Drawing on archival materials of twentieth-century biology; little-known works of fiction and science fiction; and twentieth- and twenty-first century U.S. and U.K. government reports by the National Institutes of Health, the Parliamentary Advisory Group on the Ethics of Xenotransplantation, and the President’s Council on Bioethics, she examines a number of biomedical changes as each was portrayed by scientists, social scientists, and authors of fiction and poetry. Among the scientific developments she considers are the cultured cell, the hybrid embryo, the engineered intrauterine fetus, the child treated with human growth hormone, the process of organ transplantation, and the elderly person rejuvenated by hormone replacement therapy or other artificial means. Squier shows that in the midst of new phenomena such as these, literature helps us imagine new ways of living. It allows us to reflect on the possibilities and perils of our liminal lives.

Susan Merrill Squier is Brill Professor of Women’s Studies and English at The Pennsylvania State University. She is author of Babies in Bottles: Twentieth-Century Visions of Reproductive Technology; editor of Communities of the Air: Radio Century, Radio Culture (published by Duke University Press); and coeditor of Playing Dolly: Technocultural Formations, Fantasies, and Fictions of Assisted Reproduction and Arms and the Woman: War, Gender, and Literary Representation. She is past president and Executive Board Member of the Society for Literature and Science.