cover of book

Haints: American Ghosts, Millennial Passions, and Contemporary Gothic Fictions
by Arthur F. Redding
University of Alabama Press, 2011
eISBN: 978-0-8173-8572-9 | Cloth: 978-0-8173-1746-1 | Paper: 978-0-8173-5974-4
Library of Congress Classification PS374.G45R43 2011
Dewey Decimal Classification 813.0873309

Examines the work of contemporary American authors who draw on the gothic tradition in their fiction
In Haints: American Ghosts, Millennial Passions, and Contemporary Gothic Fictions, Arthur Redding argues that ghosts serve as lasting witnesses to the legacies of slaves and indigenous peoples whose stories were lost in the remembrance or mistranslation of history.
Authors such as Toni Morrison and Leslie Marmon Silko deploy the ghost as a means of reconciling their own violently repressed heritage with their identity as modern Americans. And just as our ancestors were haunted by ghosts of the past, today their descendants are haunted by ghosts of contemporary crises: urban violence, racial hatred, and even terrorism. In other cases that Redding studies—such as James Baldwin’s The Evidence of Things Not Seen and Toni Cade Bambara’s Those Bones Are Not My Child—gothic writers address similar crises to challenge traditional American claims of innocence and justice.
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