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33 books match the query 'Indian women'

cover of 'Yellow Woman': Leslie Marmon Silko

'Yellow Woman'

Leslie Marmon Silko

Edited by Melody Graulich

Rutgers University Press, 1993

In the past twenty-five years many Native American writers have retold the traditional stories of powerful mythological women: Corn Woman, Changing Woman, Serpent Woman, and Thought Woman, who with her sisters created all life by thinking it into being.  Within and in response to these evolving traditions, Leslie Marmon Silko takes from her own tradition, the Keres of Laguna, the Yellow Woman.  Yellow Woman stories, always female-centered and always from the Yellow Woman's point of view, portray a figure who is adventurous, strong, and often alienated from her own people.  She is the spirit of woman.  Ambiguous and unsettling, Silko's "Yellow Woman" explores one woman's desires and changes--her need to open herself to a richer sensuality.  Walking away from her everyday identity as daughter, wife and mother, she takes possession of transgressive feelings and desires by recognizing them in the stories she has heard, by blurring the boundaries between herself and the Yellow Woman of myth. 

Silko's decision to tell the story from the narrator's point of view is traditional, but her use of first person narration and the story's much raised ambiguity brilliantly reinforce her themes.  Like traditional yellow women, the narrator is unnamed.  By choosing not to reveal her name, she claims the role of Yellow Woman, and Yellow Woman's story is the one Silko clearly claims as her own. The essays in this collection compare Silko's many retellings of Yellow Woman stories from a variety of angles, looking at crucial themes like storytelling, cultural inheritances, memory, continuity, identity, interconnectedness, ritual, and tradition.

This casebook includes an introduction by the editor, a chronology, an authoritative text of the story itself, critical essays, and a bibliography for further reading in both primary and secondary sources.  Contributors include Kim Barnes, A. LaVonne Ruoff, Paula Gunn Allen, Patricia Clark Smith, Bernard A. Hirsch, Arnold Krupat, Linda Danielson, and Patricia Jones.

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cover of A Song over Miskwaa Rapids: A Novel

A Song over Miskwaa Rapids

A Novel

Linda LeGarde Grover

University of Minnesota Press, 2023

A fifty-year-old mystery converges with a present-day struggle over family, land, and history—now available in paperback
 

When a rock is dislodged from its slope by mischievous ancestors, the past rises to meet the present, and Half-Dime Hill gives up a gruesome secret it has kept for half a century. Some people of Mozhay Point have theories about what happened; others know—and the discovery stirs memories long buried, reviving a terrible story yet to be told.

 

Returning to the fictional Ojibwe reservation in northern Minnesota she has so deftly mapped in her award-winning books, Linda LeGarde Grover reveals traumas old and new as Margie Robineau, in the midst of a fight to keep her family’s long-held allotment land, uncovers events connected to a long-ago escape plan across the Canadian border, and the burial—at once figurative and painfully real—of not one crime but two. While Margie is piecing the facts together, Dale Ann is confronted by her own long-held secrets and the truth that the long ago and the now, the vital and the departed are all indelibly linked, no matter how much we try to forget. 

 

As the past returns to haunt those involved, Margie prepares her statement for the tribal government, defending her family’s land from a casino development and sorting the truths of Half-Dime Hill from the facts that remain there. Throughout the narrative, a chorus of spirit women gather in lawn chairs with coffee and cookies to reminisce, reflect, and speculate, spinning the threads of family, myth, history, and humor—much as Grover spins another tale of Mozhay Point, weaving together an intimate and complex novel of a place and its people.

 

 

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cover of Becoming Catawba: Catawba Indian Women and Nation-Building, 1540–1840

Becoming Catawba

Catawba Indian Women and Nation-Building, 1540–1840

Brooke M. Bauer

University of Alabama Press, 2023

WINNER OF THE ANNE B. & JAMES B. MCMILLAN PRIZE IN SOUTHERN HISTORY
WINNER OF THE ERMINIE WHEELER-VOEGELIN BOOK AWARD
WINNER OF THE BERSHIRE CONFERENCE OF WOMEN HISTORIANS BOOK AWARD
WINNER OF THE GEORGE C. ROGERS, JR. AWARD FROM THE SOUTH CAROLINA HISTORICAL SOCIETY

The story of Catawba women who experienced sweeping changes to their world but held onto traditional customs to create and preserve a Catawba identity and build a nation.

Brooke M. Bauer’s Becoming Catawba: Catawba Indian Women and Nation-Building, 1540–1840 is the first book-length study of the role Catawba women played in creating and preserving a cohesive tribal identity over three centuries of colonization and cultural turmoil. Bauer, a citizen of the Catawba Indian Nation of South Carolina, weaves ethnohistorical methodologies, family history, cultural context, and the Catawba language together to generate an internal perspective on the Catawbas’ history and heritage in the area now known as the Carolina Piedmont.

This unique and important study examines the lives and legacies of women who executed complex decision-making and diplomacy to navigate shifting frameworks of kinship, land ownership, and cultural production in dealings with colonial encroachments, white settlers, and Euro-American legal systems and governments from the mid-sixteenth century to the early nineteenth century. Personified in the figure of Sally New River, a Catawba cultural leader to whom 500 remaining acres of occupied tribal lands were deeded on behalf of the community in 1796 and which she managed until her death in 1821, Bauer reveals how women worked to ensure the survival of the Catawba people and their Catawba identity, an effort that resulted in a unified nation.

Bauer’s approach is primarily ethnohistorical, although it draws on a number of interdisciplinary strategies. In particular, Bauer uses “upstreaming,” a critical strategy that moves toward the period under study by using present-day community members’ connections to historical knowledge—for example, family histories and oral traditions—to interpret primary-source data. Additionally, Bauer employs archaeological data and material culture as a means of performing feminist recuperation, filling the gaps and silences left by the records, newspapers, and historical accounts as primarily written by and for white men. Ultimately, Becoming Catawba effects a welcome intervention at the intersections of Native, women’s, and Southern history, expanding the diversity and modes of experience in the fraught, multifaceted cultural environment of the early American South.
 

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cover of Cholas and Pishtacos: Stories of Race and Sex in the Andes

Cholas and Pishtacos

Stories of Race and Sex in the Andes

Mary Weismantel

University of Chicago Press, 2001

Winner of the 2003 Senior Book Prize from the American Ethnological Society.

Cholas and Pishtacos are two provocative characters from South American popular culture—a sensual mixed-race woman and a horrifying white killerwho show up in everything from horror stories and dirty jokes to romantic novels and travel posters. In this elegantly written book, these two figures become vehicles for an exploration of race, sex, and violence that pulls the reader into the vivid landscapes and lively cities of the Andes. Weismantel's theory of race and sex begins not with individual identity but with three forms of social and economic interaction: estrangement, exchange, and accumulation. She maps the barriers that separate white and Indian, male and female-barriers that exist not in order to prevent exchange, but rather to exacerbate its inequality.

Weismantel weaves together sources ranging from her own fieldwork and the words of potato sellers, hotel maids, and tourists to classic works by photographer Martin Chambi and novelist José María Arguedas. Cholas and Pishtacos is also an enjoyable and informative introduction to a relatively unknown region of the Americas.
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cover of Conquest: Sexual Violence and American Indian Genocide

Conquest

Sexual Violence and American Indian Genocide

Andrea Smith

Duke University Press, 2005

In this revolutionary text, prominent Native American studies scholar and activist Andrea Smith reveals the connections between different forms of violence—perpetrated by the state and by society at large—and documents their impact on Native women. Beginning with the impact of the abuses inflicted on Native American children at state-sanctioned boarding schools from the 1880s to the 1980s, Smith adroitly expands our conception of violence to include the widespread appropriation of Indian cultural practices by whites and other non-Natives; environmental racism; and population control. Smith deftly connects these and other examples of historical and contemporary colonialism to the high rates of violence against Native American women—the most likely to suffer from poverty-related illness and to survive rape and partner abuse. Smith also outlines radical and innovative strategies for eliminating gendered violence.
 
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cover of Demanding Justice and Security: Indigenous Women and Legal Pluralities in Latin America

Demanding Justice and Security

Indigenous Women and Legal Pluralities in Latin America

Sieder, Rachel

Rutgers University Press, 2017

Across Latin America, indigenous women are organizing to challenge racial, gender, and class discrimination through the courts. Collectively, by engaging with various forms of law, they are forging new definitions of what justice and security mean within their own contexts and struggles. They have challenged racism and the exclusion of indigenous people in national reforms, but also have challenged ‘bad customs’ and gender ideologies that exclude women within their own communities.
 
Featuring chapters on Bolivia, Colombia, Ecuador, Guatemala, and Mexico, the contributors to Demanding Justice and Security include both leading researchers and community activists. From Kichwa women in Ecuador lobbying for the inclusion of specific clauses in the national constitution that guarantee their rights to equality and protection within indigenous community law, to Me’phaa women from Guerrero, Mexico, battling to secure justice within the Inter-American Court of Human Rights for violations committed in the context of militarizing their home state, this book is a must-have for anyone who wants to understand the struggle of indigenous women in Latin America.
 
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cover of Finding a Way to the Heart: Feminist Writings on Aboriginal and Women’s History in Canada

Finding a Way to the Heart

Feminist Writings on Aboriginal and Women’s History in Canada

Robin Jarvis Brownlie

University of Manitoba Press, 2012

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cover of Fleshing the Spirit: Spirituality and Activism in Chicana, Latina, and Indigenous Women’s Lives

Fleshing the Spirit

Spirituality and Activism in Chicana, Latina, and Indigenous Women’s Lives

Edited by Elisa Facio and Irene Lara

University of Arizona Press, 2014

Fleshing the Spirit brings together established and new writers exploring the relationships between the physical body, the spirit and spirituality, and social justice activism. Examining the complex and dynamic connections among these concepts, the writers emphasize the value of “flesh and blood experience” as a site of knowledge. They argue that spirituality—something quite different from institutional religious practice—can heal the mind/body split and set the stage for social change. Spirituality, they argue, is a necessary component of an alternative political agenda focused on equitable social and ecological change.

The anthology incorporates different genres of writing—such as poetry, testimonials, critical essays, and historical analysis—and stimulates the reader to engage spirituality in a critical, personal, and creative way. This interdisciplinary work is the first that attempts to theorize the radical interconnection between women of color, spirituality, and social activism. Before transformative political work can be done, the authors say in multiple ways, we must recognize that our spiritual need is a desire to more fully understand our relations with others. Conflict experienced on many levels sometimes severs those relations, separating us from others along racial, class, gender, sexual, national, or other socially constructed lines.

Fleshing the Spirit offers a spiritual journey of healing, health, and human revolution. The book’s open invitation to engage in critical dialogue and social activism—with the spirit and spirituality at the forefront—illuminates the way to social change and the ability to live in harmony with life’s universal energies.

Contributors
Volume Editors
Elisa Facio
Irene Lara
 
Chapter Authors
Angelita Borbón
Norma E. Cantú
Berenice Dimas
C. Alejandra Elenes
Alicia Enciso Litschi
Oliva M. Espín
Maria Figueroa
Patrisia Gonzales
Inés Hernández- Avila
Rosa María Hernández Juárez
Cinthya Martinez
Lara Medina
Felicia Montes
Sarahi Nuñez- Mejia
Laura E. Pérez
Brenda Sendejo
Inés Talamantez
Michelle Téllez
Beatriz Villegas
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cover of From the Belly of My Beauty

From the Belly of My Beauty

Esther G. Belin

University of Arizona Press, 1999

If it can be said that Native culture is hidden behind the facade of mainstream America, there is a facet of that culture hidden even to many Native Americans. One of today's generation of outstanding Native writers, Esther Belin is an urban Indian. Raised in the city, she speaks with an entirely different voice from that of her reservation kindred as she expresses herself on subjects of urban alienation, racism, sexism, substance abuse, and cultural estrangement.

In this bold new collection of poems, Belin presents a startling vision of urban California—particularly Los Angeles—contrasted with Navajo life in the Four Corners region. She presents aspects of Diné life and history not normally seen by readers accustomed to accounts written by Navajos brought up on the reservation.

Her work reveals a difference in experience but a similarity in outlook. Belin's poems put familiar cultural forms in a new context, as Coyote "struts down east 14th / feeling good / looking good / feeling the brown." Her character Ruby dramatizes the gritty reality of a Native woman's life ("I laugh / sit / smoke a Virginia Slim / and talk to the spirits"). Her use of Diné language and poignant descriptions of family life will remind some of Joy Harjo's work, but with every turn of the page, readers will know that Belin is making her own mark on Native American literature.

From the Belly of My Beauty is also a ceremony of affirmation and renewal for those Native Americans affected by the Federal Indian Relocation Program of the 1950s and '60s, with its attempts to "assimilate" them into the American mainstream. They have survived by remembering who they were and where they came from. And they have survived so that they might bear witness, as Esther Belin so powerfully does. Belin holds American culture accountable for failing to treat its indigenous peoples with respect, but speaks for the ability of Native culture to survive and provide hope, even for mixed-blood or urban Indians. She is living proof that Native culture thrives wherever its people are found.
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cover of Gender and Modernity in Andean Bolivia

Gender and Modernity in Andean Bolivia

By Marcia Stephenson

University of Texas Press, 1999

In Andean Bolivia, racial and cultural differences are most visibly marked on women, who often still wear native dress and speak an indigenous language rather than Spanish. In this study of modernity in Bolivia, Marcia Stephenson explores how the state's desire for a racially and culturally homogenous society has been deployed through images of womanhood that promote the notion of an idealized, acculturated female body.

Stephenson engages a variety of texts—critical essays, novels, indigenous testimonials, education manuals, self-help pamphlets, and position papers of diverse women's organizations—to analyze how the interlocking tropes of fashion, motherhood, domestication, hygiene, and hunger are used as tools for the production of dominant, racialized ideologies of womanhood. At the same time, she also uncovers long-standing patterns of resistance to the modernizing impulse, especially in the large-scale mobilization of indigenous peoples who have made it clear that they will negotiate the terms of modernity, but always "as Indians."

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cover of Gender and the Boundaries of Dress in Contemporary Peru

Gender and the Boundaries of Dress in Contemporary Peru

By Blenda Femenías

University of Texas Press, 2005

Set in Arequipa during Peru's recent years of crisis, this ethnography reveals how dress creates gendered bodies. It explores why people wear clothes, why people make art, and why those things matter in a war-torn land. Blenda Femenías argues that women's clothes are key symbols of gender identity and resistance to racism.

Moving between metropolitan Arequipa and rural Caylloma Province, the central characters are the Quechua- and Spanish-speaking maize farmers and alpaca herders of the Colca Valley. Their identification as Indians, whites, and mestizos emerges through locally produced garments called bordados. Because the artists who create these beautiful objects are also producers who carve an economic foothold, family workshops are vital in a nation where jobs are as scarce as peace. But ambiguity permeates all practices shaping bordados' significance. Femenías traces contemporary political and ritual applications, not only Caylloma's long-standing and violent ethnic conflicts, to the historical importance of cloth since Inca times.

This is the only book about expressive culture in an Andean nation that centers on gender. In this feminist contribution to ethnography, based on twenty years' experience with Peru, including two years of intensive fieldwork, Femenías reflects on the ways gender shapes relationships among subjects, research, and representation.

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cover of Gender, Indian, Nation: The Contradictions of Making Ecuador, 1830–1925

Gender, Indian, Nation

The Contradictions of Making Ecuador, 1830–1925

Erin O'Connor

University of Arizona Press, 2007

Until recently, few scholars outside of Ecuador studied the country’s history. In the past few years, however, its rising tide of indigenous activism has brought unprecedented attention to this small Andean nation. Even so, until now the significance of gender issues to the development of modern Indian-state relations has not often been addressed. As she digs through Ecuador’s past to find key events and developments that explain the simultaneous importance and marginalization of indigenous women in Ecuador today, Erin O’Connor usefully deploys gender analysis to illuminate broader relationships between nation-states and indigenous communities.

O’Connor begins her investigations by examining the multilayered links between gender and Indian-state relations in nineteenth-century Ecuador. Disentangling issues of class and culture from issues of gender, she uncovers overlapping, conflicting, and ever-evolving patriarchies within both indigenous communities and the nation’s governing bodies. She finds that gender influenced sociopolitical behavior in a variety of ways, mediating interethnic struggles and negotiations that ultimately created the modern nation. Her deep research into primary sources—including congressional debates, ministerial reports, court cases, and hacienda records—allows a richer, more complex, and better informed national history to emerge.

Examining gender during Ecuadorian state building from “above” and “below,” O’Connor uncovers significant processes of interaction and agency during a critical period in the nation’s history. On a larger scale, her work suggests the importance of gender as a shaping force in the formation of nation-states in general while it questions recountings of historical events that fail to demonstrate an awareness of the centrality of gender in the unfolding of those events.
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cover of Honouring the Strength of Indian Women: Plays, Stories, Poetry

Honouring the Strength of Indian Women

Plays, Stories, Poetry

Vera Manuel

University of Manitoba Press, 2019

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cover of Implicating the System: Judicial Discourses in Sentencing of Indigenous Women

Implicating the System

Judicial Discourses in Sentencing of Indigenous Women

Elspeth Kaiser-Derrick

University of Manitoba Press, 2019

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cover of In Good Relation: History, Gender, and Kinship in Indigenous Feminisms

In Good Relation

History, Gender, and Kinship in Indigenous Feminisms

Sarah Nickel

University of Manitoba Press, 2020

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cover of Indian Women and French Men: Rethinking Cultural Encounter in the Western Great Lakes

Indian Women and French Men

Rethinking Cultural Encounter in the Western Great Lakes

Susan Sleeper-Smith

University of Massachusetts Press, 2001

A center of the lucrative fur trade throughout the colonial period, the Great Lakes region was an important site of cultural as well as economic exchange between native and European peoples. In this well-researched study, Susan Sleeper-Smith focuses on an often overlooked aspect of these interactions—the role played by Indian women who married French traders. Drawing on a broad range of primary and secondary sources, she shows how these women used a variety of means to negotiate a middle ground between two disparate cultures. Many were converts to Catholicism who constructed elaborate mixed-blood kinship networks that paralleled those of native society, thus facilitating the integration of Indian and French values. By the mid-eighteenth century, native women had extended these kin linkages to fur trade communities throughout the Great Lakes, not only enhancing access to the region's highly prized pelts but also ensuring safe transport for other goods. 

Indian Women and French Men depicts the encounter of Old World and New as an extended process of indigenous adaptation and change rather than one of conflict and inevitable demise. By serving as brokers between those two worlds, Indian women who married French men helped connect the Great Lakes to a larger, expanding transatlantic economy while securing the survival of their own native culture. As such, Sleeper-Smith points out, their experiences illuminate those of other traditional cultures forced to adapt to market-motivated Europeans.

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cover of Indigenous Justice and Gender

Indigenous Justice and Gender

Edited by Marianne O. Nielsen and Karen Jarratt-Snider

University of Arizona Press, 2023

This new volume offers a broad overview of topics pertaining to gender-related health, violence, and healing. Employing a strength-based approach (as opposed to a deficit model), the chapters address the resiliency of Indigenous women and two-spirit people in the face of colonial violence and structural racism.

The book centers the concept of “rematriation”—the concerted effort to place power, peace, and decision making back into the female space, land, body, and sovereignty—as a decolonial practice to combat injustice. Chapters include such topics as reproductive health, diabetes, missing and murdered Indigenous women, Indigenous women in the academy, and Indigenous women and food sovereignty.

As part of the Indigenous Justice series, this book provides an overview of the topic, geared toward undergraduate and graduate classes.

Contributors
Alisse Ali-Joseph
Michèle Companion
Mary Jo Tippeconnic Fox
Brooke de Heer
Lomayumtewa K. Ishii
Karen Jarratt-Snider
Lynn C. Jones
Anne Luna-Gordinier
Kelly McCue
Marianne O. Nielsen
Linda M. Robyn
Melinda S. Smith
Jamie Wilson

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cover of Indigenous Women, Work, and History

Indigenous Women, Work, and History

Mary Jane Logan McCallum

University of Manitoba Press, 2014

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cover of Indigenous Writings from the Convent: Negotiating Ethnic Autonomy in Colonial Mexico

Indigenous Writings from the Convent

Negotiating Ethnic Autonomy in Colonial Mexico

Mónica Díaz

University of Arizona Press, 2010

Sometime in the 1740s, Sor María Magdalena, an indigenous noblewoman living in one of only three convents in New Spain that allowed Indians to profess as nuns, sent a letter to Father Juan de Altamirano to ask for his help in getting church prelates to exclude Creole and Spanish women from convents intended for indigenous nuns only. Drawing on this and other such letters—as well as biographies, sermons, and other texts—Mónica Díaz argues that the survival of indigenous ethnic identity was effectively served by this class of noble indigenous nuns.

While colonial sources that refer to indigenous women are not scant, documents in which women emerge as agents who actively participate in shaping their own identity are rare. Looking at this minority agency—or subaltern voice—in various religious discourses exposes some central themes. It shows that an indigenous identity recast in Catholic terms was able to be effectively recorded and that the religious participation of these women at a time when indigenous parishes were increasingly secularized lent cohesion to that identity.

Indigenous Writings from the Convent examines ways in which indigenous women participated in one of the most prominent institutions in colonial times—the Catholic Church—and what they made of their experience with convent life. This book will appeal to scholars of literary criticism, women’s studies, and colonial history, and to anyone interested in the ways that class, race, and gender intersected in the colonial world.
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cover of Inventing the Savage: The Social Construction of Native American Criminality

Inventing the Savage

The Social Construction of Native American Criminality

By Luana Ross

University of Texas Press, 1998

Luana Ross writes, "Native Americans disappear into Euro-American institutions of confinement at alarming rates. People from my reservation appeared to simply vanish and magically return. [As a child] I did not realize what a 'real' prison was and did not give it any thought. I imagined this as normal; that all families had relatives who went away and then returned."

In this pathfinding study, Ross draws upon the life histories of imprisoned Native American women to demonstrate how race/ethnicity, gender, and class contribute to the criminalizing of various behaviors and subsequent incarceration rates. Drawing on the Native women's own words, she reveals the violence in their lives prior to incarceration, their respective responses to it, and how those responses affect their eventual criminalization and imprisonment. Comparisons with the experiences of white women in the same prison underline the significant role of race in determining women's experiences within the criminal justice system.

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cover of LEARNING TO BE AN ANTHROPOLOGIST: SELECTED WRITINGS

LEARNING TO BE AN ANTHROPOLOGIST

SELECTED WRITINGS

Dr. Beatrice Medicine

University of Illinois Press, 2001

This prodigious volume represents a landmark assemblage of the significant work of the legendary anthropologist and Native American intellectual Beatrice Medicine.
 
For half a century, Dr. Medicine has defied stereotypes, racism, and sexism in her life and work while combating the reductive, patronizing views of Native Americans perpetuated by mainstream anthropologists. This retrospective collection reflects her unswerving commitment to furthering Native Americans' ability to speak for themselves and deal with the problems of contemporary life.
 
Learning to Be an Anthropologist and Remaining "Native" includes Medicine's clear-eyed views of assimilation, bilingual education, and the adaptive strategies by which Native Americans have conserved and preserved their ancestral languages. Her discussions of sex roles in contemporary Native American societies encompass homosexual orientation among males and females and the "warrior woman" role among Plains Indians as one of several culturally accepted positions according power and prestige to women. The volume also includes Medicine's thoughtful assessments of kinship and family structures, alcoholism and sobriety, the activism implicit in the religious ritual of the Lakota Sioux Sun Dance, and the ceremonial uses of Lakota star quilts.
 
"The Native American is possibly the least understood ethnic minority in contemporary American society," Medicine observes. Her decades of deliberate, generous, dedicated work have done much to reveal the workings of Native culture while illuminating the effects of racism and oppression on Indian families, kinship units, and social and cultural practices.


 
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cover of La Raza Cosmética: Beauty, Identity, and Settler Colonialism in Postrevolutionary Mexico

La Raza Cosmética

Beauty, Identity, and Settler Colonialism in Postrevolutionary Mexico

Natasha Varner

University of Arizona Press, 2020

In the decades following the Mexican Revolution, nation builders, artists, and intellectuals manufactured ideologies that continue to give shape to popular understandings of indigeneity and mestizaje today. Postrevolutionary identity tropes emerged as part of broader efforts to reunify the nation and solve pressing social concerns, including what was posited in the racist rhetoric of the time as the “Indian problem.” Through a complex alchemy of appropriation and erasure, indigeneity was idealized as a relic of the past while mestizaje was positioned as the race of the future. This period of identity formation coincided with a boom in technology that introduced a sudden proliferation of images on the streets and in homes: there were more photographs in newspapers, movie houses cropped up across the country, and printing houses mass-produced calendar art and postcards. La Raza Cosmética traces postrevolutionary identity ideals and debates as they were dispersed to the greater public through emerging visual culture.

Critically examining beauty pageants, cinema, tourism propaganda, photography, murals, and more, Natasha Varner shows how postrevolutionary understandings of mexicanidad were fundamentally structured by legacies of colonialism, as well as shifting ideas about race, place, and gender. This interdisciplinary study smartly weaves together cultural history, Indigenous and settler colonial studies, film and popular culture analysis, and environmental and urban history. It also traces a range of Indigenous interventions in order to disrupt top-down understandings of national identity construction and to “people” this history with voices that have all too often been entirely ignored.
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cover of Mark My Words: Native Women Mapping Our Nations

Mark My Words

Native Women Mapping Our Nations

Mishuana Goeman

University of Minnesota Press, 2013


Dominant history would have us believe that colonialism belongs to a previous era that has long come to an end. But as Native people become mobile, reservation lands become overcrowded and the state seeks to enforce means of containment, closing its borders to incoming, often indigenous, immigrants.


In Mark My Words, Mishuana Goeman traces settler colonialism as an enduring form of gendered spatial violence, demonstrating how it persists in the contemporary context of neoliberal globalization. The book argues that it is vital to refocus the efforts of Native nations beyond replicating settler models of territory, jurisdiction, and race. Through an examination of twentieth-century Native women’s poetry and prose, Goeman illuminates how these works can serve to remap settler geographies and center Native knowledges. She positions Native women as pivotal to how our nations, both tribal and nontribal, have been imagined and mapped, and how these women play an ongoing role in decolonization.


In a strong and lucid voice, Goeman provides close readings of literary texts, including those of E. Pauline Johnson, Esther Belin, Joy Harjo, Leslie Marmon Silko, and Heid Erdrich. In addition, she places these works in the framework of U.S. and Canadian Indian law and policy. Her charting of women’s struggles to define themselves and their communities reveals the significant power in all of our stories.


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cover of Multiple InJustices: Indigenous Women, Law, and Political Struggle in Latin America

Multiple InJustices

Indigenous Women, Law, and Political Struggle in Latin America

R. Aída Hernández Castillo

University of Arizona Press, 2016

The last two decades have witnessed two political transformations that have deeply affected the lives of the indigenous peoples of Latin America. First, a discourse on indigeneity has emerged that links local struggles across the continent with transnational movements whose core issues are racism and political and cultural rights. Second, recent constitutional reforms in several countries recognize the multicultural character of Latin American countries and the legal pluralism that necessarily follows.

Multiple InJustices synthesizes R. Aída Hernández Castillo’s twenty-four years of activism and research among indigenous women’s organizations in Latin America. As both feminist and critical anthropologist, Hernández Castillo analyzes the context of legal pluralism wherein the indigenous women of Mexico, Guatemala, and Colombia struggle for justice. Through ethnographical research in community, state, and international justice, she reflects on the possibilities and limitations of customary, national, and international law for indigenous women.

Colonialism, racism, and patriarchal violence have been fundamental elements for the reproduction of capitalism, Hernández Castillo asserts. Only a social policy that offers economic alternatives based on distribution of wealth and a real recognition of cultural and political rights of indigenous peoples can counter the damage of outside forces such as drug cartels on indigenous lands.

She concludes that the theories of indigenous women on culture, tradition, and gender equity—as expressed in political documents, event reports, public discourse, and their intellectual writings—are key factors in the decolonization of Latin American feminisms and social justice for all.
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cover of Oglala Women: Myth, Ritual, and Reality

Oglala Women

Myth, Ritual, and Reality

Marla N. Powers

University of Chicago Press, 1986

Based on interviews and life histories collected over more than twenty-five years of study on the Pine Ridge reservation in South Dakota, Marla N. Powers conveys what it means to be an Oglala woman. Despite the myth of the Euramerican that sees Oglala women as inferior to men, and the Lakota myth that seems them as superior, in reality, Powers argues, the roles of male and female emerge as complementary. In fact, she claims, Oglala women have been better able to adapt to the dominant white culture and provide much of the stability and continuity of modern tribal life. This rich ethnographic portrait considers the complete context of Oglala life—religion, economics, medicine, politics, old age—and is enhanced by numerous modern and historical photographs.


"It is a happy event when a fine scholarly work is rendered accessible to the general reader, especially so when none of the complexity of the subject matter is sacrificed. Oglala Women is a long overdue revisionary ethnography of Native American culture."—Penny Skillman, San Francisco Chronicle Review

"Marla N. Powers's fine study introduced me to Oglala women 'portrayed from the perspectives of Indians,' to women who did not pity themselves and want no pity from others. . . . A brave, thorough, and stimulating book."—Melody Graulich, Women's Review of Books

"Powers's new book is an intricate weaving . . . and her synthesis brings all of these pieces into a well-integrated and insightful whole, one which sheds new light on the importance of women and how they have adapted to the circumstances of the last century."—Elizabeth S. Grobsmith, Nebraska History
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cover of Sally in Three Worlds: An Indian Captive in the House of Brigham Young

Sally in Three Worlds

An Indian Captive in the House of Brigham Young

Virginia Kerns

University of Utah Press, 2021

In this remarkable and deeply felt book, Virginia Kerns uncovers the singular and forgotten life of a young Indian woman who was captured in 1847 in what was then Mexican territory. Sold to a settler, a son-in-law of Brigham Young, the woman spent the next thirty years as a servant to Young’s family. Sally, as they called her, lived in the shadows, largely unseen. She was later remembered as a “wild” woman made “tame” who happily shed her past to enter a new and better life in civilization. 

Drawing from a broad range of primary sources, Kerns retrieves Sally from obscurity and reconstructs her complex life before, during, and after captivity. This true story from the American past resonates deeply in the current moment, attentive as it is to killing epidemics and racial injustices. In telling Sally’s story, Kerns presents a new narrative of the American West. 

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cover of Shaping the Motherhood of Indigenous Mexico

Shaping the Motherhood of Indigenous Mexico

Vania Smith-Oka

Vanderbilt University Press, 2013

Mainstream Mexican views of indigenous women center on them as problematic mothers, and development programs have included the goal of helping these women become "good mothers." Economic incentives and conditional cash transfers are the vehicles for achieving this goal. With ethnographic immediacy, Shaping the Motherhood of Indigenous Mexico</> examines the dynamics among the various players--indigenous mothers, clinicians, and representatives of development programs. The women's voices lead the reader to understand the structures of dependency that paradoxically bind indigenous women within a program that calls for their empowerment.

The cash transfer program is Oportunidades, which enrolls more than a fifth of Mexico's population. It expects mothers to become involved in their children's lives at three nodes--health, nutrition, and education. If women do not comply with the standards of modern motherhood, they are dropped from the program and lose the bi-monthly cash payments. Smith-Oka explores the everyday implementation of the program and its unintended consequences.

The mothers are often berated by clinicians for having too many children (Smith-Oka provides background on the history of eugenics and population control in Mexico) and for other examples of their "backward" ways. An entire chapter focuses on the humor indigenous women use to cope with disrespectful comments. Ironically, this form of resistance allows the women to accept the situation that controls their behavior.

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cover of The Founding Mothers of Mackinac Island: The Agatha Biddle Band of 1870

The Founding Mothers of Mackinac Island

The Agatha Biddle Band of 1870

Theresa L. Weller

Michigan State University Press, 2021

Drawing on a wide array of historical sources, Theresa L. Weller provides a comprehensive history of the lineage of the seventy-four members of the Agatha Biddle band in 1870. A highly unusual Native and Métis community, the band included just eight men but sixty-six women. Agatha Biddle was a member of the band from its first enumeration in 1837 and became its chief in the early 1860s. Also, unlike most other bands, which were typically made up of family members, this one began as a small handful of unrelated Indian women joined by the fact that the US government owed them payments in the form of annuities in exchange for land given up in the 1836 Treaty of Washington, DC. In this volume, the author unveils the genealogies for all the families who belonged to the band under Agatha Biddle’s leadership, and in doing so, offers the reader fascinating insights into Mackinac Island life in the nineteenth century.
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cover of Thunderweavers/ Tejedoras de rayos

Thunderweavers/ Tejedoras de rayos

Juan Felipe Herrera

University of Arizona Press, 2000

The highlands of Chiapas are smoldering with death.

In the winter of 1997, paramilitary agents ambushed and killed many Mayan villagers in Acteal, Chiapas. Gifted writer Juan Felipe Herrera has composed a stirring poem sequence—published in a bilingual format—written in response and homage to those who died, as well as to all those who call for peace and justice in the Mexican highlands and throughout the Americas.

The sections are written in the voices of four women from a family in Chiapas: Xunka, a lost twelve-year-old girl; Pascuala, the mother; grandmother Maruch; and Makal, an older daughter who is pregnant. Each voice weaves into the others and speaks for still other members of the larger Mayan and Native American family.

Thunderweavers is a story of violent displacements in the lives of the most impoverished residents of southern Mexico.Through these words, readers will learn the meaning of transcendence and continuity in the midst of chaos, suffering, and war.
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cover of Two-Spirit People: Native American Gender Identity, Sexuality, and Spirituality

Two-Spirit People

Native American Gender Identity, Sexuality, and Spirituality

Edited by Sue-Ellen Jacobs; Wesley Thomas; and Sabine Lang

University of Illinois Press, 1997

This landmark book combines the voices of Native Americans and non-Indians, anthropologists and others, in an exploration of gender and sexuality issues as they relate to lesbian, gay, transgendered, and other "marked" Native Americans. Focusing on the concept of two-spirit people--individuals not necessarily gay or lesbian, transvestite or bisexual, but whose behaviors or beliefs may sometimes be interpreted by others as uncharacteristic of their sex--this book is the first to provide an intimate look at how many two-spirit people feel about themselves, how other Native Americans treat them, and how anthropologists and other scholars interpret them and their cultures.

1997 Winner of the Ruth Benedict Prize for an edited book given by the Society of Lesbian and Gay Anthropologists.
 
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cover of Voices from the Ancestors: Xicanx and Latinx Spiritual Expressions and Healing Practices

Voices from the Ancestors

Xicanx and Latinx Spiritual Expressions and Healing Practices

Edited by Lara Medina and Martha R. Gonzales

University of Arizona Press, 2019

Voices from the Ancestors brings together the reflective writings and spiritual practices of Xicanx, Latinx, and Afro-Latinx womxn and male allies in the United States who seek to heal from the historical traumas of colonization by returning to ancestral traditions and knowledge.

This wisdom is based on the authors’ oral traditions, research, intuitions, and lived experiences—wisdom inspired by, and created from, personal trajectories on the path to spiritual conocimiento, or inner spiritual inquiry. This conocimiento has reemerged over the last fifty years as efforts to decolonize lives, minds, spirits, and bodies have advanced. Yet this knowledge goes back many generations to the time when the ancestors understood their interconnectedness with each other, with nature, and with the sacred cosmic ­forces—a time when the human body was a microcosm of the universe.

Reclaiming and reconstructing spirituality based on non-Western epistemologies is central to the process of decolonization, particularly in these fraught times. The wisdom offered here appears in a variety of forms—in reflective essays, poetry, prayers, specific guidelines for healing practices, communal rituals, and visual art, all meant to address life transitions and how to live holistically and with a spiritual consciousness for the challenges of the twenty-first century.
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cover of Women and Knowledge in Mesoamerica: From East L.A. to Anahuac

Women and Knowledge in Mesoamerica

From East L.A. to Anahuac

Paloma Martinez-Cruz

University of Arizona Press, 2011

Paloma Martinez-Cruz argues that the medicine traditions of Mesoamerican women constitute a hemispheric intellectual lineage that continues to thrive despite the legacy of colonization. Martinez-Cruz asserts that indigenous and mestiza women healers are custodians of a knowledge base that remains virtually uncharted.

The few works looking at the knowledge of women in Mesoamerica generally examine only the written—even academic—world, accessible only to the most elite segments of (customarily male) society. These works have consistently excluded the essential repertoire and performed knowledge of women who think and work in ways other than the textual. And while two of the book’s chapters critique contemporary novels, Martinez-Cruz also calls for the exploration of non-textual knowledge transmission. In this regard, the book's goals and methods are close to those of performance scholarship and anthropology, and these methods reveal Mesoamerican women to be public intellectuals. In Women and Knowledge in Mesoamerica, fieldwork and ethnography combine to reveal women healers as models of agency.

Her multidisciplinary approach allows Martinez-Cruz to disrupt Euro-based intellectual hegemony and to make a case for the epistemic authority of Native women. Written from a Chicana perspective, this study is learned, personal, and engaging for anyone who is interested in the wisdom that prevailing analytical cultures have deemed “unintelligible.” As it turns out, those who are unacquainted with the sometimes surprising extent and depth of wisdom of indigenous women healers simply haven’t been looking in the right places—outside the texts from which they have been consistently excluded.
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cover of Women of the First Nations: Power, Wisdom, and Strength

Women of the First Nations

Power, Wisdom, and Strength

Christine Miller

University of Manitoba Press, 1996

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