University of Iowa Press, 2002 Paper: 978-0-87745-806-7 | eISBN: 978-1-58729-410-5 Library of Congress Classification PS3607.O57T73 2002 Dewey Decimal Classification 811.6
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK
In Trace of One,real geographies merge with spiritual ones, just as details of the speaker’s physical and emotional worlds intertwine with the transcendent realms of science, religion, and myth. Joanna Goodman’s poems share a sense of spatial and temporal displacement—they are love poems to a place, whether it be a field, a room, or a paradise—they celebrate their subjects, but they are also poems of grief and solitude. The poems resonate with ethereal echoes paradoxically emitted by an increasingly demystified world in which mechanical explanations for the workings of the human mind and body bump up against the mystery and obliqueness of the soul.
AUTHOR BIOGRAPHY
Joanna Goodman graduated from the Iowa Writers’ Workshop in 1994; she now lives in New York City, where she teaches at Baruch College. She won the Discovery/The NationPrize for 2001. Her poems have been published in the Massachusetts Review, Indiana Review, Sonora Review, Tin House, Fence, Phoebe,and the Literary Review
REVIEWS
“The poems in Joanna Gooman's Trace of One hover between the physical and spiritual worlds. They are poems of hectic grace, busy converting one matter into another, transforming identrity and space, and bridging distances while discovering new ones. . . . And what propels a reader through Trace of One is the affecting confidence with which Goodman interrogates mystery—not the least of which is a relationship, which she regards with careful awe. Here we have a poet of luminous observation, sharing a voice both vulnerable and daring in its humanity . . . a startling first collection.”—Crossroads
“In this remarkable first book, Joanna Goodman finds language for conveying extreme stages of emotion, whether belonging to modern lovers or to ritual participants in New Guinea. . . . Goodman depicts sorrows in such a way as to make them our sorrows, the joys our joys.”—Grace Schulman, author of The Paintings of Our Lives
TABLE OF CONTENTS
I
Tebaide
. . . Took Form Again
Falser Certainty
de’ Fiori
The Succession of Parts
Take Aim
Beech Tree in March
Enchanted
Benares
A Light Arch of Cloud, Ten Fingers Wide
On the Holy Friar Crossing a Suspension Bridge to Paradise
Conversion
This Is Joy
Directions
Pian dell’Arca
Coming of Age
II
Wave
Trace of One
How Did You Come to Know
Reasons for Everything
Of Force and Distance
Where to End
Port de Grave
Departure
Watermark
What Brought Them There
The Aftermath
Resuscitation
Recitative
The Dry Spell
After Being Called Naive, I Consult The Single Source for People
Who Need to Be Right
Examples of Use
What You Can Expect This Month
Coming Up Violets
The Moon Smiled Cheekily
Home
Laws of Motion
In an Excessive Corridor
Notes
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University of Iowa Press, 2002 Paper: 978-0-87745-806-7 eISBN: 978-1-58729-410-5
In Trace of One,real geographies merge with spiritual ones, just as details of the speaker’s physical and emotional worlds intertwine with the transcendent realms of science, religion, and myth. Joanna Goodman’s poems share a sense of spatial and temporal displacement—they are love poems to a place, whether it be a field, a room, or a paradise—they celebrate their subjects, but they are also poems of grief and solitude. The poems resonate with ethereal echoes paradoxically emitted by an increasingly demystified world in which mechanical explanations for the workings of the human mind and body bump up against the mystery and obliqueness of the soul.
AUTHOR BIOGRAPHY
Joanna Goodman graduated from the Iowa Writers’ Workshop in 1994; she now lives in New York City, where she teaches at Baruch College. She won the Discovery/The NationPrize for 2001. Her poems have been published in the Massachusetts Review, Indiana Review, Sonora Review, Tin House, Fence, Phoebe,and the Literary Review
REVIEWS
“The poems in Joanna Gooman's Trace of One hover between the physical and spiritual worlds. They are poems of hectic grace, busy converting one matter into another, transforming identrity and space, and bridging distances while discovering new ones. . . . And what propels a reader through Trace of One is the affecting confidence with which Goodman interrogates mystery—not the least of which is a relationship, which she regards with careful awe. Here we have a poet of luminous observation, sharing a voice both vulnerable and daring in its humanity . . . a startling first collection.”—Crossroads
“In this remarkable first book, Joanna Goodman finds language for conveying extreme stages of emotion, whether belonging to modern lovers or to ritual participants in New Guinea. . . . Goodman depicts sorrows in such a way as to make them our sorrows, the joys our joys.”—Grace Schulman, author of The Paintings of Our Lives
TABLE OF CONTENTS
I
Tebaide
. . . Took Form Again
Falser Certainty
de’ Fiori
The Succession of Parts
Take Aim
Beech Tree in March
Enchanted
Benares
A Light Arch of Cloud, Ten Fingers Wide
On the Holy Friar Crossing a Suspension Bridge to Paradise
Conversion
This Is Joy
Directions
Pian dell’Arca
Coming of Age
II
Wave
Trace of One
How Did You Come to Know
Reasons for Everything
Of Force and Distance
Where to End
Port de Grave
Departure
Watermark
What Brought Them There
The Aftermath
Resuscitation
Recitative
The Dry Spell
After Being Called Naive, I Consult The Single Source for People
Who Need to Be Right
Examples of Use
What You Can Expect This Month
Coming Up Violets
The Moon Smiled Cheekily
Home
Laws of Motion
In an Excessive Corridor
Notes
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
It can take 2-3 weeks for requests to be filled.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE