Literary Couplings: Writing Couples, Collaborators, and the Construction of Authorship
edited by Marjorie Stone and Judith Thompson
University of Wisconsin Press, 2007 eISBN: 978-0-299-21763-1 | Paper: 978-0-299-21764-8 | Cloth: 978-0-299-21760-0 Library of Congress Classification PR149.C58L58 2006 Dewey Decimal Classification 820.9
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK
This innovative collection challenges the traditional focus on solitary genius by examining the rich diversity of literary couplings and collaborations from the early modern to the postmodern period. Literary Couplings explores some of the best-known literary partnerships—from the Sidneys to Boswell and Johnson to Sylvia Plath and Ted Hughes—and also includes lesser-known collaborators such as Daphne Marlatt and Betsy Warland. The essays place famous authors such as Samuel Coleridge, Oscar Wilde, and William Butler Yeats in new contexts; reassess overlooked members of writing partnerships; and throw new light on texts that have been marginalized due to their collaborative nature. By integrating historical studies with authorship theory, Literary Couplings goes beyond static notions of the writing "couple" to explore literary couplings created by readers, critics, historians, and publishers as well as by writers themselves, thus expanding our understanding of authorship.
AUTHOR BIOGRAPHY Marjorie Stone is assistant dean of the Faculty of Arts and Social Sciences and associate professor of English and women's studies at Dalhousie University. Judith Thompson is associate professor of English at Dalhousie University.
REVIEWS
"A terrific book, carefully and helpfully theorized, wonderfully researched, lucidly written, and filled with unexpected couplings, insights, and pleasures."—Susan J. Leonardi, University of Maryland
"A wealth of information—much of it new, all of it interesting and relevant—about specific historical collaborations."—Patricia Clements, University of Alberta
“The notion of what constitutes a ‘literary couple’ is bound to be extended by future critics. But the unusually high quality of the thirteen essays that Thompson and Stone have collected makes this a truly precious book. . . [It] is itself admirably heterchoric, blending the shrewd voices of its eight Canadian, six American, and one Australian contributors.”—U.C. Knoepflmacher, Princeton University, Modern Philology
TABLE OF CONTENTS
<table of contents, p. v>
Contents
Acknowledgments 000
Prologue
Signs of the Times: Five Snapshots of Contemporary Authorship 000
Contexts and Heterotexts: A Theoretical and Historical Introduction to Literary Couplings
Marjorie Stone and Judith Thompson 000
I. Early Modern "Coupled Worke"
"Warpe" and "Webb" in the Sidney Psalms: The "Coupled Worke" of the Countess of Pembroke and Sir Philip Sidney
Patricia Demers 000
Constructing an Adventure, Negotiating for Narrative Control: Johnson and Boswell in the Hebrides
John Radner 000
II. Romantic Joint Labour
Editing Minervas: William Godwin's Liminal Manoeuvres in Mary Wollstonecraft's Wrongs of Woman
Gerard Goggin 000
Home at Grasmere Again: Revising the Family in Dove Cottage
Anne Wallace 000
"The Body of My Father's Writings": Sara Coleridge's Genial Labour
Alison Hickey 000
III. Victorian Complementarities and Cross-currents
"Singing Song for Song": The Brownings 'in the Poetic Relation"
Corinne Davies and Marjorie Stone 000
Collaboration and Collusion: Victorian Couples Writing the East
Jill Matus 000
"An Uninterrupted Current": Homoeroticism and Collaborative Authorship in Teleny
Robert Gray and Christopher Keep 000
IV. Literary Modernity: Mythmakers and Muses
How to Sleep with the Muse[sb1]: Dorothy Wellesley and W. B. Yeats
Lisa Harper 000
Not Elizabeth to His Ralegh: Laura Riding, Robert Graves and Origins of the White Goddess
Amber Vogel 000
V. Writing Back: Post-Colonial and Contemporary Contestation and Retrospection
Competing Versions of a Love Story: Mircea Eliade and Maitreyi Devi
Rebecca Carpenter 000
"Your Sentence Was Mine Too": Reading Sylvia Plath in Ted Hughes's Birthday Letters
Sarah Churchwell 000
Crowding the Garrett: Women's Collaborative Writing and the Problematics of Space
Lorraine York 000
Taking Joint Stock: A Critical Survey of Scholarship on Literary Couples and Collaboration
Marjorie Stone and Judith Thompson 000
Works Cited 000
List of Contributors 000
Index 000
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
Literary Couplings: Writing Couples, Collaborators, and the Construction of Authorship
edited by Marjorie Stone and Judith Thompson
University of Wisconsin Press, 2007 eISBN: 978-0-299-21763-1 Paper: 978-0-299-21764-8 Cloth: 978-0-299-21760-0
This innovative collection challenges the traditional focus on solitary genius by examining the rich diversity of literary couplings and collaborations from the early modern to the postmodern period. Literary Couplings explores some of the best-known literary partnerships—from the Sidneys to Boswell and Johnson to Sylvia Plath and Ted Hughes—and also includes lesser-known collaborators such as Daphne Marlatt and Betsy Warland. The essays place famous authors such as Samuel Coleridge, Oscar Wilde, and William Butler Yeats in new contexts; reassess overlooked members of writing partnerships; and throw new light on texts that have been marginalized due to their collaborative nature. By integrating historical studies with authorship theory, Literary Couplings goes beyond static notions of the writing "couple" to explore literary couplings created by readers, critics, historians, and publishers as well as by writers themselves, thus expanding our understanding of authorship.
AUTHOR BIOGRAPHY Marjorie Stone is assistant dean of the Faculty of Arts and Social Sciences and associate professor of English and women's studies at Dalhousie University. Judith Thompson is associate professor of English at Dalhousie University.
REVIEWS
"A terrific book, carefully and helpfully theorized, wonderfully researched, lucidly written, and filled with unexpected couplings, insights, and pleasures."—Susan J. Leonardi, University of Maryland
"A wealth of information—much of it new, all of it interesting and relevant—about specific historical collaborations."—Patricia Clements, University of Alberta
“The notion of what constitutes a ‘literary couple’ is bound to be extended by future critics. But the unusually high quality of the thirteen essays that Thompson and Stone have collected makes this a truly precious book. . . [It] is itself admirably heterchoric, blending the shrewd voices of its eight Canadian, six American, and one Australian contributors.”—U.C. Knoepflmacher, Princeton University, Modern Philology
TABLE OF CONTENTS
<table of contents, p. v>
Contents
Acknowledgments 000
Prologue
Signs of the Times: Five Snapshots of Contemporary Authorship 000
Contexts and Heterotexts: A Theoretical and Historical Introduction to Literary Couplings
Marjorie Stone and Judith Thompson 000
I. Early Modern "Coupled Worke"
"Warpe" and "Webb" in the Sidney Psalms: The "Coupled Worke" of the Countess of Pembroke and Sir Philip Sidney
Patricia Demers 000
Constructing an Adventure, Negotiating for Narrative Control: Johnson and Boswell in the Hebrides
John Radner 000
II. Romantic Joint Labour
Editing Minervas: William Godwin's Liminal Manoeuvres in Mary Wollstonecraft's Wrongs of Woman
Gerard Goggin 000
Home at Grasmere Again: Revising the Family in Dove Cottage
Anne Wallace 000
"The Body of My Father's Writings": Sara Coleridge's Genial Labour
Alison Hickey 000
III. Victorian Complementarities and Cross-currents
"Singing Song for Song": The Brownings 'in the Poetic Relation"
Corinne Davies and Marjorie Stone 000
Collaboration and Collusion: Victorian Couples Writing the East
Jill Matus 000
"An Uninterrupted Current": Homoeroticism and Collaborative Authorship in Teleny
Robert Gray and Christopher Keep 000
IV. Literary Modernity: Mythmakers and Muses
How to Sleep with the Muse[sb1]: Dorothy Wellesley and W. B. Yeats
Lisa Harper 000
Not Elizabeth to His Ralegh: Laura Riding, Robert Graves and Origins of the White Goddess
Amber Vogel 000
V. Writing Back: Post-Colonial and Contemporary Contestation and Retrospection
Competing Versions of a Love Story: Mircea Eliade and Maitreyi Devi
Rebecca Carpenter 000
"Your Sentence Was Mine Too": Reading Sylvia Plath in Ted Hughes's Birthday Letters
Sarah Churchwell 000
Crowding the Garrett: Women's Collaborative Writing and the Problematics of Space
Lorraine York 000
Taking Joint Stock: A Critical Survey of Scholarship on Literary Couples and Collaboration
Marjorie Stone and Judith Thompson 000
Works Cited 000
List of Contributors 000
Index 000
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
It can take 2-3 weeks for requests to be filled.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE