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Alternative Maternities: Bodies, Death, and Argentine Citizenship Since 1820 interrogates the intimate and symbolic relationship between maternity and nationhood in Argentina through the lens of post-mortem maternal bodies. This interdisciplinary study brings together literary analysis, archival research, visual culture, and political history to examine how cultural productions deploy the image of the dead mother to define — and challenge — the boundaries of Argentine citizenship, especially for women, trans/travesti individuals, and those of Indigenous heritage. It focuses on the 200-year period between independence in 1820, when Argentine identity began to be defined, until the legalization of abortion at the end of 2020, which codified the right to non-maternity.

By tracing hagiographic and sacrificial depictions of figures like La Difunta Correa and Eva Perón across poetry, literature, visual art, and contemporary protest culture, the book reveals how narratives of Republican Motherhood continue to structure political and social belonging. Ultimately, this work shows how contemporary artists and authors are reconfiguring these maternal myths to queer, expand, and decolonize national identity.

In American Indian Studies, Native PhD graduates share their personal stories about their educational experiences and how doctoral education has shaped their identities, lives, relationships, and careers.

This collection of personal narratives from Native graduates of the University of Arizona’s American Indian Studies (AIS) doctoral program, the first such program of its kind, gifts stories of endurance and resiliency, hardship and struggle, and accomplishment and success. It provides insight into the diverse and dynamic experiences of Native graduate students. The narratives address family and kinship, mentorship, and service and giving back. Essayists share the benefits of having an AIS program at a mainstream academic institution—not just for the students enrolled but also for their communities.

This book offers Native students aspiring to a PhD a realistic picture of what it takes. While each student has their own path to walk, these stories provide the gift of encouragement and serve to empower Native students to reach their educational goals, whether it be in an AIS program or other fields of study.

An intimate ethnographic narrative of one indigenous family in the twentieth-century Caribbean

Among the Garifuna is the first ethnographic narrative of a Garifuna family. The Garifuna are descendants of the “Black Carib,” whom the British deposited on Roatan Island in 1797 and who settled along the Caribbean coast from Belize City to Nicaragua.

In 1980, medical anthropologist Marilyn McKillop Wells found herself embarking on an “improbable journey” when she was invited to the area to do fieldwork with the added challenge of revealing the “real” Garifuna. Upon her arrival on the island, Wells was warmly embraced by a local family, the Diegos, and set to work recording life events and indigenous perspectives on polygyny, Afro-indigenous identity, ancestor-worshiping religion, and more. The result, as represented in Among the Garifuna, is a lovingly intimate, earthy human drama.

The family narrative is organized chronologically. Part I, “The Old Ways,” consists of vignettes that introduce the family backstory with dialogue as imagined by Wells based on the family history she was told. We meet the family progenitors, Margaret and Cervantes Diego, during their courtship, experience Margaret’s pain as Cervantes takes a second wife, witness the death of Cervantes and ensuing mourning rituals, follow the return of Margaret and the children to their previous home in British Honduras, and observe the emergence of the children’s personalities.

In Part II, “Living There,” Wells continues the story when she arrives in Belize and meets the Diego children, including the major protagonist, Tas. In Tas’s household Wells learns about foods and manners and watches family squabbles and reconciliations. In these mini-stories, Wells interweaves cultural information on the Garifuna people with first-person narrative and transcription of their words, assembling these into an enthralling slice of life. Part III, “The Ancestor Party,” takes the reader through a fascinating postmortem ritual that is enacted to facilitate the journey of the spirits of the honored ancestors to the supreme supernatural.

Among the Garifuna contributes to the literary genres of narrative anthropology and feminist ethnography in the tradition of Zora Neal Hurston and other women writing culture in a personal way. Wells’s portrait of this Garifuna family will be of interest to anthropologists, Caribbeanists, Latin Americanists, students, and general readers alike.
 

The definitive archaeological record and what is known or speculated about the ancient Apalachicola and lower Chattahoochee Valley region of northwest Florida, southeast Alabama, and southwest Georgia.

In this meticulously researched volume, Nancy Marie White provides a major holistic synthesis of the archaeological record and what is known or surmised about the peoples of the Apalachicola and lower Chattahoochee Valley region of northwest Florida, southeast Alabama, and southwest Georgia. White transforms a neglected research area into a lively saga that spans the time of the first human settlement, around 14,000 years ago, through the Middle Woodland period, ending about AD 700.

White reveals that Paleoindian habitation was more extensive than once surmised. Archaic sites were widespread, and those societies persisted when the Ice Age ended 10,000 years ago. Pottery appeared in the Late Archaic period (before 4000 BP), and Early Woodland–period burial mounds demonstrate a flowering of religious and ritual systems. Middle Woodland societies expanded this mortuary ceremony, and the complex pottery of the Swift Creek and the early Weeden Island ceramic series show an increased fascination with the ornate and unusual. Yet, basic Native American lifeways continued with gathering-fishing-hunting subsistence traditions similar to those of their ancestors.

This volume and its companion form the definitive work on the Apalachicola–lower Chattahoochee Valley region for both scholars and general readers interested in Native Americans of the Southeast.

A comprehensive synthesis tracing 1,300 years of cultural transformation in the Apalachicola–lower Chattahoochee Valley, from Late Woodland societies to the modern era.

Apalachicola Valley Archaeology: The Late Woodland Period through Recent History, Volume 2, synthesizes the archaeology and history of the Native Americans, African Americans, and Euro-Americans of the Apalachicola–lower Chattahoochee Valley region of northwest Florida, southeast Alabama, and southwest Georgia from about 1300 years ago until the present. The region extends from Columbia, Alabama, to the Gulf of Mexico. It is culturally and environmentally distinct but little known archaeologically because it crosses historic political boundaries at the frontier.

Early chapters overview the environment and archaeology. Coverage then surveys time periods, from the Late Woodland to present. Topics include settlement, archaeological findings and material culture, subsistence and seasonality, history, sociopolitical systems, and peoples.

White’s prodigious work reveals that the prehistoric Late Woodland cultures who developed maize agriculture developed into Fort Walton chiefdoms. Post-invasion and Spanish and British colonization, these peoples were replaced by consolidated groups of Native American survivors and maroons moving around the region. These multiethnic societies with blended material cultures developed new identities, living at the edges of colonial territories. Creek societies, many becoming Seminoles, fought on all sides of European and American conflicts until most Indians were forcibly removed in the 1830s. Then the region became important for cotton, cattle, and timber, which were often produced by enslaved labor and transported by steamboat. Later expansion of agriculture and silviculture, as well as turpentine, tupelo honey, and other industries, left material evidence. The usefulness of the information to modern society is noted. Copious illustrations enhance the scientific analyses and the telling of the human stories.

This book explores the cultural and ethical implications of generative AI through the lens of Indigenous visual culture in Latin America. 

Responding to the rise of tools like DALL·E 2 and Midjourney, this groundbreaking volume documents the AIAI project (2023–), which invited a group of Indigenous artists and writers from Argentina, Bolivia, Brazil, Chile, and Peru to critically engage with image generation technologies. Through collaborative experimentation with a range of both commercial and bespoke tools, contributors reflect on the promises and pitfalls of AI—from its potential for ‘dreaming,’ for imagining Indigenous futures, to the frustration of its ability to ‘hallucinate,’ to distort, and misrepresent Indigenous cultures.

Bringing together artists, writers, and scholars, the book challenges dominant narratives around AI and representation, using a decolonial framework rooted in Indigenous epistemologies. Structured in three parts—context and theory, creative reflections, and generative critique—it foregrounds multivocal and multilingual perspectives, resisting homogenization and reframing participatory research. This is the first book-length study of generative AI’s impact on Indigenous visual culture in Latin America, making a timely and vital contribution to global debates on AI, art, and cultural sovereignty.

This compelling work delves into the personal narratives of Hiaki (Yaqui) individuals who endured the tumultuous period from 1900 to 1930, when they faced systematic attacks, conscription, deportation, and enslavement under Mexican government policies. Presented in both the original Hiaki language and English translation, these accounts offer an unparalleled glimpse into the lives of those who resisted and survived the era’s harsh realities. The narratives describe military engagements, the struggles of refugee life, forced labor, and the resilience of families under extreme duress. This work provides a unique and unvarnished account of the impacts of Mexican colonialism and aggression on individuals and families, completely from the Hiaki perspective.

Au Te Waate / We Remember It is not just a historical account but a linguistic treasure, preserving the naturally produced speech of five Hiaki speakers from a previous era. Transcriptions of interviews recorded by author Maria Fernanda Leyva with family members and friends provide invaluable insights into the Hiaki language. The interviews document and preserve the narrative styles, vocabulary, and grammatical constructions of the time.

This work also serves as a crucial resource for scholars of linguistics and history alike, capturing dialect variation and illustrating the linguistic evolution of the Hiaki community. Additionally, for Hiaki people studying their own language, this book stands as a rich repository of cultural and linguistic heritage, meticulously maintained through side-by-side translations and contextual historical introductions.

The narratives in this book are anchored by the experiences of five Hiaki speakers, whose stories of displacement, survival, and resistance provide a deeply personal perspective on the broader historical events of the Porfirio Díaz dictatorship and the early years of the Mexican Revolution. Au Te Waate / We Remember It stands as an important record, preserving these critical voices for future generations and offering profound insights into the resilience of the Hiaki people.