Contents
Acknowledgments
Introduction: Lines of Flight
Chapter 1: “Making Uncle Tom’s Cabin into a Hangar”: Bessie Coleman, Barnstorming Aviatrix
Chapter 2: Hiroshima, the Enola Gay, and the Performance of the Atomic Age
Chapter 3: The Pilot Voice: Communities of Practice and the Chuck Yeager Meme
Chapter 4: Inventing the American Astronaut
Chapter 5: The Space Tourist: A New New Theory of the Leisure Class
Chapter 6: 9/11, Flight, and Performance
Conclusion: “The Face of God”
Notes
Bibliography
Index