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Blues Music in the Sixties: A Story in Black and White
by Ulrich Adelt
Rutgers University Press, 2010
Cloth: 978-0-8135-4750-3 | eISBN: 978-0-8135-4948-4 | Paper: 978-0-8135-5174-6
Library of Congress Classification ML3521.A34 2010
Dewey Decimal Classification 781.643089

ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC
ABOUT THIS BOOK
Can a type of music be "owned"? Examining how music is linked to racial constructs and how African American musicians and audiences reacted to white appropriation, Blues Music in the Sixties shows the stakes when whites claim the right to play and live the blues.

In the 1960s, within the larger context of the civil rights movement and the burgeoning counterculture, the blues changed from black to white in its production and reception, as audiences became increasingly white. Yet, while this was happening, blackness--especially black masculinity--remained a marker of authenticity. Crossing color lines and mixing the beats of B.B. King, Eric Clapton, and Janis Joplin; the Newport Folk Festival and the American Folk Blues Festival; and publications such as Living Blues, Ulrich Adelt discusses these developments, including the international aspects of the blues. He highlights the performers and venues that represented changing racial politics and addresses the impact and involvement of audiences and cultural brokers.

See other books on: 1961-1970 | Adelt, Ulrich | Blues (Music) | Sixties | White
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