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24 books match the query 'Now'

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A History of Hate in Ohio

Michael E. Brooks and Bob Fitrakis with an introduction by Marilyn K. Howard

The Ohio State University Press, 2021

While Ohio’s rich history of abolitionism is deservedly known, its equally long history of white supremacist activity—including the Ohio-founded neo-Nazi website the Daily Stormer and the many groups currently documented by the Southern Poverty Law Center—is less talked about. In A History of Hate in Ohio: Then and Now, historian Michael E. Brooks and political scientist and journalist Bob Fitrakis join forces to present the first comprehensive study of white supremacy and hate groups in the Buckeye State. Brooks analyzes the historical origins of white supremacy in Ohio and the emergence of the earliest hate groups, covering the colonial period into the 1970s. Fitrakis then picks up the narrative to trace the evolution of hate activity into the present day, documenting the growing interconnections between the once-separate Ku Klux Klan and neo-Nazi groups as well as the concurrent emergence of antiracist groups in Ohio. An essential primer on the origins and workings of hate groups, A History of Hate in Ohio issues a timely challenge to all Ohioans to acknowledge, understand, and repudiate hate.

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Ann Arbor Observed

Selections from Then and Now

Grace Shackman

University of Michigan Press, 2010

Twenty-five years ago Grace Shackman began to document the history of Ann Arbor’s buildings, events, and people in the Ann Arbor Observer. Soon Shackman’s articles, which depicted every aspect of life in Ann Arbor during the city’s earlier eras, became much-anticipated regular stories. Readers turned to her illuminating minihistories when they wanted to know about a particular landmark, structure, personality, organization, or business from Ann Arbor’s past.

Packed with photographs from Ann Arbor of yesteryear and the present day, Ann Arbor Observed compiles the best of Shackman’s articles in one book divided into eight sections: public buildings and institutions, the University of Michigan, transportation, industry, downtown Ann Arbor, recreation and culture, social fabric and communities, and architecture.

For long-time residents, Ann Arbor expatriates, University of Michigan alumni, and visitors alike, Ann Arbor Observed provides a rare glimpse of the bygone days of a town with a rich and varied history.

Grace Shackman is a history columnist for the Ann Arbor Observer, the Community Observer, and the Old West Side News, as well as a writer for University of Michigan publications. She is the author of two previous books: Ann Arbor in the 19th Century and Ann Arbor in the 20th Century.

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Art for a New Understanding

Native Voices, 1950s to Now

Mindy N. Besaw

University of Arkansas Press, 2018

Art for a New Understanding, an exhibition from Crystal Bridges Museum of American Art that opened in October 2018, seeks to radically expand and reposition the narrative of American art since 1950 by charting a history of the development of contemporary Indigenous art from the United States and Canada, beginning when artists moved from more regionally-based conversations and practices to national and international contemporary art contexts.

This fully illustrated volume includes essays by art historians and historians and reflections by the artists included in the collection. Also included are key contemporary writings—from the 1950s onward—by artists, scholars, and critics, investigating the themes of transculturalism and pan-Indian identity, traditional practices conducted in radically new ways, displacement, forced migration, shadow histories, the role of personal mythologies as a means to reimagine the future, and much more.

As both a survey of the development of Indigenous art from the 1950s to the present and a consideration of Native artists within contemporary art more broadly, Art for a New Understanding expands the definition of American art and sets the tone for future considerations of the subject. It is an essential publication for any institution or individual with an interest in contemporary Native American art, and an invaluable resource in ongoing scholarly considerations of the American contemporary art landscape at large.

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Art in Chicago

A History from the Fire to Now

Edited by Maggie Taft and Robert Cozzolino

University of Chicago Press, 2018

For decades now, the story of art in America has been dominated by New York. It gets the majority of attention, the stories of its schools and movements and masterpieces the stuff of pop culture legend. Chicago, on the other hand . . . well, people here just get on with the work of making art.

Now that art is getting its due. Art in Chicago is a magisterial account of the long history of Chicago art, from the rupture of the Great Fire in 1871 to the present, Manierre Dawson, László Moholy-Nagy, and Ivan Albright to Chris Ware, Anne Wilson, and Theaster Gates. The first single-volume history of art and artists in Chicago, the book—in recognition of the complexity of the story it tells—doesn’t follow a single continuous trajectory. Rather, it presents an overlapping sequence of interrelated narratives that together tell a full and nuanced, yet wholly accessible history of visual art in the city. From the temptingly blank canvas left by the Fire, we loop back to the 1830s and on up through the 1860s, tracing the beginnings of the city’s institutional and professional art world and community. From there, we travel in chronological order through the decades to the present. Familiar developments—such as the founding of the Art Institute, the Armory Show, and the arrival of the Bauhaus—are given a fresh look, while less well-known aspects of the story, like the contributions of African American artists dating back to the 1860s or the long history of activist art, finally get suitable recognition. The six chapters, each written by an expert in the period, brilliantly mix narrative and image, weaving in oral histories from artists and critics reflecting on their work in the city, and setting new movements and key works in historical context. The final chapter, comprised of interviews and conversations with contemporary artists, brings the story up to the present, offering a look at the vibrant art being created in the city now and addressing ongoing debates about what it means to identify as—or resist identifying as—a Chicago artist today. The result is an unprecedentedly inclusive and rich tapestry, one that reveals Chicago art in all its variety and vigor—and one that will surprise and enlighten even the most dedicated fan of the city’s artistic heritage.

Part of the Terra Foundation for American Art’s year-long Art Design Chicago initiative, which will bring major arts events to venues throughout Chicago in 2018, Art in Chicago is a landmark publication, a book that will be the standard account of Chicago art for decades to come. No art fan—regardless of their city—will want to miss it.

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Bachelors of Science

Seventeenth Century Identity, Then and Now

Naomi Zack

Temple University Press, 1996

Naomi Zack begins this extraordinary book with the premise that if one is to understand Western conceptions of racialized and gendered identity, one needs to go back to a period when such categories were not salient and examine how notions of identity in the seventeenth century were fundamentally different from subsequent constructions. The seventeenth century is the last time, for example, that Europeans had any contact with non-Europeans without racializing them. From the eighteenth century onward, race becomes a central category for Europeans in their transactions with a different world, and gender undergoes radical transformation. Zack takes the reader through a lucid tour of the lives, times, and writings of such key "bachelors of Science" as Bacon, Descartes, Newton, and Gassendi. The book situates these empiricist philosophers and their canonical reputations within the larger framework of the de facto "masculinization of science" and "scientizing of masculinity" in the seventeenth century, arguing for a more nuanced understanding of these key thinkers of the period. Other fascinating issues examined in this book include pre-racial conceptions of slavery, witchcraft trials and their connection to homosociality, and the highly sexualized nature of women's identity in the seventeenth century. Zack points out the link between elite bachelorhood, the profession of philosophy, and scientific pursuit as recreational activity. This book is a must for understanding the historical and philosophical precedents of modern scientific identity, race, and gender.

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Baltimore's Black Arts Then & Now

Behind the Scenes of a Collaborative Public Humanities Project

Mary Rizzo

University of Iowa Press, 2026

Baltimore’s Black Arts Then & Now brings to life the Chicory Revitalization Project, a public humanities initiative that revives Baltimore’s historic Chicory magazine. From 1966 to 1983, Chicory served as a powerful voice for working-class Black communities, capturing their thoughts, struggles, and dreams through unedited poetry and street chatter. Dubbed “the most authentic microphone of black folks talking ever devised” by the Baltimore Afro-American newspaper, Chicory emerged from the liberalism of the War on Poverty and the militance of the Black Arts Movement.

Since 2017, a group of former Chicory editors, scholars, librarians, poets, teachers, and young writers have collaborated to use Chicory as a catalyst for intergenerational dialogue on social justice, race, and place. Baltimore’s Black Arts Then & Now documents this joint effort, offering valuable insights for public historians, educators, and humanists.

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Burgers in Blackface

Anti-Black Restaurants Then and Now

Naa Oyo A. Kwate

University of Minnesota Press, 2019

Exposes and explores the prevalence of racist restaurant branding in the United States

Aunt Jemima is the face of pancake mix. Uncle Ben sells rice. Chef Rastus shills for Cream of Wheat. Stereotyped Black faces and bodies have long promoted retail food products that are household names. Much less visible to the public are the numerous restaurants that deploy unapologetically racist logos, themes, and architecture. These marketing concepts, which center nostalgia for a racist past and commemoration of our racist present, reveal the deeply entrenched American investment in anti-blackness. Drawing on wide-ranging sources from the late 1800s to the present, Burgers in Blackface gives a powerful account, and rebuke, of historical and contemporary racism in restaurant branding.

Forerunners: Ideas First
Short books of thought-in-process scholarship, where intense analysis, questioning, and speculation take the lead

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Collecting the Now

On the Financial Side of Postwar Art History

Michael Maizels

University of Michigan Press, 2022

Collecting the Now offers a new, in-depth look at the economic forces and institutional actors that have shaped the outlines of postwar art history, with a particular focus on American art, 1960–1990. Working through four case studies, Michael Maizels illuminates how a set of dealers and patrons conditioned the iconic developments of this period: the profusions of pop art, the quixotic impossibility of land art, the dissemination of new media, and the speculation-fueled neo-expressionist painting of the 1980s.
This book addresses a question of pivotal importance to a swath of art history that has already received substantial scholarly investigation. We now have a clear, nuanced understanding of why certain evolutions took place: why pop artists exploded the delimited parameters of aesthetic modernism, why land artists further strove against the object form itself, and why artists returned to (neo-)traditional painting in the 1980s. But remarkably elided by extant scholarship has been the question of how. How did conditions coalesce around pop so that its artists entered into museum collections, and scholarly analyses, at pace unprecedented in the prior history of art? How, when seeking to transcend the delimited gallery object, were land artists able to create monumental (and by extension, monumentally expensive), interventions in the extreme wilds of the Western deserts? And how did the esoteric objects of media art come eventually to scholarly attention in the sustained absence of academic interest or a private market? The answers to these questions lie in an exploration of the financial conditions and funding mechanisms through which these works were created, advertised, distributed, and preserved.

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Darwin's Orchids

Then and Now

Edited by Retha Edens-Meier and Peter Bernhardt

University of Chicago Press, 2014

For biologists, 2009 was an epochal year: the bicentennial of Charles Darwin’s birth and the 150th anniversary of the publication of a book now known simply as The Origin of Species. But for many botanists, Darwin’s true legacy starts with the 1862 publication of another volume: On the Various Contrivances by Which British and Foreign Orchids Are Fertilised by Insects and on the Good Effects of Intercrossing, or Fertilisation of Orchids. This slim but detailed book with the improbably long title was the first in a series of plant studies by Darwin that continues to serve as a global exemplar in the field of evolutionary botany. In Darwin’s Orchids, an international group of orchid biologists unites to celebrate and explore the continuum that stretches from Darwin’s groundbreaking orchid research to that of today.

Mirroring the structure of Fertilisation of Orchids, Darwin’s Orchids investigates flowers from Darwin’s home in England, through the southern hemisphere, and on to North America and China as it seeks to address a set of questions first put forward by Darwin himself: What pollinates this particular type of orchid? How does its pollination mechanism work? Will an orchid self-pollinate or is an insect or other animal vector required? And how has this orchid’s lineage changed over time? Diverse in their colors, forms, aromas, and pollination schemes, orchids have long been considered ideal models for the study of plant evolution and conservation. Looking to the past, present, and future of botany, Darwin’s Orchids will be a vital addition to this tradition.

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Fandom, Now in Color

A Collection of Voices

Rukmini Pande

University of Iowa Press, 2020

Fandom, Now in Color gathers together seemingly contradictory narratives that intersect at the (in)visibility of race/ism in fandom and fan studies. This collection engages the problem by undertaking the different tactics of decolonization—diversifying methodologies, destabilizing canons of “must-read” scholarship by engaging with multiple disciplines, making whiteness visible but not the default against which all other kinds of racialization must compete, and decentering white fans even in those fandoms where they are the assumed majority. These new narratives concern themselves with a broad swath of media, from cosplay and comics to tabletop roleplay and video games, and fandoms from Jane the Virgin to Japan’s K-pop scene. Fandom, Now in Color asserts that no one answer or approach can sufficiently come to grips with the shifting categories of race, racism, and racial identity.

Contributors: McKenna Boeckner, Angie Fazekas, Monica Flegel, Elizabeth Hornsby, Katherine Anderson Howell, Carina Lapointe, Miranda Ruth Larsen, Judith Leggatt, Jenni Lehtinen, joan miller, Swati Moitra, Samira Nadkarni, Indira Neill Hoch, Sam Pack, Rukmini Pande, Deepa Sivarajan, Al Valentín

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Here, Now

Essays

Michelle Suzanne Mirsky

Northwestern University Press, 2025

A deeply felt and humorous collection examining a year in the wake of extraordinary loss

In November 2010, on the morning after election day, Mirsky lost her three-year-old son, Lev. In the year that followed, she produced a profound and provocatively humorous body of work—tackling extreme loss as well as divorce, friendship, dating, sex, comedy, and art making, all while continuing her day job as a family liaison at the same children’s hospital where Lev died. Every November, the anniversary of Lev’s loss aligns with the churn of the election cycle.

A decade later, we find Mirsky in the heart of a different crisis: supervising COVID vaccine distribution in the polarized political climate of Austin, Texas. In “An Addendum,” she turns again to themes of grief and healing, this time on a societal scale, as she reckons with the tenth anniversary of Lev’s passing. Through her un-extraordinary story of extraordinary loss, Mirsky offers proof that there is an afterward to grief.

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Now and Then

England 1970-2015

Daniel Meadows

Bodleian Library Publishing, 2019

Daniel Meadows is a pioneer of contemporary British documentary practice. His photographs and audio recordings, made over the course of forty-five years, uniquely capture the life of England’s “great ordinary.” He has fashioned from his many encounters a nation’s story, challenging the status quo by working collaboratively.

This book includes important work from Meadows’s groundbreaking projects, drawing on the archives now held at the Bodleian Library. It follows the maverick documentarian as he ran a free portrait studio in Manchester’s Moss Side in 1972 and then traveled 10,000 miles to make a national portrait from his converted double-decker, the Free Photographic Omnibus, a project he revisited a quarter-of-a-century later. The book goes on to show how, at the turn of the millennium, Meadows adopted new “kitchen table” technologies to make digital stories, which he dubbed “multimedia sonnets from the people.” Through the unique voices of his subjects, Meadows has made and continues to make moving and insightful commentaries on life in Britain.

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Now, Voyager

Edited by Jeanne Thomas Allen; Tino T. Balio, Series Editor

University of Wisconsin Press, 1984

Now Voyager (1942) is appreciated today for a skillfully modulated performance by Bette Davis and a rare theme in American mass culture—the study of a woman's struggle for independence. This book includes the complete screenplay.

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Outside the Gates of Eden

The Dream of America from Hiroshima to Now

Peter Bacon Hales

University of Chicago Press, 2014

Exhilaration and anxiety, the yearning for community and the quest for identity: these shared, contradictory feelings course through Outside the Gates of Eden, Peter Bacon Hales’s ambitious and intoxicating new history of America from the atomic age to the virtual age.

Born under the shadow of the bomb, with little security but the cold comfort of duck-and-cover, the postwar generations lived through—and led—some of the most momentous changes in all of American history. Hales explores those decades through perceptive accounts of a succession of resonant moments, spaces, and artifacts of everyday life—drawing unexpected connections and tracing the intertwined undercurrents of promise and peril. From sharp analyses of newsreels of the first atomic bomb tests and the invention of a new ideal American life in Levittown; from the music emerging from the Brill Building and the Beach Boys, and a brilliant account of Bob Dylan’s transformations; from the painful failures of communes and the breathtaking utopian potential of the early days of the digital age, Hales reveals a nation, and a dream, in transition, as a new generation began to make its mark on the world it was inheriting.

Full of richly drawn set-pieces and countless stories of unforgettable moments, Outside the Gates of Eden is the most comprehensive account yet of the baby boomers, their parents, and their children, as seen through the places they built, the music and movies and shows they loved, and the battles they fought to define their nation, their culture, and their place in what remains a fragile and dangerous world.

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Right Here, Right Now

Life Stories from America's Death Row

Lynden Harris, editor

Duke University Press, 2021

Upon receiving his execution date, one of the thousands of men living on death row in the United States had an epiphany: “All there ever is, is this moment. You, me, all of us, right here, right now, this minute, that's love.” Right Here, Right Now collects the powerful, first-person stories of dozens of men on death rows across the country. From childhood experiences living with poverty, hunger, and violence to mental illness and police misconduct to coming to terms with their executions, these men outline their struggle to maintain their connection to society and sustain the humanity that incarceration and its daily insults attempt to extinguish. By offering their hopes, dreams, aspirations, fears, failures, and wounds, the men challenge us to reconsider whether our current justice system offers actual justice or simply perpetuates the social injustices that obscure our shared humanity.

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Rutgers Then and Now

Two Centuries of Campus Development: A Historic and Photographic Odyssey

James W. Hughes

Rutgers University Press, 2025

Rutgers University has come a long way since it was granted a royal charter in 1766. As it migrated from a parsonage in Somerville, to the New Brunswick-sited Sign of the Red Lion tavern, to stately Old Queens, and expanded northward along College Avenue, it would both compete and collaborate with the city that surrounded it for room to grow.

Rutgers, Then and Now tells this story, proceeding through ten sequential development phases of College Avenue and Piscataway campus expansions—each with its own buildings and physical layouts—that took place over the course of 250 years. It delivers stunning photographic and historic documentation of the growth of the university, showing “what it was and appeared originally” versus “what it is and looks like today.” Among other in-depth analyses, the book compares the diminutive geographic scale of today’s historical College Avenue Campus—once the entirety of Rutgers—to the much larger-sized (in acreage) Busch Campus. Replete with more than 500 images, the book also considers the Rutgers campuses that might have been, examining plans that were changed or abandoned. Shedding light on the sacrifices and gifts that transformed a small college into a vital hub for research and beloved home for students, it explores how Rutgers grew to become a world-class university.

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Serial Mexico

Storytelling across Media, from Nationhood to Now

Amy E. Wright

Vanderbilt University Press, 2023

Honorable Mention, Katherine Singer Kovacs Prize, Modern Language Association, 2023
Honorable Mention, Premio al Mejor Libro en Humanidades, Latin American Studies Association–Mexico Section, 2025

No book until now has tied in two centuries of Mexican serial narratives—tales of glory, of fame, and of epic characters, grounded in oral folklore—with their subsequent retelling in comics, radio, and television soap operas. Wright’s multidisciplinary Serial Mexico delves into this storytelling tradition: examining the nostalgic tales reimagined in novelas, radionovelas, telenovelas and onwards, and examining the foundational figures who have been woven into society.

This panorama shows the Mexican experience of storytelling from the country’s early days until now, showcasing protagonists that mock authority, make light of hierarchy, and embrace the hybridity and mestizaje of Mexico. These tales reflect on and respond to crucial cultural concerns such as family, patriarchy, gender roles, racial mixing, urbanization, modernization, and political idealism. Serial Mexico thus examines how serialized storytelling’s melodrama and sensationalism reveals key political and cultural messaging.

In a detailed yet accessible style, Wright describes how these stories have continued to morph with current times’ concerns and social media. Will tropes and traditions carry on in new and reimagined serial storytelling forms? Only time will tell. Stay tuned for the next episode.

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Speculation, Now

Essays and Artwork

Vyjayanthi Venuturupalli Rao, with Prem Krishnamurty and Carin Kuoni, eds.

Duke University Press, 2014

Interdisciplinary in design and concept, Speculation, Now illuminates unexpected convergences between images, concepts, and language. Artwork is interspersed among essays that approach speculation and progressive change from surprising perspectives. A radical cartographer asks whether "the speculative" can be represented on a map. An ethnographer investigates religious possession in Islam to contemplate states between the divine and the seemingly human. A financial technologist queries understandings of speculation in financial markets. A multimedia artist and activist considers the relation between social change and assumptions about the conditions to be changed, and an architect posits purposeful neglect as political strategy. The book includes an extensive glossary with more than twenty short entries in which scholars contemplate such speculation-related notions as insurance, hallucination, prophecy, the paradox of beginnings, and states of half-knowledge. The book's artful, nonlinear design mirrors and reinforces the notion of contingency that animates it. By embracing speculation substantively, stylistically, seriously, and playfully, Speculation, Now reveals its subversive and critical potential.

Artists and essayists include William Darity Jr., Filip De Boeck, Boris Groys, Hans Haacke, Darrick Hamilton, Laura Kurgan, Lin + Lam, Gary Lincoff, Lize Mogel, Christina Moon, Stefania Pandolfo, Satya Pemmaraju, Mary Poovey, Walid Raad, Sherene Schostak, Robert Sember, and Srdjan Jovanović Weiss.

Published by Duke University Press and the Vera List Center for Art and Politics at The New School

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Still Here, Still Now

Robert Pack

University of Chicago Press, 2008

Robert Pack is one of America’s most eminent nature poets, and his virtuoso talents are on glorious display in Still Here, Still Now, his nineteenth volume of verse. With styles ranging from lyric to narrative, and themes stretching from biblical concerns to meditations on contemporary science, Pack’s poetry is composed in strongly rhythmic cadences and a diction that is direct and accessible. In four different sections of thematically and stylistically divergent verse, Still Here, Still Now delivers many of the elements of Pack’s poetry readers have come to admire and expect—both the humorous and the elegiac.

The first section of the book contains traditional lyrics that celebrate family ties and seek consolations for the passing of personal and evolutionary time. The poems in this group address a named or unnamed auditor in a voice of intimate engagement. Featuring the most narrative selections in the book, the second section consists of fable-like stories, rich with innuendo and implication. The characters in these poems make choices that press against the events and circumstances that challenge and define them. Embodying what Harold Bloom has called Pack’s “courage to surmount suffering,” the poems of the third section are largely devoted to biblical themes and philosophical speculations on the meaning of happiness and the uses of suffering. Here, Pack’s empathy for the human condition as well as his forebodings about the prospect of human survival are on poignant display. The final section of the book turns to Pack's abiding interest in landscape and the ways in which the place one inhabits contains and animates our individual lives.

Ripe with many years, Pack remains a vital presence in American letters. Still Here, Still Now is an affecting and graceful addition to the oeuvre of a poet whose compelling and distinct voice will continue to resonate among his loyal readers.

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The Enduring Classroom

Teaching Then and Now

Larry Cuban

University of Chicago Press, 2023

A groundbreaking analysis of how teachers actually teach and have taught in the past.

The quality and effectiveness of teaching are a constant subject of discussion within the profession and among the broader public. Most of that conversation focuses on the question of how teachers should teach. In The Enduring Classroom, veteran teacher and scholar of education Larry Cuban explores different questions, ones that just might be more important: How have teachers actually taught? How do they teach now? And what can we learn from both?

Examining both past and present is crucial, Cuban explains. If reformers want teachers to adopt new techniques, they need to understand what teachers are currently doing if they want to have any hope of having their innovations implemented. Cuban takes us into classrooms then and now, using observations from contemporary research as well as a rich historical archive of classroom accounts, along the way asking larger questions about teacher training and the individual motivations of people in the classroom. Do teachers freely choose how to teach, or are they driven by their beliefs and values about teaching and learning? What role do students play in determining how teachers teach? Do teachers teach as they were taught? By asking and answering these and other policy questions with the aid of concrete data about actual classroom practices, Cuban helps us make a crucial step toward creating reforms that could actually improve instruction.

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The Fierce Urgency of Now

Improvisation, Rights, and the Ethics of Cocreation

Daniel Fischlin, Ajay Heble, and George Lipsitz

Duke University Press, 2013

The Fierce Urgency of Now links musical improvisation to struggles for social change, focusing on the connections between the improvisation associated with jazz and the dynamics of human rights struggles and discourses. The authors acknowledge that at first glance improvisation and rights seem to belong to incommensurable areas of human endeavor. Improvisation connotes practices that are spontaneous, personal, local, immediate, expressive, ephemeral, and even accidental, while rights refer to formal standards of acceptable human conduct, rules that are permanent, impersonal, universal, abstract, and inflexible. Yet the authors not only suggest that improvisation and rights can be connected; they insist that they must be connected.

Improvisation is the creation and development of new, unexpected, and productive cocreative relations among people. It cultivates the capacity to discern elements of possibility, potential, hope, and promise where none are readily apparent. Improvisers work with the tools they have in the arenas that are open to them. Proceeding without a written score or script, they collaborate to envision and enact something new, to enrich their experience in the world by acting on it and changing it. By analyzing the dynamics of particular artistic improvisations, mostly by contemporary American jazz musicians, the authors reveal improvisation as a viable and urgently needed model for social change. In the process, they rethink politics, music, and the connections between them.

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The Vernor's Story

From Gnomes to Now

Lawrence L. Rouch

University of Michigan Press, 2003

Amply illustrated, The Vernor's Story -- From Gnomes to Now captures the spirit and genius of the people who transformed Vernors into an iconic American soft drink that has spanned two centuries of shifting public taste. With over seventy photographs depicting the history of the company, The Vernor's Story is an insider's look at early operations, as well as the firm's famous marketing blitz, featuring Vernor's distinctive green and gold packaging and its engaging gnome.

Add to that the legion of devoted Vernor's fans, and the beverage itself, a unique, spicy, mysteriously flavored carbonated ginger drink that's appealed to generations of Michiganders and others alike, and you have the makings of a great American success story.

A treasure on its own and sure to be a future collectible, this is a fascinating slice of Americana for Vernor's fans everywhere.

Lawrence Rouch is President of Studio3/Innovations, a marketing and consulting firm representing fine artists in the automotive and fine-arts fields.

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Then and Now

Poems

James Cummins

Ohio University Press, 2004

James Cummins’s first book of poems, The Whole Truth, became known throughout much of the poetry world as the “Perry Mason sestinas.” His second book, Portrait in a Spoon, was chosen by Richard Howard for the James Dickey Prize Contemporary Poetry Series.

His latest and most accomplished work is collected in Then and Now, which reflects the same inventiveness and wit evident in his earlier books, with a deepening of tone and spirit. The result is a collection of poems filled with feeling and with Cummins’s signature anguished humor.

If the language of poetry is a way into a hall of mirrors of the self, it can be a way out, too. The voice that emerges in Then and Now is sane, imaginative, bemused, and sly, not only taking responsibility for the character of the writer put fully on display, but ironically and affectionately exploring how this process occurs.

Doing Lunch

You have lunch with a friend.
You put on a false face for him,
because he is your friend.
You want to spare him your
maunderings,
your lies and malfeasance.

But this is just what your friend desires,
because he is your friend.
He wants your face to fall open
in front of him and twitch
like a rabbit hit on the fly.

He says he wants the latest word
from the border region between
narcissism and an inner life.
And laughs.
Shamelessly, you tell him everything,
because he is your friend.

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