speaking descendants of white European settlers who understand themselves to be settlers no more but rather colonized and rightfully belonging to the territory of Québec. 

Analyzing a wide variety of performances, Burelle brings together the theater of Alexis Martin and the film L'Empreinte, which repositions the French Québécois de souche as métis, with protest marches led by Innu activists; the Indigenous company Ondinnok's theater of repatriation; the films of Yves Sioui Durand, Alanis Obomsawin, and the Wapikoni Mobile project; and the visual work of Nadia Myre. These performances, Burelle argues, challenge received definitions of sovereignty and articulate new ones while proposing to the province and, more specifically, to the French Québécois de souche, that there are alternative ways to imagine Québec's future and remember its past. 

The performances insist on Québec's contested nature and reframe it as animated by competing sovereignties. Together they reveal how the "colonial present tense" and "tense colonial present" operate in conjunction as they work to imagine an alternative future predicated on decolonization. Encounters on Contested Lands engages with theater and performance studies while making unique and needed contributions to Québec and Canadian studies, as well as to Indigenous and settler-colonial studies.
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cover of Encounters with American Ethnic Cultures

Encounters with American Ethnic Cultures

Edited by Philip L. Kilbride, Jane C. Goodale, and Elizabeth R. Ameisen

University of Alabama Press, 1990

Encounters with American Ethnic Cultures represents a cultural approach to understanding ethnic diversity in the Philadelphia metropolitan area.

Thirteen chapters, each using an ethnographic field methodology, explore such ethnic experience as the "invisible" (WASPS and African-Americans); "self-chosen" (Welsh-American, Irish-American, and Ukrainian-American); "gender-related" (the Lubovitcher); "religious" (Jewish, Native American, Greek-American, and Puerto Rican); and "dislocated" (Cambodians and the homeless). Ethnographic fieldwork focuses an insider's view on the meaning of ethnic experience in the lives of participants in the research. This volume examines the role and function of various ethnic endeavors in the preservation and maintenance of ethnic identity by contemporary Americans.

This five part volume includes:
 

Introduction: Ethnic Culture Analysis—A Course of Study, Jane C. Goodale and Philip L. Kilbride
 

Methodology, Elizabeth R. Ameisen and Carolyn G. Friedman

Part I. Black and WASP in American Cultural Experience: The Invisible Ones
 

Exclusivity in an Ethnic Elite: Racial Prejudice as Boundary Maintenance, Elizabeth R. Ameisen
 

Africans and African-Americans: An Ethnohistorical View and Symbolic Analysis of Food Habits, Carolyn G. Friedman

Part II. Self-Chosen Ethnicity

Unique Americans: The Welsh-American Ethnic Group in the Philadelphia Area, Lorraine Murray
 

Irish-Americans and Irish Dance: Self-Chosen Ethnicity, Erin McGauley Hebard
 

Art and Identity: Ukrainian-American Ethnicity, Jennifer Krier

Part III. Interpretations of Gender and Ethnicity: The Lubavitcher Experience
 

Equality Does Not Mean Sameness: The Role of Women within the Lubavitcher Marriage, Philip Baldinger
 

Strategies for Strength: Women and Personal Empowerment in Lubavitcher Hasidism, Gita Srinivasan

Part IV. Ethnicity and Religion: The Persistence of Collective Representations
 

Our Lives Revolve around the Holidays: Holidays in the Transmission of Jewish Ethnicity, Anna Dahlem
 

Fayetteville or Raleigh? An Analysis of an American Indian Baptist Church, Beth Batten
 

Issues in Greek Orthodoxy That Define and Maintain Greek-American Ethnicity, Karen L. Belsley
 

Es como si fuera la casa de uno: The Role of the Community Church in Maintaining Puerto Rican Ethnicity, Monica Schoch-Spana

Part V. Dislocation and Ethnicity

Cambodian Marriage: Marriage and How it is Changing among Cambodian Refugees in Philadelphia, Rebecca C. Popenoe
 

Ethnic Expression in a Jewish Street Person, Andrew Millstein

Conclusion, Philip L. Kilbride and Jane C. Goodale

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cover of Encounters with Kenneth Burke

Encounters with Kenneth Burke

William H. Rueckert

University of Illinois Press, 1994

 William H. Rueckert's landmark
  1963 study, Kenneth Burke and the Drama of Human Relations, is often
  credited with bringing the field of Burke studies into existence. Here, Rueckert
  has gathered his "encounters" with Burke over the past thirty years--brieft
  talks, position papers, rethinking and reformation of earlier ideas, and detailed
  analyses of individual texts--into one volume that offers readers the best of
  Burkean criticism.
 
 
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cover of Encounters with Korean Folk Religion: The Goddesses of Eight Peaks Mountain

Encounters with Korean Folk Religion

The Goddesses of Eight Peaks Mountain

Clark W. Sorensen

Rutgers University Press, 2027

Encounters with Korean Folk Religion is an account of forty-five years of engagement with the cult of goddesses on Eight Peaks Mountain in Korea’s western Kangwŏn Province, the shaman who tended to the goddesses there from 1977 to 2015, and the folk religion of the surrounding village of Eight Peaks. Since the 1980s, South Korea has urbanized and the village of Eight Peaks has been transformed from a remote agricultural village into a rafting and ski resort. While communal worship ceremonies have been dying out in most of Korea, they have only grown on Eight Peaks Mountain, which has been a site of worship since at least the 15th century. What was a small-scale local ceremony in 1977 has grown into a large-scale regional celebration attracting shamans and tourists from far and wide. The manuscript delves in a historically and anthropologically innovative way into the social, religious, and historical reasons for this efflorescence.

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cover of Encounters with Lise and Other Stories

Encounters with Lise and Other Stories

Leonid Dobychin

Northwestern University Press, 2005

In 1994 Russian writer Victor Erofeyev proclaimed Leonid Dobychin "one of the main heroes of twentieth-century Russian literature." Obscure for many years, Dobychin is now celebrated as a modernist master. His short stories are hailed as a sort of Soviet version of Joyce's Dubliners-subtle and tightly constructed miniatures linked by recurring themes and full of ironic juxtaposition, context, allusion, and style.

For Dobychin early Soviet society was an absurdist wonderland. He was not anti-Soviet but trans-Soviet, practicing realism but looking at reality from jarring angles. A typical day for a Dobychin hero includes participation in character-building sports, witnessing a parade, attending a funeral, and memorial to fallen communists-and finally reflecting at the end of the day that he almost met a pretty young sick-nurse. Dobychin's stories reveal a Brave New World where idealism rubs shoulders with heartless ambition and political denunciation, and ubiquitous acronyms and revolutionary cliché maul the language. But he also describes the absurdities of a place where office girls pray for the arrest of disliked co-workers and prisoner work gangs are made to spell out beautiful but empty platitudes in beds of sand. This collection includes all of the stories published in Dobychin's lifetime, plus two stories that remained unpublished until the late 1980s.
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cover of Encounters with Rauschenberg: (A Lavishly Illustrated Lecture)

Encounters with Rauschenberg

(A Lavishly Illustrated Lecture)

Leo Steinberg

University of Chicago Press, 2000

In his insightful and engrossing lecture, Leo Steinberg surveys and critiques the work of Robert Rauschenberg, one of the great American post-war artists. He also discusses his own experience as a critic in the exciting and turbulent art world of New York in the 1950s and 1960s. The result is a rare glimpse not only into Rauschenberg, but also into Steinberg.

With the sharpness and confidence that can only come from a critic who has long been involved with Rauschenberg's work, Steinberg offers an in-depth discussion of such major pieces as the Erased DeKooning Drawing, Bed, and Monogram. He explains the subtle differences between his interpretations and those of other critics, such as Clement Greenberg and Hilton Kramer. He candidly reflects on how he has changed his mind over the years, and defends his new ideas about Rauschenberg's work with precise, fresh arguments. He critically evaluates Rauschenberg's more recent work and addresses how it falls short from the artist's earlier work.

From Rauschenberg's silk-screen prints of the 1960s to the vegetable dye transfer prints of the 1990s, Steinberg warns against the dangers of overinterpretation and iconographic enthusiasm. He argues that the unifying strand through this great artist's work is his drive to appropriate, to take objects and images from the world and make them his own by making them become a part of his art.

Provocative, intelligent, and beautifully articulated, Steinberg's words shed light on one remarkable artist and on the post-war New York art scene, on Steinberg's particular appreciation of Rauschenberg and on his life's work as an art critic.
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cover of Enduring Roots: Encounters with Trees, History, and the American Landscape

Enduring Roots

Encounters with Trees, History, and the American Landscape

Gayle Brandow Samuels

Rutgers University Press, 2005

Trees are the grandest and most beautiful plant creations on earth. From their shade-giving, arching branches and strikingly diverse bark to their complex root systems, trees represent shelter, stability, place, and community as few other living objects can.

Enduring Roots tells the stories of historic American trees, including the oak, the apple, the cherry, and the oldest of the world’s trees, the bristlecone pine. These stories speak of our attachment to the land, of our universal and eternal need to leave a legacy, and demonstrate that the landscape is a gift, to be both received and, sometimes, tragically, to be destroyed.

Each chapter of this book focuses on a specific tree or group of trees and its relationship to both natural and human history, while exploring themes of community, memory, time, and place. Readers learn that colonial farmers planted marker trees near their homes to commemorate auspicious events like the birth of a child, a marriage, or the building of a house. They discover that Benjamin Franklin’s Newtown Pippin apples were made into a pie aboard Captain Cook’s Endeavour while the ship was sailing between Tahiti and New Zealand. They are told the little-known story of how the Japanese flowering cherry became the official tree of our nation’s capital—a tale spanning many decades and involving an international cast of characters. Taken together, these and many other stories provide us with a new ways to interpret the American landscape.

“It is my hope,” the author writes, “that this collection will be seen for what it is, a few trees selected from a great forest, and that readers will explore both—the trees and the forest—and find pieces of their own stories in each.”

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cover of Fictionalizing Anthropology: Encounters and Fabulations at the Edges of the Human

Fictionalizing Anthropology

Encounters and Fabulations at the Edges of the Human

Stuart J. McLean

University of Minnesota Press, 2017

What might become of anthropology if it were to suspend its sometime claims to be a social science? What if it were to turn instead to exploring its affinities with art and literature as a mode of engaged creative practice carried forward in a world heterogeneously composed of humans and other than humans? Stuart McLean claims that anthropology stands to learn most from art and literature not as “evidence” to support explanations based on an appeal to social context or history but as modes of engagement with the materiality of expressive media—including language—that always retain the capacity to disrupt or exceed the human projects enacted through them.  

At once comparative in scope and ethnographically informed, Fictionalizing Anthropology draws on an eclectic range of sources, including ancient Mesopotamian myth, Norse saga literature, Hesiod, Lucretius, Joyce, Artaud, and Lispector, as well as film, multimedia, and performance art, along with the concept of “fabulation” (the making of fictions capable of intervening in and transforming reality) developed in the writings of Bergson and Deleuze. Sharing with proponents of anthropology’s recent “ontological turn,” McLean insists that experiments with language and form are a performative means of exploring alternative possibilities of collective existence, new ways of being human and other than human, and that such experiments must therefore be indispensable to anthropology’s engagement with the contemporary world.

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cover of Golden Wings & Hairy Toes: Encounters with New England’s Most Imperiled Wildlife

Golden Wings & Hairy Toes

Encounters with New England’s Most Imperiled Wildlife

Todd McLeish

University Press of New England, 2009

This book profiles fourteen of New England’s most rare and endangered flora and fauna—mammals, birds, insects, plants, and fish—by following the biologists who are researching, monitoring, and protecting them. Each chapter includes a first-person account of the author’s experience with these experts, as well as details about the species’ life history, threats, and conservation strategies. McLeish traps bats in Vermont and lynx in Maine, gets attacked by marauding birds in Massachusetts, and observes the metamorphosis of dragonflies in Rhode Island. He visits historical cemeteries to see New England’s rarest plant, tracks sturgeon in the Connecticut River, and observes a parade of what may be the rarest mammal on earth, the North Atlantic right whale, in Cape Cod Bay. The book’s title comes from the name of one of the birds in the book, the golden-winged warbler, and the unusual characteristic used to distinguish the rare Indiana bat from its common cousins, its hairy toes. McLeish, a longtime wildlife advocate and essayist, has a gift for communicating scientific information in an interesting and accessible way. His goal in this book—to make an emotional connection to a variety of fascinating animals and plants—is successfully conveyed to the reader, who comes away amazed by the complexity of individual species and the ecosystems necessary for their survival. Sometimes there are surprises: how lynx benefit from the clear cutting of forests or how utility companies —often blamed for environmental degradation—have accidentally succeeded in creating excellent habitat for golden-winged warblers along their power line corridors. Such examples support McLeish’s assertion that we can meet the immense challenges to species preservation, such as global warming, acid rain, and mercury poisoning, as well as the difficulty of adding new species to the 1973 Endangered Species Act. As McLeish’s book shows, each rare species has an important story to tell about the causes of its population decline, the obstacles each face in rebuilding a sustainable population, and the people who go to extraordinary lengths to give these species a chance to thrive.
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cover of In the Pride of the Moment: Encounters in Jane Austen’s World

In the Pride of the Moment

Encounters in Jane Austen’s World

John A. Dussinger

The Ohio State University Press, 1900

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cover of Inscribed: Encounters with the Ten Commandments

Inscribed

Encounters with the Ten Commandments

Rabbi Oren J. Hayon

Central Conference of American Rabbis, 2020

This anthology gives voice to the many diverse and contemporary perspectives about each of the Ten Commandments. Written by an impressive collection of rabbis and scholars, the volume allots multiple chapters for each of the commandments in order to engage with the ways in which these timeless utterances have inspired contemporary laws, ethics, and moral guidelines.

 

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cover of Instrument of Memory: Encounters with the Wandering Jew

Instrument of Memory

Encounters with the Wandering Jew

Lisa Lampert-Weissig

University of Michigan Press, 2024

How can immortality be a curse? According to the Wandering Jew legend, as Jesus made his way to Calvary, a man refused him rest, cruelly taunting him to hurry to meet his fate. In response, Jesus cursed the man to wander until the Second Coming. Since the medieval period, the legend has inspired hundreds of adaptations by artists and writers. Instrument of Memory: Encounters with the Wandering Jew, the first English-language study of the legend in over fifty years, is also the first to examine the influence of the legend’s medieval and early modern sources over the centuries into the present day. Using the lens of memory studies, the work shows how the Christian tradition of the legend centered the memory of the Passion at the heart of the Wandering Jew’s curse. Instrument of Memory also shows how Jewish artists and writers have reimagined the legend through Jewish memory traditions. Through this focus on memory, Jewish adapters of the legend create complex renderings of the Wandering Jew that recognize not only the entanglement of Jewish and Christian memory, but also the impact of that entanglement on Jewish subjects. This book presents a complex, sympathetic, and more fully realized version of the legend while challenging the limits of the presentism of memory studies.
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cover of It's a Small World: International Deaf Spaces and Encounters

It's a Small World

International Deaf Spaces and Encounters

Michele Friedner

Gallaudet University Press, 2015

It’s a Small World explores the fascinating and, at times, controversial concept of DEAF-SAME (“I am deaf, you are deaf, and so we are the same”) and its influence on deaf spaces locally and globally. The editors and contributors focus on national and international encounters (e.g., conferences, sporting events, arts festivals, camps) and the role of political/economic power structures on deaf lives and the creation of deaf worlds. They also consider important questions about how deaf people negotiate DEAF-SAME and deaf difference, with particular attention to relations between deaf people in the global South (countries in Africa, Asia, and Latin America, with access to fewer resources than other countries) and the global North (countries in Europe, along with Canada, the US, Australia, and several other nations with access to and often control of resources). 
 
       Editors Michele Friedner and Annelies Kusters and their contributors represent a variety of academic and professional fields, from anthropology and linguistics to cultural and religious studies. Each chapter in this original volume highlights a new perspective on the multiple intersections that occur between nationalities, cultures, languages, religions, races, genders, and identities. The text is organized into five sections—Gatherings, Language, Projects, Networks, and Visions. Taken all together, the 23 chapters in this book provide an understanding of how sameness and difference are powerful yet contested categories in deaf worlds.
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cover of Living in a Law Transformed: Encounters with the Works of James Boyd White

Living in a Law Transformed

Encounters with the Works of James Boyd White

Julen Etxabe and Gary Watt, eds.

Michigan Publishing Services, 2014

In 2013, an international group of jurists gathered in London to mark the 40th anniversary of the publication of James Boyd White’s The Legal Imagination, the book that is widely credited with instigating and inspiring the modern “law and literature” and “law and humanities” movements in university teaching and research. The authors of each of the twelve essays in this collection offer a personal reflection on teaching, researching, and practicing law in the light of White’s invitation to reimagine the law and our own relationship with it. Each is therefore a personal response to the challenge of bringing legal work to life and life to legal work. Topics covered range from rhetoric to human rights, from silence to slow reading, from film to material culture, and from the natural world to the realm of religious experience. This book hopes to make life in the law more meaningful for the scholar, the judge, the attorney, and the student, following the sometimes hard path that James Boyd White set for himself to follow.
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cover of Mark, Mutuality, and Mental Health: Encounters with Jesus

Mark, Mutuality, and Mental Health

Encounters with Jesus

Simon Mainwaring

SBL Press, 2014

An incitement to re-assess how society relates to persons with poor mental health

Mainwaring explores the societal contexts of those who suffer poor mental health, and in particular the relational dynamics of how identity, agency, and dialogue are negotiated in personal encounters. This work seeks to serve as an experiment, such that interested readers might better understand the dynamics of relational power that pervade encounters with persons with poor mental health.

Features:

  • Foucauldian analysis of the relational dynamics of poor mental health used to re-imagine hegemonic relational dynamics
  • Close readings of encounters between individual characters to evaluate how mutuality operates in those encounters
  • Study of mutuality as it has emerged in mental health literature, feminist theologies, and theologies of disability
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cover of Out of Brownsville: Encounters with Nobel Laureates and Other Jewish Writers: A Cultural Memoir

Out of Brownsville

Encounters with Nobel Laureates and Other Jewish Writers: A Cultural Memoir

Jules Chametzky

University of Massachusetts Press, 2012

In this collection of literary portraits, Jules Chametzky shares his recollections of more than forty notable Jewish writers, from Alfred Kazin to Isaac Bashevis Singer, Grace Paley, Saul Bellow, Irving Howe, Cynthia Ozick, Leslie Fiedler, Tillie Olsen, Adrienne Rich, Allen Ginsberg, Joseph Brodsky, and Amos Oz—to name a few. Also included are cameo appearances by non-Jewish authors, such as James Baldwin, Amiri Baraka, and Jose Yglesias. Not only do these various writers emerge as interesting and often complicated human beings, but Chametzky reveals himself to be a warm and gracious storyteller.
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cover of Pieter Geyl and Britain: Encounters, Controversies, Impact

Pieter Geyl and Britain

Encounters, Controversies, Impact

Edited by Stijn van Rossem and Ulrich Tiedau

University of London Press, 2022

An examination of the work and influence of historian Pieter Geyl.
 
Pieter Geyl (1887—1966) was undoubtedly one of the most internationally renowned Dutch historians of the twentieth century, but also one of the most controversial. Having come to the United Kingdom as a journalist, he started his academic career at the University of London in the aftermath of World War I and played an important role in the early days of the Institute of Historical Research. Known in this time for his reinterpretation of the sixteenth-century Dutch Revolt against the Habsburgs that challenged existing historiographies of both Belgium and the Netherlands but was also linked to his political activism in favor of the Flemish movement in Belgium, Geyl left his stamp on the British perception of Low Countries history before moving back to his country of origin in 1935. Having spent World War II in German hostage camps, he famously coined the adage of history being “a discussion without end” and reengaged in public debates with British historians after the war, partly conducted on the airwaves of the BBC. A prolific writer and an early example of a public intellectual, Geyl remains one of the most influential thinkers on history of his time. The present volume reexamines Geyl’s relationship with Britain (and the Anglophone world at large) and sheds new light on his multifaceted work as a historian, journalist, homme de lettres, and political activist.
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cover of Strange Enemies: Indigenous Agency and Scenes of Encounters in Amazonia

Strange Enemies

Indigenous Agency and Scenes of Encounters in Amazonia

Aparecida Vilaça

Duke University Press, 2010

In 1956, in the Brazilian state of Rondônia, a group of Wari’ Indians had their first peaceful contact with whites: Protestant missionaries and officers from the national Indian Protection Service. On returning to their villages, the Wari’ announced, “We touched their bodies!” Meanwhile the whites reported to their own people that “the region’s most warlike tribe has entered the pacification phase!” Initially published in Brazil, Strange Enemies is an ethnographic narrative of the first encounters between these peoples with radically different worldviews.

During the 1940s and 1950s, white rubber tappers invading the Wari’ lands raided the native villages, shooting and killing their victims as they slept. These massacres prompted the Wari’ to initiate a period of intense retaliatory warfare. The national government and religious organizations subsequently intervened, seeking to “pacify” the Indians. Aparecida Vilaça was able to interview both Wari’ and non-Wari’ participants in these encounters, and here she shares their firsthand narratives of the dramatic events. Taking the Wari’ perspective as its starting point, Strange Enemies combines a detailed examination of these cross-cultural encounters with analyses of classic ethnological themes such as kinship, shamanism, cannibalism, warfare, and mythology.

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cover of The Abyss Stares Back: Encounters with Deep-Sea Life

The Abyss Stares Back

Encounters with Deep-Sea Life

Stacy Alaimo

University of Minnesota Press, 2025

In an era of accelerating extinctions, what does it mean to discover thousands of new species in the deep sea?

As we see the catastrophic effects of the Anthropocene proliferate, advanced technologies also grant us greater access to the furthest reaches of the world’s oceans, facilitating the discovery of countless new species. Sorting through the implications of this strange paradox, Stacy Alaimo explores the influence this newfound intimacy with the deep sea might have on our broader relationship to the nonhuman world. While many images of these abyssal creatures circulate as shallow clickbait, aesthetic representations can be enticing lures for speculating about their lives, profoundly expanding our environmental concern.

The Abyss Stares Back analyzes a diverse range of scientific, literary, and artistic accounts of deep-sea exploration, including work from the naturalist William Beebe and the artist Else Bostelmann as well as results of the Census of Marine Life that began at the turn of the twenty-first century. As she focuses on oft-overlooked creatures of the deep, such as tubeworms, hatchetfish, siphonophores, and cephalopods, which are typically cast as “alien,” Alaimo shows how depictions of the deep seas have been enmeshed in long colonial histories and racist constructions of a threatening abyss.

Drawing on feminist environmentalism, posthumanism, science and technology studies, and Indigenous and non-Western perspectives, Alaimo details how our understanding of science is fundamentally altered by aesthetic encounters with these otherworldly life forms. She argues that, although the deep sea is often thought of as a lifeless void with little connection to human existence, our increasing devastation of this realm underscores our ethical obligation to protect the biodiverse life in the depths. When the abyss stares back, it demands recognition.

Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.

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cover of The Art of Ectoplasm: Encounters with Winnipeg's Ghost Photographs

The Art of Ectoplasm

Encounters with Winnipeg's Ghost Photographs

Serena Keshavjee

University of Manitoba Press, 2023

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cover of The Shark God: Encounters with Ghosts and Ancestors in the South Pacific

The Shark God

Encounters with Ghosts and Ancestors in the South Pacific

Charles Montgomery

University of Chicago Press, 2007

When Charles Montgomery was ten years old, he stumbled upon the memoirs of his great-grandfather, a seafaring missionary in the South Pacific. Twenty years later and a century after that journey, entranced by the world of black magic and savagery the bishop described, Montgomery set out for Melanesia in search of the very spirits and myths his great-grandfather had sought to destroy.  In The Shark God, he retraces his ancestor’s path through the far-flung islands, exploring the bond between faith and magic, the eerie persistence of the spirit world, and the heavy footprints of the British Empire.

In the South Pacific, he discovers a world of sorcery and shark worship, where Christian and pagan rituals coexist and an ordinary day is marked by confrontations with America-worshiping cult leaders and militants alike. A defiantly original blend of history and memoir, anthropology and travel writing, The Shark God is ultimately a tale of personal and political transformation.
 
“The Shark God, a travel story as dark and twisted as one might ever wish to hear . . . reaches a superb climax with some apocalyptically page-turning scenes.”—Guardian
 
“A fascinating account of the drama of Melanesian life.”—Times Literary Supplement
 
“With exquisite writing, Montgomery lovingly captures the beauty and the horrors, the mysteries and the shams of the people and places he visits.”—Publishers Weekly
 
“A very real and memorable talent. . . . The endurance [Montgomery] displayed on his travels was admirable, the adventures he survived were tremendous, and the quality of his prose seems matched only by the wisdom of his observations.”—Simon Winchester, Globe and Mail (Toronto)
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cover of Thinking Plant Animal Human: Encounters with Communities of Difference

Thinking Plant Animal Human

Encounters with Communities of Difference

David Wood

University of Minnesota Press, 2020

Collected essays by a leading philosopher situating the question of the animal in the broader context of a relational ontology

There is a revolution under way in our thinking about animals and, indeed, life in general, particularly in the West. The very words man, animal, and life have turned into flimsy conceptual husks—impediments to thinking about the issues in which they are embroiled. David Wood was a founding member of the early 1970s Oxford Group of philosophers promoting animal rights; he also directed Ecology Action (UK). Thinking Plant Animal Human is the first collection of this major philosopher’s influential essays on “animals,” bringing together his many discussions of nonhuman life, including the classic “Thinking with Cats.”

Exploring our connections with cats, goats, and sand crabs, Thinking Plant Animal Human introduces the idea of “kinnibalism” (the eating of mammals is eating our own kin), reflects on the idea of homo sapiens, and explores the place of animals both in art and in children’s stories. Finally, and with a special focus on trees, the book delves into remarkable contemporary efforts to rescue plants from philosophical neglect and to rethink and reevaluate their status. Repeatedly bubbling to the surface is the remarkable strangeness of other forms of life, a strangeness that extends to the human. 

Wood shows that the best way of resisting simplistic classification is to attend to our manifold relationships with other living beings. It is not anthropocentric to focus on such relationships; they cast light in complex ways on the living communities of which we are part, and exploring them recoils profoundly on our understanding of ourselves.

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cover of Three Ways to Be Alien: Travails and Encounters in the Early Modern World

Three Ways to Be Alien

Travails and Encounters in the Early Modern World

Sanjay Subrahmanyam

Brandeis University Press, 2011

Sanjay Subrahmanyam’s Three Ways to Be Alien draws on the lives and writings of a trio of marginal and liminal figures cast adrift from their traditional moorings into an unknown world. The subjects include the aggrieved and lost Meale, a “Persian” prince of Bijapur (in central India, no less) held hostage by the Portuguese at Goa; English traveler and global schemer Anthony Sherley, whose writings reveal a surprisingly nimble understanding of realpolitik in the emerging world of the early seventeenth century; and Nicolò Manuzzi, an insightful Venetian chronicler of the Mughal Empire in the later seventeenth century who drifted between jobs with the Mughals and various foreign entrepôts, observing all but remaining the eternal outsider. In telling the fascinating story of floating identities in a changing world, Subrahmanyam also succeeds in injecting humanity into global history and proves that biography still plays an important role in contemporary historiography.
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cover of Varieties of Muslim Experience: Encounters with Arab Political and Cultural Life

Varieties of Muslim Experience

Encounters with Arab Political and Cultural Life

Lawrence Rosen

University of Chicago Press, 2008

In Varieties of Muslim Experience, anthropologist Lawrence Rosen explores aspects of Arab Muslim life that are, at first glance, perplexing to Westerners. He ranges over such diverse topics as why Arabs eschew portraiture, why a Muslim scientist might be attracted to fundamentalism, and why the Prophet must be protected from blasphemous cartoons. What connects these seemingly disparate features of Arab social, political, and cultural life? Rosen argues that the common thread is the importance Arabs place on the negotiation of interpersonal relationships—a link that helps to explain actions as seemingly unfathomable as suicide bombing and as elusive as Quranic interpretation.


 Written with eloquence and a deep knowledge of the entire spectrum of Muslim experience, Rosen’s book will interest not only anthropologists and Islamicists but anyone invested in better understanding the Arab world.

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cover of What the River Carries: Encounters with the Mississippi, Missouri, and Platte

What the River Carries

Encounters with the Mississippi, Missouri, and Platte

Lisa Knopp

University of Missouri Press, 2012

In this informed and lyrical collection of interwoven essays, Lisa Knopp explores the physical and cultural geography of the Mississippi, Missouri, and Platte, rivers she has come to understand and cherish. At the same time, she contemplates how people experience landscape, identifying three primary roles of environmental perception: the insider, the outsider, and the outsider seeking to become an insider. Viewing the waterways through these approaches, she searches for knowledge and meaning.

Because Knopp was born and raised just a few blocks away, she considers the Mississippi from the perspective of a native resident, a “dweller in the land.” She revisits places she has long known:  Nauvoo, Illinois, the site of two nineteenth-century utopias, one Mormon, one Icarian; Muscatine, Iowa, once the world’s largest manufacturer of pearl (mussel shell) buttons; and the mysterious prehistoric bird- and bear-shaped effigy mounds of northeastern Iowa. On a downriver trip between the Twin Cities and St. Louis, she meditates on what can be found in Mississippi river water—state lines, dissolved oxygen, smallmouth bass, corpses, family history, wrecked steamboats, mayfly nymphs, toxic perfluorinated chemicals, philosophies.

Knopp first encountered the Missouri as a tourist and became acquainted with it through literary and historical documents, as well as stories told by longtime residents. Her journey includes stops at Fort Bellefontaine, where Lewis and Clark first slept on their sojourn to the Pacific; Little Dixie, Missouri’s slaveholding, hemp-growing region, as revealed through the life of Jesse James’s mother; Fort Randall Dam and Lake Francis Case, the construction of which destroyed White Swan on the Yankton Sioux Reservation; and places that produced unique musical responses to the river, including Native American courting flutes, indie rock, Missouri River valley fiddling, Prohibition-era jazz jam sessions, and German folk music.

Knopp’s relationship with the Platte is marked by intentionality: she settled nearby and chose to develop deep and lasting connections over twenty years’ residence. On this adventure, she ponders the half-million sandhill cranes that pass through Nebraska each spring, the ancient varieties of Pawnee corn growing at the Great Platte River Road Archway Monument, a never-broken tract of tallgrass prairie, the sugar beet industry, and the changes in the river brought about by the demands of irrigation.
In the final essay, Knopp undertakes the science of river meanders, consecutive loops of water moving in opposite directions, which form around obstacles but also develop in the absence of them. What initiates the turning that results in a meander remains a mystery. Such is the subtle and interior process of knowing and loving a place. What the River Carries asks readers to consider their own relationships with landscape and how one can most meaningfully and responsibly dwell on the earth’s surface.
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cover of Zionism in Translation: Encounters in the German-Hebrew Archive

Zionism in Translation

Encounters in the German-Hebrew Archive

Na'ama Rokem

University of Chicago Press, 2026

Examining a network of correspondences and encounters that cross between German and Hebrew, Zionism in Translation argues that the space between the languages enabled ambivalent conversations about the foundation of the State of Israel.

Zionism in Translation concerns exchanges—primarily of letters but also drafts, reviews, and other ephemera—sent to or from Jerusalem in the decades after 1948. All were written in German and Hebrew by a fascinating range of literary figures, including Hannah Arendt, Gershom Scholem, Yehuda Amichai, Ludwig Strauss, Erich Auerbach, Walter Benjamin, Leah Goldberg, Peter Szondi, Paul Celan, and Tuvia Ruebner. Na’ama Rokem illuminates the complexities that emerge as the two languages mix in this extraordinary epistolary network.

The writers that Rokem studies here contend with the genocidal violence that brought the rich historical relation between German and Hebrew to a seeming end. They also grapple, in different ways, with the new reality in Israel/Palestine in the wake of the founding of the State of Israel and the Palestinian Nakba. The bilingual conversation that crosses over between German and Hebrew in these letters thus centers around the question of Jewish fate in the twentieth century and is immersed in negotiations about Jewish nationalism, the Zionist movement, and the possibilities of Jewish poetry. In the space between German and Hebrew, Rokem argues, the protagonists of her story voice ambivalences and hesitancies not found elsewhere.

Zionism in Translation joins a growing body of scholarship that uncovers the complex modes of belonging and resistance that unfold around the Zionist movement in the twentieth century. It will interest all readers concerned with modern Jewish intellectual, cultural, and literary history, the history of Zionism, and writers such as Arendt or Celan.

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